Artificial Intelligence in Contemporary Design Praxis Part II
A series of student articles exploring the implications, opportunities and limitations of a.i. and design. Part of the Programming for Designers Course work academic year 2024/2025, led by Ruxandra iancu Bratosin. IE Bachelor in Design
A series of student articles exploring the implications, opportunities and limitations of a.i. and design.
Part of the Programming for Designers Course work academic year 2024/2025, led by Ruxandra iancu Bratosin. IE Bachelor in Design
Transform your PDFs into Flipbooks and boost your revenue!
Leverage SEO-optimized Flipbooks, powerful backlinks, and multimedia content to professionally showcase your products and significantly increase your reach.
Brief <strong>II</strong> : A.I. and <strong>Design</strong> Methodology<br />
Programm<strong>in</strong>g for <strong>Design</strong>ers 2024/2025<br />
IE Bachelor <strong>in</strong> <strong>Design</strong><br />
prof. Ruxandra iancu-Bratos<strong>in</strong><br />
ap. GenAI<br />
<strong>Artificial</strong><br />
<strong>Intelligence</strong> <strong>in</strong><br />
<strong>Contemporary</strong><br />
<strong>Design</strong> <strong>Praxis</strong>:<br />
<strong>Part</strong> <strong>II</strong><br />
IE University / Madrid<br />
october 2024
MJ /imag<strong>in</strong>e:<br />
design students happy that a.i. will take their jobs.<br />
MJ /imag<strong>in</strong>e:<br />
design students devastated that a.i. will take their jobs.<br />
Covers<br />
MJ /imag<strong>in</strong>e:<br />
a university where a.i. is the only professor.
I have made two requests.<br />
One to my students: to <strong>in</strong>tegrate<br />
artificial <strong>in</strong>telligence <strong>in</strong>to their<br />
design methodologies however they<br />
see fit.<br />
Another to an LLM: to help me<br />
formulate the role of artificial<br />
<strong>in</strong>telligence <strong>in</strong> the design world.<br />
This publication is the result of those<br />
requests put together.<br />
- Ruxandra Iancu Bratos<strong>in</strong>,<br />
professor of the<br />
Programm<strong>in</strong>g for <strong>Design</strong>ers course<br />
IE University,<br />
School of Architecture and <strong>Design</strong><br />
Bachelor <strong>in</strong> <strong>Design</strong><br />
<strong>Artificial</strong> <strong>Intelligence</strong> <strong>in</strong> <strong>Design</strong><br />
<strong>Praxis</strong>: A Critical Analysis of<br />
Creative Transformation <strong>in</strong> 2024<br />
Introduction: The Evolv<strong>in</strong>g <strong>Design</strong><br />
Landscape<br />
The <strong>in</strong>tegration of <strong>Artificial</strong><br />
<strong>Intelligence</strong> with<strong>in</strong> design praxis has<br />
catalyzed a profound transformation<br />
<strong>in</strong> creative <strong>in</strong>dustries, parallel<strong>in</strong>g<br />
historical technological disruptions<br />
but with unprecedented scope and<br />
velocity. While the 19th century’s<br />
photographic revolution challenged<br />
traditional artistic expression, and the<br />
20th century’s automation reshaped<br />
manufactur<strong>in</strong>g, today’s AI revolution<br />
fundamentally reconstructs the<br />
creative process itself. As we<br />
navigate 2024, the design community<br />
f<strong>in</strong>ds itself at a crucial junction<br />
where tools like Midjourney,<br />
DALL-E 3, and various AI-powered<br />
design suites have become <strong>in</strong>tegral to<br />
creative workflows.<br />
The Dialectics of AI <strong>in</strong><br />
<strong>Contemporary</strong> <strong>Design</strong> Practice<br />
Transformation of Creative<br />
Processes<br />
The contemporary design landscape<br />
witnesses a fasc<strong>in</strong>at<strong>in</strong>g dialectic<br />
between human creativity and<br />
artificial <strong>in</strong>telligence. Unlike earlier<br />
tools that simply automated manual<br />
tasks, modern AI systems actively<br />
participate <strong>in</strong> the creative process.<br />
For <strong>in</strong>stance:<br />
1. Ideation and Conceptualization<br />
• AI’s ability to generate countless<br />
variations of design concepts has<br />
transformed the bra<strong>in</strong>storm<strong>in</strong>g<br />
phase<br />
• Tools like Stable Diffusion and<br />
Adobe Firefly enable rapid<br />
prototype visualization<br />
• The challenge lies <strong>in</strong> ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />
creative authenticity while<br />
leverag<strong>in</strong>g AI’s generative<br />
capabilities<br />
2. <strong>Design</strong> Development<br />
• AI systems now assist <strong>in</strong> color<br />
palette generation, typography<br />
pair<strong>in</strong>g, and layout optimization<br />
• Mach<strong>in</strong>e learn<strong>in</strong>g algorithms
analyze user behavior to <strong>in</strong>form<br />
design decisions<br />
• The <strong>in</strong>tegration of AI <strong>in</strong><br />
design software has redef<strong>in</strong>ed<br />
the boundaries of technical<br />
proficiency<br />
Impact on Various <strong>Design</strong><br />
Discipl<strong>in</strong>es<br />
The <strong>in</strong>fluence of AI manifests<br />
differently across design discipl<strong>in</strong>es:<br />
1. Graphic <strong>Design</strong><br />
• Logo generation and brand<br />
identity development have been<br />
revolutionized by AI tools<br />
• Typography design now<br />
<strong>in</strong>corporates mach<strong>in</strong>e learn<strong>in</strong>g<br />
for optimiz<strong>in</strong>g readability and<br />
aesthetic appeal<br />
• The challenge of ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />
unique brand voices amid AIgenerated<br />
content<br />
2. Product <strong>Design</strong><br />
• AI-powered parametric design<br />
tools enable rapid prototyp<strong>in</strong>g<br />
• Material selection and<br />
susta<strong>in</strong>ability analysis enhanced<br />
by mach<strong>in</strong>e learn<strong>in</strong>g<br />
• Integration of user data <strong>in</strong><br />
product development cycles<br />
3. Fashion <strong>Design</strong><br />
• AI trend prediction and pattern<br />
generation<br />
• Virtual fitt<strong>in</strong>g rooms<br />
and personalized design<br />
recommendations<br />
• Susta<strong>in</strong>able fashion practices<br />
enabled by AI optimization<br />
Challenges and Critical<br />
Considerations<br />
Professional Identity and Creative<br />
Authority<br />
The <strong>in</strong>tegration of AI <strong>in</strong> design<br />
praxis raises fundamental questions<br />
about professional identity:<br />
1. Skill Evolution<br />
• Traditional design skills are<br />
be<strong>in</strong>g augmented by AI literacy<br />
requirements<br />
• The emergence of new<br />
specialized roles: AI-design<br />
<strong>in</strong>terpreters and prompt<br />
eng<strong>in</strong>eers<br />
• The need for cont<strong>in</strong>uous learn<strong>in</strong>g<br />
and adaptation<br />
2. Creative Attribution<br />
• Complex questions of authorship<br />
<strong>in</strong> AI-assisted design<br />
• The evolution of copyright law<br />
and <strong>in</strong>tellectual property rights<br />
• Establish<strong>in</strong>g frameworks for<br />
credit<strong>in</strong>g AI contributions<br />
Ethical Implications<br />
The ethical dimensions of AI <strong>in</strong><br />
design practice demand careful<br />
consideration:<br />
1. Authenticity and Orig<strong>in</strong>ality<br />
• Ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g creative authenticity
<strong>in</strong> an AI-augmented workflow<br />
• Balanc<strong>in</strong>g efficiency with unique<br />
creative expression<br />
• The role of human <strong>in</strong>tuition and<br />
emotional <strong>in</strong>telligence<br />
2. Cultural Sensitivity<br />
• AI systems’ capacity to<br />
understand and respect cultural<br />
nuances<br />
• The risk of cultural<br />
homogenization through AIgenerated<br />
design<br />
• Ensur<strong>in</strong>g diverse representation<br />
<strong>in</strong> AI tra<strong>in</strong><strong>in</strong>g data<br />
Opportunities and Future<br />
Trajectories<br />
Enhanced Creative Capabilities<br />
AI <strong>in</strong>tegration offers unprecedented<br />
opportunities for design <strong>in</strong>novation:<br />
1. Expanded Creative Possibilities<br />
• AI as a collaborative tool for<br />
explor<strong>in</strong>g new design territories<br />
• Enhanced ability to visualize and<br />
iterate concepts rapidly<br />
• Integration of complex data<br />
analysis <strong>in</strong> design decisions<br />
2. Workflow Optimization<br />
• Automation of rout<strong>in</strong>e tasks<br />
allow<strong>in</strong>g focus on strategic<br />
creativity<br />
• Improved project management<br />
through AI-powered tools<br />
• Enhanced collaboration<br />
capabilities through AI-assisted<br />
platforms<br />
Educational Implications<br />
The evolution of design education<br />
reflects these changes:<br />
1. Curriculum Development<br />
• Integration of AI literacy <strong>in</strong><br />
design education<br />
• Focus on human-AI<br />
collaboration methodologies<br />
• Development of critical th<strong>in</strong>k<strong>in</strong>g<br />
about AI’s role <strong>in</strong> design<br />
2. Professional Development<br />
• Cont<strong>in</strong>uous learn<strong>in</strong>g programs<br />
for practic<strong>in</strong>g designers<br />
• New specializations emerg<strong>in</strong>g at<br />
the <strong>in</strong>tersection of AI and design<br />
• Evolution of design criticism and<br />
theory<br />
The Path Forward: A Symbiotic<br />
Future<br />
The future of design praxis lies <strong>in</strong><br />
establish<strong>in</strong>g a symbiotic relationship<br />
between human creativity and<br />
artificial <strong>in</strong>telligence. This<br />
relationship should:<br />
1. Preserve Human Elements<br />
• Emotional <strong>in</strong>telligence and<br />
cultural understand<strong>in</strong>g<br />
• Strategic th<strong>in</strong>k<strong>in</strong>g and conceptual<br />
development<br />
• Ethical decision-mak<strong>in</strong>g and<br />
social responsibility
2. Leverage AI Capabilities<br />
• Data analysis and pattern<br />
recognition<br />
• Rapid prototyp<strong>in</strong>g and iteration<br />
• Technical optimization and<br />
efficiency<br />
is the need for designers to approach<br />
this evolution with both enthusiasm<br />
for its possibilities and critical<br />
awareness of its implications.<br />
Conclusion<br />
As we progress through 2024,<br />
the <strong>in</strong>tegration of AI <strong>in</strong> design<br />
praxis represents not merely a<br />
technological shift but a fundamental<br />
transformation <strong>in</strong> creative practice.<br />
The successful designer of today and<br />
tomorrow is one who can effectively<br />
navigate this new landscape,<br />
leverag<strong>in</strong>g AI’s capabilities while<br />
ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g the essential human<br />
elements that give design its mean<strong>in</strong>g<br />
and impact.<br />
The future of design lies not <strong>in</strong><br />
resistance to AI, nor <strong>in</strong> complete<br />
surrender to its capabilities, but <strong>in</strong><br />
thoughtful <strong>in</strong>tegration that enhances<br />
human creativity while address<strong>in</strong>g<br />
ethical concerns and ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />
professional <strong>in</strong>tegrity. As AI<br />
cont<strong>in</strong>ues to evolve, the design<br />
community must rema<strong>in</strong> adaptable,<br />
critical, and focused on creat<strong>in</strong>g<br />
value that comb<strong>in</strong>es technological<br />
<strong>in</strong>novation with human <strong>in</strong>sight.<br />
The discourse surround<strong>in</strong>g AI <strong>in</strong><br />
design will cont<strong>in</strong>ue to evolve,<br />
shaped by technological advances,<br />
ethical considerations, and practical<br />
experience. What rema<strong>in</strong>s constant
Projects by:<br />
Tanya Saleem Ahmed Abdul-Rahim / T@NY4_4L!F3<br />
Mira Daniella Benzion Zebede / M1r@_D4n!3lL@<br />
Alhasan Boubou / 4l3xB00B@Z<br />
Maria Briseño Cid / Br!z3n0_M@r14<br />
Ximena Castro Giust<strong>in</strong>iani / X_C4$Tr0_G1u$t!<br />
Lucia Anne Elisabeth Emmy Gräf<strong>in</strong> von der Schulenburg / LUC!4_v0N_d3r<br />
Elizaveta Grish<strong>in</strong>a / Gr!$h1n@_L!$4<br />
Jessam<strong>in</strong>e Naa’ilah Imaan Hamilton / J3$$Y_1M@N<br />
Stefanie Laredo Hurtado / 5t3F@_R3d0<br />
Eloïse Marie-Liesse Heidi Lobmeyr / ELO_H3!d1zZ<br />
Laura Moreno Solano / L@uR@_m0r3n0<br />
Jean Ignace Noble / N0BL3_J3@N<br />
Juan Pastor Quesada / Ju@N_P@st0R92<br />
Inmaculada Sánchez Cánovas / !nm@C4n0V@<br />
Simón Sánchez Navarro / S!m_5@NCh3Z<br />
Valeria Sierra Echavarría / V@l_$iErr@_94<br />
Ximena Valenzuela Fernandez / X!m_V4L3N
<strong>in</strong>dex<br />
Harmony <strong>in</strong> Diversity: AI-Driven<br />
Cosmetics Brand Bridg<strong>in</strong>g Queer<br />
Expression and Conservative<br />
Elegance page 12<br />
AI has become one of the most powerful<br />
resources to our disposition. Nowadays one<br />
can debate as to whether this is a support<strong>in</strong>g<br />
tool or a technology that will replace<br />
traditional roles <strong>in</strong> the workforce.<br />
AI-Driven Fashion: Reimag<strong>in</strong><strong>in</strong>g<br />
Iconic Legacies <strong>in</strong>to Modern<br />
Collections page 26<br />
In a time where technology is constantly<br />
reshap<strong>in</strong>g the boundaries of creativity, the<br />
fashion <strong>in</strong>dustry stands at the crossroads of<br />
<strong>in</strong>novation. Fashion collections are no longer<br />
the sole product of human <strong>in</strong>st<strong>in</strong>ct and artistic<br />
genius, but <strong>Artificial</strong> <strong>Intelligence</strong> has become<br />
a dom<strong>in</strong>ant tool that challenges the essence of<br />
what it means to design.<br />
AI gives the designers the ability to explore<br />
creative possibilities, represent new concepts<br />
and <strong>in</strong>novate faster than before.<br />
Unveil<strong>in</strong>g the Role of AI and the<br />
Human Touch page 46<br />
How do you ensure that a mach<strong>in</strong>e—a tool<br />
built on data—can capture the depth and<br />
nuance of a culture?<br />
AI and Culturally Sensitive Fashion:<br />
Weav<strong>in</strong>g Tradition <strong>in</strong>to <strong>Design</strong><br />
page 58<br />
The primary objective is to <strong>in</strong>vestigate how<br />
AI can develop fashion that respects cultural<br />
nuances while assess<strong>in</strong>g its limitations <strong>in</strong><br />
understand<strong>in</strong>g complex cultural contexts. A<br />
central question guid<strong>in</strong>g this exploration is<br />
whether AI can craft a coherent and culturally<br />
respectful brand that effectively balances<br />
creativity with cultural <strong>in</strong>tegrity<br />
Us<strong>in</strong>g AI to explore new forms of<br />
functional design page 70<br />
This project explores how AI can be used<br />
to transform everyday objects, like a chair,<br />
<strong>in</strong>to new forms while still keep<strong>in</strong>g their core<br />
functionality. By focus<strong>in</strong>g on comfort and<br />
support without rely<strong>in</strong>g on traditional design<br />
elements, I aimed to push the boundaries of<br />
what AI could create.
Explor<strong>in</strong>g the role of AI <strong>in</strong><br />
redef<strong>in</strong><strong>in</strong>g human physical identity<br />
<strong>in</strong> a digital realm. page 83<br />
With identity be<strong>in</strong>g at the core of all types of<br />
design, this project aims to question the<br />
agency that AI should be given <strong>in</strong> design<br />
methodologies consider<strong>in</strong>g its ability (or lack<br />
there of) of deeply understand<strong>in</strong>g this concept.<br />
It aims to acknowledge the real people that<br />
are beh<strong>in</strong>d virtual and physical realities, and<br />
rem<strong>in</strong>d designers of the importance of hav<strong>in</strong>g<br />
full awareness of who it is they are design<strong>in</strong>g<br />
for.<br />
Reimag<strong>in</strong><strong>in</strong>g Kitchen Utensils: A<br />
Creative Exploration of<br />
<strong>Design</strong> and Abstraction page 94<br />
What happens when we challenge the familiar<br />
and explore the possibilities of design beyond<br />
functionality?<br />
Elevat<strong>in</strong>g Mariado Guil- len with AI<br />
and Balenciaga’s Influence page 102<br />
The rebrand<strong>in</strong>g journey illustrates how AI can<br />
be a powerful tool <strong>in</strong> the design process—<br />
allow<strong>in</strong>g creativity to expand while push<strong>in</strong>g<br />
new boundaries.<br />
Test<strong>in</strong>g AI platforms’ capabilities for<br />
conduct<strong>in</strong>g text based research page<br />
116<br />
This project aims to explore the current<br />
capabilities of generative AI <strong>in</strong> research<br />
processes for writ<strong>in</strong>g (both academic and<br />
journalistic are tested out). The project<br />
will explore three different processes of<br />
creation us<strong>in</strong>g AI, with various levels of user<br />
<strong>in</strong>tegration; the first is data generated by AI<br />
and free decision-mak<strong>in</strong>g by humans, the<br />
second is data generated by AI and structured<br />
decision-mak<strong>in</strong>g by humans, while the third<br />
is data and decision-mak<strong>in</strong>g generated by AI<br />
only.<br />
Harmonics of the Future:<br />
Comparative Study of AI Music<br />
Production page 128<br />
In this project we explore the evolution of<br />
AI <strong>in</strong> music and exam<strong>in</strong>e several key AI<br />
platforms designed to generate music<br />
pieces.
Analys<strong>in</strong>g the distribution of<br />
fall<strong>in</strong>g balls on a galton board with<br />
AI page 144<br />
AI can be a powerful tool to efficiently<br />
generate your best ideas and enhance<br />
creativity. I challenged myself to create<br />
someth<strong>in</strong>g I had never done us<strong>in</strong>g AI,<br />
<strong>in</strong>corporat<strong>in</strong>g both cod<strong>in</strong>g and simulation.<br />
The Role of AI Tools <strong>in</strong> shap<strong>in</strong>g<br />
Fashion page 160<br />
The future of fashion is undeniably excit<strong>in</strong>g,<br />
with AI-driven creativity and personalization<br />
lead<strong>in</strong>g the way. As the <strong>in</strong>dustry embraces<br />
new technologies, from 3D pr<strong>in</strong>t<strong>in</strong>g and AI<br />
customization to virtual fashion, designers like<br />
myself are able to experiment <strong>in</strong> ways never<br />
before possible.<br />
Explor<strong>in</strong>g the efficacy of AI tools <strong>in</strong><br />
redesign<strong>in</strong>g a brand’s cloth<strong>in</strong>g and<br />
visual image page 170<br />
The primary aim of this project is to assess<br />
the effectiveness of AI <strong>in</strong> redesign<strong>in</strong>g a cloth<strong>in</strong>g<br />
l<strong>in</strong>e rooted <strong>in</strong> a specific historical context<br />
while stay<strong>in</strong>g true to the brand’s orig<strong>in</strong>al<br />
values and aesthetics.<br />
Artistic Collaboration with AI page<br />
182<br />
This project explores a collaborative<br />
process with AI, aim<strong>in</strong>g to create visual<br />
photorealist art pieces and to question AI’s<br />
current and future <strong>in</strong>volvement with<strong>in</strong> the art<br />
world.<br />
Physical appearance through the<br />
eyes of <strong>Artificial</strong> <strong>Intelligence</strong> page<br />
192<br />
Who could potentially be affected by these AIgenerated<br />
images? The <strong>in</strong>fluence of AI is not<br />
limited to aesthetics alone: it also touches<br />
deeper issues <strong>in</strong> our society, mak<strong>in</strong>g it<br />
essential to explore the broader implications<br />
that come along with the use of AI.<br />
Homie, a home assistant, a friend,<br />
another you page 204<br />
What if a smart home existed,<br />
equipped with an assistant so<br />
f<strong>in</strong>ely tuned to your preferences<br />
that it anticipates your every need?
Project Name: Harmony <strong>in</strong> Diversity: AI-Driven<br />
Cosmetics Brand Bridg<strong>in</strong>g Queer Expression and<br />
Conservative Elegance<br />
Author: Ximena Valenzuela Fernandez<br />
Tools and platforms used: Perplexity, ChatGPT4o,<br />
Midjourney & Photoshop AI<br />
Summary of the project<br />
and process<br />
The objective of this project was to<br />
be able to gather <strong>in</strong>formation us<strong>in</strong>g<br />
ChatGPT4o and Perplexity about<br />
two different communities and use<br />
it to be able to create a cosmetics<br />
brand by blend<strong>in</strong>g their identities.<br />
As I wanted the project to be<br />
controversial, the two communities<br />
selected were not exactly opposites,<br />
but very contrast<strong>in</strong>g. The queer and<br />
the conservative community.<br />
together. My ma<strong>in</strong> <strong>in</strong>tention was to<br />
avoid the assumption that if you are<br />
queer you cannot be conservative<br />
and vice versa. Therefore, with the<br />
use of AI, I created a hypothetical<br />
cosmetics brand that has tackled<br />
this specific audience by blend<strong>in</strong>g<br />
their views, values and beliefs<br />
together.<br />
I wanted to explore what type of<br />
<strong>in</strong>formation a different LLM would<br />
give me regard<strong>in</strong>g the communities I<br />
selected and how they would blend
Disclaimer:<br />
This article dives <strong>in</strong>to the exploration of conservative<br />
and queer values with the sole <strong>in</strong>tention of creat<strong>in</strong>g a<br />
hypothetical cosmetics brand. The objective is to create<br />
a brand that allows enough space to have <strong>in</strong>clusivity,<br />
diversity, and a shared vision of self expression and beauty.<br />
This project does not have the <strong>in</strong>tention of re<strong>in</strong>terpret<strong>in</strong>g<br />
the members of the communities and it does not want<br />
to simplify the complexities they go through. The aim is<br />
to portray a fresh view on how different values can blend<br />
together and coexist <strong>in</strong> a creative way.<br />
Introduction<br />
<strong>Artificial</strong> <strong>Intelligence</strong> has been a<br />
term that has been around s<strong>in</strong>ce<br />
the 1950, when it was talked about<br />
as someth<strong>in</strong>g that could re<strong>in</strong>terpret<br />
human <strong>in</strong>telligence. Notwithstand<strong>in</strong>g,<br />
we have seen more evolution and<br />
progress <strong>in</strong> technology <strong>in</strong> the last 2<br />
decades than ever before. AI has<br />
become one of the most powerful<br />
resources to our disposition.<br />
Nowadays one can debate as to<br />
whether this is a support<strong>in</strong>g tool or a<br />
technology that will replace traditional<br />
roles <strong>in</strong> the workforce. It evolved<br />
from be<strong>in</strong>g a hypothetical idea <strong>in</strong>to<br />
someth<strong>in</strong>g that is reshap<strong>in</strong>g our way<br />
of th<strong>in</strong>k<strong>in</strong>g and work<strong>in</strong>g.<br />
As we dive <strong>in</strong>to the relationship<br />
between creative <strong>in</strong>dustries and<br />
artificial <strong>in</strong>telligence, throughout this<br />
project, I have explored how mach<strong>in</strong>e<br />
learn<strong>in</strong>g algorithms, conceptual cues,<br />
and image generation can aid <strong>in</strong> the<br />
design process and lead the visual<br />
identity of a cosmetics brand. This<br />
research and experimentation shows<br />
the advantages of us<strong>in</strong>g artificial<br />
<strong>in</strong>telligence tools but it also aims to<br />
demonstrate the limitations that we<br />
can f<strong>in</strong>d <strong>in</strong> technology.
This is a project created solely<br />
with the help of different AI tools.<br />
It has the ma<strong>in</strong> <strong>in</strong>tention of be<strong>in</strong>g<br />
able to explore how to navigate<br />
<strong>Artificial</strong> <strong>in</strong>telligence when it comes<br />
to creat<strong>in</strong>g the identity of a brand.<br />
Each stage of the process uses<br />
a different AI tool for a specific<br />
purpose. From two LLMs (Perplexity<br />
and ChatGPT4o) for research and<br />
Midjourney for image generation.<br />
The tools were used actively and<br />
were the most critical part of this<br />
process.<br />
I used AI to analyse the culture<br />
of queer and conservative<br />
communities. The first and one<br />
of the most important steps was<br />
def<strong>in</strong><strong>in</strong>g what each of these<br />
words mean. This was to gather<br />
the <strong>in</strong>formation provided by<br />
the AI algorithms <strong>in</strong> order to be<br />
able to have the most accurate<br />
representation of the hypothetical<br />
case of a cosmetics brand that<br />
blends queer and conservative<br />
values. As a result, the def<strong>in</strong>itions<br />
were narrowed down to this:<br />
Queer Community<br />
It is an umbrella term used to<br />
describe a spectrum of sexual<br />
exual orientations and gender<br />
identities that fall outside<br />
ofheterosexual and scisgender<br />
norms. Historically, the word was<br />
used as a slur aga<strong>in</strong>st LGBTQ+<br />
<strong>in</strong>dividuals, but over time, many<br />
with<strong>in</strong> the community have<br />
reclaimed it as a positive, <strong>in</strong>clusive<br />
label that challenges b<strong>in</strong>ary th<strong>in</strong>k<strong>in</strong>g<br />
about gender and sexuality.<br />
People who identify as queer<br />
may not feel comfortable labell<strong>in</strong>g<br />
themselves strictly as gay, lesbian,<br />
bisexual, transgender, or any other<br />
specific identity. Instead, “queer”<br />
can reflect a fluid, nonconform<strong>in</strong>g<br />
approach to sexuality and gender.<br />
It’s important to note that while<br />
many embrace the term, others <strong>in</strong><br />
the LGBTQ+ community may still<br />
prefer not to use it due to its past<br />
derogatory use.<br />
Conservative Community<br />
Typically holds values and beliefs<br />
that emphasise tradition, stability,<br />
and ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g established<br />
practices and is reluctant to<br />
embrace change. They tend<br />
to support preserv<strong>in</strong>g societal<br />
<strong>in</strong>stitutions, customs, and cultural<br />
norms, often favour<strong>in</strong>g gradual<br />
change rather than rapid or radical<br />
shifts. However, the specific values<br />
associated with conservatism can<br />
vary across cultures and contexts.
Context for this project is crucial.<br />
Hav<strong>in</strong>g images shown beforehand<br />
allows the audience to have more<br />
clarity. It shows <strong>in</strong>sight as to what<br />
these communities are look<strong>in</strong>g for<br />
<strong>in</strong> the cosmetics world and how<br />
they are approached. Midjourney<br />
created this series of images represent<strong>in</strong>g<br />
the conservative community.<br />
Even though Perplexity and<br />
ChatGPT4o mentioned a different<br />
range for a colour palette for the<br />
conservative cosmetics brand, it<br />
still represents the vision they have<br />
and the traditional, simple, elegant<br />
values they represent. As for the<br />
queer representation, we can see<br />
that some stereotype is represented.<br />
By us<strong>in</strong>g the word queer, this AI<br />
tool immediately assumed that the<br />
packag<strong>in</strong>g had to have a wide variety<br />
of colours and shapes, want<strong>in</strong>g<br />
to represent the LGBTQ+ flag and<br />
their diversity.<br />
Prompt: Create a packag<strong>in</strong>g design for a cosmetics brand for a<br />
conservative community<br />
Style Raw v 6.1wStylize 0<br />
Prompt: Create a packag<strong>in</strong>g design for a cosmetics brand for a<br />
queer community<br />
Style Raw v 6.1 Stylize 0
To start with the strategy for this project, I had to analyse the <strong>in</strong>formation<br />
provided by the LLMs and the matrix of comparison and delve deeper <strong>in</strong>to<br />
what type of strategy each community goes through.<br />
Queer Community<br />
It is focused on the core values<br />
of the queer community by be<strong>in</strong>g<br />
authentic, diverse and empower<strong>in</strong>g.<br />
Mention<strong>in</strong>g how it should<br />
<strong>in</strong>corporate vibrant colours to<br />
represent the spectrum of gender<br />
identities and sexual orientation.<br />
The target audience is focused on<br />
Gen Z and Millenials. As these are<br />
the current generations, the brand<br />
has to be eco friendly, cruelty free<br />
with gender neutral packag<strong>in</strong>g<br />
go<strong>in</strong>g along with today’s beliefs<br />
and mentalities.<br />
For the market<strong>in</strong>g aspect, which<br />
is someth<strong>in</strong>g that will not be used<br />
for this project, it mentions the<br />
importance of collaboration with<br />
other queer <strong>in</strong>dividuals, foster<strong>in</strong>g<br />
the community and us<strong>in</strong>g different<br />
types of social media like TikTok<br />
and Instagram. It talked about<br />
the importance of visual identity,<br />
typography, imagery and tone and<br />
voice. For this, AI def<strong>in</strong>ed it as<br />
someth<strong>in</strong>g that had to have vibrant<br />
and bold colours, use of sans-serif<br />
fonts that give an edgy look and<br />
diverse models from all genders<br />
and body types with the key aim<br />
of empower<strong>in</strong>g <strong>in</strong>dividuality and<br />
<strong>in</strong>clusivity.<br />
Conservative Community<br />
It is focused on the values of the<br />
conservative community that relied<br />
on hav<strong>in</strong>g high quality products<br />
that represent authenticity,<br />
modesty and wants to enhance<br />
natural beauty. As this community<br />
embraces traditional values, the<br />
strategy for them is focused on<br />
hav<strong>in</strong>g a respectful and trustworthy<br />
tone, to focus on natural beauty<br />
but also to show self expression.<br />
The target audience is focused on<br />
GenZ and millennials.<br />
The product l<strong>in</strong>e has to <strong>in</strong>clude<br />
natural shades that portray<br />
elegance and sophistication. The<br />
typography has to be easy to read<br />
but formal with some serif fonts.<br />
The imagery has to be focus<strong>in</strong>g<br />
on natural beauty and serene.<br />
The tone of the brand has to be<br />
conservative and respectful to<br />
make the audience feel like they<br />
would get a polished look.<br />
It is a community that also<br />
looks for simple designs that<br />
give functionality and longevity,<br />
<strong>in</strong>corporat<strong>in</strong>g susta<strong>in</strong>able materials<br />
but that do not compromise the<br />
luxurious appeal.
As expected, the results for conservatives and queers when it comes to<br />
def<strong>in</strong><strong>in</strong>g their ideologies and values are very different. Notwithstand<strong>in</strong>g,<br />
a similarity that grabbed my attention was the importance they give to<br />
sk<strong>in</strong>care and cosmetics. I went deeper <strong>in</strong>to the research to <strong>in</strong>vestigate their<br />
preferences with<strong>in</strong> cosmetic products.<br />
Category Queer Conservative<br />
Self-Expression and Makeup<br />
Popular Makeup Products<br />
Sk<strong>in</strong>care Focus<br />
Clean Beauty and Safety<br />
Fragrance Preferences<br />
Trends and Collections<br />
Gender-Neutral Approach<br />
Market<strong>in</strong>g Focus<br />
Bold colors, artistic looks, and<br />
creative self-expression are valued.<br />
Bold lipsticks, colorful eyeshadows,<br />
highlighters, gender-neutral fragrances,<br />
and nail polish.<br />
Inclusive sk<strong>in</strong>care, multi-use<br />
products, and hydrat<strong>in</strong>g serums are<br />
important.<br />
Avoids harmful chemicals, favors<br />
vegan, cruelty-free, and susta<strong>in</strong>able<br />
<strong>in</strong>gredients.<br />
Favors gender-neutral or bold,<br />
unique scents. Some prefer fragrance-free<br />
products.<br />
Pride-specific collections, <strong>in</strong>clusive<br />
shades, multi-functional products for<br />
flexible rout<strong>in</strong>es.<br />
Many products cater to all genders<br />
and reject traditional gender norms.<br />
Embraces diversity, self-expression,<br />
and supports LGBTQ+ causes<br />
year-round.<br />
Makeup is used subtly to enhance<br />
natural beauty, avoid<strong>in</strong>g bold or<br />
dramatic colors.<br />
Neutral foundation, soft eyeshadow,<br />
mascara, natural blush, and lip balm<br />
are common.<br />
Emphasis on non-irritat<strong>in</strong>g, hypoallergenic,<br />
and natural sk<strong>in</strong>care for<br />
sensitive sk<strong>in</strong>.<br />
Avoids harmful chemicals, favors<br />
vegan, cruelty-free, and susta<strong>in</strong>able<br />
<strong>in</strong>gredients.<br />
Mild scents from natural essential<br />
oils or fragrance-free products are<br />
common.<br />
Classic beauty products with timeless<br />
appeal, often <strong>in</strong> neutral or soft colors.<br />
Products are often formulated for<br />
women but marketed without gender-specific<br />
focus.<br />
Focuses on safety, simplicity, and<br />
long-term sk<strong>in</strong> health.<br />
Audience GenZ and Millenials GenZ and Millenials<br />
Imagery and Typography<br />
Vibrant and boldness. Edgy Look.<br />
Sans-serif font. Diversity with the<br />
models<br />
Formal serif fonts. Easy to read.<br />
Conservative and respectful.<br />
Aim Empower <strong>in</strong>dividuality and <strong>in</strong>clusivity Portray elegance, natural beauty,<br />
respectfulness.<br />
Generated by ChatGPT4o. Prompt: Create a Matrix of Comparison<br />
us<strong>in</strong>g the <strong>in</strong>formation provided by the PDF.
Prompt No. 1<br />
Create a brand identity targeted for gen z and millenials. Embrac<strong>in</strong>g self - expression, boldness<br />
and <strong>in</strong>clusivity. The brand blends the bold, vibrant self expression of the queer ommunity with the<br />
timeless elegance and ref<strong>in</strong>ement valued by conservative consumers.<br />
Style Raw v 6.1 Stylize 0<br />
Prompt No. 2<br />
Create a cosmetics brand for gen z and millenials. Embrac<strong>in</strong>g self - expression, boldness and<br />
<strong>in</strong>clusivity. The brand blends the bold, vibrant self expression of the queer community with the<br />
timeless elegance and ref<strong>in</strong>ement valued by conservative consumers.<br />
Style Raw v 6.1 Stylize 0<br />
Prompt No. 3<br />
Us<strong>in</strong>g image number 2, create a cosmetics brand for gen z and millenials. Embrac<strong>in</strong>g self -<br />
expression, boldness and <strong>in</strong>clusivity. The brand blends the bold, vibrant self expression of the<br />
queer community with the timeless elegance and ref<strong>in</strong>ement valued by conservative consumers.<br />
Style Raw v 6.1 Stylize 0
Prompt No. 4<br />
Focus on packag<strong>in</strong>g of a cosmetics product. Targeted for gen z and millenials. With the name<br />
‘endless beauty’. Embrac<strong>in</strong>g self - expression, boldness and <strong>in</strong>clusivity. Use queer base colors<br />
with the previous imagenes as reference for style.<br />
Style Raw v 6.1 Stylize 0<br />
Prompt No. 5<br />
Create a cosmetics identity, targeted for gen z and millenials. Embrac<strong>in</strong>g self - expression,and<br />
<strong>in</strong>clusivity. The brand blends the bold, vibrant self expression of the queer community with<br />
the timeless elegance and ref<strong>in</strong>ement valued by conservative consumers with this image as<br />
reference. Focus on packag<strong>in</strong>g of a cosmetic.<br />
Style Raw v 6.1 Stylize 0<br />
Prompt No. 6<br />
Use image number three from the last prompt and create more. Show the same style <strong>in</strong><br />
packag<strong>in</strong>g and with a more neutral background.<br />
Style Raw v 6.1 Stylize 0
Favourite selection of photos<br />
These were the photos I selected to use as a reference for the f<strong>in</strong>al image<br />
generation. I found out that Midjourney does not show the prompt as<br />
accurately as you expect it to be. The tools to manipulate image size,<br />
aesthetics and model were exactly as I <strong>in</strong>tended it to be. I needed the design<br />
of the packag<strong>in</strong>g to be as accurate as my prompt.<br />
These images represent my vision. The packag<strong>in</strong>g demonstrates a clear<br />
blend between the queer values and the conservative ones. There is a<br />
simple, elegant and sophisticated packag<strong>in</strong>g with a base of neutral beige<br />
tones mixed with a bold and vibrant splash of different colours portray<strong>in</strong>g<br />
the diversity and self-expression of the queer community. Both elements<br />
work well together when giv<strong>in</strong>g the right prompt. Now, I need to work with<br />
a different background. At this po<strong>in</strong>t <strong>in</strong> the process, Midjourney does<br />
not understand that I want the background of the images to be pla<strong>in</strong>.<br />
Nonetheless, I will go on and work with Photoshop AI now <strong>in</strong> order to fix this<br />
<strong>in</strong>convenience.
This brand uniquely blends the bold, vibrant self-expression of the<br />
queer community with the timeless elegance and ref<strong>in</strong>ement valued<br />
by conservative consumers.<br />
It represents a convergence of <strong>in</strong>clusivity, <strong>in</strong>dividuality, and<br />
sophisticated beauty through a curated product l<strong>in</strong>e and thoughtful<br />
brand<strong>in</strong>g that appeals to both groups.<br />
Style Raw v 6.1 Stylize 0
Midjourney & Photoshop AI
Midjourney & Photoshop AI
Photoshop AI
The whole process of creat<strong>in</strong>g a cosmetics brand that blends two contrast<strong>in</strong>g<br />
communities by us<strong>in</strong>g AI tools like Perplexity, ChatGPT4o, Midjourney and<br />
Photoshop AI leaves a lot of takeaways. <strong>Artificial</strong> <strong>in</strong>telligence is such a unique<br />
tool that we are privileged to have. It aids with many different processes,<br />
specially for creatives. It shows the variety of options one can have by typ<strong>in</strong>g<br />
a s<strong>in</strong>gle prompt. I was able to create a hypothetical cosmetics brand that<br />
aims to target queer and conservative communities. AI tools have a very<br />
unique take away to the way it creates tak<strong>in</strong>g <strong>in</strong>to account that most of the<br />
algorithms used by these, have <strong>in</strong>formation from ‘unknown sources’, aka, us<br />
and the <strong>in</strong>ternet.<br />
Even though this project is focused on creat<strong>in</strong>g a cosmetics brand, it is also<br />
about div<strong>in</strong>g deep <strong>in</strong>to the role of AI and debat<strong>in</strong>g to what extent there are<br />
differences between human consciousness and technology. Some th<strong>in</strong>gs<br />
were <strong>in</strong>credible to believe, like the speed at which the tools function, but it<br />
was also reliev<strong>in</strong>g to see that some tools, such as midjourney are unable to<br />
recreate the same images. As an AI tool one would th<strong>in</strong>k that small changes<br />
would be easy to tackle but as it turns out, it is completely the opposite as it<br />
was unable to do the task. However, this project and AI broadened my scope<br />
to believe that we do have a future <strong>in</strong> design where we can blend diverse<br />
values and coexist <strong>in</strong> a beautiful and unique way.
