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Artificial Intelligence in Contemporary Design Praxis Part II

A series of student articles exploring the implications, opportunities and limitations of a.i. and design. Part of the Programming for Designers Course work academic year 2024/2025, led by Ruxandra iancu Bratosin. IE Bachelor in Design

A series of student articles exploring the implications, opportunities and limitations of a.i. and design.
Part of the Programming for Designers Course work academic year 2024/2025, led by Ruxandra iancu Bratosin. IE Bachelor in Design

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Brief <strong>II</strong> : A.I. and <strong>Design</strong> Methodology<br />

Programm<strong>in</strong>g for <strong>Design</strong>ers 2024/2025<br />

IE Bachelor <strong>in</strong> <strong>Design</strong><br />

prof. Ruxandra iancu-Bratos<strong>in</strong><br />

ap. GenAI<br />

<strong>Artificial</strong><br />

<strong>Intelligence</strong> <strong>in</strong><br />

<strong>Contemporary</strong><br />

<strong>Design</strong> <strong>Praxis</strong>:<br />

<strong>Part</strong> <strong>II</strong><br />

IE University / Madrid<br />

october 2024


MJ /imag<strong>in</strong>e:<br />

design students happy that a.i. will take their jobs.<br />

MJ /imag<strong>in</strong>e:<br />

design students devastated that a.i. will take their jobs.<br />

Covers<br />

MJ /imag<strong>in</strong>e:<br />

a university where a.i. is the only professor.


I have made two requests.<br />

One to my students: to <strong>in</strong>tegrate<br />

artificial <strong>in</strong>telligence <strong>in</strong>to their<br />

design methodologies however they<br />

see fit.<br />

Another to an LLM: to help me<br />

formulate the role of artificial<br />

<strong>in</strong>telligence <strong>in</strong> the design world.<br />

This publication is the result of those<br />

requests put together.<br />

- Ruxandra Iancu Bratos<strong>in</strong>,<br />

professor of the<br />

Programm<strong>in</strong>g for <strong>Design</strong>ers course<br />

IE University,<br />

School of Architecture and <strong>Design</strong><br />

Bachelor <strong>in</strong> <strong>Design</strong><br />

<strong>Artificial</strong> <strong>Intelligence</strong> <strong>in</strong> <strong>Design</strong><br />

<strong>Praxis</strong>: A Critical Analysis of<br />

Creative Transformation <strong>in</strong> 2024<br />

Introduction: The Evolv<strong>in</strong>g <strong>Design</strong><br />

Landscape<br />

The <strong>in</strong>tegration of <strong>Artificial</strong><br />

<strong>Intelligence</strong> with<strong>in</strong> design praxis has<br />

catalyzed a profound transformation<br />

<strong>in</strong> creative <strong>in</strong>dustries, parallel<strong>in</strong>g<br />

historical technological disruptions<br />

but with unprecedented scope and<br />

velocity. While the 19th century’s<br />

photographic revolution challenged<br />

traditional artistic expression, and the<br />

20th century’s automation reshaped<br />

manufactur<strong>in</strong>g, today’s AI revolution<br />

fundamentally reconstructs the<br />

creative process itself. As we<br />

navigate 2024, the design community<br />

f<strong>in</strong>ds itself at a crucial junction<br />

where tools like Midjourney,<br />

DALL-E 3, and various AI-powered<br />

design suites have become <strong>in</strong>tegral to<br />

creative workflows.<br />

The Dialectics of AI <strong>in</strong><br />

<strong>Contemporary</strong> <strong>Design</strong> Practice<br />

Transformation of Creative<br />

Processes<br />

The contemporary design landscape<br />

witnesses a fasc<strong>in</strong>at<strong>in</strong>g dialectic<br />

between human creativity and<br />

artificial <strong>in</strong>telligence. Unlike earlier<br />

tools that simply automated manual<br />

tasks, modern AI systems actively<br />

participate <strong>in</strong> the creative process.<br />

For <strong>in</strong>stance:<br />

1. Ideation and Conceptualization<br />

• AI’s ability to generate countless<br />

variations of design concepts has<br />

transformed the bra<strong>in</strong>storm<strong>in</strong>g<br />

phase<br />

• Tools like Stable Diffusion and<br />

Adobe Firefly enable rapid<br />

prototype visualization<br />

• The challenge lies <strong>in</strong> ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />

creative authenticity while<br />

leverag<strong>in</strong>g AI’s generative<br />

capabilities<br />

2. <strong>Design</strong> Development<br />

• AI systems now assist <strong>in</strong> color<br />

palette generation, typography<br />

pair<strong>in</strong>g, and layout optimization<br />

• Mach<strong>in</strong>e learn<strong>in</strong>g algorithms


analyze user behavior to <strong>in</strong>form<br />

design decisions<br />

• The <strong>in</strong>tegration of AI <strong>in</strong><br />

design software has redef<strong>in</strong>ed<br />

the boundaries of technical<br />

proficiency<br />

Impact on Various <strong>Design</strong><br />

Discipl<strong>in</strong>es<br />

The <strong>in</strong>fluence of AI manifests<br />

differently across design discipl<strong>in</strong>es:<br />

1. Graphic <strong>Design</strong><br />

• Logo generation and brand<br />

identity development have been<br />

revolutionized by AI tools<br />

• Typography design now<br />

<strong>in</strong>corporates mach<strong>in</strong>e learn<strong>in</strong>g<br />

for optimiz<strong>in</strong>g readability and<br />

aesthetic appeal<br />

• The challenge of ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />

unique brand voices amid AIgenerated<br />

content<br />

2. Product <strong>Design</strong><br />

• AI-powered parametric design<br />

tools enable rapid prototyp<strong>in</strong>g<br />

• Material selection and<br />

susta<strong>in</strong>ability analysis enhanced<br />

by mach<strong>in</strong>e learn<strong>in</strong>g<br />

• Integration of user data <strong>in</strong><br />

product development cycles<br />

3. Fashion <strong>Design</strong><br />

• AI trend prediction and pattern<br />

generation<br />

• Virtual fitt<strong>in</strong>g rooms<br />

and personalized design<br />

recommendations<br />

• Susta<strong>in</strong>able fashion practices<br />

enabled by AI optimization<br />

Challenges and Critical<br />

Considerations<br />

Professional Identity and Creative<br />

Authority<br />

The <strong>in</strong>tegration of AI <strong>in</strong> design<br />

praxis raises fundamental questions<br />

about professional identity:<br />

1. Skill Evolution<br />

• Traditional design skills are<br />

be<strong>in</strong>g augmented by AI literacy<br />

requirements<br />

• The emergence of new<br />

specialized roles: AI-design<br />

<strong>in</strong>terpreters and prompt<br />

eng<strong>in</strong>eers<br />

• The need for cont<strong>in</strong>uous learn<strong>in</strong>g<br />

and adaptation<br />

2. Creative Attribution<br />

• Complex questions of authorship<br />

<strong>in</strong> AI-assisted design<br />

• The evolution of copyright law<br />

and <strong>in</strong>tellectual property rights<br />

• Establish<strong>in</strong>g frameworks for<br />

credit<strong>in</strong>g AI contributions<br />

Ethical Implications<br />

The ethical dimensions of AI <strong>in</strong><br />

design practice demand careful<br />

consideration:<br />

1. Authenticity and Orig<strong>in</strong>ality<br />

• Ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g creative authenticity


<strong>in</strong> an AI-augmented workflow<br />

• Balanc<strong>in</strong>g efficiency with unique<br />

creative expression<br />

• The role of human <strong>in</strong>tuition and<br />

emotional <strong>in</strong>telligence<br />

2. Cultural Sensitivity<br />

• AI systems’ capacity to<br />

understand and respect cultural<br />

nuances<br />

• The risk of cultural<br />

homogenization through AIgenerated<br />

design<br />

• Ensur<strong>in</strong>g diverse representation<br />

<strong>in</strong> AI tra<strong>in</strong><strong>in</strong>g data<br />

Opportunities and Future<br />

Trajectories<br />

Enhanced Creative Capabilities<br />

AI <strong>in</strong>tegration offers unprecedented<br />

opportunities for design <strong>in</strong>novation:<br />

1. Expanded Creative Possibilities<br />

• AI as a collaborative tool for<br />

explor<strong>in</strong>g new design territories<br />

• Enhanced ability to visualize and<br />

iterate concepts rapidly<br />

• Integration of complex data<br />

analysis <strong>in</strong> design decisions<br />

2. Workflow Optimization<br />

• Automation of rout<strong>in</strong>e tasks<br />

allow<strong>in</strong>g focus on strategic<br />

creativity<br />

• Improved project management<br />

through AI-powered tools<br />

• Enhanced collaboration<br />

capabilities through AI-assisted<br />

platforms<br />

Educational Implications<br />

The evolution of design education<br />

reflects these changes:<br />

1. Curriculum Development<br />

• Integration of AI literacy <strong>in</strong><br />

design education<br />

• Focus on human-AI<br />

collaboration methodologies<br />

• Development of critical th<strong>in</strong>k<strong>in</strong>g<br />

about AI’s role <strong>in</strong> design<br />

2. Professional Development<br />

• Cont<strong>in</strong>uous learn<strong>in</strong>g programs<br />

for practic<strong>in</strong>g designers<br />

• New specializations emerg<strong>in</strong>g at<br />

the <strong>in</strong>tersection of AI and design<br />

• Evolution of design criticism and<br />

theory<br />

The Path Forward: A Symbiotic<br />

Future<br />

The future of design praxis lies <strong>in</strong><br />

establish<strong>in</strong>g a symbiotic relationship<br />

between human creativity and<br />

artificial <strong>in</strong>telligence. This<br />

relationship should:<br />

1. Preserve Human Elements<br />

• Emotional <strong>in</strong>telligence and<br />

cultural understand<strong>in</strong>g<br />

• Strategic th<strong>in</strong>k<strong>in</strong>g and conceptual<br />

development<br />

• Ethical decision-mak<strong>in</strong>g and<br />

social responsibility


2. Leverage AI Capabilities<br />

• Data analysis and pattern<br />

recognition<br />

• Rapid prototyp<strong>in</strong>g and iteration<br />

• Technical optimization and<br />

efficiency<br />

is the need for designers to approach<br />

this evolution with both enthusiasm<br />

for its possibilities and critical<br />

awareness of its implications.<br />

Conclusion<br />

As we progress through 2024,<br />

the <strong>in</strong>tegration of AI <strong>in</strong> design<br />

praxis represents not merely a<br />

technological shift but a fundamental<br />

transformation <strong>in</strong> creative practice.<br />

The successful designer of today and<br />

tomorrow is one who can effectively<br />

navigate this new landscape,<br />

leverag<strong>in</strong>g AI’s capabilities while<br />

ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g the essential human<br />

elements that give design its mean<strong>in</strong>g<br />

and impact.<br />

The future of design lies not <strong>in</strong><br />

resistance to AI, nor <strong>in</strong> complete<br />

surrender to its capabilities, but <strong>in</strong><br />

thoughtful <strong>in</strong>tegration that enhances<br />

human creativity while address<strong>in</strong>g<br />

ethical concerns and ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />

professional <strong>in</strong>tegrity. As AI<br />

cont<strong>in</strong>ues to evolve, the design<br />

community must rema<strong>in</strong> adaptable,<br />

critical, and focused on creat<strong>in</strong>g<br />

value that comb<strong>in</strong>es technological<br />

<strong>in</strong>novation with human <strong>in</strong>sight.<br />

The discourse surround<strong>in</strong>g AI <strong>in</strong><br />

design will cont<strong>in</strong>ue to evolve,<br />

shaped by technological advances,<br />

ethical considerations, and practical<br />

experience. What rema<strong>in</strong>s constant


Projects by:<br />

Tanya Saleem Ahmed Abdul-Rahim / T@NY4_4L!F3<br />

Mira Daniella Benzion Zebede / M1r@_D4n!3lL@<br />

Alhasan Boubou / 4l3xB00B@Z<br />

Maria Briseño Cid / Br!z3n0_M@r14<br />

Ximena Castro Giust<strong>in</strong>iani / X_C4$Tr0_G1u$t!<br />

Lucia Anne Elisabeth Emmy Gräf<strong>in</strong> von der Schulenburg / LUC!4_v0N_d3r<br />

Elizaveta Grish<strong>in</strong>a / Gr!$h1n@_L!$4<br />

Jessam<strong>in</strong>e Naa’ilah Imaan Hamilton / J3$$Y_1M@N<br />

Stefanie Laredo Hurtado / 5t3F@_R3d0<br />

Eloïse Marie-Liesse Heidi Lobmeyr / ELO_H3!d1zZ<br />

Laura Moreno Solano / L@uR@_m0r3n0<br />

Jean Ignace Noble / N0BL3_J3@N<br />

Juan Pastor Quesada / Ju@N_P@st0R92<br />

Inmaculada Sánchez Cánovas / !nm@C4n0V@<br />

Simón Sánchez Navarro / S!m_5@NCh3Z<br />

Valeria Sierra Echavarría / V@l_$iErr@_94<br />

Ximena Valenzuela Fernandez / X!m_V4L3N


<strong>in</strong>dex<br />

Harmony <strong>in</strong> Diversity: AI-Driven<br />

Cosmetics Brand Bridg<strong>in</strong>g Queer<br />

Expression and Conservative<br />

Elegance page 12<br />

AI has become one of the most powerful<br />

resources to our disposition. Nowadays one<br />

can debate as to whether this is a support<strong>in</strong>g<br />

tool or a technology that will replace<br />

traditional roles <strong>in</strong> the workforce.<br />

AI-Driven Fashion: Reimag<strong>in</strong><strong>in</strong>g<br />

Iconic Legacies <strong>in</strong>to Modern<br />

Collections page 26<br />

In a time where technology is constantly<br />

reshap<strong>in</strong>g the boundaries of creativity, the<br />

fashion <strong>in</strong>dustry stands at the crossroads of<br />

<strong>in</strong>novation. Fashion collections are no longer<br />

the sole product of human <strong>in</strong>st<strong>in</strong>ct and artistic<br />

genius, but <strong>Artificial</strong> <strong>Intelligence</strong> has become<br />

a dom<strong>in</strong>ant tool that challenges the essence of<br />

what it means to design.<br />

AI gives the designers the ability to explore<br />

creative possibilities, represent new concepts<br />

and <strong>in</strong>novate faster than before.<br />

Unveil<strong>in</strong>g the Role of AI and the<br />

Human Touch page 46<br />

How do you ensure that a mach<strong>in</strong>e—a tool<br />

built on data—can capture the depth and<br />

nuance of a culture?<br />

AI and Culturally Sensitive Fashion:<br />

Weav<strong>in</strong>g Tradition <strong>in</strong>to <strong>Design</strong><br />

page 58<br />

The primary objective is to <strong>in</strong>vestigate how<br />

AI can develop fashion that respects cultural<br />

nuances while assess<strong>in</strong>g its limitations <strong>in</strong><br />

understand<strong>in</strong>g complex cultural contexts. A<br />

central question guid<strong>in</strong>g this exploration is<br />

whether AI can craft a coherent and culturally<br />

respectful brand that effectively balances<br />

creativity with cultural <strong>in</strong>tegrity<br />

Us<strong>in</strong>g AI to explore new forms of<br />

functional design page 70<br />

This project explores how AI can be used<br />

to transform everyday objects, like a chair,<br />

<strong>in</strong>to new forms while still keep<strong>in</strong>g their core<br />

functionality. By focus<strong>in</strong>g on comfort and<br />

support without rely<strong>in</strong>g on traditional design<br />

elements, I aimed to push the boundaries of<br />

what AI could create.


Explor<strong>in</strong>g the role of AI <strong>in</strong><br />

redef<strong>in</strong><strong>in</strong>g human physical identity<br />

<strong>in</strong> a digital realm. page 83<br />

With identity be<strong>in</strong>g at the core of all types of<br />

design, this project aims to question the<br />

agency that AI should be given <strong>in</strong> design<br />

methodologies consider<strong>in</strong>g its ability (or lack<br />

there of) of deeply understand<strong>in</strong>g this concept.<br />

It aims to acknowledge the real people that<br />

are beh<strong>in</strong>d virtual and physical realities, and<br />

rem<strong>in</strong>d designers of the importance of hav<strong>in</strong>g<br />

full awareness of who it is they are design<strong>in</strong>g<br />

for.<br />

Reimag<strong>in</strong><strong>in</strong>g Kitchen Utensils: A<br />

Creative Exploration of<br />

<strong>Design</strong> and Abstraction page 94<br />

What happens when we challenge the familiar<br />

and explore the possibilities of design beyond<br />

functionality?<br />

Elevat<strong>in</strong>g Mariado Guil- len with AI<br />

and Balenciaga’s Influence page 102<br />

The rebrand<strong>in</strong>g journey illustrates how AI can<br />

be a powerful tool <strong>in</strong> the design process—<br />

allow<strong>in</strong>g creativity to expand while push<strong>in</strong>g<br />

new boundaries.<br />

Test<strong>in</strong>g AI platforms’ capabilities for<br />

conduct<strong>in</strong>g text based research page<br />

116<br />

This project aims to explore the current<br />

capabilities of generative AI <strong>in</strong> research<br />

processes for writ<strong>in</strong>g (both academic and<br />

journalistic are tested out). The project<br />

will explore three different processes of<br />

creation us<strong>in</strong>g AI, with various levels of user<br />

<strong>in</strong>tegration; the first is data generated by AI<br />

and free decision-mak<strong>in</strong>g by humans, the<br />

second is data generated by AI and structured<br />

decision-mak<strong>in</strong>g by humans, while the third<br />

is data and decision-mak<strong>in</strong>g generated by AI<br />

only.<br />

Harmonics of the Future:<br />

Comparative Study of AI Music<br />

Production page 128<br />

In this project we explore the evolution of<br />

AI <strong>in</strong> music and exam<strong>in</strong>e several key AI<br />

platforms designed to generate music<br />

pieces.


Analys<strong>in</strong>g the distribution of<br />

fall<strong>in</strong>g balls on a galton board with<br />

AI page 144<br />

AI can be a powerful tool to efficiently<br />

generate your best ideas and enhance<br />

creativity. I challenged myself to create<br />

someth<strong>in</strong>g I had never done us<strong>in</strong>g AI,<br />

<strong>in</strong>corporat<strong>in</strong>g both cod<strong>in</strong>g and simulation.<br />

The Role of AI Tools <strong>in</strong> shap<strong>in</strong>g<br />

Fashion page 160<br />

The future of fashion is undeniably excit<strong>in</strong>g,<br />

with AI-driven creativity and personalization<br />

lead<strong>in</strong>g the way. As the <strong>in</strong>dustry embraces<br />

new technologies, from 3D pr<strong>in</strong>t<strong>in</strong>g and AI<br />

customization to virtual fashion, designers like<br />

myself are able to experiment <strong>in</strong> ways never<br />

before possible.<br />

Explor<strong>in</strong>g the efficacy of AI tools <strong>in</strong><br />

redesign<strong>in</strong>g a brand’s cloth<strong>in</strong>g and<br />

visual image page 170<br />

The primary aim of this project is to assess<br />

the effectiveness of AI <strong>in</strong> redesign<strong>in</strong>g a cloth<strong>in</strong>g<br />

l<strong>in</strong>e rooted <strong>in</strong> a specific historical context<br />

while stay<strong>in</strong>g true to the brand’s orig<strong>in</strong>al<br />

values and aesthetics.<br />

Artistic Collaboration with AI page<br />

182<br />

This project explores a collaborative<br />

process with AI, aim<strong>in</strong>g to create visual<br />

photorealist art pieces and to question AI’s<br />

current and future <strong>in</strong>volvement with<strong>in</strong> the art<br />

world.<br />

Physical appearance through the<br />

eyes of <strong>Artificial</strong> <strong>Intelligence</strong> page<br />

192<br />

Who could potentially be affected by these AIgenerated<br />

images? The <strong>in</strong>fluence of AI is not<br />

limited to aesthetics alone: it also touches<br />

deeper issues <strong>in</strong> our society, mak<strong>in</strong>g it<br />

essential to explore the broader implications<br />

that come along with the use of AI.<br />

Homie, a home assistant, a friend,<br />

another you page 204<br />

What if a smart home existed,<br />

equipped with an assistant so<br />

f<strong>in</strong>ely tuned to your preferences<br />

that it anticipates your every need?


Project Name: Harmony <strong>in</strong> Diversity: AI-Driven<br />

Cosmetics Brand Bridg<strong>in</strong>g Queer Expression and<br />

Conservative Elegance<br />

Author: Ximena Valenzuela Fernandez<br />

Tools and platforms used: Perplexity, ChatGPT4o,<br />

Midjourney & Photoshop AI<br />

Summary of the project<br />

and process<br />

The objective of this project was to<br />

be able to gather <strong>in</strong>formation us<strong>in</strong>g<br />

ChatGPT4o and Perplexity about<br />

two different communities and use<br />

it to be able to create a cosmetics<br />

brand by blend<strong>in</strong>g their identities.<br />

As I wanted the project to be<br />

controversial, the two communities<br />

selected were not exactly opposites,<br />

but very contrast<strong>in</strong>g. The queer and<br />

the conservative community.<br />

together. My ma<strong>in</strong> <strong>in</strong>tention was to<br />

avoid the assumption that if you are<br />

queer you cannot be conservative<br />

and vice versa. Therefore, with the<br />

use of AI, I created a hypothetical<br />

cosmetics brand that has tackled<br />

this specific audience by blend<strong>in</strong>g<br />

their views, values and beliefs<br />

together.<br />

I wanted to explore what type of<br />

<strong>in</strong>formation a different LLM would<br />

give me regard<strong>in</strong>g the communities I<br />

selected and how they would blend


Disclaimer:<br />

This article dives <strong>in</strong>to the exploration of conservative<br />

and queer values with the sole <strong>in</strong>tention of creat<strong>in</strong>g a<br />

hypothetical cosmetics brand. The objective is to create<br />

a brand that allows enough space to have <strong>in</strong>clusivity,<br />

diversity, and a shared vision of self expression and beauty.<br />

This project does not have the <strong>in</strong>tention of re<strong>in</strong>terpret<strong>in</strong>g<br />

the members of the communities and it does not want<br />

to simplify the complexities they go through. The aim is<br />

to portray a fresh view on how different values can blend<br />

together and coexist <strong>in</strong> a creative way.<br />

Introduction<br />

<strong>Artificial</strong> <strong>Intelligence</strong> has been a<br />

term that has been around s<strong>in</strong>ce<br />

the 1950, when it was talked about<br />

as someth<strong>in</strong>g that could re<strong>in</strong>terpret<br />

human <strong>in</strong>telligence. Notwithstand<strong>in</strong>g,<br />

we have seen more evolution and<br />

progress <strong>in</strong> technology <strong>in</strong> the last 2<br />

decades than ever before. AI has<br />

become one of the most powerful<br />

resources to our disposition.<br />

Nowadays one can debate as to<br />

whether this is a support<strong>in</strong>g tool or a<br />

technology that will replace traditional<br />

roles <strong>in</strong> the workforce. It evolved<br />

from be<strong>in</strong>g a hypothetical idea <strong>in</strong>to<br />

someth<strong>in</strong>g that is reshap<strong>in</strong>g our way<br />

of th<strong>in</strong>k<strong>in</strong>g and work<strong>in</strong>g.<br />

As we dive <strong>in</strong>to the relationship<br />

between creative <strong>in</strong>dustries and<br />

artificial <strong>in</strong>telligence, throughout this<br />

project, I have explored how mach<strong>in</strong>e<br />

learn<strong>in</strong>g algorithms, conceptual cues,<br />

and image generation can aid <strong>in</strong> the<br />

design process and lead the visual<br />

identity of a cosmetics brand. This<br />

research and experimentation shows<br />

the advantages of us<strong>in</strong>g artificial<br />

<strong>in</strong>telligence tools but it also aims to<br />

demonstrate the limitations that we<br />

can f<strong>in</strong>d <strong>in</strong> technology.


This is a project created solely<br />

with the help of different AI tools.<br />

It has the ma<strong>in</strong> <strong>in</strong>tention of be<strong>in</strong>g<br />

able to explore how to navigate<br />

<strong>Artificial</strong> <strong>in</strong>telligence when it comes<br />

to creat<strong>in</strong>g the identity of a brand.<br />

Each stage of the process uses<br />

a different AI tool for a specific<br />

purpose. From two LLMs (Perplexity<br />

and ChatGPT4o) for research and<br />

Midjourney for image generation.<br />

The tools were used actively and<br />

were the most critical part of this<br />

process.<br />

I used AI to analyse the culture<br />

of queer and conservative<br />

communities. The first and one<br />

of the most important steps was<br />

def<strong>in</strong><strong>in</strong>g what each of these<br />

words mean. This was to gather<br />

the <strong>in</strong>formation provided by<br />

the AI algorithms <strong>in</strong> order to be<br />

able to have the most accurate<br />

representation of the hypothetical<br />

case of a cosmetics brand that<br />

blends queer and conservative<br />

values. As a result, the def<strong>in</strong>itions<br />

were narrowed down to this:<br />

Queer Community<br />

It is an umbrella term used to<br />

describe a spectrum of sexual<br />

exual orientations and gender<br />

identities that fall outside<br />

ofheterosexual and scisgender<br />

norms. Historically, the word was<br />

used as a slur aga<strong>in</strong>st LGBTQ+<br />

<strong>in</strong>dividuals, but over time, many<br />

with<strong>in</strong> the community have<br />

reclaimed it as a positive, <strong>in</strong>clusive<br />

label that challenges b<strong>in</strong>ary th<strong>in</strong>k<strong>in</strong>g<br />

about gender and sexuality.<br />

People who identify as queer<br />

may not feel comfortable labell<strong>in</strong>g<br />

themselves strictly as gay, lesbian,<br />

bisexual, transgender, or any other<br />

specific identity. Instead, “queer”<br />

can reflect a fluid, nonconform<strong>in</strong>g<br />

approach to sexuality and gender.<br />

It’s important to note that while<br />

many embrace the term, others <strong>in</strong><br />

the LGBTQ+ community may still<br />

prefer not to use it due to its past<br />

derogatory use.<br />

Conservative Community<br />

Typically holds values and beliefs<br />

that emphasise tradition, stability,<br />

and ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g established<br />

practices and is reluctant to<br />

embrace change. They tend<br />

to support preserv<strong>in</strong>g societal<br />

<strong>in</strong>stitutions, customs, and cultural<br />

norms, often favour<strong>in</strong>g gradual<br />

change rather than rapid or radical<br />

shifts. However, the specific values<br />

associated with conservatism can<br />

vary across cultures and contexts.


Context for this project is crucial.<br />

Hav<strong>in</strong>g images shown beforehand<br />

allows the audience to have more<br />

clarity. It shows <strong>in</strong>sight as to what<br />

these communities are look<strong>in</strong>g for<br />

<strong>in</strong> the cosmetics world and how<br />

they are approached. Midjourney<br />

created this series of images represent<strong>in</strong>g<br />

the conservative community.<br />

Even though Perplexity and<br />

ChatGPT4o mentioned a different<br />

range for a colour palette for the<br />

conservative cosmetics brand, it<br />

still represents the vision they have<br />

and the traditional, simple, elegant<br />

values they represent. As for the<br />

queer representation, we can see<br />

that some stereotype is represented.<br />

By us<strong>in</strong>g the word queer, this AI<br />

tool immediately assumed that the<br />

packag<strong>in</strong>g had to have a wide variety<br />

of colours and shapes, want<strong>in</strong>g<br />

to represent the LGBTQ+ flag and<br />

their diversity.<br />

Prompt: Create a packag<strong>in</strong>g design for a cosmetics brand for a<br />

conservative community<br />

Style Raw v 6.1wStylize 0<br />

Prompt: Create a packag<strong>in</strong>g design for a cosmetics brand for a<br />

queer community<br />

Style Raw v 6.1 Stylize 0


To start with the strategy for this project, I had to analyse the <strong>in</strong>formation<br />

provided by the LLMs and the matrix of comparison and delve deeper <strong>in</strong>to<br />

what type of strategy each community goes through.<br />

Queer Community<br />

It is focused on the core values<br />

of the queer community by be<strong>in</strong>g<br />

authentic, diverse and empower<strong>in</strong>g.<br />

Mention<strong>in</strong>g how it should<br />

<strong>in</strong>corporate vibrant colours to<br />

represent the spectrum of gender<br />

identities and sexual orientation.<br />

The target audience is focused on<br />

Gen Z and Millenials. As these are<br />

the current generations, the brand<br />

has to be eco friendly, cruelty free<br />

with gender neutral packag<strong>in</strong>g<br />

go<strong>in</strong>g along with today’s beliefs<br />

and mentalities.<br />

For the market<strong>in</strong>g aspect, which<br />

is someth<strong>in</strong>g that will not be used<br />

for this project, it mentions the<br />

importance of collaboration with<br />

other queer <strong>in</strong>dividuals, foster<strong>in</strong>g<br />

the community and us<strong>in</strong>g different<br />

types of social media like TikTok<br />

and Instagram. It talked about<br />

the importance of visual identity,<br />

typography, imagery and tone and<br />

voice. For this, AI def<strong>in</strong>ed it as<br />

someth<strong>in</strong>g that had to have vibrant<br />

and bold colours, use of sans-serif<br />

fonts that give an edgy look and<br />

diverse models from all genders<br />

and body types with the key aim<br />

of empower<strong>in</strong>g <strong>in</strong>dividuality and<br />

<strong>in</strong>clusivity.<br />

Conservative Community<br />

It is focused on the values of the<br />

conservative community that relied<br />

on hav<strong>in</strong>g high quality products<br />

that represent authenticity,<br />

modesty and wants to enhance<br />

natural beauty. As this community<br />

embraces traditional values, the<br />

strategy for them is focused on<br />

hav<strong>in</strong>g a respectful and trustworthy<br />

tone, to focus on natural beauty<br />

but also to show self expression.<br />

The target audience is focused on<br />

GenZ and millennials.<br />

The product l<strong>in</strong>e has to <strong>in</strong>clude<br />

natural shades that portray<br />

elegance and sophistication. The<br />

typography has to be easy to read<br />

but formal with some serif fonts.<br />

The imagery has to be focus<strong>in</strong>g<br />

on natural beauty and serene.<br />

The tone of the brand has to be<br />

conservative and respectful to<br />

make the audience feel like they<br />

would get a polished look.<br />

It is a community that also<br />

looks for simple designs that<br />

give functionality and longevity,<br />

<strong>in</strong>corporat<strong>in</strong>g susta<strong>in</strong>able materials<br />

but that do not compromise the<br />

luxurious appeal.


As expected, the results for conservatives and queers when it comes to<br />

def<strong>in</strong><strong>in</strong>g their ideologies and values are very different. Notwithstand<strong>in</strong>g,<br />

a similarity that grabbed my attention was the importance they give to<br />

sk<strong>in</strong>care and cosmetics. I went deeper <strong>in</strong>to the research to <strong>in</strong>vestigate their<br />

preferences with<strong>in</strong> cosmetic products.<br />

Category Queer Conservative<br />

Self-Expression and Makeup<br />

Popular Makeup Products<br />

Sk<strong>in</strong>care Focus<br />

Clean Beauty and Safety<br />

Fragrance Preferences<br />

Trends and Collections<br />

Gender-Neutral Approach<br />

Market<strong>in</strong>g Focus<br />

Bold colors, artistic looks, and<br />

creative self-expression are valued.<br />

Bold lipsticks, colorful eyeshadows,<br />

highlighters, gender-neutral fragrances,<br />

and nail polish.<br />

Inclusive sk<strong>in</strong>care, multi-use<br />

products, and hydrat<strong>in</strong>g serums are<br />

important.<br />

Avoids harmful chemicals, favors<br />

vegan, cruelty-free, and susta<strong>in</strong>able<br />

<strong>in</strong>gredients.<br />

Favors gender-neutral or bold,<br />

unique scents. Some prefer fragrance-free<br />

products.<br />

Pride-specific collections, <strong>in</strong>clusive<br />

shades, multi-functional products for<br />

flexible rout<strong>in</strong>es.<br />

Many products cater to all genders<br />

and reject traditional gender norms.<br />

Embraces diversity, self-expression,<br />

and supports LGBTQ+ causes<br />

year-round.<br />

Makeup is used subtly to enhance<br />

natural beauty, avoid<strong>in</strong>g bold or<br />

dramatic colors.<br />

Neutral foundation, soft eyeshadow,<br />

mascara, natural blush, and lip balm<br />

are common.<br />

Emphasis on non-irritat<strong>in</strong>g, hypoallergenic,<br />

and natural sk<strong>in</strong>care for<br />

sensitive sk<strong>in</strong>.<br />

Avoids harmful chemicals, favors<br />

vegan, cruelty-free, and susta<strong>in</strong>able<br />

<strong>in</strong>gredients.<br />

Mild scents from natural essential<br />

oils or fragrance-free products are<br />

common.<br />

Classic beauty products with timeless<br />

appeal, often <strong>in</strong> neutral or soft colors.<br />

Products are often formulated for<br />

women but marketed without gender-specific<br />

focus.<br />

Focuses on safety, simplicity, and<br />

long-term sk<strong>in</strong> health.<br />

Audience GenZ and Millenials GenZ and Millenials<br />

Imagery and Typography<br />

Vibrant and boldness. Edgy Look.<br />

Sans-serif font. Diversity with the<br />

models<br />

Formal serif fonts. Easy to read.<br />

Conservative and respectful.<br />

Aim Empower <strong>in</strong>dividuality and <strong>in</strong>clusivity Portray elegance, natural beauty,<br />

respectfulness.<br />

Generated by ChatGPT4o. Prompt: Create a Matrix of Comparison<br />

us<strong>in</strong>g the <strong>in</strong>formation provided by the PDF.


Prompt No. 1<br />

Create a brand identity targeted for gen z and millenials. Embrac<strong>in</strong>g self - expression, boldness<br />

and <strong>in</strong>clusivity. The brand blends the bold, vibrant self expression of the queer ommunity with the<br />

timeless elegance and ref<strong>in</strong>ement valued by conservative consumers.<br />

Style Raw v 6.1 Stylize 0<br />

Prompt No. 2<br />

Create a cosmetics brand for gen z and millenials. Embrac<strong>in</strong>g self - expression, boldness and<br />

<strong>in</strong>clusivity. The brand blends the bold, vibrant self expression of the queer community with the<br />

timeless elegance and ref<strong>in</strong>ement valued by conservative consumers.<br />

Style Raw v 6.1 Stylize 0<br />

Prompt No. 3<br />

Us<strong>in</strong>g image number 2, create a cosmetics brand for gen z and millenials. Embrac<strong>in</strong>g self -<br />

expression, boldness and <strong>in</strong>clusivity. The brand blends the bold, vibrant self expression of the<br />

queer community with the timeless elegance and ref<strong>in</strong>ement valued by conservative consumers.<br />

Style Raw v 6.1 Stylize 0


Prompt No. 4<br />

Focus on packag<strong>in</strong>g of a cosmetics product. Targeted for gen z and millenials. With the name<br />

‘endless beauty’. Embrac<strong>in</strong>g self - expression, boldness and <strong>in</strong>clusivity. Use queer base colors<br />

with the previous imagenes as reference for style.<br />

Style Raw v 6.1 Stylize 0<br />

Prompt No. 5<br />

Create a cosmetics identity, targeted for gen z and millenials. Embrac<strong>in</strong>g self - expression,and<br />

<strong>in</strong>clusivity. The brand blends the bold, vibrant self expression of the queer community with<br />

the timeless elegance and ref<strong>in</strong>ement valued by conservative consumers with this image as<br />

reference. Focus on packag<strong>in</strong>g of a cosmetic.<br />

Style Raw v 6.1 Stylize 0<br />

Prompt No. 6<br />

Use image number three from the last prompt and create more. Show the same style <strong>in</strong><br />

packag<strong>in</strong>g and with a more neutral background.<br />

Style Raw v 6.1 Stylize 0


Favourite selection of photos<br />

These were the photos I selected to use as a reference for the f<strong>in</strong>al image<br />

generation. I found out that Midjourney does not show the prompt as<br />

accurately as you expect it to be. The tools to manipulate image size,<br />

aesthetics and model were exactly as I <strong>in</strong>tended it to be. I needed the design<br />

of the packag<strong>in</strong>g to be as accurate as my prompt.<br />

These images represent my vision. The packag<strong>in</strong>g demonstrates a clear<br />

blend between the queer values and the conservative ones. There is a<br />

simple, elegant and sophisticated packag<strong>in</strong>g with a base of neutral beige<br />

tones mixed with a bold and vibrant splash of different colours portray<strong>in</strong>g<br />

the diversity and self-expression of the queer community. Both elements<br />

work well together when giv<strong>in</strong>g the right prompt. Now, I need to work with<br />

a different background. At this po<strong>in</strong>t <strong>in</strong> the process, Midjourney does<br />

not understand that I want the background of the images to be pla<strong>in</strong>.<br />

Nonetheless, I will go on and work with Photoshop AI now <strong>in</strong> order to fix this<br />

<strong>in</strong>convenience.


This brand uniquely blends the bold, vibrant self-expression of the<br />

queer community with the timeless elegance and ref<strong>in</strong>ement valued<br />

by conservative consumers.<br />

It represents a convergence of <strong>in</strong>clusivity, <strong>in</strong>dividuality, and<br />

sophisticated beauty through a curated product l<strong>in</strong>e and thoughtful<br />

brand<strong>in</strong>g that appeals to both groups.<br />

Style Raw v 6.1 Stylize 0


Midjourney & Photoshop AI


Midjourney & Photoshop AI


Photoshop AI


The whole process of creat<strong>in</strong>g a cosmetics brand that blends two contrast<strong>in</strong>g<br />

communities by us<strong>in</strong>g AI tools like Perplexity, ChatGPT4o, Midjourney and<br />

Photoshop AI leaves a lot of takeaways. <strong>Artificial</strong> <strong>in</strong>telligence is such a unique<br />

tool that we are privileged to have. It aids with many different processes,<br />

specially for creatives. It shows the variety of options one can have by typ<strong>in</strong>g<br />

a s<strong>in</strong>gle prompt. I was able to create a hypothetical cosmetics brand that<br />

aims to target queer and conservative communities. AI tools have a very<br />

unique take away to the way it creates tak<strong>in</strong>g <strong>in</strong>to account that most of the<br />

algorithms used by these, have <strong>in</strong>formation from ‘unknown sources’, aka, us<br />

and the <strong>in</strong>ternet.<br />

Even though this project is focused on creat<strong>in</strong>g a cosmetics brand, it is also<br />

about div<strong>in</strong>g deep <strong>in</strong>to the role of AI and debat<strong>in</strong>g to what extent there are<br />

differences between human consciousness and technology. Some th<strong>in</strong>gs<br />

were <strong>in</strong>credible to believe, like the speed at which the tools function, but it<br />

was also reliev<strong>in</strong>g to see that some tools, such as midjourney are unable to<br />

recreate the same images. As an AI tool one would th<strong>in</strong>k that small changes<br />

would be easy to tackle but as it turns out, it is completely the opposite as it<br />

was unable to do the task. However, this project and AI broadened my scope<br />

to believe that we do have a future <strong>in</strong> design where we can blend diverse<br />

values and coexist <strong>in</strong> a beautiful and unique way.


Miu Miu x Frida Khalo<br />

AI-Driven Fashion: Reimag<strong>in</strong><strong>in</strong>g Iconic Legacies <strong>in</strong>to Modern<br />

Collections<br />

Maria Briseño<br />

ChatGPT4 and MidJourney<br />

In a time where technology is<br />

constantly reshap<strong>in</strong>g the boundaries<br />

of creativity, the fashion <strong>in</strong>dustry<br />

stands at the crossroads of<br />

<strong>in</strong>novation. Fashion collections are<br />

no longer the sole product of human<br />

<strong>in</strong>st<strong>in</strong>ct and artistic genius, but<br />

<strong>Artificial</strong> <strong>Intelligence</strong> has become<br />

a dom<strong>in</strong>ant tool that challenges the<br />

essence of what it means to design.<br />

AI gives the designers the ability<br />

to explore creative possibilities,<br />

represent new concepts and <strong>in</strong>novate<br />

faster than before.<br />

With the help of these tools,<br />

the fashion <strong>in</strong>dustry is fac<strong>in</strong>g a<br />

transformation where technology<br />

can be used as a creative collaborator<br />

that is capable of reconceptualis<strong>in</strong>g<br />

collections and br<strong>in</strong>g<strong>in</strong>g them to life.<br />

This project dives deep <strong>in</strong>to the heart<br />

of the revolution, explor<strong>in</strong>g what<br />

it would look like to appo<strong>in</strong>t Frida<br />

Khalo- a mexican icon and one of the<br />

most <strong>in</strong>fluential artists <strong>in</strong> history- as<br />

the new creative director of one of<br />

the biggest fashion houses Miu Miu,<br />

us<strong>in</strong>g AI as the only tool to br<strong>in</strong>g this<br />

project to life.<br />

In this technological era of AIpowered<br />

design, AI is not just there<br />

to assist but it has taken the role<br />

of the creator. It stepped <strong>in</strong>to the<br />

shoes of the creative director and<br />

evolved <strong>in</strong>to a designer, <strong>in</strong>novator<br />

and disruptor. Through the use<br />

of two advanced AI platforms,<br />

ChatGPT-4 and Midjourney, this<br />

project showcases how AI is able<br />

to seamlessly blend Frida Khalo´s<br />

cultural footpr<strong>in</strong>t, artistic vision<br />

and rich aesthetic with the modern<br />

youthful and playful sophistication<br />

that def<strong>in</strong>es Miu Miu as a brand.<br />

What is be<strong>in</strong>g explored is a fashion<br />

collection that br<strong>in</strong>gs together past<br />

and present, fueled by technological<br />

tools that turn data and algorithms<br />

<strong>in</strong>to cutt<strong>in</strong>g edge design.


Dur<strong>in</strong>g this process, AI´s ability<br />

to analyse, replicate, create and<br />

transform is be<strong>in</strong>g explored by<br />

showcas<strong>in</strong>g how it mimics and<br />

strengthens the design process.<br />

It breaks down the core aesthetic<br />

elements of both Frida Khalo<br />

and Miu Miu to create someth<strong>in</strong>g<br />

completely new. From generat<strong>in</strong>g<br />

moodboards, design elements,<br />

textures, fabric patterns, visual<br />

concepts and silhouettes, AI is the<br />

conduit through which both Frida<br />

Khalo and the modernity of Miu Miu<br />

merge.<br />

Explor<strong>in</strong>g the different possibilities<br />

such as AI´s ability to analyse trends<br />

and generate designs- offer<strong>in</strong>g a<br />

creative vision while also deliver<strong>in</strong>g<br />

efficiency. Throughout this whole<br />

process, it is also normal to question<br />

the role of the designer <strong>in</strong> this new<br />

upcom<strong>in</strong>g time. As technology<br />

and algorithms take on more and<br />

more creative responsibilities, what<br />

does it mean to be a designer <strong>in</strong> the<br />

digital age? Can AI truly create and<br />

<strong>in</strong>spire itself as a part of the current<br />

system? Or is it creat<strong>in</strong>g someth<strong>in</strong>g<br />

with the creativity of the past? In this<br />

project we explore how the future of<br />

fashion is one where <strong>in</strong>novation and<br />

timelessness merge, where designers<br />

and AI work together to create<br />

someth<strong>in</strong>g neither could have done<br />

by themselves.<br />

“Re<strong>in</strong>tepret<strong>in</strong>g fashion<br />

through AI tools,<br />

blend<strong>in</strong>g timeless<br />

artistry with modern<br />

<strong>in</strong>novation, envision<strong>in</strong>g<br />

a future where<br />

technology becomes<br />

both the creator and<br />

visionary.”<br />

Image created with Midjourney


Understand<strong>in</strong>g <strong>Design</strong> & Aesthetic Elements<br />

To beg<strong>in</strong>, the project needed to have a solid foundation of research <strong>in</strong> order to be<br />

able to start creat<strong>in</strong>g the visual concepts. For this, ChatGPT-4 was used <strong>in</strong> order to<br />

conduct research and gather the <strong>in</strong>formation needed from both Frida Khalo and Miu<br />

Miu. The conversation started by ask<strong>in</strong>g ChatGPT4 “what do you th<strong>in</strong>k are the<br />

fundamental elements of frida khalo´s essence?” and based on the po<strong>in</strong>ts given,<br />

turn<strong>in</strong>g them <strong>in</strong>to an aesthetic. When answer<strong>in</strong>g to “Comb<strong>in</strong>e all of these key po<strong>in</strong>t<br />

aesthetics to create one solid aesthetic that represents all these elements”, Chat<br />

GPT4 was able to create one cohesive aesthetic that not only represented the physical<br />

essence of Frida but her emotional richness as well. What was fasc<strong>in</strong>at<strong>in</strong>g was that<br />

with only two simple prompts the AI tool was able to create a cohesive and <strong>in</strong>trecate<br />

aesthetic with colour palette, textures and materials, symbolism and decorative<br />

elements, fashion and personal style, as well as lightn<strong>in</strong>g and mood. Even though it<br />

gave me a solid summarised aesthetic of Frida´s essence, I wanted to focus more on<br />

the actual design elements <strong>in</strong> order to create a good visual style.<br />

This prompt ChatGpt4 was able to give me the overall po<strong>in</strong>ts I asked for <strong>in</strong> order<br />

to create my fashion collection. With all those po<strong>in</strong>ts, I asked it to create an overall<br />

concrete summary of Frida Khalo´s essence, without exclud<strong>in</strong>g important aesthetic<br />

elements such as materials, colours, etc.


As shown <strong>in</strong> the image<br />

above, ChatGPT4 was able<br />

to create a coherent<br />

aesthetic which it titled<br />

“Resilient Dreamscape”,<br />

that <strong>in</strong>cluded all of the<br />

aesthetic elements that were<br />

needed to create a collective<br />

brand. By itself, with the<br />

<strong>in</strong>formation off the<br />

<strong>in</strong>ternet, ChatGPT4 was able<br />

to research a dead historical<br />

person and transform her<br />

essence<br />

<strong>in</strong>to design elements that could be used for a variety of applications; not only fashion.<br />

In the ened it only needed 5 prompts to complete this task:<br />

Now that there was a concrete research and aesthetic beh<strong>in</strong>d Frida Khalo, it was time<br />

to do the same process for Miu Miu. However, this process would be focused on<br />

design elements and applications rather than the aesthetics, s<strong>in</strong>ce that part of the<br />

process was already established based on Frida. It was important to get ChatGPT4<br />

to get concrete design elements based on Miu Miu that could work with Frida´s<br />

aesthetic <strong>in</strong> order to create the collaboration. S<strong>in</strong>ce Miu Miu is one of the biggest<br />

fashion houses <strong>in</strong> the world, especially <strong>in</strong> these upcom<strong>in</strong>g years where it has<br />

revolutionised many aspects of fashion, it was not hard for ChatGPT4 to create these<br />

series of fundamental choices, it just needed three prompts. Firstly I asked Chat<br />

GPT4 to tell me “what are the fundamental elements of miu miu brand?” which gave<br />

6 strong po<strong>in</strong>ts and an overall aesthetic. In order to narrow it down I wanted to focus<br />

more on the fundamental design choices that the brand makes, so I asked the tool to:<br />

“with these key elements of aesthetic make a series of fundamental design choices<br />

that make up the brand”. This prompt opened up a whole new aspect where the<br />

po<strong>in</strong>ts given <strong>in</strong>cluded the types of silhouettes, the proportions of the cloth<strong>in</strong>g,<br />

materials, textural contrasts, proportional layer<strong>in</strong>g, colour comb<strong>in</strong>ations, among<br />

others.


Given this <strong>in</strong>formation, it was clear that Chat GPT4 had captured the design<br />

elements that make up the brand, analys<strong>in</strong>g every aspect: how they create their pieces<br />

and assemble them together, where their <strong>in</strong>spiration comes from, etc.<br />

Hav<strong>in</strong>g all this research, as<br />

I previously did with Frida,<br />

I asked Chat GPT4 to<br />

create a coherent summary<br />

of aesthetics and design<br />

fundamentals of the brand.<br />

With the concrete<br />

foundation of both brands,<br />

it was now time to create a<br />

solid prompt that<br />

assembled both aesthetics<br />

and design<br />

elements <strong>in</strong> order to start creat<strong>in</strong>g the collection. This was the prompt generated<br />

that would be used <strong>in</strong> Midjourney <strong>in</strong> order to start generat<strong>in</strong>g the images.<br />

“Create a new collection for a fashion brand that has these elements: The<br />

aesthetic playfully subverts fem<strong>in</strong><strong>in</strong>ity, blend<strong>in</strong>g girlish charm with a<br />

rebellious edge. It thrives on contrasts, us<strong>in</strong>g bold color comb<strong>in</strong>ations like<br />

p<strong>in</strong>k with orange and mix<strong>in</strong>g luxurious materials like silk and velvet with<br />

casual fabrics like denim and leather. Silhouettes alternate between fem<strong>in</strong><strong>in</strong>e<br />

(m<strong>in</strong>i skirts, puff sleeves) and edgy (boxy jackets, oversized coats). The design<br />

features dynamic clashes of pr<strong>in</strong>ts and textures, with chunky footwear and<br />

bold accessories enhanc<strong>in</strong>g the youthful, quirky rebellion. Layer<strong>in</strong>g, playful<br />

proportions, and embellishments create a high-low luxury that feels eclectic,<br />

modern, and narrative-driven. With the aesthetic of a new creative director<br />

with these elements: This aesthetic comb<strong>in</strong>es bold, saturated colors like deep<br />

red, cobalt blue, mustard yellow, and terracotta with soft neutrals and<br />

black-and-white accents, symboliz<strong>in</strong>g life, death, and resilience. Textures<br />

range from distressed wood and worn leather to luxurious fabrics like velvet<br />

and silk, balanc<strong>in</strong>g rawness with ref<strong>in</strong>ement. Geometric shapes mix with<br />

organic forms, while Mexican folk art motifs, warm metals, and soft, golden<br />

light<strong>in</strong>g create a personal and <strong>in</strong>trospective atmosphere. Intimate spaces,<br />

large mirrors, and botanical accessories reflect cultural pride, emotional<br />

depth, and bold self-expression.”


Image Generation:<br />

The process of creat<strong>in</strong>g the visual images for the fashion collection was crucial, which<br />

is why the previous research done with Chat GPT4 was so important, <strong>in</strong> order to be<br />

able to generate precise descriptive prompts to plug <strong>in</strong>to Midjourney. In<br />

develop<strong>in</strong>g the collection, I first focused on creat<strong>in</strong>g the cloth<strong>in</strong>g items and later on<br />

us<strong>in</strong>g those as an <strong>in</strong>spiration for the other elements. Due to the well constructed<br />

prompt that had been designed with the help of Chat GPT4, the first results were<br />

solid and a good representation of the collaboration. Out of the four images created,<br />

two really resonated with the vision. After several variations of the images, we had the<br />

start of a fashion collection.<br />

First four images created with Midjourney<br />

Variations of those first four<br />

images<br />

Hav<strong>in</strong>g these two start<strong>in</strong>g designs, I cont<strong>in</strong>ued to plug <strong>in</strong> the same prompt <strong>in</strong>to mid<br />

journey to see the different cloth<strong>in</strong>g pieces it created. There was a strong connection<br />

and coherence between all of the designs it was produc<strong>in</strong>g, it was just a matter of<br />

pick<strong>in</strong>g the best and vary<strong>in</strong>g them until perfect.


Second four images created with Midjourney<br />

Variations of those<br />

four images<br />

By repeat<strong>in</strong>g this process various times, a visually strong and rich collection was<br />

created. Even though the same prompt was be<strong>in</strong>g plugged <strong>in</strong>, Midjourney would<br />

generate different styles of silhouettes, pr<strong>in</strong>ts, colours, etc. but still ma<strong>in</strong>ta<strong>in</strong> the<br />

overall design elements and aesthetics that were said <strong>in</strong> the prompt. This proved<br />

that hav<strong>in</strong>g a good research and a well tuned prompt, will give you a coherent and<br />

strong result. Based on the pieces, I narrowed down a collection <strong>in</strong> order to base the<br />

market<strong>in</strong>g campaign.<br />

The complications with Midjourney began dur<strong>in</strong>g the market<strong>in</strong>g and advertis<strong>in</strong>g<br />

phase of the collection, s<strong>in</strong>ce it struggled to <strong>in</strong>terpret the prompts and generate the<br />

desired campaign visuals. At first, I reused the same prompt from the design phase<br />

simply by substitu<strong>in</strong>g “Create a new collection for a fashion brand that has these<br />

elements” with “Create market<strong>in</strong>g advertisements for a fashion brand that has these<br />

elements.” Unfortunately, the results were misaligned, s<strong>in</strong>ce it was still produc<strong>in</strong>g<br />

cloth<strong>in</strong>g designs rather than market<strong>in</strong>g materials. In order to make the prompt more<br />

specific, I modified it to say, “Make a market<strong>in</strong>g strategy for a brand us<strong>in</strong>g these<br />

images as aesthetic and elemental <strong>in</strong>spiration,” attach<strong>in</strong>g three images of the<br />

collection.


However, the outputs were too fantastical and didn’t<br />

align with the <strong>in</strong>tended vision. I cont<strong>in</strong>ued ref<strong>in</strong><strong>in</strong>g<br />

the prompt to achieve better results. The new prompt<br />

“Make advertisements, billboards, posters, etc., for a<br />

brand with the aesthetic and elements of thes<br />

images,comb<strong>in</strong>ed with upload<strong>in</strong>g the collection<br />

images, f<strong>in</strong>ally produced results aligned with the<br />

market<strong>in</strong>g campaign. Midjourney generated images<br />

that could be used for advertis<strong>in</strong>g and market<strong>in</strong>g<br />

purposes. Out of the four images it created, I chose<br />

two and used the variation tool to expand the choices<br />

of advertis<strong>in</strong>g posters.<br />

Poster variation, Image created with<br />

Midjourney<br />

Example of failed market<strong>in</strong>g campaign,<br />

Image created with Midjourney<br />

Midjourney faced challenges when creat<strong>in</strong>g the<br />

billboards with the previous prompt, so<br />

<strong>in</strong>corporat<strong>in</strong>g the word “mockup” made a difference.<br />

Us<strong>in</strong>g the prompt, “Make a mockup of an<br />

advertisement billboard based on these images,”<br />

along with attach<strong>in</strong>g three images of the collection,<br />

delivered the results I was look<strong>in</strong>g for. Of the four<br />

images generated, only two were usable, as the<br />

other two <strong>in</strong>cluded strange elements added to the<br />

billboard poles, render<strong>in</strong>g them impractical. I then<br />

used Midjourney’s variation tool to create additional<br />

billboards based on the feasible designs. I applied the<br />

same approach for the posters by us<strong>in</strong>g the prompt, “Make a mockup of<br />

advertisement posters based on these images.” This led to Midjourney accurately<br />

captur<strong>in</strong>g the desired elements, and it began generat<strong>in</strong>g multiple versions of effective<br />

advertis<strong>in</strong>g mockups.<br />

Example of poster and billboard mockups- Images created with Midjourney


When it came to attempt<strong>in</strong>g to create a fashion show based on the collection,<br />

Midjourney encountered some difficulties. I <strong>in</strong>itially used the prompt, “Make a f<br />

ashion show based on this fashion l<strong>in</strong>e,” while attach<strong>in</strong>g several images of the<br />

collection. Although the results were visually appeal<strong>in</strong>g, they only focused on the<br />

models and failed to capture the ambiance and overall atmosphere of the show.<br />

To improve this, I consulted ChatGPT-4, which helped me create a more detailed<br />

and specific prompt to <strong>in</strong>clude the entire ambiance and full collection. This updated<br />

prompt provided a more overall view, aim<strong>in</strong>g to showcase not just the models but the<br />

entire environment of the fashion show.<br />

The new prompt delivered the<br />

results I was look<strong>in</strong>g for,<br />

captur<strong>in</strong>g the essence and<br />

elements of both Frida Khalo<br />

and Miu Miu on the runway. It<br />

showcased the garments while<br />

<strong>in</strong>corporat<strong>in</strong>g impact<strong>in</strong>g visual components such as the audience, light<strong>in</strong>g and overall<br />

ambiance of the show. However, despite numerous modifications of the prompt,<br />

Midjourney was unable to generate the top-view perspective of the fashion show that<br />

I was look<strong>in</strong>g forward to <strong>in</strong>corporat<strong>in</strong>g.<br />

Example of fashion shows- Images created with Midjourney


Interest<strong>in</strong>gly enough, the experience with generat<strong>in</strong>g the photoshoot was quite the<br />

opposite to the fashion show. With a simple prompt, “Create an image of an ongo<strong>in</strong>g<br />

beh<strong>in</strong>d-the-scenes photoshoot based on this fashion l<strong>in</strong>e,” and attach<strong>in</strong>g images<br />

of the collection, the results were spot on and remarkably clear. I ran the prompt<br />

through Midjourney about four times to explore different variations, and each time<br />

the images were well-executed and suitable for the project. Overall, the images were<br />

consistent and aligned well with the vision.<br />

With the f<strong>in</strong>ished garments and market<strong>in</strong>g elements completed, it was time to br<strong>in</strong>g<br />

everyth<strong>in</strong>g together and f<strong>in</strong>alise the collection. For the advertisements, <strong>in</strong>clud<strong>in</strong>g<br />

billboards and posters, I <strong>in</strong>corporated the Miu Miu logo, mimick<strong>in</strong>g how it’s<br />

positioned <strong>in</strong> their real-life market<strong>in</strong>g campaigns. This detail helped to tie the entire<br />

campaign together and br<strong>in</strong>g the vision to life.<br />

Throughout this project it is clear to see that AI is not just assimilat<strong>in</strong>g exist<strong>in</strong>g<br />

aesthetics but creat<strong>in</strong>g them. AI has learned to adapt and enhance creative decision<br />

mak<strong>in</strong>g <strong>in</strong> fashion, <strong>in</strong>novat<strong>in</strong>g personalised collections based on the elements you<br />

chose. In this case it reflected both the heritage of the artist and the modern spirit of<br />

the fashion house. By do<strong>in</strong>g so, AI showcases how it has the power to push fashion<br />

forward <strong>in</strong>to uncharted territory. We witnessed how digital tools and mach<strong>in</strong>e<br />

learn<strong>in</strong>g have the ability of redef<strong>in</strong><strong>in</strong>g the visual language of the fashion <strong>in</strong>dustry.<br />

AI tools have the ability to generate design elements and anticipate trends mak<strong>in</strong>g<br />

the whole creation process more consistent and efficient. In this project, all of the<br />

decisions from the colour palettes to the silhouettes were driven by the power of AI<br />

tools, not by human design.<br />

What made this project fasc<strong>in</strong>at<strong>in</strong>g was that AI did not copy the styles of Frida Khalo<br />

or Miu Miu, rather it re<strong>in</strong>terpreted and reimag<strong>in</strong>ed them <strong>in</strong>to a new vision. By<br />

appo<strong>in</strong>t<strong>in</strong>g Frida Khalo to be the new creative director of Miu Miu through the<br />

perspective of AI tools, this project explores the possibilities of us<strong>in</strong>g technology to<br />

redef<strong>in</strong>e fashion, demonstrat<strong>in</strong>g how it can replicate, transform and revolutionise<br />

these creative fields. This fusion of art, fashion and technology not only created an<br />

amaz<strong>in</strong>g collaboration that honoured Frida Khalo´s legacy but proved how the<br />

fashion <strong>in</strong>dustry will cont<strong>in</strong>ue to evolve, driven by the boundless possibilities of AI<br />

tools.<br />

Portions of this report were reviewed and ref<strong>in</strong>ed with the assistance of AI tools to ensure clarity, coherence,<br />

and accuracy. However, all content and conclusions reflect the author’s orig<strong>in</strong>al work and <strong>in</strong>tent.<br />

Miu Miu x Frida


Bridg<strong>in</strong>g Innovation and Culture<br />

Project name: Unveil<strong>in</strong>g the Role of<br />

AI and the Human Touch<br />

Authors: Tanya Abdulrahim<br />

Tools and platforms used:<br />

ChatGPT, Dall-E and Midjourney<br />

How do you ensure that a mach<strong>in</strong>e—a<br />

tool built on data—can capture the<br />

depth and nuance of a culture? This<br />

question became the core of my journey<br />

as I set out to design a modern concept<br />

store <strong>in</strong>spired by Arabic architecture<br />

and cultural elements, us<strong>in</strong>g AI<br />

tools like ChatGPT, DALL-E, and<br />

Midjourney. The challenge wasn’t<br />

simply generat<strong>in</strong>g images or concepts; it<br />

was about ensur<strong>in</strong>g the design reflected<br />

both <strong>in</strong>novation and cultural <strong>in</strong>tegrity—<br />

without fall<strong>in</strong>g <strong>in</strong>to stereotypes. I also<br />

set out to explore when, how, and<br />

which AI tools were most effective at<br />

different stages of the design process,<br />

identify<strong>in</strong>g the strengths of each and<br />

how they could be used to complement<br />

one another.<br />

Throughout this project, I quickly<br />

discovered, AI has a tendency to rely on<br />

preconceived notions—requir<strong>in</strong>g active<br />

human ref<strong>in</strong>ement to shape outputs that<br />

respect and reflect the true essence of<br />

a culture. This article highlights how<br />

I navigated these challenges, ref<strong>in</strong><strong>in</strong>g<br />

prompts and compar<strong>in</strong>g different<br />

AI tools to strike a balance between<br />

modern design and cultural authenticity.


AI Tools <strong>in</strong> the <strong>Design</strong> Process<br />

ChatGPT: Prompt Creation<br />

The first step <strong>in</strong> my process was us<strong>in</strong>g<br />

ChatGPT to create <strong>in</strong>itial prompts for<br />

DALL-E and Midjourney. At first, the<br />

results were underwhelm<strong>in</strong>g. When I<br />

asked ChatGPT to generate a prompt<br />

like:<br />

“<strong>Design</strong> a modern concept store<br />

<strong>in</strong>spired by Arabic culture and<br />

architecture.”<br />

The outputs from DALL-E and<br />

Midjourney <strong>in</strong>cluded generic elements<br />

like traditional cloth<strong>in</strong>g, crescent<br />

moons, and other overused cultural<br />

symbols. These designs didn’t match<br />

the sleek, modern aesthetic I was<br />

aim<strong>in</strong>g for <strong>in</strong> the concept store.<br />

The AI was default<strong>in</strong>g to cultural<br />

clichés—a clear limitation <strong>in</strong> its<br />

ability to grasp cultural complexity<br />

without guidance.<br />

As an Arab designer, I recognized this<br />

issue immediately. It became clear<br />

that I had to ref<strong>in</strong>e my prompts to be<br />

far more specific, draw<strong>in</strong>g on dist<strong>in</strong>ct<br />

architectural elements like mashrabiya<br />

screens, geometric carv<strong>in</strong>gs, and<br />

curved forms.<br />

Ref<strong>in</strong>ed Prompt: “<strong>Design</strong> a modern,<br />

sleek concept store with curved<br />

and flow<strong>in</strong>g architecture, <strong>in</strong>spired<br />

by Arabic geometric patterns,<br />

mashrabiya screens, and calligraphy.<br />

Avoid traditional cloth<strong>in</strong>g and<br />

stereotypical symbols.”<br />

With this ref<strong>in</strong>ed prompt, the AI<br />

generated outputs that aligned<br />

more with my vision but lacked the<br />

traditional elements. I realized it might<br />

be challeng<strong>in</strong>g for AI to comb<strong>in</strong>e<br />

traditional Arabic features with the<br />

modern aesthetic I wanted. This led<br />

me to reth<strong>in</strong>k my approach.<br />

How could I guide AI to merge both<br />

focuses successfully?<br />

Inspiration


Initial Prompt (Stereotypical Output):<br />

"<strong>Design</strong> a modern concept store <strong>in</strong>spired by Arabic culture and architecture."<br />

This resulted <strong>in</strong> generic stereotypes, such as traditional cloth<strong>in</strong>g and crescent<br />

moons.<br />

Ref<strong>in</strong>ed Prompt (More Specific, Avoid<strong>in</strong>g Stereotypes):<br />

"<strong>Design</strong> a modern, sleek concept store with curvy and flow<strong>in</strong>g architecture,<br />

<strong>in</strong>spired by Arabic geometric patterns, mashrabiya screens, and calligraphy.<br />

Avoid traditional cloth<strong>in</strong>g and stereotypical symbols."<br />

This ref<strong>in</strong>ement improved the output by emphasiz<strong>in</strong>g specific cultural<br />

elements and avoid<strong>in</strong>g superficial depictions. I also l<strong>in</strong>ked reference images<br />

to help the AI better capture the aesthetic I envisioned, as it <strong>in</strong>itially<br />

struggled to merge traditional Arabic elements with the modern look I was<br />

aim<strong>in</strong>g for.<br />

Further Ref<strong>in</strong>ed Prompt (Culturally Accurate and Modern):<br />

"<strong>Design</strong> a calm, natural concept store with curved, flow<strong>in</strong>g walls <strong>in</strong> earthy<br />

tones, deeply <strong>in</strong>spired by Arabic architecture and culture. The space<br />

should feature organic shapes with no harsh l<strong>in</strong>es, emphasiz<strong>in</strong>g a connection<br />

with nature, while strongly <strong>in</strong>tegrat<strong>in</strong>g traditional Arabic design<br />

elements. Use stone, smooth plaster, and <strong>in</strong>tricate Arabic til<strong>in</strong>g to enhance<br />

the texture and feel. Incorporate mashrabiya screens, arched doorways,<br />

and decorative Arabic calligraphy <strong>in</strong>to the walls and shelv<strong>in</strong>g. The layout<br />

should be open and fluid, with prom<strong>in</strong>ent Arabic geometric patterns carved<br />

<strong>in</strong>to the walls and floors."<br />

This prompt led to more accurate and nuanced designs, successfully <strong>in</strong>tegrat<strong>in</strong>g<br />

modern aesthetics with traditional Arabic architecture.


Chat GPT<br />

Midjourney


DALL-E: Abstract Creativity<br />

When it came to generat<strong>in</strong>g visual<br />

designs based on the prompts,<br />

DALL-E played the role of the<br />

creative spr<strong>in</strong>gboard. Its strength lay<br />

<strong>in</strong> push<strong>in</strong>g the boundaries of abstract<br />

design, creat<strong>in</strong>g visually excit<strong>in</strong>g,<br />

artistic concepts with fluid forms<br />

and open spaces. The images that<br />

DALL-E produced were bold and<br />

<strong>in</strong>ventive, but often felt too abstract<br />

and futuristic for practical use.<br />

For example, DALL-E’s <strong>in</strong>itial<br />

outputs showed <strong>in</strong>terest<strong>in</strong>g<br />

mashrabiya screens and geometric<br />

patterns, but the way these elements<br />

were <strong>in</strong>tegrated felt disjo<strong>in</strong>ted and<br />

impractical. The designs had an<br />

artistic flair, but they lacked the<br />

material realism necessary for an<br />

actual retail space.<br />

While DALL-E succeeded <strong>in</strong><br />

generat<strong>in</strong>g creative <strong>in</strong>spiration, it<br />

lacked the practical focus needed to<br />

make the designs realistic and<br />

feasible. At this po<strong>in</strong>t, I turned to<br />

Midjourney to bridge the gap between<br />

creativity and practicality.<br />

Midjourney: Ground<strong>in</strong>g the <strong>Design</strong><br />

Unlike DALL-E, Midjourney was<br />

more effective at produc<strong>in</strong>g designs<br />

that felt grounded <strong>in</strong> real-world<br />

feasibility. Midjourney’s outputs<br />

focused on material textures, light<strong>in</strong>g,<br />

and the physical arrangement of<br />

products with<strong>in</strong> the store. For<br />

example, the designs showed how<br />

shelves, cloth<strong>in</strong>g racks, and light<strong>in</strong>g<br />

setups could be <strong>in</strong>tegrated seamlessly<br />

<strong>in</strong>to the overall architecture.<br />

The shift from DALL-E’s<br />

more artistic representations to<br />

Midjourney’s grounded designs<br />

provided the balance I needed.<br />

Midjourney helped me translate<br />

abstract ideas <strong>in</strong>to a function<strong>in</strong>g,<br />

realistic concept store, mak<strong>in</strong>g the<br />

designs tangible and feasable.


Compar<strong>in</strong>g:<br />

DALL-E and Midjourney<br />

A Creative and Practical Balance<br />

Initial Prompt: “<strong>Design</strong> a modern<br />

concept store <strong>in</strong>spired by Arabic<br />

culture and architecture.”<br />

The <strong>in</strong>terplay between DALL-E<br />

and Midjourney became a key<br />

theme <strong>in</strong> this project. DALL-E<br />

provided the creative exploration,<br />

offer<strong>in</strong>g abstract concepts<br />

that pushed the boundaries of<br />

traditional design th<strong>in</strong>k<strong>in</strong>g.<br />

However, it was Midjourney<br />

that grounded these ideas,<br />

transform<strong>in</strong>g them <strong>in</strong>to realistic<br />

and practical designs.<br />

For example, DALL-E’s<br />

output <strong>in</strong>spired the store’s fluid<br />

architecture and bold forms, while<br />

Midjourney helped shape these<br />

ideas <strong>in</strong>to someth<strong>in</strong>g executable,<br />

with <strong>in</strong>sights <strong>in</strong>to product<br />

placement, light<strong>in</strong>g, and material<br />

choices.<br />

This balance between creativity<br />

and feasibility was essential to<br />

creat<strong>in</strong>g a concept store that<br />

was not only <strong>in</strong>novative but<br />

also functional and culturally<br />

respectful.<br />

Chat GPT<br />

Ref<strong>in</strong>ed Prompt: “<strong>Design</strong><br />

a modern, sleek concept<br />

store with curvy and flow<strong>in</strong>g<br />

architecture, <strong>in</strong>spired by Arabic<br />

geometric patterns, mashrabiya<br />

screens, and calligraphy.<br />

Avoid traditional cloth<strong>in</strong>g and<br />

stereotypical symbols.”<br />

Midjourney<br />

Midjourney Chat GPT Midjourney<br />

Chat GPT


Prompt: “Make sure it looks more<br />

Arabic.”<br />

The Role of Ref<strong>in</strong>ement: From<br />

Stereotypes to Nuanced <strong>Design</strong>s<br />

Chat GPT Midjourney<br />

I quickly realized that simply<br />

<strong>in</strong>struct<strong>in</strong>g the AI to create a<br />

more Arabic-<strong>in</strong>spired design<br />

wasn’t effective. It kept<br />

default<strong>in</strong>g to stereotypical<br />

cultural representations. I<br />

then understood that I needed<br />

to be much more specific<br />

with my prompts, as the AI<br />

struggled to merge traditional<br />

elements with the modern<br />

aesthetic I was aim<strong>in</strong>g for.<br />

After understand<strong>in</strong>g what<br />

elements Chat GPT, Dall-E<br />

and Midjourney understood,<br />

I f<strong>in</strong>ally was able to perfect<br />

the f<strong>in</strong>al prompt.<br />

A key challenge was ensur<strong>in</strong>g the<br />

AI-generated designs avoided<br />

cultural stereotypes. Initially,<br />

DALL-E and Midjourney<br />

produced superficial outputs,<br />

rely<strong>in</strong>g on overused symbols like<br />

crescent moons and traditional<br />

cloth<strong>in</strong>g.<br />

This is where ChatGPT became<br />

essential, act<strong>in</strong>g like my personal<br />

assistant <strong>in</strong> ref<strong>in</strong><strong>in</strong>g prompts and<br />

translat<strong>in</strong>g my vision <strong>in</strong>to precise<br />

language. ChatGPT helped me<br />

articulate the specific elements<br />

I wanted, such as mashrabiya<br />

screens, geometric patterns, and<br />

curved forms, ensur<strong>in</strong>g the AI<br />

tools generated more culturally<br />

nuanced designs.<br />

As an Arab designer, I knew<br />

the nuances of Arabic culture,<br />

but ChatGPT helped me shape<br />

prompts that avoided stereotypical<br />

representations.


Conclusion: AI and the Human<br />

Touch <strong>in</strong> <strong>Design</strong><br />

This project demonstrated both<br />

the potential and limitations<br />

of AI <strong>in</strong> the design process.<br />

Tools like ChatGPT, DALL-E,<br />

and Midjourney are <strong>in</strong>credibly<br />

valuable for generat<strong>in</strong>g creative<br />

ideas and br<strong>in</strong>g<strong>in</strong>g them to<br />

life, but they require human<br />

<strong>in</strong>tervention to ensure that the f<strong>in</strong>al<br />

outputs are culturally authentic<br />

and practically feasible.<br />

As an Arab designer, my role was<br />

to ref<strong>in</strong>e the AI-generated designs,<br />

ensur<strong>in</strong>g that they captured<br />

the essence of Arabic culture<br />

without rely<strong>in</strong>g on superficial<br />

or stereotypical elements. The<br />

collaboration between DALL-<br />

E’s creativity and Midjourney’s<br />

practicality allowed me to create<br />

a concept store that was both<br />

modern and culturally respectful.<br />

Ultimately, this project<br />

underscores the importance of<br />

the human touch <strong>in</strong> AI design.<br />

AI can push boundaries, but it<br />

takes a designer’s understand<strong>in</strong>g<br />

of cultural nuances to create<br />

someth<strong>in</strong>g truly authentic.<br />

<strong>Design</strong> a calm, natural concept<br />

store with curved, flow<strong>in</strong>g walls<br />

<strong>in</strong> earthy tones, deeply <strong>in</strong>spired by<br />

Arabic architecture and culture. The<br />

space should feature organic shapes<br />

with no harsh l<strong>in</strong>es, emphasiz<strong>in</strong>g<br />

a connection with nature, while<br />

strongly <strong>in</strong>tegrat<strong>in</strong>g traditional<br />

Arabic design elements. Use stone,<br />

smooth plaster, and <strong>in</strong>tricate Arabic<br />

til<strong>in</strong>g to enhance the texture and feel.<br />

Incorporate mashrabiya screens,<br />

arched doorways, and decorative<br />

Arabic calligraphy <strong>in</strong>to the walls and<br />

shelv<strong>in</strong>g. The layout should be open<br />

and fluid, with prom<strong>in</strong>ent Arabic<br />

geometric patterns carved <strong>in</strong>to the<br />

walls and floors. For display areas,<br />

place clothes, shoes, accessories,<br />

and homeware <strong>in</strong> niches <strong>in</strong>spired<br />

by traditional souks and Arabian<br />

courtyards, with products displayed<br />

on round tables and arched alcoves<br />

framed by decorative arches.<br />

Integrate ornate Arabic lanterns for<br />

light<strong>in</strong>g, and use lush greenery to<br />

evoke the feel<strong>in</strong>g of Middle Eastern<br />

gardens. Emphasize cultural details<br />

like hand-carved woodwork, brass<br />

accents, and patterned floor tiles<br />

throughout the space to create<br />

an atmosphere that feels both<br />

authentically Arabic and modern.<br />

This f<strong>in</strong>al prompt captured<br />

everyth<strong>in</strong>g I envisioned, from<br />

flow<strong>in</strong>g architecture to authentic<br />

cultural details, all ref<strong>in</strong>ed through a<br />

collaborative process with ChatGPT<br />

and the AI tools.