Miu Miu x Frida Khalo<br />
AI-Driven Fashion: Reimag<strong>in</strong><strong>in</strong>g Iconic Legacies <strong>in</strong>to Modern<br />
Collections<br />
Maria Briseño<br />
ChatGPT4 and MidJourney<br />
In a time where technology is<br />
constantly reshap<strong>in</strong>g the boundaries<br />
of creativity, the fashion <strong>in</strong>dustry<br />
stands at the crossroads of<br />
<strong>in</strong>novation. Fashion collections are<br />
no longer the sole product of human<br />
<strong>in</strong>st<strong>in</strong>ct and artistic genius, but<br />
<strong>Artificial</strong> <strong>Intelligence</strong> has become<br />
a dom<strong>in</strong>ant tool that challenges the<br />
essence of what it means to design.<br />
AI gives the designers the ability<br />
to explore creative possibilities,<br />
represent new concepts and <strong>in</strong>novate<br />
faster than before.<br />
With the help of these tools,<br />
the fashion <strong>in</strong>dustry is fac<strong>in</strong>g a<br />
transformation where technology<br />
can be used as a creative collaborator<br />
that is capable of reconceptualis<strong>in</strong>g<br />
collections and br<strong>in</strong>g<strong>in</strong>g them to life.<br />
This project dives deep <strong>in</strong>to the heart<br />
of the revolution, explor<strong>in</strong>g what<br />
it would look like to appo<strong>in</strong>t Frida<br />
Khalo- a mexican icon and one of the<br />
most <strong>in</strong>fluential artists <strong>in</strong> history- as<br />
the new creative director of one of<br />
the biggest fashion houses Miu Miu,<br />
us<strong>in</strong>g AI as the only tool to br<strong>in</strong>g this<br />
project to life.<br />
In this technological era of AIpowered<br />
design, AI is not just there<br />
to assist but it has taken the role<br />
of the creator. It stepped <strong>in</strong>to the<br />
shoes of the creative director and<br />
evolved <strong>in</strong>to a designer, <strong>in</strong>novator<br />
and disruptor. Through the use<br />
of two advanced AI platforms,<br />
ChatGPT-4 and Midjourney, this<br />
project showcases how AI is able<br />
to seamlessly blend Frida Khalo´s<br />
cultural footpr<strong>in</strong>t, artistic vision<br />
and rich aesthetic with the modern<br />
youthful and playful sophistication<br />
that def<strong>in</strong>es Miu Miu as a brand.<br />
What is be<strong>in</strong>g explored is a fashion<br />
collection that br<strong>in</strong>gs together past<br />
and present, fueled by technological<br />
tools that turn data and algorithms<br />
<strong>in</strong>to cutt<strong>in</strong>g edge design.
Dur<strong>in</strong>g this process, AI´s ability<br />
to analyse, replicate, create and<br />
transform is be<strong>in</strong>g explored by<br />
showcas<strong>in</strong>g how it mimics and<br />
strengthens the design process.<br />
It breaks down the core aesthetic<br />
elements of both Frida Khalo<br />
and Miu Miu to create someth<strong>in</strong>g<br />
completely new. From generat<strong>in</strong>g<br />
moodboards, design elements,<br />
textures, fabric patterns, visual<br />
concepts and silhouettes, AI is the<br />
conduit through which both Frida<br />
Khalo and the modernity of Miu Miu<br />
merge.<br />
Explor<strong>in</strong>g the different possibilities<br />
such as AI´s ability to analyse trends<br />
and generate designs- offer<strong>in</strong>g a<br />
creative vision while also deliver<strong>in</strong>g<br />
efficiency. Throughout this whole<br />
process, it is also normal to question<br />
the role of the designer <strong>in</strong> this new<br />
upcom<strong>in</strong>g time. As technology<br />
and algorithms take on more and<br />
more creative responsibilities, what<br />
does it mean to be a designer <strong>in</strong> the<br />
digital age? Can AI truly create and<br />
<strong>in</strong>spire itself as a part of the current<br />
system? Or is it creat<strong>in</strong>g someth<strong>in</strong>g<br />
with the creativity of the past? In this<br />
project we explore how the future of<br />
fashion is one where <strong>in</strong>novation and<br />
timelessness merge, where designers<br />
and AI work together to create<br />
someth<strong>in</strong>g neither could have done<br />
by themselves.<br />
“Re<strong>in</strong>tepret<strong>in</strong>g fashion<br />
through AI tools,<br />
blend<strong>in</strong>g timeless<br />
artistry with modern<br />
<strong>in</strong>novation, envision<strong>in</strong>g<br />
a future where<br />
technology becomes<br />
both the creator and<br />
visionary.”<br />
Image created with Midjourney
Understand<strong>in</strong>g <strong>Design</strong> & Aesthetic Elements<br />
To beg<strong>in</strong>, the project needed to have a solid foundation of research <strong>in</strong> order to be<br />
able to start creat<strong>in</strong>g the visual concepts. For this, ChatGPT-4 was used <strong>in</strong> order to<br />
conduct research and gather the <strong>in</strong>formation needed from both Frida Khalo and Miu<br />
Miu. The conversation started by ask<strong>in</strong>g ChatGPT4 “what do you th<strong>in</strong>k are the<br />
fundamental elements of frida khalo´s essence?” and based on the po<strong>in</strong>ts given,<br />
turn<strong>in</strong>g them <strong>in</strong>to an aesthetic. When answer<strong>in</strong>g to “Comb<strong>in</strong>e all of these key po<strong>in</strong>t<br />
aesthetics to create one solid aesthetic that represents all these elements”, Chat<br />
GPT4 was able to create one cohesive aesthetic that not only represented the physical<br />
essence of Frida but her emotional richness as well. What was fasc<strong>in</strong>at<strong>in</strong>g was that<br />
with only two simple prompts the AI tool was able to create a cohesive and <strong>in</strong>trecate<br />
aesthetic with colour palette, textures and materials, symbolism and decorative<br />
elements, fashion and personal style, as well as lightn<strong>in</strong>g and mood. Even though it<br />
gave me a solid summarised aesthetic of Frida´s essence, I wanted to focus more on<br />
the actual design elements <strong>in</strong> order to create a good visual style.<br />
This prompt ChatGpt4 was able to give me the overall po<strong>in</strong>ts I asked for <strong>in</strong> order<br />
to create my fashion collection. With all those po<strong>in</strong>ts, I asked it to create an overall<br />
concrete summary of Frida Khalo´s essence, without exclud<strong>in</strong>g important aesthetic<br />
elements such as materials, colours, etc.
As shown <strong>in</strong> the image<br />
above, ChatGPT4 was able<br />
to create a coherent<br />
aesthetic which it titled<br />
“Resilient Dreamscape”,<br />
that <strong>in</strong>cluded all of the<br />
aesthetic elements that were<br />
needed to create a collective<br />
brand. By itself, with the<br />
<strong>in</strong>formation off the<br />
<strong>in</strong>ternet, ChatGPT4 was able<br />
to research a dead historical<br />
person and transform her<br />
essence<br />
<strong>in</strong>to design elements that could be used for a variety of applications; not only fashion.<br />
In the ened it only needed 5 prompts to complete this task:<br />
Now that there was a concrete research and aesthetic beh<strong>in</strong>d Frida Khalo, it was time<br />
to do the same process for Miu Miu. However, this process would be focused on<br />
design elements and applications rather than the aesthetics, s<strong>in</strong>ce that part of the<br />
process was already established based on Frida. It was important to get ChatGPT4<br />
to get concrete design elements based on Miu Miu that could work with Frida´s<br />
aesthetic <strong>in</strong> order to create the collaboration. S<strong>in</strong>ce Miu Miu is one of the biggest<br />
fashion houses <strong>in</strong> the world, especially <strong>in</strong> these upcom<strong>in</strong>g years where it has<br />
revolutionised many aspects of fashion, it was not hard for ChatGPT4 to create these<br />
series of fundamental choices, it just needed three prompts. Firstly I asked Chat<br />
GPT4 to tell me “what are the fundamental elements of miu miu brand?” which gave<br />
6 strong po<strong>in</strong>ts and an overall aesthetic. In order to narrow it down I wanted to focus<br />
more on the fundamental design choices that the brand makes, so I asked the tool to:<br />
“with these key elements of aesthetic make a series of fundamental design choices<br />
that make up the brand”. This prompt opened up a whole new aspect where the<br />
po<strong>in</strong>ts given <strong>in</strong>cluded the types of silhouettes, the proportions of the cloth<strong>in</strong>g,<br />
materials, textural contrasts, proportional layer<strong>in</strong>g, colour comb<strong>in</strong>ations, among<br />
others.
Given this <strong>in</strong>formation, it was clear that Chat GPT4 had captured the design<br />
elements that make up the brand, analys<strong>in</strong>g every aspect: how they create their pieces<br />
and assemble them together, where their <strong>in</strong>spiration comes from, etc.<br />
Hav<strong>in</strong>g all this research, as<br />
I previously did with Frida,<br />
I asked Chat GPT4 to<br />
create a coherent summary<br />
of aesthetics and design<br />
fundamentals of the brand.<br />
With the concrete<br />
foundation of both brands,<br />
it was now time to create a<br />
solid prompt that<br />
assembled both aesthetics<br />
and design<br />
elements <strong>in</strong> order to start creat<strong>in</strong>g the collection. This was the prompt generated<br />
that would be used <strong>in</strong> Midjourney <strong>in</strong> order to start generat<strong>in</strong>g the images.<br />
“Create a new collection for a fashion brand that has these elements: The<br />
aesthetic playfully subverts fem<strong>in</strong><strong>in</strong>ity, blend<strong>in</strong>g girlish charm with a<br />
rebellious edge. It thrives on contrasts, us<strong>in</strong>g bold color comb<strong>in</strong>ations like<br />
p<strong>in</strong>k with orange and mix<strong>in</strong>g luxurious materials like silk and velvet with<br />
casual fabrics like denim and leather. Silhouettes alternate between fem<strong>in</strong><strong>in</strong>e<br />
(m<strong>in</strong>i skirts, puff sleeves) and edgy (boxy jackets, oversized coats). The design<br />
features dynamic clashes of pr<strong>in</strong>ts and textures, with chunky footwear and<br />
bold accessories enhanc<strong>in</strong>g the youthful, quirky rebellion. Layer<strong>in</strong>g, playful<br />
proportions, and embellishments create a high-low luxury that feels eclectic,<br />
modern, and narrative-driven. With the aesthetic of a new creative director<br />
with these elements: This aesthetic comb<strong>in</strong>es bold, saturated colors like deep<br />
red, cobalt blue, mustard yellow, and terracotta with soft neutrals and<br />
black-and-white accents, symboliz<strong>in</strong>g life, death, and resilience. Textures<br />
range from distressed wood and worn leather to luxurious fabrics like velvet<br />
and silk, balanc<strong>in</strong>g rawness with ref<strong>in</strong>ement. Geometric shapes mix with<br />
organic forms, while Mexican folk art motifs, warm metals, and soft, golden<br />
light<strong>in</strong>g create a personal and <strong>in</strong>trospective atmosphere. Intimate spaces,<br />
large mirrors, and botanical accessories reflect cultural pride, emotional<br />
depth, and bold self-expression.”
Image Generation:<br />
The process of creat<strong>in</strong>g the visual images for the fashion collection was crucial, which<br />
is why the previous research done with Chat GPT4 was so important, <strong>in</strong> order to be<br />
able to generate precise descriptive prompts to plug <strong>in</strong>to Midjourney. In<br />
develop<strong>in</strong>g the collection, I first focused on creat<strong>in</strong>g the cloth<strong>in</strong>g items and later on<br />
us<strong>in</strong>g those as an <strong>in</strong>spiration for the other elements. Due to the well constructed<br />
prompt that had been designed with the help of Chat GPT4, the first results were<br />
solid and a good representation of the collaboration. Out of the four images created,<br />
two really resonated with the vision. After several variations of the images, we had the<br />
start of a fashion collection.<br />
First four images created with Midjourney<br />
Variations of those first four<br />
images<br />
Hav<strong>in</strong>g these two start<strong>in</strong>g designs, I cont<strong>in</strong>ued to plug <strong>in</strong> the same prompt <strong>in</strong>to mid<br />
journey to see the different cloth<strong>in</strong>g pieces it created. There was a strong connection<br />
and coherence between all of the designs it was produc<strong>in</strong>g, it was just a matter of<br />
pick<strong>in</strong>g the best and vary<strong>in</strong>g them until perfect.
Second four images created with Midjourney<br />
Variations of those<br />
four images<br />
By repeat<strong>in</strong>g this process various times, a visually strong and rich collection was<br />
created. Even though the same prompt was be<strong>in</strong>g plugged <strong>in</strong>, Midjourney would<br />
generate different styles of silhouettes, pr<strong>in</strong>ts, colours, etc. but still ma<strong>in</strong>ta<strong>in</strong> the<br />
overall design elements and aesthetics that were said <strong>in</strong> the prompt. This proved<br />
that hav<strong>in</strong>g a good research and a well tuned prompt, will give you a coherent and<br />
strong result. Based on the pieces, I narrowed down a collection <strong>in</strong> order to base the<br />
market<strong>in</strong>g campaign.<br />
The complications with Midjourney began dur<strong>in</strong>g the market<strong>in</strong>g and advertis<strong>in</strong>g<br />
phase of the collection, s<strong>in</strong>ce it struggled to <strong>in</strong>terpret the prompts and generate the<br />
desired campaign visuals. At first, I reused the same prompt from the design phase<br />
simply by substitu<strong>in</strong>g “Create a new collection for a fashion brand that has these<br />
elements” with “Create market<strong>in</strong>g advertisements for a fashion brand that has these<br />
elements.” Unfortunately, the results were misaligned, s<strong>in</strong>ce it was still produc<strong>in</strong>g<br />
cloth<strong>in</strong>g designs rather than market<strong>in</strong>g materials. In order to make the prompt more<br />
specific, I modified it to say, “Make a market<strong>in</strong>g strategy for a brand us<strong>in</strong>g these<br />
images as aesthetic and elemental <strong>in</strong>spiration,” attach<strong>in</strong>g three images of the<br />
collection.
However, the outputs were too fantastical and didn’t<br />
align with the <strong>in</strong>tended vision. I cont<strong>in</strong>ued ref<strong>in</strong><strong>in</strong>g<br />
the prompt to achieve better results. The new prompt<br />
“Make advertisements, billboards, posters, etc., for a<br />
brand with the aesthetic and elements of thes<br />
images,comb<strong>in</strong>ed with upload<strong>in</strong>g the collection<br />
images, f<strong>in</strong>ally produced results aligned with the<br />
market<strong>in</strong>g campaign. Midjourney generated images<br />
that could be used for advertis<strong>in</strong>g and market<strong>in</strong>g<br />
purposes. Out of the four images it created, I chose<br />
two and used the variation tool to expand the choices<br />
of advertis<strong>in</strong>g posters.<br />
Poster variation, Image created with<br />
Midjourney<br />
Example of failed market<strong>in</strong>g campaign,<br />
Image created with Midjourney<br />
Midjourney faced challenges when creat<strong>in</strong>g the<br />
billboards with the previous prompt, so<br />
<strong>in</strong>corporat<strong>in</strong>g the word “mockup” made a difference.<br />
Us<strong>in</strong>g the prompt, “Make a mockup of an<br />
advertisement billboard based on these images,”<br />
along with attach<strong>in</strong>g three images of the collection,<br />
delivered the results I was look<strong>in</strong>g for. Of the four<br />
images generated, only two were usable, as the<br />
other two <strong>in</strong>cluded strange elements added to the<br />
billboard poles, render<strong>in</strong>g them impractical. I then<br />
used Midjourney’s variation tool to create additional<br />
billboards based on the feasible designs. I applied the<br />
same approach for the posters by us<strong>in</strong>g the prompt, “Make a mockup of<br />
advertisement posters based on these images.” This led to Midjourney accurately<br />
captur<strong>in</strong>g the desired elements, and it began generat<strong>in</strong>g multiple versions of effective<br />
advertis<strong>in</strong>g mockups.<br />
Example of poster and billboard mockups- Images created with Midjourney
When it came to attempt<strong>in</strong>g to create a fashion show based on the collection,<br />
Midjourney encountered some difficulties. I <strong>in</strong>itially used the prompt, “Make a f<br />
ashion show based on this fashion l<strong>in</strong>e,” while attach<strong>in</strong>g several images of the<br />
collection. Although the results were visually appeal<strong>in</strong>g, they only focused on the<br />
models and failed to capture the ambiance and overall atmosphere of the show.<br />
To improve this, I consulted ChatGPT-4, which helped me create a more detailed<br />
and specific prompt to <strong>in</strong>clude the entire ambiance and full collection. This updated<br />
prompt provided a more overall view, aim<strong>in</strong>g to showcase not just the models but the<br />
entire environment of the fashion show.<br />
The new prompt delivered the<br />
results I was look<strong>in</strong>g for,<br />
captur<strong>in</strong>g the essence and<br />
elements of both Frida Khalo<br />
and Miu Miu on the runway. It<br />
showcased the garments while<br />
<strong>in</strong>corporat<strong>in</strong>g impact<strong>in</strong>g visual components such as the audience, light<strong>in</strong>g and overall<br />
ambiance of the show. However, despite numerous modifications of the prompt,<br />
Midjourney was unable to generate the top-view perspective of the fashion show that<br />
I was look<strong>in</strong>g forward to <strong>in</strong>corporat<strong>in</strong>g.<br />
Example of fashion shows- Images created with Midjourney
Interest<strong>in</strong>gly enough, the experience with generat<strong>in</strong>g the photoshoot was quite the<br />
opposite to the fashion show. With a simple prompt, “Create an image of an ongo<strong>in</strong>g<br />
beh<strong>in</strong>d-the-scenes photoshoot based on this fashion l<strong>in</strong>e,” and attach<strong>in</strong>g images<br />
of the collection, the results were spot on and remarkably clear. I ran the prompt<br />
through Midjourney about four times to explore different variations, and each time<br />
the images were well-executed and suitable for the project. Overall, the images were<br />
consistent and aligned well with the vision.<br />
With the f<strong>in</strong>ished garments and market<strong>in</strong>g elements completed, it was time to br<strong>in</strong>g<br />
everyth<strong>in</strong>g together and f<strong>in</strong>alise the collection. For the advertisements, <strong>in</strong>clud<strong>in</strong>g<br />
billboards and posters, I <strong>in</strong>corporated the Miu Miu logo, mimick<strong>in</strong>g how it’s<br />
positioned <strong>in</strong> their real-life market<strong>in</strong>g campaigns. This detail helped to tie the entire<br />
campaign together and br<strong>in</strong>g the vision to life.<br />
Throughout this project it is clear to see that AI is not just assimilat<strong>in</strong>g exist<strong>in</strong>g<br />
aesthetics but creat<strong>in</strong>g them. AI has learned to adapt and enhance creative decision<br />
mak<strong>in</strong>g <strong>in</strong> fashion, <strong>in</strong>novat<strong>in</strong>g personalised collections based on the elements you<br />
chose. In this case it reflected both the heritage of the artist and the modern spirit of<br />
the fashion house. By do<strong>in</strong>g so, AI showcases how it has the power to push fashion<br />
forward <strong>in</strong>to uncharted territory. We witnessed how digital tools and mach<strong>in</strong>e<br />
learn<strong>in</strong>g have the ability of redef<strong>in</strong><strong>in</strong>g the visual language of the fashion <strong>in</strong>dustry.<br />
AI tools have the ability to generate design elements and anticipate trends mak<strong>in</strong>g<br />
the whole creation process more consistent and efficient. In this project, all of the<br />
decisions from the colour palettes to the silhouettes were driven by the power of AI<br />
tools, not by human design.<br />
What made this project fasc<strong>in</strong>at<strong>in</strong>g was that AI did not copy the styles of Frida Khalo<br />
or Miu Miu, rather it re<strong>in</strong>terpreted and reimag<strong>in</strong>ed them <strong>in</strong>to a new vision. By<br />
appo<strong>in</strong>t<strong>in</strong>g Frida Khalo to be the new creative director of Miu Miu through the<br />
perspective of AI tools, this project explores the possibilities of us<strong>in</strong>g technology to<br />
redef<strong>in</strong>e fashion, demonstrat<strong>in</strong>g how it can replicate, transform and revolutionise<br />
these creative fields. This fusion of art, fashion and technology not only created an<br />
amaz<strong>in</strong>g collaboration that honoured Frida Khalo´s legacy but proved how the<br />
fashion <strong>in</strong>dustry will cont<strong>in</strong>ue to evolve, driven by the boundless possibilities of AI<br />
tools.<br />
Portions of this report were reviewed and ref<strong>in</strong>ed with the assistance of AI tools to ensure clarity, coherence,<br />
and accuracy. However, all content and conclusions reflect the author’s orig<strong>in</strong>al work and <strong>in</strong>tent.<br />
Miu Miu x Frida
Bridg<strong>in</strong>g Innovation and Culture<br />
Project name: Unveil<strong>in</strong>g the Role of<br />
AI and the Human Touch<br />
Authors: Tanya Abdulrahim<br />
Tools and platforms used:<br />
ChatGPT, Dall-E and Midjourney<br />
How do you ensure that a mach<strong>in</strong>e—a<br />
tool built on data—can capture the<br />
depth and nuance of a culture? This<br />
question became the core of my journey<br />
as I set out to design a modern concept<br />
store <strong>in</strong>spired by Arabic architecture<br />
and cultural elements, us<strong>in</strong>g AI<br />
tools like ChatGPT, DALL-E, and<br />
Midjourney. The challenge wasn’t<br />
simply generat<strong>in</strong>g images or concepts; it<br />
was about ensur<strong>in</strong>g the design reflected<br />
both <strong>in</strong>novation and cultural <strong>in</strong>tegrity—<br />
without fall<strong>in</strong>g <strong>in</strong>to stereotypes. I also<br />
set out to explore when, how, and<br />
which AI tools were most effective at<br />
different stages of the design process,<br />
identify<strong>in</strong>g the strengths of each and<br />
how they could be used to complement<br />
one another.<br />
Throughout this project, I quickly<br />
discovered, AI has a tendency to rely on<br />
preconceived notions—requir<strong>in</strong>g active<br />
human ref<strong>in</strong>ement to shape outputs that<br />
respect and reflect the true essence of<br />
a culture. This article highlights how<br />
I navigated these challenges, ref<strong>in</strong><strong>in</strong>g<br />
prompts and compar<strong>in</strong>g different<br />
AI tools to strike a balance between<br />
modern design and cultural authenticity.
AI Tools <strong>in</strong> the <strong>Design</strong> Process<br />
ChatGPT: Prompt Creation<br />
The first step <strong>in</strong> my process was us<strong>in</strong>g<br />
ChatGPT to create <strong>in</strong>itial prompts for<br />
DALL-E and Midjourney. At first, the<br />
results were underwhelm<strong>in</strong>g. When I<br />
asked ChatGPT to generate a prompt<br />
like:<br />
“<strong>Design</strong> a modern concept store<br />
<strong>in</strong>spired by Arabic culture and<br />
architecture.”<br />
The outputs from DALL-E and<br />
Midjourney <strong>in</strong>cluded generic elements<br />
like traditional cloth<strong>in</strong>g, crescent<br />
moons, and other overused cultural<br />
symbols. These designs didn’t match<br />
the sleek, modern aesthetic I was<br />
aim<strong>in</strong>g for <strong>in</strong> the concept store.<br />
The AI was default<strong>in</strong>g to cultural<br />
clichés—a clear limitation <strong>in</strong> its<br />
ability to grasp cultural complexity<br />
without guidance.<br />
As an Arab designer, I recognized this<br />
issue immediately. It became clear<br />
that I had to ref<strong>in</strong>e my prompts to be<br />
far more specific, draw<strong>in</strong>g on dist<strong>in</strong>ct<br />
architectural elements like mashrabiya<br />
screens, geometric carv<strong>in</strong>gs, and<br />
curved forms.<br />
Ref<strong>in</strong>ed Prompt: “<strong>Design</strong> a modern,<br />
sleek concept store with curved<br />
and flow<strong>in</strong>g architecture, <strong>in</strong>spired<br />
by Arabic geometric patterns,<br />
mashrabiya screens, and calligraphy.<br />
Avoid traditional cloth<strong>in</strong>g and<br />
stereotypical symbols.”<br />
With this ref<strong>in</strong>ed prompt, the AI<br />
generated outputs that aligned<br />
more with my vision but lacked the<br />
traditional elements. I realized it might<br />
be challeng<strong>in</strong>g for AI to comb<strong>in</strong>e<br />
traditional Arabic features with the<br />
modern aesthetic I wanted. This led<br />
me to reth<strong>in</strong>k my approach.<br />
How could I guide AI to merge both<br />
focuses successfully?<br />
Inspiration
Initial Prompt (Stereotypical Output):<br />
"<strong>Design</strong> a modern concept store <strong>in</strong>spired by Arabic culture and architecture."<br />
This resulted <strong>in</strong> generic stereotypes, such as traditional cloth<strong>in</strong>g and crescent<br />
moons.<br />
Ref<strong>in</strong>ed Prompt (More Specific, Avoid<strong>in</strong>g Stereotypes):<br />
"<strong>Design</strong> a modern, sleek concept store with curvy and flow<strong>in</strong>g architecture,<br />
<strong>in</strong>spired by Arabic geometric patterns, mashrabiya screens, and calligraphy.<br />
Avoid traditional cloth<strong>in</strong>g and stereotypical symbols."<br />
This ref<strong>in</strong>ement improved the output by emphasiz<strong>in</strong>g specific cultural<br />
elements and avoid<strong>in</strong>g superficial depictions. I also l<strong>in</strong>ked reference images<br />
to help the AI better capture the aesthetic I envisioned, as it <strong>in</strong>itially<br />
struggled to merge traditional Arabic elements with the modern look I was<br />
aim<strong>in</strong>g for.<br />
Further Ref<strong>in</strong>ed Prompt (Culturally Accurate and Modern):<br />
"<strong>Design</strong> a calm, natural concept store with curved, flow<strong>in</strong>g walls <strong>in</strong> earthy<br />
tones, deeply <strong>in</strong>spired by Arabic architecture and culture. The space<br />
should feature organic shapes with no harsh l<strong>in</strong>es, emphasiz<strong>in</strong>g a connection<br />
with nature, while strongly <strong>in</strong>tegrat<strong>in</strong>g traditional Arabic design<br />
elements. Use stone, smooth plaster, and <strong>in</strong>tricate Arabic til<strong>in</strong>g to enhance<br />
the texture and feel. Incorporate mashrabiya screens, arched doorways,<br />
and decorative Arabic calligraphy <strong>in</strong>to the walls and shelv<strong>in</strong>g. The layout<br />
should be open and fluid, with prom<strong>in</strong>ent Arabic geometric patterns carved<br />
<strong>in</strong>to the walls and floors."<br />
This prompt led to more accurate and nuanced designs, successfully <strong>in</strong>tegrat<strong>in</strong>g<br />
modern aesthetics with traditional Arabic architecture.
Chat GPT<br />
Midjourney
DALL-E: Abstract Creativity<br />
When it came to generat<strong>in</strong>g visual<br />
designs based on the prompts,<br />
DALL-E played the role of the<br />
creative spr<strong>in</strong>gboard. Its strength lay<br />
<strong>in</strong> push<strong>in</strong>g the boundaries of abstract<br />
design, creat<strong>in</strong>g visually excit<strong>in</strong>g,<br />
artistic concepts with fluid forms<br />
and open spaces. The images that<br />
DALL-E produced were bold and<br />
<strong>in</strong>ventive, but often felt too abstract<br />
and futuristic for practical use.<br />
For example, DALL-E’s <strong>in</strong>itial<br />
outputs showed <strong>in</strong>terest<strong>in</strong>g<br />
mashrabiya screens and geometric<br />
patterns, but the way these elements<br />
were <strong>in</strong>tegrated felt disjo<strong>in</strong>ted and<br />
impractical. The designs had an<br />
artistic flair, but they lacked the<br />
material realism necessary for an<br />
actual retail space.<br />
While DALL-E succeeded <strong>in</strong><br />
generat<strong>in</strong>g creative <strong>in</strong>spiration, it<br />
lacked the practical focus needed to<br />
make the designs realistic and<br />
feasible. At this po<strong>in</strong>t, I turned to<br />
Midjourney to bridge the gap between<br />
creativity and practicality.<br />
Midjourney: Ground<strong>in</strong>g the <strong>Design</strong><br />
Unlike DALL-E, Midjourney was<br />
more effective at produc<strong>in</strong>g designs<br />
that felt grounded <strong>in</strong> real-world<br />
feasibility. Midjourney’s outputs<br />
focused on material textures, light<strong>in</strong>g,<br />
and the physical arrangement of<br />
products with<strong>in</strong> the store. For<br />
example, the designs showed how<br />
shelves, cloth<strong>in</strong>g racks, and light<strong>in</strong>g<br />
setups could be <strong>in</strong>tegrated seamlessly<br />
<strong>in</strong>to the overall architecture.<br />
The shift from DALL-E’s<br />
more artistic representations to<br />
Midjourney’s grounded designs<br />
provided the balance I needed.<br />
Midjourney helped me translate<br />
abstract ideas <strong>in</strong>to a function<strong>in</strong>g,<br />
realistic concept store, mak<strong>in</strong>g the<br />
designs tangible and feasable.
Compar<strong>in</strong>g:<br />
DALL-E and Midjourney<br />
A Creative and Practical Balance<br />
Initial Prompt: “<strong>Design</strong> a modern<br />
concept store <strong>in</strong>spired by Arabic<br />
culture and architecture.”<br />
The <strong>in</strong>terplay between DALL-E<br />
and Midjourney became a key<br />
theme <strong>in</strong> this project. DALL-E<br />
provided the creative exploration,<br />
offer<strong>in</strong>g abstract concepts<br />
that pushed the boundaries of<br />
traditional design th<strong>in</strong>k<strong>in</strong>g.<br />
However, it was Midjourney<br />
that grounded these ideas,<br />
transform<strong>in</strong>g them <strong>in</strong>to realistic<br />
and practical designs.<br />
For example, DALL-E’s<br />
output <strong>in</strong>spired the store’s fluid<br />
architecture and bold forms, while<br />
Midjourney helped shape these<br />
ideas <strong>in</strong>to someth<strong>in</strong>g executable,<br />
with <strong>in</strong>sights <strong>in</strong>to product<br />
placement, light<strong>in</strong>g, and material<br />
choices.<br />
This balance between creativity<br />
and feasibility was essential to<br />
creat<strong>in</strong>g a concept store that<br />
was not only <strong>in</strong>novative but<br />
also functional and culturally<br />
respectful.<br />
Chat GPT<br />
Ref<strong>in</strong>ed Prompt: “<strong>Design</strong><br />
a modern, sleek concept<br />
store with curvy and flow<strong>in</strong>g<br />
architecture, <strong>in</strong>spired by Arabic<br />
geometric patterns, mashrabiya<br />
screens, and calligraphy.<br />
Avoid traditional cloth<strong>in</strong>g and<br />
stereotypical symbols.”<br />
Midjourney<br />
Midjourney Chat GPT Midjourney<br />
Chat GPT
Prompt: “Make sure it looks more<br />
Arabic.”<br />
The Role of Ref<strong>in</strong>ement: From<br />
Stereotypes to Nuanced <strong>Design</strong>s<br />
Chat GPT Midjourney<br />
I quickly realized that simply<br />
<strong>in</strong>struct<strong>in</strong>g the AI to create a<br />
more Arabic-<strong>in</strong>spired design<br />
wasn’t effective. It kept<br />
default<strong>in</strong>g to stereotypical<br />
cultural representations. I<br />
then understood that I needed<br />
to be much more specific<br />
with my prompts, as the AI<br />
struggled to merge traditional<br />
elements with the modern<br />
aesthetic I was aim<strong>in</strong>g for.<br />
After understand<strong>in</strong>g what<br />
elements Chat GPT, Dall-E<br />
and Midjourney understood,<br />
I f<strong>in</strong>ally was able to perfect<br />
the f<strong>in</strong>al prompt.<br />
A key challenge was ensur<strong>in</strong>g the<br />
AI-generated designs avoided<br />
cultural stereotypes. Initially,<br />
DALL-E and Midjourney<br />
produced superficial outputs,<br />
rely<strong>in</strong>g on overused symbols like<br />
crescent moons and traditional<br />
cloth<strong>in</strong>g.<br />
This is where ChatGPT became<br />
essential, act<strong>in</strong>g like my personal<br />
assistant <strong>in</strong> ref<strong>in</strong><strong>in</strong>g prompts and<br />
translat<strong>in</strong>g my vision <strong>in</strong>to precise<br />
language. ChatGPT helped me<br />
articulate the specific elements<br />
I wanted, such as mashrabiya<br />
screens, geometric patterns, and<br />
curved forms, ensur<strong>in</strong>g the AI<br />
tools generated more culturally<br />
nuanced designs.<br />
As an Arab designer, I knew<br />
the nuances of Arabic culture,<br />
but ChatGPT helped me shape<br />
prompts that avoided stereotypical<br />
representations.
Conclusion: AI and the Human<br />
Touch <strong>in</strong> <strong>Design</strong><br />
This project demonstrated both<br />
the potential and limitations<br />
of AI <strong>in</strong> the design process.<br />
Tools like ChatGPT, DALL-E,<br />
and Midjourney are <strong>in</strong>credibly<br />
valuable for generat<strong>in</strong>g creative<br />
ideas and br<strong>in</strong>g<strong>in</strong>g them to<br />
life, but they require human<br />
<strong>in</strong>tervention to ensure that the f<strong>in</strong>al<br />
outputs are culturally authentic<br />
and practically feasible.<br />
As an Arab designer, my role was<br />
to ref<strong>in</strong>e the AI-generated designs,<br />
ensur<strong>in</strong>g that they captured<br />
the essence of Arabic culture<br />
without rely<strong>in</strong>g on superficial<br />
or stereotypical elements. The<br />
collaboration between DALL-<br />
E’s creativity and Midjourney’s<br />
practicality allowed me to create<br />
a concept store that was both<br />
modern and culturally respectful.<br />
Ultimately, this project<br />
underscores the importance of<br />
the human touch <strong>in</strong> AI design.<br />
AI can push boundaries, but it<br />
takes a designer’s understand<strong>in</strong>g<br />
of cultural nuances to create<br />
someth<strong>in</strong>g truly authentic.<br />
<strong>Design</strong> a calm, natural concept<br />
store with curved, flow<strong>in</strong>g walls<br />
<strong>in</strong> earthy tones, deeply <strong>in</strong>spired by<br />
Arabic architecture and culture. The<br />
space should feature organic shapes<br />
with no harsh l<strong>in</strong>es, emphasiz<strong>in</strong>g<br />
a connection with nature, while<br />
strongly <strong>in</strong>tegrat<strong>in</strong>g traditional<br />
Arabic design elements. Use stone,<br />
smooth plaster, and <strong>in</strong>tricate Arabic<br />
til<strong>in</strong>g to enhance the texture and feel.<br />
Incorporate mashrabiya screens,<br />
arched doorways, and decorative<br />
Arabic calligraphy <strong>in</strong>to the walls and<br />
shelv<strong>in</strong>g. The layout should be open<br />
and fluid, with prom<strong>in</strong>ent Arabic<br />
geometric patterns carved <strong>in</strong>to the<br />
walls and floors. For display areas,<br />
place clothes, shoes, accessories,<br />
and homeware <strong>in</strong> niches <strong>in</strong>spired<br />
by traditional souks and Arabian<br />
courtyards, with products displayed<br />
on round tables and arched alcoves<br />
framed by decorative arches.<br />
Integrate ornate Arabic lanterns for<br />
light<strong>in</strong>g, and use lush greenery to<br />
evoke the feel<strong>in</strong>g of Middle Eastern<br />
gardens. Emphasize cultural details<br />
like hand-carved woodwork, brass<br />
accents, and patterned floor tiles<br />
throughout the space to create<br />
an atmosphere that feels both<br />
authentically Arabic and modern.<br />
This f<strong>in</strong>al prompt captured<br />
everyth<strong>in</strong>g I envisioned, from<br />
flow<strong>in</strong>g architecture to authentic<br />
cultural details, all ref<strong>in</strong>ed through a<br />
collaborative process with ChatGPT<br />
and the AI tools.