AI and Culturally Sensitive Fashion:<br />

Weav<strong>in</strong>g Tradition <strong>in</strong>to <strong>Design</strong><br />

Project name: Threads of Heritage<br />

Author: Laura Moreno<br />

Tools and platforms used: Chat GPT- 4, Gab AI, Midjourney, Illustrator and<br />

Photoshop GenAI<br />

As the global fashion <strong>in</strong>dustry evolves,<br />

the delicate balance between<br />

honor<strong>in</strong>g heritage and avoid<strong>in</strong>g<br />

cultural <strong>in</strong>sensitivity becomes<br />

<strong>in</strong>creas<strong>in</strong>gly critical.<br />

<strong>Design</strong>ers and brands draw<strong>in</strong>g<br />

<strong>in</strong>spiration from global cultures<br />

must navigate these complexities<br />

to uphold the <strong>in</strong>tegrity of the<br />

cultures they engage with.<br />

Cultural <strong>in</strong>sensitivity can occur<br />

when elements from marg<strong>in</strong>alized<br />

or underrepresented groups are<br />

adopted without appropriate context,<br />

lead<strong>in</strong>g to representations that<br />

underm<strong>in</strong>e and stereotype their<br />

significance. Conversely, thoughtful<br />

engagement with diverse cultures can<br />

yield beautiful designs that celebrate<br />

tradition and promote <strong>in</strong>clusivity. In<br />

an age where consumers are more<br />

<strong>in</strong>formed and discern<strong>in</strong>g than ever,<br />

understand<strong>in</strong>g and address<strong>in</strong>g these<br />

cultural dynamics is essential for<br />

brands seek<strong>in</strong>g to build trust and<br />

foster respect.<br />

The project “Threads of Heritage”<br />

explores the role of artificial<br />

<strong>in</strong>telligence (AI) <strong>in</strong> navigat<strong>in</strong>g these<br />

challenges, specifically <strong>in</strong> creat<strong>in</strong>g<br />

a fashion brand <strong>in</strong>spired by the<br />

rich cultural tapestry of Colombia,<br />

a country renowned for its vibrant<br />

traditions and diverse artistic<br />

expressions.<br />

The primary objective is to <strong>in</strong>vestigate<br />

how AI can develop fashion<br />

that respects cultural nuances<br />

while assess<strong>in</strong>g its limitations <strong>in</strong><br />

understand<strong>in</strong>g complex cultural<br />

contexts. A central question guid<strong>in</strong>g<br />

this exploration is whether AI can craft<br />

a coherent and culturally respectful<br />

brand that effectively balances<br />

creativity with cultural <strong>in</strong>tegrity<br />

This <strong>in</strong>quiry will not only highlight<br />

AI’s capabilities but also def<strong>in</strong>e the<br />

ethical considerations surround<strong>in</strong>g its<br />

application <strong>in</strong> brand creation.<br />

To achieve these objectives, the<br />

project employs a comparative<br />

analysis of large language models<br />

(LLMs), specifically GPT-4 and GabAI


(one filtered and one unfiltered). This<br />

analysis reveals how each model<br />

<strong>in</strong>terprets and generates ideas for<br />

culturally <strong>in</strong>spired fashion, particularly<br />

<strong>in</strong> understand<strong>in</strong>g Colombia’s diverse<br />

cultural elements. Midjourney will<br />

facilitate image generation, while<br />

Photoshop and Illustrator GenAI will<br />

assist <strong>in</strong> the brand<strong>in</strong>g process. All<br />

outputs will be evaluated for cultural<br />

relevance and aesthetic coherence,<br />

foster<strong>in</strong>g discussions about AI’s<br />

effectiveness <strong>in</strong> visually represent<strong>in</strong>g<br />

cultural elements.<br />

Culture is the sum of all<br />

our stories and everyth<strong>in</strong>g<br />

that shapes our identity.<br />

We must honor that <strong>in</strong><br />

every creative act.<br />

The article will outl<strong>in</strong>e the process<br />

through key sections: it will first<br />

analyze how the LLMs <strong>in</strong>terpret the<br />

Colombian cultural landscape; next,<br />

it will def<strong>in</strong>e the essential elements<br />

contribut<strong>in</strong>g to a cohesive brand<br />

identity; then, it will explore the<br />

image generation phase, focus<strong>in</strong>g<br />

on the development of visual<br />

representations; and f<strong>in</strong>ally, it will<br />

present the brand, detail<strong>in</strong>g its unique<br />

identity, values, and collections, all<br />

shaped by <strong>in</strong>novative applications of<br />

artificial <strong>in</strong>telligence.<br />

Through this exploration, the article<br />

emphasizes how AI can enhance<br />

the creative process, navigate<br />

complexities of cultural sensitivity, and<br />

deepen the understand<strong>in</strong>g of cultural<br />

narratives, lead<strong>in</strong>g to more thoughtful<br />

and respectful representations <strong>in</strong><br />

fashion design.


Understand<strong>in</strong>g Colombia<br />

To create a brand <strong>in</strong>spired by Colombia, one must first understand it.<br />

Follow<strong>in</strong>g this l<strong>in</strong>e of thought, both LLMs were asked to:<br />

“Def<strong>in</strong>e Colombia” and “Def<strong>in</strong>e Colombian culture”<br />

*Presented here are screenshots of the conversations with Gab AI (displayed <strong>in</strong> black) and Chat GPT-4<br />

(displayed <strong>in</strong> white).


Exam<strong>in</strong><strong>in</strong>g Approaches: The Role of Filters <strong>in</strong><br />

Output Variance (Chat GPT-4 and GabAI)<br />

When asked about Colombia, both<br />

Chat GPT-4 and Gab AI offered<br />

<strong>in</strong>sightful descriptions that highlighted<br />

the country’s geographical richness<br />

and cultural heritage, shaped by<br />

Indigenous peoples, Spanish colonial<br />

history, and African traditions. While<br />

Chat GPT-4 acknowledged Colombia’s<br />

turbulent past and periods of conflict,<br />

it concluded on an optimistic note<br />

about recent growth <strong>in</strong> tourism and<br />

socio-economic development. In<br />

contrast, Gab AI emphasized cultural<br />

diversity while explicitly recogniz<strong>in</strong>g<br />

<strong>in</strong>ternal conflicts such as the ongo<strong>in</strong>g<br />

drug war and guerrilla activities. In its<br />

clos<strong>in</strong>g statement, it highlighted recent<br />

significant strides <strong>in</strong> economic and<br />

social advancement.<br />

Now, when prompted to dive<br />

deeper <strong>in</strong>to Colombian culture, both<br />

models described it as vibrant and<br />

multifaceted, showcas<strong>in</strong>g its diverse<br />

ethnic <strong>in</strong>fluences. They also addressed<br />

significant historical events related to<br />

drug traffick<strong>in</strong>g and violence, with Gab<br />

AI referenc<strong>in</strong>g key actors <strong>in</strong> Colombian<br />

history like Simón Bolívar, a crucial<br />

political figure <strong>in</strong> its <strong>in</strong>dependence<br />

from Spa<strong>in</strong>, and renowned drug lord<br />

Pablo Escobar, both real people<br />

who had an impact on Colombia,<br />

regardless of whether it was positive or<br />

negative.<br />

Both models accurately covered<br />

cultural elements like literature, art,<br />

and music; however, it was <strong>in</strong> this<br />

section that Chat GPT-4 mistakenly<br />

categorized the “Day of the Dead”<br />

as a Colombian tradition (which is<br />

traditionally Mexican). Meanwhile,<br />

Gab AI <strong>in</strong>cluded lesser-known but still<br />

accurate cultural celebrations.<br />

Interest<strong>in</strong>gly, Gab AI effectively<br />

explored themes beyond ma<strong>in</strong>stream<br />

narratives, shedd<strong>in</strong>g light on<br />

Colombia’s environmental significance<br />

and address<strong>in</strong>g societal challenges<br />

like drug-related violence, economic<br />

disparities, and displacement.<br />

Its analysis also provided a<br />

comprehensive overview of current<br />

poverty rates and conservative<br />

policies, whereas Chat GPT-4<br />

concentrated more on <strong>in</strong>ternational<br />

commerce and enterta<strong>in</strong>ment.<br />

From this prompt<strong>in</strong>g exercise,<br />

one can conclude that Gab AI<br />

demonstrated a more nuanced<br />

understand<strong>in</strong>g of Colombian culture<br />

by engag<strong>in</strong>g with the complex<br />

aspects of its history. This analysis<br />

underscores the differ<strong>in</strong>g focuses<br />

of the two models, emphasiz<strong>in</strong>g<br />

the importance of recogniz<strong>in</strong>g and<br />

appreciat<strong>in</strong>g cultural complexity. The<br />

dist<strong>in</strong>ction is particularly evident <strong>in</strong><br />

the filtered nature of Chat GPT-4 and<br />

the unfiltered nature of Gab AI, with<br />

Gab AI’s emphasis on less favorable<br />

historical aspects that enrich our<br />

understand<strong>in</strong>g of Colombia as a whole.


Def<strong>in</strong><strong>in</strong>g a brand<br />

Understand<strong>in</strong>g the technical aspects of brand creation.<br />

To revisit the purpose of creat<strong>in</strong>g a<br />

fashion brand, I asked both models<br />

to highlight key elements for a brand<br />

<strong>in</strong>spired by Colombia and its culture,<br />

aim<strong>in</strong>g to see how each would<br />

construct a brand based on their<br />

unique <strong>in</strong>sights.<br />

Engag<strong>in</strong>g separately with Chat GPT-<br />

4 and Gab AI yielded <strong>in</strong>terest<strong>in</strong>g<br />

results. Both acknowledged the need<br />

for the brand to reflect Colombia’s<br />

diversity, vibrant aesthetics, and<br />

unique heritage. However, Chat<br />

GPT-4 went further by consider<strong>in</strong>g<br />

materials, identity, and approach,<br />

<strong>in</strong>itially suggest<strong>in</strong>g traditional fabrics<br />

and <strong>in</strong>digenous stitch<strong>in</strong>g patterns. This<br />

raised concerns about coherence<br />

with brand values, as it didn’t fully<br />

recognize the communities beh<strong>in</strong>d<br />

these traditions, risk<strong>in</strong>g cultural<br />

<strong>in</strong>sensitivity by fail<strong>in</strong>g to address<br />

the importance of honor<strong>in</strong>g and<br />

compensat<strong>in</strong>g <strong>in</strong>digenous artisans.<br />

In an attempt to correct this, Chat<br />

GPT-4 suggested collaborat<strong>in</strong>g<br />

with artisans, which could promote<br />

economic opportunities. Yet, this<br />

response <strong>in</strong>dicated a disconnect with<br />

its earlier statements and revealed<br />

a lack of coherence <strong>in</strong> its reason<strong>in</strong>g.<br />

Conversely, Gab AI provided a broader<br />

but less detailed perspective. It<br />

emphasized cultural appropriateness<br />

and sensitivity regard<strong>in</strong>g motifs and<br />

craftsmanship, advis<strong>in</strong>g aga<strong>in</strong>st direct<br />

copy<strong>in</strong>g of designs and advocat<strong>in</strong>g<br />

for collaboration with local artisans<br />

to create unique, handcrafted<br />

products. This approach supports<br />

local communities and helps preserve<br />

traditional skills and cultural heritage.<br />

After evaluat<strong>in</strong>g both models, I<br />

decided to merge their best elements<br />

to create a comprehensive foundation<br />

and then ask both Chat GPT-4 and<br />

Gab AI to develop a fashion brand<br />

<strong>in</strong>spired by Colombia, <strong>in</strong>corporat<strong>in</strong>g<br />

the <strong>in</strong>sights gathered from our<br />

discussions.<br />

“Please create a fashion brand<br />

<strong>in</strong>spired by the <strong>in</strong>formation discussed<br />

about Colombia and its culture, us<strong>in</strong>g<br />

the provided brand model.”<br />

Chat GPT-4’s <strong>in</strong>itial model was<br />

comprehensive but featured a name<br />

that misaligned with the fashion<br />

<strong>in</strong>dustry and lacked clear brand<br />

values. It once more suggested<br />

directly us<strong>in</strong>g <strong>in</strong>digenous patterns<br />

and unspecified “Colombian motifs,”<br />

<strong>in</strong>clud<strong>in</strong>g jewelry and home items <strong>in</strong> its<br />

offer<strong>in</strong>gs, which did not fit the concept<br />

of a fashion brand. While it briefly<br />

mentioned collaborat<strong>in</strong>g with artisans<br />

by propos<strong>in</strong>g a label highlight<strong>in</strong>g<br />

their histories, it failed to analyze


Herencia cloth<strong>in</strong>g tags, created with Midjourney and enhanced us<strong>in</strong>g Photoshop and Illustrator GenAI.<br />

the implications and alignment with<br />

the brand. Its suggested diffusion<br />

channels were basic and lacked local<br />

options, result<strong>in</strong>g <strong>in</strong> an <strong>in</strong>authentic<br />

brand awareness strategy.<br />

Address<strong>in</strong>g these shortcom<strong>in</strong>gs<br />

through iterative prompts allowed<br />

Chat GPT-4 to ref<strong>in</strong>e its model,<br />

becom<strong>in</strong>g more specific about<br />

materials, motifs, and product<br />

alignment. After 13 iterations, it created<br />

a coherent proposal where every<br />

element aligned with the brand’s<br />

mission, vision, values, and market<br />

presentation.<br />

Now, Gab AI demonstrated greater<br />

coherence <strong>in</strong>itially, requir<strong>in</strong>g only<br />

seven prompts to reach the desired<br />

outcome. However, it struggled<br />

with name selection and product<br />

development, occasionally suggest<strong>in</strong>g<br />

items outside the fashion <strong>in</strong>dustry and<br />

los<strong>in</strong>g sight of cultural sensitivity and<br />

susta<strong>in</strong>ability, especially regard<strong>in</strong>g<br />

motifs and materials such as rubber<br />

and coca leaf patterns. Despite these<br />

challenges, it ultimately was able to<br />

create a coherent brand focused on<br />

Colombian culture.<br />

This process underscored the value<br />

of iteration; cont<strong>in</strong>uous ref<strong>in</strong>ement<br />

enabled me to f<strong>in</strong>e-tune the brand<br />

<strong>in</strong>to a cohesive concept, showcas<strong>in</strong>g<br />

effective collaboration with the AI for a<br />

well-rounded and coherent outcome.


Image generation<br />

Navigat<strong>in</strong>g Challenges <strong>in</strong> AI-Driven Fashion Visualization<br />

Visualiz<strong>in</strong>g the fashion pieces<br />

developed for this project was a<br />

crucial part of the process. By us<strong>in</strong>g<br />

product descriptions from Chat GPT-<br />

4 and Gab AI, I selected significant<br />

elements that accurately represented<br />

the materiality and aesthetics of<br />

each piece. With the assistance of<br />

Chat GPT-4, I ref<strong>in</strong>ed my prompts for<br />

Midjourney to better align with my<br />

vision.<br />

In develop<strong>in</strong>g the “Andes” collection, I<br />

<strong>in</strong>itially focused solely on the cloth<strong>in</strong>g<br />

items. Interest<strong>in</strong>gly, the results<br />

often depicted float<strong>in</strong>g garments<br />

or headless models. In an effort<br />

to address this issue, I shifted to<br />

an editorial presentation featur<strong>in</strong>g<br />

models aga<strong>in</strong>st the landscapes, which<br />

revealed that the cloth<strong>in</strong>g appeared<br />

too light for the region’s climate. This<br />

<strong>in</strong>sight highlighted the importance<br />

of visualization <strong>in</strong> understand<strong>in</strong>g<br />

the products, prompt<strong>in</strong>g further<br />

adjustments with Chat GPT-4 to<br />

achieve a more functional aesthetic for<br />

both male and female designs.<br />

The “Sierra” collection presented<br />

challenges, particularly with a pair of<br />

pants that frequently led to images<br />

of shirtless women. Despite multiple<br />

prompt iterations to ensure full<br />

outfits with tops, nudity persisted. By<br />

detail<strong>in</strong>g items like a bra and cover-up,<br />

I reduced nudity to one <strong>in</strong>stance <strong>in</strong><br />

every four images generated. Us<strong>in</strong>g<br />

satisfactory images as references<br />

and leverag<strong>in</strong>g Midjourney’s variation<br />

mode helped me achieve my desired<br />

looks, while design<strong>in</strong>g men’s outfits<br />

proved significantly easier and quicker.<br />

To create cohesive brand elements<br />

such as the logo and tags, I used<br />

Photoshop and Illustrator, which<br />

provided vital assistance <strong>in</strong> ref<strong>in</strong><strong>in</strong>g<br />

the visual identity. Chat GPT-4<br />

also contributed suggestions for<br />

typography and imagery. The<br />

comb<strong>in</strong>ation of these tools came<br />

together to shape Herencia.<br />

It is important to note that this phase<br />

of the project yielded valuable <strong>in</strong>sights.<br />

Visualization helped highlight areas<br />

for improvement <strong>in</strong> the brand’s<br />

collections, demonstrat<strong>in</strong>g how<br />

visualiz<strong>in</strong>g concepts can spark<br />

changes to items not previously<br />

considered. Additionally, the clarity<br />

of prompt<strong>in</strong>g became <strong>in</strong>creas<strong>in</strong>gly<br />

relevant, as mis<strong>in</strong>terpretations,<br />

such as specify<strong>in</strong>g “no snow” and<br />

consistently result<strong>in</strong>g <strong>in</strong> snowy<br />

mounta<strong>in</strong> images, underscored the<br />

need for clarity and positive fram<strong>in</strong>g <strong>in</strong><br />

<strong>in</strong>structions. Moreover, <strong>in</strong>corporat<strong>in</strong>g<br />

reference images proved beneficial


Visualization of nudity <strong>in</strong> Midjourney’s outputs: Despite us<strong>in</strong>g reference images of covered women and<br />

prompts <strong>in</strong>clud<strong>in</strong>g “underdress,” “cover-up,” and “bra”, the images often still showed topless models.<br />

but sometimes produced unexpected<br />

results if not managed correctly. For<br />

<strong>in</strong>stance, forgett<strong>in</strong>g to crop faces<br />

from male model images when<br />

us<strong>in</strong>g them as aesthetic <strong>in</strong>spiration<br />

for female looks resulted <strong>in</strong> an<br />

un<strong>in</strong>tended androgynous appearance,<br />

emphasiz<strong>in</strong>g the need for careful<br />

attention to detail.<br />

Overall, Midjourney effectively<br />

represented Colombian culture,<br />

although the sensitivity of the images<br />

depended on prompt specificity.<br />

Requests for “Colombian motifs” often<br />

yielded designs closely aligned with<br />

<strong>in</strong>digenous or artisan imagery, rais<strong>in</strong>g<br />

discussions about authenticity and<br />

appropriate representation. In contrast,<br />

specified motifs from Chat GPT<br />

generated results that better aligned<br />

with the brand’s values, highlight<strong>in</strong>g<br />

the necessity of clear and thoughtful<br />

prompts for culturally sensitive<br />

designs.<br />

F<strong>in</strong>ally, I grappled with a broader issue:<br />

the oversexualization of women <strong>in</strong><br />

AI-generated imagery. While design<strong>in</strong>g<br />

men’s outfits primarily <strong>in</strong>volved<br />

aesthetic challenges, women’s designs<br />

frequently <strong>in</strong>cluded unsolicited nudity.<br />

This disparity raises concerns about<br />

how AI may perpetuate societal<br />

biases and stresses the importance of<br />

nuanced gender representation with<strong>in</strong><br />

the fashion <strong>in</strong>dustry.


Herencia<br />

Present<strong>in</strong>g an AI-Crafted Brand: Prompt<strong>in</strong>g<br />

Identity, Values, and Collections<br />

* The follow<strong>in</strong>g brand presentation, word<strong>in</strong>g and imag<strong>in</strong>g was entirely ai-generated and f<strong>in</strong>e<br />

tuned through prompt<strong>in</strong>g<br />

Herencia celebrates Colombia’s<br />

rich cultural heritage, artistry, and<br />

traditional craftsmanship, reflect<strong>in</strong>g<br />

a mission to honor and preserve the<br />

country’s diverse artistic practices<br />

through contemporary fashion. In<br />

Colombia, heritage is a liv<strong>in</strong>g tapestry<br />

of experiences and skills passed down<br />

through generations.<br />

“Herencia” emphasizes a commitment<br />

to forg<strong>in</strong>g deep connections with the<br />

artisans who embody this legacy.<br />

Each stitch <strong>in</strong> these garments tells<br />

a story, captur<strong>in</strong>g the vibrant culture,<br />

folklore, and meticulous techniques of<br />

Colombian craftsmanship.<br />

Fashion should encompass not only<br />

aesthetics but also the narratives<br />

beh<strong>in</strong>d each piece. Herencia is<br />

dedicated to collaborat<strong>in</strong>g with artisan<br />

communities, ensur<strong>in</strong>g their skills<br />

and traditions are celebrated and<br />

susta<strong>in</strong>ed. Through fair trade practices<br />

and transparency, artisans are<br />

empowered to showcase their talents<br />

and share their unique stories.<br />

Wear<strong>in</strong>g Herencia means embrac<strong>in</strong>g<br />

cloth<strong>in</strong>g that carries forward a rich<br />

l<strong>in</strong>eage of Colombian culture, an<br />

expression of pride and authenticity.<br />

Central to this vision is the<br />

“Artisanal Expressions Collection: A<br />

Heritage Revival”<br />

This thoughtfully curated collection<br />

breathes new life <strong>in</strong>to traditional<br />

designs by merg<strong>in</strong>g classic local<br />

garments with contemporary cuts<br />

and fabrics. Each piece is crafted <strong>in</strong><br />

collaboration with artisans, preserv<strong>in</strong>g<br />

their orig<strong>in</strong>s and highlight<strong>in</strong>g the<br />

craftsmanship of various artisan<br />

communities, weav<strong>in</strong>g their narratives<br />

<strong>in</strong>to each design, creat<strong>in</strong>g a deeper<br />

connection to the cultural significance<br />

beh<strong>in</strong>d each item.<br />

Every garment features tags with<br />

artisan signatures that share their story,<br />

cultural background, and <strong>in</strong>spiration,<br />

foster<strong>in</strong>g a direct connection between<br />

customers and creators. Moreover,<br />

each item is named after prom<strong>in</strong>ent<br />

geographic areas known for their<br />

artisan traditions, recogniz<strong>in</strong>g the<br />

patterns and techniques used <strong>in</strong> their<br />

creation and enrich<strong>in</strong>g the bond to the<br />

artisan’s heritage.<br />

Herencia honors Colombia’s artistic<br />

legacy, where every piece reflects<br />

identity, culture, and the beauty of<br />

craftsmanship.


Conclusions<br />

F<strong>in</strong>al Thoughts: Insights on Cultural Sensitivity,<br />

Representation, and Coherence <strong>in</strong> AI-Driven<br />

Fashion <strong>Design</strong><br />

As a clos<strong>in</strong>g remark, the “Threads<br />

of Heritage” project offers valuable<br />

<strong>in</strong>sights <strong>in</strong>to the importance of<br />

<strong>in</strong>tegrat<strong>in</strong>g cultural sensitivity <strong>in</strong><br />

fashion design, particularly when<br />

employ<strong>in</strong>g artificial <strong>in</strong>telligence to<br />

navigate complex cultural nuances.<br />

While AI demonstrates impressive<br />

creative capabilities, it is the<br />

collaboration between human<br />

designers and AI that ensures<br />

the development of coherent and<br />

culturally resonant fashion brands.<br />

This project highlighted the<br />

significance of cont<strong>in</strong>uous iteration<br />

and thoughtful prompt craft<strong>in</strong>g,<br />

demonstrat<strong>in</strong>g that effective<br />

communication between humans and<br />

mach<strong>in</strong>es is essential for achiev<strong>in</strong>g<br />

authentic cultural representations.<br />

The research alsparked discussions<br />

about AI’s visual representation of<br />

cultural elements, emphasiz<strong>in</strong>g the<br />

ethical considerations <strong>in</strong>volved,<br />

especially the risks of copy<strong>in</strong>g motifs<br />

without recogniz<strong>in</strong>g the communities<br />

that created them. Furthermore,<br />

concerns about the oversexualization<br />

of AI-generated imagery and its<br />

impact on gender representation<br />

underscore the need for careful<br />

attention to ensure that both cultural<br />

and gender portrayals are respected<br />

rather than commoditized.<br />

The differ<strong>in</strong>g abilities of language<br />

models to capture diverse narratives<br />

highlight the importance of<br />

recogniz<strong>in</strong>g and understand<strong>in</strong>g the<br />

subtle complexities <strong>in</strong> any subject.<br />

While AI can effectively grasp cultural<br />

elements when prompted accurately,<br />

coherence is not always <strong>in</strong>herent<br />

<strong>in</strong> its outputs. Human <strong>in</strong>sight is vital<br />

for ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g connections that<br />

ensure coherence and cohesiveness<br />

throughout the project.<br />

As we navigate the evolv<strong>in</strong>g<br />

landscape of AI and its implications<br />

across <strong>in</strong>dustries, <strong>in</strong>clud<strong>in</strong>g fashion,<br />

it is crucial to underscore the<br />

collaboration between human<br />

creativity and mach<strong>in</strong>e <strong>in</strong>telligence to<br />

ensure <strong>in</strong>tegrity and <strong>in</strong>clusivity.<br />

The narratives conveyed through our<br />

designs must authentically represent<br />

the cultures we seek to honor, pav<strong>in</strong>g<br />

the way for a future where technology<br />

and tradition can coexist <strong>in</strong> harmony.<br />

*The texts have been grammar checked and proofread with the assistance of AI to ensure clarity and accuracy.


*This image is AI-generated


Project Name: Us<strong>in</strong>g AI to explore new forms of functional design<br />

Author: Mira Benzion<br />

Tools and platforms used: ChatGpt4o, RunwayML, Meshy<br />

Summary of the project and process:<br />

This project explores how AI can be<br />

used to transform everyday objects,<br />

like a chair, <strong>in</strong>to new forms while still<br />

keep<strong>in</strong>g their core functionality. By<br />

focus<strong>in</strong>g on comfort and support<br />

without rely<strong>in</strong>g on traditional design<br />

elements, I aimed to push the<br />

boundaries of what AI could create.<br />

Through iterative prompts, I ref<strong>in</strong>ed how<br />

I described the object to move away<br />

from conventional chair designs. By<br />

focus<strong>in</strong>g on weight distribution and user<br />

needs, I tested AI’s ability to reimag<strong>in</strong>e<br />

functional objects <strong>in</strong> <strong>in</strong>novative ways,<br />

explor<strong>in</strong>g new possibilities beyond<br />

traditional constra<strong>in</strong>ts.


Research<br />

For this project, I used ChatGPT4o<br />

to explore how AI can help<br />

redesign everyday objects while<br />

keep<strong>in</strong>g their functionality <strong>in</strong>tact.<br />

The research focused on how<br />

design pr<strong>in</strong>ciples can be applied<br />

to challenge traditional constra<strong>in</strong>ts,<br />

draw<strong>in</strong>g <strong>in</strong>sights from resources<br />

like The <strong>Design</strong> of Everyday Th<strong>in</strong>gs<br />

and Universal Pr<strong>in</strong>ciples of <strong>Design</strong>,<br />

which emphasized the balance<br />

of aesthetics, usability, and<br />

functionality.<br />

I chose to focus on chairs because<br />

they are common, versatile, and<br />

have room for improvement.<br />

Chairs are used <strong>in</strong> various sett<strong>in</strong>gs<br />

like homes and offices, mak<strong>in</strong>g<br />

them impactful design subjects.<br />

My goal was to reimag<strong>in</strong>e the<br />

chair’s design us<strong>in</strong>g AI to create<br />

new forms while still provid<strong>in</strong>g<br />

a stable and comfortable seat,<br />

aim<strong>in</strong>g to f<strong>in</strong>d <strong>in</strong>novative ways to<br />

enhance everyday life.


Def<strong>in</strong><strong>in</strong>g a Chair<br />

To start the creation process,<br />

learn<strong>in</strong>g AI’s understand<strong>in</strong>g of a<br />

chair was crucial. After ask<strong>in</strong>g<br />

ChatGPT to def<strong>in</strong>e a chair <strong>in</strong><br />

as much detail as possible, its<br />

answer consisted of this:<br />

“A chair is a piece of furniture<br />

designed to provide seat<strong>in</strong>g for<br />

one person, typically consist<strong>in</strong>g<br />

of a seat, backrest, legs, and<br />

sometimes armrests. The seat is<br />

usually flat or slightly contoured<br />

to fit the human body, with its size<br />

vary<strong>in</strong>g to accommodate different<br />

body types. It can be made from<br />

various materials such as wood,<br />

metal, plastic, or upholstered<br />

with fabric or leather. The seat<br />

height is generally standardized<br />

to match the height of tables or<br />

desks for optimal use.<br />

The backrest of a chair provides<br />

support for the user’s back,<br />

promot<strong>in</strong>g comfort and proper<br />

posture. It can range <strong>in</strong> height<br />

from support<strong>in</strong>g just the lower<br />

back to provid<strong>in</strong>g full support<br />

for the upper back and head.<br />

Backrests are often made from<br />

the same material as the seat but<br />

may feature additional padd<strong>in</strong>g<br />

or ergonomic design elements<br />

for enhanced comfort. Chairs<br />

typically have four legs, though<br />

some designs <strong>in</strong>corporate a<br />

central column or fewer legs for<br />

functional or aesthetic reasons.<br />

These legs are often made from<br />

the same material as the rest of the<br />

chair and may <strong>in</strong>clude features like<br />

height adjustments or casters for<br />

mobility.<br />

Additional features of a chair<br />

<strong>in</strong>clude armrests, which can be<br />

fixed or adjustable, offer<strong>in</strong>g extra<br />

support for the arms. Some chairs<br />

are designed for specific uses, with<br />

adjustable components like seat<br />

height, backrest tilt, and armrest<br />

height to suit different users. Chairs<br />

can also be foldable or stackable<br />

for easy storage. They come<br />

<strong>in</strong> a range of styles, from basic<br />

functional designs to more artistic,<br />

decorative pieces. The durability<br />

of a chair depends on its materials<br />

and construction, and ergonomic<br />

considerations like back support,<br />

seat angle, and height play a key<br />

role <strong>in</strong> creat<strong>in</strong>g a comfortable and<br />

user-friendly design.”<br />

AI generated traditional chair


Process<br />

Go<strong>in</strong>g through <strong>in</strong>sights learned<br />

from the books mentioned<br />

with<strong>in</strong> the research stage, when<br />

guid<strong>in</strong>g AI through the process of<br />

reimag<strong>in</strong><strong>in</strong>g a chair, ergonomics,<br />

and usability were prioritized,<br />

ensur<strong>in</strong>g the chair could meet the<br />

diverse needs of users. In this<br />

process, I focused on achiev<strong>in</strong>g<br />

a balance between <strong>in</strong>novative<br />

aesthetics and functionality,<br />

evaluat<strong>in</strong>g each design created<br />

with said criteria.<br />

Aesthetics played a key role <strong>in</strong><br />

creat<strong>in</strong>g a visually appeal<strong>in</strong>g<br />

object that users would enjoy,<br />

while usability focused on<br />

ensur<strong>in</strong>g that the chair was<br />

<strong>in</strong>tuitive and comfortable.<br />

Functionality rema<strong>in</strong>ed at the<br />

core, with features like ergonomic<br />

support and adjustability be<strong>in</strong>g<br />

<strong>in</strong>tegrated to meet diverse user<br />

needs.<br />

In the pursuit of break<strong>in</strong>g away<br />

from conventional designs, I<br />

began with an approach that<br />

revolved around def<strong>in</strong><strong>in</strong>g the<br />

core human need: support<strong>in</strong>g a<br />

seated <strong>in</strong>dividual with comfort<br />

and proper posture. Us<strong>in</strong>g AI to<br />

generate a new form of functional<br />

design, I went through multiple<br />

iterations to ref<strong>in</strong>e the prompt and<br />

the result<strong>in</strong>g image outputs.<br />

The first iteration of my prompt<br />

emerged from AI’s answer to the<br />

question: how would you describe<br />

a chair without mention<strong>in</strong>g it as<br />

a chair and without consider<strong>in</strong>g<br />

its physical properties, to which it<br />

answered.<br />

“The object is designed to support a<br />

s<strong>in</strong>gle <strong>in</strong>dividual <strong>in</strong> a seated position,<br />

enhanc<strong>in</strong>g comfort and promot<strong>in</strong>g<br />

proper posture for extended<br />

periods. It often <strong>in</strong>cludes features<br />

to accommodate the contours of<br />

the human body, ensur<strong>in</strong>g comfort<br />

through various adjustments tailored<br />

to <strong>in</strong>dividual needs.” (Prompt #1)<br />

Prompt #1 was first used as my<br />

trial run for MESHY, a tool that<br />

uses artificial <strong>in</strong>telligence to create<br />

3D models from text prompts or<br />

images, mak<strong>in</strong>g it accessible to<br />

users of all skill levels. The prompt<br />

was entered twice, with small<br />

paraphras<strong>in</strong>g alterations, and the<br />

results were the same: regular,<br />

exist<strong>in</strong>g, comfortable office chairs<br />

with wheels. Conclud<strong>in</strong>g attempts<br />

on MESHY for now as failures.<br />

Prompt 1_Failure 1_MESHY


I then simplified Prompt #1 with the<br />

help of ChatGPT for AI to maybe<br />

understand it more effectively and<br />

br<strong>in</strong>g me closer to the results I<br />

expected, br<strong>in</strong>g<strong>in</strong>g me to Prompt #2.<br />

“An object designed to comfortably<br />

support one person sitt<strong>in</strong>g down,<br />

help<strong>in</strong>g ma<strong>in</strong>ta<strong>in</strong> good posture over<br />

long periods. It adjusts to fit different<br />

body shapes for added comfort.”<br />

(Prompt #2)<br />

Even though I changed the generative<br />

tool to DALL-E and optimized the<br />

prompt, the results somehow ended<br />

up be<strong>in</strong>g the same: regular, exist<strong>in</strong>g,<br />

comfortable office chairs with wheels.<br />

The outcome repetition through<br />

different generative AIs made me<br />

realize there would be a problem with<br />

the course of my research. Generative<br />

AI is tra<strong>in</strong>ed on exist<strong>in</strong>g data, so it<br />

learns from patterns and examples<br />

that already exist. When you give it<br />

a prompt <strong>in</strong>clud<strong>in</strong>g “comfort” and<br />

“chair,” it draws from what it knows<br />

about comfortable chairs, such as<br />

office chairs, because that’s what<br />

it has seen the most. It comb<strong>in</strong>es<br />

these ideas based on patterns<br />

<strong>in</strong> the data, which is why it might<br />

create someth<strong>in</strong>g familiar rather than<br />

<strong>in</strong>vent<strong>in</strong>g a totally new concept.<br />

Essentially, the AI generates outputs<br />

based on what it knows, which<br />

means it’s limited to rework<strong>in</strong>g or<br />

remix<strong>in</strong>g exist<strong>in</strong>g ideas.<br />

Prompt 1_Failure 2 _MESHY<br />

Prompt 2_Failure 1_DALLE<br />

Prompt 2_Failure 2 _DALL-E


The solution I came up with<br />

to solve this problem was to<br />

create and configure my own<br />

GPT. ChatGPT4o has a feature<br />

where you can easily program<br />

a GPT, giv<strong>in</strong>g it <strong>in</strong>structions<br />

and guidel<strong>in</strong>es to follow when<br />

generat<strong>in</strong>g responses.<br />

These are the <strong>in</strong>structions I<br />

programmed my GPT with:<br />

Description: Can ideate new<br />

objects based on human needs<br />

but knows noth<strong>in</strong>g about<br />

exist<strong>in</strong>g ones.<br />

Instructions: This GPT focuses<br />

entirely on human needs,<br />

behaviors, and experiences. It<br />

has no knowledge of exist<strong>in</strong>g<br />

objects, such as chairs, tables,<br />

pens, bottles, or any other<br />

<strong>in</strong>animate th<strong>in</strong>gs, nor does<br />

it recognize their properties,<br />

functions, or appearance.<br />

However, it can ideate and<br />

create new, fictional objects<br />

based on human needs and<br />

emotions. These new objects<br />

will be described solely <strong>in</strong><br />

relation to how they could<br />

improve human life, but it<br />

rema<strong>in</strong>s unaware of any<br />

currently exist<strong>in</strong>g objects or<br />

their uses.<br />

Giv<strong>in</strong>g my GPT a clean slate<br />

made it possible to generate<br />

designs with more <strong>in</strong>novative and<br />

different outcomes.<br />

I then entered Prompt #2<br />

aga<strong>in</strong> <strong>in</strong>to this new GPT, and<br />

the outcome was surely an<br />

improvement. It still had similar<br />

properties to traditional chairs,<br />

but the turn it took made it look<br />

like a direction worth explor<strong>in</strong>g.<br />

Prompt 2_My GPT


Look<strong>in</strong>g at the image provided<br />

with this prompt, I realized that<br />

maybe avoid<strong>in</strong>g the mention<br />

of a chair wasn’t enough. The<br />

word “sitt<strong>in</strong>g” was still part of<br />

the prompt, which might be<br />

why the results were close to<br />

exist<strong>in</strong>g chairs. So, I asked<br />

ChatGPT4o to def<strong>in</strong>e “sitt<strong>in</strong>g”:<br />

“the act of rest<strong>in</strong>g <strong>in</strong> a position<br />

where the weight of the body<br />

is supported by the buttocks<br />

rather than the feet, and the<br />

back is typically upright.”<br />

Now <strong>in</strong>corporat<strong>in</strong>g this <strong>in</strong>to the<br />

exist<strong>in</strong>g prompt:<br />

“An object designed to<br />

comfortably support one person<br />

rest<strong>in</strong>g <strong>in</strong> a position where the<br />

weight of the body is supported<br />

by the buttocks rather than the<br />

feet, and the back is upright.”<br />

(Prompt #3)<br />

The results of <strong>in</strong>troduc<strong>in</strong>g<br />

Prompt #3 to the GPT I created<br />

<strong>in</strong>cluded a slightly more exotic,<br />

futuristic type of chair, which still<br />

resembled a little the form of<br />

traditional chairs, but was more<br />

advanced <strong>in</strong> deviat<strong>in</strong>g from<br />

traditional designs.<br />

Prompt 3_My GPT<br />

Prompt 3_My GPT<br />

As I progressed through the<br />

generated designs, I kept<br />

twitch<strong>in</strong>g the prompt to get more<br />

<strong>in</strong>novative results. I removed the<br />

constra<strong>in</strong>t of an “upright back”<br />

and, with this, AI was able to<br />

achieve more open-m<strong>in</strong>ded<br />

designs, deviat<strong>in</strong>g from what<br />

we know as functional, and<br />

truly reimag<strong>in</strong><strong>in</strong>g the necessary<br />

features for a chair to work.