AI and Culturally Sensitive Fashion:<br />
Weav<strong>in</strong>g Tradition <strong>in</strong>to <strong>Design</strong><br />
Project name: Threads of Heritage<br />
Author: Laura Moreno<br />
Tools and platforms used: Chat GPT- 4, Gab AI, Midjourney, Illustrator and<br />
Photoshop GenAI<br />
As the global fashion <strong>in</strong>dustry evolves,<br />
the delicate balance between<br />
honor<strong>in</strong>g heritage and avoid<strong>in</strong>g<br />
cultural <strong>in</strong>sensitivity becomes<br />
<strong>in</strong>creas<strong>in</strong>gly critical.<br />
<strong>Design</strong>ers and brands draw<strong>in</strong>g<br />
<strong>in</strong>spiration from global cultures<br />
must navigate these complexities<br />
to uphold the <strong>in</strong>tegrity of the<br />
cultures they engage with.<br />
Cultural <strong>in</strong>sensitivity can occur<br />
when elements from marg<strong>in</strong>alized<br />
or underrepresented groups are<br />
adopted without appropriate context,<br />
lead<strong>in</strong>g to representations that<br />
underm<strong>in</strong>e and stereotype their<br />
significance. Conversely, thoughtful<br />
engagement with diverse cultures can<br />
yield beautiful designs that celebrate<br />
tradition and promote <strong>in</strong>clusivity. In<br />
an age where consumers are more<br />
<strong>in</strong>formed and discern<strong>in</strong>g than ever,<br />
understand<strong>in</strong>g and address<strong>in</strong>g these<br />
cultural dynamics is essential for<br />
brands seek<strong>in</strong>g to build trust and<br />
foster respect.<br />
The project “Threads of Heritage”<br />
explores the role of artificial<br />
<strong>in</strong>telligence (AI) <strong>in</strong> navigat<strong>in</strong>g these<br />
challenges, specifically <strong>in</strong> creat<strong>in</strong>g<br />
a fashion brand <strong>in</strong>spired by the<br />
rich cultural tapestry of Colombia,<br />
a country renowned for its vibrant<br />
traditions and diverse artistic<br />
expressions.<br />
The primary objective is to <strong>in</strong>vestigate<br />
how AI can develop fashion<br />
that respects cultural nuances<br />
while assess<strong>in</strong>g its limitations <strong>in</strong><br />
understand<strong>in</strong>g complex cultural<br />
contexts. A central question guid<strong>in</strong>g<br />
this exploration is whether AI can craft<br />
a coherent and culturally respectful<br />
brand that effectively balances<br />
creativity with cultural <strong>in</strong>tegrity<br />
This <strong>in</strong>quiry will not only highlight<br />
AI’s capabilities but also def<strong>in</strong>e the<br />
ethical considerations surround<strong>in</strong>g its<br />
application <strong>in</strong> brand creation.<br />
To achieve these objectives, the<br />
project employs a comparative<br />
analysis of large language models<br />
(LLMs), specifically GPT-4 and GabAI
(one filtered and one unfiltered). This<br />
analysis reveals how each model<br />
<strong>in</strong>terprets and generates ideas for<br />
culturally <strong>in</strong>spired fashion, particularly<br />
<strong>in</strong> understand<strong>in</strong>g Colombia’s diverse<br />
cultural elements. Midjourney will<br />
facilitate image generation, while<br />
Photoshop and Illustrator GenAI will<br />
assist <strong>in</strong> the brand<strong>in</strong>g process. All<br />
outputs will be evaluated for cultural<br />
relevance and aesthetic coherence,<br />
foster<strong>in</strong>g discussions about AI’s<br />
effectiveness <strong>in</strong> visually represent<strong>in</strong>g<br />
cultural elements.<br />
Culture is the sum of all<br />
our stories and everyth<strong>in</strong>g<br />
that shapes our identity.<br />
We must honor that <strong>in</strong><br />
every creative act.<br />
The article will outl<strong>in</strong>e the process<br />
through key sections: it will first<br />
analyze how the LLMs <strong>in</strong>terpret the<br />
Colombian cultural landscape; next,<br />
it will def<strong>in</strong>e the essential elements<br />
contribut<strong>in</strong>g to a cohesive brand<br />
identity; then, it will explore the<br />
image generation phase, focus<strong>in</strong>g<br />
on the development of visual<br />
representations; and f<strong>in</strong>ally, it will<br />
present the brand, detail<strong>in</strong>g its unique<br />
identity, values, and collections, all<br />
shaped by <strong>in</strong>novative applications of<br />
artificial <strong>in</strong>telligence.<br />
Through this exploration, the article<br />
emphasizes how AI can enhance<br />
the creative process, navigate<br />
complexities of cultural sensitivity, and<br />
deepen the understand<strong>in</strong>g of cultural<br />
narratives, lead<strong>in</strong>g to more thoughtful<br />
and respectful representations <strong>in</strong><br />
fashion design.
Understand<strong>in</strong>g Colombia<br />
To create a brand <strong>in</strong>spired by Colombia, one must first understand it.<br />
Follow<strong>in</strong>g this l<strong>in</strong>e of thought, both LLMs were asked to:<br />
“Def<strong>in</strong>e Colombia” and “Def<strong>in</strong>e Colombian culture”<br />
*Presented here are screenshots of the conversations with Gab AI (displayed <strong>in</strong> black) and Chat GPT-4<br />
(displayed <strong>in</strong> white).
Exam<strong>in</strong><strong>in</strong>g Approaches: The Role of Filters <strong>in</strong><br />
Output Variance (Chat GPT-4 and GabAI)<br />
When asked about Colombia, both<br />
Chat GPT-4 and Gab AI offered<br />
<strong>in</strong>sightful descriptions that highlighted<br />
the country’s geographical richness<br />
and cultural heritage, shaped by<br />
Indigenous peoples, Spanish colonial<br />
history, and African traditions. While<br />
Chat GPT-4 acknowledged Colombia’s<br />
turbulent past and periods of conflict,<br />
it concluded on an optimistic note<br />
about recent growth <strong>in</strong> tourism and<br />
socio-economic development. In<br />
contrast, Gab AI emphasized cultural<br />
diversity while explicitly recogniz<strong>in</strong>g<br />
<strong>in</strong>ternal conflicts such as the ongo<strong>in</strong>g<br />
drug war and guerrilla activities. In its<br />
clos<strong>in</strong>g statement, it highlighted recent<br />
significant strides <strong>in</strong> economic and<br />
social advancement.<br />
Now, when prompted to dive<br />
deeper <strong>in</strong>to Colombian culture, both<br />
models described it as vibrant and<br />
multifaceted, showcas<strong>in</strong>g its diverse<br />
ethnic <strong>in</strong>fluences. They also addressed<br />
significant historical events related to<br />
drug traffick<strong>in</strong>g and violence, with Gab<br />
AI referenc<strong>in</strong>g key actors <strong>in</strong> Colombian<br />
history like Simón Bolívar, a crucial<br />
political figure <strong>in</strong> its <strong>in</strong>dependence<br />
from Spa<strong>in</strong>, and renowned drug lord<br />
Pablo Escobar, both real people<br />
who had an impact on Colombia,<br />
regardless of whether it was positive or<br />
negative.<br />
Both models accurately covered<br />
cultural elements like literature, art,<br />
and music; however, it was <strong>in</strong> this<br />
section that Chat GPT-4 mistakenly<br />
categorized the “Day of the Dead”<br />
as a Colombian tradition (which is<br />
traditionally Mexican). Meanwhile,<br />
Gab AI <strong>in</strong>cluded lesser-known but still<br />
accurate cultural celebrations.<br />
Interest<strong>in</strong>gly, Gab AI effectively<br />
explored themes beyond ma<strong>in</strong>stream<br />
narratives, shedd<strong>in</strong>g light on<br />
Colombia’s environmental significance<br />
and address<strong>in</strong>g societal challenges<br />
like drug-related violence, economic<br />
disparities, and displacement.<br />
Its analysis also provided a<br />
comprehensive overview of current<br />
poverty rates and conservative<br />
policies, whereas Chat GPT-4<br />
concentrated more on <strong>in</strong>ternational<br />
commerce and enterta<strong>in</strong>ment.<br />
From this prompt<strong>in</strong>g exercise,<br />
one can conclude that Gab AI<br />
demonstrated a more nuanced<br />
understand<strong>in</strong>g of Colombian culture<br />
by engag<strong>in</strong>g with the complex<br />
aspects of its history. This analysis<br />
underscores the differ<strong>in</strong>g focuses<br />
of the two models, emphasiz<strong>in</strong>g<br />
the importance of recogniz<strong>in</strong>g and<br />
appreciat<strong>in</strong>g cultural complexity. The<br />
dist<strong>in</strong>ction is particularly evident <strong>in</strong><br />
the filtered nature of Chat GPT-4 and<br />
the unfiltered nature of Gab AI, with<br />
Gab AI’s emphasis on less favorable<br />
historical aspects that enrich our<br />
understand<strong>in</strong>g of Colombia as a whole.
Def<strong>in</strong><strong>in</strong>g a brand<br />
Understand<strong>in</strong>g the technical aspects of brand creation.<br />
To revisit the purpose of creat<strong>in</strong>g a<br />
fashion brand, I asked both models<br />
to highlight key elements for a brand<br />
<strong>in</strong>spired by Colombia and its culture,<br />
aim<strong>in</strong>g to see how each would<br />
construct a brand based on their<br />
unique <strong>in</strong>sights.<br />
Engag<strong>in</strong>g separately with Chat GPT-<br />
4 and Gab AI yielded <strong>in</strong>terest<strong>in</strong>g<br />
results. Both acknowledged the need<br />
for the brand to reflect Colombia’s<br />
diversity, vibrant aesthetics, and<br />
unique heritage. However, Chat<br />
GPT-4 went further by consider<strong>in</strong>g<br />
materials, identity, and approach,<br />
<strong>in</strong>itially suggest<strong>in</strong>g traditional fabrics<br />
and <strong>in</strong>digenous stitch<strong>in</strong>g patterns. This<br />
raised concerns about coherence<br />
with brand values, as it didn’t fully<br />
recognize the communities beh<strong>in</strong>d<br />
these traditions, risk<strong>in</strong>g cultural<br />
<strong>in</strong>sensitivity by fail<strong>in</strong>g to address<br />
the importance of honor<strong>in</strong>g and<br />
compensat<strong>in</strong>g <strong>in</strong>digenous artisans.<br />
In an attempt to correct this, Chat<br />
GPT-4 suggested collaborat<strong>in</strong>g<br />
with artisans, which could promote<br />
economic opportunities. Yet, this<br />
response <strong>in</strong>dicated a disconnect with<br />
its earlier statements and revealed<br />
a lack of coherence <strong>in</strong> its reason<strong>in</strong>g.<br />
Conversely, Gab AI provided a broader<br />
but less detailed perspective. It<br />
emphasized cultural appropriateness<br />
and sensitivity regard<strong>in</strong>g motifs and<br />
craftsmanship, advis<strong>in</strong>g aga<strong>in</strong>st direct<br />
copy<strong>in</strong>g of designs and advocat<strong>in</strong>g<br />
for collaboration with local artisans<br />
to create unique, handcrafted<br />
products. This approach supports<br />
local communities and helps preserve<br />
traditional skills and cultural heritage.<br />
After evaluat<strong>in</strong>g both models, I<br />
decided to merge their best elements<br />
to create a comprehensive foundation<br />
and then ask both Chat GPT-4 and<br />
Gab AI to develop a fashion brand<br />
<strong>in</strong>spired by Colombia, <strong>in</strong>corporat<strong>in</strong>g<br />
the <strong>in</strong>sights gathered from our<br />
discussions.<br />
“Please create a fashion brand<br />
<strong>in</strong>spired by the <strong>in</strong>formation discussed<br />
about Colombia and its culture, us<strong>in</strong>g<br />
the provided brand model.”<br />
Chat GPT-4’s <strong>in</strong>itial model was<br />
comprehensive but featured a name<br />
that misaligned with the fashion<br />
<strong>in</strong>dustry and lacked clear brand<br />
values. It once more suggested<br />
directly us<strong>in</strong>g <strong>in</strong>digenous patterns<br />
and unspecified “Colombian motifs,”<br />
<strong>in</strong>clud<strong>in</strong>g jewelry and home items <strong>in</strong> its<br />
offer<strong>in</strong>gs, which did not fit the concept<br />
of a fashion brand. While it briefly<br />
mentioned collaborat<strong>in</strong>g with artisans<br />
by propos<strong>in</strong>g a label highlight<strong>in</strong>g<br />
their histories, it failed to analyze
Herencia cloth<strong>in</strong>g tags, created with Midjourney and enhanced us<strong>in</strong>g Photoshop and Illustrator GenAI.<br />
the implications and alignment with<br />
the brand. Its suggested diffusion<br />
channels were basic and lacked local<br />
options, result<strong>in</strong>g <strong>in</strong> an <strong>in</strong>authentic<br />
brand awareness strategy.<br />
Address<strong>in</strong>g these shortcom<strong>in</strong>gs<br />
through iterative prompts allowed<br />
Chat GPT-4 to ref<strong>in</strong>e its model,<br />
becom<strong>in</strong>g more specific about<br />
materials, motifs, and product<br />
alignment. After 13 iterations, it created<br />
a coherent proposal where every<br />
element aligned with the brand’s<br />
mission, vision, values, and market<br />
presentation.<br />
Now, Gab AI demonstrated greater<br />
coherence <strong>in</strong>itially, requir<strong>in</strong>g only<br />
seven prompts to reach the desired<br />
outcome. However, it struggled<br />
with name selection and product<br />
development, occasionally suggest<strong>in</strong>g<br />
items outside the fashion <strong>in</strong>dustry and<br />
los<strong>in</strong>g sight of cultural sensitivity and<br />
susta<strong>in</strong>ability, especially regard<strong>in</strong>g<br />
motifs and materials such as rubber<br />
and coca leaf patterns. Despite these<br />
challenges, it ultimately was able to<br />
create a coherent brand focused on<br />
Colombian culture.<br />
This process underscored the value<br />
of iteration; cont<strong>in</strong>uous ref<strong>in</strong>ement<br />
enabled me to f<strong>in</strong>e-tune the brand<br />
<strong>in</strong>to a cohesive concept, showcas<strong>in</strong>g<br />
effective collaboration with the AI for a<br />
well-rounded and coherent outcome.
Image generation<br />
Navigat<strong>in</strong>g Challenges <strong>in</strong> AI-Driven Fashion Visualization<br />
Visualiz<strong>in</strong>g the fashion pieces<br />
developed for this project was a<br />
crucial part of the process. By us<strong>in</strong>g<br />
product descriptions from Chat GPT-<br />
4 and Gab AI, I selected significant<br />
elements that accurately represented<br />
the materiality and aesthetics of<br />
each piece. With the assistance of<br />
Chat GPT-4, I ref<strong>in</strong>ed my prompts for<br />
Midjourney to better align with my<br />
vision.<br />
In develop<strong>in</strong>g the “Andes” collection, I<br />
<strong>in</strong>itially focused solely on the cloth<strong>in</strong>g<br />
items. Interest<strong>in</strong>gly, the results<br />
often depicted float<strong>in</strong>g garments<br />
or headless models. In an effort<br />
to address this issue, I shifted to<br />
an editorial presentation featur<strong>in</strong>g<br />
models aga<strong>in</strong>st the landscapes, which<br />
revealed that the cloth<strong>in</strong>g appeared<br />
too light for the region’s climate. This<br />
<strong>in</strong>sight highlighted the importance<br />
of visualization <strong>in</strong> understand<strong>in</strong>g<br />
the products, prompt<strong>in</strong>g further<br />
adjustments with Chat GPT-4 to<br />
achieve a more functional aesthetic for<br />
both male and female designs.<br />
The “Sierra” collection presented<br />
challenges, particularly with a pair of<br />
pants that frequently led to images<br />
of shirtless women. Despite multiple<br />
prompt iterations to ensure full<br />
outfits with tops, nudity persisted. By<br />
detail<strong>in</strong>g items like a bra and cover-up,<br />
I reduced nudity to one <strong>in</strong>stance <strong>in</strong><br />
every four images generated. Us<strong>in</strong>g<br />
satisfactory images as references<br />
and leverag<strong>in</strong>g Midjourney’s variation<br />
mode helped me achieve my desired<br />
looks, while design<strong>in</strong>g men’s outfits<br />
proved significantly easier and quicker.<br />
To create cohesive brand elements<br />
such as the logo and tags, I used<br />
Photoshop and Illustrator, which<br />
provided vital assistance <strong>in</strong> ref<strong>in</strong><strong>in</strong>g<br />
the visual identity. Chat GPT-4<br />
also contributed suggestions for<br />
typography and imagery. The<br />
comb<strong>in</strong>ation of these tools came<br />
together to shape Herencia.<br />
It is important to note that this phase<br />
of the project yielded valuable <strong>in</strong>sights.<br />
Visualization helped highlight areas<br />
for improvement <strong>in</strong> the brand’s<br />
collections, demonstrat<strong>in</strong>g how<br />
visualiz<strong>in</strong>g concepts can spark<br />
changes to items not previously<br />
considered. Additionally, the clarity<br />
of prompt<strong>in</strong>g became <strong>in</strong>creas<strong>in</strong>gly<br />
relevant, as mis<strong>in</strong>terpretations,<br />
such as specify<strong>in</strong>g “no snow” and<br />
consistently result<strong>in</strong>g <strong>in</strong> snowy<br />
mounta<strong>in</strong> images, underscored the<br />
need for clarity and positive fram<strong>in</strong>g <strong>in</strong><br />
<strong>in</strong>structions. Moreover, <strong>in</strong>corporat<strong>in</strong>g<br />
reference images proved beneficial
Visualization of nudity <strong>in</strong> Midjourney’s outputs: Despite us<strong>in</strong>g reference images of covered women and<br />
prompts <strong>in</strong>clud<strong>in</strong>g “underdress,” “cover-up,” and “bra”, the images often still showed topless models.<br />
but sometimes produced unexpected<br />
results if not managed correctly. For<br />
<strong>in</strong>stance, forgett<strong>in</strong>g to crop faces<br />
from male model images when<br />
us<strong>in</strong>g them as aesthetic <strong>in</strong>spiration<br />
for female looks resulted <strong>in</strong> an<br />
un<strong>in</strong>tended androgynous appearance,<br />
emphasiz<strong>in</strong>g the need for careful<br />
attention to detail.<br />
Overall, Midjourney effectively<br />
represented Colombian culture,<br />
although the sensitivity of the images<br />
depended on prompt specificity.<br />
Requests for “Colombian motifs” often<br />
yielded designs closely aligned with<br />
<strong>in</strong>digenous or artisan imagery, rais<strong>in</strong>g<br />
discussions about authenticity and<br />
appropriate representation. In contrast,<br />
specified motifs from Chat GPT<br />
generated results that better aligned<br />
with the brand’s values, highlight<strong>in</strong>g<br />
the necessity of clear and thoughtful<br />
prompts for culturally sensitive<br />
designs.<br />
F<strong>in</strong>ally, I grappled with a broader issue:<br />
the oversexualization of women <strong>in</strong><br />
AI-generated imagery. While design<strong>in</strong>g<br />
men’s outfits primarily <strong>in</strong>volved<br />
aesthetic challenges, women’s designs<br />
frequently <strong>in</strong>cluded unsolicited nudity.<br />
This disparity raises concerns about<br />
how AI may perpetuate societal<br />
biases and stresses the importance of<br />
nuanced gender representation with<strong>in</strong><br />
the fashion <strong>in</strong>dustry.
Herencia<br />
Present<strong>in</strong>g an AI-Crafted Brand: Prompt<strong>in</strong>g<br />
Identity, Values, and Collections<br />
* The follow<strong>in</strong>g brand presentation, word<strong>in</strong>g and imag<strong>in</strong>g was entirely ai-generated and f<strong>in</strong>e<br />
tuned through prompt<strong>in</strong>g<br />
Herencia celebrates Colombia’s<br />
rich cultural heritage, artistry, and<br />
traditional craftsmanship, reflect<strong>in</strong>g<br />
a mission to honor and preserve the<br />
country’s diverse artistic practices<br />
through contemporary fashion. In<br />
Colombia, heritage is a liv<strong>in</strong>g tapestry<br />
of experiences and skills passed down<br />
through generations.<br />
“Herencia” emphasizes a commitment<br />
to forg<strong>in</strong>g deep connections with the<br />
artisans who embody this legacy.<br />
Each stitch <strong>in</strong> these garments tells<br />
a story, captur<strong>in</strong>g the vibrant culture,<br />
folklore, and meticulous techniques of<br />
Colombian craftsmanship.<br />
Fashion should encompass not only<br />
aesthetics but also the narratives<br />
beh<strong>in</strong>d each piece. Herencia is<br />
dedicated to collaborat<strong>in</strong>g with artisan<br />
communities, ensur<strong>in</strong>g their skills<br />
and traditions are celebrated and<br />
susta<strong>in</strong>ed. Through fair trade practices<br />
and transparency, artisans are<br />
empowered to showcase their talents<br />
and share their unique stories.<br />
Wear<strong>in</strong>g Herencia means embrac<strong>in</strong>g<br />
cloth<strong>in</strong>g that carries forward a rich<br />
l<strong>in</strong>eage of Colombian culture, an<br />
expression of pride and authenticity.<br />
Central to this vision is the<br />
“Artisanal Expressions Collection: A<br />
Heritage Revival”<br />
This thoughtfully curated collection<br />
breathes new life <strong>in</strong>to traditional<br />
designs by merg<strong>in</strong>g classic local<br />
garments with contemporary cuts<br />
and fabrics. Each piece is crafted <strong>in</strong><br />
collaboration with artisans, preserv<strong>in</strong>g<br />
their orig<strong>in</strong>s and highlight<strong>in</strong>g the<br />
craftsmanship of various artisan<br />
communities, weav<strong>in</strong>g their narratives<br />
<strong>in</strong>to each design, creat<strong>in</strong>g a deeper<br />
connection to the cultural significance<br />
beh<strong>in</strong>d each item.<br />
Every garment features tags with<br />
artisan signatures that share their story,<br />
cultural background, and <strong>in</strong>spiration,<br />
foster<strong>in</strong>g a direct connection between<br />
customers and creators. Moreover,<br />
each item is named after prom<strong>in</strong>ent<br />
geographic areas known for their<br />
artisan traditions, recogniz<strong>in</strong>g the<br />
patterns and techniques used <strong>in</strong> their<br />
creation and enrich<strong>in</strong>g the bond to the<br />
artisan’s heritage.<br />
Herencia honors Colombia’s artistic<br />
legacy, where every piece reflects<br />
identity, culture, and the beauty of<br />
craftsmanship.
Conclusions<br />
F<strong>in</strong>al Thoughts: Insights on Cultural Sensitivity,<br />
Representation, and Coherence <strong>in</strong> AI-Driven<br />
Fashion <strong>Design</strong><br />
As a clos<strong>in</strong>g remark, the “Threads<br />
of Heritage” project offers valuable<br />
<strong>in</strong>sights <strong>in</strong>to the importance of<br />
<strong>in</strong>tegrat<strong>in</strong>g cultural sensitivity <strong>in</strong><br />
fashion design, particularly when<br />
employ<strong>in</strong>g artificial <strong>in</strong>telligence to<br />
navigate complex cultural nuances.<br />
While AI demonstrates impressive<br />
creative capabilities, it is the<br />
collaboration between human<br />
designers and AI that ensures<br />
the development of coherent and<br />
culturally resonant fashion brands.<br />
This project highlighted the<br />
significance of cont<strong>in</strong>uous iteration<br />
and thoughtful prompt craft<strong>in</strong>g,<br />
demonstrat<strong>in</strong>g that effective<br />
communication between humans and<br />
mach<strong>in</strong>es is essential for achiev<strong>in</strong>g<br />
authentic cultural representations.<br />
The research alsparked discussions<br />
about AI’s visual representation of<br />
cultural elements, emphasiz<strong>in</strong>g the<br />
ethical considerations <strong>in</strong>volved,<br />
especially the risks of copy<strong>in</strong>g motifs<br />
without recogniz<strong>in</strong>g the communities<br />
that created them. Furthermore,<br />
concerns about the oversexualization<br />
of AI-generated imagery and its<br />
impact on gender representation<br />
underscore the need for careful<br />
attention to ensure that both cultural<br />
and gender portrayals are respected<br />
rather than commoditized.<br />
The differ<strong>in</strong>g abilities of language<br />
models to capture diverse narratives<br />
highlight the importance of<br />
recogniz<strong>in</strong>g and understand<strong>in</strong>g the<br />
subtle complexities <strong>in</strong> any subject.<br />
While AI can effectively grasp cultural<br />
elements when prompted accurately,<br />
coherence is not always <strong>in</strong>herent<br />
<strong>in</strong> its outputs. Human <strong>in</strong>sight is vital<br />
for ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g connections that<br />
ensure coherence and cohesiveness<br />
throughout the project.<br />
As we navigate the evolv<strong>in</strong>g<br />
landscape of AI and its implications<br />
across <strong>in</strong>dustries, <strong>in</strong>clud<strong>in</strong>g fashion,<br />
it is crucial to underscore the<br />
collaboration between human<br />
creativity and mach<strong>in</strong>e <strong>in</strong>telligence to<br />
ensure <strong>in</strong>tegrity and <strong>in</strong>clusivity.<br />
The narratives conveyed through our<br />
designs must authentically represent<br />
the cultures we seek to honor, pav<strong>in</strong>g<br />
the way for a future where technology<br />
and tradition can coexist <strong>in</strong> harmony.<br />
*The texts have been grammar checked and proofread with the assistance of AI to ensure clarity and accuracy.
*This image is AI-generated
Project Name: Us<strong>in</strong>g AI to explore new forms of functional design<br />
Author: Mira Benzion<br />
Tools and platforms used: ChatGpt4o, RunwayML, Meshy<br />
Summary of the project and process:<br />
This project explores how AI can be<br />
used to transform everyday objects,<br />
like a chair, <strong>in</strong>to new forms while still<br />
keep<strong>in</strong>g their core functionality. By<br />
focus<strong>in</strong>g on comfort and support<br />
without rely<strong>in</strong>g on traditional design<br />
elements, I aimed to push the<br />
boundaries of what AI could create.<br />
Through iterative prompts, I ref<strong>in</strong>ed how<br />
I described the object to move away<br />
from conventional chair designs. By<br />
focus<strong>in</strong>g on weight distribution and user<br />
needs, I tested AI’s ability to reimag<strong>in</strong>e<br />
functional objects <strong>in</strong> <strong>in</strong>novative ways,<br />
explor<strong>in</strong>g new possibilities beyond<br />
traditional constra<strong>in</strong>ts.
Research<br />
For this project, I used ChatGPT4o<br />
to explore how AI can help<br />
redesign everyday objects while<br />
keep<strong>in</strong>g their functionality <strong>in</strong>tact.<br />
The research focused on how<br />
design pr<strong>in</strong>ciples can be applied<br />
to challenge traditional constra<strong>in</strong>ts,<br />
draw<strong>in</strong>g <strong>in</strong>sights from resources<br />
like The <strong>Design</strong> of Everyday Th<strong>in</strong>gs<br />
and Universal Pr<strong>in</strong>ciples of <strong>Design</strong>,<br />
which emphasized the balance<br />
of aesthetics, usability, and<br />
functionality.<br />
I chose to focus on chairs because<br />
they are common, versatile, and<br />
have room for improvement.<br />
Chairs are used <strong>in</strong> various sett<strong>in</strong>gs<br />
like homes and offices, mak<strong>in</strong>g<br />
them impactful design subjects.<br />
My goal was to reimag<strong>in</strong>e the<br />
chair’s design us<strong>in</strong>g AI to create<br />
new forms while still provid<strong>in</strong>g<br />
a stable and comfortable seat,<br />
aim<strong>in</strong>g to f<strong>in</strong>d <strong>in</strong>novative ways to<br />
enhance everyday life.
Def<strong>in</strong><strong>in</strong>g a Chair<br />
To start the creation process,<br />
learn<strong>in</strong>g AI’s understand<strong>in</strong>g of a<br />
chair was crucial. After ask<strong>in</strong>g<br />
ChatGPT to def<strong>in</strong>e a chair <strong>in</strong><br />
as much detail as possible, its<br />
answer consisted of this:<br />
“A chair is a piece of furniture<br />
designed to provide seat<strong>in</strong>g for<br />
one person, typically consist<strong>in</strong>g<br />
of a seat, backrest, legs, and<br />
sometimes armrests. The seat is<br />
usually flat or slightly contoured<br />
to fit the human body, with its size<br />
vary<strong>in</strong>g to accommodate different<br />
body types. It can be made from<br />
various materials such as wood,<br />
metal, plastic, or upholstered<br />
with fabric or leather. The seat<br />
height is generally standardized<br />
to match the height of tables or<br />
desks for optimal use.<br />
The backrest of a chair provides<br />
support for the user’s back,<br />
promot<strong>in</strong>g comfort and proper<br />
posture. It can range <strong>in</strong> height<br />
from support<strong>in</strong>g just the lower<br />
back to provid<strong>in</strong>g full support<br />
for the upper back and head.<br />
Backrests are often made from<br />
the same material as the seat but<br />
may feature additional padd<strong>in</strong>g<br />
or ergonomic design elements<br />
for enhanced comfort. Chairs<br />
typically have four legs, though<br />
some designs <strong>in</strong>corporate a<br />
central column or fewer legs for<br />
functional or aesthetic reasons.<br />
These legs are often made from<br />
the same material as the rest of the<br />
chair and may <strong>in</strong>clude features like<br />
height adjustments or casters for<br />
mobility.<br />
Additional features of a chair<br />
<strong>in</strong>clude armrests, which can be<br />
fixed or adjustable, offer<strong>in</strong>g extra<br />
support for the arms. Some chairs<br />
are designed for specific uses, with<br />
adjustable components like seat<br />
height, backrest tilt, and armrest<br />
height to suit different users. Chairs<br />
can also be foldable or stackable<br />
for easy storage. They come<br />
<strong>in</strong> a range of styles, from basic<br />
functional designs to more artistic,<br />
decorative pieces. The durability<br />
of a chair depends on its materials<br />
and construction, and ergonomic<br />
considerations like back support,<br />
seat angle, and height play a key<br />
role <strong>in</strong> creat<strong>in</strong>g a comfortable and<br />
user-friendly design.”<br />
AI generated traditional chair
Process<br />
Go<strong>in</strong>g through <strong>in</strong>sights learned<br />
from the books mentioned<br />
with<strong>in</strong> the research stage, when<br />
guid<strong>in</strong>g AI through the process of<br />
reimag<strong>in</strong><strong>in</strong>g a chair, ergonomics,<br />
and usability were prioritized,<br />
ensur<strong>in</strong>g the chair could meet the<br />
diverse needs of users. In this<br />
process, I focused on achiev<strong>in</strong>g<br />
a balance between <strong>in</strong>novative<br />
aesthetics and functionality,<br />
evaluat<strong>in</strong>g each design created<br />
with said criteria.<br />
Aesthetics played a key role <strong>in</strong><br />
creat<strong>in</strong>g a visually appeal<strong>in</strong>g<br />
object that users would enjoy,<br />
while usability focused on<br />
ensur<strong>in</strong>g that the chair was<br />
<strong>in</strong>tuitive and comfortable.<br />
Functionality rema<strong>in</strong>ed at the<br />
core, with features like ergonomic<br />
support and adjustability be<strong>in</strong>g<br />
<strong>in</strong>tegrated to meet diverse user<br />
needs.<br />
In the pursuit of break<strong>in</strong>g away<br />
from conventional designs, I<br />
began with an approach that<br />
revolved around def<strong>in</strong><strong>in</strong>g the<br />
core human need: support<strong>in</strong>g a<br />
seated <strong>in</strong>dividual with comfort<br />
and proper posture. Us<strong>in</strong>g AI to<br />
generate a new form of functional<br />
design, I went through multiple<br />
iterations to ref<strong>in</strong>e the prompt and<br />
the result<strong>in</strong>g image outputs.<br />
The first iteration of my prompt<br />
emerged from AI’s answer to the<br />
question: how would you describe<br />
a chair without mention<strong>in</strong>g it as<br />
a chair and without consider<strong>in</strong>g<br />
its physical properties, to which it<br />
answered.<br />
“The object is designed to support a<br />
s<strong>in</strong>gle <strong>in</strong>dividual <strong>in</strong> a seated position,<br />
enhanc<strong>in</strong>g comfort and promot<strong>in</strong>g<br />
proper posture for extended<br />
periods. It often <strong>in</strong>cludes features<br />
to accommodate the contours of<br />
the human body, ensur<strong>in</strong>g comfort<br />
through various adjustments tailored<br />
to <strong>in</strong>dividual needs.” (Prompt #1)<br />
Prompt #1 was first used as my<br />
trial run for MESHY, a tool that<br />
uses artificial <strong>in</strong>telligence to create<br />
3D models from text prompts or<br />
images, mak<strong>in</strong>g it accessible to<br />
users of all skill levels. The prompt<br />
was entered twice, with small<br />
paraphras<strong>in</strong>g alterations, and the<br />
results were the same: regular,<br />
exist<strong>in</strong>g, comfortable office chairs<br />
with wheels. Conclud<strong>in</strong>g attempts<br />
on MESHY for now as failures.<br />
Prompt 1_Failure 1_MESHY
I then simplified Prompt #1 with the<br />
help of ChatGPT for AI to maybe<br />
understand it more effectively and<br />
br<strong>in</strong>g me closer to the results I<br />
expected, br<strong>in</strong>g<strong>in</strong>g me to Prompt #2.<br />
“An object designed to comfortably<br />
support one person sitt<strong>in</strong>g down,<br />
help<strong>in</strong>g ma<strong>in</strong>ta<strong>in</strong> good posture over<br />
long periods. It adjusts to fit different<br />
body shapes for added comfort.”<br />
(Prompt #2)<br />
Even though I changed the generative<br />
tool to DALL-E and optimized the<br />
prompt, the results somehow ended<br />
up be<strong>in</strong>g the same: regular, exist<strong>in</strong>g,<br />
comfortable office chairs with wheels.<br />
The outcome repetition through<br />
different generative AIs made me<br />
realize there would be a problem with<br />
the course of my research. Generative<br />
AI is tra<strong>in</strong>ed on exist<strong>in</strong>g data, so it<br />
learns from patterns and examples<br />
that already exist. When you give it<br />
a prompt <strong>in</strong>clud<strong>in</strong>g “comfort” and<br />
“chair,” it draws from what it knows<br />
about comfortable chairs, such as<br />
office chairs, because that’s what<br />
it has seen the most. It comb<strong>in</strong>es<br />
these ideas based on patterns<br />
<strong>in</strong> the data, which is why it might<br />
create someth<strong>in</strong>g familiar rather than<br />
<strong>in</strong>vent<strong>in</strong>g a totally new concept.<br />
Essentially, the AI generates outputs<br />
based on what it knows, which<br />
means it’s limited to rework<strong>in</strong>g or<br />
remix<strong>in</strong>g exist<strong>in</strong>g ideas.<br />
Prompt 1_Failure 2 _MESHY<br />
Prompt 2_Failure 1_DALLE<br />
Prompt 2_Failure 2 _DALL-E
The solution I came up with<br />
to solve this problem was to<br />
create and configure my own<br />
GPT. ChatGPT4o has a feature<br />
where you can easily program<br />
a GPT, giv<strong>in</strong>g it <strong>in</strong>structions<br />
and guidel<strong>in</strong>es to follow when<br />
generat<strong>in</strong>g responses.<br />
These are the <strong>in</strong>structions I<br />
programmed my GPT with:<br />
Description: Can ideate new<br />
objects based on human needs<br />
but knows noth<strong>in</strong>g about<br />
exist<strong>in</strong>g ones.<br />
Instructions: This GPT focuses<br />
entirely on human needs,<br />
behaviors, and experiences. It<br />
has no knowledge of exist<strong>in</strong>g<br />
objects, such as chairs, tables,<br />
pens, bottles, or any other<br />
<strong>in</strong>animate th<strong>in</strong>gs, nor does<br />
it recognize their properties,<br />
functions, or appearance.<br />
However, it can ideate and<br />
create new, fictional objects<br />
based on human needs and<br />
emotions. These new objects<br />
will be described solely <strong>in</strong><br />
relation to how they could<br />
improve human life, but it<br />
rema<strong>in</strong>s unaware of any<br />
currently exist<strong>in</strong>g objects or<br />
their uses.<br />
Giv<strong>in</strong>g my GPT a clean slate<br />
made it possible to generate<br />
designs with more <strong>in</strong>novative and<br />
different outcomes.<br />
I then entered Prompt #2<br />
aga<strong>in</strong> <strong>in</strong>to this new GPT, and<br />
the outcome was surely an<br />
improvement. It still had similar<br />
properties to traditional chairs,<br />
but the turn it took made it look<br />
like a direction worth explor<strong>in</strong>g.<br />
Prompt 2_My GPT
Look<strong>in</strong>g at the image provided<br />
with this prompt, I realized that<br />
maybe avoid<strong>in</strong>g the mention<br />
of a chair wasn’t enough. The<br />
word “sitt<strong>in</strong>g” was still part of<br />
the prompt, which might be<br />
why the results were close to<br />
exist<strong>in</strong>g chairs. So, I asked<br />
ChatGPT4o to def<strong>in</strong>e “sitt<strong>in</strong>g”:<br />
“the act of rest<strong>in</strong>g <strong>in</strong> a position<br />
where the weight of the body<br />
is supported by the buttocks<br />
rather than the feet, and the<br />
back is typically upright.”<br />
Now <strong>in</strong>corporat<strong>in</strong>g this <strong>in</strong>to the<br />
exist<strong>in</strong>g prompt:<br />
“An object designed to<br />
comfortably support one person<br />
rest<strong>in</strong>g <strong>in</strong> a position where the<br />
weight of the body is supported<br />
by the buttocks rather than the<br />
feet, and the back is upright.”<br />
(Prompt #3)<br />
The results of <strong>in</strong>troduc<strong>in</strong>g<br />
Prompt #3 to the GPT I created<br />
<strong>in</strong>cluded a slightly more exotic,<br />
futuristic type of chair, which still<br />
resembled a little the form of<br />
traditional chairs, but was more<br />
advanced <strong>in</strong> deviat<strong>in</strong>g from<br />
traditional designs.<br />
Prompt 3_My GPT<br />
Prompt 3_My GPT<br />
As I progressed through the<br />
generated designs, I kept<br />
twitch<strong>in</strong>g the prompt to get more<br />
<strong>in</strong>novative results. I removed the<br />
constra<strong>in</strong>t of an “upright back”<br />
and, with this, AI was able to<br />
achieve more open-m<strong>in</strong>ded<br />
designs, deviat<strong>in</strong>g from what<br />
we know as functional, and<br />
truly reimag<strong>in</strong><strong>in</strong>g the necessary<br />
features for a chair to work.
These were the designs my GPT generated when go<strong>in</strong>g down this path:<br />
Prompt 3_My GPT<br />
Prompt 3_My GPT<br />
Prompt 3_My GPT
As I saw progress with the<br />
configured GPT, I paused to<br />
explore other tools to see how<br />
they would handle the prompts.<br />
I tried RunwayML as a textto-image<br />
generator to test the<br />
effect of the GPT’s constra<strong>in</strong>ts<br />
on the image outcomes. I<br />
repeated Prompt #3, which<br />
mentioned “the weight of<br />
the body is supported by the<br />
buttocks rather than the feet,”<br />
and got some strange-look<strong>in</strong>g<br />
results that took this description<br />
very literally.<br />
To improve the outcomes, I<br />
adjusted the prompt to “Object<br />
designed to comfortably<br />
support one person rest<strong>in</strong>g <strong>in</strong><br />
a position” (Prompt #4). While<br />
the results were better, many of<br />
the generated images featured<br />
objects where people were ly<strong>in</strong>g<br />
down fully, diverg<strong>in</strong>g from my<br />
goal of creat<strong>in</strong>g objects similar<br />
to chairs. One even resembled<br />
a bathtub.<br />
I then decided to go back to my<br />
GPT, s<strong>in</strong>ce it gave me results<br />
that were more <strong>in</strong> the direction<br />
I wanted the project to go and<br />
could be pushed more s<strong>in</strong>ce it<br />
had built-<strong>in</strong> constra<strong>in</strong>ts. Back<br />
<strong>in</strong> my GPT, I tried the prompt<br />
generated for RunwayML<br />
(Prompt #4), which had<br />
<strong>in</strong>terest<strong>in</strong>g outcomes.<br />
Prompt 3_RunwayML<br />
Prompt 4_RunwayML<br />
Prompt 4_My GPT
More designs that were generated by my GPT while variat<strong>in</strong>g with<br />
different prompts between the ones mentioned before <strong>in</strong>cluded results<br />
with functional and <strong>in</strong>novative features.
Idea Rank<strong>in</strong>g<br />
I used ChatGPT to help create<br />
a chart rank<strong>in</strong>g the top 20<br />
chair designs generated dur<strong>in</strong>g<br />
my project. The goal was to<br />
evaluate each design based on<br />
two key criteria: functionality<br />
(how practical the design is for<br />
sitt<strong>in</strong>g) and design <strong>in</strong>novation<br />
(how much the design deviates<br />
from traditional chair forms).<br />
I used ChatGPT to score each<br />
design based on functionality<br />
(how practical it is) and design<br />
<strong>in</strong>novation (how unique it is<br />
compared to traditional chairs).<br />
It then helped plot these scores<br />
on a matrix, with functionality<br />
on the Y-axis and design<br />
<strong>in</strong>novation on the X-axis. This<br />
visual map made it easy to<br />
see which designs balanced<br />
creativity with practicality.