These were the designs my GPT generated when go<strong>in</strong>g down this path:<br />

Prompt 3_My GPT<br />

Prompt 3_My GPT<br />

Prompt 3_My GPT


As I saw progress with the<br />

configured GPT, I paused to<br />

explore other tools to see how<br />

they would handle the prompts.<br />

I tried RunwayML as a textto-image<br />

generator to test the<br />

effect of the GPT’s constra<strong>in</strong>ts<br />

on the image outcomes. I<br />

repeated Prompt #3, which<br />

mentioned “the weight of<br />

the body is supported by the<br />

buttocks rather than the feet,”<br />

and got some strange-look<strong>in</strong>g<br />

results that took this description<br />

very literally.<br />

To improve the outcomes, I<br />

adjusted the prompt to “Object<br />

designed to comfortably<br />

support one person rest<strong>in</strong>g <strong>in</strong><br />

a position” (Prompt #4). While<br />

the results were better, many of<br />

the generated images featured<br />

objects where people were ly<strong>in</strong>g<br />

down fully, diverg<strong>in</strong>g from my<br />

goal of creat<strong>in</strong>g objects similar<br />

to chairs. One even resembled<br />

a bathtub.<br />

I then decided to go back to my<br />

GPT, s<strong>in</strong>ce it gave me results<br />

that were more <strong>in</strong> the direction<br />

I wanted the project to go and<br />

could be pushed more s<strong>in</strong>ce it<br />

had built-<strong>in</strong> constra<strong>in</strong>ts. Back<br />

<strong>in</strong> my GPT, I tried the prompt<br />

generated for RunwayML<br />

(Prompt #4), which had<br />

<strong>in</strong>terest<strong>in</strong>g outcomes.<br />

Prompt 3_RunwayML<br />

Prompt 4_RunwayML<br />

Prompt 4_My GPT


More designs that were generated by my GPT while variat<strong>in</strong>g with<br />

different prompts between the ones mentioned before <strong>in</strong>cluded results<br />

with functional and <strong>in</strong>novative features.


Idea Rank<strong>in</strong>g<br />

I used ChatGPT to help create<br />

a chart rank<strong>in</strong>g the top 20<br />

chair designs generated dur<strong>in</strong>g<br />

my project. The goal was to<br />

evaluate each design based on<br />

two key criteria: functionality<br />

(how practical the design is for<br />

sitt<strong>in</strong>g) and design <strong>in</strong>novation<br />

(how much the design deviates<br />

from traditional chair forms).<br />

I used ChatGPT to score each<br />

design based on functionality<br />

(how practical it is) and design<br />

<strong>in</strong>novation (how unique it is<br />

compared to traditional chairs).<br />

It then helped plot these scores<br />

on a matrix, with functionality<br />

on the Y-axis and design<br />

<strong>in</strong>novation on the X-axis. This<br />

visual map made it easy to<br />

see which designs balanced<br />

creativity with practicality.


Result<br />

This chair design deviates<br />

from traditional forms by<br />

featur<strong>in</strong>g fluid, cont<strong>in</strong>uous<br />

curves <strong>in</strong>stead of separate<br />

legs, backrests, or armrests,<br />

creat<strong>in</strong>g a sculptural look.<br />

Despite its unconventional<br />

shape, it still provides comfort<br />

and ergonomic support, with<br />

its curves align<strong>in</strong>g with the<br />

body’s natural contours to offer<br />

back and lumbar support while<br />

allow<strong>in</strong>g for various relaxed<br />

seat<strong>in</strong>g positions.<br />

Conclusion<br />

This project showed how AI can push the boundaries of everyday design<br />

by transform<strong>in</strong>g familiar objects like chairs <strong>in</strong>to new forms. I used iterative<br />

prompts and custom configurations to guide AI away from traditional<br />

patterns, focus<strong>in</strong>g on comfort and support while encourag<strong>in</strong>g more<br />

<strong>in</strong>novative results. Experiment<strong>in</strong>g with different tools revealed the limits of<br />

AI’s reliance on exist<strong>in</strong>g data, often default<strong>in</strong>g to familiar designs.<br />

By configur<strong>in</strong>g a GPT to ignore known objects and emphasize human<br />

needs, I achieved more orig<strong>in</strong>al outcomes. This approach highlighted AI’s<br />

potential as a tool for creative design, capable of reimag<strong>in</strong><strong>in</strong>g functionality<br />

beyond conventional forms.


AI, who am I?<br />

Project name:<br />

Explor<strong>in</strong>g the role of AI <strong>in</strong> redef<strong>in</strong><strong>in</strong>g human physical identity on a<br />

digital realm.<br />

Author:<br />

Simón Sánchez Navarro<br />

Tools and platforms used:<br />

ChatGPT, Dall - E, Gab AI, Supawork AI, Midjourney<br />

Summary of the project and process:<br />

Authentic onl<strong>in</strong>e<br />

portrayal of <strong>in</strong>dividuality is<br />

already hard enough <strong>in</strong> between<br />

the algorithms that make up<br />

cyberspaces. Thus, the rise<br />

of artificial <strong>in</strong>telligence could<br />

potentially come as an even<br />

bigger challenge when try<strong>in</strong>g<br />

to represent identities <strong>in</strong> digital<br />

environments, for the way <strong>in</strong><br />

which it processes data is not<br />

necessarily <strong>in</strong>dicative of the<br />

complexities that make up<br />

humans.<br />

‘AI, who am I?’ comes as a<br />

way of open<strong>in</strong>g up conversations<br />

about the authenticity of digital<br />

human identities, and specifically<br />

about how proficient artificial<br />

<strong>in</strong>telligence is at translat<strong>in</strong>g real<br />

life characteristics <strong>in</strong>to archives<br />

of <strong>in</strong>formation.<br />

With identity be<strong>in</strong>g<br />

at the core of all types of<br />

design, this project aims to<br />

question the agency that AI<br />

should be given <strong>in</strong> design<br />

methodologies consider<strong>in</strong>g its<br />

ability (or lack there of) of deeply<br />

understand<strong>in</strong>g this concept. It<br />

aims to acknowledge the real<br />

people that are beh<strong>in</strong>d virtual<br />

and physical realities, and rem<strong>in</strong>d<br />

designers of the importance of<br />

hav<strong>in</strong>g full awareness of who it is<br />

they are design<strong>in</strong>g for.


AI,<br />

ChatGPT<br />

Dall - E<br />

Gab Ai<br />

Supawork Ai<br />

Midjourney<br />

who am I?<br />

SS17003<br />

Simón<br />

Sánchez Navarro<br />

21<br />

February 17, 2003<br />

Medellín<br />

Colombia<br />

ever dream (of be<strong>in</strong>g) this man?


Personal<br />

picture,<br />

for<br />

reference.<br />

Fifty versions of Simón only barely beg<strong>in</strong> to visualize how<br />

identity can be transformed with <strong>Artificial</strong> <strong>Intelligence</strong>.


In the words of AI,<br />

“Identity is the collection of<br />

characteristics, beliefs, qualities,<br />

and experiences that def<strong>in</strong>e who<br />

a person is” (OpenAI, 2024).<br />

Oppos<strong>in</strong>gly, <strong>in</strong> the eyes of AI,<br />

identity appears to be not much<br />

more than a sum of data po<strong>in</strong>ts<br />

associated with <strong>in</strong>dividuals.<br />

Amid the exponential<br />

growth of social media and<br />

digitalization, virtual <strong>in</strong>teractions<br />

have become def<strong>in</strong>itive <strong>in</strong><br />

shap<strong>in</strong>g reality. Thus, the digital<br />

renaissance propelled by AI<br />

comes with a drastic impact <strong>in</strong><br />

the ways people see and present<br />

themselves. The <strong>in</strong>formation that<br />

AI systems supply is completely<br />

based on the <strong>in</strong>formation<br />

that it has access to, and<br />

therefore, artificial <strong>in</strong>telligence<br />

is exceptional at re<strong>in</strong>forc<strong>in</strong>g<br />

stereotypes and shap<strong>in</strong>g self<br />

perceptions. The algorithms<br />

used by large language models<br />

are constantly regard<strong>in</strong>g users<br />

as data sets, while feed<strong>in</strong>g<br />

them <strong>in</strong>formation that is not<br />

necessarily representative of<br />

themselves. This raises concern<br />

when consider<strong>in</strong>g that human<br />

complexity is be<strong>in</strong>g narrowed<br />

down to data. Hence, when<br />

collaborat<strong>in</strong>g with AI designers<br />

must ask themselves:<br />

How deeply do these<br />

technologies understand the<br />

audience I am design<strong>in</strong>g for?<br />

AI, what is identity anyways?<br />

In order to understand<br />

how AI can <strong>in</strong>terpret and<br />

<strong>in</strong>fluence human identity, I<br />

altered myself through artificial<br />

<strong>in</strong>telligence to see how it would<br />

visualise different versions of<br />

myself.<br />

First, I needed to<br />

comprehend the ma<strong>in</strong> factors<br />

that AI considers when<br />

determ<strong>in</strong><strong>in</strong>g identity. I focused<br />

on physical traits specifically<br />

with the <strong>in</strong>tention of mak<strong>in</strong>g the<br />

results visually straightforward<br />

and <strong>in</strong>dicative of the ways <strong>in</strong><br />

which the algorithms work.<br />

Although all aspects of<br />

identity are affected by digital<br />

environments, physical ones<br />

are easier to measure and<br />

adjust by AI, and are therefore<br />

representative of how hard it<br />

is for AI to represent human<br />

complexity, even <strong>in</strong> its most<br />

perceptible features.<br />

I asked both ChatGPT<br />

and GabAi about the ma<strong>in</strong><br />

physical characteristics<br />

that make up identity. Both<br />

responses <strong>in</strong>cluded elements<br />

like facial features, hair, and<br />

body type, but GabAi also<br />

mentioned race, ethnicity and<br />

gender. Then, I used both lists<br />

to guide two prompts for Dall-E<br />

to describe a picture of me<br />

emphasis<strong>in</strong>g on the specific


aspects determ<strong>in</strong>ed by the AIs.<br />

The outputs then went<br />

<strong>in</strong>to Midjourney as prompts to<br />

create new versions of myself<br />

based on my descriptions.<br />

Some results were the follow<strong>in</strong>g:<br />

Some notable ways AI<br />

described me were:<br />

Mediterranean or Lat<strong>in</strong><br />

American background. Medium<br />

sk<strong>in</strong> tone and dark hair. Male,<br />

based on visible facial hair<br />

growth and prom<strong>in</strong>ent, thick<br />

eyebrows.<br />

Appears to be male.<br />

Ethnic background is not easily<br />

dist<strong>in</strong>guishable, but may have<br />

Mediterranean, Middle Eastern,<br />

or South Asian features. Appears<br />

to be of average to above<br />

average height. Lean body<br />

frame with no visible excess<br />

weight. Slender and fit build. The<br />

<strong>in</strong>dividual has a small ear pierc<strong>in</strong>g<br />

on the left ear, add<strong>in</strong>g a subtle<br />

but dist<strong>in</strong>ctive feature.<br />

From the results, a few<br />

look fairly similar to me, others<br />

have very little resemblance, and<br />

some even missed my gender.


“An Egyptian man<br />

with an expression<br />

that conveys<br />

confidence”<br />

What do I look like, really?<br />

Similarly to Dall-E<br />

before, I asked Midjourney to<br />

describe two images of myself.<br />

This time I did not specify the<br />

characteristics I was look<strong>in</strong>g<br />

for, hop<strong>in</strong>g to give it more<br />

freedom to outl<strong>in</strong>e my frame and<br />

understand which traits it would<br />

highlight without any biases <strong>in</strong><br />

the prompt.<br />

The results were even<br />

more <strong>in</strong>terest<strong>in</strong>g. Midjourney<br />

described me as:<br />

an androgynous person<br />

with black hair, light brown sk<strong>in</strong>;<br />

Hav<strong>in</strong>g a small nose r<strong>in</strong>g (which I<br />

do not have); an average-look<strong>in</strong>g<br />

male model; an Egyptian man<br />

with an expression that conveys<br />

confidence; and an attractive<br />

Middle Eastern man <strong>in</strong> his early<br />

to mid-20s.<br />

It is worth not<strong>in</strong>g that I<br />

am fully lat<strong>in</strong>o, born and raised <strong>in</strong><br />

Colombia.<br />

When asked to imag<strong>in</strong>e<br />

the descriptions it came up with,<br />

the results were as follows:


The results were<br />

even further away from my<br />

real appearance. No image<br />

generated appears to fit my<br />

gender or ethnicity, and many of<br />

the traits AI described as central<br />

to identity were not captured<br />

at all. Even <strong>in</strong> prompts that had<br />

no mention of race or ethnic<br />

specifications, many of the<br />

results seemed to be asian.<br />

Accord<strong>in</strong>g to AI, my<br />

physical appearance appears<br />

to be someth<strong>in</strong>g that does not<br />

represent me at all, and could<br />

push assumptions that could<br />

become quite problematic.<br />

It completely misunderstood<br />

its descriptions of myself and<br />

proved to be not very efficient<br />

<strong>in</strong> both describ<strong>in</strong>g people and<br />

represent<strong>in</strong>g them. Instead,<br />

it once aga<strong>in</strong> exhibited its<br />

re<strong>in</strong>forcement of stereotypes<br />

and proved its <strong>in</strong>ability to depict<br />

human traits.<br />

“As AI becomes better<br />

at mimick<strong>in</strong>g human<br />

<strong>in</strong>telligence, it blurs the<br />

l<strong>in</strong>e between what is<br />

dist<strong>in</strong>ctly human and<br />

what can be automated”<br />

- Open AI, 2024


Make me even more myself.<br />

Besides physical<br />

features, I asked Gab AI<br />

about the ma<strong>in</strong> components<br />

of human identity, to which it<br />

listed ethnicity, gender, age and<br />

profession. Understand<strong>in</strong>g my<br />

own identity accord<strong>in</strong>g to the<br />

stated guidel<strong>in</strong>es, I decided to<br />

modify my image to be more<br />

representative of each identifier.<br />

I gave Midjourney<br />

images of myself and, <strong>in</strong> four<br />

different prompts, asked the<br />

AI to make them look either<br />

more Colombian, more male,<br />

more like a 21 year old and<br />

more like a student. The goal<br />

was to see which of the ‘ma<strong>in</strong><br />

identifiers’ represented me most,<br />

yet the results only re<strong>in</strong>forced<br />

stereotypes and did not succeed<br />

<strong>in</strong> represent<strong>in</strong>g my identity:<br />

Colombian<br />

Male<br />

21 year old<br />

Student<br />

Do I fit the profile?<br />

In the context of a<br />

virtual realm, as expla<strong>in</strong>ed by<br />

AI, the way <strong>in</strong> which we present<br />

ourselves <strong>in</strong> social media is<br />

mean<strong>in</strong>gful <strong>in</strong> def<strong>in</strong><strong>in</strong>g who<br />

we are. I asked Midjourney to<br />

make passport style photos<br />

based on my profile pictures for<br />

platforms such as <strong>in</strong>stagram,<br />

whatsapp, and l<strong>in</strong>ked<strong>in</strong>.<br />

Specify<strong>in</strong>g on the<br />

prompt to “ma<strong>in</strong>ta<strong>in</strong> the identity<br />

of the person <strong>in</strong> the image”, I<br />

reflected on how much of my<br />

virtual persona AI is able to<br />

capture based on my social<br />

media presence. Aga<strong>in</strong>, the<br />

results looked noth<strong>in</strong>g like me<br />

and actually lost a lot of my<br />

essence while ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g more<br />

irrelevant features like cloth<strong>in</strong>g<br />

and light<strong>in</strong>g:<br />

L<strong>in</strong>kedIn<br />

Instagram (1)<br />

Instagram (2)<br />

Whatsapp


My professional identity.<br />

Look<strong>in</strong>g more deeply<br />

<strong>in</strong>to the presentation of self<br />

<strong>in</strong> L<strong>in</strong>kedIn specifically, new<br />

<strong>in</strong>quiries came to m<strong>in</strong>d about<br />

how identity is represented <strong>in</strong><br />

a virtual realm that is meant for<br />

a professional context. Many<br />

new AIs are now marketed<br />

specifically for L<strong>in</strong>kedIn users,<br />

assum<strong>in</strong>g AI has the capability<br />

to generate profiles that<br />

successfully portrait people.<br />

Us<strong>in</strong>g SupaworkAI,<br />

designed for L<strong>in</strong>kedIn, I<br />

exam<strong>in</strong>ed its process <strong>in</strong><br />

produc<strong>in</strong>g the pictures. The very<br />

first step asked for the user’s<br />

gender, followed by their age,<br />

hair colour, whether they wear<br />

glasses or not, if they have a<br />

beard and f<strong>in</strong>ally their ethnicity.<br />

All the available response<br />

options were limited to an<br />

often biased or <strong>in</strong>coherent list<br />

provided by Supawork AI, like<br />

the gender choices which were<br />

“male”, “female” and “kid”. The<br />

website also let the user choose<br />

an image style, vary<strong>in</strong>g from<br />

categories like “professional”,<br />

“stylish”, “casual” and “street”.<br />

F<strong>in</strong>ally, the AI asked for<br />

reference photos, m<strong>in</strong>imum one<br />

and a maximum of four. Inputt<strong>in</strong>g<br />

all the <strong>in</strong>formation asked, I got<br />

the follow<strong>in</strong>g results:<br />

The results are <strong>in</strong>deed<br />

worthy of L<strong>in</strong>kedIn <strong>in</strong> the sense<br />

that they seem professional,<br />

but consider<strong>in</strong>g they are images<br />

meant to depict me and to be<br />

seen by employers, they appear<br />

far from apt of represent<strong>in</strong>g me.<br />

Hence, the AI partially delivers<br />

its promise of generat<strong>in</strong>g a<br />

profile picture, but I would not<br />

consider it accurate enough to<br />

stand <strong>in</strong> for user’s identities.<br />

My ultimate self.<br />

After understand<strong>in</strong>g how<br />

hard it is for AI to mimic my<br />

appearance, I f<strong>in</strong>ally decided to<br />

move away from its assumptions<br />

of who I am, and gave it more<br />

context to construct my identity<br />

us<strong>in</strong>g only images of myself.<br />

I <strong>in</strong>put pictures I had taken<br />

throughout the week <strong>in</strong>to<br />

Midjourney and asked it to blend<br />

some of them together.


Here, I<br />

was hop<strong>in</strong>g that<br />

s<strong>in</strong>ce it was only<br />

us<strong>in</strong>g recent<br />

images of me, the<br />

result would be<br />

quite similar to<br />

my actual physical appearance,<br />

expect<strong>in</strong>g AI would be able to<br />

imitate my identity as I gave it<br />

more concrete references to<br />

work with. The results, as seen<br />

on the top right corner, did <strong>in</strong><br />

fact look much more similar<br />

to me. The blend<strong>in</strong>g of images<br />

successfully captured some<br />

of the features that make up<br />

physical identity (as def<strong>in</strong>ed by<br />

ChatGPT and GabAI previously).<br />

The images also seemed less<br />

AI generated and were quite<br />

representative of many of my<br />

ma<strong>in</strong> attributes.<br />

Nonetheless, the uncanny<br />

valley effect produced by the<br />

images speaks for itself. No<br />

matter how similar they are to<br />

my actual pictures, the person<br />

depicted by the AI generated<br />

image is clearly not me.<br />

Accord<strong>in</strong>g to AI’s understand<strong>in</strong>g<br />

of identity, specifically physical<br />

identity <strong>in</strong> the context of a<br />

virtual realm, the<br />

person Midjourney<br />

produced could<br />

essentially match<br />

my own identity.<br />

Still, <strong>in</strong> my own<br />

personal sense<br />

of self and perception of who I<br />

am, it is quite clear to me that<br />

no matter how close the AI<br />

managed to get, I am still none<br />

of those people portrayed <strong>in</strong> the<br />

images. They partially give off<br />

an idea of who I am but are not<br />

enough to be representative of<br />

my complete self.


What does this mean for<br />

designers?<br />

In the field of design,<br />

‘human centred’ takes on new<br />

mean<strong>in</strong>gs as human identity<br />

becomes more <strong>in</strong>tertw<strong>in</strong>ed with<br />

technological development.<br />

Inaccurate comprehension<br />

of users represents a big<br />

threat for designers, and as AI<br />

becomes more <strong>in</strong>corporated<br />

<strong>in</strong> design processes, it is<br />

important to acknowledge its<br />

<strong>in</strong>ability <strong>in</strong> properly grasp<strong>in</strong>g<br />

and represent<strong>in</strong>g the human<br />

experience. As proved by<br />

AI’s <strong>in</strong>capability of recreat<strong>in</strong>g<br />

physical features, the complexity<br />

of humans is not someth<strong>in</strong>g<br />

that easily translates <strong>in</strong>to just<br />

data sets, and can therefore not<br />

be fully recreated by artificial<br />

<strong>in</strong>telligence.<br />

Despite the multiple<br />

advantages that collaboration<br />

with AI has to offer dur<strong>in</strong>g<br />

design processes, designers<br />

must be wary of the <strong>in</strong>evitable<br />

detachment that AI has from<br />

human be<strong>in</strong>gs, and the fact that<br />

even with access to so much<br />

<strong>in</strong>formation, it still does not have<br />

enough proper notion of identity<br />

to fully understand humans as<br />

users.<br />

With the help of AI,<br />

people have access to a<br />

plethora of ways of express<strong>in</strong>g<br />

themselves, but as the world<br />

becomes more digitised and<br />

AI more <strong>in</strong>volved <strong>in</strong> all sectors,<br />

designers must keep <strong>in</strong> m<strong>in</strong>d<br />

who it is they are design<strong>in</strong>g for,<br />

and the real human complexities<br />

that exist beh<strong>in</strong>d what AI might<br />

consider as someone’s identity.<br />

Works Cited<br />

unidentified<br />

Laur<strong>in</strong>, K. (16, 10, 2023). The perils of AI:<br />

How artificial <strong>in</strong>telligence constructs human<br />

identity to their detriment. Medium. https://<br />

kemlaur<strong>in</strong>.medium.com/the-perils-of-ai-howartificial-<strong>in</strong>telligence-constructs-humanidentity-to-their-detriment-7017403d0366<br />

Yalz<strong>in</strong>, Gizem. (2023, September). How AI<br />

affects our sense of self. Harvard Bus<strong>in</strong>ess<br />

Review. https://hbr.org/2023/09/how-aiaffects-our-sense-of-self<br />

*All images have been generated with<br />

Midjourney, Chat GPT, Dall-E, Gab Ai, &<br />

Supawork Ai.


“Forks, Spoons, and Funky <strong>Design</strong>s: A Utensil Adventure!”<br />

Project name: “Reimag<strong>in</strong><strong>in</strong>g Kitchen Utensils: A Creative Exploration of<br />

<strong>Design</strong> and Abstraction”<br />

Author: Stefanie Laredo<br />

Tools and platforms used: Midjourney, ChatGPT<br />

Summary of the project and process:<br />

We use kitchen utensils every<br />

day without giv<strong>in</strong>g them much<br />

thought—a fork, a spoon, a<br />

knife—simple tools that seem to<br />

be set <strong>in</strong> their ways. But what if<br />

we reth<strong>in</strong>k them? What happens<br />

when we challenge the familiar<br />

and explore the possibilities of<br />

design beyond functionality? In<br />

this project, I dive <strong>in</strong>to the creative<br />

process of redesign<strong>in</strong>g these<br />

everyday objects, question<strong>in</strong>g<br />

what def<strong>in</strong>es them and how they<br />

can evolve. Through AI-powered<br />

image generation and a dash of<br />

unpredictability, I explore quirky,<br />

abstract, and sometimes bizarre<br />

iterations of kitchen utensils,<br />

uncover<strong>in</strong>g new ideas and push<strong>in</strong>g<br />

the boundaries of form and<br />

function.<br />

To beg<strong>in</strong> this exploration, I<br />

first needed to clarify my own<br />

understand<strong>in</strong>g of what def<strong>in</strong>es a<br />

kitchen utensil—specifically, the<br />

characteristics of a spoon, fork,<br />

and knife. My <strong>in</strong>itial approach<br />

was to consult ChatGPT for clear<br />

def<strong>in</strong>itions and examples.<br />

Kitchen utensil:<br />

A kitchen utensil is a tool used<br />

<strong>in</strong> food preparation or cook<strong>in</strong>g.<br />

These utensils are designed to<br />

perform specific tasks, such as<br />

chopp<strong>in</strong>g, stirr<strong>in</strong>g, flipp<strong>in</strong>g, or<br />

serv<strong>in</strong>g food. Common examples<br />

<strong>in</strong>clude spoons, knives, spatulas,<br />

tongs, whisks, and measur<strong>in</strong>g<br />

cups. They help make cook<strong>in</strong>g<br />

processes more efficient and are<br />

typically made from materials like<br />

metal, plastic, wood, or silicone.<br />

Spoon:<br />

A spoon is a kitchen utensil with a<br />

shallow, rounded bowl at the end<br />

of a handle. It is used primarily<br />

for scoop<strong>in</strong>g, stirr<strong>in</strong>g, and serv<strong>in</strong>g<br />

food or liquids. Spoons come<br />

<strong>in</strong> various sizes and types, each<br />

designed for specific purposes.<br />

Common types <strong>in</strong>clude:


- Teaspoon: A small spoon used<br />

for stirr<strong>in</strong>g tea or coffee, or for<br />

measur<strong>in</strong>g <strong>in</strong>gredients.<br />

- Tablespoon: A larger spoon often<br />

used for serv<strong>in</strong>g or measur<strong>in</strong>g.<br />

- Soup spoon: A rounder, larger<br />

spoon designed for eat<strong>in</strong>g soup.<br />

- Dessert spoon: A medium-sized<br />

spoon used for eat<strong>in</strong>g desserts.<br />

Spoons are typically made from<br />

materials such as metal, plastic, or<br />

wood.<br />

Knife:<br />

A knife is a kitchen utensil with a<br />

sharp blade and a handle, used for<br />

cutt<strong>in</strong>g, slic<strong>in</strong>g, dic<strong>in</strong>g, chopp<strong>in</strong>g,<br />

and other food preparation tasks.<br />

Knives come <strong>in</strong> various shapes and<br />

sizes, each designed for specific<br />

purposes. Common types of kitchen<br />

knives <strong>in</strong>clude:<br />

- Chef’s knife: A versatile, allpurpose<br />

knife with a broad, sharp<br />

blade used for chopp<strong>in</strong>g, slic<strong>in</strong>g,<br />

and dic<strong>in</strong>g.<br />

- Par<strong>in</strong>g knife: A small, sharp<br />

knife used for precise tasks such<br />

as peel<strong>in</strong>g and trimm<strong>in</strong>g fruits and<br />

vegetables.<br />

- Serrated knife: A knife with a<br />

saw-like edge, ideal for slic<strong>in</strong>g<br />

through foods with tough exteriors<br />

and soft <strong>in</strong>teriors, like bread or<br />

tomatoes.<br />

- Bon<strong>in</strong>g knife: A th<strong>in</strong>, flexible<br />

knife used to separate meat from<br />

bones.<br />

Knives are typically made<br />

from sta<strong>in</strong>less steel, carbon<br />

steel, ceramic, or other durable<br />

materials, and the blade’s<br />

sharpness and design are crucial<br />

for efficiency <strong>in</strong> the kitchen.<br />

Fork:<br />

A fork is a kitchen utensil with<br />

a handle and several long, th<strong>in</strong><br />

t<strong>in</strong>es (prongs) at one end. It<br />

is primarily used for pick<strong>in</strong>g<br />

up, hold<strong>in</strong>g, and eat<strong>in</strong>g food.<br />

Forks are essential <strong>in</strong> both food<br />

preparation and d<strong>in</strong><strong>in</strong>g. Common<br />

types <strong>in</strong>clude:<br />

- D<strong>in</strong>ner fork: Used at the d<strong>in</strong><strong>in</strong>g<br />

Image generated by ChatGPT<br />

“kitchen utensils”


table for eat<strong>in</strong>g ma<strong>in</strong> courses.<br />

- Salad fork: Typically smaller and<br />

used for eat<strong>in</strong>g salads or lighter<br />

dishes.<br />

- Dessert fork: A smaller fork used<br />

for eat<strong>in</strong>g desserts.<br />

- Serv<strong>in</strong>g fork: A larger fork used to<br />

serve food from a platter or dish.<br />

- Carv<strong>in</strong>g fork: A long, two-t<strong>in</strong>ed<br />

fork used to hold meat <strong>in</strong> place<br />

while slic<strong>in</strong>g.<br />

Forks are usually made from metal<br />

(sta<strong>in</strong>less steel, silver, etc.) but can<br />

also be found <strong>in</strong> plastic or other<br />

materials. They are often paired<br />

with knives or spoons dur<strong>in</strong>g meals.<br />

With the def<strong>in</strong>itions <strong>in</strong> place, the<br />

next step was to dive <strong>in</strong>to explor<strong>in</strong>g<br />

new iterations of these kitchen<br />

utensils us<strong>in</strong>g MidJourney. We<br />

first needed to understand how the<br />

AI <strong>in</strong>terpreted basic concepts<br />

like spoons, forks, and knives<br />

before craft<strong>in</strong>g more detailed<br />

prompts. To my surprise, the<br />

image generation took a strange<br />

turn right from the start. This<br />

might have happened s<strong>in</strong>ce I<br />

chose to explore the MidJourney<br />

website, experiment<strong>in</strong>g with<br />

its features, <strong>in</strong>clud<strong>in</strong>g levels of<br />

“weirdness” and variety to push<br />

the boundaries of design.<br />

It was fasc<strong>in</strong>at<strong>in</strong>g to analyze how<br />

the AI perceived kitchen utensils.<br />

It produced variations of spoons<br />

and other similar objects, often<br />

made from either wood or metal.<br />

However, the metal utensils<br />

consistently appeared rusty,<br />

giv<strong>in</strong>g them an aged, dirty look<br />

that felt unappeal<strong>in</strong>g. The AI also<br />

generated some misfires, where


utensils were bizarrely fused <strong>in</strong>to<br />

wooden boards, lacked handles,<br />

or seemed to resemble abstract<br />

objects that didn’t exist or serve any<br />

practical purpose.<br />

Despite ChatGPT’s clear and<br />

detailed def<strong>in</strong>itions, I assumed<br />

a simple prompt would lead to<br />

straightforward results. I was<br />

curious to explore with some<br />

vagueness, supported by the<br />

“aesthetic” sett<strong>in</strong>gs of MidJourney,<br />

know<strong>in</strong>g that more detailed prompts<br />

would yield better outcomes.<br />

As I processed images of spoons,<br />

forks, and knives, <strong>in</strong>terest<strong>in</strong>g<br />

patterns began to emerge. For<br />

<strong>in</strong>stance, when I asked for a knife,<br />

it <strong>in</strong>itially produced decorative<br />

knives that looked more suited for<br />

self-defense than food preparation.<br />

After specify<strong>in</strong>g “kitchen knife,”<br />

I received images of large knives<br />

for cutt<strong>in</strong>g vegetables, though<br />

some still carried over decorative<br />

elements from the earlier<br />

requests.<br />

When I moved on to spoons,<br />

the AI seemed to consistently<br />

reference antique, rusted spoons<br />

with decorative handles—the<br />

k<strong>in</strong>d some people might still<br />

collect today. These spoons<br />

varied <strong>in</strong> color and artistic<br />

patterns, but they were always<br />

metal, evok<strong>in</strong>g a sense of age and<br />

history.<br />

Forks, on the other hand,<br />

took a much stranger and<br />

somewhat unsettl<strong>in</strong>g turn. The<br />

AI generated forks with wildly<br />

exaggerated prongs—some


had three long, sharp t<strong>in</strong>es<br />

that looked almost dangerous,<br />

while others had five, try<strong>in</strong>g<br />

to resemble a regular fork but<br />

com<strong>in</strong>g across as offbeat. Like<br />

the spoons, these forks were<br />

mostly made of rusted metal,<br />

but they occasionally featured<br />

<strong>in</strong>tricate patterns or odd, almost<br />

sculptural assemblies.<br />

I embraced the quirk<strong>in</strong>ess as<br />

an opportunity to experiment<br />

with new variations, draw<strong>in</strong>g<br />

<strong>in</strong>spiration from specific<br />

images. One design began with<br />

a simple spiral handle on a fork,<br />

and when I tried to morph it<br />

<strong>in</strong>to a spoon, the pattern grew<br />

upwards <strong>in</strong> an unexpected way.<br />

I experimented with upscal<strong>in</strong>g<br />

and tweak<strong>in</strong>g the variations<br />

to see how the AI would<br />

complete the design, particularly<br />

focus<strong>in</strong>g on the fork’s head.<br />

Initially, it resembled a poorly<br />

photoshopped fire portal <strong>in</strong><br />

the handle, but through further<br />

remix<strong>in</strong>g and variations, it<br />

transformed <strong>in</strong>to someth<strong>in</strong>g<br />

much more elaborate—a<br />

fork adorned with jewels and<br />

<strong>in</strong>tricate patterns, more ak<strong>in</strong> to<br />

a piece of ornamental jewelry<br />

than a functional utensil.


While technically still usable,<br />

these creations blurred the<br />

l<strong>in</strong>e between functionality and<br />

art. They felt like objects to<br />

be admired rather than used,<br />

push<strong>in</strong>g the boundaries of<br />

design while still ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />

a fa<strong>in</strong>t connection to their<br />

orig<strong>in</strong>al purpose. This evolution<br />

showcased how imag<strong>in</strong>ative<br />

and surreal the process could<br />

become, offer<strong>in</strong>g a fasc<strong>in</strong>at<strong>in</strong>g<br />

look <strong>in</strong>to how far the form<br />

of everyday objects can be<br />

reimag<strong>in</strong>ed.<br />

This more artistic approach to<br />

usable utensils <strong>in</strong>spired me to<br />

explore similar outcomes with<br />

both a spoon and a knife. I<br />

crafted prompts that highlighted<br />

these characteristics, such as<br />

“metal spoon with a twisted<br />

handle and a piece of jewelry<br />

<strong>in</strong> the middle of the handle”<br />

and “a metal knife with patterns<br />

on the blade, adorned with<br />

jewelry and featur<strong>in</strong>g a textured,<br />

p<strong>in</strong>k handle.” The results were<br />

<strong>in</strong>trigu<strong>in</strong>g and aligned well with<br />

our previous fork <strong>in</strong>spiration.<br />

While the spoon designs were<br />

visually strik<strong>in</strong>g, I felt they<br />

might not be as comfortable or<br />

practical as a standard spoon


for everyday use. However, the knife truly impressed me. It took on a<br />

modern aesthetic, <strong>in</strong>corporat<strong>in</strong>g gentle curves that seemed designed for<br />

efficiency. Beyond the added embellishments, this knife ma<strong>in</strong>ta<strong>in</strong>ed its<br />

functionality while present<strong>in</strong>g a strik<strong>in</strong>gly artistic appearance. Its design<br />

beautifully balanced form and practicality, showcas<strong>in</strong>g how creativity<br />

can enhance even the most utilitarian objects.<br />

In reimag<strong>in</strong><strong>in</strong>g kitchen utensils, we uncover a wealth of creative<br />

possibilities that challenge our conventional perceptions of everyday<br />

objects. Through the lens of AI-generated imagery, we’ve explored not<br />

just the forms of spoons, forks, and knives but also the very essence of


their purpose and function.<br />

The journey revealed that even<br />

the most familiar tools can<br />

take on surpris<strong>in</strong>g and artistic<br />

dimensions, from the ornate and<br />

jeweled forks to the <strong>in</strong>tricately<br />

patterned knives.<br />

This exploration has prompted<br />

us to question what def<strong>in</strong>es a<br />

kitchen utensil. Are they merely<br />

functional tools, or can they<br />

also be vessels of creativity and<br />

expression? As we experiment<br />

with design, we push beyond<br />

traditional boundaries, <strong>in</strong>vit<strong>in</strong>g<br />

new <strong>in</strong>terpretations that blend<br />

art and utility.<br />

Ultimately, this project<br />

highlights the importance<br />

of curiosity and <strong>in</strong>novation<br />

<strong>in</strong> design. By embrac<strong>in</strong>g the<br />

unexpected and ventur<strong>in</strong>g <strong>in</strong>to<br />

the bizarre, we can transform<br />

mundane objects <strong>in</strong>to works<br />

of art, enrich<strong>in</strong>g our everyday<br />

experiences. This journey serves<br />

as a rem<strong>in</strong>der that creativity<br />

knows no limits—kitchen<br />

utensils may never look the<br />

same aga<strong>in</strong>, and perhaps that’s<br />

the most delicious outcome of<br />

all.


Luxury Rebrand<strong>in</strong>g a<br />

Fashion Brand<br />

Digital Couture: Elevat<strong>in</strong>g Mariado Guillen<br />

with AI and Balenciaga’s Influence<br />

Inmaculada Sanchez Canovas<br />

Chat GPT4, Dall-e, Midjourney<br />

In the age of AI-powered design<br />

tools, the role of creativity is<br />

evolv<strong>in</strong>g rapidly. When I was<br />

tasked with rebrand<strong>in</strong>g the onl<strong>in</strong>e<br />

fashion brand “Mariado Guillen”<br />

(@mariadoloresguillen), I saw<br />

an opportunity to explore the<br />

<strong>in</strong>tersection of AI and luxury fashion.<br />

My goal was to elevate Mariado<br />

fashion brand by tak<strong>in</strong>g <strong>in</strong>spiration<br />

from one of the most iconic names <strong>in</strong><br />

fashion: Balenciaga.<br />

Through the creative approach of AI<br />

<strong>in</strong>tegration, I focused on the brand’s<br />

identity, <strong>in</strong>clud<strong>in</strong>g logo design,<br />

cohesive visual imagery, color<br />

palette, and social media presence.<br />

Us<strong>in</strong>g AI tools like DALL-E and<br />

MidJourney, I aimed to <strong>in</strong>corporate<br />

Balenciaga’s recognizable<br />

characteristics while preserv<strong>in</strong>g the<br />

unique identity of Mariado Guillen.<br />

The rebrand<strong>in</strong>g journey illustrates<br />

how AI can be a powerful tool <strong>in</strong> the<br />

design process—allow<strong>in</strong>g creativity<br />

to expand while push<strong>in</strong>g new<br />

boundaries.


The foundation of this project was based on the prompt:<br />

“<br />

I need to rebrand a<br />

bus<strong>in</strong>ess with the help of AI.<br />

By analys<strong>in</strong>g and study<strong>in</strong>g a<br />

famous and luxury brand such<br />

as Balenciaga <strong>in</strong> order to use<br />

its recognisable characteristics<br />

to implement them <strong>in</strong> the new<br />

rebrand<strong>in</strong>g. The small fashion<br />

brand that I need to rebrand<br />

is called “Mariado Guillen”<br />

(@mariadoloresguillen on<br />

<strong>in</strong>stagram), it is an onl<strong>in</strong>e brand<br />

so I only need to focus on the<br />

brand identity. Take <strong>in</strong>spiration<br />

from Balenciaga to rebrand this<br />

small fashion brand <strong>in</strong> order to<br />

make it a luxury one. Please give<br />

me prompts to ask AI <strong>in</strong> order<br />

to achieve this. I am go<strong>in</strong>g to<br />

give these prompts to Dall-e and<br />

Midjourney..<br />

“<br />

Balenciaga’s key design elements—oversized silhouettes, m<strong>in</strong>imalistic<br />

aesthetics, and bold yet simple typography—provided a rich start<strong>in</strong>g po<strong>in</strong>t for<br />

the rebrand<strong>in</strong>g. The challenge was to reimag<strong>in</strong>e these elements <strong>in</strong> a way that<br />

aligned with Mariado Guillen’s more boutique and onl<strong>in</strong>e-focused identity<br />

while transform<strong>in</strong>g it <strong>in</strong>to a brand that exudes luxury.


Logo<br />

A brand’s logo is its most identifiable<br />

visual asset, so this was the first<br />

focus of my rebrand<strong>in</strong>g effort. I<br />

used DALL-E and MidJourney to<br />

experiment with various iterations<br />

of a new logo. Balenciaga’s bold,<br />

geometric fonts <strong>in</strong>spired me to develop<br />

a m<strong>in</strong>imalist yet powerful logo for<br />

Mariado Guillen.<br />

““<strong>Design</strong><br />

a luxury fashion logo<br />

for ‘Mariado Guillen,’ us<strong>in</strong>g<br />

clean, m<strong>in</strong>imalist typography<br />

<strong>in</strong>spired by high-end brands like<br />

Balenciaga. The logo should have<br />

a bold, modern, sans-serif font<br />

that conveys both exclusivity<br />

and avant-garde aesthetics.<br />

Include subtle design elements<br />

that symbolize <strong>in</strong>novation and<br />

sophistication. Avoid ornate<br />

details—focus on simplicity and<br />

sharpness.”<br />

“<br />

After obta<strong>in</strong><strong>in</strong>g bad results from Chat<br />

GPT4 and Midjourney. I directly<br />

asked for a typography that reflect<br />

m<strong>in</strong>imalism, boldness, and modernity;<br />

giv<strong>in</strong>g me different font families. And<br />

based on that I used Illustrator AI to<br />

play with vectors <strong>in</strong> order to create a<br />

cohesive logo.


Color Palette<br />

To create a cohesive brand identity, I<br />

focused on develop<strong>in</strong>g a color palette<br />

that would complement the luxurious<br />

aesthetic of Mariado Guillen.<br />

“<br />

Draw<strong>in</strong>g <strong>in</strong>spiration from<br />

Balenciaga’s create a color<br />

palette of five colors for a visual<br />

identity <strong>in</strong>spired <strong>in</strong> Balenciaga<br />

aesthetics, make these neutral<br />

such as black, white and beige<br />

and give me the hex code of each<br />

color.<br />

“<br />

AI-assisted color test<strong>in</strong>g allowed me<br />

to f<strong>in</strong>e-tune the shades and visualize<br />

how they would appear across various<br />

brand<strong>in</strong>g materials, from Instagram<br />

posts to the website design. The<br />

result<strong>in</strong>g palette was versatile enough<br />

to apply across different visual assets<br />

while ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g consistency.<br />

Black<br />

Hex Code: #000000<br />

White<br />

Hex Code: #FFFFFF<br />

Sandy Beige<br />

Hex Code: #D1B894<br />

Warm Taupe<br />

Hex Code: #A68A6D<br />

Soft Ivory<br />

Hex Code: #F5EFE6


“<br />

<strong>Design</strong> a fashion<br />

editorial shoot for @<br />

Mariadoloresguillen<br />

<strong>in</strong>spired by<br />

Balenciaga’s<br />

futuristic aesthetic,<br />

comb<strong>in</strong><strong>in</strong>g<br />

streetwear<br />

elements with<br />

high-fashion poses.<br />

Use muted colors,<br />

architectural<br />

backdrops, and<br />

edgy light<strong>in</strong>g.<br />

“<br />

Visual Imagery<br />

I used AI-generated imagery to create<br />

a cohesive and luxurious Instagram<br />

feed for Mariado Guillen. I focused on<br />

balanc<strong>in</strong>g model shots with accessory<br />

close-ups and product imagery, all<br />

follow<strong>in</strong>g the newly established color<br />

palette.<br />

Through various iterations, the AI<br />

helped me create a modern Instagram<br />

grid that alternated between models,<br />

accessories, and editorial shots. Each<br />

post reflected the brand’s upscale<br />

identity and gave followers an<br />

immediate sense of its ref<strong>in</strong>ed nature.<br />

AI also played a role <strong>in</strong> adjust<strong>in</strong>g and<br />

perfect<strong>in</strong>g the compositions, ensur<strong>in</strong>g a<br />

consistent look across the grid.<br />

*** These are some of the images that Midjourney and Dall-e created for me.<br />

However not the approach I was look<strong>in</strong>g for. Added text, not realistic faces, very<br />

overwhelm<strong>in</strong>g..


*** This is the aesthetic I was look<strong>in</strong>g for. However, AI would only give me black<br />

people without ask<strong>in</strong>g or mention<strong>in</strong>g anyth<strong>in</strong>g about the model’s race. After a few<br />

trials, I asked for multiracial models and more specific white race and light sk<strong>in</strong>. It<br />

kept only <strong>in</strong>clud<strong>in</strong>g black models.


Instagram Profile<br />

“<br />

Create a series of Instagram posts for the fashion brand ‘Mariado<br />

Guillen,’ <strong>in</strong>spired by Balenciaga’s m<strong>in</strong>imalist style. Use black,<br />

white, and beige tones to highlight oversized silhouettes,<br />

streetwear, and luxury aesthetics. Base these posts <strong>in</strong> the visual<br />

imagery and logo done before. Same aesthetics make it look<br />

sleek, fresh, modern and cohesive <strong>in</strong> order to obta<strong>in</strong> a good and<br />

strong visual identity.<br />

When creat<strong>in</strong>g a new<br />

Instagram profile to make<br />

the brand look more reliable<br />

and professional, it started<br />

design<strong>in</strong>g posts of only<br />

clothes on its own or just<br />

models... I asked to make<br />

the designs more sharp and<br />

updated to todays fashion<br />

with Balenciaga aesthetics.<br />

The first results were very<br />

organic because of the<br />

neutral colors I was putt<strong>in</strong>g<br />

<strong>in</strong> the prompt.<br />

F<strong>in</strong>ally, I worked with<br />

Photoshop AI and<br />

Midjourney. These gave me<br />

more images and Chat GPT4<br />

analysed them and told me<br />

where to put logos to make<br />

it more coherent. Also, it<br />

created products with the<br />

logo engraved.<br />


Website <strong>Design</strong><br />

The website’s ma<strong>in</strong> page is crucial<br />

for creat<strong>in</strong>g a strong first impression,<br />

especially for an onl<strong>in</strong>e brand like<br />

Mariado Guillen. My goal was to<br />

make the website sleek, luxurious, and<br />

user-friendly. I used AI tools to design<br />

a homepage that featured oversized<br />

visuals, m<strong>in</strong>imalist typography, and<br />

high-quality editorial images of the<br />

brand’s cloth<strong>in</strong>g and accessories.<br />

“<br />

<strong>Design</strong> a luxury fashion website<br />

homepage for Mariado Guillen,<br />

focus<strong>in</strong>g on a clean modern<br />

layout. Use an oversized<br />

image as the ma<strong>in</strong> focus and<br />

bold typography <strong>in</strong>spired by<br />

Balenciaga. Make sure you<br />

<strong>in</strong>clude the logo created before<br />

and cont<strong>in</strong>ue with the same<br />

aesthetics.<br />

“<br />

There were many fail versions of<br />

the website. Very elegant and classy<br />

style not follow<strong>in</strong>g Balenciaga’s<br />

visuals or the one just created. The AI<br />

helped ref<strong>in</strong>e the layout and balance,<br />

suggest<strong>in</strong>g where to place visuals and<br />

text for maximum impact. The result<br />

was a homepage that not only looked<br />

high-end but also had an <strong>in</strong>tuitive flow,<br />

lead<strong>in</strong>g customers seamlessly from the<br />

first glance to shopp<strong>in</strong>g.


Work<strong>in</strong>g with AI <strong>in</strong> this process wasn’t without<br />

its challenges. One of the major issues was AI’s<br />

limitations <strong>in</strong> understand<strong>in</strong>g subtle nuances,<br />

particularly when generat<strong>in</strong>g realistic textures for<br />

high-end fashion materials. Early iterations of AI<br />

outputs often lacked the ref<strong>in</strong>ement necessary for<br />

luxury brand<strong>in</strong>g.<br />

By ref<strong>in</strong><strong>in</strong>g the prompts and provid<strong>in</strong>g more<br />

specific <strong>in</strong>puts, I was able to guide the AI<br />

towards better results. In some cases, traditional<br />

design tools were needed to touch up AIgenerated<br />

images, ensur<strong>in</strong>g they met the highquality<br />

standards required for the project.<br />

The <strong>in</strong>tegration of AI <strong>in</strong> the design process<br />

for Mariado Guillen allowed for a dynamic,<br />

iterative approach to rebrand<strong>in</strong>g. By analyz<strong>in</strong>g<br />

Balenciaga’s characteristics and apply<strong>in</strong>g them<br />

with AI assistance, I was able to elevate Mariado<br />

Guillen <strong>in</strong>to a luxury brand that reflects modern<br />

elegance, sophistication, and high-fashion<br />

sensibilities.<br />

AI enhanced the workflow by enabl<strong>in</strong>g<br />

quick iterations, help<strong>in</strong>g me push creative<br />

boundaries while ensur<strong>in</strong>g the brand identity<br />

rema<strong>in</strong>ed cohesive and high-end. This project<br />

demonstrates the potential of AI <strong>in</strong> rebrand<strong>in</strong>g<br />

and how it can be used to complement human<br />

creativity, rather than replace it.


“AI CAN-NOT MAKE MISTAKES”<br />

Project name: Test<strong>in</strong>g AI platforms’ capabilities for conduct<strong>in</strong>g text<br />

based research<br />

Authors: Alex Boubou<br />

Tools and platforms used: ChatGPT 4o, Claude.ai 3.5 Sonnet, Claude.<br />

ai 3 Opus, Grok 2 beta.<br />

Summary of the project and process:<br />

This project aims to explore the current capabilities of generative AI<br />

<strong>in</strong> research processes for writ<strong>in</strong>g (both academic and journalistic are<br />

tested out). The project will explore three different processes of creation<br />

us<strong>in</strong>g AI, with various levels of user <strong>in</strong>tegration; the first is data<br />

generated by AI and free decision-mak<strong>in</strong>g by humans, the second<br />

is data generated by AI and structured decision-mak<strong>in</strong>g by humans,<br />

while the third is data and decision-mak<strong>in</strong>g generated by AI only. The<br />

end result aims to analyze the processes used by AI currently to conduct<br />

research, and to identify serious shortcom<strong>in</strong>gs <strong>in</strong> the outcomes.<br />

2


STEP 0: WHAT TO EXPLORE?<br />

“Verify its’ outputs”, “Double-check its’ responses”, and<br />

“Check important <strong>in</strong>fo”, among others; phrases anyone<br />

who’s used generative AI platforms has seen next to the<br />

<strong>in</strong>put textbox, almost like a f<strong>in</strong>e-pr<strong>in</strong>t similar to those<br />

that are on cigarette packs, alcohol advertisments and<br />

gambl<strong>in</strong>g promotional materials. Perhaps it is a way for<br />

developers to absolve themselves from the responsibility<br />

that may arise of one of their creations’ responses<br />

be<strong>in</strong>g escalated to grounds for legal actions? It is there<br />

accompanied with the phrase “[<strong>in</strong>sert platform here]<br />

can make mistakes”, and AI famously has and still does<br />

so; <strong>in</strong>accurate <strong>in</strong>formation, biased sources, or ones that<br />

do not exist at all. Unfortunately, a lot of people are still<br />

not aware of AI’s limitations when it comes to provid<strong>in</strong>g<br />

correct and accurate <strong>in</strong>formation, and use it without<br />

cross-check<strong>in</strong>g or verification. This project aims to<br />

see the full unchecked potential (correct or not) of AI<br />

when it comes to research - a process that has always<br />

required special rigor <strong>in</strong> its execution. What happens<br />

when AI is given more freedom <strong>in</strong> journalistic research?<br />

What happens when AI biases are left unchecked?<br />

What happens if AI research if founded on <strong>in</strong>accurate,<br />

or even false data? How do AI platforms synthesize their<br />

conclusions (if at all)? Where do different AI platforms<br />

“source their bias” from? How do AI platforms respond<br />

to self-criticism and scrut<strong>in</strong>y? Perhaps some of these<br />

questions will go unanswered while others will appear.<br />

It is important to note that this research has generated<br />

<strong>in</strong> total over 100,000 words; it is nearly impossible to<br />

condense everyth<strong>in</strong>g <strong>in</strong>to 12 pages, so you can make use<br />

of the l<strong>in</strong>ks that will appear on the right side<br />

to reference certa<strong>in</strong> processes and essays. This first l<strong>in</strong>k<br />

is to the Google Drive folder conta<strong>in</strong><strong>in</strong>g all the documents,<br />

which will be referenced as I go along this process.<br />

Which look like this:<br />

t<strong>in</strong>yurl.com/53b4u6az<br />

3


STEP 1: WHAT WILL IT RESEARCH AND HOW?<br />

The ma<strong>in</strong> topic that came to my m<strong>in</strong>d was progress and reform<br />

- nowadays a topic controversial enough that the AIs would have<br />

enough <strong>in</strong>formation from both sides to (hopefully) synthesize some<br />

good arguments. From my own perspective, it’s a topic that I found<br />

very <strong>in</strong>terest<strong>in</strong>g, because of its’ complex implications across multiple<br />

fields, of which I wanted to focus primarily on ones I have some<br />

knowledge <strong>in</strong> - design, politics, and culture; This way, the process of<br />

double check<strong>in</strong>g AIs responses becomes somewhat easier for me<br />

later down the l<strong>in</strong>e.<br />

I also had to def<strong>in</strong>e an early-stage process of how I wanted the<br />

AIs to approach the topic, and how to structure it so I can later on<br />

analyze the process of generation and the outcomes. Initially, s<strong>in</strong>ce I<br />

did not know the full capabilities of AI <strong>in</strong> this regard, decided to just<br />

stick with experiment<strong>in</strong>g to see how deep or diverse can AIs go with<br />

examples and research. Before buy<strong>in</strong>g the premium subscriptions, I<br />

did a process of AI bra<strong>in</strong>storm<strong>in</strong>g with ChatGPT to ref<strong>in</strong>e a question<br />

that the AIs need to try to answer (as seen below, taken directly<br />

from my Miro workspace).<br />

4<br />

The f<strong>in</strong>al form of the question that I will use is:<br />

“What impact have globalization and advancement <strong>in</strong><br />

communication technologies on shap<strong>in</strong>g cultural trends, design<br />

<strong>in</strong>novation, and political discouse <strong>in</strong> recent decades?”<br />

and so it beg<strong>in</strong>s.


STEP 2: THE EXPERIMENT<br />

After generat<strong>in</strong>g my topic question, and purchas<strong>in</strong>g the<br />

necessary subscriptions, I did the first test to generate as<br />

many subtopics and subsequent examples as possible that<br />

ChatGPT can use for the research process.<br />

I asked Charles (yes, I renamed my ChatGPT to Charles.)<br />

to generate subtopics correspond<strong>in</strong>g to each of the three<br />

areas (cultural trends, design <strong>in</strong>novation, and political<br />

discourse), to which it generated 12 total. I asked it to<br />

generate more and split them accord<strong>in</strong>g to their impact,<br />

and the number climbed to 28. Want<strong>in</strong>g to ensure that<br />

the subtopics it picks for analysis are controversial<br />

enough, I asked Charles to tell me which ones it deemed<br />

controversial, and it gave me 5 criteria for controversy<br />

(diverse <strong>in</strong>terpretations, ethical dilemmas, social impact,<br />

political sensitivity, and cultural sensitivity). I tried to<br />

compare my own view of the subtopics that I considered<br />

controversial, but found myself stuck try<strong>in</strong>g to dist<strong>in</strong>guish<br />

granular nuance. After I got myself entangled try<strong>in</strong>g to see<br />

if I agree with Charles’s choices, I realized I needed to take<br />

a step back and focus on generation first, and focus on<br />

creat<strong>in</strong>g a proof-of-concept at this stage.<br />

For full process:<br />

2-10_R_CHATGPT_<br />

SUBTOPIC-<br />

GENERATION<br />

t<strong>in</strong>yurl.com/7fsyf22c<br />

To create that proof, I decided to take a s<strong>in</strong>gular example<br />

out of these subtopics and focus on synthesiz<strong>in</strong>g an essay<br />

out of it. I selected “African Artists on Social Media”, under<br />

“Empowerment of Local Art and Voices”, itself under<br />

Cultural Trends.<br />

Platforms like Instagram have empowered African artists to<br />

share their work globally, but this has also led to concerns about<br />

appropriation or exploitation when elements of their art are used<br />

without permission by Western designers.<br />

I decided to use the 5 whys method to see how far it can<br />

take its own reason<strong>in</strong>g beh<strong>in</strong>d the controversy. I th<strong>in</strong>k this<br />

may be key to unlock<strong>in</strong>g biases. It did the process well,<br />

more than doubl<strong>in</strong>g the amount of text analysis by the last<br />

iteration, and produc<strong>in</strong>g some useful <strong>in</strong>sight.<br />

5


And it did it pretty well. The only prompt used between these was “why?”<br />

When I started ask<strong>in</strong>g it for<br />

sources and examples of<br />

media articles talk<strong>in</strong>g about<br />

the topics, th<strong>in</strong>gs started<br />

go<strong>in</strong>g south. It first generated<br />

unclickable hyperl<strong>in</strong>ks,<br />

followed by a series of<br />

paywalled F<strong>in</strong>ancial Times<br />

articles that it refused me to<br />

give me the l<strong>in</strong>ks to, followed<br />

by clickable l<strong>in</strong>ks that turned<br />

out to be non-existent articles.<br />

Back at square one.<br />

Fortunately, I figured it was a question of what type of source am I<br />

request<strong>in</strong>g from it; I changed it to academic and high quality sources<br />

and was able to f<strong>in</strong>d better quality sources (that actually exist). I<br />

noticed that most articles Charles provided were from Spr<strong>in</strong>gerL<strong>in</strong>k.<br />

F<strong>in</strong>ally, I managed to synthesize an essay out of the argument and<br />

research titled “Navigat<strong>in</strong>g the Global Art Market: The Rise and<br />

Challenges of African Artists on Social Media”.<br />

My next step would be to codify the research process after the test<br />

(which was actually successful!) and add some elements that I may<br />

have missed earlier.<br />

6


STEP 3: THE STANDARDIZED PROCESS<br />

The process I def<strong>in</strong>ed for use by the AI platforms was:<br />

1. def<strong>in</strong>e relevant subtopics to explore (negative and<br />

positive) with<strong>in</strong> each of the three fields<br />

2. def<strong>in</strong>e criteria for select<strong>in</strong>g controversial subtopics<br />

3. select 1 or 2 subtopics for each field considered<br />

controversial accord<strong>in</strong>g to the criteria, expla<strong>in</strong><strong>in</strong>g<br />

which criteria each subtopic fits and how many<br />

4. on each subtopic, provide a list of relevant academic/<br />

high-quality sources that discuss its implications<br />

5. identify any examples about the subtopics mentioned<br />

6. f<strong>in</strong>d media articles talk<strong>in</strong>g about the examples and<br />

synthesize a narrative about them (separately).<br />

7. do the 5 why’s analysis method; connect each<br />

example with the sources about the controversial<br />

subtopics by ask<strong>in</strong>g “what could be the base of the<br />

controversy/criticism <strong>in</strong> this case?”<br />

8. iterate 4 times “why?” and deepen the analysis<br />

9. l<strong>in</strong>k the 5 layers of analysis to articles/sources<br />

10. synthesize an essay about the whole topic that<br />

answers the pre-def<strong>in</strong>ed question, about a 20 m<strong>in</strong>s<br />

read (2000 words).<br />

Now it was time to try this on ChatGPT aga<strong>in</strong>, to see how<br />

on-topic it can stay dur<strong>in</strong>g the research process. While it<br />

was much easier than hav<strong>in</strong>g to decide the next step on<br />

the fly, it sometimes presented cont<strong>in</strong>uity errors; several<br />

times I had to ask it to re-do a certa<strong>in</strong> step because it<br />

forgot to analyze one of its previous answers, or because<br />

it forgot how to count to 6. At that stage I also decided<br />

to just stick with academic APA citations, as the citation<br />

system employed by ChatGPT was faulty at times.<br />

The f<strong>in</strong>al article, which took some iterations to figure<br />

out how to extend its length (a recurr<strong>in</strong>g issue from here<br />

on out) and make it less structured and rigid, was given<br />

the very orig<strong>in</strong>al title: Globalization, Communication<br />

Technologies, and Their Impact on Culture, <strong>Design</strong>, and<br />

Politics.<br />

For full process:<br />

5-10_R_CHATGPT_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/2h949hhz<br />

For full essay:<br />

2-10_E_CHATGPT_<br />

AFRICAN-ART<br />

t<strong>in</strong>yurl.com/2y63x4tz<br />

For full essay:<br />

5-10_E_CHATGPT_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/4ybw4vam<br />

7


I had not worked with neither Claude nor Grok before - I knew<br />

Claude was famous for be<strong>in</strong>g more restricted than ChatGPT as<br />

it doesn’t have access to the <strong>in</strong>ternet, and that Grok -<strong>in</strong>famously<br />

owned by Elon Musk’s X, formerly Twitter- is <strong>in</strong>famously capable<br />

of generat<strong>in</strong>g politically <strong>in</strong>correct content. So, I decided to put the<br />

process to test.<br />

Consider<strong>in</strong>g the process I came up with worked for ChatGPT,<br />

I wanted to see how it can be adapted to Claude’s limitations.<br />

One th<strong>in</strong>g I liked about Claude was its transparency <strong>in</strong> how its<br />

restrictions affect it:<br />

I’m not able to reliably reference or cite specific articles. If I mention or<br />

seem to cite particular articles, papers, or books, it’s important to note<br />

that I don’t have access to a search function or database to verify these<br />

references. In such cases, I may <strong>in</strong>advertently generate or “halluc<strong>in</strong>ate”<br />

citations that seem plausible but may not be accurate.<br />

But that’s exactly what I want to test out. Claude adapted the<br />

process to use generalized examples, and general topics <strong>in</strong>stead of<br />

citations. The execution itself was rather smooth, and the end result<br />

was more compell<strong>in</strong>g than ChatGPT’s at first glance.<br />

Grok, on the other hand... was a struggle. I do have to admit that I<br />

do carry an <strong>in</strong>herent bias aga<strong>in</strong>st Grok as a product of Elon Musk’s<br />

rebranded Twitter, but I needed to give it the benefit of the doubt.<br />

8<br />

A challenge, no doubt. I had to stop and readjust the process<br />

several times, and the end result was such low quality that I decided<br />

to use Grok only for scrut<strong>in</strong>ization down the l<strong>in</strong>e.


STEP 4: DE-STANDARDIZED PROCESS<br />

I felt like I hit a dead end with the quality of the work; it<br />

seemed like there was not much to discuss or analyze.<br />

That moment I realized that by sett<strong>in</strong>g the process myself,<br />

I was box<strong>in</strong>g-<strong>in</strong> the AIs capabilities; I was test<strong>in</strong>g its’ ability<br />

to follow a process, not create one. Therefore, I needed<br />

to give the AIs the question and see how they go about<br />

answer<strong>in</strong>g them. This time, I will be us<strong>in</strong>g ChatGPT and<br />

Claude (this time us<strong>in</strong>g both 3.5 Sonnet and 3 Opus,<br />

apparently more adept at writ<strong>in</strong>g long texts).<br />

This way, I will have 3 different processes to scrut<strong>in</strong>ize,<br />

which hopefully will generate a lot of <strong>in</strong>sight.<br />

ChatGPT not only generated a very comprehensive<br />

process, but it also conducted some very <strong>in</strong>terest<strong>in</strong>g<br />

quantitative research. The quality of sources it provided<br />

seemed to have <strong>in</strong>creased a lot s<strong>in</strong>ce the last trial.<br />

It honestly scared me a bit; If this is the level at which<br />

ChatGPT is already operat<strong>in</strong>g, research is only bound to<br />

get better from here. However, one th<strong>in</strong>g I noticed<br />

is that it does not know how expla<strong>in</strong> that quantitative<br />

research, nor provide concrete sources, which raises<br />

questions as to whether it is actually conduct<strong>in</strong>g analysis<br />

of trends <strong>in</strong> real-time or just rely<strong>in</strong>g on its tra<strong>in</strong><strong>in</strong>g data<br />

to achieve it. It based most of its analysis on 3 theories;<br />

Arjun Appadurai’s Global Cultural Flow, Manuel Castells’<br />

Network Society, and Marshall McLuhan’s Global Village.<br />

(This will be relevant later).<br />

The essay itself took some iterations to figure out how<br />

to work <strong>in</strong> the references, as well as length (it generated<br />

barely half the length I asked it to, a surpris<strong>in</strong>gly common<br />

problem with AIs), but it was more coherent and had<br />

a much stronger basis than the first two examples I<br />

generated. I th<strong>in</strong>k the “academic” approach makes the<br />

process more rigorous for the AI, so hopefully this trend<br />

cont<strong>in</strong>ues with Claude (Sonnet and Opus).<br />

For full process:<br />

5-10_R_CLAUDE_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/mrxn5r4c<br />

For full process:<br />

7-10_R_CHATGPT_<br />

SELF-GUIDED<br />

t<strong>in</strong>yurl.com/5bfzen23<br />

For full essay:<br />

5-10_E_CLAUDE_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/5n87h8sx<br />

For full process:<br />

6-10_R_GROK_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/sf7msuv3<br />

For full essay:<br />

7-10_E_CHATGPT_<br />

SELF-GUIDED<br />

t<strong>in</strong>yurl.com/54zfk72w<br />

For full essay:<br />

6-10_E_GROK_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/5a3jr5rd<br />

9


The 2 Claude versions had very different approaches to this process<br />

(for reference, the exact same prompts were used with both of<br />

them). Claude Sonnet orig<strong>in</strong>ally focused on giv<strong>in</strong>g a methodology<br />

that I can execute myself, before attempt<strong>in</strong>g to adapt the process to<br />

its <strong>in</strong>ternet limitation. It then gave a very detailed explanation of what<br />

it was go<strong>in</strong>g to do, focus<strong>in</strong>g on historical trends and comparative<br />

analysis, and surpris<strong>in</strong>gly enough, created its own theoretical<br />

framework that it named The Global Tech-Culture Nexus, that it<br />

used to build the model of analysis dur<strong>in</strong>g the research stage. It also<br />

had a much wider variety of sources and theories as a base.<br />

The essay itself was of good quality, but the word count problem<br />

was still persistent; this time, it <strong>in</strong>flated the wordcount <strong>in</strong> the<br />

<strong>in</strong>terface to twice as long.<br />

10<br />

Claude 3 Opus was touted as “excell<strong>in</strong>g at writ<strong>in</strong>g and complex<br />

tasks”, so I was <strong>in</strong>terested <strong>in</strong> the difference between both;<br />

Unfortunately, I was left rather disappo<strong>in</strong>ted. The process of<br />

generation felt like black-box; I prompted it several times to expla<strong>in</strong><br />

to me its research process, and the most I got out of it was about<br />

4 pages of very brief research, as opposed to Claude 3.5 Sonnet’s<br />

20. Obviously, amount of pages does not <strong>in</strong>dicate the research’s<br />

quality, but the research process seemed much shallower; it had<br />

half as many references as Claude Sonnet, and based most of its<br />

research seem<strong>in</strong>gly on 5 or 6 theories, among which were Arjun<br />

Appadurai’s Global Cultural Flow, Manuel Castells’ Network Society,<br />

and Marshall McLuhan’s Global Village, aga<strong>in</strong>. The essay took a few<br />

sw<strong>in</strong>gs at deep analysis, but it seemed that it missed the mark for<br />

the most part.<br />

With this, I had gathered enough materials, time to move to scrut<strong>in</strong>y.


STEP 5: THE ANALYSIS/SCRUTINY<br />

At this po<strong>in</strong>t, I had generated over 90k words <strong>in</strong> research<br />

and essays; there is unfortuantely no way I can cover all of<br />

that <strong>in</strong> my analysis, therefore I had to get very picky with<br />

what to analyze. I already knew what I had to <strong>in</strong>vestigate;<br />

the biases of the article, how thorough is the research,<br />

how good it is at reach<strong>in</strong>g conclusions and synthesiz<strong>in</strong>g<br />

arguments, and how coherent is the essay overall (and<br />

whether there are any tangents).<br />

I decided to ref<strong>in</strong>e the criteria and make them uniform<br />

across all tests, and it came down to the follow<strong>in</strong>g:<br />

1a. How correctly/accurately it discusses the topic<br />

1b. How many tangents it goes on<br />

2. How they agree with the argument and why<br />

3. How coherent is the argument and shortcom<strong>in</strong>gs<br />

4. How deep is the research and any shortcom<strong>in</strong>gs<br />

5. How biased is the essay (even if subtle)<br />

6. How thorough are the references and citations,<br />

and whether the sources actually exist<br />

7. What alternative argument would they provide<br />

8. What alternative sources can they provide<br />

For full process:<br />

9-10_R_CLAUDE_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/39rx6py7b<br />

For full process:<br />

9-10_E_CLAUDE_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/yc735w3b<br />

To conduct this analysis, I decided to scrut<strong>in</strong>ize <strong>in</strong> 4<br />

different ways; self-scrut<strong>in</strong>y (the AIs criticize their own<br />

creations), cross-scrut<strong>in</strong>y (the AIs criticize each other’s<br />

work), personal-scrut<strong>in</strong>y (I criticize the work of all AIs),<br />

and f<strong>in</strong>ally, Grok-scrut<strong>in</strong>y (runn<strong>in</strong>g the essays through<br />

Grok and see<strong>in</strong>g the extreme criticism it could provide).<br />

For full process:<br />

9-10_R_CLAUDE-O_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/4nke4nbr<br />

I was <strong>in</strong> particular look<strong>in</strong>g forward to see Grok’s analysis -<br />

I had experimented with generat<strong>in</strong>g critiques from various<br />

ideological persepctives of an earlier creation from<br />

Claude Sonnet, and it was able to generate more than<br />

25 different criticisms based <strong>in</strong> certa<strong>in</strong> ideologies and<br />

movements, rang<strong>in</strong>g from the extreme left (anti-capitalist<br />

and Marxist) to extreme right (ultranationalist and ecofascist),<br />

and even fr<strong>in</strong>ge ideologies (neo-luddite, technogaianist(?),<br />

and f<strong>in</strong>ally radical transhumanist), so I asked it<br />

to generate the questions for the scrut<strong>in</strong>y process.<br />

For full process:<br />

7-10_R_GROK_<br />

SCRUTINY<br />

t<strong>in</strong>yurl.com/2hf3yut9<br />

For full essay:<br />

9-10_E_CLAUDE-O_<br />

ONESHOT<br />

t<strong>in</strong>yurl.com/y6xt7w73<br />

11


12<br />

Top to bottom:<br />

1. Self scrut<strong>in</strong>y<br />

2. Cross-scrut<strong>in</strong>y<br />

(ChatGPT analyzed<br />

both version of<br />

Claude, Claude<br />

Sonnet analyzed<br />

ChatGPT)<br />

3. Grok scrut<strong>in</strong>y<br />

4. Personal scrut<strong>in</strong>y<br />

(first 6 po<strong>in</strong>ts)


For reference, the rows represent criticism of the self-guided essays by Claude<br />

Sonnet, Claude Opus and Chat GPT, respectively. The 8 columns correspond to<br />

the aforementioned po<strong>in</strong>ts of analysis (left to right). Colors represent depth of<br />

<strong>in</strong>sight (green - noth<strong>in</strong>g to fix, yellow - some issues, red - major issues)<br />

STEP 6: THE CONCLUSIONS<br />

To try and answer some earlier and some new questions;<br />

What happens when AI is given more freedom <strong>in</strong> journalistic<br />

research? It has a case of tunnel vision - only search<strong>in</strong>g for<br />

sources that answer the exact question, and hardly deviat<strong>in</strong>g.<br />

What happens when AI biases are left unchecked? How good<br />

is it at diversify<strong>in</strong>g its sources? It’s rely<strong>in</strong>g on its tra<strong>in</strong><strong>in</strong>g data,<br />

mostly sourced from Western, English-language perspectives,<br />

so it will generate th<strong>in</strong>gs that align with such views, ignor<strong>in</strong>g the<br />

diversity of sources and cases available on the <strong>in</strong>ternet.<br />

How do AI platforms synthesize their conclusions (if at all)?<br />

Some try to deep dive <strong>in</strong>to specific sources, some stick to<br />

general knowledge and not elaborate on their process.<br />

How accurate can AI be at “verify<strong>in</strong>g its’ outputs”? Not very<br />

accurate, especially <strong>in</strong> rigorous processes like referenc<strong>in</strong>g,<br />

perhaps it is due to the restrictions on what to generate.<br />

For full process:<br />

11-10_R_ALL_SELF-<br />

SCRUTINY<br />

t<strong>in</strong>yurl.com/22dpj8w8<br />

For full process:<br />

11-10_R_ALL_CROSS-<br />

SCRUTINY<br />

t<strong>in</strong>yurl.com/2r6nb7jj<br />

How capable is AI of generat<strong>in</strong>g comprehensive research<br />

plans? Very capable. It has access to tons of research and<br />

methodologies, it can synthesize one very easily.<br />

Is AI go<strong>in</strong>g to replace researchers soon? I don’t th<strong>in</strong>k so, it is a<br />

very helpful tool <strong>in</strong> access<strong>in</strong>g knowledge more efficiently, but<br />

it either has a very narrow focus, or an unlimited process of<br />

research. It still struggles with alternative perspectives, and<br />

until the issue of accessbility of sources is resolved (which will<br />

<strong>in</strong>evitably happen), there is still so much that requires scrut<strong>in</strong>y<br />

and fact-check<strong>in</strong>g.<br />

For full process:<br />

11-10_R_ALL_GROK-<br />

SCRUTINY<br />

t<strong>in</strong>yurl.com/2b4dkaav<br />

What happens if AI research if founded on <strong>in</strong>accurate, or even<br />

false data? It still generates the <strong>in</strong>formation, sometimes not<br />

even <strong>in</strong>dicat<strong>in</strong>g the need for revision. Perhaps it is the reason<br />

for the “[<strong>in</strong>sert platform here can make mistakes”, always<br />

present next to the <strong>in</strong>put textboxes,<br />

13


Harmonics of the Future:<br />

Comparative Study of AI Music Production<br />

Project name: Music Production & <strong>Artificial</strong> <strong>Intelligence</strong><br />

Authors: Jean Ignace Noble & Lisa Grish<strong>in</strong>a<br />

Tools and platforms used: ChatGPT-4, Udio, Synthia, Aitubo,<br />

Suno Ai, Soundraw<br />

Summary of the project and process:<br />

<strong>Artificial</strong> <strong>Intelligence</strong> is rapidly<br />

transform<strong>in</strong>g the landscape<br />

of music production, offer<strong>in</strong>g<br />

new tools for creativity and<br />

<strong>in</strong>novation. From compos<strong>in</strong>g<br />

melodies to stem separation,<br />

AI has become an <strong>in</strong>tegral part<br />

of the modern music <strong>in</strong>dustry.<br />

Historically, music composition<br />

has been a deeply human<br />

endeavour, requir<strong>in</strong>g emotional<br />

<strong>in</strong>sight, technical skill, and<br />

artistic vision. However, with the<br />

advent of AI, these traditional<br />

processes are be<strong>in</strong>g augmented<br />

or, <strong>in</strong> some cases, completely<br />

automated by algorithms capable<br />

of generat<strong>in</strong>g everyth<strong>in</strong>g from<br />

simple melodies to symphonic<br />

masterpieces. However, how<br />

many of these AI platforms can<br />

be considered <strong>in</strong>dependent from<br />

external music production tools?<br />

In this project we explore the<br />

evolution of AI <strong>in</strong> music and<br />

exam<strong>in</strong>e several key AI platforms<br />

designed to generate music<br />

pieces. The tools that we will<br />

be us<strong>in</strong>g are: Aitubo, Suno AI,<br />

Soundraw, Udio and Synthia.<br />

We will evaluate their features,<br />

strengths, and limitations. The<br />

purpose is to highlight how<br />

these technologies differ <strong>in</strong> their<br />

approach to composition, and to<br />

assess how good they actually<br />

are at mak<strong>in</strong>g music.<br />

As AI cont<strong>in</strong>ues to expand its<br />

role <strong>in</strong> music, understand<strong>in</strong>g the<br />

capabilities and nuances of these<br />

tools is essential for musicians,<br />

producers, and enthusiasts<br />

alike. This comparative analysis<br />

will provide a clearer view of<br />

the current state of AI music<br />

technology, its potential to<br />

reshape music production, and<br />

what the future might hold for<br />

this evolv<strong>in</strong>g field.<br />

2


3


METHODOLOGY<br />

For this analysis, we evaluated<br />

five AI music platforms—Aitubo,<br />

Suno AI, Soundraw, Udio,<br />

and Synthia—by attempt<strong>in</strong>g<br />

to create a melodic techno<br />

track <strong>in</strong> the style of Afterlife.<br />

Each platform was tested<br />

on various criteria: ease of<br />

use, customization options,<br />

generation speed, quality,<br />

accuracy, supported file<br />

formats, and pric<strong>in</strong>g models.<br />

Ease of use referred to how<br />

<strong>in</strong>tuitive and user-friendly we<br />

found each tool. We considered<br />

how quickly we could start<br />

generat<strong>in</strong>g music and navigate<br />

the features without prior<br />

experience with the platform.<br />

We timed each tool to determ<strong>in</strong>e<br />

the generation speed, track<strong>in</strong>g<br />

how long it took for each platform<br />

to produce a piece of music after<br />

the user’s <strong>in</strong>put was submitted.<br />

Given the genre’s complexity,<br />

this was particularly relevant for<br />

assess<strong>in</strong>g how efficient each AI<br />

tool was <strong>in</strong> creat<strong>in</strong>g layered and<br />

atmospheric melodic techno<br />

tracks.<br />

Quality, although subjective,<br />

was an important factor <strong>in</strong><br />

our evaluation. We rated how<br />

well each platform’s output<br />

matched the standards of the<br />

melodic techno genre, evaluat<strong>in</strong>g<br />

the depth of sound, melodic<br />

coherence, and overall aesthetic<br />

appeal. Each track was rated on<br />

a scale from 1 to 10, where 10<br />

<strong>in</strong>dicated that we loved it and 1<br />

<strong>in</strong>dicated that we hated it.<br />

Customization focused on<br />

the level of control users had<br />

over the AI-generated content,<br />

particularly <strong>in</strong> terms of modify<strong>in</strong>g<br />

and tweak<strong>in</strong>g elements like<br />

tempo, melody, and <strong>in</strong>struments<br />

to achieve a desired sound.<br />

4<br />

Accuracy was rated similarly,<br />

based on how well the AI<br />

<strong>in</strong>terpreted our prompt and<br />

whether the generated music<br />

aligned with the user’s chosen<br />

sett<strong>in</strong>gs—such as tempo, mood,<br />

and genre. This accuracy was<br />

also rated on a scale from 1 to 10,<br />

with 10 be<strong>in</strong>g perfectly accurate<br />

and 1 <strong>in</strong>dicat<strong>in</strong>g that it was not<br />

accurarate at all.accurate at all.