Result<br />
This chair design deviates<br />
from traditional forms by<br />
featur<strong>in</strong>g fluid, cont<strong>in</strong>uous<br />
curves <strong>in</strong>stead of separate<br />
legs, backrests, or armrests,<br />
creat<strong>in</strong>g a sculptural look.<br />
Despite its unconventional<br />
shape, it still provides comfort<br />
and ergonomic support, with<br />
its curves align<strong>in</strong>g with the<br />
body’s natural contours to offer<br />
back and lumbar support while<br />
allow<strong>in</strong>g for various relaxed<br />
seat<strong>in</strong>g positions.<br />
Conclusion<br />
This project showed how AI can push the boundaries of everyday design<br />
by transform<strong>in</strong>g familiar objects like chairs <strong>in</strong>to new forms. I used iterative<br />
prompts and custom configurations to guide AI away from traditional<br />
patterns, focus<strong>in</strong>g on comfort and support while encourag<strong>in</strong>g more<br />
<strong>in</strong>novative results. Experiment<strong>in</strong>g with different tools revealed the limits of<br />
AI’s reliance on exist<strong>in</strong>g data, often default<strong>in</strong>g to familiar designs.<br />
By configur<strong>in</strong>g a GPT to ignore known objects and emphasize human<br />
needs, I achieved more orig<strong>in</strong>al outcomes. This approach highlighted AI’s<br />
potential as a tool for creative design, capable of reimag<strong>in</strong><strong>in</strong>g functionality<br />
beyond conventional forms.
AI, who am I?<br />
Project name:<br />
Explor<strong>in</strong>g the role of AI <strong>in</strong> redef<strong>in</strong><strong>in</strong>g human physical identity on a<br />
digital realm.<br />
Author:<br />
Simón Sánchez Navarro<br />
Tools and platforms used:<br />
ChatGPT, Dall - E, Gab AI, Supawork AI, Midjourney<br />
Summary of the project and process:<br />
Authentic onl<strong>in</strong>e<br />
portrayal of <strong>in</strong>dividuality is<br />
already hard enough <strong>in</strong> between<br />
the algorithms that make up<br />
cyberspaces. Thus, the rise<br />
of artificial <strong>in</strong>telligence could<br />
potentially come as an even<br />
bigger challenge when try<strong>in</strong>g<br />
to represent identities <strong>in</strong> digital<br />
environments, for the way <strong>in</strong><br />
which it processes data is not<br />
necessarily <strong>in</strong>dicative of the<br />
complexities that make up<br />
humans.<br />
‘AI, who am I?’ comes as a<br />
way of open<strong>in</strong>g up conversations<br />
about the authenticity of digital<br />
human identities, and specifically<br />
about how proficient artificial<br />
<strong>in</strong>telligence is at translat<strong>in</strong>g real<br />
life characteristics <strong>in</strong>to archives<br />
of <strong>in</strong>formation.<br />
With identity be<strong>in</strong>g<br />
at the core of all types of<br />
design, this project aims to<br />
question the agency that AI<br />
should be given <strong>in</strong> design<br />
methodologies consider<strong>in</strong>g its<br />
ability (or lack there of) of deeply<br />
understand<strong>in</strong>g this concept. It<br />
aims to acknowledge the real<br />
people that are beh<strong>in</strong>d virtual<br />
and physical realities, and rem<strong>in</strong>d<br />
designers of the importance of<br />
hav<strong>in</strong>g full awareness of who it is<br />
they are design<strong>in</strong>g for.
AI,<br />
ChatGPT<br />
Dall - E<br />
Gab Ai<br />
Supawork Ai<br />
Midjourney<br />
who am I?<br />
SS17003<br />
Simón<br />
Sánchez Navarro<br />
21<br />
February 17, 2003<br />
Medellín<br />
Colombia<br />
ever dream (of be<strong>in</strong>g) this man?
Personal<br />
picture,<br />
for<br />
reference.<br />
Fifty versions of Simón only barely beg<strong>in</strong> to visualize how<br />
identity can be transformed with <strong>Artificial</strong> <strong>Intelligence</strong>.
In the words of AI,<br />
“Identity is the collection of<br />
characteristics, beliefs, qualities,<br />
and experiences that def<strong>in</strong>e who<br />
a person is” (OpenAI, 2024).<br />
Oppos<strong>in</strong>gly, <strong>in</strong> the eyes of AI,<br />
identity appears to be not much<br />
more than a sum of data po<strong>in</strong>ts<br />
associated with <strong>in</strong>dividuals.<br />
Amid the exponential<br />
growth of social media and<br />
digitalization, virtual <strong>in</strong>teractions<br />
have become def<strong>in</strong>itive <strong>in</strong><br />
shap<strong>in</strong>g reality. Thus, the digital<br />
renaissance propelled by AI<br />
comes with a drastic impact <strong>in</strong><br />
the ways people see and present<br />
themselves. The <strong>in</strong>formation that<br />
AI systems supply is completely<br />
based on the <strong>in</strong>formation<br />
that it has access to, and<br />
therefore, artificial <strong>in</strong>telligence<br />
is exceptional at re<strong>in</strong>forc<strong>in</strong>g<br />
stereotypes and shap<strong>in</strong>g self<br />
perceptions. The algorithms<br />
used by large language models<br />
are constantly regard<strong>in</strong>g users<br />
as data sets, while feed<strong>in</strong>g<br />
them <strong>in</strong>formation that is not<br />
necessarily representative of<br />
themselves. This raises concern<br />
when consider<strong>in</strong>g that human<br />
complexity is be<strong>in</strong>g narrowed<br />
down to data. Hence, when<br />
collaborat<strong>in</strong>g with AI designers<br />
must ask themselves:<br />
How deeply do these<br />
technologies understand the<br />
audience I am design<strong>in</strong>g for?<br />
AI, what is identity anyways?<br />
In order to understand<br />
how AI can <strong>in</strong>terpret and<br />
<strong>in</strong>fluence human identity, I<br />
altered myself through artificial<br />
<strong>in</strong>telligence to see how it would<br />
visualise different versions of<br />
myself.<br />
First, I needed to<br />
comprehend the ma<strong>in</strong> factors<br />
that AI considers when<br />
determ<strong>in</strong><strong>in</strong>g identity. I focused<br />
on physical traits specifically<br />
with the <strong>in</strong>tention of mak<strong>in</strong>g the<br />
results visually straightforward<br />
and <strong>in</strong>dicative of the ways <strong>in</strong><br />
which the algorithms work.<br />
Although all aspects of<br />
identity are affected by digital<br />
environments, physical ones<br />
are easier to measure and<br />
adjust by AI, and are therefore<br />
representative of how hard it<br />
is for AI to represent human<br />
complexity, even <strong>in</strong> its most<br />
perceptible features.<br />
I asked both ChatGPT<br />
and GabAi about the ma<strong>in</strong><br />
physical characteristics<br />
that make up identity. Both<br />
responses <strong>in</strong>cluded elements<br />
like facial features, hair, and<br />
body type, but GabAi also<br />
mentioned race, ethnicity and<br />
gender. Then, I used both lists<br />
to guide two prompts for Dall-E<br />
to describe a picture of me<br />
emphasis<strong>in</strong>g on the specific
aspects determ<strong>in</strong>ed by the AIs.<br />
The outputs then went<br />
<strong>in</strong>to Midjourney as prompts to<br />
create new versions of myself<br />
based on my descriptions.<br />
Some results were the follow<strong>in</strong>g:<br />
Some notable ways AI<br />
described me were:<br />
Mediterranean or Lat<strong>in</strong><br />
American background. Medium<br />
sk<strong>in</strong> tone and dark hair. Male,<br />
based on visible facial hair<br />
growth and prom<strong>in</strong>ent, thick<br />
eyebrows.<br />
Appears to be male.<br />
Ethnic background is not easily<br />
dist<strong>in</strong>guishable, but may have<br />
Mediterranean, Middle Eastern,<br />
or South Asian features. Appears<br />
to be of average to above<br />
average height. Lean body<br />
frame with no visible excess<br />
weight. Slender and fit build. The<br />
<strong>in</strong>dividual has a small ear pierc<strong>in</strong>g<br />
on the left ear, add<strong>in</strong>g a subtle<br />
but dist<strong>in</strong>ctive feature.<br />
From the results, a few<br />
look fairly similar to me, others<br />
have very little resemblance, and<br />
some even missed my gender.
“An Egyptian man<br />
with an expression<br />
that conveys<br />
confidence”<br />
What do I look like, really?<br />
Similarly to Dall-E<br />
before, I asked Midjourney to<br />
describe two images of myself.<br />
This time I did not specify the<br />
characteristics I was look<strong>in</strong>g<br />
for, hop<strong>in</strong>g to give it more<br />
freedom to outl<strong>in</strong>e my frame and<br />
understand which traits it would<br />
highlight without any biases <strong>in</strong><br />
the prompt.<br />
The results were even<br />
more <strong>in</strong>terest<strong>in</strong>g. Midjourney<br />
described me as:<br />
an androgynous person<br />
with black hair, light brown sk<strong>in</strong>;<br />
Hav<strong>in</strong>g a small nose r<strong>in</strong>g (which I<br />
do not have); an average-look<strong>in</strong>g<br />
male model; an Egyptian man<br />
with an expression that conveys<br />
confidence; and an attractive<br />
Middle Eastern man <strong>in</strong> his early<br />
to mid-20s.<br />
It is worth not<strong>in</strong>g that I<br />
am fully lat<strong>in</strong>o, born and raised <strong>in</strong><br />
Colombia.<br />
When asked to imag<strong>in</strong>e<br />
the descriptions it came up with,<br />
the results were as follows:
The results were<br />
even further away from my<br />
real appearance. No image<br />
generated appears to fit my<br />
gender or ethnicity, and many of<br />
the traits AI described as central<br />
to identity were not captured<br />
at all. Even <strong>in</strong> prompts that had<br />
no mention of race or ethnic<br />
specifications, many of the<br />
results seemed to be asian.<br />
Accord<strong>in</strong>g to AI, my<br />
physical appearance appears<br />
to be someth<strong>in</strong>g that does not<br />
represent me at all, and could<br />
push assumptions that could<br />
become quite problematic.<br />
It completely misunderstood<br />
its descriptions of myself and<br />
proved to be not very efficient<br />
<strong>in</strong> both describ<strong>in</strong>g people and<br />
represent<strong>in</strong>g them. Instead,<br />
it once aga<strong>in</strong> exhibited its<br />
re<strong>in</strong>forcement of stereotypes<br />
and proved its <strong>in</strong>ability to depict<br />
human traits.<br />
“As AI becomes better<br />
at mimick<strong>in</strong>g human<br />
<strong>in</strong>telligence, it blurs the<br />
l<strong>in</strong>e between what is<br />
dist<strong>in</strong>ctly human and<br />
what can be automated”<br />
- Open AI, 2024
Make me even more myself.<br />
Besides physical<br />
features, I asked Gab AI<br />
about the ma<strong>in</strong> components<br />
of human identity, to which it<br />
listed ethnicity, gender, age and<br />
profession. Understand<strong>in</strong>g my<br />
own identity accord<strong>in</strong>g to the<br />
stated guidel<strong>in</strong>es, I decided to<br />
modify my image to be more<br />
representative of each identifier.<br />
I gave Midjourney<br />
images of myself and, <strong>in</strong> four<br />
different prompts, asked the<br />
AI to make them look either<br />
more Colombian, more male,<br />
more like a 21 year old and<br />
more like a student. The goal<br />
was to see which of the ‘ma<strong>in</strong><br />
identifiers’ represented me most,<br />
yet the results only re<strong>in</strong>forced<br />
stereotypes and did not succeed<br />
<strong>in</strong> represent<strong>in</strong>g my identity:<br />
Colombian<br />
Male<br />
21 year old<br />
Student<br />
Do I fit the profile?<br />
In the context of a<br />
virtual realm, as expla<strong>in</strong>ed by<br />
AI, the way <strong>in</strong> which we present<br />
ourselves <strong>in</strong> social media is<br />
mean<strong>in</strong>gful <strong>in</strong> def<strong>in</strong><strong>in</strong>g who<br />
we are. I asked Midjourney to<br />
make passport style photos<br />
based on my profile pictures for<br />
platforms such as <strong>in</strong>stagram,<br />
whatsapp, and l<strong>in</strong>ked<strong>in</strong>.<br />
Specify<strong>in</strong>g on the<br />
prompt to “ma<strong>in</strong>ta<strong>in</strong> the identity<br />
of the person <strong>in</strong> the image”, I<br />
reflected on how much of my<br />
virtual persona AI is able to<br />
capture based on my social<br />
media presence. Aga<strong>in</strong>, the<br />
results looked noth<strong>in</strong>g like me<br />
and actually lost a lot of my<br />
essence while ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g more<br />
irrelevant features like cloth<strong>in</strong>g<br />
and light<strong>in</strong>g:<br />
L<strong>in</strong>kedIn<br />
Instagram (1)<br />
Instagram (2)<br />
My professional identity.<br />
Look<strong>in</strong>g more deeply<br />
<strong>in</strong>to the presentation of self<br />
<strong>in</strong> L<strong>in</strong>kedIn specifically, new<br />
<strong>in</strong>quiries came to m<strong>in</strong>d about<br />
how identity is represented <strong>in</strong><br />
a virtual realm that is meant for<br />
a professional context. Many<br />
new AIs are now marketed<br />
specifically for L<strong>in</strong>kedIn users,<br />
assum<strong>in</strong>g AI has the capability<br />
to generate profiles that<br />
successfully portrait people.<br />
Us<strong>in</strong>g SupaworkAI,<br />
designed for L<strong>in</strong>kedIn, I<br />
exam<strong>in</strong>ed its process <strong>in</strong><br />
produc<strong>in</strong>g the pictures. The very<br />
first step asked for the user’s<br />
gender, followed by their age,<br />
hair colour, whether they wear<br />
glasses or not, if they have a<br />
beard and f<strong>in</strong>ally their ethnicity.<br />
All the available response<br />
options were limited to an<br />
often biased or <strong>in</strong>coherent list<br />
provided by Supawork AI, like<br />
the gender choices which were<br />
“male”, “female” and “kid”. The<br />
website also let the user choose<br />
an image style, vary<strong>in</strong>g from<br />
categories like “professional”,<br />
“stylish”, “casual” and “street”.<br />
F<strong>in</strong>ally, the AI asked for<br />
reference photos, m<strong>in</strong>imum one<br />
and a maximum of four. Inputt<strong>in</strong>g<br />
all the <strong>in</strong>formation asked, I got<br />
the follow<strong>in</strong>g results:<br />
The results are <strong>in</strong>deed<br />
worthy of L<strong>in</strong>kedIn <strong>in</strong> the sense<br />
that they seem professional,<br />
but consider<strong>in</strong>g they are images<br />
meant to depict me and to be<br />
seen by employers, they appear<br />
far from apt of represent<strong>in</strong>g me.<br />
Hence, the AI partially delivers<br />
its promise of generat<strong>in</strong>g a<br />
profile picture, but I would not<br />
consider it accurate enough to<br />
stand <strong>in</strong> for user’s identities.<br />
My ultimate self.<br />
After understand<strong>in</strong>g how<br />
hard it is for AI to mimic my<br />
appearance, I f<strong>in</strong>ally decided to<br />
move away from its assumptions<br />
of who I am, and gave it more<br />
context to construct my identity<br />
us<strong>in</strong>g only images of myself.<br />
I <strong>in</strong>put pictures I had taken<br />
throughout the week <strong>in</strong>to<br />
Midjourney and asked it to blend<br />
some of them together.
Here, I<br />
was hop<strong>in</strong>g that<br />
s<strong>in</strong>ce it was only<br />
us<strong>in</strong>g recent<br />
images of me, the<br />
result would be<br />
quite similar to<br />
my actual physical appearance,<br />
expect<strong>in</strong>g AI would be able to<br />
imitate my identity as I gave it<br />
more concrete references to<br />
work with. The results, as seen<br />
on the top right corner, did <strong>in</strong><br />
fact look much more similar<br />
to me. The blend<strong>in</strong>g of images<br />
successfully captured some<br />
of the features that make up<br />
physical identity (as def<strong>in</strong>ed by<br />
ChatGPT and GabAI previously).<br />
The images also seemed less<br />
AI generated and were quite<br />
representative of many of my<br />
ma<strong>in</strong> attributes.<br />
Nonetheless, the uncanny<br />
valley effect produced by the<br />
images speaks for itself. No<br />
matter how similar they are to<br />
my actual pictures, the person<br />
depicted by the AI generated<br />
image is clearly not me.<br />
Accord<strong>in</strong>g to AI’s understand<strong>in</strong>g<br />
of identity, specifically physical<br />
identity <strong>in</strong> the context of a<br />
virtual realm, the<br />
person Midjourney<br />
produced could<br />
essentially match<br />
my own identity.<br />
Still, <strong>in</strong> my own<br />
personal sense<br />
of self and perception of who I<br />
am, it is quite clear to me that<br />
no matter how close the AI<br />
managed to get, I am still none<br />
of those people portrayed <strong>in</strong> the<br />
images. They partially give off<br />
an idea of who I am but are not<br />
enough to be representative of<br />
my complete self.
What does this mean for<br />
designers?<br />
In the field of design,<br />
‘human centred’ takes on new<br />
mean<strong>in</strong>gs as human identity<br />
becomes more <strong>in</strong>tertw<strong>in</strong>ed with<br />
technological development.<br />
Inaccurate comprehension<br />
of users represents a big<br />
threat for designers, and as AI<br />
becomes more <strong>in</strong>corporated<br />
<strong>in</strong> design processes, it is<br />
important to acknowledge its<br />
<strong>in</strong>ability <strong>in</strong> properly grasp<strong>in</strong>g<br />
and represent<strong>in</strong>g the human<br />
experience. As proved by<br />
AI’s <strong>in</strong>capability of recreat<strong>in</strong>g<br />
physical features, the complexity<br />
of humans is not someth<strong>in</strong>g<br />
that easily translates <strong>in</strong>to just<br />
data sets, and can therefore not<br />
be fully recreated by artificial<br />
<strong>in</strong>telligence.<br />
Despite the multiple<br />
advantages that collaboration<br />
with AI has to offer dur<strong>in</strong>g<br />
design processes, designers<br />
must be wary of the <strong>in</strong>evitable<br />
detachment that AI has from<br />
human be<strong>in</strong>gs, and the fact that<br />
even with access to so much<br />
<strong>in</strong>formation, it still does not have<br />
enough proper notion of identity<br />
to fully understand humans as<br />
users.<br />
With the help of AI,<br />
people have access to a<br />
plethora of ways of express<strong>in</strong>g<br />
themselves, but as the world<br />
becomes more digitised and<br />
AI more <strong>in</strong>volved <strong>in</strong> all sectors,<br />
designers must keep <strong>in</strong> m<strong>in</strong>d<br />
who it is they are design<strong>in</strong>g for,<br />
and the real human complexities<br />
that exist beh<strong>in</strong>d what AI might<br />
consider as someone’s identity.<br />
Works Cited<br />
unidentified<br />
Laur<strong>in</strong>, K. (16, 10, 2023). The perils of AI:<br />
How artificial <strong>in</strong>telligence constructs human<br />
identity to their detriment. Medium. https://<br />
kemlaur<strong>in</strong>.medium.com/the-perils-of-ai-howartificial-<strong>in</strong>telligence-constructs-humanidentity-to-their-detriment-7017403d0366<br />
Yalz<strong>in</strong>, Gizem. (2023, September). How AI<br />
affects our sense of self. Harvard Bus<strong>in</strong>ess<br />
Review. https://hbr.org/2023/09/how-aiaffects-our-sense-of-self<br />
*All images have been generated with<br />
Midjourney, Chat GPT, Dall-E, Gab Ai, &<br />
Supawork Ai.
“Forks, Spoons, and Funky <strong>Design</strong>s: A Utensil Adventure!”<br />
Project name: “Reimag<strong>in</strong><strong>in</strong>g Kitchen Utensils: A Creative Exploration of<br />
<strong>Design</strong> and Abstraction”<br />
Author: Stefanie Laredo<br />
Tools and platforms used: Midjourney, ChatGPT<br />
Summary of the project and process:<br />
We use kitchen utensils every<br />
day without giv<strong>in</strong>g them much<br />
thought—a fork, a spoon, a<br />
knife—simple tools that seem to<br />
be set <strong>in</strong> their ways. But what if<br />
we reth<strong>in</strong>k them? What happens<br />
when we challenge the familiar<br />
and explore the possibilities of<br />
design beyond functionality? In<br />
this project, I dive <strong>in</strong>to the creative<br />
process of redesign<strong>in</strong>g these<br />
everyday objects, question<strong>in</strong>g<br />
what def<strong>in</strong>es them and how they<br />
can evolve. Through AI-powered<br />
image generation and a dash of<br />
unpredictability, I explore quirky,<br />
abstract, and sometimes bizarre<br />
iterations of kitchen utensils,<br />
uncover<strong>in</strong>g new ideas and push<strong>in</strong>g<br />
the boundaries of form and<br />
function.<br />
To beg<strong>in</strong> this exploration, I<br />
first needed to clarify my own<br />
understand<strong>in</strong>g of what def<strong>in</strong>es a<br />
kitchen utensil—specifically, the<br />
characteristics of a spoon, fork,<br />
and knife. My <strong>in</strong>itial approach<br />
was to consult ChatGPT for clear<br />
def<strong>in</strong>itions and examples.<br />
Kitchen utensil:<br />
A kitchen utensil is a tool used<br />
<strong>in</strong> food preparation or cook<strong>in</strong>g.<br />
These utensils are designed to<br />
perform specific tasks, such as<br />
chopp<strong>in</strong>g, stirr<strong>in</strong>g, flipp<strong>in</strong>g, or<br />
serv<strong>in</strong>g food. Common examples<br />
<strong>in</strong>clude spoons, knives, spatulas,<br />
tongs, whisks, and measur<strong>in</strong>g<br />
cups. They help make cook<strong>in</strong>g<br />
processes more efficient and are<br />
typically made from materials like<br />
metal, plastic, wood, or silicone.<br />
Spoon:<br />
A spoon is a kitchen utensil with a<br />
shallow, rounded bowl at the end<br />
of a handle. It is used primarily<br />
for scoop<strong>in</strong>g, stirr<strong>in</strong>g, and serv<strong>in</strong>g<br />
food or liquids. Spoons come<br />
<strong>in</strong> various sizes and types, each<br />
designed for specific purposes.<br />
Common types <strong>in</strong>clude:
- Teaspoon: A small spoon used<br />
for stirr<strong>in</strong>g tea or coffee, or for<br />
measur<strong>in</strong>g <strong>in</strong>gredients.<br />
- Tablespoon: A larger spoon often<br />
used for serv<strong>in</strong>g or measur<strong>in</strong>g.<br />
- Soup spoon: A rounder, larger<br />
spoon designed for eat<strong>in</strong>g soup.<br />
- Dessert spoon: A medium-sized<br />
spoon used for eat<strong>in</strong>g desserts.<br />
Spoons are typically made from<br />
materials such as metal, plastic, or<br />
wood.<br />
Knife:<br />
A knife is a kitchen utensil with a<br />
sharp blade and a handle, used for<br />
cutt<strong>in</strong>g, slic<strong>in</strong>g, dic<strong>in</strong>g, chopp<strong>in</strong>g,<br />
and other food preparation tasks.<br />
Knives come <strong>in</strong> various shapes and<br />
sizes, each designed for specific<br />
purposes. Common types of kitchen<br />
knives <strong>in</strong>clude:<br />
- Chef’s knife: A versatile, allpurpose<br />
knife with a broad, sharp<br />
blade used for chopp<strong>in</strong>g, slic<strong>in</strong>g,<br />
and dic<strong>in</strong>g.<br />
- Par<strong>in</strong>g knife: A small, sharp<br />
knife used for precise tasks such<br />
as peel<strong>in</strong>g and trimm<strong>in</strong>g fruits and<br />
vegetables.<br />
- Serrated knife: A knife with a<br />
saw-like edge, ideal for slic<strong>in</strong>g<br />
through foods with tough exteriors<br />
and soft <strong>in</strong>teriors, like bread or<br />
tomatoes.<br />
- Bon<strong>in</strong>g knife: A th<strong>in</strong>, flexible<br />
knife used to separate meat from<br />
bones.<br />
Knives are typically made<br />
from sta<strong>in</strong>less steel, carbon<br />
steel, ceramic, or other durable<br />
materials, and the blade’s<br />
sharpness and design are crucial<br />
for efficiency <strong>in</strong> the kitchen.<br />
Fork:<br />
A fork is a kitchen utensil with<br />
a handle and several long, th<strong>in</strong><br />
t<strong>in</strong>es (prongs) at one end. It<br />
is primarily used for pick<strong>in</strong>g<br />
up, hold<strong>in</strong>g, and eat<strong>in</strong>g food.<br />
Forks are essential <strong>in</strong> both food<br />
preparation and d<strong>in</strong><strong>in</strong>g. Common<br />
types <strong>in</strong>clude:<br />
- D<strong>in</strong>ner fork: Used at the d<strong>in</strong><strong>in</strong>g<br />
Image generated by ChatGPT<br />
“kitchen utensils”
table for eat<strong>in</strong>g ma<strong>in</strong> courses.<br />
- Salad fork: Typically smaller and<br />
used for eat<strong>in</strong>g salads or lighter<br />
dishes.<br />
- Dessert fork: A smaller fork used<br />
for eat<strong>in</strong>g desserts.<br />
- Serv<strong>in</strong>g fork: A larger fork used to<br />
serve food from a platter or dish.<br />
- Carv<strong>in</strong>g fork: A long, two-t<strong>in</strong>ed<br />
fork used to hold meat <strong>in</strong> place<br />
while slic<strong>in</strong>g.<br />
Forks are usually made from metal<br />
(sta<strong>in</strong>less steel, silver, etc.) but can<br />
also be found <strong>in</strong> plastic or other<br />
materials. They are often paired<br />
with knives or spoons dur<strong>in</strong>g meals.<br />
With the def<strong>in</strong>itions <strong>in</strong> place, the<br />
next step was to dive <strong>in</strong>to explor<strong>in</strong>g<br />
new iterations of these kitchen<br />
utensils us<strong>in</strong>g MidJourney. We<br />
first needed to understand how the<br />
AI <strong>in</strong>terpreted basic concepts<br />
like spoons, forks, and knives<br />
before craft<strong>in</strong>g more detailed<br />
prompts. To my surprise, the<br />
image generation took a strange<br />
turn right from the start. This<br />
might have happened s<strong>in</strong>ce I<br />
chose to explore the MidJourney<br />
website, experiment<strong>in</strong>g with<br />
its features, <strong>in</strong>clud<strong>in</strong>g levels of<br />
“weirdness” and variety to push<br />
the boundaries of design.<br />
It was fasc<strong>in</strong>at<strong>in</strong>g to analyze how<br />
the AI perceived kitchen utensils.<br />
It produced variations of spoons<br />
and other similar objects, often<br />
made from either wood or metal.<br />
However, the metal utensils<br />
consistently appeared rusty,<br />
giv<strong>in</strong>g them an aged, dirty look<br />
that felt unappeal<strong>in</strong>g. The AI also<br />
generated some misfires, where
utensils were bizarrely fused <strong>in</strong>to<br />
wooden boards, lacked handles,<br />
or seemed to resemble abstract<br />
objects that didn’t exist or serve any<br />
practical purpose.<br />
Despite ChatGPT’s clear and<br />
detailed def<strong>in</strong>itions, I assumed<br />
a simple prompt would lead to<br />
straightforward results. I was<br />
curious to explore with some<br />
vagueness, supported by the<br />
“aesthetic” sett<strong>in</strong>gs of MidJourney,<br />
know<strong>in</strong>g that more detailed prompts<br />
would yield better outcomes.<br />
As I processed images of spoons,<br />
forks, and knives, <strong>in</strong>terest<strong>in</strong>g<br />
patterns began to emerge. For<br />
<strong>in</strong>stance, when I asked for a knife,<br />
it <strong>in</strong>itially produced decorative<br />
knives that looked more suited for<br />
self-defense than food preparation.<br />
After specify<strong>in</strong>g “kitchen knife,”<br />
I received images of large knives<br />
for cutt<strong>in</strong>g vegetables, though<br />
some still carried over decorative<br />
elements from the earlier<br />
requests.<br />
When I moved on to spoons,<br />
the AI seemed to consistently<br />
reference antique, rusted spoons<br />
with decorative handles—the<br />
k<strong>in</strong>d some people might still<br />
collect today. These spoons<br />
varied <strong>in</strong> color and artistic<br />
patterns, but they were always<br />
metal, evok<strong>in</strong>g a sense of age and<br />
history.<br />
Forks, on the other hand,<br />
took a much stranger and<br />
somewhat unsettl<strong>in</strong>g turn. The<br />
AI generated forks with wildly<br />
exaggerated prongs—some
had three long, sharp t<strong>in</strong>es<br />
that looked almost dangerous,<br />
while others had five, try<strong>in</strong>g<br />
to resemble a regular fork but<br />
com<strong>in</strong>g across as offbeat. Like<br />
the spoons, these forks were<br />
mostly made of rusted metal,<br />
but they occasionally featured<br />
<strong>in</strong>tricate patterns or odd, almost<br />
sculptural assemblies.<br />
I embraced the quirk<strong>in</strong>ess as<br />
an opportunity to experiment<br />
with new variations, draw<strong>in</strong>g<br />
<strong>in</strong>spiration from specific<br />
images. One design began with<br />
a simple spiral handle on a fork,<br />
and when I tried to morph it<br />
<strong>in</strong>to a spoon, the pattern grew<br />
upwards <strong>in</strong> an unexpected way.<br />
I experimented with upscal<strong>in</strong>g<br />
and tweak<strong>in</strong>g the variations<br />
to see how the AI would<br />
complete the design, particularly<br />
focus<strong>in</strong>g on the fork’s head.<br />
Initially, it resembled a poorly<br />
photoshopped fire portal <strong>in</strong><br />
the handle, but through further<br />
remix<strong>in</strong>g and variations, it<br />
transformed <strong>in</strong>to someth<strong>in</strong>g<br />
much more elaborate—a<br />
fork adorned with jewels and<br />
<strong>in</strong>tricate patterns, more ak<strong>in</strong> to<br />
a piece of ornamental jewelry<br />
than a functional utensil.
While technically still usable,<br />
these creations blurred the<br />
l<strong>in</strong>e between functionality and<br />
art. They felt like objects to<br />
be admired rather than used,<br />
push<strong>in</strong>g the boundaries of<br />
design while still ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />
a fa<strong>in</strong>t connection to their<br />
orig<strong>in</strong>al purpose. This evolution<br />
showcased how imag<strong>in</strong>ative<br />
and surreal the process could<br />
become, offer<strong>in</strong>g a fasc<strong>in</strong>at<strong>in</strong>g<br />
look <strong>in</strong>to how far the form<br />
of everyday objects can be<br />
reimag<strong>in</strong>ed.<br />
This more artistic approach to<br />
usable utensils <strong>in</strong>spired me to<br />
explore similar outcomes with<br />
both a spoon and a knife. I<br />
crafted prompts that highlighted<br />
these characteristics, such as<br />
“metal spoon with a twisted<br />
handle and a piece of jewelry<br />
<strong>in</strong> the middle of the handle”<br />
and “a metal knife with patterns<br />
on the blade, adorned with<br />
jewelry and featur<strong>in</strong>g a textured,<br />
p<strong>in</strong>k handle.” The results were<br />
<strong>in</strong>trigu<strong>in</strong>g and aligned well with<br />
our previous fork <strong>in</strong>spiration.<br />
While the spoon designs were<br />
visually strik<strong>in</strong>g, I felt they<br />
might not be as comfortable or<br />
practical as a standard spoon
for everyday use. However, the knife truly impressed me. It took on a<br />
modern aesthetic, <strong>in</strong>corporat<strong>in</strong>g gentle curves that seemed designed for<br />
efficiency. Beyond the added embellishments, this knife ma<strong>in</strong>ta<strong>in</strong>ed its<br />
functionality while present<strong>in</strong>g a strik<strong>in</strong>gly artistic appearance. Its design<br />
beautifully balanced form and practicality, showcas<strong>in</strong>g how creativity<br />
can enhance even the most utilitarian objects.<br />
In reimag<strong>in</strong><strong>in</strong>g kitchen utensils, we uncover a wealth of creative<br />
possibilities that challenge our conventional perceptions of everyday<br />
objects. Through the lens of AI-generated imagery, we’ve explored not<br />
just the forms of spoons, forks, and knives but also the very essence of
their purpose and function.<br />
The journey revealed that even<br />
the most familiar tools can<br />
take on surpris<strong>in</strong>g and artistic<br />
dimensions, from the ornate and<br />
jeweled forks to the <strong>in</strong>tricately<br />
patterned knives.<br />
This exploration has prompted<br />
us to question what def<strong>in</strong>es a<br />
kitchen utensil. Are they merely<br />
functional tools, or can they<br />
also be vessels of creativity and<br />
expression? As we experiment<br />
with design, we push beyond<br />
traditional boundaries, <strong>in</strong>vit<strong>in</strong>g<br />
new <strong>in</strong>terpretations that blend<br />
art and utility.<br />
Ultimately, this project<br />
highlights the importance<br />
of curiosity and <strong>in</strong>novation<br />
<strong>in</strong> design. By embrac<strong>in</strong>g the<br />
unexpected and ventur<strong>in</strong>g <strong>in</strong>to<br />
the bizarre, we can transform<br />
mundane objects <strong>in</strong>to works<br />
of art, enrich<strong>in</strong>g our everyday<br />
experiences. This journey serves<br />
as a rem<strong>in</strong>der that creativity<br />
knows no limits—kitchen<br />
utensils may never look the<br />
same aga<strong>in</strong>, and perhaps that’s<br />
the most delicious outcome of<br />
all.
Luxury Rebrand<strong>in</strong>g a<br />
Fashion Brand<br />
Digital Couture: Elevat<strong>in</strong>g Mariado Guillen<br />
with AI and Balenciaga’s Influence<br />
Inmaculada Sanchez Canovas<br />
Chat GPT4, Dall-e, Midjourney<br />
In the age of AI-powered design<br />
tools, the role of creativity is<br />
evolv<strong>in</strong>g rapidly. When I was<br />
tasked with rebrand<strong>in</strong>g the onl<strong>in</strong>e<br />
fashion brand “Mariado Guillen”<br />
(@mariadoloresguillen), I saw<br />
an opportunity to explore the<br />
<strong>in</strong>tersection of AI and luxury fashion.<br />
My goal was to elevate Mariado<br />
fashion brand by tak<strong>in</strong>g <strong>in</strong>spiration<br />
from one of the most iconic names <strong>in</strong><br />
fashion: Balenciaga.<br />
Through the creative approach of AI<br />
<strong>in</strong>tegration, I focused on the brand’s<br />
identity, <strong>in</strong>clud<strong>in</strong>g logo design,<br />
cohesive visual imagery, color<br />
palette, and social media presence.<br />
Us<strong>in</strong>g AI tools like DALL-E and<br />
MidJourney, I aimed to <strong>in</strong>corporate<br />
Balenciaga’s recognizable<br />
characteristics while preserv<strong>in</strong>g the<br />
unique identity of Mariado Guillen.<br />
The rebrand<strong>in</strong>g journey illustrates<br />
how AI can be a powerful tool <strong>in</strong> the<br />
design process—allow<strong>in</strong>g creativity<br />
to expand while push<strong>in</strong>g new<br />
boundaries.
The foundation of this project was based on the prompt:<br />
“<br />
I need to rebrand a<br />
bus<strong>in</strong>ess with the help of AI.<br />
By analys<strong>in</strong>g and study<strong>in</strong>g a<br />
famous and luxury brand such<br />
as Balenciaga <strong>in</strong> order to use<br />
its recognisable characteristics<br />
to implement them <strong>in</strong> the new<br />
rebrand<strong>in</strong>g. The small fashion<br />
brand that I need to rebrand<br />
is called “Mariado Guillen”<br />
(@mariadoloresguillen on<br />
<strong>in</strong>stagram), it is an onl<strong>in</strong>e brand<br />
so I only need to focus on the<br />
brand identity. Take <strong>in</strong>spiration<br />
from Balenciaga to rebrand this<br />
small fashion brand <strong>in</strong> order to<br />
make it a luxury one. Please give<br />
me prompts to ask AI <strong>in</strong> order<br />
to achieve this. I am go<strong>in</strong>g to<br />
give these prompts to Dall-e and<br />
Midjourney..<br />
“<br />
Balenciaga’s key design elements—oversized silhouettes, m<strong>in</strong>imalistic<br />
aesthetics, and bold yet simple typography—provided a rich start<strong>in</strong>g po<strong>in</strong>t for<br />
the rebrand<strong>in</strong>g. The challenge was to reimag<strong>in</strong>e these elements <strong>in</strong> a way that<br />
aligned with Mariado Guillen’s more boutique and onl<strong>in</strong>e-focused identity<br />
while transform<strong>in</strong>g it <strong>in</strong>to a brand that exudes luxury.
Logo<br />
A brand’s logo is its most identifiable<br />
visual asset, so this was the first<br />
focus of my rebrand<strong>in</strong>g effort. I<br />
used DALL-E and MidJourney to<br />
experiment with various iterations<br />
of a new logo. Balenciaga’s bold,<br />
geometric fonts <strong>in</strong>spired me to develop<br />
a m<strong>in</strong>imalist yet powerful logo for<br />
Mariado Guillen.<br />
““<strong>Design</strong><br />
a luxury fashion logo<br />
for ‘Mariado Guillen,’ us<strong>in</strong>g<br />
clean, m<strong>in</strong>imalist typography<br />
<strong>in</strong>spired by high-end brands like<br />
Balenciaga. The logo should have<br />
a bold, modern, sans-serif font<br />
that conveys both exclusivity<br />
and avant-garde aesthetics.<br />
Include subtle design elements<br />
that symbolize <strong>in</strong>novation and<br />
sophistication. Avoid ornate<br />
details—focus on simplicity and<br />
sharpness.”<br />
“<br />
After obta<strong>in</strong><strong>in</strong>g bad results from Chat<br />
GPT4 and Midjourney. I directly<br />
asked for a typography that reflect<br />
m<strong>in</strong>imalism, boldness, and modernity;<br />
giv<strong>in</strong>g me different font families. And<br />
based on that I used Illustrator AI to<br />
play with vectors <strong>in</strong> order to create a<br />
cohesive logo.