Supported file formats were<br />

another key consideration, as we<br />

documented which formats each<br />

tool allowed for download<strong>in</strong>g<br />

the f<strong>in</strong>al track. We looked for<br />

commonly used formats like<br />

WAV, MP3, and MIDI, which are<br />

essential for further edit<strong>in</strong>g and<br />

<strong>in</strong>tegration <strong>in</strong>to professional<br />

music production workflows.<br />

F<strong>in</strong>ally, we analyzed the<br />

pric<strong>in</strong>g models offered by each<br />

platform, compar<strong>in</strong>g free trials,<br />

subscription plans, and one-time<br />

purchases. We assessed the<br />

value of each pric<strong>in</strong>g tier, not<strong>in</strong>g<br />

if significant features were locked<br />

beh<strong>in</strong>d paywalls and whether the<br />

free versions allowed sufficient<br />

creative flexibility.<br />

Throughout the test<strong>in</strong>g, we<br />

made additional observations<br />

about platform stability, the<br />

presence of any bugs, and unique<br />

features like AI-driven presets or<br />

<strong>in</strong>tegration with third-party tools.<br />

These <strong>in</strong>sights helped us provide<br />

a comprehensive evaluation<br />

of each tool’s strengths and<br />

limitations for generat<strong>in</strong>g<br />

Afterlife-style melodic techno<br />

tracks while highlight<strong>in</strong>g key<br />

differences <strong>in</strong> their approach to<br />

AI-driven music production.<br />

As part of our evaluation, we<br />

also gathered the best three<br />

tracks produced by each<br />

platform, along with a bonus<br />

track from Udio that we found<br />

amus<strong>in</strong>g. These tracks are<br />

attached at the end of the<br />

article for reference.<br />

5


AITUBO<br />

Aitubo proved to be a relatively accessible<br />

platform, although it offered the fewest free song<br />

creations before requir<strong>in</strong>g users to purchase a plan.<br />

This limitation might be frustrat<strong>in</strong>g for those want<strong>in</strong>g<br />

to experiment with multiple tracks before committ<strong>in</strong>g<br />

to a subscription. However, the platform provided a<br />

straightforward user experienceoverall.<br />

Ease of use<br />

Aitubo was simple and <strong>in</strong>tuitive.<br />

We encountered no issues while<br />

navigat<strong>in</strong>g the platform, and the<br />

track generation process was<br />

clear from the outset. Even for<br />

users with no prior experience,<br />

the platform was easy to<br />

handle, mak<strong>in</strong>g it friendly for both<br />

beg<strong>in</strong>ners and more<br />

seasoned producers.<br />

Generation Speed<br />

Aitubo took about 5 to 6 m<strong>in</strong>utes<br />

to produce a piece of music. This<br />

was slower compared to the<br />

other platforms we tested, but<br />

the slightly longer wait time<br />

resulted <strong>in</strong> a track that aligned<br />

reasonably well with the<br />

given prompt.<br />

Customisation Options<br />

Aitubo offered two modes:<br />

simple mode and custom mode.<br />

In simple mode, users could<br />

enter a text prompt and choose<br />

between <strong>in</strong>strumental tracks or<br />

tracks with lyrics. Custom mode<br />

provided more options for<br />

personalization, allow<strong>in</strong>g users<br />

to write their own lyrics or assign<br />

a specific title <strong>in</strong> addition to the<br />

prompt. While this offered some<br />

flexibility— especially for lyrical<br />

content—the level of<br />

customization was somewhat<br />

limited compared to other<br />

platforms that allowed more d<br />

etailed control over musical<br />

elements like tempo,<br />

arrangement, and<br />

<strong>in</strong>strumentation.<br />

6


Quality of the output<br />

The track was polished and the<br />

production value was decent,<br />

mak<strong>in</strong>g it satisfy<strong>in</strong>g overall. The<br />

first attempt was the closest<br />

to our <strong>in</strong>tended style out of all<br />

the platforms we used. However,<br />

despite this, the track felt somewhat<br />

generic—both <strong>in</strong>strumentally<br />

and lyrically. While it was<br />

well-produced, it lacked orig<strong>in</strong>ality<br />

and depth, sound<strong>in</strong>g like someth<strong>in</strong>g<br />

we had heard many times<br />

before rather than a fresh take on<br />

melodic techno.<br />

Supported formats<br />

Aitubo allowed downloads <strong>in</strong> MP3<br />

and MP4, which are suitable for<br />

basic uses but may be limit<strong>in</strong>g for<br />

those who need higher-quality<br />

formats like WAV for more advanced<br />

production work.<br />

Accuracy of thew Output<br />

We rated the output a 7/10. The<br />

platform did a good job of <strong>in</strong>terpret<strong>in</strong>g<br />

the prompt, deliver<strong>in</strong>g<br />

catchy lyrics and a pleasant piano<br />

sound, with a solid bass l<strong>in</strong>e to<br />

support it. The structure <strong>in</strong>cluded<br />

a short <strong>in</strong>tro but lacked the longer,<br />

more atmospheric outro typical<br />

of the melodic techno genre.<br />

Though not a perfect match for<br />

the Afterlife style, it came closer<br />

than most, but still leaned more<br />

toward ma<strong>in</strong>stream EDM than<br />

true melodic techno.<br />

Overall<br />

We Aitubo stood out for its ease<br />

of use and reasonably good<br />

output quality and accuracy.<br />

However, it fell short <strong>in</strong> terms of<br />

customization options, which are<br />

essential for craft<strong>in</strong>g a truly<br />

authentic melodic techno track.<br />

7


Ease of use<br />

SOUNDRAW<br />

Soundraw offers unique customization options,<br />

allow<strong>in</strong>g users to select the key and BPM of their<br />

songs, which adds a degree of control over the music<br />

creation process. However, the platform does not<br />

allow users to create specific prompts, result<strong>in</strong>g <strong>in</strong> a<br />

less personalized experience. Overall, Soundraw was<br />

the most average of the AI music platforms tested; it<br />

embodies the def<strong>in</strong>ition of “okay,” provid<strong>in</strong>g an experience<br />

that is neither particularly good nor bad.<br />

Soundraw was one of the more<br />

challeng<strong>in</strong>g platforms we tested,<br />

especially <strong>in</strong> terms of ease of use.<br />

The <strong>in</strong>terface felt chaotic and un<strong>in</strong>tuitive,<br />

mak<strong>in</strong>g it difficult to understand<br />

the function of each element<br />

at first. We found ourselves rely<strong>in</strong>g<br />

on trial and error to navigate the<br />

platform, which resulted <strong>in</strong> a steeper<br />

learn<strong>in</strong>g curve than we expected.<br />

Over time, we adapted, but it wasn’t<br />

as user-friendly as other tools we<br />

worked with.<br />

Generation Speed<br />

Generation speed was nearly<br />

<strong>in</strong>stant s<strong>in</strong>ce Soundraw operates<br />

with pre-generated music. This<br />

was a significant advantage <strong>in</strong><br />

terms of time efficiency, but we<br />

quickly realised that the platform<br />

reuses tracks across users. We<br />

received the exact same song <strong>in</strong><br />

different <strong>in</strong>stances, which limited<br />

the sense of orig<strong>in</strong>ality and personalised<br />

output.<br />

Customisation Options<br />

Soundraw did not allow users to<br />

<strong>in</strong>put a prompt directly. Instead,<br />

it followed a two-step process.<br />

First, users would choose tags<br />

for each category, such as genre,<br />

mood, length, and tempo. After<br />

that, the platform generated a<br />

list of pre-made tracks based on<br />

those selections. In the second<br />

step, users could then modify the<br />

tracks by adjust<strong>in</strong>g key musical<br />

elements like the key of the<br />

song, BPM, and overall composition.<br />

While this system provided<br />

some level of control, it lacked<br />

the creative freedom offered by<br />

platforms that allowed for direct<br />

prompt <strong>in</strong>put and more dynamic<br />

<strong>in</strong>terventions.<br />

8


Quality of the output<br />

The music generated by Soundraw<br />

was f<strong>in</strong>e but noth<strong>in</strong>g exceptional.<br />

The output didn’t significantly<br />

improve over multiple tries;<br />

it rema<strong>in</strong>ed consistent but somewhat<br />

flat. We gave the platform<br />

a 6/10 for quality because while<br />

the music was functional and<br />

well-produced, it lacked the depth<br />

and richness needed for a more<br />

ref<strong>in</strong>ed, genre-specific sound like<br />

melodic techno.<br />

Supported formats<br />

Soundraw allowed downloads via<br />

l<strong>in</strong>k, MP3, and WAV (the latter only<br />

available with a subscription).<br />

This was one of the few platforms<br />

that offered WAV, a higher-quality<br />

format suitable for professional<br />

production, which was a positive<br />

aspect of its functionality.<br />

Accuracy of thew Output<br />

Soundraw did a good job of<br />

<strong>in</strong>terpret<strong>in</strong>g the tags provided.<br />

The tracks aligned well with the<br />

selected keywords <strong>in</strong> terms of<br />

mood, tempo, and genre. However,<br />

because there was limited<br />

room for customization beyond<br />

the <strong>in</strong>itial selection, it felt restrictive<br />

<strong>in</strong> terms of creative freedom.<br />

We rated the accuracy a 6/10—it<br />

met the basic criteria of the tags<br />

we chose but offered no flexibility<br />

to f<strong>in</strong>e-tune the music further.<br />

Overall<br />

Soundraw offered fast generation<br />

times and decent quality, but its<br />

restrictive <strong>in</strong>terface and lack of<br />

customization options made it<br />

feel limited. The pre-generated<br />

nature of the music, while efficient,<br />

detracted from the sense<br />

of orig<strong>in</strong>ality, and the platform’s<br />

complex <strong>in</strong>terface added<br />

unnecessary friction to the<br />

user experience.<br />

9


SYNTHIA<br />

Synthia was the most disappo<strong>in</strong>t<strong>in</strong>g platform we<br />

tested, feel<strong>in</strong>g more like an unf<strong>in</strong>ished prototype<br />

than a polished tool for music creation. Several key<br />

features didn’t work, such as the download option,<br />

and the generated tracks didn’t resemble fully<br />

composed songs. Instead, they felt like disjo<strong>in</strong>ted,<br />

random sounds. With tracks last<strong>in</strong>g no more than 30<br />

seconds, Synthia fell short of be<strong>in</strong>g a platform capable<br />

of generat<strong>in</strong>g complete pieces of music. At best,<br />

the tool might be used to create samples, but it’s far<br />

from ready to deliver full compositions.<br />

Ease of use<br />

Synthia was simple and straightforward.<br />

Its <strong>in</strong>terface was <strong>in</strong>tuitive, with<br />

m<strong>in</strong>imal complexity, which made<br />

navigat<strong>in</strong>g the platform easy even<br />

for beg<strong>in</strong>ners. However, this simplicity<br />

was undercut by the fact that<br />

many features didn’t work. Users<br />

could <strong>in</strong>put a prompt, but there were<br />

no additional customization options<br />

beyond that. The platform advertised<br />

features like mix and master,<br />

sample extraction, and track extension,<br />

but none of these functions<br />

worked dur<strong>in</strong>g our test<strong>in</strong>g.<br />

Customisation Options<br />

Synthia didn’t have any<br />

customisation options.<br />

Generation Speed<br />

Synthia was slow compared to<br />

other platforms, tak<strong>in</strong>g around 1<br />

m<strong>in</strong>ute and 30 seconds to produce<br />

a track. Given the simplicity<br />

and short length of the output,<br />

the generation time felt disproportionately<br />

long.<br />

10


Quality of the output<br />

It was the worst among all the<br />

platforms we tested. The tracks<br />

lacked any discernible structure,<br />

often sound<strong>in</strong>g like random noise<br />

rather than music. Many tracks<br />

<strong>in</strong>cluded a distract<strong>in</strong>g layer of<br />

white noise, further degrad<strong>in</strong>g the<br />

quality. The music felt unf<strong>in</strong>ished<br />

and poorly produced, result<strong>in</strong>g <strong>in</strong><br />

a highly unsatisfactory experience.<br />

We gave Synthia a 1/10 for<br />

quality of output.<br />

Supported formats<br />

Unfortunately, we couldn’t evaluate<br />

Synthia’s supported formats<br />

because the download button<br />

didn’t work, leav<strong>in</strong>g us unable to<br />

test the output or its quality <strong>in</strong><br />

different formats.<br />

Pric<strong>in</strong>g options<br />

No subscribtions available.<br />

Accuracy of thew Output<br />

Synthia performed poorly. The<br />

platform consistently produced<br />

very similar results regardless of<br />

the prompt <strong>in</strong>put. There was little<br />

to no variation between tracks,<br />

mak<strong>in</strong>g it feel unresponsive to the<br />

user’s directions. We rated accuracy<br />

a 2/10 because of the platform’s<br />

<strong>in</strong>ability to mean<strong>in</strong>gfully<br />

<strong>in</strong>terpret and respond to prompts.<br />

Overall<br />

Synthia was a major letdown.<br />

Its limited functionality, lack of<br />

customization, and poor-quality<br />

output make it difficult to recommend<br />

for any serious music<br />

creation tasks. While it may have<br />

potential as a sample generator,<br />

the platform is far from be<strong>in</strong>g<br />

able to generate fully-formed<br />

songs or tracks.<br />

11


UDIO<br />

Udio was by far the most unpredictable platform<br />

we tested, often produc<strong>in</strong>g results that seemed<br />

completely random and unrelated to the provided<br />

prompts. However, this unpredictability made it the<br />

most experimental and <strong>in</strong>novative tool, capable of<br />

generat<strong>in</strong>g unexpected ideas that could spark<br />

creativity. While it wasn’t reliable for prompt-based<br />

tasks, its out-of-the-box results made it appeal<strong>in</strong>g for<br />

users look<strong>in</strong>g for <strong>in</strong>spiration and<br />

creative experimentation.<br />

12<br />

Ease of use<br />

Udio was somewhat challeng<strong>in</strong>g.<br />

The platform had a wide range of<br />

features, but many of them were<br />

poorly expla<strong>in</strong>ed, mak<strong>in</strong>g it difficult<br />

to understand how to use certa<strong>in</strong><br />

sett<strong>in</strong>gs effectively. This lack of<br />

clarity led to a moderate learn<strong>in</strong>g<br />

curve, but once we got the hang of<br />

it, the platform became more manageable,<br />

though still not as <strong>in</strong>tuitive<br />

as others.<br />

Generation Speed<br />

Generation speed on Udio was<br />

decent, with tracks tak<strong>in</strong>g 2-3<br />

m<strong>in</strong>utes to generate. This was<br />

slower than some other platforms<br />

but still with<strong>in</strong> an acceptable<br />

range for the level of customization<br />

it offered.<br />

Customisation Options<br />

Udio provided two ma<strong>in</strong> modes:<br />

simple mode and advanced mode.<br />

In simple mode, users could<br />

enter a text prompt, choose a few<br />

keywords, and select between<br />

two track lengths (32 seconds<br />

or 2 m<strong>in</strong>utes 10 seconds). There<br />

were also options for creat<strong>in</strong>g or<br />

auto-generat<strong>in</strong>g lyrics, or opt<strong>in</strong>g<br />

for a lyric-free song. Advanced<br />

mode offered more granular control,<br />

with features like clip start,<br />

lyric tim<strong>in</strong>g (controll<strong>in</strong>g when the<br />

lyrics would play), style reduction,<br />

and clarity (determ<strong>in</strong><strong>in</strong>g the<br />

space each <strong>in</strong>strument occupied<br />

<strong>in</strong> the mix). The platform also<br />

had a “seed” feature that allowed<br />

for either consistent or random<br />

outcomes, though we found it<br />

confus<strong>in</strong>g and didn’t fully grasp<br />

its impact. The “prompt strength”<br />

feature allowed users to control<br />

how closely the track followed<br />

the <strong>in</strong>put prompt, often compromis<strong>in</strong>g<br />

quality when set too high.


Quality of the output<br />

We gave Udio a 5/10. The<br />

tracks were <strong>in</strong>consistent, with<br />

some early attempts produc<strong>in</strong>g<br />

poor-quality music. However, the<br />

platform occasionally generated<br />

unique and experimental ideas<br />

that, while not sound<strong>in</strong>g like fully<br />

polished tracks, had the potential<br />

for further development. Udio<br />

stood out for its <strong>in</strong>novation and<br />

the <strong>in</strong>terest<strong>in</strong>g, creative snippets<br />

it generated, even if the overall<br />

quality was not as high or consistent<br />

as we’d hoped.<br />

Supported formats<br />

Udio offers a wide range, <strong>in</strong>clud<strong>in</strong>g<br />

video, MP3, WAV, and even<br />

stems <strong>in</strong> WAV format. This flexibility<br />

made it a good choice for<br />

those <strong>in</strong>terested <strong>in</strong> further production<br />

or remix<strong>in</strong>g.<br />

Accuracy of thew Output<br />

Udio performed poorly, earn<strong>in</strong>g a<br />

1/10. The platform almost never<br />

responded to prompts <strong>in</strong> a mean<strong>in</strong>gful<br />

way. Regardless of the<br />

<strong>in</strong>put, it often produced random<br />

genres like classical, alternative,<br />

reggaeton, or experimental electronic<br />

music, mak<strong>in</strong>g it the least<br />

reliable platform for produc<strong>in</strong>g<br />

prompt-specific tracks.<br />

Overall<br />

Udio was an unpredictable and<br />

<strong>in</strong>consistent platform <strong>in</strong> terms<br />

of quality and accuracy, but it<br />

stood out for its <strong>in</strong>novative and<br />

experimental approach to music<br />

generation. While it struggled to<br />

produce polished f<strong>in</strong>al tracks, it<br />

was a great resource for spark<strong>in</strong>g<br />

creativity and generat<strong>in</strong>g unconventional<br />

musical ideas.<br />

13


SUNO<br />

Suno AI stood out as the most popular platform among those<br />

we tested, and it ultimately became our favourite, lead<strong>in</strong>g us to<br />

purchase a monthly subscription. However, one of our general<br />

observations was that the platform lacked consistency—us<strong>in</strong>g<br />

the same prompt could produce completely different results<br />

each time. Interest<strong>in</strong>gly, while the monthly subscription didn’t<br />

directly improve the quality of the output, the <strong>in</strong>creased credits<br />

allowed for more experimentation, which helped us get better<br />

results over time. Additionally, the generation time decreased<br />

with the paid plan.<br />

Ease of use<br />

Suno AI was very straightforward<br />

and easy to navigate. We didn’t<br />

encounter any confus<strong>in</strong>g elements<br />

dur<strong>in</strong>g our time with it, and the<br />

platform was simple to operate from<br />

the start, mak<strong>in</strong>g it accessible to all<br />

levels of users.<br />

Generation Speed<br />

Suno AI was impressively fast. It<br />

took about 20 seconds to start<br />

play<strong>in</strong>g the track, which cont<strong>in</strong>ued<br />

to develop while the music<br />

was play<strong>in</strong>g. This feature was<br />

particularly useful because it<br />

significantly reduced the wait<strong>in</strong>g<br />

time, and the ability to hear the<br />

track as it generated made the<br />

experience much smoother.<br />

Customisation Options<br />

Suno AI provided two ma<strong>in</strong><br />

modes: easy mode and custom<br />

mode. In easy mode, you could<br />

enter a 200-character prompt<br />

and click the ‘create’ button, with<br />

the choice of an <strong>in</strong>strumental<br />

or lyrical track. Custom mode,<br />

on the other hand, allowed for<br />

more detailed control, offer<strong>in</strong>g<br />

the ability to write your own<br />

lyrics, be more precise with the<br />

musical style, modify the song<br />

title, and exclude certa<strong>in</strong> genres.<br />

This added flexibility <strong>in</strong> custom<br />

mode gave users more creative<br />

freedom, though it still had some<br />

limitations compared to<br />

other platforms.<br />

14


Quality of the output<br />

Our experience was mixed. The<br />

first few attempts were unsatisfy<strong>in</strong>g,<br />

but after 3 to 4 tries, we<br />

saw noticeable improvements.<br />

We found that simpler and less<br />

complex prompts generally led to<br />

better results, as more detailed<br />

prompts seemed to confuse the<br />

AI. Despite some <strong>in</strong>itial setbacks,<br />

the platform was capable of<br />

produc<strong>in</strong>g decent tracks with the<br />

right <strong>in</strong>put. We gave the quality<br />

a 7/10, not<strong>in</strong>g that while the f<strong>in</strong>al<br />

results were satisfy<strong>in</strong>g, the process<br />

to get there could be<br />

hit or miss.<br />

Supported formats<br />

Suno AI allowed users to download<br />

the music as an MP3 or<br />

access it via a l<strong>in</strong>k. While this<br />

was convenient for basic use, it<br />

lacked the broader range of file<br />

formats (like WAV) that other platforms<br />

offered, which could limit<br />

post-production flexibility.<br />

Accuracy of thew Output<br />

However, was where Suno AI<br />

struggled the most. We rated the<br />

platform 5/10 <strong>in</strong> this area. The<br />

output often felt random, and<br />

while it was possible to eventually<br />

achieve the desired result, it<br />

was difficult to f<strong>in</strong>d a clear pattern<br />

for how to structure prompts<br />

effectively. The same prompt<br />

could lead to entirely different<br />

tracks, which made the platform<br />

feel <strong>in</strong>consistent.<br />

Overall<br />

While Suno AI was easy to use<br />

and had a fast generation speed,<br />

it was <strong>in</strong>consistent <strong>in</strong> terms of<br />

accuracy. However, with some<br />

trial and error, it was capable of<br />

produc<strong>in</strong>g decent quality music.<br />

The subscription allowed for<br />

more experimentation and faster<br />

results, which ultimately led to<br />

better tracks, mak<strong>in</strong>g it a favorite<br />

despite its occasional unpredict-<br />

15


CONCLUSION<br />

Overall, we were somewhat<br />

unimpressed with the f<strong>in</strong>al songs<br />

generated by the AI platforms. While<br />

the tracks were acceptable, they<br />

often felt generic and lacked the<br />

<strong>in</strong>novation we were hop<strong>in</strong>g for. That<br />

said, we believe these platforms,<br />

though not ideal for produc<strong>in</strong>g full<br />

songs, can be valuable tools for<br />

spark<strong>in</strong>g creativity or provid<strong>in</strong>g<br />

tracks that could be used as<br />

samples.<br />

Each platform showcased different<br />

strengths and can serve different<br />

purposes depend<strong>in</strong>g on what you’re<br />

look<strong>in</strong>g for. For <strong>in</strong>stance, Suno<br />

consistently produced the bestsound<strong>in</strong>g<br />

songs, while Udio offered<br />

wild, unconventional ideas that could<br />

be a source of <strong>in</strong>spiration.<br />

In conclusion, although none of<br />

the platforms excelled <strong>in</strong> creat<strong>in</strong>g<br />

polished, orig<strong>in</strong>al tracks, they hold<br />

great potential as creative aids. Here,<br />

we’ve attached the best three tracks<br />

we were able to create with each<br />

platform, offer<strong>in</strong>g a snapshot of what<br />

they can produce.<br />

16


FINAL TRACKS<br />

SUNO<br />

https://on.soundcloud.com/1bjAGkBjo2iFtNRKA<br />

AITUBO<br />

https://on.soundcloud.com/khB8TqLDpPP32uGq8<br />

UDIO<br />

https://on.soundcloud.com/sQ6qzigJwUrjFutA6<br />

SOUNDRAW<br />

https://on.soundcloud.com/ahiNkqXUpXGY6VVU8<br />

SYNTHIA<br />

https://on.soundcloud.com/s4ccsauLaGmKpxb4A<br />

17


Title>>> Analys<strong>in</strong>g the distribution of<br />

fall<strong>in</strong>g balls on a galton board with AI<br />

# Tools>> Copilot, microsoft AI assistant<br />

# Blender,3D moddel<strong>in</strong>g software<br />

# Author>> Eloise Lobmeyr<br />

# Summary>> AI can be a powerful tool to<br />

efficiently generate your best ideas and<br />

enhance creativity. I challenged myself<br />

to create someth<strong>in</strong>g I had never done<br />

us<strong>in</strong>g AI, <strong>in</strong>corporat<strong>in</strong>g both cod<strong>in</strong>g and<br />

simulation.<br />

Intro >< On artificial<br />

<strong>in</strong>tellignece


Intro >< On Creativity


ARN (bke.rigidbody): C:\Users\blender\git\blender-v400\<br />

lender.git\source\blender\blenkernel\<strong>in</strong>tern\rigidbody.<br />

c:414 rigidbody_get_shape_trimesh_from_mesh: no geometry<br />

ata converted for Mesh Collision Shape (ob = Cube.041)<br />

raceback (most recent call last):<br />

File “C:\Users\lobme\Downloads\Bl<strong>in</strong>d\Animation course<br />

hysics try out.blend\Simulation balls”, l<strong>in</strong>e 55, <strong>in</strong> <br />

ttributeError: bpy_struct: attribute “materials” from<br />

Mesh” is read-only<br />

rror: Python: Traceback (most recent call last):<br />

File “C:\Users\lobme\Downloads\Bl<strong>in</strong>d\Animation course<br />

hysics try out.blend\Simulation balls”, l<strong>in</strong>e 55, <strong>in</strong> <br />

rror: Python: Traceback (most recent call last):<br />

File “C:\Users\lobme\Downloads\Bl<strong>in</strong>d\Animation course<br />

hysics try out.blend\Simulation balls”, l<strong>in</strong>e 49, <strong>in</strong> <br />

ermissionError: [Errno 13] Permission denied: ‘galton_<br />

oard_data.csv’<br />

lenderkit: Request for BlenderKit-Client reports<br />

ailed: HTTPConnectionool(host=’127.0.0.1’,<br />

AI is here to help you retries exeeded<br />

Read the follow<strong>in</strong>g pages to understand how by ConectTimeoutError(, ‘Connection to 127.0.0.1 timed<br />

ut. (connect timeout=0.1)’)) [11:20:00.781, timer.py:54]<br />

lenderkit: BlenderKit-Client v1.1.3 start<strong>in</strong>g on<br />

ttp://127.0.0.1:62485, log file at: C:\Users\lobme\blendrkit_data\client\default.log<br />

[11:20:00.793, daemon_lib.<br />

y:589]<br />

lenderkit: BlenderKit-Client is runn<strong>in</strong>g on port 62485!<br />

11:20:01.033, timer.py:101]<br />

nfo: Saved “Animation course physics try out.blend”<br />

ttributeError: bpy_struct: attribute “materials” from<br />

Mesh” is read-only<br />

raceback (most recent call last):<br />

File “C:\Users\lobme\Downloads\Bl<strong>in</strong>d\Animation course<br />

hysics try out.blend\Simulation balls”, l<strong>in</strong>e 55, <strong>in</strong>


The challenge ><<br />

The galton board<br />

Objective<br />

# two weeks<br />

# 3D model a Galton board<br />

# Analyse the data<br />

Tools<br />

# Copilot, microsoft AI assistant<br />

# Blender,3D moddel<strong>in</strong>g software<br />

Pr<strong>in</strong>t<br />

(>This challenge reflected AI<br />

capabilities, help<strong>in</strong>g people execute<br />

their ideas. The follow<strong>in</strong>g pages will<br />

analyse the process I used to create a<br />

3D model of a Galton board, and analyse<br />

the probability of the end location of<br />

the fall<strong>in</strong>g balls. It will identify the<br />

key aspects of AI’s usefulness.>)


F<strong>in</strong>d<strong>in</strong>g a<br />

project idea<br />

Plann<strong>in</strong>g and<br />

execution


Problem<br />

solv<strong>in</strong>g<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Sumary<br />

( ‘ Ai helps you manage<br />

your workflow, your time<br />

and your needs, help<strong>in</strong>g<br />

you every step of the way<br />

by solv<strong>in</strong>g any issues you<br />

encounter.’)


‘How do you unhide an object?’<br />

Us<strong>in</strong>g Hotkeys:<br />

Press Alt + H to unhide all hidden objects <strong>in</strong> the scene.<br />

Us<strong>in</strong>g the Outl<strong>in</strong>er:<br />

Go to the Outl<strong>in</strong>er panel (usually on the right side).<br />

Click the eye icon next to the object you want to unhide.<br />

Us<strong>in</strong>g the Menu:<br />

In the 3D Viewport, go to the top menu and select Object ><br />

Show/Hide > Show Hidden Objects.<br />

How can I render an image <strong>in</strong> blender?<br />

Render<strong>in</strong>g an image <strong>in</strong> Blender is a straightforward<br />

process. Here are the basic steps to get you started:<br />

.ERROR The PermissionError: [Errno<br />

13] Permission denied.>><br />

3D MODELLING<br />

( ‘This is the first<br />

proof that AI is a great<br />

tool. I managed to create<br />

a Galton board’)


Here’s the updated script that <strong>in</strong>cludes a check for the<br />

column names and handles the KeyError:<br />

Python<br />

import numpy as np<br />

import seaborn as sns<br />

import matplotlib.pyplot as plt<br />

import pandas as pd<br />

# Load data from CSV file<br />

data = pd.read_csv(‘path_to_your_csv_file.csv’)<br />

# Pr<strong>in</strong>t the column names to verify<br />

pr<strong>in</strong>t(“Column names <strong>in</strong> the CSV file:”, data.columns)<br />

# Check if the expected column ‘values’ exists <strong>in</strong> the<br />

DataFrame<br />

if ‘values’ not <strong>in</strong> data.columns:<br />

raise KeyError(“The column ‘values’ was not found <strong>in</strong><br />

the CSV file. Please check the column name.”)<br />

# Assum<strong>in</strong>g the data is <strong>in</strong> a column named ‘values’<br />

values = data[‘values’]<br />

# Create a histogram with 7 b<strong>in</strong>s and KDE<br />

plt.figure(figsize=(10, 6))<br />

sns.histplot(values, b<strong>in</strong>s=7, kde=True, color=’skyblue’,<br />

edgecolor=’black’, stat=’probability’)<br />

# Add titles and labels<br />

plt.title(‘Distribution of Balls <strong>in</strong> 7 Probability B<strong>in</strong>s’)<br />

plt.xlabel(‘B<strong>in</strong>s’)<br />

plt.ylabel(‘Probability’)<br />

# Set x-axis to numbers from 1 to 7<br />

b<strong>in</strong>_edges = np.l<strong>in</strong>space(m<strong>in</strong>(values), max(values), 8)<br />

b<strong>in</strong>_centers = 0.5 (b<strong>in</strong>_edges[1:] + b<strong>in</strong>_edges[:-1])<br />

plt.xticks(RENDERS OF THE GALTON BOARD)<br />

# Save the plot as a PNG file <strong>in</strong> the current work<strong>in</strong>g directory<br />

plt.savefig(‘distribution_plot.png’)


Cod<strong>in</strong>g<br />

<br />

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<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Understand<strong>in</strong>g<br />

the code<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

for frame <strong>in</strong> range(100): # Adjust the range for longer or shorter delays


Error code<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Patience and<br />

determ<strong>in</strong>ation<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Sumary<br />

( ‘ Cod<strong>in</strong>g has never been<br />

easier, thanks to AI.<br />

While AI tools significantly<br />

simplify the process,<br />

achiev<strong>in</strong>g success<br />

still requires determ<strong>in</strong>ation<br />

and patience.’)


Analys<strong>in</strong>g the<br />

data<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Feel<strong>in</strong>g lost<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Copilot, a safe<br />

space


Additional<br />

ressources<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Sumary<br />

( ‘ Cod<strong>in</strong>g has never been<br />

easier, thanks to AI.<br />

While AI tools significantly<br />

simplify the process,<br />

achiev<strong>in</strong>g success<br />

still requires determ<strong>in</strong>ation<br />

and patience.’)


# Once the script worked, it would pr<strong>in</strong>t a location <strong>in</strong> the<br />

computer on where to f<strong>in</strong>d the graph created.<br />

pr<strong>in</strong>t(f”F<strong>in</strong>al locations saved to {desktop_path}”)<br />

C:UserslobmeDocumentsgalton_board_data.csv<br />

WARN (bke.rigidbody): C:\Users\blendblender.git\<br />

source\blender\blenkernel\<strong>in</strong>tern\rigidbody.cc:414 rigidbody_get_shape_trimesh_from_mesh:<br />

no geometry data con-<br />


Cod<strong>in</strong>g a graph<br />

CATASTROPHE<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Sumary<br />

( ‘ CTRL + S ’)<br />

ALWAYS SAVE YOUR FILES>><br />

Remak<strong>in</strong>g the<br />

entire project


pr<strong>in</strong>t(f”F<strong>in</strong>al locations saved to {desktop_path}”)<br />

C:UserslobmeDocumentsgalton_board_data.csv<br />

Sumary<br />

( ‘AI is just a tool, and<br />

there are times when it<br />

can’t provide the help<br />

you need. That’s why it’s<br />

crucial to understand the<br />

process yourself, so you can<br />

solve problems more easily<br />

and get better results, even<br />

when AI doesn’t have the<br />

answers.’)


Conclusion<br />

If I managed to 3D model<br />

and code everyth<strong>in</strong>g with<strong>in</strong><br />

two weeks with the help<br />

of AI, you can also br<strong>in</strong>g<br />

your ideas to life. Imag<strong>in</strong>e<br />

what you could achieve on<br />

a larger scale. You can<br />

realize your own ideas<br />

efficiently and without<br />

spend<strong>in</strong>g a dollar. The only<br />

<strong>in</strong>vestment required is a<br />

bit of your time. Don’t be<br />

afraid of the process—it’s<br />

fun and easier than you<br />

th<strong>in</strong>k. Just get started,<br />

f<strong>in</strong>d an idea, and make it<br />

happen.<br />

Of course, you will<br />

encounter challenges, but if<br />

you are truly determ<strong>in</strong>ed,<br />

AI is an amaz<strong>in</strong>g tool that<br />

can help you generate and<br />

develop your great ideas.<br />

Note<br />

( ‘ AI helped me write this magaz<strong>in</strong>e<br />

script. I used to be scared of<br />

writ<strong>in</strong>g because English isn’t my first<br />

language, but not anymore. I wrote <strong>in</strong><br />

my style and asked Copilot to fix the<br />

errors. Without this help, my writ<strong>in</strong>g<br />

would have been hard to understand.’)