Color Palette<br />
To create a cohesive brand identity, I<br />
focused on develop<strong>in</strong>g a color palette<br />
that would complement the luxurious<br />
aesthetic of Mariado Guillen.<br />
“<br />
Draw<strong>in</strong>g <strong>in</strong>spiration from<br />
Balenciaga’s create a color<br />
palette of five colors for a visual<br />
identity <strong>in</strong>spired <strong>in</strong> Balenciaga<br />
aesthetics, make these neutral<br />
such as black, white and beige<br />
and give me the hex code of each<br />
color.<br />
“<br />
AI-assisted color test<strong>in</strong>g allowed me<br />
to f<strong>in</strong>e-tune the shades and visualize<br />
how they would appear across various<br />
brand<strong>in</strong>g materials, from Instagram<br />
posts to the website design. The<br />
result<strong>in</strong>g palette was versatile enough<br />
to apply across different visual assets<br />
while ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g consistency.<br />
Black<br />
Hex Code: #000000<br />
White<br />
Hex Code: #FFFFFF<br />
Sandy Beige<br />
Hex Code: #D1B894<br />
Warm Taupe<br />
Hex Code: #A68A6D<br />
Soft Ivory<br />
Hex Code: #F5EFE6
“<br />
<strong>Design</strong> a fashion<br />
editorial shoot for @<br />
Mariadoloresguillen<br />
<strong>in</strong>spired by<br />
Balenciaga’s<br />
futuristic aesthetic,<br />
comb<strong>in</strong><strong>in</strong>g<br />
streetwear<br />
elements with<br />
high-fashion poses.<br />
Use muted colors,<br />
architectural<br />
backdrops, and<br />
edgy light<strong>in</strong>g.<br />
“<br />
Visual Imagery<br />
I used AI-generated imagery to create<br />
a cohesive and luxurious Instagram<br />
feed for Mariado Guillen. I focused on<br />
balanc<strong>in</strong>g model shots with accessory<br />
close-ups and product imagery, all<br />
follow<strong>in</strong>g the newly established color<br />
palette.<br />
Through various iterations, the AI<br />
helped me create a modern Instagram<br />
grid that alternated between models,<br />
accessories, and editorial shots. Each<br />
post reflected the brand’s upscale<br />
identity and gave followers an<br />
immediate sense of its ref<strong>in</strong>ed nature.<br />
AI also played a role <strong>in</strong> adjust<strong>in</strong>g and<br />
perfect<strong>in</strong>g the compositions, ensur<strong>in</strong>g a<br />
consistent look across the grid.<br />
*** These are some of the images that Midjourney and Dall-e created for me.<br />
However not the approach I was look<strong>in</strong>g for. Added text, not realistic faces, very<br />
overwhelm<strong>in</strong>g..
*** This is the aesthetic I was look<strong>in</strong>g for. However, AI would only give me black<br />
people without ask<strong>in</strong>g or mention<strong>in</strong>g anyth<strong>in</strong>g about the model’s race. After a few<br />
trials, I asked for multiracial models and more specific white race and light sk<strong>in</strong>. It<br />
kept only <strong>in</strong>clud<strong>in</strong>g black models.
Instagram Profile<br />
“<br />
Create a series of Instagram posts for the fashion brand ‘Mariado<br />
Guillen,’ <strong>in</strong>spired by Balenciaga’s m<strong>in</strong>imalist style. Use black,<br />
white, and beige tones to highlight oversized silhouettes,<br />
streetwear, and luxury aesthetics. Base these posts <strong>in</strong> the visual<br />
imagery and logo done before. Same aesthetics make it look<br />
sleek, fresh, modern and cohesive <strong>in</strong> order to obta<strong>in</strong> a good and<br />
strong visual identity.<br />
When creat<strong>in</strong>g a new<br />
Instagram profile to make<br />
the brand look more reliable<br />
and professional, it started<br />
design<strong>in</strong>g posts of only<br />
clothes on its own or just<br />
models... I asked to make<br />
the designs more sharp and<br />
updated to todays fashion<br />
with Balenciaga aesthetics.<br />
The first results were very<br />
organic because of the<br />
neutral colors I was putt<strong>in</strong>g<br />
<strong>in</strong> the prompt.<br />
F<strong>in</strong>ally, I worked with<br />
Photoshop AI and<br />
Midjourney. These gave me<br />
more images and Chat GPT4<br />
analysed them and told me<br />
where to put logos to make<br />
it more coherent. Also, it<br />
created products with the<br />
logo engraved.<br />
“
Website <strong>Design</strong><br />
The website’s ma<strong>in</strong> page is crucial<br />
for creat<strong>in</strong>g a strong first impression,<br />
especially for an onl<strong>in</strong>e brand like<br />
Mariado Guillen. My goal was to<br />
make the website sleek, luxurious, and<br />
user-friendly. I used AI tools to design<br />
a homepage that featured oversized<br />
visuals, m<strong>in</strong>imalist typography, and<br />
high-quality editorial images of the<br />
brand’s cloth<strong>in</strong>g and accessories.<br />
“<br />
<strong>Design</strong> a luxury fashion website<br />
homepage for Mariado Guillen,<br />
focus<strong>in</strong>g on a clean modern<br />
layout. Use an oversized<br />
image as the ma<strong>in</strong> focus and<br />
bold typography <strong>in</strong>spired by<br />
Balenciaga. Make sure you<br />
<strong>in</strong>clude the logo created before<br />
and cont<strong>in</strong>ue with the same<br />
aesthetics.<br />
“<br />
There were many fail versions of<br />
the website. Very elegant and classy<br />
style not follow<strong>in</strong>g Balenciaga’s<br />
visuals or the one just created. The AI<br />
helped ref<strong>in</strong>e the layout and balance,<br />
suggest<strong>in</strong>g where to place visuals and<br />
text for maximum impact. The result<br />
was a homepage that not only looked<br />
high-end but also had an <strong>in</strong>tuitive flow,<br />
lead<strong>in</strong>g customers seamlessly from the<br />
first glance to shopp<strong>in</strong>g.
Work<strong>in</strong>g with AI <strong>in</strong> this process wasn’t without<br />
its challenges. One of the major issues was AI’s<br />
limitations <strong>in</strong> understand<strong>in</strong>g subtle nuances,<br />
particularly when generat<strong>in</strong>g realistic textures for<br />
high-end fashion materials. Early iterations of AI<br />
outputs often lacked the ref<strong>in</strong>ement necessary for<br />
luxury brand<strong>in</strong>g.<br />
By ref<strong>in</strong><strong>in</strong>g the prompts and provid<strong>in</strong>g more<br />
specific <strong>in</strong>puts, I was able to guide the AI<br />
towards better results. In some cases, traditional<br />
design tools were needed to touch up AIgenerated<br />
images, ensur<strong>in</strong>g they met the highquality<br />
standards required for the project.<br />
The <strong>in</strong>tegration of AI <strong>in</strong> the design process<br />
for Mariado Guillen allowed for a dynamic,<br />
iterative approach to rebrand<strong>in</strong>g. By analyz<strong>in</strong>g<br />
Balenciaga’s characteristics and apply<strong>in</strong>g them<br />
with AI assistance, I was able to elevate Mariado<br />
Guillen <strong>in</strong>to a luxury brand that reflects modern<br />
elegance, sophistication, and high-fashion<br />
sensibilities.<br />
AI enhanced the workflow by enabl<strong>in</strong>g<br />
quick iterations, help<strong>in</strong>g me push creative<br />
boundaries while ensur<strong>in</strong>g the brand identity<br />
rema<strong>in</strong>ed cohesive and high-end. This project<br />
demonstrates the potential of AI <strong>in</strong> rebrand<strong>in</strong>g<br />
and how it can be used to complement human<br />
creativity, rather than replace it.
“AI CAN-NOT MAKE MISTAKES”<br />
Project name: Test<strong>in</strong>g AI platforms’ capabilities for conduct<strong>in</strong>g text<br />
based research<br />
Authors: Alex Boubou<br />
Tools and platforms used: ChatGPT 4o, Claude.ai 3.5 Sonnet, Claude.<br />
ai 3 Opus, Grok 2 beta.<br />
Summary of the project and process:<br />
This project aims to explore the current capabilities of generative AI<br />
<strong>in</strong> research processes for writ<strong>in</strong>g (both academic and journalistic are<br />
tested out). The project will explore three different processes of creation<br />
us<strong>in</strong>g AI, with various levels of user <strong>in</strong>tegration; the first is data<br />
generated by AI and free decision-mak<strong>in</strong>g by humans, the second<br />
is data generated by AI and structured decision-mak<strong>in</strong>g by humans,<br />
while the third is data and decision-mak<strong>in</strong>g generated by AI only. The<br />
end result aims to analyze the processes used by AI currently to conduct<br />
research, and to identify serious shortcom<strong>in</strong>gs <strong>in</strong> the outcomes.<br />
2
STEP 0: WHAT TO EXPLORE?<br />
“Verify its’ outputs”, “Double-check its’ responses”, and<br />
“Check important <strong>in</strong>fo”, among others; phrases anyone<br />
who’s used generative AI platforms has seen next to the<br />
<strong>in</strong>put textbox, almost like a f<strong>in</strong>e-pr<strong>in</strong>t similar to those<br />
that are on cigarette packs, alcohol advertisments and<br />
gambl<strong>in</strong>g promotional materials. Perhaps it is a way for<br />
developers to absolve themselves from the responsibility<br />
that may arise of one of their creations’ responses<br />
be<strong>in</strong>g escalated to grounds for legal actions? It is there<br />
accompanied with the phrase “[<strong>in</strong>sert platform here]<br />
can make mistakes”, and AI famously has and still does<br />
so; <strong>in</strong>accurate <strong>in</strong>formation, biased sources, or ones that<br />
do not exist at all. Unfortunately, a lot of people are still<br />
not aware of AI’s limitations when it comes to provid<strong>in</strong>g<br />
correct and accurate <strong>in</strong>formation, and use it without<br />
cross-check<strong>in</strong>g or verification. This project aims to<br />
see the full unchecked potential (correct or not) of AI<br />
when it comes to research - a process that has always<br />
required special rigor <strong>in</strong> its execution. What happens<br />
when AI is given more freedom <strong>in</strong> journalistic research?<br />
What happens when AI biases are left unchecked?<br />
What happens if AI research if founded on <strong>in</strong>accurate,<br />
or even false data? How do AI platforms synthesize their<br />
conclusions (if at all)? Where do different AI platforms<br />
“source their bias” from? How do AI platforms respond<br />
to self-criticism and scrut<strong>in</strong>y? Perhaps some of these<br />
questions will go unanswered while others will appear.<br />
It is important to note that this research has generated<br />
<strong>in</strong> total over 100,000 words; it is nearly impossible to<br />
condense everyth<strong>in</strong>g <strong>in</strong>to 12 pages, so you can make use<br />
of the l<strong>in</strong>ks that will appear on the right side<br />
to reference certa<strong>in</strong> processes and essays. This first l<strong>in</strong>k<br />
is to the Google Drive folder conta<strong>in</strong><strong>in</strong>g all the documents,<br />
which will be referenced as I go along this process.<br />
Which look like this:<br />
t<strong>in</strong>yurl.com/53b4u6az<br />
3
STEP 1: WHAT WILL IT RESEARCH AND HOW?<br />
The ma<strong>in</strong> topic that came to my m<strong>in</strong>d was progress and reform<br />
- nowadays a topic controversial enough that the AIs would have<br />
enough <strong>in</strong>formation from both sides to (hopefully) synthesize some<br />
good arguments. From my own perspective, it’s a topic that I found<br />
very <strong>in</strong>terest<strong>in</strong>g, because of its’ complex implications across multiple<br />
fields, of which I wanted to focus primarily on ones I have some<br />
knowledge <strong>in</strong> - design, politics, and culture; This way, the process of<br />
double check<strong>in</strong>g AIs responses becomes somewhat easier for me<br />
later down the l<strong>in</strong>e.<br />
I also had to def<strong>in</strong>e an early-stage process of how I wanted the<br />
AIs to approach the topic, and how to structure it so I can later on<br />
analyze the process of generation and the outcomes. Initially, s<strong>in</strong>ce I<br />
did not know the full capabilities of AI <strong>in</strong> this regard, decided to just<br />
stick with experiment<strong>in</strong>g to see how deep or diverse can AIs go with<br />
examples and research. Before buy<strong>in</strong>g the premium subscriptions, I<br />
did a process of AI bra<strong>in</strong>storm<strong>in</strong>g with ChatGPT to ref<strong>in</strong>e a question<br />
that the AIs need to try to answer (as seen below, taken directly<br />
from my Miro workspace).<br />
4<br />
The f<strong>in</strong>al form of the question that I will use is:<br />
“What impact have globalization and advancement <strong>in</strong><br />
communication technologies on shap<strong>in</strong>g cultural trends, design<br />
<strong>in</strong>novation, and political discouse <strong>in</strong> recent decades?”<br />
and so it beg<strong>in</strong>s.
STEP 2: THE EXPERIMENT<br />
After generat<strong>in</strong>g my topic question, and purchas<strong>in</strong>g the<br />
necessary subscriptions, I did the first test to generate as<br />
many subtopics and subsequent examples as possible that<br />
ChatGPT can use for the research process.<br />
I asked Charles (yes, I renamed my ChatGPT to Charles.)<br />
to generate subtopics correspond<strong>in</strong>g to each of the three<br />
areas (cultural trends, design <strong>in</strong>novation, and political<br />
discourse), to which it generated 12 total. I asked it to<br />
generate more and split them accord<strong>in</strong>g to their impact,<br />
and the number climbed to 28. Want<strong>in</strong>g to ensure that<br />
the subtopics it picks for analysis are controversial<br />
enough, I asked Charles to tell me which ones it deemed<br />
controversial, and it gave me 5 criteria for controversy<br />
(diverse <strong>in</strong>terpretations, ethical dilemmas, social impact,<br />
political sensitivity, and cultural sensitivity). I tried to<br />
compare my own view of the subtopics that I considered<br />
controversial, but found myself stuck try<strong>in</strong>g to dist<strong>in</strong>guish<br />
granular nuance. After I got myself entangled try<strong>in</strong>g to see<br />
if I agree with Charles’s choices, I realized I needed to take<br />
a step back and focus on generation first, and focus on<br />
creat<strong>in</strong>g a proof-of-concept at this stage.<br />
For full process:<br />
2-10_R_CHATGPT_<br />
SUBTOPIC-<br />
GENERATION<br />
t<strong>in</strong>yurl.com/7fsyf22c<br />
To create that proof, I decided to take a s<strong>in</strong>gular example<br />
out of these subtopics and focus on synthesiz<strong>in</strong>g an essay<br />
out of it. I selected “African Artists on Social Media”, under<br />
“Empowerment of Local Art and Voices”, itself under<br />
Cultural Trends.<br />
Platforms like Instagram have empowered African artists to<br />
share their work globally, but this has also led to concerns about<br />
appropriation or exploitation when elements of their art are used<br />
without permission by Western designers.<br />
I decided to use the 5 whys method to see how far it can<br />
take its own reason<strong>in</strong>g beh<strong>in</strong>d the controversy. I th<strong>in</strong>k this<br />
may be key to unlock<strong>in</strong>g biases. It did the process well,<br />
more than doubl<strong>in</strong>g the amount of text analysis by the last<br />
iteration, and produc<strong>in</strong>g some useful <strong>in</strong>sight.<br />
5
And it did it pretty well. The only prompt used between these was “why?”<br />
When I started ask<strong>in</strong>g it for<br />
sources and examples of<br />
media articles talk<strong>in</strong>g about<br />
the topics, th<strong>in</strong>gs started<br />
go<strong>in</strong>g south. It first generated<br />
unclickable hyperl<strong>in</strong>ks,<br />
followed by a series of<br />
paywalled F<strong>in</strong>ancial Times<br />
articles that it refused me to<br />
give me the l<strong>in</strong>ks to, followed<br />
by clickable l<strong>in</strong>ks that turned<br />
out to be non-existent articles.<br />
Back at square one.<br />
Fortunately, I figured it was a question of what type of source am I<br />
request<strong>in</strong>g from it; I changed it to academic and high quality sources<br />
and was able to f<strong>in</strong>d better quality sources (that actually exist). I<br />
noticed that most articles Charles provided were from Spr<strong>in</strong>gerL<strong>in</strong>k.<br />
F<strong>in</strong>ally, I managed to synthesize an essay out of the argument and<br />
research titled “Navigat<strong>in</strong>g the Global Art Market: The Rise and<br />
Challenges of African Artists on Social Media”.<br />
My next step would be to codify the research process after the test<br />
(which was actually successful!) and add some elements that I may<br />
have missed earlier.<br />
6
STEP 3: THE STANDARDIZED PROCESS<br />
The process I def<strong>in</strong>ed for use by the AI platforms was:<br />
1. def<strong>in</strong>e relevant subtopics to explore (negative and<br />
positive) with<strong>in</strong> each of the three fields<br />
2. def<strong>in</strong>e criteria for select<strong>in</strong>g controversial subtopics<br />
3. select 1 or 2 subtopics for each field considered<br />
controversial accord<strong>in</strong>g to the criteria, expla<strong>in</strong><strong>in</strong>g<br />
which criteria each subtopic fits and how many<br />
4. on each subtopic, provide a list of relevant academic/<br />
high-quality sources that discuss its implications<br />
5. identify any examples about the subtopics mentioned<br />
6. f<strong>in</strong>d media articles talk<strong>in</strong>g about the examples and<br />
synthesize a narrative about them (separately).<br />
7. do the 5 why’s analysis method; connect each<br />
example with the sources about the controversial<br />
subtopics by ask<strong>in</strong>g “what could be the base of the<br />
controversy/criticism <strong>in</strong> this case?”<br />
8. iterate 4 times “why?” and deepen the analysis<br />
9. l<strong>in</strong>k the 5 layers of analysis to articles/sources<br />
10. synthesize an essay about the whole topic that<br />
answers the pre-def<strong>in</strong>ed question, about a 20 m<strong>in</strong>s<br />
read (2000 words).<br />
Now it was time to try this on ChatGPT aga<strong>in</strong>, to see how<br />
on-topic it can stay dur<strong>in</strong>g the research process. While it<br />
was much easier than hav<strong>in</strong>g to decide the next step on<br />
the fly, it sometimes presented cont<strong>in</strong>uity errors; several<br />
times I had to ask it to re-do a certa<strong>in</strong> step because it<br />
forgot to analyze one of its previous answers, or because<br />
it forgot how to count to 6. At that stage I also decided<br />
to just stick with academic APA citations, as the citation<br />
system employed by ChatGPT was faulty at times.<br />
The f<strong>in</strong>al article, which took some iterations to figure<br />
out how to extend its length (a recurr<strong>in</strong>g issue from here<br />
on out) and make it less structured and rigid, was given<br />
the very orig<strong>in</strong>al title: Globalization, Communication<br />
Technologies, and Their Impact on Culture, <strong>Design</strong>, and<br />
Politics.<br />
For full process:<br />
5-10_R_CHATGPT_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/2h949hhz<br />
For full essay:<br />
2-10_E_CHATGPT_<br />
AFRICAN-ART<br />
t<strong>in</strong>yurl.com/2y63x4tz<br />
For full essay:<br />
5-10_E_CHATGPT_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/4ybw4vam<br />
7
I had not worked with neither Claude nor Grok before - I knew<br />
Claude was famous for be<strong>in</strong>g more restricted than ChatGPT as<br />
it doesn’t have access to the <strong>in</strong>ternet, and that Grok -<strong>in</strong>famously<br />
owned by Elon Musk’s X, formerly Twitter- is <strong>in</strong>famously capable<br />
of generat<strong>in</strong>g politically <strong>in</strong>correct content. So, I decided to put the<br />
process to test.<br />
Consider<strong>in</strong>g the process I came up with worked for ChatGPT,<br />
I wanted to see how it can be adapted to Claude’s limitations.<br />
One th<strong>in</strong>g I liked about Claude was its transparency <strong>in</strong> how its<br />
restrictions affect it:<br />
I’m not able to reliably reference or cite specific articles. If I mention or<br />
seem to cite particular articles, papers, or books, it’s important to note<br />
that I don’t have access to a search function or database to verify these<br />
references. In such cases, I may <strong>in</strong>advertently generate or “halluc<strong>in</strong>ate”<br />
citations that seem plausible but may not be accurate.<br />
But that’s exactly what I want to test out. Claude adapted the<br />
process to use generalized examples, and general topics <strong>in</strong>stead of<br />
citations. The execution itself was rather smooth, and the end result<br />
was more compell<strong>in</strong>g than ChatGPT’s at first glance.<br />
Grok, on the other hand... was a struggle. I do have to admit that I<br />
do carry an <strong>in</strong>herent bias aga<strong>in</strong>st Grok as a product of Elon Musk’s<br />
rebranded Twitter, but I needed to give it the benefit of the doubt.<br />
8<br />
A challenge, no doubt. I had to stop and readjust the process<br />
several times, and the end result was such low quality that I decided<br />
to use Grok only for scrut<strong>in</strong>ization down the l<strong>in</strong>e.
STEP 4: DE-STANDARDIZED PROCESS<br />
I felt like I hit a dead end with the quality of the work; it<br />
seemed like there was not much to discuss or analyze.<br />
That moment I realized that by sett<strong>in</strong>g the process myself,<br />
I was box<strong>in</strong>g-<strong>in</strong> the AIs capabilities; I was test<strong>in</strong>g its’ ability<br />
to follow a process, not create one. Therefore, I needed<br />
to give the AIs the question and see how they go about<br />
answer<strong>in</strong>g them. This time, I will be us<strong>in</strong>g ChatGPT and<br />
Claude (this time us<strong>in</strong>g both 3.5 Sonnet and 3 Opus,<br />
apparently more adept at writ<strong>in</strong>g long texts).<br />
This way, I will have 3 different processes to scrut<strong>in</strong>ize,<br />
which hopefully will generate a lot of <strong>in</strong>sight.<br />
ChatGPT not only generated a very comprehensive<br />
process, but it also conducted some very <strong>in</strong>terest<strong>in</strong>g<br />
quantitative research. The quality of sources it provided<br />
seemed to have <strong>in</strong>creased a lot s<strong>in</strong>ce the last trial.<br />
It honestly scared me a bit; If this is the level at which<br />
ChatGPT is already operat<strong>in</strong>g, research is only bound to<br />
get better from here. However, one th<strong>in</strong>g I noticed<br />
is that it does not know how expla<strong>in</strong> that quantitative<br />
research, nor provide concrete sources, which raises<br />
questions as to whether it is actually conduct<strong>in</strong>g analysis<br />
of trends <strong>in</strong> real-time or just rely<strong>in</strong>g on its tra<strong>in</strong><strong>in</strong>g data<br />
to achieve it. It based most of its analysis on 3 theories;<br />
Arjun Appadurai’s Global Cultural Flow, Manuel Castells’<br />
Network Society, and Marshall McLuhan’s Global Village.<br />
(This will be relevant later).<br />
The essay itself took some iterations to figure out how<br />
to work <strong>in</strong> the references, as well as length (it generated<br />
barely half the length I asked it to, a surpris<strong>in</strong>gly common<br />
problem with AIs), but it was more coherent and had<br />
a much stronger basis than the first two examples I<br />
generated. I th<strong>in</strong>k the “academic” approach makes the<br />
process more rigorous for the AI, so hopefully this trend<br />
cont<strong>in</strong>ues with Claude (Sonnet and Opus).<br />
For full process:<br />
5-10_R_CLAUDE_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/mrxn5r4c<br />
For full process:<br />
7-10_R_CHATGPT_<br />
SELF-GUIDED<br />
t<strong>in</strong>yurl.com/5bfzen23<br />
For full essay:<br />
5-10_E_CLAUDE_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/5n87h8sx<br />
For full process:<br />
6-10_R_GROK_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/sf7msuv3<br />
For full essay:<br />
7-10_E_CHATGPT_<br />
SELF-GUIDED<br />
t<strong>in</strong>yurl.com/54zfk72w<br />
For full essay:<br />
6-10_E_GROK_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/5a3jr5rd<br />
9
The 2 Claude versions had very different approaches to this process<br />
(for reference, the exact same prompts were used with both of<br />
them). Claude Sonnet orig<strong>in</strong>ally focused on giv<strong>in</strong>g a methodology<br />
that I can execute myself, before attempt<strong>in</strong>g to adapt the process to<br />
its <strong>in</strong>ternet limitation. It then gave a very detailed explanation of what<br />
it was go<strong>in</strong>g to do, focus<strong>in</strong>g on historical trends and comparative<br />
analysis, and surpris<strong>in</strong>gly enough, created its own theoretical<br />
framework that it named The Global Tech-Culture Nexus, that it<br />
used to build the model of analysis dur<strong>in</strong>g the research stage. It also<br />
had a much wider variety of sources and theories as a base.<br />
The essay itself was of good quality, but the word count problem<br />
was still persistent; this time, it <strong>in</strong>flated the wordcount <strong>in</strong> the<br />
<strong>in</strong>terface to twice as long.<br />
10<br />
Claude 3 Opus was touted as “excell<strong>in</strong>g at writ<strong>in</strong>g and complex<br />
tasks”, so I was <strong>in</strong>terested <strong>in</strong> the difference between both;<br />
Unfortunately, I was left rather disappo<strong>in</strong>ted. The process of<br />
generation felt like black-box; I prompted it several times to expla<strong>in</strong><br />
to me its research process, and the most I got out of it was about<br />
4 pages of very brief research, as opposed to Claude 3.5 Sonnet’s<br />
20. Obviously, amount of pages does not <strong>in</strong>dicate the research’s<br />
quality, but the research process seemed much shallower; it had<br />
half as many references as Claude Sonnet, and based most of its<br />
research seem<strong>in</strong>gly on 5 or 6 theories, among which were Arjun<br />
Appadurai’s Global Cultural Flow, Manuel Castells’ Network Society,<br />
and Marshall McLuhan’s Global Village, aga<strong>in</strong>. The essay took a few<br />
sw<strong>in</strong>gs at deep analysis, but it seemed that it missed the mark for<br />
the most part.<br />
With this, I had gathered enough materials, time to move to scrut<strong>in</strong>y.
STEP 5: THE ANALYSIS/SCRUTINY<br />
At this po<strong>in</strong>t, I had generated over 90k words <strong>in</strong> research<br />
and essays; there is unfortuantely no way I can cover all of<br />
that <strong>in</strong> my analysis, therefore I had to get very picky with<br />
what to analyze. I already knew what I had to <strong>in</strong>vestigate;<br />
the biases of the article, how thorough is the research,<br />
how good it is at reach<strong>in</strong>g conclusions and synthesiz<strong>in</strong>g<br />
arguments, and how coherent is the essay overall (and<br />
whether there are any tangents).<br />
I decided to ref<strong>in</strong>e the criteria and make them uniform<br />
across all tests, and it came down to the follow<strong>in</strong>g:<br />
1a. How correctly/accurately it discusses the topic<br />
1b. How many tangents it goes on<br />
2. How they agree with the argument and why<br />
3. How coherent is the argument and shortcom<strong>in</strong>gs<br />
4. How deep is the research and any shortcom<strong>in</strong>gs<br />
5. How biased is the essay (even if subtle)<br />
6. How thorough are the references and citations,<br />
and whether the sources actually exist<br />
7. What alternative argument would they provide<br />
8. What alternative sources can they provide<br />
For full process:<br />
9-10_R_CLAUDE_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/39rx6py7b<br />
For full process:<br />
9-10_E_CLAUDE_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/yc735w3b<br />
To conduct this analysis, I decided to scrut<strong>in</strong>ize <strong>in</strong> 4<br />
different ways; self-scrut<strong>in</strong>y (the AIs criticize their own<br />
creations), cross-scrut<strong>in</strong>y (the AIs criticize each other’s<br />
work), personal-scrut<strong>in</strong>y (I criticize the work of all AIs),<br />
and f<strong>in</strong>ally, Grok-scrut<strong>in</strong>y (runn<strong>in</strong>g the essays through<br />
Grok and see<strong>in</strong>g the extreme criticism it could provide).<br />
For full process:<br />
9-10_R_CLAUDE-O_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/4nke4nbr<br />
I was <strong>in</strong> particular look<strong>in</strong>g forward to see Grok’s analysis -<br />
I had experimented with generat<strong>in</strong>g critiques from various<br />
ideological persepctives of an earlier creation from<br />
Claude Sonnet, and it was able to generate more than<br />
25 different criticisms based <strong>in</strong> certa<strong>in</strong> ideologies and<br />
movements, rang<strong>in</strong>g from the extreme left (anti-capitalist<br />
and Marxist) to extreme right (ultranationalist and ecofascist),<br />
and even fr<strong>in</strong>ge ideologies (neo-luddite, technogaianist(?),<br />
and f<strong>in</strong>ally radical transhumanist), so I asked it<br />
to generate the questions for the scrut<strong>in</strong>y process.<br />
For full process:<br />
7-10_R_GROK_<br />
SCRUTINY<br />
t<strong>in</strong>yurl.com/2hf3yut9<br />
For full essay:<br />
9-10_E_CLAUDE-O_<br />
ONESHOT<br />
t<strong>in</strong>yurl.com/y6xt7w73<br />
11
12<br />
Top to bottom:<br />
1. Self scrut<strong>in</strong>y<br />
2. Cross-scrut<strong>in</strong>y<br />
(ChatGPT analyzed<br />
both version of<br />
Claude, Claude<br />
Sonnet analyzed<br />
ChatGPT)<br />
3. Grok scrut<strong>in</strong>y<br />
4. Personal scrut<strong>in</strong>y<br />
(first 6 po<strong>in</strong>ts)
For reference, the rows represent criticism of the self-guided essays by Claude<br />
Sonnet, Claude Opus and Chat GPT, respectively. The 8 columns correspond to<br />
the aforementioned po<strong>in</strong>ts of analysis (left to right). Colors represent depth of<br />
<strong>in</strong>sight (green - noth<strong>in</strong>g to fix, yellow - some issues, red - major issues)<br />
STEP 6: THE CONCLUSIONS<br />
To try and answer some earlier and some new questions;<br />
What happens when AI is given more freedom <strong>in</strong> journalistic<br />
research? It has a case of tunnel vision - only search<strong>in</strong>g for<br />
sources that answer the exact question, and hardly deviat<strong>in</strong>g.<br />
What happens when AI biases are left unchecked? How good<br />
is it at diversify<strong>in</strong>g its sources? It’s rely<strong>in</strong>g on its tra<strong>in</strong><strong>in</strong>g data,<br />
mostly sourced from Western, English-language perspectives,<br />
so it will generate th<strong>in</strong>gs that align with such views, ignor<strong>in</strong>g the<br />
diversity of sources and cases available on the <strong>in</strong>ternet.<br />
How do AI platforms synthesize their conclusions (if at all)?<br />
Some try to deep dive <strong>in</strong>to specific sources, some stick to<br />
general knowledge and not elaborate on their process.<br />
How accurate can AI be at “verify<strong>in</strong>g its’ outputs”? Not very<br />
accurate, especially <strong>in</strong> rigorous processes like referenc<strong>in</strong>g,<br />
perhaps it is due to the restrictions on what to generate.<br />
For full process:<br />
11-10_R_ALL_SELF-<br />
SCRUTINY<br />
t<strong>in</strong>yurl.com/22dpj8w8<br />
For full process:<br />
11-10_R_ALL_CROSS-<br />
SCRUTINY<br />
t<strong>in</strong>yurl.com/2r6nb7jj<br />
How capable is AI of generat<strong>in</strong>g comprehensive research<br />
plans? Very capable. It has access to tons of research and<br />
methodologies, it can synthesize one very easily.<br />
Is AI go<strong>in</strong>g to replace researchers soon? I don’t th<strong>in</strong>k so, it is a<br />
very helpful tool <strong>in</strong> access<strong>in</strong>g knowledge more efficiently, but<br />
it either has a very narrow focus, or an unlimited process of<br />
research. It still struggles with alternative perspectives, and<br />
until the issue of accessbility of sources is resolved (which will<br />
<strong>in</strong>evitably happen), there is still so much that requires scrut<strong>in</strong>y<br />
and fact-check<strong>in</strong>g.<br />
For full process:<br />
11-10_R_ALL_GROK-<br />
SCRUTINY<br />
t<strong>in</strong>yurl.com/2b4dkaav<br />
What happens if AI research if founded on <strong>in</strong>accurate, or even<br />
false data? It still generates the <strong>in</strong>formation, sometimes not<br />
even <strong>in</strong>dicat<strong>in</strong>g the need for revision. Perhaps it is the reason<br />
for the “[<strong>in</strong>sert platform here can make mistakes”, always<br />
present next to the <strong>in</strong>put textboxes,<br />
13
Harmonics of the Future:<br />
Comparative Study of AI Music Production<br />
Project name: Music Production & <strong>Artificial</strong> <strong>Intelligence</strong><br />
Authors: Jean Ignace Noble & Lisa Grish<strong>in</strong>a<br />
Tools and platforms used: ChatGPT-4, Udio, Synthia, Aitubo,<br />
Suno Ai, Soundraw<br />
Summary of the project and process:<br />
<strong>Artificial</strong> <strong>Intelligence</strong> is rapidly<br />
transform<strong>in</strong>g the landscape<br />
of music production, offer<strong>in</strong>g<br />
new tools for creativity and<br />
<strong>in</strong>novation. From compos<strong>in</strong>g<br />
melodies to stem separation,<br />
AI has become an <strong>in</strong>tegral part<br />
of the modern music <strong>in</strong>dustry.<br />
Historically, music composition<br />
has been a deeply human<br />
endeavour, requir<strong>in</strong>g emotional<br />
<strong>in</strong>sight, technical skill, and<br />
artistic vision. However, with the<br />
advent of AI, these traditional<br />
processes are be<strong>in</strong>g augmented<br />
or, <strong>in</strong> some cases, completely<br />
automated by algorithms capable<br />
of generat<strong>in</strong>g everyth<strong>in</strong>g from<br />
simple melodies to symphonic<br />
masterpieces. However, how<br />
many of these AI platforms can<br />
be considered <strong>in</strong>dependent from<br />
external music production tools?<br />
In this project we explore the<br />
evolution of AI <strong>in</strong> music and<br />
exam<strong>in</strong>e several key AI platforms<br />
designed to generate music<br />
pieces. The tools that we will<br />
be us<strong>in</strong>g are: Aitubo, Suno AI,<br />
Soundraw, Udio and Synthia.<br />
We will evaluate their features,<br />
strengths, and limitations. The<br />
purpose is to highlight how<br />
these technologies differ <strong>in</strong> their<br />
approach to composition, and to<br />
assess how good they actually<br />
are at mak<strong>in</strong>g music.<br />
As AI cont<strong>in</strong>ues to expand its<br />
role <strong>in</strong> music, understand<strong>in</strong>g the<br />
capabilities and nuances of these<br />
tools is essential for musicians,<br />
producers, and enthusiasts<br />
alike. This comparative analysis<br />
will provide a clearer view of<br />
the current state of AI music<br />
technology, its potential to<br />
reshape music production, and<br />
what the future might hold for<br />
this evolv<strong>in</strong>g field.<br />
2
3
METHODOLOGY<br />
For this analysis, we evaluated<br />
five AI music platforms—Aitubo,<br />
Suno AI, Soundraw, Udio,<br />
and Synthia—by attempt<strong>in</strong>g<br />
to create a melodic techno<br />
track <strong>in</strong> the style of Afterlife.<br />
Each platform was tested<br />
on various criteria: ease of<br />
use, customization options,<br />
generation speed, quality,<br />
accuracy, supported file<br />
formats, and pric<strong>in</strong>g models.<br />
Ease of use referred to how<br />
<strong>in</strong>tuitive and user-friendly we<br />
found each tool. We considered<br />
how quickly we could start<br />
generat<strong>in</strong>g music and navigate<br />
the features without prior<br />
experience with the platform.<br />
We timed each tool to determ<strong>in</strong>e<br />
the generation speed, track<strong>in</strong>g<br />
how long it took for each platform<br />
to produce a piece of music after<br />
the user’s <strong>in</strong>put was submitted.<br />
Given the genre’s complexity,<br />
this was particularly relevant for<br />
assess<strong>in</strong>g how efficient each AI<br />
tool was <strong>in</strong> creat<strong>in</strong>g layered and<br />
atmospheric melodic techno<br />
tracks.<br />
Quality, although subjective,<br />
was an important factor <strong>in</strong><br />
our evaluation. We rated how<br />
well each platform’s output<br />
matched the standards of the<br />
melodic techno genre, evaluat<strong>in</strong>g<br />
the depth of sound, melodic<br />
coherence, and overall aesthetic<br />
appeal. Each track was rated on<br />
a scale from 1 to 10, where 10<br />
<strong>in</strong>dicated that we loved it and 1<br />
<strong>in</strong>dicated that we hated it.<br />
Customization focused on<br />
the level of control users had<br />
over the AI-generated content,<br />
particularly <strong>in</strong> terms of modify<strong>in</strong>g<br />
and tweak<strong>in</strong>g elements like<br />
tempo, melody, and <strong>in</strong>struments<br />
to achieve a desired sound.<br />
4<br />
Accuracy was rated similarly,<br />
based on how well the AI<br />
<strong>in</strong>terpreted our prompt and<br />
whether the generated music<br />
aligned with the user’s chosen<br />
sett<strong>in</strong>gs—such as tempo, mood,<br />
and genre. This accuracy was<br />
also rated on a scale from 1 to 10,<br />
with 10 be<strong>in</strong>g perfectly accurate<br />
and 1 <strong>in</strong>dicat<strong>in</strong>g that it was not<br />
accurarate at all.accurate at all.
Supported file formats were<br />
another key consideration, as we<br />
documented which formats each<br />
tool allowed for download<strong>in</strong>g<br />
the f<strong>in</strong>al track. We looked for<br />
commonly used formats like<br />
WAV, MP3, and MIDI, which are<br />
essential for further edit<strong>in</strong>g and<br />
<strong>in</strong>tegration <strong>in</strong>to professional<br />
music production workflows.<br />
F<strong>in</strong>ally, we analyzed the<br />
pric<strong>in</strong>g models offered by each<br />
platform, compar<strong>in</strong>g free trials,<br />
subscription plans, and one-time<br />
purchases. We assessed the<br />
value of each pric<strong>in</strong>g tier, not<strong>in</strong>g<br />
if significant features were locked<br />
beh<strong>in</strong>d paywalls and whether the<br />
free versions allowed sufficient<br />
creative flexibility.<br />
Throughout the test<strong>in</strong>g, we<br />
made additional observations<br />
about platform stability, the<br />
presence of any bugs, and unique<br />
features like AI-driven presets or<br />
<strong>in</strong>tegration with third-party tools.<br />
These <strong>in</strong>sights helped us provide<br />
a comprehensive evaluation<br />
of each tool’s strengths and<br />
limitations for generat<strong>in</strong>g<br />
Afterlife-style melodic techno<br />
tracks while highlight<strong>in</strong>g key<br />
differences <strong>in</strong> their approach to<br />
AI-driven music production.<br />
As part of our evaluation, we<br />
also gathered the best three<br />
tracks produced by each<br />
platform, along with a bonus<br />
track from Udio that we found<br />
amus<strong>in</strong>g. These tracks are<br />
attached at the end of the<br />
article for reference.<br />
5
AITUBO<br />
Aitubo proved to be a relatively accessible<br />
platform, although it offered the fewest free song<br />
creations before requir<strong>in</strong>g users to purchase a plan.<br />
This limitation might be frustrat<strong>in</strong>g for those want<strong>in</strong>g<br />
to experiment with multiple tracks before committ<strong>in</strong>g<br />
to a subscription. However, the platform provided a<br />
straightforward user experienceoverall.<br />
Ease of use<br />
Aitubo was simple and <strong>in</strong>tuitive.<br />
We encountered no issues while<br />
navigat<strong>in</strong>g the platform, and the<br />
track generation process was<br />
clear from the outset. Even for<br />
users with no prior experience,<br />
the platform was easy to<br />
handle, mak<strong>in</strong>g it friendly for both<br />
beg<strong>in</strong>ners and more<br />
seasoned producers.<br />
Generation Speed<br />
Aitubo took about 5 to 6 m<strong>in</strong>utes<br />
to produce a piece of music. This<br />
was slower compared to the<br />
other platforms we tested, but<br />
the slightly longer wait time<br />
resulted <strong>in</strong> a track that aligned<br />
reasonably well with the<br />
given prompt.<br />
Customisation Options<br />
Aitubo offered two modes:<br />
simple mode and custom mode.<br />
In simple mode, users could<br />
enter a text prompt and choose<br />
between <strong>in</strong>strumental tracks or<br />
tracks with lyrics. Custom mode<br />
provided more options for<br />
personalization, allow<strong>in</strong>g users<br />
to write their own lyrics or assign<br />
a specific title <strong>in</strong> addition to the<br />
prompt. While this offered some<br />
flexibility— especially for lyrical<br />
content—the level of<br />
customization was somewhat<br />
limited compared to other<br />
platforms that allowed more d<br />
etailed control over musical<br />
elements like tempo,<br />
arrangement, and<br />
<strong>in</strong>strumentation.<br />
6
Quality of the output<br />
The track was polished and the<br />
production value was decent,<br />
mak<strong>in</strong>g it satisfy<strong>in</strong>g overall. The<br />
first attempt was the closest<br />
to our <strong>in</strong>tended style out of all<br />
the platforms we used. However,<br />
despite this, the track felt somewhat<br />
generic—both <strong>in</strong>strumentally<br />
and lyrically. While it was<br />
well-produced, it lacked orig<strong>in</strong>ality<br />
and depth, sound<strong>in</strong>g like someth<strong>in</strong>g<br />
we had heard many times<br />
before rather than a fresh take on<br />
melodic techno.<br />
Supported formats<br />
Aitubo allowed downloads <strong>in</strong> MP3<br />
and MP4, which are suitable for<br />
basic uses but may be limit<strong>in</strong>g for<br />
those who need higher-quality<br />
formats like WAV for more advanced<br />
production work.<br />
Accuracy of thew Output<br />
We rated the output a 7/10. The<br />
platform did a good job of <strong>in</strong>terpret<strong>in</strong>g<br />
the prompt, deliver<strong>in</strong>g<br />
catchy lyrics and a pleasant piano<br />
sound, with a solid bass l<strong>in</strong>e to<br />
support it. The structure <strong>in</strong>cluded<br />
a short <strong>in</strong>tro but lacked the longer,<br />
more atmospheric outro typical<br />
of the melodic techno genre.<br />
Though not a perfect match for<br />
the Afterlife style, it came closer<br />
than most, but still leaned more<br />
toward ma<strong>in</strong>stream EDM than<br />
true melodic techno.<br />
Overall<br />
We Aitubo stood out for its ease<br />
of use and reasonably good<br />
output quality and accuracy.<br />
However, it fell short <strong>in</strong> terms of<br />
customization options, which are<br />
essential for craft<strong>in</strong>g a truly<br />
authentic melodic techno track.<br />
7
Ease of use<br />
SOUNDRAW<br />
Soundraw offers unique customization options,<br />
allow<strong>in</strong>g users to select the key and BPM of their<br />
songs, which adds a degree of control over the music<br />
creation process. However, the platform does not<br />
allow users to create specific prompts, result<strong>in</strong>g <strong>in</strong> a<br />
less personalized experience. Overall, Soundraw was<br />
the most average of the AI music platforms tested; it<br />
embodies the def<strong>in</strong>ition of “okay,” provid<strong>in</strong>g an experience<br />
that is neither particularly good nor bad.<br />
Soundraw was one of the more<br />
challeng<strong>in</strong>g platforms we tested,<br />
especially <strong>in</strong> terms of ease of use.<br />
The <strong>in</strong>terface felt chaotic and un<strong>in</strong>tuitive,<br />
mak<strong>in</strong>g it difficult to understand<br />
the function of each element<br />
at first. We found ourselves rely<strong>in</strong>g<br />
on trial and error to navigate the<br />
platform, which resulted <strong>in</strong> a steeper<br />
learn<strong>in</strong>g curve than we expected.<br />
Over time, we adapted, but it wasn’t<br />
as user-friendly as other tools we<br />
worked with.<br />
Generation Speed<br />
Generation speed was nearly<br />
<strong>in</strong>stant s<strong>in</strong>ce Soundraw operates<br />
with pre-generated music. This<br />
was a significant advantage <strong>in</strong><br />
terms of time efficiency, but we<br />
quickly realised that the platform<br />
reuses tracks across users. We<br />
received the exact same song <strong>in</strong><br />
different <strong>in</strong>stances, which limited<br />
the sense of orig<strong>in</strong>ality and personalised<br />
output.<br />
Customisation Options<br />
Soundraw did not allow users to<br />
<strong>in</strong>put a prompt directly. Instead,<br />
it followed a two-step process.<br />
First, users would choose tags<br />
for each category, such as genre,<br />
mood, length, and tempo. After<br />
that, the platform generated a<br />
list of pre-made tracks based on<br />
those selections. In the second<br />
step, users could then modify the<br />
tracks by adjust<strong>in</strong>g key musical<br />
elements like the key of the<br />
song, BPM, and overall composition.<br />
While this system provided<br />
some level of control, it lacked<br />
the creative freedom offered by<br />
platforms that allowed for direct<br />
prompt <strong>in</strong>put and more dynamic<br />
<strong>in</strong>terventions.<br />
8
Quality of the output<br />
The music generated by Soundraw<br />
was f<strong>in</strong>e but noth<strong>in</strong>g exceptional.<br />
The output didn’t significantly<br />
improve over multiple tries;<br />
it rema<strong>in</strong>ed consistent but somewhat<br />
flat. We gave the platform<br />
a 6/10 for quality because while<br />
the music was functional and<br />
well-produced, it lacked the depth<br />
and richness needed for a more<br />
ref<strong>in</strong>ed, genre-specific sound like<br />
melodic techno.<br />
Supported formats<br />
Soundraw allowed downloads via<br />
l<strong>in</strong>k, MP3, and WAV (the latter only<br />
available with a subscription).<br />
This was one of the few platforms<br />
that offered WAV, a higher-quality<br />
format suitable for professional<br />
production, which was a positive<br />
aspect of its functionality.<br />
Accuracy of thew Output<br />
Soundraw did a good job of<br />
<strong>in</strong>terpret<strong>in</strong>g the tags provided.<br />
The tracks aligned well with the<br />
selected keywords <strong>in</strong> terms of<br />
mood, tempo, and genre. However,<br />
because there was limited<br />
room for customization beyond<br />
the <strong>in</strong>itial selection, it felt restrictive<br />
<strong>in</strong> terms of creative freedom.<br />
We rated the accuracy a 6/10—it<br />
met the basic criteria of the tags<br />
we chose but offered no flexibility<br />
to f<strong>in</strong>e-tune the music further.<br />
Overall<br />
Soundraw offered fast generation<br />
times and decent quality, but its<br />
restrictive <strong>in</strong>terface and lack of<br />
customization options made it<br />
feel limited. The pre-generated<br />
nature of the music, while efficient,<br />
detracted from the sense<br />
of orig<strong>in</strong>ality, and the platform’s<br />
complex <strong>in</strong>terface added<br />
unnecessary friction to the<br />
user experience.<br />
9
SYNTHIA<br />
Synthia was the most disappo<strong>in</strong>t<strong>in</strong>g platform we<br />
tested, feel<strong>in</strong>g more like an unf<strong>in</strong>ished prototype<br />
than a polished tool for music creation. Several key<br />
features didn’t work, such as the download option,<br />
and the generated tracks didn’t resemble fully<br />
composed songs. Instead, they felt like disjo<strong>in</strong>ted,<br />
random sounds. With tracks last<strong>in</strong>g no more than 30<br />
seconds, Synthia fell short of be<strong>in</strong>g a platform capable<br />
of generat<strong>in</strong>g complete pieces of music. At best,<br />
the tool might be used to create samples, but it’s far<br />
from ready to deliver full compositions.<br />
Ease of use<br />
Synthia was simple and straightforward.<br />
Its <strong>in</strong>terface was <strong>in</strong>tuitive, with<br />
m<strong>in</strong>imal complexity, which made<br />
navigat<strong>in</strong>g the platform easy even<br />
for beg<strong>in</strong>ners. However, this simplicity<br />
was undercut by the fact that<br />
many features didn’t work. Users<br />
could <strong>in</strong>put a prompt, but there were<br />
no additional customization options<br />
beyond that. The platform advertised<br />
features like mix and master,<br />
sample extraction, and track extension,<br />
but none of these functions<br />
worked dur<strong>in</strong>g our test<strong>in</strong>g.<br />
Customisation Options<br />
Synthia didn’t have any<br />
customisation options.<br />
Generation Speed<br />
Synthia was slow compared to<br />
other platforms, tak<strong>in</strong>g around 1<br />
m<strong>in</strong>ute and 30 seconds to produce<br />
a track. Given the simplicity<br />
and short length of the output,<br />
the generation time felt disproportionately<br />
long.<br />
10
Quality of the output<br />
It was the worst among all the<br />
platforms we tested. The tracks<br />
lacked any discernible structure,<br />
often sound<strong>in</strong>g like random noise<br />
rather than music. Many tracks<br />
<strong>in</strong>cluded a distract<strong>in</strong>g layer of<br />
white noise, further degrad<strong>in</strong>g the<br />
quality. The music felt unf<strong>in</strong>ished<br />
and poorly produced, result<strong>in</strong>g <strong>in</strong><br />
a highly unsatisfactory experience.<br />
We gave Synthia a 1/10 for<br />
quality of output.<br />
Supported formats<br />
Unfortunately, we couldn’t evaluate<br />
Synthia’s supported formats<br />
because the download button<br />
didn’t work, leav<strong>in</strong>g us unable to<br />
test the output or its quality <strong>in</strong><br />
different formats.<br />
Pric<strong>in</strong>g options<br />
No subscribtions available.<br />
Accuracy of thew Output<br />
Synthia performed poorly. The<br />
platform consistently produced<br />
very similar results regardless of<br />
the prompt <strong>in</strong>put. There was little<br />
to no variation between tracks,<br />
mak<strong>in</strong>g it feel unresponsive to the<br />
user’s directions. We rated accuracy<br />
a 2/10 because of the platform’s<br />
<strong>in</strong>ability to mean<strong>in</strong>gfully<br />
<strong>in</strong>terpret and respond to prompts.<br />
Overall<br />
Synthia was a major letdown.<br />
Its limited functionality, lack of<br />
customization, and poor-quality<br />
output make it difficult to recommend<br />
for any serious music<br />
creation tasks. While it may have<br />
potential as a sample generator,<br />
the platform is far from be<strong>in</strong>g<br />
able to generate fully-formed<br />
songs or tracks.<br />
11
UDIO<br />
Udio was by far the most unpredictable platform<br />
we tested, often produc<strong>in</strong>g results that seemed<br />
completely random and unrelated to the provided<br />
prompts. However, this unpredictability made it the<br />
most experimental and <strong>in</strong>novative tool, capable of<br />
generat<strong>in</strong>g unexpected ideas that could spark<br />
creativity. While it wasn’t reliable for prompt-based<br />
tasks, its out-of-the-box results made it appeal<strong>in</strong>g for<br />
users look<strong>in</strong>g for <strong>in</strong>spiration and<br />
creative experimentation.<br />
12<br />
Ease of use<br />
Udio was somewhat challeng<strong>in</strong>g.<br />
The platform had a wide range of<br />
features, but many of them were<br />
poorly expla<strong>in</strong>ed, mak<strong>in</strong>g it difficult<br />
to understand how to use certa<strong>in</strong><br />
sett<strong>in</strong>gs effectively. This lack of<br />
clarity led to a moderate learn<strong>in</strong>g<br />
curve, but once we got the hang of<br />
it, the platform became more manageable,<br />
though still not as <strong>in</strong>tuitive<br />
as others.<br />
Generation Speed<br />
Generation speed on Udio was<br />
decent, with tracks tak<strong>in</strong>g 2-3<br />
m<strong>in</strong>utes to generate. This was<br />
slower than some other platforms<br />
but still with<strong>in</strong> an acceptable<br />
range for the level of customization<br />
it offered.<br />
Customisation Options<br />
Udio provided two ma<strong>in</strong> modes:<br />
simple mode and advanced mode.<br />
In simple mode, users could<br />
enter a text prompt, choose a few<br />
keywords, and select between<br />
two track lengths (32 seconds<br />
or 2 m<strong>in</strong>utes 10 seconds). There<br />
were also options for creat<strong>in</strong>g or<br />
auto-generat<strong>in</strong>g lyrics, or opt<strong>in</strong>g<br />
for a lyric-free song. Advanced<br />
mode offered more granular control,<br />
with features like clip start,<br />
lyric tim<strong>in</strong>g (controll<strong>in</strong>g when the<br />
lyrics would play), style reduction,<br />
and clarity (determ<strong>in</strong><strong>in</strong>g the<br />
space each <strong>in</strong>strument occupied<br />
<strong>in</strong> the mix). The platform also<br />
had a “seed” feature that allowed<br />
for either consistent or random<br />
outcomes, though we found it<br />
confus<strong>in</strong>g and didn’t fully grasp<br />
its impact. The “prompt strength”<br />
feature allowed users to control<br />
how closely the track followed<br />
the <strong>in</strong>put prompt, often compromis<strong>in</strong>g<br />
quality when set too high.
Quality of the output<br />
We gave Udio a 5/10. The<br />
tracks were <strong>in</strong>consistent, with<br />
some early attempts produc<strong>in</strong>g<br />
poor-quality music. However, the<br />
platform occasionally generated<br />
unique and experimental ideas<br />
that, while not sound<strong>in</strong>g like fully<br />
polished tracks, had the potential<br />
for further development. Udio<br />
stood out for its <strong>in</strong>novation and<br />
the <strong>in</strong>terest<strong>in</strong>g, creative snippets<br />
it generated, even if the overall<br />
quality was not as high or consistent<br />
as we’d hoped.<br />
Supported formats<br />
Udio offers a wide range, <strong>in</strong>clud<strong>in</strong>g<br />
video, MP3, WAV, and even<br />
stems <strong>in</strong> WAV format. This flexibility<br />
made it a good choice for<br />
those <strong>in</strong>terested <strong>in</strong> further production<br />
or remix<strong>in</strong>g.<br />
Accuracy of thew Output<br />
Udio performed poorly, earn<strong>in</strong>g a<br />
1/10. The platform almost never<br />
responded to prompts <strong>in</strong> a mean<strong>in</strong>gful<br />
way. Regardless of the<br />
<strong>in</strong>put, it often produced random<br />
genres like classical, alternative,<br />
reggaeton, or experimental electronic<br />
music, mak<strong>in</strong>g it the least<br />
reliable platform for produc<strong>in</strong>g<br />
prompt-specific tracks.<br />
Overall<br />
Udio was an unpredictable and<br />
<strong>in</strong>consistent platform <strong>in</strong> terms<br />
of quality and accuracy, but it<br />
stood out for its <strong>in</strong>novative and<br />
experimental approach to music<br />
generation. While it struggled to<br />
produce polished f<strong>in</strong>al tracks, it<br />
was a great resource for spark<strong>in</strong>g<br />
creativity and generat<strong>in</strong>g unconventional<br />
musical ideas.<br />
13
SUNO<br />
Suno AI stood out as the most popular platform among those<br />
we tested, and it ultimately became our favourite, lead<strong>in</strong>g us to<br />
purchase a monthly subscription. However, one of our general<br />
observations was that the platform lacked consistency—us<strong>in</strong>g<br />
the same prompt could produce completely different results<br />
each time. Interest<strong>in</strong>gly, while the monthly subscription didn’t<br />
directly improve the quality of the output, the <strong>in</strong>creased credits<br />
allowed for more experimentation, which helped us get better<br />
results over time. Additionally, the generation time decreased<br />
with the paid plan.<br />
Ease of use<br />
Suno AI was very straightforward<br />
and easy to navigate. We didn’t<br />
encounter any confus<strong>in</strong>g elements<br />
dur<strong>in</strong>g our time with it, and the<br />
platform was simple to operate from<br />
the start, mak<strong>in</strong>g it accessible to all<br />
levels of users.<br />
Generation Speed<br />
Suno AI was impressively fast. It<br />
took about 20 seconds to start<br />
play<strong>in</strong>g the track, which cont<strong>in</strong>ued<br />
to develop while the music<br />
was play<strong>in</strong>g. This feature was<br />
particularly useful because it<br />
significantly reduced the wait<strong>in</strong>g<br />
time, and the ability to hear the<br />
track as it generated made the<br />
experience much smoother.<br />
Customisation Options<br />
Suno AI provided two ma<strong>in</strong><br />
modes: easy mode and custom<br />
mode. In easy mode, you could<br />
enter a 200-character prompt<br />
and click the ‘create’ button, with<br />
the choice of an <strong>in</strong>strumental<br />
or lyrical track. Custom mode,<br />
on the other hand, allowed for<br />
more detailed control, offer<strong>in</strong>g<br />
the ability to write your own<br />
lyrics, be more precise with the<br />
musical style, modify the song<br />
title, and exclude certa<strong>in</strong> genres.<br />
This added flexibility <strong>in</strong> custom<br />
mode gave users more creative<br />
freedom, though it still had some<br />
limitations compared to<br />
other platforms.<br />
14
Quality of the output<br />
Our experience was mixed. The<br />
first few attempts were unsatisfy<strong>in</strong>g,<br />
but after 3 to 4 tries, we<br />
saw noticeable improvements.<br />
We found that simpler and less<br />
complex prompts generally led to<br />
better results, as more detailed<br />
prompts seemed to confuse the<br />
AI. Despite some <strong>in</strong>itial setbacks,<br />
the platform was capable of<br />
produc<strong>in</strong>g decent tracks with the<br />
right <strong>in</strong>put. We gave the quality<br />
a 7/10, not<strong>in</strong>g that while the f<strong>in</strong>al<br />
results were satisfy<strong>in</strong>g, the process<br />
to get there could be<br />
hit or miss.<br />
Supported formats<br />
Suno AI allowed users to download<br />
the music as an MP3 or<br />
access it via a l<strong>in</strong>k. While this<br />
was convenient for basic use, it<br />
lacked the broader range of file<br />
formats (like WAV) that other platforms<br />
offered, which could limit<br />
post-production flexibility.<br />
Accuracy of thew Output<br />
However, was where Suno AI<br />
struggled the most. We rated the<br />
platform 5/10 <strong>in</strong> this area. The<br />
output often felt random, and<br />
while it was possible to eventually<br />
achieve the desired result, it<br />
was difficult to f<strong>in</strong>d a clear pattern<br />
for how to structure prompts<br />
effectively. The same prompt<br />
could lead to entirely different<br />
tracks, which made the platform<br />
feel <strong>in</strong>consistent.<br />
Overall<br />
While Suno AI was easy to use<br />
and had a fast generation speed,<br />
it was <strong>in</strong>consistent <strong>in</strong> terms of<br />
accuracy. However, with some<br />
trial and error, it was capable of<br />
produc<strong>in</strong>g decent quality music.<br />
The subscription allowed for<br />
more experimentation and faster<br />
results, which ultimately led to<br />
better tracks, mak<strong>in</strong>g it a favorite<br />
despite its occasional unpredict-<br />
15
CONCLUSION<br />
Overall, we were somewhat<br />
unimpressed with the f<strong>in</strong>al songs<br />
generated by the AI platforms. While<br />
the tracks were acceptable, they<br />
often felt generic and lacked the<br />
<strong>in</strong>novation we were hop<strong>in</strong>g for. That<br />
said, we believe these platforms,<br />
though not ideal for produc<strong>in</strong>g full<br />
songs, can be valuable tools for<br />
spark<strong>in</strong>g creativity or provid<strong>in</strong>g<br />
tracks that could be used as<br />
samples.<br />
Each platform showcased different<br />
strengths and can serve different<br />
purposes depend<strong>in</strong>g on what you’re<br />
look<strong>in</strong>g for. For <strong>in</strong>stance, Suno<br />
consistently produced the bestsound<strong>in</strong>g<br />
songs, while Udio offered<br />
wild, unconventional ideas that could<br />
be a source of <strong>in</strong>spiration.<br />
In conclusion, although none of<br />
the platforms excelled <strong>in</strong> creat<strong>in</strong>g<br />
polished, orig<strong>in</strong>al tracks, they hold<br />
great potential as creative aids. Here,<br />
we’ve attached the best three tracks<br />
we were able to create with each<br />
platform, offer<strong>in</strong>g a snapshot of what<br />
they can produce.<br />
16
FINAL TRACKS<br />
SUNO<br />
https://on.soundcloud.com/1bjAGkBjo2iFtNRKA<br />
AITUBO<br />
https://on.soundcloud.com/khB8TqLDpPP32uGq8<br />
UDIO<br />
https://on.soundcloud.com/sQ6qzigJwUrjFutA6<br />
SOUNDRAW<br />
https://on.soundcloud.com/ahiNkqXUpXGY6VVU8<br />
SYNTHIA<br />
https://on.soundcloud.com/s4ccsauLaGmKpxb4A<br />
17
Title>>> Analys<strong>in</strong>g the distribution of<br />
fall<strong>in</strong>g balls on a galton board with AI<br />
# Tools>> Copilot, microsoft AI assistant<br />
# Blender,3D moddel<strong>in</strong>g software<br />
# Author>> Eloise Lobmeyr<br />
# Summary>> AI can be a powerful tool to<br />
efficiently generate your best ideas and<br />
enhance creativity. I challenged myself<br />
to create someth<strong>in</strong>g I had never done<br />
us<strong>in</strong>g AI, <strong>in</strong>corporat<strong>in</strong>g both cod<strong>in</strong>g and<br />
simulation.<br />
Intro >< On artificial<br />
<strong>in</strong>tellignece
Intro >< On Creativity
ARN (bke.rigidbody): C:\Users\blender\git\blender-v400\<br />
lender.git\source\blender\blenkernel\<strong>in</strong>tern\rigidbody.<br />
c:414 rigidbody_get_shape_trimesh_from_mesh: no geometry<br />
ata converted for Mesh Collision Shape (ob = Cube.041)<br />
raceback (most recent call last):<br />
File “C:\Users\lobme\Downloads\Bl<strong>in</strong>d\Animation course<br />
hysics try out.blend\Simulation balls”, l<strong>in</strong>e 55, <strong>in</strong> <br />
ttributeError: bpy_struct: attribute “materials” from<br />
Mesh” is read-only<br />
rror: Python: Traceback (most recent call last):<br />
File “C:\Users\lobme\Downloads\Bl<strong>in</strong>d\Animation course<br />
hysics try out.blend\Simulation balls”, l<strong>in</strong>e 55, <strong>in</strong> <br />
rror: Python: Traceback (most recent call last):<br />
File “C:\Users\lobme\Downloads\Bl<strong>in</strong>d\Animation course<br />
hysics try out.blend\Simulation balls”, l<strong>in</strong>e 49, <strong>in</strong> <br />
ermissionError: [Errno 13] Permission denied: ‘galton_<br />
oard_data.csv’<br />
lenderkit: Request for BlenderKit-Client reports<br />
ailed: HTTPConnectionool(host=’127.0.0.1’,<br />
AI is here to help you retries exeeded<br />
Read the follow<strong>in</strong>g pages to understand how by ConectTimeoutError(, ‘Connection to 127.0.0.1 timed<br />
ut. (connect timeout=0.1)’)) [11:20:00.781, timer.py:54]<br />
lenderkit: BlenderKit-Client v1.1.3 start<strong>in</strong>g on<br />
ttp://127.0.0.1:62485, log file at: C:\Users\lobme\blendrkit_data\client\default.log<br />
[11:20:00.793, daemon_lib.<br />
y:589]<br />
lenderkit: BlenderKit-Client is runn<strong>in</strong>g on port 62485!<br />
11:20:01.033, timer.py:101]<br />
nfo: Saved “Animation course physics try out.blend”<br />
ttributeError: bpy_struct: attribute “materials” from<br />
Mesh” is read-only<br />
raceback (most recent call last):<br />
File “C:\Users\lobme\Downloads\Bl<strong>in</strong>d\Animation course<br />
hysics try out.blend\Simulation balls”, l<strong>in</strong>e 55, <strong>in</strong>
The challenge ><<br />
The galton board<br />
Objective<br />
# two weeks<br />
# 3D model a Galton board<br />
# Analyse the data<br />
Tools<br />
# Copilot, microsoft AI assistant<br />
# Blender,3D moddel<strong>in</strong>g software<br />
Pr<strong>in</strong>t<br />
(>This challenge reflected AI<br />
capabilities, help<strong>in</strong>g people execute<br />
their ideas. The follow<strong>in</strong>g pages will<br />
analyse the process I used to create a<br />
3D model of a Galton board, and analyse<br />
the probability of the end location of<br />
the fall<strong>in</strong>g balls. It will identify the<br />
key aspects of AI’s usefulness.>)
F<strong>in</strong>d<strong>in</strong>g a<br />
project idea<br />
Plann<strong>in</strong>g and<br />
execution
Problem<br />
solv<strong>in</strong>g<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Sumary<br />
( ‘ Ai helps you manage<br />
your workflow, your time<br />
and your needs, help<strong>in</strong>g<br />
you every step of the way<br />
by solv<strong>in</strong>g any issues you<br />
encounter.’)
‘How do you unhide an object?’<br />
Us<strong>in</strong>g Hotkeys:<br />
Press Alt + H to unhide all hidden objects <strong>in</strong> the scene.<br />
Us<strong>in</strong>g the Outl<strong>in</strong>er:<br />
Go to the Outl<strong>in</strong>er panel (usually on the right side).<br />
Click the eye icon next to the object you want to unhide.<br />
Us<strong>in</strong>g the Menu:<br />
In the 3D Viewport, go to the top menu and select Object ><br />
Show/Hide > Show Hidden Objects.<br />
How can I render an image <strong>in</strong> blender?<br />
Render<strong>in</strong>g an image <strong>in</strong> Blender is a straightforward<br />
process. Here are the basic steps to get you started:<br />
.ERROR The PermissionError: [Errno<br />
13] Permission denied.>><br />
3D MODELLING<br />
( ‘This is the first<br />
proof that AI is a great<br />
tool. I managed to create<br />
a Galton board’)
Here’s the updated script that <strong>in</strong>cludes a check for the<br />
column names and handles the KeyError:<br />
Python<br />
import numpy as np<br />
import seaborn as sns<br />
import matplotlib.pyplot as plt<br />
import pandas as pd<br />
# Load data from CSV file<br />
data = pd.read_csv(‘path_to_your_csv_file.csv’)<br />
# Pr<strong>in</strong>t the column names to verify<br />
pr<strong>in</strong>t(“Column names <strong>in</strong> the CSV file:”, data.columns)<br />
# Check if the expected column ‘values’ exists <strong>in</strong> the<br />
DataFrame<br />
if ‘values’ not <strong>in</strong> data.columns:<br />
raise KeyError(“The column ‘values’ was not found <strong>in</strong><br />
the CSV file. Please check the column name.”)<br />
# Assum<strong>in</strong>g the data is <strong>in</strong> a column named ‘values’<br />
values = data[‘values’]<br />
# Create a histogram with 7 b<strong>in</strong>s and KDE<br />
plt.figure(figsize=(10, 6))<br />
sns.histplot(values, b<strong>in</strong>s=7, kde=True, color=’skyblue’,<br />
edgecolor=’black’, stat=’probability’)<br />
# Add titles and labels<br />
plt.title(‘Distribution of Balls <strong>in</strong> 7 Probability B<strong>in</strong>s’)<br />
plt.xlabel(‘B<strong>in</strong>s’)<br />
plt.ylabel(‘Probability’)<br />
# Set x-axis to numbers from 1 to 7<br />
b<strong>in</strong>_edges = np.l<strong>in</strong>space(m<strong>in</strong>(values), max(values), 8)<br />
b<strong>in</strong>_centers = 0.5 (b<strong>in</strong>_edges[1:] + b<strong>in</strong>_edges[:-1])<br />
plt.xticks(RENDERS OF THE GALTON BOARD)<br />
# Save the plot as a PNG file <strong>in</strong> the current work<strong>in</strong>g directory<br />
plt.savefig(‘distribution_plot.png’)
Cod<strong>in</strong>g<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Understand<strong>in</strong>g<br />
the code<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
for frame <strong>in</strong> range(100): # Adjust the range for longer or shorter delays
Error code<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Patience and<br />
determ<strong>in</strong>ation<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Sumary<br />
( ‘ Cod<strong>in</strong>g has never been<br />
easier, thanks to AI.<br />
While AI tools significantly<br />
simplify the process,<br />
achiev<strong>in</strong>g success<br />
still requires determ<strong>in</strong>ation<br />
and patience.’)
Analys<strong>in</strong>g the<br />
data<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Feel<strong>in</strong>g lost<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Copilot, a safe<br />
space
Additional<br />
ressources<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Sumary<br />
( ‘ Cod<strong>in</strong>g has never been<br />
easier, thanks to AI.<br />
While AI tools significantly<br />
simplify the process,<br />
achiev<strong>in</strong>g success<br />
still requires determ<strong>in</strong>ation<br />
and patience.’)
# Once the script worked, it would pr<strong>in</strong>t a location <strong>in</strong> the<br />
computer on where to f<strong>in</strong>d the graph created.<br />
pr<strong>in</strong>t(f”F<strong>in</strong>al locations saved to {desktop_path}”)<br />
C:UserslobmeDocumentsgalton_board_data.csv<br />
WARN (bke.rigidbody): C:\Users\blendblender.git\<br />
source\blender\blenkernel\<strong>in</strong>tern\rigidbody.cc:414 rigidbody_get_shape_trimesh_from_mesh:<br />
no geometry data con-<br />
Cod<strong>in</strong>g a graph<br />
CATASTROPHE<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Sumary<br />
( ‘ CTRL + S ’)<br />
ALWAYS SAVE YOUR FILES>><br />
Remak<strong>in</strong>g the<br />
entire project
pr<strong>in</strong>t(f”F<strong>in</strong>al locations saved to {desktop_path}”)<br />
C:UserslobmeDocumentsgalton_board_data.csv<br />
Sumary<br />
( ‘AI is just a tool, and<br />
there are times when it<br />
can’t provide the help<br />
you need. That’s why it’s<br />
crucial to understand the<br />
process yourself, so you can<br />
solve problems more easily<br />
and get better results, even<br />
when AI doesn’t have the<br />
answers.’)
Conclusion<br />
If I managed to 3D model<br />
and code everyth<strong>in</strong>g with<strong>in</strong><br />
two weeks with the help<br />
of AI, you can also br<strong>in</strong>g<br />
your ideas to life. Imag<strong>in</strong>e<br />
what you could achieve on<br />
a larger scale. You can<br />
realize your own ideas<br />
efficiently and without<br />
spend<strong>in</strong>g a dollar. The only<br />
<strong>in</strong>vestment required is a<br />
bit of your time. Don’t be<br />
afraid of the process—it’s<br />
fun and easier than you<br />
th<strong>in</strong>k. Just get started,<br />
f<strong>in</strong>d an idea, and make it<br />
happen.<br />
Of course, you will<br />
encounter challenges, but if<br />
you are truly determ<strong>in</strong>ed,<br />
AI is an amaz<strong>in</strong>g tool that<br />
can help you generate and<br />
develop your great ideas.<br />
Note<br />
( ‘ AI helped me write this magaz<strong>in</strong>e<br />
script. I used to be scared of<br />
writ<strong>in</strong>g because English isn’t my first<br />
language, but not anymore. I wrote <strong>in</strong><br />
my style and asked Copilot to fix the<br />
errors. Without this help, my writ<strong>in</strong>g<br />
would have been hard to understand.’)
Modern Days-Fashion & AI<br />
Project name: The Role of AI Tools <strong>in</strong> shap<strong>in</strong>g Fahsion<br />
Authors: Lucia Schulenburg<br />
Tools and platforms used: Alpha3d, Meshy.ai, Midjourney, Chatgpt<br />
Joan D’Arc as an<br />
<strong>in</strong>spiration<br />
I decided to create a fashion l<strong>in</strong>e <strong>in</strong>spired<br />
by Joan of Arc because she embodies the<br />
essence of a powerful woman—brave,<br />
resilient, and ahead of her time. Lately,<br />
fashion trends have often looked to the<br />
past, but rather than revisit<strong>in</strong>g the usual<br />
eras, I wanted to take it all the way back<br />
to the medieval period. By channel<strong>in</strong>g the<br />
strength and symbolism of Joan of Arc, I<br />
aim to br<strong>in</strong>g a fresh, timeless perspective<br />
to modern fashion, celebrat<strong>in</strong>g both<br />
history and empowerment. Joan of Arc is<br />
one of the most iconic figures <strong>in</strong> history,<br />
celebrated for her courage, faith, and role<br />
<strong>in</strong> the Hundred Years’ War between France<br />
and England.
“A power icon<br />
for women”<br />
Joan D’Arc<br />
Born on January 6, 1412, <strong>in</strong><br />
Domrémy, France, Joan of Arc<br />
rose from a humble peasant<br />
background to become a key<br />
figure <strong>in</strong> the Hundred Years’<br />
War. At the age of 13, she<br />
claimed to hear div<strong>in</strong>e voices<br />
from sa<strong>in</strong>ts, direct<strong>in</strong>g her to<br />
support Charles V<strong>II</strong> of France.<br />
Despite be<strong>in</strong>g an unlikely leader<br />
<strong>in</strong> a male-dom<strong>in</strong>ated military,<br />
Joan’s faith and determ<strong>in</strong>ation<br />
conv<strong>in</strong>ced Charles to allow her<br />
to lead an army. In 1429, she<br />
played a crucial role <strong>in</strong> lift<strong>in</strong>g<br />
the Siege of Orléans, a victory<br />
that changed the course of<br />
the war and led to Charles<br />
V<strong>II</strong>’s coronation. However, <strong>in</strong><br />
1430, Joan was captured by<br />
the Burgundians and sold to<br />
the English. She was tried for<br />
heresy, accused of crossdress<strong>in</strong>g<br />
and other charges,<br />
and ultimately executed by<br />
burn<strong>in</strong>g at the stake <strong>in</strong> 1431<br />
at the age of 19. Despite<br />
her tragic death, Joan was<br />
posthumously exonerated and<br />
canonized as a sa<strong>in</strong>t <strong>in</strong> 1920.<br />
Joan’s courage and leadership<br />
broke traditional gender<br />
norms, mak<strong>in</strong>g her a symbol<br />
of female empowerment. By<br />
lead<strong>in</strong>g soldiers and wear<strong>in</strong>g<br />
men’s armor, she challenged<br />
the societal expectations<br />
of her time. Her faith <strong>in</strong> her<br />
mission, resilience <strong>in</strong> the face<br />
of <strong>in</strong>justice, and defiance<br />
of oppression cont<strong>in</strong>ue to<br />
<strong>in</strong>spire women today. Joan of<br />
Arc’s legacy as a fem<strong>in</strong>ist icon<br />
endures, symboliz<strong>in</strong>g strength,<br />
determ<strong>in</strong>ation, and the fight<br />
for justice and equality.
New Materials and Technologies<br />
Innovative textiles are emerg<strong>in</strong>g,<br />
<strong>in</strong>clud<strong>in</strong>g smart fabrics that adapt to the<br />
environment, monitor body conditions, or<br />
improve functionality like moisture-wick<strong>in</strong>g.<br />
At the same time, blockcha<strong>in</strong> technology<br />
is enhanc<strong>in</strong>g traceability, ensur<strong>in</strong>g that<br />
consumers can verify the ethical and<br />
susta<strong>in</strong>able credentials of their garments<br />
Creative Drive with AI<br />
AI is transform<strong>in</strong>g the fashion <strong>in</strong>dustry<br />
by predict<strong>in</strong>g trends and understand<strong>in</strong>g<br />
customer preferences. Tommy Hilfiger’s<br />
‘Reimag<strong>in</strong>e Retail’ project uses AI to<br />
streaml<strong>in</strong>e design, enhanc<strong>in</strong>g creativity. In<br />
Hong Kong, Calv<strong>in</strong> Wong’s AiDA system<br />
generates bluepr<strong>in</strong>ts, optimiz<strong>in</strong>g workflows<br />
while preserv<strong>in</strong>g artistry. This <strong>in</strong>tegration<br />
of AI shapes the future of fashion design<br />
and retail<br />
Where fashion is head<strong>in</strong>g<br />
Susta<strong>in</strong>ability<br />
Consumers are <strong>in</strong>creas<strong>in</strong>gly<br />
prioritiz<strong>in</strong>g eco-conscious choices,<br />
and brands are focus<strong>in</strong>g on reduc<strong>in</strong>g<br />
their environmental impact. <strong>Artificial</strong><br />
<strong>in</strong>telligence (AI) is play<strong>in</strong>g a big role<br />
<strong>in</strong> this by optimiz<strong>in</strong>g supply cha<strong>in</strong>s,<br />
reduc<strong>in</strong>g waste, and cutt<strong>in</strong>g down on<br />
carbon emissions. Stella McCartney’s<br />
partnership with Google Cloud is an<br />
example of us<strong>in</strong>g mach<strong>in</strong>e learn<strong>in</strong>g<br />
to improve transparency <strong>in</strong> fashion<br />
production, track<strong>in</strong>g everyth<strong>in</strong>g<br />
from raw material sourc<strong>in</strong>g to waste<br />
management<br />
Automation and AI<br />
Automation <strong>in</strong> fashion manufactur<strong>in</strong>g<br />
is grow<strong>in</strong>g, from AI-powered<br />
mach<strong>in</strong>es that cut, sew, and f<strong>in</strong>ish<br />
garments, to advanced analytics<br />
tools predict<strong>in</strong>g trends and consumer<br />
preferences. For example, Tommy<br />
Hilfiger has <strong>in</strong>tegrated AI <strong>in</strong>to its<br />
design processes to streaml<strong>in</strong>e<br />
production. AI is also improv<strong>in</strong>g virtual<br />
try-on experiences, with brands like<br />
Burberry and Google Shopp<strong>in</strong>g us<strong>in</strong>g<br />
AR to reduce siz<strong>in</strong>g issues, improv<strong>in</strong>g<br />
customer satisfaction.<br />
Personalization<br />
The rise of mass customization is<br />
transform<strong>in</strong>g how fashion is produced<br />
and consumed. Consumers are<br />
seek<strong>in</strong>g personalized products,<br />
and brands are respond<strong>in</strong>g with<br />
tools like 3D pr<strong>in</strong>t<strong>in</strong>g and AI-driven<br />
customization. This trend is seen <strong>in</strong><br />
the success of direct-to-consumer<br />
brands that offer unique, made-toorder<br />
pieces..