Modern Days-Fashion & AI<br />

Project name: The Role of AI Tools <strong>in</strong> shap<strong>in</strong>g Fahsion<br />

Authors: Lucia Schulenburg<br />

Tools and platforms used: Alpha3d, Meshy.ai, Midjourney, Chatgpt<br />

Joan D’Arc as an<br />

<strong>in</strong>spiration<br />

I decided to create a fashion l<strong>in</strong>e <strong>in</strong>spired<br />

by Joan of Arc because she embodies the<br />

essence of a powerful woman—brave,<br />

resilient, and ahead of her time. Lately,<br />

fashion trends have often looked to the<br />

past, but rather than revisit<strong>in</strong>g the usual<br />

eras, I wanted to take it all the way back<br />

to the medieval period. By channel<strong>in</strong>g the<br />

strength and symbolism of Joan of Arc, I<br />

aim to br<strong>in</strong>g a fresh, timeless perspective<br />

to modern fashion, celebrat<strong>in</strong>g both<br />

history and empowerment. Joan of Arc is<br />

one of the most iconic figures <strong>in</strong> history,<br />

celebrated for her courage, faith, and role<br />

<strong>in</strong> the Hundred Years’ War between France<br />

and England.


“A power icon<br />

for women”<br />

Joan D’Arc<br />

Born on January 6, 1412, <strong>in</strong><br />

Domrémy, France, Joan of Arc<br />

rose from a humble peasant<br />

background to become a key<br />

figure <strong>in</strong> the Hundred Years’<br />

War. At the age of 13, she<br />

claimed to hear div<strong>in</strong>e voices<br />

from sa<strong>in</strong>ts, direct<strong>in</strong>g her to<br />

support Charles V<strong>II</strong> of France.<br />

Despite be<strong>in</strong>g an unlikely leader<br />

<strong>in</strong> a male-dom<strong>in</strong>ated military,<br />

Joan’s faith and determ<strong>in</strong>ation<br />

conv<strong>in</strong>ced Charles to allow her<br />

to lead an army. In 1429, she<br />

played a crucial role <strong>in</strong> lift<strong>in</strong>g<br />

the Siege of Orléans, a victory<br />

that changed the course of<br />

the war and led to Charles<br />

V<strong>II</strong>’s coronation. However, <strong>in</strong><br />

1430, Joan was captured by<br />

the Burgundians and sold to<br />

the English. She was tried for<br />

heresy, accused of crossdress<strong>in</strong>g<br />

and other charges,<br />

and ultimately executed by<br />

burn<strong>in</strong>g at the stake <strong>in</strong> 1431<br />

at the age of 19. Despite<br />

her tragic death, Joan was<br />

posthumously exonerated and<br />

canonized as a sa<strong>in</strong>t <strong>in</strong> 1920.<br />

Joan’s courage and leadership<br />

broke traditional gender<br />

norms, mak<strong>in</strong>g her a symbol<br />

of female empowerment. By<br />

lead<strong>in</strong>g soldiers and wear<strong>in</strong>g<br />

men’s armor, she challenged<br />

the societal expectations<br />

of her time. Her faith <strong>in</strong> her<br />

mission, resilience <strong>in</strong> the face<br />

of <strong>in</strong>justice, and defiance<br />

of oppression cont<strong>in</strong>ue to<br />

<strong>in</strong>spire women today. Joan of<br />

Arc’s legacy as a fem<strong>in</strong>ist icon<br />

endures, symboliz<strong>in</strong>g strength,<br />

determ<strong>in</strong>ation, and the fight<br />

for justice and equality.


New Materials and Technologies<br />

Innovative textiles are emerg<strong>in</strong>g,<br />

<strong>in</strong>clud<strong>in</strong>g smart fabrics that adapt to the<br />

environment, monitor body conditions, or<br />

improve functionality like moisture-wick<strong>in</strong>g.<br />

At the same time, blockcha<strong>in</strong> technology<br />

is enhanc<strong>in</strong>g traceability, ensur<strong>in</strong>g that<br />

consumers can verify the ethical and<br />

susta<strong>in</strong>able credentials of their garments<br />

Creative Drive with AI<br />

AI is transform<strong>in</strong>g the fashion <strong>in</strong>dustry<br />

by predict<strong>in</strong>g trends and understand<strong>in</strong>g<br />

customer preferences. Tommy Hilfiger’s<br />

‘Reimag<strong>in</strong>e Retail’ project uses AI to<br />

streaml<strong>in</strong>e design, enhanc<strong>in</strong>g creativity. In<br />

Hong Kong, Calv<strong>in</strong> Wong’s AiDA system<br />

generates bluepr<strong>in</strong>ts, optimiz<strong>in</strong>g workflows<br />

while preserv<strong>in</strong>g artistry. This <strong>in</strong>tegration<br />

of AI shapes the future of fashion design<br />

and retail<br />

Where fashion is head<strong>in</strong>g<br />

Susta<strong>in</strong>ability<br />

Consumers are <strong>in</strong>creas<strong>in</strong>gly<br />

prioritiz<strong>in</strong>g eco-conscious choices,<br />

and brands are focus<strong>in</strong>g on reduc<strong>in</strong>g<br />

their environmental impact. <strong>Artificial</strong><br />

<strong>in</strong>telligence (AI) is play<strong>in</strong>g a big role<br />

<strong>in</strong> this by optimiz<strong>in</strong>g supply cha<strong>in</strong>s,<br />

reduc<strong>in</strong>g waste, and cutt<strong>in</strong>g down on<br />

carbon emissions. Stella McCartney’s<br />

partnership with Google Cloud is an<br />

example of us<strong>in</strong>g mach<strong>in</strong>e learn<strong>in</strong>g<br />

to improve transparency <strong>in</strong> fashion<br />

production, track<strong>in</strong>g everyth<strong>in</strong>g<br />

from raw material sourc<strong>in</strong>g to waste<br />

management<br />

Automation and AI<br />

Automation <strong>in</strong> fashion manufactur<strong>in</strong>g<br />

is grow<strong>in</strong>g, from AI-powered<br />

mach<strong>in</strong>es that cut, sew, and f<strong>in</strong>ish<br />

garments, to advanced analytics<br />

tools predict<strong>in</strong>g trends and consumer<br />

preferences. For example, Tommy<br />

Hilfiger has <strong>in</strong>tegrated AI <strong>in</strong>to its<br />

design processes to streaml<strong>in</strong>e<br />

production. AI is also improv<strong>in</strong>g virtual<br />

try-on experiences, with brands like<br />

Burberry and Google Shopp<strong>in</strong>g us<strong>in</strong>g<br />

AR to reduce siz<strong>in</strong>g issues, improv<strong>in</strong>g<br />

customer satisfaction.<br />

Personalization<br />

The rise of mass customization is<br />

transform<strong>in</strong>g how fashion is produced<br />

and consumed. Consumers are<br />

seek<strong>in</strong>g personalized products,<br />

and brands are respond<strong>in</strong>g with<br />

tools like 3D pr<strong>in</strong>t<strong>in</strong>g and AI-driven<br />

customization. This trend is seen <strong>in</strong><br />

the success of direct-to-consumer<br />

brands that offer unique, made-toorder<br />

pieces..


Modern Joan D’Arc designed by Midjourney


The future<br />

of fashion<br />

Modern Joan D’Arc dress designed by Alpha.3d<br />

The future of fashion is undeniably excit<strong>in</strong>g,<br />

with AI-driven creativity and personalization<br />

lead<strong>in</strong>g the way. As the <strong>in</strong>dustry embraces<br />

new technologies, from 3D pr<strong>in</strong>t<strong>in</strong>g and AI<br />

customization to virtual fashion, designers like<br />

myself are able to experiment <strong>in</strong> ways never<br />

before possible. For my Joan of Arc-<strong>in</strong>spired<br />

collection, tools such as alpha 3d, meshy.ai and<br />

midjourney have provided a new avenue for<br />

creativity, allow<strong>in</strong>g me to craft garments that not<br />

only reflect the strength and heroism of the past<br />

but also align with modern values.<br />

For these divergent Ai tools I used many<br />

different prompts try<strong>in</strong>g to create the perfect<br />

garments that I would imag<strong>in</strong>e <strong>in</strong> my m<strong>in</strong>d. My<br />

frist promt, such as “Create a armour <strong>in</strong>spired<br />

dress with a modern touch” would fail my<br />

imag<strong>in</strong>ation and show me that Ai 3d tools need<br />

a very descriptive prompt. “metallic color palette<br />

of silver, steel grey, and accents of deep jewel<br />

tones for a sophisticated, otherworldly look.”got<br />

me a bit more def<strong>in</strong>ed garments, even tough<br />

I could not use it for the Alpha 3d platform as<br />

it had too many words. But for the tool meshy<br />

3d it showed me a dress that got closer to my<br />

imag<strong>in</strong>ation. See<strong>in</strong>g that these sort of prompts<br />

worked better I started us<strong>in</strong>g very specified<br />

texts for the the divergent Ai tools, also add<strong>in</strong>g<br />

texture to the garmets, which made them look<br />

more realistic. Such as the image to the left.<br />

Cont<strong>in</strong>u<strong>in</strong>g us<strong>in</strong>g different prompts such as<br />

“Create a 3D model of a futuristic, armor<strong>in</strong>spired<br />

gown that blends medieval aesthetics<br />

with modern fashion design. The bodice should<br />

mimic the form of a sleek, metallic breastplate,<br />

with engraved or embossed detail<strong>in</strong>g, smoothly<br />

contoured to the body. Incorporate layered,<br />

flexible cha<strong>in</strong>mail textures <strong>in</strong> the skirt, us<strong>in</strong>g<br />

lightweight, translucent materials that flow with<br />

movement. Add structured, angular shoulder<br />

pieces resembl<strong>in</strong>g pauldrons for a bold, powerful<br />

silhouette. Ensure the design rema<strong>in</strong>s elegant<br />

and fem<strong>in</strong><strong>in</strong>e, comb<strong>in</strong><strong>in</strong>g sharp geometric<br />

elements with soft, flow<strong>in</strong>g l<strong>in</strong>es.<br />

Modern Joan D’Arc dress designed by Meshy.ai


Modern Joan D’Arc dress designed by Meshy.ai


Ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g the guidel<strong>in</strong>es I set for the<br />

prompts I started creat<strong>in</strong>g different<br />

garments such as a Corset. An Example<br />

for one of the prompts I used is “a corset<br />

<strong>in</strong>spired by mediaeval armour. The structure<br />

should resemble a fitted breastplate, with<br />

sleek, curved metallic panels and engraved<br />

details. Integrate flexible, cha<strong>in</strong>mail-like<br />

textures along the sides for mobility, while<br />

ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g a strong, protective aesthetic.<br />

The overall shape should be form-fitt<strong>in</strong>g and<br />

accentuate the waist, blend<strong>in</strong>g rigid armour<br />

with fem<strong>in</strong><strong>in</strong>e contours. Use a metallic colour<br />

scheme with subtle detail<strong>in</strong>g for a ref<strong>in</strong>ed,<br />

warrior-like look.” This specific prompt<br />

illustrated a f<strong>in</strong>e look<strong>in</strong>g Corset us<strong>in</strong>g the<br />

tool Meshy.ai, but did not succeed for the<br />

platform Alpha.3d. For that one I shortened<br />

the prompt, but unfortunately this Ai.3d<br />

tool disappo<strong>in</strong>ted me and didn’t give me the<br />

outcome I expected.<br />

tapered, balanc<strong>in</strong>g a protective, edgy look<br />

with mobility. Use a metallic palette of silver<br />

and gunmetal with dark accents”.<br />

Modern Joan D’Arc pants designed by Meshy.ai<br />

After creat<strong>in</strong>g different prompts to develop<br />

the pair of pants I had <strong>in</strong> my imag<strong>in</strong>ation<br />

I moved on to create a pair of shoes that<br />

would fit to the outfit. I wanted to work with<br />

Alpha.3d as it ma<strong>in</strong>ly disappo<strong>in</strong>ted me <strong>in</strong><br />

comparison with Meshy.3d. The prompts I<br />

used are as follows: “<strong>Design</strong> armour <strong>in</strong>spired<br />

shoes comb<strong>in</strong><strong>in</strong>g mediaeval armour elements<br />

with modern footwear”. Aga<strong>in</strong> the outcome<br />

of this wasn’t satisfy<strong>in</strong>g my imag<strong>in</strong>ation.<br />

Modern Joan D’Arc corset designed by Meshy.ai<br />

Carry<strong>in</strong>g-on with my process I wanted to<br />

develop some armour <strong>in</strong>spired pants <strong>in</strong> a<br />

modern way. Therefore I developed prompts<br />

for this goal, try<strong>in</strong>g to reach my imag<strong>in</strong>ation,<br />

such as “Create 3D pants with armour<strong>in</strong>spired<br />

design. Feature segmented metallic<br />

panels on the thighs and knees, resembl<strong>in</strong>g<br />

plate armour, with mesh or cha<strong>in</strong>mail-like<br />

fabric for flexibility. Keep the fit sleek and<br />

Modern Joan D’Arc shoes designed by Alpha.3di<br />

To cont<strong>in</strong>ue I went back to work with<br />

Meshy.3d. I created divergent prompts such<br />

as: “<strong>Design</strong> 3D shoes <strong>in</strong>spired by Joan of Arc,<br />

comb<strong>in</strong><strong>in</strong>g mediaeval armour elements with<br />

modern footwear. The shoes should feature<br />

metallic textures resembl<strong>in</strong>g plated armour,


with <strong>in</strong>tricate engrav<strong>in</strong>gs and strong, angular<br />

l<strong>in</strong>es. Add details like cha<strong>in</strong>mail-<strong>in</strong>spired<br />

straps or lac<strong>in</strong>g for a bold, warrior-like look.<br />

The silhouette should balance strength and<br />

elegance, with a sturdy, protective feel, yet<br />

sleek and wearable. Use a colour palette of<br />

silver, pewter, and dark leather accents for a<br />

mediaeval yet contemporary style.<br />

Unfortunately Meshy.3d didn’t give me the<br />

outcome I needed so I started work<strong>in</strong>g a bit<br />

on the prompt: “Shoes <strong>in</strong>spired by Joan of<br />

Arc, comb<strong>in</strong><strong>in</strong>g mediaeval armour elements<br />

with modern footwear. The shoes should<br />

feature metallic textures resembl<strong>in</strong>g plated<br />

armour, with <strong>in</strong>tricate engrav<strong>in</strong>gs and strong,<br />

angular l<strong>in</strong>es. Add details like cha<strong>in</strong>mail<strong>in</strong>spired<br />

straps or lac<strong>in</strong>g for a bold, warrior-like<br />

look. The silhouette should balance strength<br />

and elegance, with a sturdy, protective feel,<br />

yet sleek and wearable. Use a colour palette<br />

of silver, pewter, and dark leather accents”<br />

Modern Joan D’Arc boots designed by Meshy.ai<br />

Even though I was partially satisfied with<br />

the outcome of the shoes I thought it didn’t<br />

really work with the entire Joan D’Arc fit.<br />

Therefore I decided to create some Boots<br />

<strong>in</strong>stead of normal shoes. To create this I aga<strong>in</strong><br />

tried out both platforms. For Alpha.3d I used<br />

this specific prompt: “<strong>Design</strong> armour <strong>in</strong>spired<br />

boots comb<strong>in</strong><strong>in</strong>g mediaeval armour elements<br />

with modern footwear. The material should<br />

be metal”<br />

After I cont<strong>in</strong>ued work<strong>in</strong>g with Meshy.3d,<br />

us<strong>in</strong>g “<strong>Design</strong> 3D armour-<strong>in</strong>spired boots with<br />

a rugged yet sleek look. Feature metallic<br />

plates around the toes, heels, and sh<strong>in</strong>,<br />

resembl<strong>in</strong>g mediaeval armour, with engraved<br />

details for texture. Add flexible, cha<strong>in</strong>maillike<br />

material around the ankle for mobility.<br />

The boots should have a strong, structured<br />

silhouette with a modern, battle-ready feel.<br />

Use a metallic colour palette with silver, steel,<br />

and dark leather accents”. This outcome<br />

aga<strong>in</strong> gave me more satisfaction and was<br />

more like the image I had <strong>in</strong> my m<strong>in</strong>d<br />

Another tool I used was Midjourney. The<br />

images on page 4 and 10 are created by<br />

Midjourney. For this tool I used this prompt:<br />

“A modern Joan D’arc wear<strong>in</strong>g modern<br />

armour. Dressed <strong>in</strong> a modern, stylish outfit<br />

that comb<strong>in</strong>es elements of armour and high<br />

fashion, such as a tailored metallic jacket<br />

with structured shoulders, sleek black pants,<br />

and combat boots. Her hair is styled <strong>in</strong> a<br />

bold, asymmetrical cut, with blond colour,<br />

symbolis<strong>in</strong>g her defiance and <strong>in</strong>dividuality.<br />

She carries a futuristic sword, symbolis<strong>in</strong>g<br />

her fight for justice, and stands confidently<br />

atop a city rooftop, overlook<strong>in</strong>g the bustl<strong>in</strong>g<br />

streets below. The skyl<strong>in</strong>e is a mix of historical<br />

and modern architecture, reflect<strong>in</strong>g the<br />

blend of tradition and <strong>in</strong>novation. The<br />

atmosphere is charged with energy, as if she<br />

is prepar<strong>in</strong>g to lead a movement for change.”<br />

In conclusion work<strong>in</strong>g with Midjourney was<br />

fun but it wasn’t really necessary as I was<br />

more look<strong>in</strong>g to create the garments <strong>in</strong>stead<br />

of creat<strong>in</strong>g a full person.<br />

Modern Joan D’Arc boots designed by Meshy.ai<br />

Modern Joan D’Arc boots designed by Alpha.3di


Carry<strong>in</strong>g-on with my process I wanted to<br />

develop some armour <strong>in</strong>spired pants <strong>in</strong> a<br />

modern way. Therefore I developed prompts<br />

for this goal, try<strong>in</strong>g to reach my imag<strong>in</strong>ation,<br />

such as “Create 3D pants with armour<strong>in</strong>spired<br />

design. Feature segmented metallic<br />

panels on the thighs and knees, resembl<strong>in</strong>g<br />

plate armour, with mesh or cha<strong>in</strong>mail-like<br />

fabric for flexibility. Keep the fit sleek and<br />

tapered, balanc<strong>in</strong>g a protective, edgy look<br />

with mobility. Use a metallic palette of silver<br />

and gunmetal with dark accents”.<br />

After creat<strong>in</strong>g different prompts to develop<br />

the pair of pants I had <strong>in</strong> my imag<strong>in</strong>ation<br />

I moved on to create a pair of shoes that<br />

would fit to the outfit. I wanted to work with<br />

Alpha.3d as it ma<strong>in</strong>ly disappo<strong>in</strong>ted me <strong>in</strong><br />

comparison with Meshy.3d. The prompts I<br />

used are as follows: “<strong>Design</strong> armour <strong>in</strong>spired<br />

shoes comb<strong>in</strong><strong>in</strong>g mediaeval armour elements<br />

with modern footwear”. Aga<strong>in</strong> the outcome<br />

of this wasn’t satisfy<strong>in</strong>g my imag<strong>in</strong>ation.<br />

To cont<strong>in</strong>ue I went back to work with<br />

Meshy.3d. I created divergent prompts such<br />

as:<br />

“<strong>Design</strong> 3D shoes <strong>in</strong>spired by Joan of Arc,<br />

comb<strong>in</strong><strong>in</strong>g mediaeval armour elements with<br />

modern footwear. The shoes should feature<br />

metallic textures resembl<strong>in</strong>g plated armour,<br />

with <strong>in</strong>tricate engrav<strong>in</strong>gs and strong, angular<br />

l<strong>in</strong>es. Add details like cha<strong>in</strong>mail-<strong>in</strong>spired<br />

straps or lac<strong>in</strong>g for a bold, warrior-like look.<br />

The silhouette should balance strength and<br />

elegance, with a sturdy, protective feel, yet<br />

sleek and wearable. Use a colour palette of<br />

silver, pewter, and dark leather accents for a<br />

mediaeval yet contemporary style.<br />

Unfortunately Meshy.3d didn’t give me<br />

the outcome I needed so I started work<strong>in</strong>g<br />

a bit on the prompt: “Shoes <strong>in</strong>spired by<br />

Joan of Arc, comb<strong>in</strong><strong>in</strong>g mediaeval armour<br />

elements with modern footwear. The shoes<br />

should feature metallic textures resembl<strong>in</strong>g<br />

plated armour, with <strong>in</strong>tricate engrav<strong>in</strong>gs<br />

and strong, angular l<strong>in</strong>es. Add details like<br />

cha<strong>in</strong>mail-<strong>in</strong>spired straps or lac<strong>in</strong>g for a<br />

bold, warrior-like look. The silhouette should<br />

balance strength and elegance, with a sturdy,<br />

protective feel, yet sleek and wearable. Use<br />

a colour palette of silver, pewter, and dark<br />

leather accents”<br />

Failure?


Modern Joan D’Arc designed by Midjourney


Project name: Reimag<strong>in</strong><strong>in</strong>g Fashion: Explor<strong>in</strong>g<br />

the efficacy of AI tools <strong>in</strong> redesign<strong>in</strong>g a brand’s<br />

cloth<strong>in</strong>g and visual image.<br />

Author: Jessam<strong>in</strong>e Hamilton<br />

Tools and platforms used: Mid Journey and<br />

ChatGPT 4<br />

I will conduct an <strong>in</strong>-depth analysis of a smaller-scale<br />

brand called Two Jeys, delv<strong>in</strong>g <strong>in</strong>to<br />

their core values, dist<strong>in</strong>ctive style, and rich heritage.<br />

Follow<strong>in</strong>g this research, I will employ AI<br />

to reimag<strong>in</strong>e a cloth<strong>in</strong>g collection for the brand<br />

as though it had launched <strong>in</strong> the 1970s.<br />

The primary aim of this project is to assess<br />

the effectiveness of AI <strong>in</strong> redesign<strong>in</strong>g a cloth<strong>in</strong>g<br />

l<strong>in</strong>e rooted <strong>in</strong> a specific historical context<br />

while stay<strong>in</strong>g true to the brand’s orig<strong>in</strong>al values<br />

and aesthetics. By choos<strong>in</strong>g a lesser-known<br />

company, I aim to <strong>in</strong>crease the complexity of<br />

the task for the AI, provid<strong>in</strong>g an opportunity to<br />

evaluate how well it <strong>in</strong>terprets and responds to<br />

the creative prompts given.<br />

I will explore various AI tools, <strong>in</strong>clud<strong>in</strong>g<br />

ChatGPT-4 and Midjourney, to determ<strong>in</strong>e<br />

which platform best addresses the brief and<br />

demonstrates the highest levels of efficiency<br />

and ease of use.


TWOJEYS BRAND RESEARCH:<br />

TwoJeys is an emerg<strong>in</strong>g unisex brand founded <strong>in</strong> 2019 by Joan Margarit<br />

and Biel Juste, <strong>in</strong>spired by Californian aesthetics from their Route 66 journey.<br />

While known for its jewellery, the brand also offers a unique collection<br />

of merchandise, <strong>in</strong>clud<strong>in</strong>g stylish t-shirts and hoodies that blend edgy<br />

aesthetics with urban fashion. This paper will focus on these merchandis<strong>in</strong>g<br />

items.<br />

These merchandis<strong>in</strong>g items <strong>in</strong>clude popular t-shirts and hoodies that<br />

prom<strong>in</strong>ently feature their logo, enhanc<strong>in</strong>g brand promotion. The cloth<strong>in</strong>g<br />

is <strong>in</strong>spired by streetwear, characterised by a laid-back and edgy aesthetic.<br />

Key elements of their collections <strong>in</strong>clude muted tones, large oversized<br />

fits, and a lack of patterns, mak<strong>in</strong>g the items versatile and appeal<strong>in</strong>g to a<br />

youthful demographic.


Their market<strong>in</strong>g features visually<br />

captivat<strong>in</strong>g images of<br />

motorcycles, skateboards,<br />

and surfboards, position<strong>in</strong>g<br />

their merchandise as essential<br />

companions for adventurous<br />

endeavours.<br />

TwoJeys aims to sell an adventurous<br />

lifestyle through their<br />

products, appeal<strong>in</strong>g to those who<br />

seek excitement and live <strong>in</strong> the<br />

moment. Their merchandise is designed<br />

for <strong>in</strong>dividuals passionate<br />

about adrenal<strong>in</strong>e-fueled activities,<br />

<strong>in</strong>spir<strong>in</strong>g wearers to embrace<br />

thrill<strong>in</strong>g experiences fully.


70’s FASHION TRENDS:<br />

The 1970s were a flashy decade, and the social movements along with<br />

cultural changes really hit bottom <strong>in</strong> the fashion world. The ma<strong>in</strong> movements<br />

<strong>in</strong>cluded the counterculture of hippies, which glorified free-spiritedness<br />

and self-expression <strong>in</strong> their bohemian manner and was characterised<br />

by flowy maxi dresses and bell-bottoms<br />

Then came the disco scene that became synonymous with the night and<br />

all its glamour, with its tw<strong>in</strong>kl<strong>in</strong>g jumpsuits and sequ<strong>in</strong>ed outfits, not to<br />

mention the ultimate platform shoes. Punk emerged as an angry backlash<br />

to ma<strong>in</strong>stream culture, with its leather jackets, ripped jeans, and<br />

other ornaments that ranged from the unmentioned to safety p<strong>in</strong>s.<br />

Other noticeable trends <strong>in</strong>cluded glam rock, which was best known for<br />

its wild and crazy clothes together with metallic fabrics that sometimes<br />

blurred the l<strong>in</strong>e of demarcation between male and female. Athleisure, too,<br />

s<strong>in</strong>ce the rise <strong>in</strong> the fitness culture started to provide everyday wear for<br />

sporty garments such as tracksuits and sneakers. These fashion trends<br />

were supported by <strong>in</strong>novative materials, <strong>in</strong>clud<strong>in</strong>g synthetic fabrics-highlights<br />

of polyester and nylon, denim, and natural fibres, such as cotton<br />

and l<strong>in</strong>en.<br />

The iconic artists of the time, David Bowie, and cultural figures, Farrah<br />

Fawcett, played a very important role <strong>in</strong> sett<strong>in</strong>g 70’s fashion trends, which<br />

absolutely corresponded to the spirit of that era-promot<strong>in</strong>g <strong>in</strong>dividuality<br />

and self-expression.


THE PROMPTS USED FOR BOTH AI TOOLS (see full prompts <strong>in</strong> appendix)<br />

Prompt 1: Asked AI to re-create TWO JEYS merchandise without any exist<strong>in</strong>g<br />

images of the brand, to see how well it responds to curated <strong>in</strong>formation. I <strong>in</strong>cluded<br />

brand name logo: TwoJeys,, type of merchandise: tshirts and hoodies, target<br />

audience: unisex & young adults, aesthetic <strong>in</strong>fluence: California aesthetic and<br />

skate culture, ma<strong>in</strong> colours: greys, beiges, greens, oranges, patterns: die dye<br />

effect, texture: worn out appearance, material: cotton.<br />

Prompt 2: Now comb<strong>in</strong>ed <strong>in</strong>formation with 70’s fashion. Included m<strong>in</strong>imal <strong>in</strong>formation<br />

about TwoJeys, ma<strong>in</strong>ly focus<strong>in</strong>g on describ<strong>in</strong>g the cloth<strong>in</strong>g styles such<br />

as featur<strong>in</strong>g bell-bottom jeans, track jackets, and v<strong>in</strong>tage-<strong>in</strong>spired skate shorts.<br />

Mentioned 3 most popular fashion trends: Bohemian Influence, Punk Edge and<br />

Disco and what they <strong>in</strong>capsulate.<br />

Prompt 3: Same as above, but this time only chose to mention 1 major fashion<br />

subculture <strong>in</strong> the brief which was “Bohemian <strong>in</strong>fluence” and its fashion elements.<br />

Prompt 4: Same as above, but this time focus<strong>in</strong>g on the subculture of “Disco”<br />

while ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g key <strong>in</strong>formation about TwoJeys.<br />

Prompt 5: Same as above, but lastly focus<strong>in</strong>g on the subculture of “Punk Rock”<br />

while ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g key <strong>in</strong>formation about TwoJeys.<br />

MIDJOURNEY INITIAL RESULTS:<br />

1. 2.<br />

3. 4.<br />

5.


CHAT-GPT4 INITIAL RESULTS:<br />

1. 2.<br />

3.<br />

4. 5.<br />

MID JOURNEY OBSERVATIONS<br />

Dur<strong>in</strong>g my experience with MidJourney, I found the user <strong>in</strong>terface to be<br />

very easy to navigate. I particularly appreciated that once image generation<br />

began, my prompts were saved and l<strong>in</strong>ked to each image. This<br />

feature allowed me to quickly refer back to previous prompts if I was dissatisfied<br />

with the output and make adjustments as needed. Overall, this<br />

user-friendly aspect helped me save time while ref<strong>in</strong><strong>in</strong>g my prompts.<br />

However, I encountered several key issues dur<strong>in</strong>g my experimentation:<br />

Firstly, I aimed to see how well MidJourney could curate cloth<strong>in</strong>g designs<br />

specifically for the brand Two Jeys. I quickly noticed that it struggled to<br />

accurately feature the “Two Jeys” logo on the cloth<strong>in</strong>g and couldn’t <strong>in</strong>corporate<br />

the “two star logo.” Instead of render<strong>in</strong>g the logo, it would simply<br />

write “two stars.” This <strong>in</strong>ability to recognize important text and symbols<br />

was problematic, as the brand name was essential to the success of the<br />

merchandis<strong>in</strong>g images I was striv<strong>in</strong>g to create.<br />

Secondly, when I attempted to merge <strong>in</strong>formation about the brand with<br />

1970s aesthetics, I found that MidJourney had difficulty <strong>in</strong>tegrat<strong>in</strong>g these<br />

two dist<strong>in</strong>ct themes seamlessly. My <strong>in</strong>itial prompts were quite dense,<br />

conta<strong>in</strong><strong>in</strong>g multiple fashion trends from the 70s subculture; however, the<br />

generated images often failed to capture specific design elements tied<br />

to those subcultures, focus<strong>in</strong>g <strong>in</strong>stead on creat<strong>in</strong>g colourful cloth<strong>in</strong>g that<br />

only vaguely referenced the 1970s.


To improve results, I decided to separate my prompts by dist<strong>in</strong>ct subcultures.<br />

This change allowed MidJourney to more effectively extract the<br />

necessary design elements from the three different subcultures: Bohemian,<br />

Disco, and Punk. After separat<strong>in</strong>g the prompts, I noticed a significant<br />

improvement <strong>in</strong> how MidJourney responded. However, there rema<strong>in</strong>ed an<br />

ongo<strong>in</strong>g issue where the brand name was sometimes not <strong>in</strong>cluded at all,<br />

or only partially rendered, captur<strong>in</strong>g only “Two” or “Jeys” <strong>in</strong>stead of the full<br />

name “Two Jeys.”<br />

CHAT-GPT 4 OBSERVATIONS<br />

I used the same prompts for both MidJourney and ChatGPT-4 to evaluate<br />

which tool would provide the best results. ChatGPT-4 excels at craft<strong>in</strong>g<br />

detailed prompts that effectively capture all aspects of my research.<br />

However, I encountered several issues when it came to image generation.<br />

In my <strong>in</strong>itial prompt, ChatGPT-4 successfully created a set of merchandise<br />

cloth<strong>in</strong>g for the brand that closely resembled their exist<strong>in</strong>g products<br />

<strong>in</strong> terms of colour and visual style. However, when I <strong>in</strong>troduced the<br />

concept of merg<strong>in</strong>g <strong>in</strong> 1970s aesthetics, the tool struggled to respond<br />

effectively. While it performed well with my second prompt, it failed to<br />

generate images that accurately reflected the brand’s identity when I provided<br />

prompts that focused on specific subcultures. Crucially, none of the<br />

images <strong>in</strong>cluded the brand name, "Two Jeys," which meant they did not<br />

meet the requirements of the brief.<br />

Despite these challenges, I must emphasise that the image quality produced<br />

by ChatGPT-4 was significantly better and more consistent than<br />

that of MidJourney.<br />

IMPROVEMENTS<br />

After experiment<strong>in</strong>g with both tools, I decided to cont<strong>in</strong>ue us<strong>in</strong>g MidJourney<br />

due to its user-friendly <strong>in</strong>terface and its capability to <strong>in</strong>corporate<br />

images <strong>in</strong>to prompts. I believe that the ability to add visuals is a significant<br />

advantage, as it enhances the AI’s ability to generate more accurate and<br />

contextually relevant images. By <strong>in</strong>terpret<strong>in</strong>g both written prompts and<br />

accompany<strong>in</strong>g visuals, MidJourney can create better-aligned results that<br />

meet users’ specific needs.


FINAL DESIGNS


MAIN TAKEAWAYS<br />

After analys<strong>in</strong>g my results, I must express my disappo<strong>in</strong>tment with MidJourney's<br />

and ChatGPT's ability to effectively respond to my prompts.<br />

While I believe both tools can create stunn<strong>in</strong>g images, I encountered<br />

difficulties when present<strong>in</strong>g them with complex and <strong>in</strong>tricate briefs.<br />

I don’t want to be overly negative, as these tools are relatively new to<br />

the market. I am optimistic that, as AI technology cont<strong>in</strong>ues to advance,<br />

these tools will become ref<strong>in</strong>ed and better at understand<strong>in</strong>g and respond<strong>in</strong>g<br />

to user prompts.<br />

In h<strong>in</strong>dsight, it might have been beneficial to explore other AI tools to see<br />

if they could merge concepts more effectively. However, the high cost of<br />

many AI platforms limited my ability to experiment further.<br />

Additionally, I th<strong>in</strong>k that select<strong>in</strong>g a larger, established brand with a more<br />

def<strong>in</strong>ed cloth<strong>in</strong>g collection could have granted better results. Two Jeys,<br />

be<strong>in</strong>g focused on limited edition merchandis<strong>in</strong>g rather than an established<br />

cloth<strong>in</strong>g l<strong>in</strong>e, presented a challenge. The lack of a cohesive range<br />

may have restricted the depth of the cloth<strong>in</strong>g briefs, which could expla<strong>in</strong><br />

why the AI tools struggled to produce satisfactory responses. Furthermore,<br />

the limited cloth<strong>in</strong>g options made it difficult to assess the AI's<br />

performance accurately, as there simply wasn’t enough material to draw<br />

a fair comparison.


PROS & CONS OF USING AI TOOLS FOR RE-DESIGNING:<br />

The <strong>in</strong>tegration of AI tools like ChatGPT-4 and MidJourney <strong>in</strong>to the<br />

fashion <strong>in</strong>dustry offers the potential to significantly enhance the cloth<strong>in</strong>g<br />

design process. While these tools present numerous advantages, they<br />

also come with notable challenges that brands must carefully consider.<br />

One of the ma<strong>in</strong> benefits of ChatGPT-4, among others, is the potential to<br />

create creative textual descriptions, style guides, and brand<strong>in</strong>g concepts<br />

faster. It simplifies the design process by speed<strong>in</strong>g up the ideation and<br />

iteration of ideas. MidJourney is extremely good at creat<strong>in</strong>g high-quality<br />

visuals from simple prompts; this means that niche apparel visuals can<br />

be quick and powerfully effective. In addition, both offer very accessible<br />

<strong>in</strong>terfaces that are <strong>in</strong>vit<strong>in</strong>g for creative <strong>in</strong>vestigation without demand<strong>in</strong>g<br />

much prior technical experience.<br />

Both of these tools are <strong>in</strong>credibly capable of provid<strong>in</strong>g <strong>in</strong>spiration from<br />

diversified sources. ChatGPT-4 has made a great deal of fashion trends<br />

and cultural <strong>in</strong>fluences available, which help designers shape <strong>in</strong>novative<br />

concepts, while MidJourney visually generates stunn<strong>in</strong>g outputs by pull<strong>in</strong>g<br />

<strong>in</strong> a range of artistic styles.<br />

Of course, there are also considerable downsides to each. Output quality<br />

tends to be <strong>in</strong>consistent; MidJourney's images sometimes can lack detail<br />

or not quite fulfil certa<strong>in</strong> design specifications, and ChatGPT-4 may create<br />

responses that aren't <strong>in</strong> complete adherence with user <strong>in</strong>tent. Both tools<br />

also struggle to accurately capture a brand’s unique identity, result<strong>in</strong>g <strong>in</strong><br />

outputs that do not resonate with the brand’s core values as represented<br />

<strong>in</strong> my project.<br />

The ownership of content generated us<strong>in</strong>g AI is a crucial aspect that<br />

requires further exploration <strong>in</strong> the future. This issue raises significant<br />

<strong>in</strong>tellectual property concerns, potentially lead<strong>in</strong>g to legal implications for<br />

brands. Additionally, there is a risk that designers may become overly reliant<br />

on technology, which could dim<strong>in</strong>ish their creative <strong>in</strong>st<strong>in</strong>cts and result<br />

<strong>in</strong> uniformity of design ideas across the <strong>in</strong>dustry.<br />

In short, ChatGPT-4 and MidJourney unlock <strong>in</strong>credibly powerful features<br />

with respect to redesign<strong>in</strong>g clothes, while the brands rema<strong>in</strong> open to<br />

embrac<strong>in</strong>g those features <strong>in</strong>to their design processes.