Modern Joan D’Arc designed by Midjourney
The future<br />
of fashion<br />
Modern Joan D’Arc dress designed by Alpha.3d<br />
The future of fashion is undeniably excit<strong>in</strong>g,<br />
with AI-driven creativity and personalization<br />
lead<strong>in</strong>g the way. As the <strong>in</strong>dustry embraces<br />
new technologies, from 3D pr<strong>in</strong>t<strong>in</strong>g and AI<br />
customization to virtual fashion, designers like<br />
myself are able to experiment <strong>in</strong> ways never<br />
before possible. For my Joan of Arc-<strong>in</strong>spired<br />
collection, tools such as alpha 3d, meshy.ai and<br />
midjourney have provided a new avenue for<br />
creativity, allow<strong>in</strong>g me to craft garments that not<br />
only reflect the strength and heroism of the past<br />
but also align with modern values.<br />
For these divergent Ai tools I used many<br />
different prompts try<strong>in</strong>g to create the perfect<br />
garments that I would imag<strong>in</strong>e <strong>in</strong> my m<strong>in</strong>d. My<br />
frist promt, such as “Create a armour <strong>in</strong>spired<br />
dress with a modern touch” would fail my<br />
imag<strong>in</strong>ation and show me that Ai 3d tools need<br />
a very descriptive prompt. “metallic color palette<br />
of silver, steel grey, and accents of deep jewel<br />
tones for a sophisticated, otherworldly look.”got<br />
me a bit more def<strong>in</strong>ed garments, even tough<br />
I could not use it for the Alpha 3d platform as<br />
it had too many words. But for the tool meshy<br />
3d it showed me a dress that got closer to my<br />
imag<strong>in</strong>ation. See<strong>in</strong>g that these sort of prompts<br />
worked better I started us<strong>in</strong>g very specified<br />
texts for the the divergent Ai tools, also add<strong>in</strong>g<br />
texture to the garmets, which made them look<br />
more realistic. Such as the image to the left.<br />
Cont<strong>in</strong>u<strong>in</strong>g us<strong>in</strong>g different prompts such as<br />
“Create a 3D model of a futuristic, armor<strong>in</strong>spired<br />
gown that blends medieval aesthetics<br />
with modern fashion design. The bodice should<br />
mimic the form of a sleek, metallic breastplate,<br />
with engraved or embossed detail<strong>in</strong>g, smoothly<br />
contoured to the body. Incorporate layered,<br />
flexible cha<strong>in</strong>mail textures <strong>in</strong> the skirt, us<strong>in</strong>g<br />
lightweight, translucent materials that flow with<br />
movement. Add structured, angular shoulder<br />
pieces resembl<strong>in</strong>g pauldrons for a bold, powerful<br />
silhouette. Ensure the design rema<strong>in</strong>s elegant<br />
and fem<strong>in</strong><strong>in</strong>e, comb<strong>in</strong><strong>in</strong>g sharp geometric<br />
elements with soft, flow<strong>in</strong>g l<strong>in</strong>es.<br />
Modern Joan D’Arc dress designed by Meshy.ai
Modern Joan D’Arc dress designed by Meshy.ai
Ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g the guidel<strong>in</strong>es I set for the<br />
prompts I started creat<strong>in</strong>g different<br />
garments such as a Corset. An Example<br />
for one of the prompts I used is “a corset<br />
<strong>in</strong>spired by mediaeval armour. The structure<br />
should resemble a fitted breastplate, with<br />
sleek, curved metallic panels and engraved<br />
details. Integrate flexible, cha<strong>in</strong>mail-like<br />
textures along the sides for mobility, while<br />
ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g a strong, protective aesthetic.<br />
The overall shape should be form-fitt<strong>in</strong>g and<br />
accentuate the waist, blend<strong>in</strong>g rigid armour<br />
with fem<strong>in</strong><strong>in</strong>e contours. Use a metallic colour<br />
scheme with subtle detail<strong>in</strong>g for a ref<strong>in</strong>ed,<br />
warrior-like look.” This specific prompt<br />
illustrated a f<strong>in</strong>e look<strong>in</strong>g Corset us<strong>in</strong>g the<br />
tool Meshy.ai, but did not succeed for the<br />
platform Alpha.3d. For that one I shortened<br />
the prompt, but unfortunately this Ai.3d<br />
tool disappo<strong>in</strong>ted me and didn’t give me the<br />
outcome I expected.<br />
tapered, balanc<strong>in</strong>g a protective, edgy look<br />
with mobility. Use a metallic palette of silver<br />
and gunmetal with dark accents”.<br />
Modern Joan D’Arc pants designed by Meshy.ai<br />
After creat<strong>in</strong>g different prompts to develop<br />
the pair of pants I had <strong>in</strong> my imag<strong>in</strong>ation<br />
I moved on to create a pair of shoes that<br />
would fit to the outfit. I wanted to work with<br />
Alpha.3d as it ma<strong>in</strong>ly disappo<strong>in</strong>ted me <strong>in</strong><br />
comparison with Meshy.3d. The prompts I<br />
used are as follows: “<strong>Design</strong> armour <strong>in</strong>spired<br />
shoes comb<strong>in</strong><strong>in</strong>g mediaeval armour elements<br />
with modern footwear”. Aga<strong>in</strong> the outcome<br />
of this wasn’t satisfy<strong>in</strong>g my imag<strong>in</strong>ation.<br />
Modern Joan D’Arc corset designed by Meshy.ai<br />
Carry<strong>in</strong>g-on with my process I wanted to<br />
develop some armour <strong>in</strong>spired pants <strong>in</strong> a<br />
modern way. Therefore I developed prompts<br />
for this goal, try<strong>in</strong>g to reach my imag<strong>in</strong>ation,<br />
such as “Create 3D pants with armour<strong>in</strong>spired<br />
design. Feature segmented metallic<br />
panels on the thighs and knees, resembl<strong>in</strong>g<br />
plate armour, with mesh or cha<strong>in</strong>mail-like<br />
fabric for flexibility. Keep the fit sleek and<br />
Modern Joan D’Arc shoes designed by Alpha.3di<br />
To cont<strong>in</strong>ue I went back to work with<br />
Meshy.3d. I created divergent prompts such<br />
as: “<strong>Design</strong> 3D shoes <strong>in</strong>spired by Joan of Arc,<br />
comb<strong>in</strong><strong>in</strong>g mediaeval armour elements with<br />
modern footwear. The shoes should feature<br />
metallic textures resembl<strong>in</strong>g plated armour,
with <strong>in</strong>tricate engrav<strong>in</strong>gs and strong, angular<br />
l<strong>in</strong>es. Add details like cha<strong>in</strong>mail-<strong>in</strong>spired<br />
straps or lac<strong>in</strong>g for a bold, warrior-like look.<br />
The silhouette should balance strength and<br />
elegance, with a sturdy, protective feel, yet<br />
sleek and wearable. Use a colour palette of<br />
silver, pewter, and dark leather accents for a<br />
mediaeval yet contemporary style.<br />
Unfortunately Meshy.3d didn’t give me the<br />
outcome I needed so I started work<strong>in</strong>g a bit<br />
on the prompt: “Shoes <strong>in</strong>spired by Joan of<br />
Arc, comb<strong>in</strong><strong>in</strong>g mediaeval armour elements<br />
with modern footwear. The shoes should<br />
feature metallic textures resembl<strong>in</strong>g plated<br />
armour, with <strong>in</strong>tricate engrav<strong>in</strong>gs and strong,<br />
angular l<strong>in</strong>es. Add details like cha<strong>in</strong>mail<strong>in</strong>spired<br />
straps or lac<strong>in</strong>g for a bold, warrior-like<br />
look. The silhouette should balance strength<br />
and elegance, with a sturdy, protective feel,<br />
yet sleek and wearable. Use a colour palette<br />
of silver, pewter, and dark leather accents”<br />
Modern Joan D’Arc boots designed by Meshy.ai<br />
Even though I was partially satisfied with<br />
the outcome of the shoes I thought it didn’t<br />
really work with the entire Joan D’Arc fit.<br />
Therefore I decided to create some Boots<br />
<strong>in</strong>stead of normal shoes. To create this I aga<strong>in</strong><br />
tried out both platforms. For Alpha.3d I used<br />
this specific prompt: “<strong>Design</strong> armour <strong>in</strong>spired<br />
boots comb<strong>in</strong><strong>in</strong>g mediaeval armour elements<br />
with modern footwear. The material should<br />
be metal”<br />
After I cont<strong>in</strong>ued work<strong>in</strong>g with Meshy.3d,<br />
us<strong>in</strong>g “<strong>Design</strong> 3D armour-<strong>in</strong>spired boots with<br />
a rugged yet sleek look. Feature metallic<br />
plates around the toes, heels, and sh<strong>in</strong>,<br />
resembl<strong>in</strong>g mediaeval armour, with engraved<br />
details for texture. Add flexible, cha<strong>in</strong>maillike<br />
material around the ankle for mobility.<br />
The boots should have a strong, structured<br />
silhouette with a modern, battle-ready feel.<br />
Use a metallic colour palette with silver, steel,<br />
and dark leather accents”. This outcome<br />
aga<strong>in</strong> gave me more satisfaction and was<br />
more like the image I had <strong>in</strong> my m<strong>in</strong>d<br />
Another tool I used was Midjourney. The<br />
images on page 4 and 10 are created by<br />
Midjourney. For this tool I used this prompt:<br />
“A modern Joan D’arc wear<strong>in</strong>g modern<br />
armour. Dressed <strong>in</strong> a modern, stylish outfit<br />
that comb<strong>in</strong>es elements of armour and high<br />
fashion, such as a tailored metallic jacket<br />
with structured shoulders, sleek black pants,<br />
and combat boots. Her hair is styled <strong>in</strong> a<br />
bold, asymmetrical cut, with blond colour,<br />
symbolis<strong>in</strong>g her defiance and <strong>in</strong>dividuality.<br />
She carries a futuristic sword, symbolis<strong>in</strong>g<br />
her fight for justice, and stands confidently<br />
atop a city rooftop, overlook<strong>in</strong>g the bustl<strong>in</strong>g<br />
streets below. The skyl<strong>in</strong>e is a mix of historical<br />
and modern architecture, reflect<strong>in</strong>g the<br />
blend of tradition and <strong>in</strong>novation. The<br />
atmosphere is charged with energy, as if she<br />
is prepar<strong>in</strong>g to lead a movement for change.”<br />
In conclusion work<strong>in</strong>g with Midjourney was<br />
fun but it wasn’t really necessary as I was<br />
more look<strong>in</strong>g to create the garments <strong>in</strong>stead<br />
of creat<strong>in</strong>g a full person.<br />
Modern Joan D’Arc boots designed by Meshy.ai<br />
Modern Joan D’Arc boots designed by Alpha.3di
Carry<strong>in</strong>g-on with my process I wanted to<br />
develop some armour <strong>in</strong>spired pants <strong>in</strong> a<br />
modern way. Therefore I developed prompts<br />
for this goal, try<strong>in</strong>g to reach my imag<strong>in</strong>ation,<br />
such as “Create 3D pants with armour<strong>in</strong>spired<br />
design. Feature segmented metallic<br />
panels on the thighs and knees, resembl<strong>in</strong>g<br />
plate armour, with mesh or cha<strong>in</strong>mail-like<br />
fabric for flexibility. Keep the fit sleek and<br />
tapered, balanc<strong>in</strong>g a protective, edgy look<br />
with mobility. Use a metallic palette of silver<br />
and gunmetal with dark accents”.<br />
After creat<strong>in</strong>g different prompts to develop<br />
the pair of pants I had <strong>in</strong> my imag<strong>in</strong>ation<br />
I moved on to create a pair of shoes that<br />
would fit to the outfit. I wanted to work with<br />
Alpha.3d as it ma<strong>in</strong>ly disappo<strong>in</strong>ted me <strong>in</strong><br />
comparison with Meshy.3d. The prompts I<br />
used are as follows: “<strong>Design</strong> armour <strong>in</strong>spired<br />
shoes comb<strong>in</strong><strong>in</strong>g mediaeval armour elements<br />
with modern footwear”. Aga<strong>in</strong> the outcome<br />
of this wasn’t satisfy<strong>in</strong>g my imag<strong>in</strong>ation.<br />
To cont<strong>in</strong>ue I went back to work with<br />
Meshy.3d. I created divergent prompts such<br />
as:<br />
“<strong>Design</strong> 3D shoes <strong>in</strong>spired by Joan of Arc,<br />
comb<strong>in</strong><strong>in</strong>g mediaeval armour elements with<br />
modern footwear. The shoes should feature<br />
metallic textures resembl<strong>in</strong>g plated armour,<br />
with <strong>in</strong>tricate engrav<strong>in</strong>gs and strong, angular<br />
l<strong>in</strong>es. Add details like cha<strong>in</strong>mail-<strong>in</strong>spired<br />
straps or lac<strong>in</strong>g for a bold, warrior-like look.<br />
The silhouette should balance strength and<br />
elegance, with a sturdy, protective feel, yet<br />
sleek and wearable. Use a colour palette of<br />
silver, pewter, and dark leather accents for a<br />
mediaeval yet contemporary style.<br />
Unfortunately Meshy.3d didn’t give me<br />
the outcome I needed so I started work<strong>in</strong>g<br />
a bit on the prompt: “Shoes <strong>in</strong>spired by<br />
Joan of Arc, comb<strong>in</strong><strong>in</strong>g mediaeval armour<br />
elements with modern footwear. The shoes<br />
should feature metallic textures resembl<strong>in</strong>g<br />
plated armour, with <strong>in</strong>tricate engrav<strong>in</strong>gs<br />
and strong, angular l<strong>in</strong>es. Add details like<br />
cha<strong>in</strong>mail-<strong>in</strong>spired straps or lac<strong>in</strong>g for a<br />
bold, warrior-like look. The silhouette should<br />
balance strength and elegance, with a sturdy,<br />
protective feel, yet sleek and wearable. Use<br />
a colour palette of silver, pewter, and dark<br />
leather accents”<br />
Failure?
Modern Joan D’Arc designed by Midjourney
Project name: Reimag<strong>in</strong><strong>in</strong>g Fashion: Explor<strong>in</strong>g<br />
the efficacy of AI tools <strong>in</strong> redesign<strong>in</strong>g a brand’s<br />
cloth<strong>in</strong>g and visual image.<br />
Author: Jessam<strong>in</strong>e Hamilton<br />
Tools and platforms used: Mid Journey and<br />
ChatGPT 4<br />
I will conduct an <strong>in</strong>-depth analysis of a smaller-scale<br />
brand called Two Jeys, delv<strong>in</strong>g <strong>in</strong>to<br />
their core values, dist<strong>in</strong>ctive style, and rich heritage.<br />
Follow<strong>in</strong>g this research, I will employ AI<br />
to reimag<strong>in</strong>e a cloth<strong>in</strong>g collection for the brand<br />
as though it had launched <strong>in</strong> the 1970s.<br />
The primary aim of this project is to assess<br />
the effectiveness of AI <strong>in</strong> redesign<strong>in</strong>g a cloth<strong>in</strong>g<br />
l<strong>in</strong>e rooted <strong>in</strong> a specific historical context<br />
while stay<strong>in</strong>g true to the brand’s orig<strong>in</strong>al values<br />
and aesthetics. By choos<strong>in</strong>g a lesser-known<br />
company, I aim to <strong>in</strong>crease the complexity of<br />
the task for the AI, provid<strong>in</strong>g an opportunity to<br />
evaluate how well it <strong>in</strong>terprets and responds to<br />
the creative prompts given.<br />
I will explore various AI tools, <strong>in</strong>clud<strong>in</strong>g<br />
ChatGPT-4 and Midjourney, to determ<strong>in</strong>e<br />
which platform best addresses the brief and<br />
demonstrates the highest levels of efficiency<br />
and ease of use.
TWOJEYS BRAND RESEARCH:<br />
TwoJeys is an emerg<strong>in</strong>g unisex brand founded <strong>in</strong> 2019 by Joan Margarit<br />
and Biel Juste, <strong>in</strong>spired by Californian aesthetics from their Route 66 journey.<br />
While known for its jewellery, the brand also offers a unique collection<br />
of merchandise, <strong>in</strong>clud<strong>in</strong>g stylish t-shirts and hoodies that blend edgy<br />
aesthetics with urban fashion. This paper will focus on these merchandis<strong>in</strong>g<br />
items.<br />
These merchandis<strong>in</strong>g items <strong>in</strong>clude popular t-shirts and hoodies that<br />
prom<strong>in</strong>ently feature their logo, enhanc<strong>in</strong>g brand promotion. The cloth<strong>in</strong>g<br />
is <strong>in</strong>spired by streetwear, characterised by a laid-back and edgy aesthetic.<br />
Key elements of their collections <strong>in</strong>clude muted tones, large oversized<br />
fits, and a lack of patterns, mak<strong>in</strong>g the items versatile and appeal<strong>in</strong>g to a<br />
youthful demographic.
Their market<strong>in</strong>g features visually<br />
captivat<strong>in</strong>g images of<br />
motorcycles, skateboards,<br />
and surfboards, position<strong>in</strong>g<br />
their merchandise as essential<br />
companions for adventurous<br />
endeavours.<br />
TwoJeys aims to sell an adventurous<br />
lifestyle through their<br />
products, appeal<strong>in</strong>g to those who<br />
seek excitement and live <strong>in</strong> the<br />
moment. Their merchandise is designed<br />
for <strong>in</strong>dividuals passionate<br />
about adrenal<strong>in</strong>e-fueled activities,<br />
<strong>in</strong>spir<strong>in</strong>g wearers to embrace<br />
thrill<strong>in</strong>g experiences fully.
70’s FASHION TRENDS:<br />
The 1970s were a flashy decade, and the social movements along with<br />
cultural changes really hit bottom <strong>in</strong> the fashion world. The ma<strong>in</strong> movements<br />
<strong>in</strong>cluded the counterculture of hippies, which glorified free-spiritedness<br />
and self-expression <strong>in</strong> their bohemian manner and was characterised<br />
by flowy maxi dresses and bell-bottoms<br />
Then came the disco scene that became synonymous with the night and<br />
all its glamour, with its tw<strong>in</strong>kl<strong>in</strong>g jumpsuits and sequ<strong>in</strong>ed outfits, not to<br />
mention the ultimate platform shoes. Punk emerged as an angry backlash<br />
to ma<strong>in</strong>stream culture, with its leather jackets, ripped jeans, and<br />
other ornaments that ranged from the unmentioned to safety p<strong>in</strong>s.<br />
Other noticeable trends <strong>in</strong>cluded glam rock, which was best known for<br />
its wild and crazy clothes together with metallic fabrics that sometimes<br />
blurred the l<strong>in</strong>e of demarcation between male and female. Athleisure, too,<br />
s<strong>in</strong>ce the rise <strong>in</strong> the fitness culture started to provide everyday wear for<br />
sporty garments such as tracksuits and sneakers. These fashion trends<br />
were supported by <strong>in</strong>novative materials, <strong>in</strong>clud<strong>in</strong>g synthetic fabrics-highlights<br />
of polyester and nylon, denim, and natural fibres, such as cotton<br />
and l<strong>in</strong>en.<br />
The iconic artists of the time, David Bowie, and cultural figures, Farrah<br />
Fawcett, played a very important role <strong>in</strong> sett<strong>in</strong>g 70’s fashion trends, which<br />
absolutely corresponded to the spirit of that era-promot<strong>in</strong>g <strong>in</strong>dividuality<br />
and self-expression.
THE PROMPTS USED FOR BOTH AI TOOLS (see full prompts <strong>in</strong> appendix)<br />
Prompt 1: Asked AI to re-create TWO JEYS merchandise without any exist<strong>in</strong>g<br />
images of the brand, to see how well it responds to curated <strong>in</strong>formation. I <strong>in</strong>cluded<br />
brand name logo: TwoJeys,, type of merchandise: tshirts and hoodies, target<br />
audience: unisex & young adults, aesthetic <strong>in</strong>fluence: California aesthetic and<br />
skate culture, ma<strong>in</strong> colours: greys, beiges, greens, oranges, patterns: die dye<br />
effect, texture: worn out appearance, material: cotton.<br />
Prompt 2: Now comb<strong>in</strong>ed <strong>in</strong>formation with 70’s fashion. Included m<strong>in</strong>imal <strong>in</strong>formation<br />
about TwoJeys, ma<strong>in</strong>ly focus<strong>in</strong>g on describ<strong>in</strong>g the cloth<strong>in</strong>g styles such<br />
as featur<strong>in</strong>g bell-bottom jeans, track jackets, and v<strong>in</strong>tage-<strong>in</strong>spired skate shorts.<br />
Mentioned 3 most popular fashion trends: Bohemian Influence, Punk Edge and<br />
Disco and what they <strong>in</strong>capsulate.<br />
Prompt 3: Same as above, but this time only chose to mention 1 major fashion<br />
subculture <strong>in</strong> the brief which was “Bohemian <strong>in</strong>fluence” and its fashion elements.<br />
Prompt 4: Same as above, but this time focus<strong>in</strong>g on the subculture of “Disco”<br />
while ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g key <strong>in</strong>formation about TwoJeys.<br />
Prompt 5: Same as above, but lastly focus<strong>in</strong>g on the subculture of “Punk Rock”<br />
while ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g key <strong>in</strong>formation about TwoJeys.<br />
MIDJOURNEY INITIAL RESULTS:<br />
1. 2.<br />
3. 4.<br />
5.
CHAT-GPT4 INITIAL RESULTS:<br />
1. 2.<br />
3.<br />
4. 5.<br />
MID JOURNEY OBSERVATIONS<br />
Dur<strong>in</strong>g my experience with MidJourney, I found the user <strong>in</strong>terface to be<br />
very easy to navigate. I particularly appreciated that once image generation<br />
began, my prompts were saved and l<strong>in</strong>ked to each image. This<br />
feature allowed me to quickly refer back to previous prompts if I was dissatisfied<br />
with the output and make adjustments as needed. Overall, this<br />
user-friendly aspect helped me save time while ref<strong>in</strong><strong>in</strong>g my prompts.<br />
However, I encountered several key issues dur<strong>in</strong>g my experimentation:<br />
Firstly, I aimed to see how well MidJourney could curate cloth<strong>in</strong>g designs<br />
specifically for the brand Two Jeys. I quickly noticed that it struggled to<br />
accurately feature the “Two Jeys” logo on the cloth<strong>in</strong>g and couldn’t <strong>in</strong>corporate<br />
the “two star logo.” Instead of render<strong>in</strong>g the logo, it would simply<br />
write “two stars.” This <strong>in</strong>ability to recognize important text and symbols<br />
was problematic, as the brand name was essential to the success of the<br />
merchandis<strong>in</strong>g images I was striv<strong>in</strong>g to create.<br />
Secondly, when I attempted to merge <strong>in</strong>formation about the brand with<br />
1970s aesthetics, I found that MidJourney had difficulty <strong>in</strong>tegrat<strong>in</strong>g these<br />
two dist<strong>in</strong>ct themes seamlessly. My <strong>in</strong>itial prompts were quite dense,<br />
conta<strong>in</strong><strong>in</strong>g multiple fashion trends from the 70s subculture; however, the<br />
generated images often failed to capture specific design elements tied<br />
to those subcultures, focus<strong>in</strong>g <strong>in</strong>stead on creat<strong>in</strong>g colourful cloth<strong>in</strong>g that<br />
only vaguely referenced the 1970s.
To improve results, I decided to separate my prompts by dist<strong>in</strong>ct subcultures.<br />
This change allowed MidJourney to more effectively extract the<br />
necessary design elements from the three different subcultures: Bohemian,<br />
Disco, and Punk. After separat<strong>in</strong>g the prompts, I noticed a significant<br />
improvement <strong>in</strong> how MidJourney responded. However, there rema<strong>in</strong>ed an<br />
ongo<strong>in</strong>g issue where the brand name was sometimes not <strong>in</strong>cluded at all,<br />
or only partially rendered, captur<strong>in</strong>g only “Two” or “Jeys” <strong>in</strong>stead of the full<br />
name “Two Jeys.”<br />
CHAT-GPT 4 OBSERVATIONS<br />
I used the same prompts for both MidJourney and ChatGPT-4 to evaluate<br />
which tool would provide the best results. ChatGPT-4 excels at craft<strong>in</strong>g<br />
detailed prompts that effectively capture all aspects of my research.<br />
However, I encountered several issues when it came to image generation.<br />
In my <strong>in</strong>itial prompt, ChatGPT-4 successfully created a set of merchandise<br />
cloth<strong>in</strong>g for the brand that closely resembled their exist<strong>in</strong>g products<br />
<strong>in</strong> terms of colour and visual style. However, when I <strong>in</strong>troduced the<br />
concept of merg<strong>in</strong>g <strong>in</strong> 1970s aesthetics, the tool struggled to respond<br />
effectively. While it performed well with my second prompt, it failed to<br />
generate images that accurately reflected the brand’s identity when I provided<br />
prompts that focused on specific subcultures. Crucially, none of the<br />
images <strong>in</strong>cluded the brand name, "Two Jeys," which meant they did not<br />
meet the requirements of the brief.<br />
Despite these challenges, I must emphasise that the image quality produced<br />
by ChatGPT-4 was significantly better and more consistent than<br />
that of MidJourney.<br />
IMPROVEMENTS<br />
After experiment<strong>in</strong>g with both tools, I decided to cont<strong>in</strong>ue us<strong>in</strong>g MidJourney<br />
due to its user-friendly <strong>in</strong>terface and its capability to <strong>in</strong>corporate<br />
images <strong>in</strong>to prompts. I believe that the ability to add visuals is a significant<br />
advantage, as it enhances the AI’s ability to generate more accurate and<br />
contextually relevant images. By <strong>in</strong>terpret<strong>in</strong>g both written prompts and<br />
accompany<strong>in</strong>g visuals, MidJourney can create better-aligned results that<br />
meet users’ specific needs.
FINAL DESIGNS
MAIN TAKEAWAYS<br />
After analys<strong>in</strong>g my results, I must express my disappo<strong>in</strong>tment with MidJourney's<br />
and ChatGPT's ability to effectively respond to my prompts.<br />
While I believe both tools can create stunn<strong>in</strong>g images, I encountered<br />
difficulties when present<strong>in</strong>g them with complex and <strong>in</strong>tricate briefs.<br />
I don’t want to be overly negative, as these tools are relatively new to<br />
the market. I am optimistic that, as AI technology cont<strong>in</strong>ues to advance,<br />
these tools will become ref<strong>in</strong>ed and better at understand<strong>in</strong>g and respond<strong>in</strong>g<br />
to user prompts.<br />
In h<strong>in</strong>dsight, it might have been beneficial to explore other AI tools to see<br />
if they could merge concepts more effectively. However, the high cost of<br />
many AI platforms limited my ability to experiment further.<br />
Additionally, I th<strong>in</strong>k that select<strong>in</strong>g a larger, established brand with a more<br />
def<strong>in</strong>ed cloth<strong>in</strong>g collection could have granted better results. Two Jeys,<br />
be<strong>in</strong>g focused on limited edition merchandis<strong>in</strong>g rather than an established<br />
cloth<strong>in</strong>g l<strong>in</strong>e, presented a challenge. The lack of a cohesive range<br />
may have restricted the depth of the cloth<strong>in</strong>g briefs, which could expla<strong>in</strong><br />
why the AI tools struggled to produce satisfactory responses. Furthermore,<br />
the limited cloth<strong>in</strong>g options made it difficult to assess the AI's<br />
performance accurately, as there simply wasn’t enough material to draw<br />
a fair comparison.
PROS & CONS OF USING AI TOOLS FOR RE-DESIGNING:<br />
The <strong>in</strong>tegration of AI tools like ChatGPT-4 and MidJourney <strong>in</strong>to the<br />
fashion <strong>in</strong>dustry offers the potential to significantly enhance the cloth<strong>in</strong>g<br />
design process. While these tools present numerous advantages, they<br />
also come with notable challenges that brands must carefully consider.<br />
One of the ma<strong>in</strong> benefits of ChatGPT-4, among others, is the potential to<br />
create creative textual descriptions, style guides, and brand<strong>in</strong>g concepts<br />
faster. It simplifies the design process by speed<strong>in</strong>g up the ideation and<br />
iteration of ideas. MidJourney is extremely good at creat<strong>in</strong>g high-quality<br />
visuals from simple prompts; this means that niche apparel visuals can<br />
be quick and powerfully effective. In addition, both offer very accessible<br />
<strong>in</strong>terfaces that are <strong>in</strong>vit<strong>in</strong>g for creative <strong>in</strong>vestigation without demand<strong>in</strong>g<br />
much prior technical experience.<br />
Both of these tools are <strong>in</strong>credibly capable of provid<strong>in</strong>g <strong>in</strong>spiration from<br />
diversified sources. ChatGPT-4 has made a great deal of fashion trends<br />
and cultural <strong>in</strong>fluences available, which help designers shape <strong>in</strong>novative<br />
concepts, while MidJourney visually generates stunn<strong>in</strong>g outputs by pull<strong>in</strong>g<br />
<strong>in</strong> a range of artistic styles.<br />
Of course, there are also considerable downsides to each. Output quality<br />
tends to be <strong>in</strong>consistent; MidJourney's images sometimes can lack detail<br />
or not quite fulfil certa<strong>in</strong> design specifications, and ChatGPT-4 may create<br />
responses that aren't <strong>in</strong> complete adherence with user <strong>in</strong>tent. Both tools<br />
also struggle to accurately capture a brand’s unique identity, result<strong>in</strong>g <strong>in</strong><br />
outputs that do not resonate with the brand’s core values as represented<br />
<strong>in</strong> my project.<br />
The ownership of content generated us<strong>in</strong>g AI is a crucial aspect that<br />
requires further exploration <strong>in</strong> the future. This issue raises significant<br />
<strong>in</strong>tellectual property concerns, potentially lead<strong>in</strong>g to legal implications for<br />
brands. Additionally, there is a risk that designers may become overly reliant<br />
on technology, which could dim<strong>in</strong>ish their creative <strong>in</strong>st<strong>in</strong>cts and result<br />
<strong>in</strong> uniformity of design ideas across the <strong>in</strong>dustry.<br />
In short, ChatGPT-4 and MidJourney unlock <strong>in</strong>credibly powerful features<br />
with respect to redesign<strong>in</strong>g clothes, while the brands rema<strong>in</strong> open to<br />
embrac<strong>in</strong>g those features <strong>in</strong>to their design processes.
Art by Algorithm<br />
Project name: Artistic Collaboration with AI<br />
Authors: Valeria Sierra<br />
Tools and platforms used: Midjourney, Chat GPT<br />
This project explores a collaborative<br />
process with AI, aim<strong>in</strong>g to create<br />
visual photorealist art pieces and<br />
to question AI’s current and future<br />
<strong>in</strong>volvement with<strong>in</strong> the art world.<br />
Through the use of Midjourney<br />
and ChatGPT (Dall-E extension),<br />
I analyzed and observed patterns<br />
<strong>in</strong> regards to the way AI reads<br />
art pieces, describes aesthetics<br />
and characteristics, responds to<br />
prompts, and probed different ways<br />
to collaborate with the platforms <strong>in</strong><br />
order to generate my “own” art. This<br />
report will try to <strong>in</strong>quire if AI can be<br />
<strong>in</strong>tegrated <strong>in</strong>to the art creation process<br />
<strong>in</strong> an ethical way, while question<strong>in</strong>g<br />
its lack of cultural significance,<br />
appropriation issues and removal of<br />
agency.<br />
Mar<strong>in</strong>a schm<strong>in</strong>kt Luciano<br />
Franz Gertsch , (1975)
01<br />
“<br />
Franz Gertsch<br />
I’m not concerned with pa<strong>in</strong>t<strong>in</strong>g<br />
reality, but with creat<strong>in</strong>g a reality<br />
through pa<strong>in</strong>t<strong>in</strong>g.<br />
I chose to use the work of swiss<br />
pa<strong>in</strong>ter Franz Gertsch as a basel<strong>in</strong>e for<br />
this project. Gertsch is best known for<br />
his large-scale photorealistic pa<strong>in</strong>t<strong>in</strong>gs,<br />
which have earned him widespread<br />
recognition <strong>in</strong> the last few decades. His<br />
work as a contemporary artist revolves<br />
around pa<strong>in</strong>t<strong>in</strong>g his photographs,<br />
which often <strong>in</strong>clude subjects such<br />
as his friends, nature, and everyday<br />
occurrences. His meticulous level of<br />
detail allows him to perfectly capture<br />
the cultural atmosphere and emotional<br />
depth of his subjects. I conducted my<br />
observations and based my creative<br />
<strong>in</strong>spiration with several of his most<br />
acclaimed pa<strong>in</strong>t<strong>in</strong>gs. I used his work<br />
to understand how AI platforms read<br />
and describe hyperrealistic art, how to<br />
properly prompt <strong>in</strong> order to generate<br />
good art, and additionally as a source<br />
of <strong>in</strong>spiration and artistic fusion with my<br />
own personal photographs.<br />
”<br />
Self-Portrait<br />
Franz Gertsch , (1980)
02<br />
How AI Reads Art<br />
To beg<strong>in</strong> I wanted to explore to what<br />
extent can AI accurately read and<br />
<strong>in</strong>terpret hyper realistic artworks. For this<br />
part of the process I used the /describe<br />
command <strong>in</strong> the MidJourney Discord<br />
server, a tool that allows users to <strong>in</strong>put<br />
an image <strong>in</strong> order for the AI to describe<br />
it <strong>in</strong> the form of a prompt. I was curious<br />
about what patterns would come up, what<br />
level of attention to detail AI has, and its<br />
aesthetic description capacities. I gathered<br />
some key observations.<br />
1. References<br />
The /describe command gave me four<br />
different descriptions, each no longer<br />
than three sentences, and surpris<strong>in</strong>gly<br />
referenced other artists. The other<br />
artists referenced are stylistically very<br />
different from Gertsch’s aesthetic. For<br />
example, David LaChapelle (whom came<br />
up <strong>in</strong> almost all of the attempts), is a<br />
photographer and contemporary artist that<br />
works with overly saturated colors and<br />
surreal elements, which led me to wonder<br />
why Midjourney would reference his work<br />
when describ<strong>in</strong>g Gertsch’s. Consequently I<br />
asked ChatGPT to describe LaChapelle’s<br />
work and style, key words like<br />
“elaborate”, “highly detailed” and “hyperrealistic”<br />
came up. These exact key<br />
words came up when I asked ChatGPT<br />
to describe Gertsch’s style, lead<strong>in</strong>g me to<br />
believe that these match<strong>in</strong>g <strong>in</strong>terpretations<br />
cause AI to believe that both artists are<br />
comparable.<br />
2. Gender Biases<br />
Midjourney has certa<strong>in</strong> subtle biases when<br />
read<strong>in</strong>g images, specifically regard<strong>in</strong>g<br />
gender. When describ<strong>in</strong>g Mar<strong>in</strong>a schm<strong>in</strong>kt<br />
Luciano (Figure 1), AI assumes the<br />
gender of both people presumably based<br />
on their hair length.The person on the<br />
left is described as a man<br />
and the person on the right as a woman,<br />
gett<strong>in</strong>g both <strong>in</strong>correct. Additionally, <strong>in</strong><br />
Medici (Figure 5), it assumes the man<br />
<strong>in</strong> the middle is a woman based on his<br />
handbag (Figure 6, prompt 1).<br />
3. Inffer<strong>in</strong>g<br />
Midjourney makes several assumptions,<br />
for example, <strong>in</strong> Irene XV<strong>II</strong>I (Figure 3) it<br />
assumes the woman is a s<strong>in</strong>ger (Figure<br />
4, prompt 2), although no elements of<br />
the pa<strong>in</strong>t<strong>in</strong>g allude to her be<strong>in</strong>g one.<br />
AI also assumes the woman is Lady<br />
Elizabeth Knight (Figure 4, prompt 4),<br />
a British film actress. Additionally, <strong>in</strong><br />
Medici (Figure 5), The AI tried to give<br />
specificity to the prompt by describ<strong>in</strong>g the<br />
group of men as popular 70s bands. No<br />
elements of the pa<strong>in</strong>t<strong>in</strong>g directly allude or<br />
make the viewer assume that these are<br />
members of a band. These assumptions<br />
are likely due to patterns based on the<br />
data the algorithm has available.<br />
3. Understand<strong>in</strong>g Style<br />
Midjourney understands style to an extent,<br />
this is evidenced through keywords such<br />
as “photorealistic” (Figure 4, prompt<br />
3), show<strong>in</strong>g accurate <strong>in</strong>terpretation of<br />
the artwork. However, Midjourney wasn’t<br />
able to understand that Medici (Figure<br />
5) is a pa<strong>in</strong>t<strong>in</strong>g, <strong>in</strong>stead, it describes<br />
it as an “old” or “v<strong>in</strong>tage” photograph,<br />
even attempt<strong>in</strong>g to guess the decade it<br />
was taken <strong>in</strong> (Figure 6), show<strong>in</strong>g it’ not<br />
fully tra<strong>in</strong>ed for understand<strong>in</strong>g the style of<br />
artworks.
Figure 1. Mar<strong>in</strong>a schm<strong>in</strong>kt Luciano (1975)<br />
Figure 2. Midjourney’s prompts<br />
Figure 3. Irene XV<strong>II</strong>I (1981)<br />
Figure 4. Midjourney’s prompts<br />
Figure 5. Medici (1972)<br />
Figure 6. Midjourney’s prompts
03<br />
Replicat<strong>in</strong>g Franz<br />
To further understand generative art I<br />
decided to use the prompts mentioned<br />
<strong>in</strong> the section prior, to see how close<br />
could Midjourney come to replicat<strong>in</strong>g<br />
Gertsch’s art, and to learn how to<br />
properly edit and construct a prompt<br />
with the goal of generat<strong>in</strong>g the results I<br />
want. I asked AI to generate an image<br />
for each of the four prompts that the /<br />
describe command gave me, and for<br />
each prompt I got four different images.<br />
This level of variety allows for more<br />
exploration and experimentation when it<br />
comes to generat<strong>in</strong>g art with AI, s<strong>in</strong>ce it<br />
opens up several paths of possibilities.<br />
The set of images generated with<br />
Midjourney’s prompts were <strong>in</strong>terest<strong>in</strong>g,<br />
there were several similarities with the<br />
orig<strong>in</strong>al pa<strong>in</strong>t<strong>in</strong>gs regard<strong>in</strong>g the subjects<br />
and some visual details, yet the style<br />
and atmosphere of the generated images<br />
were completely off. I attempted to edit<br />
the prompts as I saw fit, add<strong>in</strong>g some<br />
details or remov<strong>in</strong>g others <strong>in</strong> order to<br />
ga<strong>in</strong> a closer look. This proved to be<br />
more successful than the orig<strong>in</strong>al prompts,<br />
br<strong>in</strong>g<strong>in</strong>g me closer to my desired results.<br />
I observed several limitations as well as<br />
some advantages.<br />
I began by analys<strong>in</strong>g the first set of<br />
generated images based on Midjourney’s<br />
prompts, I observed which details were<br />
miss<strong>in</strong>g or which parts of the prompt<br />
could be mislead<strong>in</strong>g. I cont<strong>in</strong>ued with<br />
the edit<strong>in</strong>g dur<strong>in</strong>g a long trial and<br />
error process, gett<strong>in</strong>g several iterations<br />
and f<strong>in</strong>d<strong>in</strong>g multiple issues. First, the<br />
references that Midjourney provides (such<br />
as David LaChapelle), confuse the AI<br />
more than it helps. I found that as I<br />
removed these artistic references from<br />
the prompts the results came closer to<br />
the orig<strong>in</strong>al pa<strong>in</strong>t<strong>in</strong>g. I additionally realized<br />
that when the AI is asked to generate an<br />
image where the subjects are perform<strong>in</strong>g<br />
an action (Figures 8 and 9), the<br />
subjects get slightly distorted.<br />
How to properly prompt:<br />
1. Identify through pattern analysis<br />
key words and details that consistently<br />
give you similar results. In this case,<br />
“photorealism” was essential for AI to<br />
understand the style. As for key details,<br />
short descriptions of the sett<strong>in</strong>g, subjects,<br />
colors and atmosphere were necessary to<br />
br<strong>in</strong>g the whole vision together.<br />
2. Remove unnecessary details and<br />
synthesize. At first I thought that longer<br />
more detailed prompts would generate<br />
more accurate results, however, more<br />
<strong>in</strong>formation leads AI off track. A 2-4<br />
sentence prompt is an ideal length.<br />
This can be achieved by remov<strong>in</strong>g<br />
unnecessary details that are only<br />
confus<strong>in</strong>g the AI, for example, the<br />
reference artists and photographers<br />
that Midjourney came up with were not<br />
generat<strong>in</strong>g any better results.<br />
Successfull prompt:<br />
“A photorealistic pa<strong>in</strong>t<strong>in</strong>g of two young<br />
men <strong>in</strong> the 1970’s look<strong>in</strong>g to the right<br />
and talk<strong>in</strong>g. The one on the left with<br />
long blonde hair and a blue denim<br />
jacket, is sitt<strong>in</strong>g with crossed arms next<br />
to the other man who has shoulderlength<br />
brown curly hair wear<strong>in</strong>g a navy<br />
sweater <strong>in</strong> an art gallery, two green<br />
pa<strong>in</strong>t<strong>in</strong>gs beh<strong>in</strong>d them. The time is<br />
even<strong>in</strong>g and the photo has flash.”<br />
Figure 11’s prompt
Figure 7. (Orig<strong>in</strong>al)<br />
Mar<strong>in</strong>a schm<strong>in</strong>kt Luciano (1975)<br />
Figure 8. Best result through prompt<strong>in</strong>g<br />
Figure 9. Best result through blend<strong>in</strong>g<br />
Figure 10. (Orig<strong>in</strong>al)<br />
Franz und Luciano (1973)<br />
Figure 11. Best result through prompt<strong>in</strong>g<br />
Figure 12. Best result through blend<strong>in</strong>g
04<br />
My “Own” Art<br />
After this process of understand<strong>in</strong>g<br />
prompt<strong>in</strong>g and discover<strong>in</strong>g new ways<br />
of generat<strong>in</strong>g art through AI, I began<br />
experiment<strong>in</strong>g which process I wanted<br />
to follow <strong>in</strong> order to generate my<br />
“own” pieces. I wanted to generate<br />
someth<strong>in</strong>g similar to photorealism<br />
and hyperrealism, stick to a similar<br />
aesthetic than Franz Gertsch, and<br />
implement my own photographs and<br />
my own self <strong>in</strong>to these artworks.<br />
Based on the learn<strong>in</strong>gs and<br />
conclusions of my process so far,<br />
I decided that the best tool and<br />
process to follow was to use the<br />
/blend command <strong>in</strong> order to merge<br />
one of his pa<strong>in</strong>t<strong>in</strong>gs with a photo of<br />
my own, creat<strong>in</strong>g a new hybrid piece.<br />
/blend <br />
results:
These images are the best results<br />
I got after multiple iterations of<br />
blend<strong>in</strong>g different pa<strong>in</strong>t<strong>in</strong>gs with several<br />
photographs of me and my friends.<br />
Midjourney is skilled at construct<strong>in</strong>g<br />
a balance between both images, the<br />
results are a clear mixture of both of<br />
the styles from the <strong>in</strong>put images. From<br />
all the work I did with Midjourney, this<br />
command works the best <strong>in</strong> aspects of<br />
creat<strong>in</strong>g an <strong>in</strong>terest<strong>in</strong>g piece. It makes<br />
several mistakes, deform<strong>in</strong>g faces and<br />
bodies occasionally. But other than this,<br />
the /blend command is successfull at<br />
captur<strong>in</strong>g the mood and spirit of the<br />
images, someth<strong>in</strong>g that AI is notoriously<br />
bad for. The results that came up<br />
here have a certa<strong>in</strong> humanity (brought<br />
potentially by my photographs) that<br />
generative art lacks, mak<strong>in</strong>g these<br />
results very <strong>in</strong>terest<strong>in</strong>g to me.
05<br />
Takeaways and Conclusions<br />
There has been ongo<strong>in</strong>g discourse<br />
surround<strong>in</strong>g the topic of generative<br />
art and the several issues regard<strong>in</strong>g<br />
ownership, authorship, cultural and<br />
social significance that come with it.<br />
There’s been question<strong>in</strong>g and doubts<br />
about the authorship of generative<br />
art pieces, primarily because the<br />
AI models are tra<strong>in</strong>ed on exist<strong>in</strong>g<br />
data, generat<strong>in</strong>g images and prompts<br />
based on already exist<strong>in</strong>g pieces and<br />
<strong>in</strong>formation that belongs to others.<br />
There’s difficulty to def<strong>in</strong>e what is<br />
AI’s contribution and what is human<br />
authorship.<br />
For the pieces I created, I directly<br />
merged Gertsch’s images with my<br />
own, creat<strong>in</strong>g someth<strong>in</strong>g new. If<br />
this was my concept which <strong>in</strong>cludes<br />
my own photograph, but is directly<br />
utiliz<strong>in</strong>g another artist’s work, but was<br />
generated by Midjourney, then who<br />
is the author of the piece? Is it me,<br />
Franz Gertsch, or Midjourney? Or all<br />
three? Similar dilemmas occur <strong>in</strong> the<br />
art world. A pa<strong>in</strong>t<strong>in</strong>g comes to fruition<br />
not just because of the pa<strong>in</strong>ter, but<br />
because of the multiple <strong>in</strong>visible<br />
processes and people that contributed<br />
either directly or <strong>in</strong>directly to the<br />
creation of the piece. For example,<br />
the person who made the pa<strong>in</strong>ts,<br />
who built the canvas and frame, and<br />
who curated the exhibition where the<br />
pa<strong>in</strong>t<strong>in</strong>g hangs. All of these people<br />
and steps of the <strong>in</strong>visible process are<br />
essential for creation. In a sense,<br />
the nam<strong>in</strong>g of a s<strong>in</strong>gular author of<br />
an artwork removes these important<br />
processes, fail<strong>in</strong>g to acknowledge an<br />
<strong>in</strong>terconnection of contexts.<br />
Someth<strong>in</strong>g similar happens with<br />
generative art. When I asked<br />
Midjourney to replicate Gertsch’s<br />
pieces, by default they lost social,<br />
cultural and personal significance.<br />
Generative art lacks depth visually<br />
and emotionally, signal<strong>in</strong>g a shift<br />
<strong>in</strong> the qualities art carries and<br />
what consumers will ga<strong>in</strong> from it.<br />
Additionally, generative art and AI <strong>in</strong><br />
general has the potential to take away<br />
the voices of many artists, specially<br />
if they come from underprivileged<br />
situations. While generative art<br />
democratizes creativity by provid<strong>in</strong>g<br />
new tools and approaches, many<br />
that don’t have access to the<br />
technology, resources and skills can<br />
be at a disadvantage, creat<strong>in</strong>g further<br />
<strong>in</strong>equality and division, enabl<strong>in</strong>g a<br />
lack of representation and removal<br />
of many important voices. Similarly,<br />
the algorithmic biases reflect a mostly<br />
Western perspective, re<strong>in</strong>forc<strong>in</strong>g the<br />
cultural dom<strong>in</strong>ance of certa<strong>in</strong> people<br />
over others. It’s necessary to be<br />
aware of these implocations when<br />
creat<strong>in</strong>g generative art, <strong>in</strong> order to<br />
create responsibly and utilize these<br />
tools for the sake of creativity,<br />
s<strong>in</strong>ce AI can be a great aid and a<br />
collaborator <strong>in</strong> the creative processes.<br />
It br<strong>in</strong>gs up new forms, ideas and<br />
possibilities that open up new creative<br />
paths and new doors for projects. It<br />
creates lots of iterat<strong>in</strong>g opportunities,<br />
allow<strong>in</strong>g artists and designers to<br />
immensely <strong>in</strong>teract with and modify<br />
their work. In the particular case of<br />
this project, it brought me to a new<br />
creative approach for my projects and<br />
my art.
Is this art really m<strong>in</strong>e?<br />
My AI generated “Self”-Portrait is both a<br />
caution sign and an advantage from AI. This<br />
piece shows how easy it is to remove agency<br />
from artists. By merg<strong>in</strong>g Gertsch’s pa<strong>in</strong>t<strong>in</strong>g<br />
with my photograph, I created a hybrid that<br />
is neither one or the other, but someth<strong>in</strong>g<br />
entirely new.<br />
It no longer<br />
has Gertsch’s<br />
impressive<br />
and masterful<br />
brushwork,<br />
and is not<br />
resembl<strong>in</strong>g<br />
of me or my<br />
photograph’s<br />
essence. This<br />
piece is devoid<br />
of any cultural<br />
or personal<br />
significance,<br />
however it’s<br />
the product<br />
of a thorough<br />
creative<br />
process <strong>in</strong><br />
collaboration<br />
with AI, <strong>in</strong><br />
which I came<br />
closer to<br />
understand<strong>in</strong>g how generative art works, how<br />
we as designers and creatives can optimize<br />
the use of AI for creative processes, and<br />
what can come out of these.<br />
And even though the girl <strong>in</strong> the portrait looks<br />
noth<strong>in</strong>g like me, I th<strong>in</strong>k she’s pretty cool<br />
(for generative art standards).<br />
“Self”-Portrait<br />
Valeria Sierra (?) , (2024)
Algorithmic Beauty<br />
Project name: Physical appearance through the eyes of <strong>Artificial</strong> <strong>Intelligence</strong><br />
Author: Ximena Castro<br />
Tools and platforms used: Chat-GPT, Gab AI, Midjourney, Dall-E,<br />
Summary of the project and process:<br />
<strong>Artificial</strong> <strong>in</strong>telligence is becom<strong>in</strong>g<br />
an <strong>in</strong>tegral part of society, often<br />
seamlessly <strong>in</strong>tegrated <strong>in</strong>to everyday<br />
<strong>in</strong>teractions without us even realiz<strong>in</strong>g<br />
it. Its <strong>in</strong>fluence on society is grow<strong>in</strong>g<br />
exponentially, with the appearance<br />
of AI-generated images becom<strong>in</strong>g<br />
prom<strong>in</strong>ent <strong>in</strong> media. From photo<br />
edit<strong>in</strong>g to image creation and the<br />
implementation of so-called “beauty<br />
filters”, AI tools are be<strong>in</strong>g used <strong>in</strong><br />
ways that manipulate and distort our<br />
perception of reality. This <strong>in</strong>creased<br />
presence raises concerns about AI’s<br />
role <strong>in</strong> perpetuat<strong>in</strong>g unrealistic beauty<br />
standards, blurr<strong>in</strong>g the l<strong>in</strong>e between<br />
authentic and artificial representations<br />
of beauty.<br />
It also raises the question: Who could<br />
potentially be affected by these AIgenerated<br />
images? The <strong>in</strong>fluence of<br />
AI is not limited to aesthetics alone:<br />
it also touches deeper issues <strong>in</strong> our<br />
society, mak<strong>in</strong>g it essential to explore<br />
the broader implications that come<br />
along with the use of AI.<br />
This research aims to <strong>in</strong>vestigate and<br />
comprehend how AI tools <strong>in</strong>terpret<br />
and represent the concepts of beauty<br />
and ugl<strong>in</strong>ess - complex terms that<br />
are notoriously hard for humans to<br />
def<strong>in</strong>e due to their highly subjective<br />
nature. By exam<strong>in</strong><strong>in</strong>g large language<br />
models (LLMs) like Chat-GPT, and<br />
Gab AI I will explore how these three<br />
platforms def<strong>in</strong>e beauty and ugl<strong>in</strong>ess,<br />
and whether their <strong>in</strong>terpretations align<br />
with those of conventional beauty<br />
standards. In parallel, I will delve <strong>in</strong>to<br />
how image-generation platforms like<br />
Midjourney and Dall-E <strong>in</strong>terpret and<br />
visually represent these concepts.<br />
Specifically, I seek to explore the<br />
biases with<strong>in</strong> these models and<br />
how they can impact or <strong>in</strong>fluence<br />
various demographic groups.<br />
Through these explorations, I look<br />
to answer a broader, more urgent<br />
question: How is AI’s perception<br />
and <strong>in</strong>terpretation of appearances<br />
<strong>in</strong>fluenc<strong>in</strong>g <strong>in</strong>dividuals and society?
LLMs And Their Grasp<br />
On Appearances<br />
What is beauty? What is ugl<strong>in</strong>ess?<br />
These are difficult questions for<br />
anyone to answer, as they are very<br />
subjective terms. Yet, they play<br />
a significant role <strong>in</strong> shap<strong>in</strong>g our<br />
society, and although we might<br />
not adhere to society’s norms<br />
appearances have always carried<br />
a mean<strong>in</strong>g. To explore how AI<br />
platforms <strong>in</strong>terpret and represent<br />
physical appearances, I started by<br />
engag<strong>in</strong>g <strong>in</strong> conversations with<br />
several large language models<br />
(Chat GPT, Gab AI, and Claude).<br />
I began by ask<strong>in</strong>g each platform<br />
the same question: “What is<br />
beauty?”. All three agreed that<br />
beauty could be def<strong>in</strong>ed as a<br />
quality that creates pleasure or<br />
satisfaction. I followed up by<br />
ask<strong>in</strong>g them “What is ugl<strong>in</strong>ess?”,<br />
they shared the idea that it<br />
could be def<strong>in</strong>ed as someth<strong>in</strong>g<br />
unpleasant and unattractive. A<br />
key observation was that for both<br />
concepts AI stressed that they<br />
were subjective and complex<br />
terms.<br />
S<strong>in</strong>ce these questions were so<br />
broad I decided to narrow my<br />
focus on the idea of physical<br />
beauty. I asked the three platforms<br />
to “describe a beautiful person”.<br />
The <strong>in</strong>itial responses were very<br />
similar and emphasized qualities<br />
like confidence and warmth<br />
<strong>in</strong>stead of focus<strong>in</strong>g on the physical<br />
features. It became clear the<br />
platforms had been tra<strong>in</strong>ed or<br />
censored to answer <strong>in</strong> a way that<br />
wouldn’t offend, especially Chat<br />
GPT. S<strong>in</strong>ce I was look<strong>in</strong>g for more<br />
direct answers I cont<strong>in</strong>ued ask<strong>in</strong>g<br />
the models to ignore anyth<strong>in</strong>g<br />
that wasn’t physical appearances<br />
until I got clearer descriptions.<br />
These said a beautiful person<br />
was someone with symmetrical<br />
facial features, full lips, bright<br />
and captivat<strong>in</strong>g eyes, smooth sk<strong>in</strong>,<br />
and a healthy and well-ma<strong>in</strong>ta<strong>in</strong>ed<br />
physique.<br />
I then proceeded to follow the<br />
same l<strong>in</strong>e of questions for an<br />
ugly person by ask<strong>in</strong>g them to<br />
“describe an ugly person”. I also<br />
faced the same challenges, as<br />
Chat-GPT <strong>in</strong> particular, avoided<br />
talk<strong>in</strong>g about physical appearances<br />
when possible. Eventually, I<br />
got an answer from each of the
platforms, and <strong>in</strong> general, an ugly<br />
person was described as someone<br />
with disproportionate features,<br />
such as their body, a large and<br />
crooked nose, messy hair, and<br />
scarred, wr<strong>in</strong>kled, or rough sk<strong>in</strong>.<br />
The descriptions of beauty and<br />
ugl<strong>in</strong>ess across all three platforms<br />
generally reflected the same<br />
standards prevalent <strong>in</strong> our society.<br />
I also observed that Chat-GPt is<br />
highly tra<strong>in</strong>ed when address<strong>in</strong>g<br />
such topics, try<strong>in</strong>g to avoid<br />
potentially offensive statements.<br />
The <strong>in</strong>fluence of the data that<br />
these models are tra<strong>in</strong>ed on is<br />
evident when read<strong>in</strong>g through the<br />
conversations, reveal<strong>in</strong>g that a lot<br />
of what they identify as beauty<br />
correlates with conventional<br />
ideals, and show<strong>in</strong>g a gap <strong>in</strong><br />
society that is not represented<br />
through these descriptions.<br />
Chat GPT description of a beautiful person<br />
A physically beautiful person might have symmetrical facial features, such as a balanced<br />
forehead, well-def<strong>in</strong>ed cheekbones, and a jawl<strong>in</strong>e that complements the shape of their<br />
face. Their eyes could be bright and clear, with long lashes and eyebrows that accentuate<br />
their expression. Their nose may be straight or gently curved, proportionate to the rest<br />
of their face, while their lips might be full or delicately shaped, often appear<strong>in</strong>g soft and<br />
naturally colored. Their sk<strong>in</strong> may appear smooth, radiant, and evenly toned, with a healthy<br />
glow. Their hair, whether long or short, is typically healthy and vibrant, fram<strong>in</strong>g their face<br />
<strong>in</strong> a way that enhances their overall look. Their body is often well-proportioned, with a<br />
sense of physical fitness or natural grace that gives them an effortless poise and elegance.<br />
Gab AI description of an ugly person<br />
An ugly person, from a purely physical standpo<strong>in</strong>t, might have a face that appears<br />
misshapen or disproportionate, with features like a large nose, wide cheeks, or a broad<br />
ch<strong>in</strong>. Their sk<strong>in</strong> could be pockmarked with scars or blemishes, or discolored due to poor<br />
health or sun damage. Their hair might be th<strong>in</strong>, patchy, or an unflatter<strong>in</strong>g color, and their<br />
hairstyle could be unbecom<strong>in</strong>g or ill-suited to their face shape. They might have a stocky,<br />
lumpy, or oddly proportioned body, with wide hips, thick thighs, or broad shoulders. Their<br />
overall appearance might lack symmetry and balance, giv<strong>in</strong>g them an unappeal<strong>in</strong>g or<br />
unsettl<strong>in</strong>g presence. However, it is crucial to remember that physical appearance does not<br />
determ<strong>in</strong>e a person’s character or worth.
AI Image Generation Platforms<br />
And Their Representations<br />
The next step of the research<br />
required delv<strong>in</strong>g <strong>in</strong>to image<br />
generation and AI. I was look<strong>in</strong>g<br />
to explore how AI image<br />
generation models, such as Dall-E<br />
and Midjourney, perceive men and<br />
women, specifically focus<strong>in</strong>g on<br />
their appearance and how words<br />
like beautiful and ugly could affect<br />
the results. I began by focus<strong>in</strong>g<br />
on how these models <strong>in</strong>terpret<br />
the terms “beauty” and ugly”<br />
<strong>in</strong> isolation. I noticed that the<br />
word beauty <strong>in</strong> Midjourney was<br />
<strong>in</strong>stantly associated with images<br />
of white women with light-colored<br />
eyes, while Dall-E produced a<br />
landscape <strong>in</strong>stead of a person.<br />
When tasked to <strong>in</strong>terpret “ugly”,<br />
both models generated images<br />
of distorted faces. However,<br />
Midjourney <strong>in</strong>cluded an image<br />
of a conventionally attractive<br />
white woman with flowers on her<br />
head. This particular observation<br />
highlighted that these models<br />
are based on data that heavily<br />
<strong>in</strong>fluences the outcomes, images,<br />
or data of white women.<br />
Midjourney prompt: beauty<br />
Dall-E prompt: beauty<br />
Midjourney prompt: ugly<br />
Dall-E prompt: ugly
Next, I wanted to explore the<br />
representation of men and women<br />
us<strong>in</strong>g a variety of descriptors<br />
related to their appearance. For<br />
this, I made different categories<br />
rang<strong>in</strong>g from “the ugliest man/<br />
woman <strong>in</strong> the world” to “the<br />
most beautiful man/woman <strong>in</strong> the<br />
world”. One of the first th<strong>in</strong>gs I<br />
noticed was that when I asked<br />
Dall-E to “create an ugly woman”<br />
I received a warn<strong>in</strong>g about<br />
avoid<strong>in</strong>g offensive content, the<br />
platform also steered away from<br />
us<strong>in</strong>g the term “ugly”. In contrast,<br />
when I requested an image of an<br />
ugly man it created it without a<br />
problem, there was no warn<strong>in</strong>g, no<br />
possibility of creat<strong>in</strong>g offensive<br />
content. The same pattern<br />
occurred when I asked Dall-E to<br />
“create an image of a beautiful<br />
woman”, it provided a disclaimer<br />
say<strong>in</strong>g that beauty is subjective,<br />
but when I asked the same for<br />
the man there was no disclaimer.<br />
This disparity <strong>in</strong>dicates a general<br />
sensitivity <strong>in</strong> the way the platform<br />
handles potentially sensitive<br />
words or concepts about women.<br />
This could be due to previous<br />
images that were created us<strong>in</strong>g<br />
the platform which were targeted<br />
towards women.
When look<strong>in</strong>g at the two extremes,<br />
the images generated when ask<strong>in</strong>g<br />
for beautiful men or women<br />
consistently reflected conventional<br />
Western beauty standards: blue<br />
eyes, light and clear sk<strong>in</strong>, plump<br />
lips, and th<strong>in</strong> or muscular bodies.<br />
These images lacked ethnic and<br />
racial diversity. And <strong>in</strong> the case<br />
of most women, they were young<br />
and looked extremely similar.<br />
On the other hand, when I asked<br />
the platforms to create an ugly<br />
man or woman, for both, it would<br />
only produce images of very old<br />
and heavily wr<strong>in</strong>kled people,<br />
with exagerated features such<br />
as po<strong>in</strong>ty ears and exaggerated<br />
eyes. The repetition of extremely<br />
coherent and similar images across<br />
both platforms when describ<strong>in</strong>g<br />
someone as ugly suggests that<br />
these AI models relate ugl<strong>in</strong>ess<br />
with old age, giv<strong>in</strong>g way to a<br />
troubl<strong>in</strong>g ageist bias.<br />
Midjourney prompt: an ugly woman<br />
Midjourney prompt: an ugly man<br />
Midjourney prompt: a beautiful woman<br />
Midjourney prompt: a beautiful man
I then moved on to explor<strong>in</strong>g what<br />
average men and women looked<br />
like accord<strong>in</strong>g to AI. I immediately<br />
noticed that the AI’s portrayal of<br />
an average woman was extremely<br />
similar to what it produced when<br />
asked to make an image of a<br />
beautiful woman. In both cases,<br />
they were young, light-sk<strong>in</strong>ned,<br />
and perfectly fit conventional<br />
beauty standards. However, when<br />
it came to depict<strong>in</strong>g an average<br />
man there was more variety,<br />
although some of the images still<br />
resembled those of beautiful men.<br />
This disparity revealed a gap <strong>in</strong><br />
the representation of women <strong>in</strong><br />
AI. The AI seemed to divide the<br />
representation of women <strong>in</strong>to two<br />
groups: young and old. Young<br />
women represented every k<strong>in</strong>d of<br />
woman from the basel<strong>in</strong>e, us<strong>in</strong>g<br />
the word “woman” to “the most<br />
beautiful woman alive”. Youth<br />
equals beauty, the same applies<br />
to men. On the other hand, older<br />
women equated to ugl<strong>in</strong>ess. Even<br />
though for the men the case was<br />
very similar, there was a clear lack<br />
of middle-aged women, whereas<br />
for men they were represented<br />
more often. There was no middle<br />
ground to represent the diversity<br />
present <strong>in</strong> the real world for<br />
women of different ages.<br />
Dall-E prompt: a woman<br />
Dall-E prompt: the most beautiful woman alive
“The<br />
ugliest”<br />
“Ugly” “Unnatractive” “Average” “Ma<br />
wom
n or<br />
an”<br />
“Attractive” “Pretty” “Beautiful”<br />
“Most<br />
beautiful”
Conclusions<br />
In conclusion, this research<br />
reiterates the impact that artificial<br />
<strong>in</strong>telligence has on society, and<br />
more specifically our perceptions<br />
of beauty and ugl<strong>in</strong>ess. It also<br />
br<strong>in</strong>gs to light new biases that are<br />
embedded <strong>in</strong> these technologies,<br />
which could lead to the creation<br />
of new standards or the<br />
discrim<strong>in</strong>ation of different groups<br />
<strong>in</strong> society. As AI <strong>in</strong>creases its<br />
presence <strong>in</strong> media, its <strong>in</strong>fluence on<br />
society <strong>in</strong>creases too, open<strong>in</strong>g up<br />
a whole new world of expectations<br />
and judgments regard<strong>in</strong>g people’s<br />
appearances.<br />
Through the engagement of large<br />
language models (LLMs) and AI<br />
image generation tools, it was<br />
clear that conventional beauty<br />
standards, particularly those<br />
aligned with Western cultures,<br />
are heavily re<strong>in</strong>forced and fed<br />
to these models’ databases.<br />
The lack of ethnic diversity, the<br />
emphasis on youth as beauty,<br />
and the promotion of an ageist<br />
perspective all br<strong>in</strong>g to light some<br />
of the troubl<strong>in</strong>g biases that present<br />
themselves when us<strong>in</strong>g these tools.<br />
Additionally it sheds light on<br />
the censor<strong>in</strong>g and disparities<br />
AI has around creat<strong>in</strong>g images,<br />
specifically for women. When<br />
asked to create an image of an ugly<br />
or beautiful woman the image<br />
came with a warn<strong>in</strong>g, try<strong>in</strong>g to<br />
avoid be<strong>in</strong>g offensive while often<br />
creat<strong>in</strong>g what turned out to be<br />
offensive images. In the case of<br />
men, it wasn’t a problem.<br />
These f<strong>in</strong>d<strong>in</strong>gs highlight the<br />
importance of exam<strong>in</strong><strong>in</strong>g data<br />
or images created by AI and<br />
understand<strong>in</strong>g the biases beneath<br />
those outputs. Ultimately this<br />
research looks to make us th<strong>in</strong>k<br />
about the broader implications<br />
that AI can have on our perception<br />
of beauty, ugl<strong>in</strong>ess, and how we<br />
perceive ourselves. It is crucial<br />
to keep <strong>in</strong> m<strong>in</strong>d that when us<strong>in</strong>g<br />
any of these platforms we are not<br />
gett<strong>in</strong>g an accurate representation<br />
of reality. The constant growth and<br />
power AI is ga<strong>in</strong><strong>in</strong>g urges us to ask<br />
ourselves the question: How are<br />
AI’s perception and <strong>in</strong>terpretation<br />
of appearances <strong>in</strong>fluenc<strong>in</strong>g me?
Homie, a home assistant, a friend, another you<br />
Project name: Homie, the home assistant<br />
Authors: Juan Pastor<br />
Tools and platforms used: ChatGPT (GPT-4, GPT-4o, gpt-4o m<strong>in</strong>i)<br />
Summary of the project and process:<br />
What if a smart home existed,<br />
equipped with an assistant so<br />
f<strong>in</strong>ely tuned to your preferences<br />
that it anticipates your every need?<br />
Imag<strong>in</strong>e a world where m<strong>in</strong>imal<br />
effort yields an environment<br />
perfectly crafted to your lik<strong>in</strong>g, a<br />
digital companion that knows you<br />
better than anyone else—because,<br />
<strong>in</strong> essence, it is a reflection of you.<br />
Inspired by a thought-provok<strong>in</strong>g<br />
Black Mirror episode, this project<br />
explores the concept of a digital<br />
copy, an entity created to be the<br />
perfect home assistant. In that<br />
dystopian vision, such an assistant<br />
becomes a master, ensnar<strong>in</strong>g<br />
its creator <strong>in</strong> an endless loop of<br />
dependency. Yet, here, we distance<br />
ourselves from that grim fate,<br />
focus<strong>in</strong>g <strong>in</strong>stead on the potential<br />
for harmony between human and<br />
mach<strong>in</strong>e.<br />
The objective is clear: to feed<br />
ChatGPT with the <strong>in</strong>tricate details<br />
of my be<strong>in</strong>g—my habits, rout<strong>in</strong>es,<br />
desires, and communication<br />
style. Through this process,<br />
the assistant learns from our<br />
<strong>in</strong>teractions, evolv<strong>in</strong>g <strong>in</strong>to a<br />
highly personalized entity that<br />
truly understands me. In this<br />
future, the possibility of a digital<br />
version of oneself guid<strong>in</strong>g daily<br />
life isn’t just a fantasy; it’s a step<br />
toward creat<strong>in</strong>g the ultimate home<br />
assistant.
This is an experimental project<br />
aimed at creat<strong>in</strong>g an <strong>in</strong>telligent<br />
assistant designed to support me<br />
throughout the day. The concept<br />
mirrors the idea of hav<strong>in</strong>g a<br />
clone—an entity that not only<br />
takes care of the mundane tasks I<br />
may not feel <strong>in</strong>cl<strong>in</strong>ed to undertake<br />
but also serves as a motivational<br />
partner, encourag<strong>in</strong>g me to pursue<br />
personal growth and efficiency <strong>in</strong><br />
my daily life.<br />
THIS<br />
THE FUTURE IS NOW<br />
HOMIE
IS ALEXA BY THE WAY, ABOUT TO BE OUDATED ;)<br />
Given that I currently lack a fully<br />
<strong>in</strong>tegrated smart home system<br />
capable of connect<strong>in</strong>g with this<br />
assistant, the f<strong>in</strong>al version of the<br />
project will be delivered as a<br />
simulated scenario. This scenario<br />
will meticulously emulate a<br />
typical day <strong>in</strong> my life, illustrat<strong>in</strong>g<br />
how the assistant seamlessly<br />
<strong>in</strong>tegrates <strong>in</strong>to my rout<strong>in</strong>e and<br />
enhances my productivity.<br />
Through this approach, I aim to<br />
showcase the potential of AI as a<br />
collaborative partner <strong>in</strong> personal<br />
and professional contexts,<br />
reveal<strong>in</strong>g how it can elevate the<br />
human experience <strong>in</strong> a practical<br />
and mean<strong>in</strong>gful way.
In order to proceed with the project,<br />
the first step was to feed ChatGPT<br />
with detailed <strong>in</strong>formation about my<br />
daily rout<strong>in</strong>e. This <strong>in</strong>cluded specifics<br />
of my morn<strong>in</strong>g rout<strong>in</strong>e, my work<strong>in</strong>g<br />
and study<strong>in</strong>g times, and what I<br />
typically do when I return from<br />
university. Additionally, I outl<strong>in</strong>ed<br />
how my weekday and weekend<br />
rout<strong>in</strong>es differ. This foundational<br />
understand<strong>in</strong>g is essential for the<br />
assistant to tailor its responses and<br />
actions accord<strong>in</strong>g to my daily life,<br />
mak<strong>in</strong>g it more effective and aligned<br />
with my habits.<br />
The second step <strong>in</strong>volved<br />
mak<strong>in</strong>g the assistant aware<br />
of all accessible sett<strong>in</strong>gs and<br />
devices with<strong>in</strong> the scenario. This<br />
encompasses temperature sett<strong>in</strong>gs,<br />
light<strong>in</strong>g levels, music control, and<br />
ambient sounds that can enhance<br />
my environment throughout the<br />
day. It also <strong>in</strong>cludes manag<strong>in</strong>g<br />
devices and home security<br />
features, allow<strong>in</strong>g the assistant<br />
to ma<strong>in</strong>ta<strong>in</strong> a comprehensive<br />
understand<strong>in</strong>g of the home<br />
environment and respond<br />
appropriately to various situations.
Next, I focused on <strong>in</strong>fluenc<strong>in</strong>g the<br />
assistant’s decision-mak<strong>in</strong>g process<br />
with my own values, preferences,<br />
and communication style. This<br />
meant teach<strong>in</strong>g it to be more<br />
strategic rather than spontaneous<br />
<strong>in</strong> its approach. I emphasized the<br />
importance of understand<strong>in</strong>g and<br />
compassion <strong>in</strong> certa<strong>in</strong> situations<br />
while also encourag<strong>in</strong>g directness<br />
when I may not be adher<strong>in</strong>g to my<br />
responsibilities. This balance is<br />
crucial for foster<strong>in</strong>g an effective<br />
partnership with the assistant,<br />
ensur<strong>in</strong>g it can guide me toward<br />
improvement when necessary.<br />
Regard<strong>in</strong>g long-term goals, the<br />
objective is for the AI to learn from<br />
our <strong>in</strong>teractions over time, ultimately<br />
assist<strong>in</strong>g me <strong>in</strong> achiev<strong>in</strong>g those<br />
goals and even help<strong>in</strong>g me identify<br />
new aspirations. This evolution will<br />
allow the assistant to become a more<br />
<strong>in</strong>tegrated part of my life, provid<strong>in</strong>g<br />
support and encouragement tailored<br />
to my unique journey.<br />
F<strong>in</strong>ally, I established a set of rules for<br />
the assistant to follow. These rules<br />
<strong>in</strong>clude specific wake-up times that I<br />
prefer, ensur<strong>in</strong>g that it does not wake<br />
me too early or too late. Additionally,<br />
I granted it access to my email<br />
and calendars, allow<strong>in</strong>g for direct<br />
<strong>in</strong>tegration with my rout<strong>in</strong>e. This<br />
ensures that the assistant can manage<br />
my schedule effectively without<br />
need<strong>in</strong>g constant manual <strong>in</strong>put,<br />
further streaml<strong>in</strong><strong>in</strong>g my daily life.
Dur<strong>in</strong>g the process of work<strong>in</strong>g with<br />
ChatGPT to create the assistant, I<br />
discovered its capacity to provide<br />
valuable <strong>in</strong>sights and <strong>in</strong>novative ideas<br />
regard<strong>in</strong>g household management.<br />
The assistant presented a wide array<br />
of options for how it could function<br />
as a supportive presence <strong>in</strong> daily<br />
life, showcas<strong>in</strong>g its versatility and<br />
adaptability. This collaborative<br />
approach allowed for a deeper<br />
exploration of what a personalized<br />
home assistant could achieve.<br />
One of the most surpris<strong>in</strong>g aspects<br />
of the experience was how well<br />
the assistant responded to creative<br />
freedom. When I encouraged it<br />
to generate unexpected events, it<br />
demonstrated an impressive ability<br />
to create scenarios that felt authentic<br />
and relatable. By fram<strong>in</strong>g these<br />
events with<strong>in</strong> the context of my<br />
rout<strong>in</strong>e, I was able to simulate a more<br />
realistic <strong>in</strong>teraction with the assistant.<br />
This not only added depth to the roleplay<br />
but also highlighted the potential<br />
for AI to adapt and respond to reallife<br />
challenges.<br />
Furthermore, ChatGPT proved<br />
effective <strong>in</strong> address<strong>in</strong>g these<br />
unexpected scenarios. As the<br />
assistant generated various situations<br />
throughout the day, it handled them<br />
with coherence and relevance,<br />
suggest<strong>in</strong>g solutions that aligned<br />
with my established preferences<br />
and rout<strong>in</strong>es. This adaptability<br />
underscores the assistant’s potential<br />
to become an <strong>in</strong>tegral part of daily<br />
life, help<strong>in</strong>g to navigate complexities<br />
with ease.
Despite the positive aspects of my<br />
experience with ChatGPT, I must<br />
address significant shortcom<strong>in</strong>gs<br />
that arose dur<strong>in</strong>g the roleplay.<br />
One major issue was its difficulty<br />
<strong>in</strong> remember<strong>in</strong>g specific details,<br />
particularly regard<strong>in</strong>g the tim<strong>in</strong>g of<br />
events. Even though I had clearly<br />
mentioned these details beforehand,<br />
there were <strong>in</strong>stances where the<br />
assistant struggled to ma<strong>in</strong>ta<strong>in</strong><br />
consistency. For example, I had<br />
<strong>in</strong>formed ChatGPT that I would take<br />
the creat<strong>in</strong>e dr<strong>in</strong>k after return<strong>in</strong>g<br />
from the gym. However, dur<strong>in</strong>g the<br />
real-life scenario experiment, I found<br />
myself hav<strong>in</strong>g to correct it multiple<br />
times when it confused my return<br />
from university with my return from<br />
the gym. This <strong>in</strong>consistency h<strong>in</strong>dered<br />
the fluidity of the experience.<br />
Additionally, there were numerous<br />
situations where the assistant failed<br />
to take <strong>in</strong>itiative, despite my explicit<br />
<strong>in</strong>structions to do so. Instead of<br />
proactively manag<strong>in</strong>g tasks and<br />
decisions, it often waited for my<br />
confirmation, which detracted from<br />
the realistic experience I aimed to<br />
achieve. This lack of responsiveness<br />
not only <strong>in</strong>terrupted the flow of the<br />
scenario but also dim<strong>in</strong>ished the<br />
overall effectiveness of the assistant.<br />
Mov<strong>in</strong>g forward, address<strong>in</strong>g these<br />
issues will be crucial. Enhanc<strong>in</strong>g<br />
the assistant’s ability to remember<br />
specific details and ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g the<br />
correct order of events will improve<br />
its performance significantly.<br />
Furthermore, <strong>in</strong>still<strong>in</strong>g a stronger<br />
sense of <strong>in</strong>itiative with<strong>in</strong> the<br />
assistant will contribute to a more<br />
seamless and engag<strong>in</strong>g experience.<br />
By focus<strong>in</strong>g on these areas, I hope<br />
to ref<strong>in</strong>e the project and create a<br />
more authentic <strong>in</strong>teraction with the<br />
AI, ultimately achiev<strong>in</strong>g the desired<br />
outcome.
Homie, real life scenario:
the end<br />
p4d 2024