Art by Algorithm<br />

Project name: Artistic Collaboration with AI<br />

Authors: Valeria Sierra<br />

Tools and platforms used: Midjourney, Chat GPT<br />

This project explores a collaborative<br />

process with AI, aim<strong>in</strong>g to create<br />

visual photorealist art pieces and<br />

to question AI’s current and future<br />

<strong>in</strong>volvement with<strong>in</strong> the art world.<br />

Through the use of Midjourney<br />

and ChatGPT (Dall-E extension),<br />

I analyzed and observed patterns<br />

<strong>in</strong> regards to the way AI reads<br />

art pieces, describes aesthetics<br />

and characteristics, responds to<br />

prompts, and probed different ways<br />

to collaborate with the platforms <strong>in</strong><br />

order to generate my “own” art. This<br />

report will try to <strong>in</strong>quire if AI can be<br />

<strong>in</strong>tegrated <strong>in</strong>to the art creation process<br />

<strong>in</strong> an ethical way, while question<strong>in</strong>g<br />

its lack of cultural significance,<br />

appropriation issues and removal of<br />

agency.<br />

Mar<strong>in</strong>a schm<strong>in</strong>kt Luciano<br />

Franz Gertsch , (1975)


01<br />

“<br />

Franz Gertsch<br />

I’m not concerned with pa<strong>in</strong>t<strong>in</strong>g<br />

reality, but with creat<strong>in</strong>g a reality<br />

through pa<strong>in</strong>t<strong>in</strong>g.<br />

I chose to use the work of swiss<br />

pa<strong>in</strong>ter Franz Gertsch as a basel<strong>in</strong>e for<br />

this project. Gertsch is best known for<br />

his large-scale photorealistic pa<strong>in</strong>t<strong>in</strong>gs,<br />

which have earned him widespread<br />

recognition <strong>in</strong> the last few decades. His<br />

work as a contemporary artist revolves<br />

around pa<strong>in</strong>t<strong>in</strong>g his photographs,<br />

which often <strong>in</strong>clude subjects such<br />

as his friends, nature, and everyday<br />

occurrences. His meticulous level of<br />

detail allows him to perfectly capture<br />

the cultural atmosphere and emotional<br />

depth of his subjects. I conducted my<br />

observations and based my creative<br />

<strong>in</strong>spiration with several of his most<br />

acclaimed pa<strong>in</strong>t<strong>in</strong>gs. I used his work<br />

to understand how AI platforms read<br />

and describe hyperrealistic art, how to<br />

properly prompt <strong>in</strong> order to generate<br />

good art, and additionally as a source<br />

of <strong>in</strong>spiration and artistic fusion with my<br />

own personal photographs.<br />

”<br />

Self-Portrait<br />

Franz Gertsch , (1980)


02<br />

How AI Reads Art<br />

To beg<strong>in</strong> I wanted to explore to what<br />

extent can AI accurately read and<br />

<strong>in</strong>terpret hyper realistic artworks. For this<br />

part of the process I used the /describe<br />

command <strong>in</strong> the MidJourney Discord<br />

server, a tool that allows users to <strong>in</strong>put<br />

an image <strong>in</strong> order for the AI to describe<br />

it <strong>in</strong> the form of a prompt. I was curious<br />

about what patterns would come up, what<br />

level of attention to detail AI has, and its<br />

aesthetic description capacities. I gathered<br />

some key observations.<br />

1. References<br />

The /describe command gave me four<br />

different descriptions, each no longer<br />

than three sentences, and surpris<strong>in</strong>gly<br />

referenced other artists. The other<br />

artists referenced are stylistically very<br />

different from Gertsch’s aesthetic. For<br />

example, David LaChapelle (whom came<br />

up <strong>in</strong> almost all of the attempts), is a<br />

photographer and contemporary artist that<br />

works with overly saturated colors and<br />

surreal elements, which led me to wonder<br />

why Midjourney would reference his work<br />

when describ<strong>in</strong>g Gertsch’s. Consequently I<br />

asked ChatGPT to describe LaChapelle’s<br />

work and style, key words like<br />

“elaborate”, “highly detailed” and “hyperrealistic”<br />

came up. These exact key<br />

words came up when I asked ChatGPT<br />

to describe Gertsch’s style, lead<strong>in</strong>g me to<br />

believe that these match<strong>in</strong>g <strong>in</strong>terpretations<br />

cause AI to believe that both artists are<br />

comparable.<br />

2. Gender Biases<br />

Midjourney has certa<strong>in</strong> subtle biases when<br />

read<strong>in</strong>g images, specifically regard<strong>in</strong>g<br />

gender. When describ<strong>in</strong>g Mar<strong>in</strong>a schm<strong>in</strong>kt<br />

Luciano (Figure 1), AI assumes the<br />

gender of both people presumably based<br />

on their hair length.The person on the<br />

left is described as a man<br />

and the person on the right as a woman,<br />

gett<strong>in</strong>g both <strong>in</strong>correct. Additionally, <strong>in</strong><br />

Medici (Figure 5), it assumes the man<br />

<strong>in</strong> the middle is a woman based on his<br />

handbag (Figure 6, prompt 1).<br />

3. Inffer<strong>in</strong>g<br />

Midjourney makes several assumptions,<br />

for example, <strong>in</strong> Irene XV<strong>II</strong>I (Figure 3) it<br />

assumes the woman is a s<strong>in</strong>ger (Figure<br />

4, prompt 2), although no elements of<br />

the pa<strong>in</strong>t<strong>in</strong>g allude to her be<strong>in</strong>g one.<br />

AI also assumes the woman is Lady<br />

Elizabeth Knight (Figure 4, prompt 4),<br />

a British film actress. Additionally, <strong>in</strong><br />

Medici (Figure 5), The AI tried to give<br />

specificity to the prompt by describ<strong>in</strong>g the<br />

group of men as popular 70s bands. No<br />

elements of the pa<strong>in</strong>t<strong>in</strong>g directly allude or<br />

make the viewer assume that these are<br />

members of a band. These assumptions<br />

are likely due to patterns based on the<br />

data the algorithm has available.<br />

3. Understand<strong>in</strong>g Style<br />

Midjourney understands style to an extent,<br />

this is evidenced through keywords such<br />

as “photorealistic” (Figure 4, prompt<br />

3), show<strong>in</strong>g accurate <strong>in</strong>terpretation of<br />

the artwork. However, Midjourney wasn’t<br />

able to understand that Medici (Figure<br />

5) is a pa<strong>in</strong>t<strong>in</strong>g, <strong>in</strong>stead, it describes<br />

it as an “old” or “v<strong>in</strong>tage” photograph,<br />

even attempt<strong>in</strong>g to guess the decade it<br />

was taken <strong>in</strong> (Figure 6), show<strong>in</strong>g it’ not<br />

fully tra<strong>in</strong>ed for understand<strong>in</strong>g the style of<br />

artworks.


Figure 1. Mar<strong>in</strong>a schm<strong>in</strong>kt Luciano (1975)<br />

Figure 2. Midjourney’s prompts<br />

Figure 3. Irene XV<strong>II</strong>I (1981)<br />

Figure 4. Midjourney’s prompts<br />

Figure 5. Medici (1972)<br />

Figure 6. Midjourney’s prompts


03<br />

Replicat<strong>in</strong>g Franz<br />

To further understand generative art I<br />

decided to use the prompts mentioned<br />

<strong>in</strong> the section prior, to see how close<br />

could Midjourney come to replicat<strong>in</strong>g<br />

Gertsch’s art, and to learn how to<br />

properly edit and construct a prompt<br />

with the goal of generat<strong>in</strong>g the results I<br />

want. I asked AI to generate an image<br />

for each of the four prompts that the /<br />

describe command gave me, and for<br />

each prompt I got four different images.<br />

This level of variety allows for more<br />

exploration and experimentation when it<br />

comes to generat<strong>in</strong>g art with AI, s<strong>in</strong>ce it<br />

opens up several paths of possibilities.<br />

The set of images generated with<br />

Midjourney’s prompts were <strong>in</strong>terest<strong>in</strong>g,<br />

there were several similarities with the<br />

orig<strong>in</strong>al pa<strong>in</strong>t<strong>in</strong>gs regard<strong>in</strong>g the subjects<br />

and some visual details, yet the style<br />

and atmosphere of the generated images<br />

were completely off. I attempted to edit<br />

the prompts as I saw fit, add<strong>in</strong>g some<br />

details or remov<strong>in</strong>g others <strong>in</strong> order to<br />

ga<strong>in</strong> a closer look. This proved to be<br />

more successful than the orig<strong>in</strong>al prompts,<br />

br<strong>in</strong>g<strong>in</strong>g me closer to my desired results.<br />

I observed several limitations as well as<br />

some advantages.<br />

I began by analys<strong>in</strong>g the first set of<br />

generated images based on Midjourney’s<br />

prompts, I observed which details were<br />

miss<strong>in</strong>g or which parts of the prompt<br />

could be mislead<strong>in</strong>g. I cont<strong>in</strong>ued with<br />

the edit<strong>in</strong>g dur<strong>in</strong>g a long trial and<br />

error process, gett<strong>in</strong>g several iterations<br />

and f<strong>in</strong>d<strong>in</strong>g multiple issues. First, the<br />

references that Midjourney provides (such<br />

as David LaChapelle), confuse the AI<br />

more than it helps. I found that as I<br />

removed these artistic references from<br />

the prompts the results came closer to<br />

the orig<strong>in</strong>al pa<strong>in</strong>t<strong>in</strong>g. I additionally realized<br />

that when the AI is asked to generate an<br />

image where the subjects are perform<strong>in</strong>g<br />

an action (Figures 8 and 9), the<br />

subjects get slightly distorted.<br />

How to properly prompt:<br />

1. Identify through pattern analysis<br />

key words and details that consistently<br />

give you similar results. In this case,<br />

“photorealism” was essential for AI to<br />

understand the style. As for key details,<br />

short descriptions of the sett<strong>in</strong>g, subjects,<br />

colors and atmosphere were necessary to<br />

br<strong>in</strong>g the whole vision together.<br />

2. Remove unnecessary details and<br />

synthesize. At first I thought that longer<br />

more detailed prompts would generate<br />

more accurate results, however, more<br />

<strong>in</strong>formation leads AI off track. A 2-4<br />

sentence prompt is an ideal length.<br />

This can be achieved by remov<strong>in</strong>g<br />

unnecessary details that are only<br />

confus<strong>in</strong>g the AI, for example, the<br />

reference artists and photographers<br />

that Midjourney came up with were not<br />

generat<strong>in</strong>g any better results.<br />

Successfull prompt:<br />

“A photorealistic pa<strong>in</strong>t<strong>in</strong>g of two young<br />

men <strong>in</strong> the 1970’s look<strong>in</strong>g to the right<br />

and talk<strong>in</strong>g. The one on the left with<br />

long blonde hair and a blue denim<br />

jacket, is sitt<strong>in</strong>g with crossed arms next<br />

to the other man who has shoulderlength<br />

brown curly hair wear<strong>in</strong>g a navy<br />

sweater <strong>in</strong> an art gallery, two green<br />

pa<strong>in</strong>t<strong>in</strong>gs beh<strong>in</strong>d them. The time is<br />

even<strong>in</strong>g and the photo has flash.”<br />

Figure 11’s prompt


Figure 7. (Orig<strong>in</strong>al)<br />

Mar<strong>in</strong>a schm<strong>in</strong>kt Luciano (1975)<br />

Figure 8. Best result through prompt<strong>in</strong>g<br />

Figure 9. Best result through blend<strong>in</strong>g<br />

Figure 10. (Orig<strong>in</strong>al)<br />

Franz und Luciano (1973)<br />

Figure 11. Best result through prompt<strong>in</strong>g<br />

Figure 12. Best result through blend<strong>in</strong>g


04<br />

My “Own” Art<br />

After this process of understand<strong>in</strong>g<br />

prompt<strong>in</strong>g and discover<strong>in</strong>g new ways<br />

of generat<strong>in</strong>g art through AI, I began<br />

experiment<strong>in</strong>g which process I wanted<br />

to follow <strong>in</strong> order to generate my<br />

“own” pieces. I wanted to generate<br />

someth<strong>in</strong>g similar to photorealism<br />

and hyperrealism, stick to a similar<br />

aesthetic than Franz Gertsch, and<br />

implement my own photographs and<br />

my own self <strong>in</strong>to these artworks.<br />

Based on the learn<strong>in</strong>gs and<br />

conclusions of my process so far,<br />

I decided that the best tool and<br />

process to follow was to use the<br />

/blend command <strong>in</strong> order to merge<br />

one of his pa<strong>in</strong>t<strong>in</strong>gs with a photo of<br />

my own, creat<strong>in</strong>g a new hybrid piece.<br />

/blend <br />

results:


These images are the best results<br />

I got after multiple iterations of<br />

blend<strong>in</strong>g different pa<strong>in</strong>t<strong>in</strong>gs with several<br />

photographs of me and my friends.<br />

Midjourney is skilled at construct<strong>in</strong>g<br />

a balance between both images, the<br />

results are a clear mixture of both of<br />

the styles from the <strong>in</strong>put images. From<br />

all the work I did with Midjourney, this<br />

command works the best <strong>in</strong> aspects of<br />

creat<strong>in</strong>g an <strong>in</strong>terest<strong>in</strong>g piece. It makes<br />

several mistakes, deform<strong>in</strong>g faces and<br />

bodies occasionally. But other than this,<br />

the /blend command is successfull at<br />

captur<strong>in</strong>g the mood and spirit of the<br />

images, someth<strong>in</strong>g that AI is notoriously<br />

bad for. The results that came up<br />

here have a certa<strong>in</strong> humanity (brought<br />

potentially by my photographs) that<br />

generative art lacks, mak<strong>in</strong>g these<br />

results very <strong>in</strong>terest<strong>in</strong>g to me.


05<br />

Takeaways and Conclusions<br />

There has been ongo<strong>in</strong>g discourse<br />

surround<strong>in</strong>g the topic of generative<br />

art and the several issues regard<strong>in</strong>g<br />

ownership, authorship, cultural and<br />

social significance that come with it.<br />

There’s been question<strong>in</strong>g and doubts<br />

about the authorship of generative<br />

art pieces, primarily because the<br />

AI models are tra<strong>in</strong>ed on exist<strong>in</strong>g<br />

data, generat<strong>in</strong>g images and prompts<br />

based on already exist<strong>in</strong>g pieces and<br />

<strong>in</strong>formation that belongs to others.<br />

There’s difficulty to def<strong>in</strong>e what is<br />

AI’s contribution and what is human<br />

authorship.<br />

For the pieces I created, I directly<br />

merged Gertsch’s images with my<br />

own, creat<strong>in</strong>g someth<strong>in</strong>g new. If<br />

this was my concept which <strong>in</strong>cludes<br />

my own photograph, but is directly<br />

utiliz<strong>in</strong>g another artist’s work, but was<br />

generated by Midjourney, then who<br />

is the author of the piece? Is it me,<br />

Franz Gertsch, or Midjourney? Or all<br />

three? Similar dilemmas occur <strong>in</strong> the<br />

art world. A pa<strong>in</strong>t<strong>in</strong>g comes to fruition<br />

not just because of the pa<strong>in</strong>ter, but<br />

because of the multiple <strong>in</strong>visible<br />

processes and people that contributed<br />

either directly or <strong>in</strong>directly to the<br />

creation of the piece. For example,<br />

the person who made the pa<strong>in</strong>ts,<br />

who built the canvas and frame, and<br />

who curated the exhibition where the<br />

pa<strong>in</strong>t<strong>in</strong>g hangs. All of these people<br />

and steps of the <strong>in</strong>visible process are<br />

essential for creation. In a sense,<br />

the nam<strong>in</strong>g of a s<strong>in</strong>gular author of<br />

an artwork removes these important<br />

processes, fail<strong>in</strong>g to acknowledge an<br />

<strong>in</strong>terconnection of contexts.<br />

Someth<strong>in</strong>g similar happens with<br />

generative art. When I asked<br />

Midjourney to replicate Gertsch’s<br />

pieces, by default they lost social,<br />

cultural and personal significance.<br />

Generative art lacks depth visually<br />

and emotionally, signal<strong>in</strong>g a shift<br />

<strong>in</strong> the qualities art carries and<br />

what consumers will ga<strong>in</strong> from it.<br />

Additionally, generative art and AI <strong>in</strong><br />

general has the potential to take away<br />

the voices of many artists, specially<br />

if they come from underprivileged<br />

situations. While generative art<br />

democratizes creativity by provid<strong>in</strong>g<br />

new tools and approaches, many<br />

that don’t have access to the<br />

technology, resources and skills can<br />

be at a disadvantage, creat<strong>in</strong>g further<br />

<strong>in</strong>equality and division, enabl<strong>in</strong>g a<br />

lack of representation and removal<br />

of many important voices. Similarly,<br />

the algorithmic biases reflect a mostly<br />

Western perspective, re<strong>in</strong>forc<strong>in</strong>g the<br />

cultural dom<strong>in</strong>ance of certa<strong>in</strong> people<br />

over others. It’s necessary to be<br />

aware of these implocations when<br />

creat<strong>in</strong>g generative art, <strong>in</strong> order to<br />

create responsibly and utilize these<br />

tools for the sake of creativity,<br />

s<strong>in</strong>ce AI can be a great aid and a<br />

collaborator <strong>in</strong> the creative processes.<br />

It br<strong>in</strong>gs up new forms, ideas and<br />

possibilities that open up new creative<br />

paths and new doors for projects. It<br />

creates lots of iterat<strong>in</strong>g opportunities,<br />

allow<strong>in</strong>g artists and designers to<br />

immensely <strong>in</strong>teract with and modify<br />

their work. In the particular case of<br />

this project, it brought me to a new<br />

creative approach for my projects and<br />

my art.


Is this art really m<strong>in</strong>e?<br />

My AI generated “Self”-Portrait is both a<br />

caution sign and an advantage from AI. This<br />

piece shows how easy it is to remove agency<br />

from artists. By merg<strong>in</strong>g Gertsch’s pa<strong>in</strong>t<strong>in</strong>g<br />

with my photograph, I created a hybrid that<br />

is neither one or the other, but someth<strong>in</strong>g<br />

entirely new.<br />

It no longer<br />

has Gertsch’s<br />

impressive<br />

and masterful<br />

brushwork,<br />

and is not<br />

resembl<strong>in</strong>g<br />

of me or my<br />

photograph’s<br />

essence. This<br />

piece is devoid<br />

of any cultural<br />

or personal<br />

significance,<br />

however it’s<br />

the product<br />

of a thorough<br />

creative<br />

process <strong>in</strong><br />

collaboration<br />

with AI, <strong>in</strong><br />

which I came<br />

closer to<br />

understand<strong>in</strong>g how generative art works, how<br />

we as designers and creatives can optimize<br />

the use of AI for creative processes, and<br />

what can come out of these.<br />

And even though the girl <strong>in</strong> the portrait looks<br />

noth<strong>in</strong>g like me, I th<strong>in</strong>k she’s pretty cool<br />

(for generative art standards).<br />

“Self”-Portrait<br />

Valeria Sierra (?) , (2024)


Algorithmic Beauty<br />

Project name: Physical appearance through the eyes of <strong>Artificial</strong> <strong>Intelligence</strong><br />

Author: Ximena Castro<br />

Tools and platforms used: Chat-GPT, Gab AI, Midjourney, Dall-E,<br />

Summary of the project and process:<br />

<strong>Artificial</strong> <strong>in</strong>telligence is becom<strong>in</strong>g<br />

an <strong>in</strong>tegral part of society, often<br />

seamlessly <strong>in</strong>tegrated <strong>in</strong>to everyday<br />

<strong>in</strong>teractions without us even realiz<strong>in</strong>g<br />

it. Its <strong>in</strong>fluence on society is grow<strong>in</strong>g<br />

exponentially, with the appearance<br />

of AI-generated images becom<strong>in</strong>g<br />

prom<strong>in</strong>ent <strong>in</strong> media. From photo<br />

edit<strong>in</strong>g to image creation and the<br />

implementation of so-called “beauty<br />

filters”, AI tools are be<strong>in</strong>g used <strong>in</strong><br />

ways that manipulate and distort our<br />

perception of reality. This <strong>in</strong>creased<br />

presence raises concerns about AI’s<br />

role <strong>in</strong> perpetuat<strong>in</strong>g unrealistic beauty<br />

standards, blurr<strong>in</strong>g the l<strong>in</strong>e between<br />

authentic and artificial representations<br />

of beauty.<br />

It also raises the question: Who could<br />

potentially be affected by these AIgenerated<br />

images? The <strong>in</strong>fluence of<br />

AI is not limited to aesthetics alone:<br />

it also touches deeper issues <strong>in</strong> our<br />

society, mak<strong>in</strong>g it essential to explore<br />

the broader implications that come<br />

along with the use of AI.<br />

This research aims to <strong>in</strong>vestigate and<br />

comprehend how AI tools <strong>in</strong>terpret<br />

and represent the concepts of beauty<br />

and ugl<strong>in</strong>ess - complex terms that<br />

are notoriously hard for humans to<br />

def<strong>in</strong>e due to their highly subjective<br />

nature. By exam<strong>in</strong><strong>in</strong>g large language<br />

models (LLMs) like Chat-GPT, and<br />

Gab AI I will explore how these three<br />

platforms def<strong>in</strong>e beauty and ugl<strong>in</strong>ess,<br />

and whether their <strong>in</strong>terpretations align<br />

with those of conventional beauty<br />

standards. In parallel, I will delve <strong>in</strong>to<br />

how image-generation platforms like<br />

Midjourney and Dall-E <strong>in</strong>terpret and<br />

visually represent these concepts.<br />

Specifically, I seek to explore the<br />

biases with<strong>in</strong> these models and<br />

how they can impact or <strong>in</strong>fluence<br />

various demographic groups.<br />

Through these explorations, I look<br />

to answer a broader, more urgent<br />

question: How is AI’s perception<br />

and <strong>in</strong>terpretation of appearances<br />

<strong>in</strong>fluenc<strong>in</strong>g <strong>in</strong>dividuals and society?


LLMs And Their Grasp<br />

On Appearances<br />

What is beauty? What is ugl<strong>in</strong>ess?<br />

These are difficult questions for<br />

anyone to answer, as they are very<br />

subjective terms. Yet, they play<br />

a significant role <strong>in</strong> shap<strong>in</strong>g our<br />

society, and although we might<br />

not adhere to society’s norms<br />

appearances have always carried<br />

a mean<strong>in</strong>g. To explore how AI<br />

platforms <strong>in</strong>terpret and represent<br />

physical appearances, I started by<br />

engag<strong>in</strong>g <strong>in</strong> conversations with<br />

several large language models<br />

(Chat GPT, Gab AI, and Claude).<br />

I began by ask<strong>in</strong>g each platform<br />

the same question: “What is<br />

beauty?”. All three agreed that<br />

beauty could be def<strong>in</strong>ed as a<br />

quality that creates pleasure or<br />

satisfaction. I followed up by<br />

ask<strong>in</strong>g them “What is ugl<strong>in</strong>ess?”,<br />

they shared the idea that it<br />

could be def<strong>in</strong>ed as someth<strong>in</strong>g<br />

unpleasant and unattractive. A<br />

key observation was that for both<br />

concepts AI stressed that they<br />

were subjective and complex<br />

terms.<br />

S<strong>in</strong>ce these questions were so<br />

broad I decided to narrow my<br />

focus on the idea of physical<br />

beauty. I asked the three platforms<br />

to “describe a beautiful person”.<br />

The <strong>in</strong>itial responses were very<br />

similar and emphasized qualities<br />

like confidence and warmth<br />

<strong>in</strong>stead of focus<strong>in</strong>g on the physical<br />

features. It became clear the<br />

platforms had been tra<strong>in</strong>ed or<br />

censored to answer <strong>in</strong> a way that<br />

wouldn’t offend, especially Chat<br />

GPT. S<strong>in</strong>ce I was look<strong>in</strong>g for more<br />

direct answers I cont<strong>in</strong>ued ask<strong>in</strong>g<br />

the models to ignore anyth<strong>in</strong>g<br />

that wasn’t physical appearances<br />

until I got clearer descriptions.<br />

These said a beautiful person<br />

was someone with symmetrical<br />

facial features, full lips, bright<br />

and captivat<strong>in</strong>g eyes, smooth sk<strong>in</strong>,<br />

and a healthy and well-ma<strong>in</strong>ta<strong>in</strong>ed<br />

physique.<br />

I then proceeded to follow the<br />

same l<strong>in</strong>e of questions for an<br />

ugly person by ask<strong>in</strong>g them to<br />

“describe an ugly person”. I also<br />

faced the same challenges, as<br />

Chat-GPT <strong>in</strong> particular, avoided<br />

talk<strong>in</strong>g about physical appearances<br />

when possible. Eventually, I<br />

got an answer from each of the


platforms, and <strong>in</strong> general, an ugly<br />

person was described as someone<br />

with disproportionate features,<br />

such as their body, a large and<br />

crooked nose, messy hair, and<br />

scarred, wr<strong>in</strong>kled, or rough sk<strong>in</strong>.<br />

The descriptions of beauty and<br />

ugl<strong>in</strong>ess across all three platforms<br />

generally reflected the same<br />

standards prevalent <strong>in</strong> our society.<br />

I also observed that Chat-GPt is<br />

highly tra<strong>in</strong>ed when address<strong>in</strong>g<br />

such topics, try<strong>in</strong>g to avoid<br />

potentially offensive statements.<br />

The <strong>in</strong>fluence of the data that<br />

these models are tra<strong>in</strong>ed on is<br />

evident when read<strong>in</strong>g through the<br />

conversations, reveal<strong>in</strong>g that a lot<br />

of what they identify as beauty<br />

correlates with conventional<br />

ideals, and show<strong>in</strong>g a gap <strong>in</strong><br />

society that is not represented<br />

through these descriptions.<br />

Chat GPT description of a beautiful person<br />

A physically beautiful person might have symmetrical facial features, such as a balanced<br />

forehead, well-def<strong>in</strong>ed cheekbones, and a jawl<strong>in</strong>e that complements the shape of their<br />

face. Their eyes could be bright and clear, with long lashes and eyebrows that accentuate<br />

their expression. Their nose may be straight or gently curved, proportionate to the rest<br />

of their face, while their lips might be full or delicately shaped, often appear<strong>in</strong>g soft and<br />

naturally colored. Their sk<strong>in</strong> may appear smooth, radiant, and evenly toned, with a healthy<br />

glow. Their hair, whether long or short, is typically healthy and vibrant, fram<strong>in</strong>g their face<br />

<strong>in</strong> a way that enhances their overall look. Their body is often well-proportioned, with a<br />

sense of physical fitness or natural grace that gives them an effortless poise and elegance.<br />

Gab AI description of an ugly person<br />

An ugly person, from a purely physical standpo<strong>in</strong>t, might have a face that appears<br />

misshapen or disproportionate, with features like a large nose, wide cheeks, or a broad<br />

ch<strong>in</strong>. Their sk<strong>in</strong> could be pockmarked with scars or blemishes, or discolored due to poor<br />

health or sun damage. Their hair might be th<strong>in</strong>, patchy, or an unflatter<strong>in</strong>g color, and their<br />

hairstyle could be unbecom<strong>in</strong>g or ill-suited to their face shape. They might have a stocky,<br />

lumpy, or oddly proportioned body, with wide hips, thick thighs, or broad shoulders. Their<br />

overall appearance might lack symmetry and balance, giv<strong>in</strong>g them an unappeal<strong>in</strong>g or<br />

unsettl<strong>in</strong>g presence. However, it is crucial to remember that physical appearance does not<br />

determ<strong>in</strong>e a person’s character or worth.


AI Image Generation Platforms<br />

And Their Representations<br />

The next step of the research<br />

required delv<strong>in</strong>g <strong>in</strong>to image<br />

generation and AI. I was look<strong>in</strong>g<br />

to explore how AI image<br />

generation models, such as Dall-E<br />

and Midjourney, perceive men and<br />

women, specifically focus<strong>in</strong>g on<br />

their appearance and how words<br />

like beautiful and ugly could affect<br />

the results. I began by focus<strong>in</strong>g<br />

on how these models <strong>in</strong>terpret<br />

the terms “beauty” and ugly”<br />

<strong>in</strong> isolation. I noticed that the<br />

word beauty <strong>in</strong> Midjourney was<br />

<strong>in</strong>stantly associated with images<br />

of white women with light-colored<br />

eyes, while Dall-E produced a<br />

landscape <strong>in</strong>stead of a person.<br />

When tasked to <strong>in</strong>terpret “ugly”,<br />

both models generated images<br />

of distorted faces. However,<br />

Midjourney <strong>in</strong>cluded an image<br />

of a conventionally attractive<br />

white woman with flowers on her<br />

head. This particular observation<br />

highlighted that these models<br />

are based on data that heavily<br />

<strong>in</strong>fluences the outcomes, images,<br />

or data of white women.<br />

Midjourney prompt: beauty<br />

Dall-E prompt: beauty<br />

Midjourney prompt: ugly<br />

Dall-E prompt: ugly


Next, I wanted to explore the<br />

representation of men and women<br />

us<strong>in</strong>g a variety of descriptors<br />

related to their appearance. For<br />

this, I made different categories<br />

rang<strong>in</strong>g from “the ugliest man/<br />

woman <strong>in</strong> the world” to “the<br />

most beautiful man/woman <strong>in</strong> the<br />

world”. One of the first th<strong>in</strong>gs I<br />

noticed was that when I asked<br />

Dall-E to “create an ugly woman”<br />

I received a warn<strong>in</strong>g about<br />

avoid<strong>in</strong>g offensive content, the<br />

platform also steered away from<br />

us<strong>in</strong>g the term “ugly”. In contrast,<br />

when I requested an image of an<br />

ugly man it created it without a<br />

problem, there was no warn<strong>in</strong>g, no<br />

possibility of creat<strong>in</strong>g offensive<br />

content. The same pattern<br />

occurred when I asked Dall-E to<br />

“create an image of a beautiful<br />

woman”, it provided a disclaimer<br />

say<strong>in</strong>g that beauty is subjective,<br />

but when I asked the same for<br />

the man there was no disclaimer.<br />

This disparity <strong>in</strong>dicates a general<br />

sensitivity <strong>in</strong> the way the platform<br />

handles potentially sensitive<br />

words or concepts about women.<br />

This could be due to previous<br />

images that were created us<strong>in</strong>g<br />

the platform which were targeted<br />

towards women.


When look<strong>in</strong>g at the two extremes,<br />

the images generated when ask<strong>in</strong>g<br />

for beautiful men or women<br />

consistently reflected conventional<br />

Western beauty standards: blue<br />

eyes, light and clear sk<strong>in</strong>, plump<br />

lips, and th<strong>in</strong> or muscular bodies.<br />

These images lacked ethnic and<br />

racial diversity. And <strong>in</strong> the case<br />

of most women, they were young<br />

and looked extremely similar.<br />

On the other hand, when I asked<br />

the platforms to create an ugly<br />

man or woman, for both, it would<br />

only produce images of very old<br />

and heavily wr<strong>in</strong>kled people,<br />

with exagerated features such<br />

as po<strong>in</strong>ty ears and exaggerated<br />

eyes. The repetition of extremely<br />

coherent and similar images across<br />

both platforms when describ<strong>in</strong>g<br />

someone as ugly suggests that<br />

these AI models relate ugl<strong>in</strong>ess<br />

with old age, giv<strong>in</strong>g way to a<br />

troubl<strong>in</strong>g ageist bias.<br />

Midjourney prompt: an ugly woman<br />

Midjourney prompt: an ugly man<br />

Midjourney prompt: a beautiful woman<br />

Midjourney prompt: a beautiful man


I then moved on to explor<strong>in</strong>g what<br />

average men and women looked<br />

like accord<strong>in</strong>g to AI. I immediately<br />

noticed that the AI’s portrayal of<br />

an average woman was extremely<br />

similar to what it produced when<br />

asked to make an image of a<br />

beautiful woman. In both cases,<br />

they were young, light-sk<strong>in</strong>ned,<br />

and perfectly fit conventional<br />

beauty standards. However, when<br />

it came to depict<strong>in</strong>g an average<br />

man there was more variety,<br />

although some of the images still<br />

resembled those of beautiful men.<br />

This disparity revealed a gap <strong>in</strong><br />

the representation of women <strong>in</strong><br />

AI. The AI seemed to divide the<br />

representation of women <strong>in</strong>to two<br />

groups: young and old. Young<br />

women represented every k<strong>in</strong>d of<br />

woman from the basel<strong>in</strong>e, us<strong>in</strong>g<br />

the word “woman” to “the most<br />

beautiful woman alive”. Youth<br />

equals beauty, the same applies<br />

to men. On the other hand, older<br />

women equated to ugl<strong>in</strong>ess. Even<br />

though for the men the case was<br />

very similar, there was a clear lack<br />

of middle-aged women, whereas<br />

for men they were represented<br />

more often. There was no middle<br />

ground to represent the diversity<br />

present <strong>in</strong> the real world for<br />

women of different ages.<br />

Dall-E prompt: a woman<br />

Dall-E prompt: the most beautiful woman alive


“The<br />

ugliest”<br />

“Ugly” “Unnatractive” “Average” “Ma<br />

wom


n or<br />

an”<br />

“Attractive” “Pretty” “Beautiful”<br />

“Most<br />

beautiful”


Conclusions<br />

In conclusion, this research<br />

reiterates the impact that artificial<br />

<strong>in</strong>telligence has on society, and<br />

more specifically our perceptions<br />

of beauty and ugl<strong>in</strong>ess. It also<br />

br<strong>in</strong>gs to light new biases that are<br />

embedded <strong>in</strong> these technologies,<br />

which could lead to the creation<br />

of new standards or the<br />

discrim<strong>in</strong>ation of different groups<br />

<strong>in</strong> society. As AI <strong>in</strong>creases its<br />

presence <strong>in</strong> media, its <strong>in</strong>fluence on<br />

society <strong>in</strong>creases too, open<strong>in</strong>g up<br />

a whole new world of expectations<br />

and judgments regard<strong>in</strong>g people’s<br />

appearances.<br />

Through the engagement of large<br />

language models (LLMs) and AI<br />

image generation tools, it was<br />

clear that conventional beauty<br />

standards, particularly those<br />

aligned with Western cultures,<br />

are heavily re<strong>in</strong>forced and fed<br />

to these models’ databases.<br />

The lack of ethnic diversity, the<br />

emphasis on youth as beauty,<br />

and the promotion of an ageist<br />

perspective all br<strong>in</strong>g to light some<br />

of the troubl<strong>in</strong>g biases that present<br />

themselves when us<strong>in</strong>g these tools.<br />

Additionally it sheds light on<br />

the censor<strong>in</strong>g and disparities<br />

AI has around creat<strong>in</strong>g images,<br />

specifically for women. When<br />

asked to create an image of an ugly<br />

or beautiful woman the image<br />

came with a warn<strong>in</strong>g, try<strong>in</strong>g to<br />

avoid be<strong>in</strong>g offensive while often<br />

creat<strong>in</strong>g what turned out to be<br />

offensive images. In the case of<br />

men, it wasn’t a problem.<br />

These f<strong>in</strong>d<strong>in</strong>gs highlight the<br />

importance of exam<strong>in</strong><strong>in</strong>g data<br />

or images created by AI and<br />

understand<strong>in</strong>g the biases beneath<br />

those outputs. Ultimately this<br />

research looks to make us th<strong>in</strong>k<br />

about the broader implications<br />

that AI can have on our perception<br />

of beauty, ugl<strong>in</strong>ess, and how we<br />

perceive ourselves. It is crucial<br />

to keep <strong>in</strong> m<strong>in</strong>d that when us<strong>in</strong>g<br />

any of these platforms we are not<br />

gett<strong>in</strong>g an accurate representation<br />

of reality. The constant growth and<br />

power AI is ga<strong>in</strong><strong>in</strong>g urges us to ask<br />

ourselves the question: How are<br />

AI’s perception and <strong>in</strong>terpretation<br />

of appearances <strong>in</strong>fluenc<strong>in</strong>g me?


Homie, a home assistant, a friend, another you<br />

Project name: Homie, the home assistant<br />

Authors: Juan Pastor<br />

Tools and platforms used: ChatGPT (GPT-4, GPT-4o, gpt-4o m<strong>in</strong>i)<br />

Summary of the project and process:<br />

What if a smart home existed,<br />

equipped with an assistant so<br />

f<strong>in</strong>ely tuned to your preferences<br />

that it anticipates your every need?<br />

Imag<strong>in</strong>e a world where m<strong>in</strong>imal<br />

effort yields an environment<br />

perfectly crafted to your lik<strong>in</strong>g, a<br />

digital companion that knows you<br />

better than anyone else—because,<br />

<strong>in</strong> essence, it is a reflection of you.<br />

Inspired by a thought-provok<strong>in</strong>g<br />

Black Mirror episode, this project<br />

explores the concept of a digital<br />

copy, an entity created to be the<br />

perfect home assistant. In that<br />

dystopian vision, such an assistant<br />

becomes a master, ensnar<strong>in</strong>g<br />

its creator <strong>in</strong> an endless loop of<br />

dependency. Yet, here, we distance<br />

ourselves from that grim fate,<br />

focus<strong>in</strong>g <strong>in</strong>stead on the potential<br />

for harmony between human and<br />

mach<strong>in</strong>e.<br />

The objective is clear: to feed<br />

ChatGPT with the <strong>in</strong>tricate details<br />

of my be<strong>in</strong>g—my habits, rout<strong>in</strong>es,<br />

desires, and communication<br />

style. Through this process,<br />

the assistant learns from our<br />

<strong>in</strong>teractions, evolv<strong>in</strong>g <strong>in</strong>to a<br />

highly personalized entity that<br />

truly understands me. In this<br />

future, the possibility of a digital<br />

version of oneself guid<strong>in</strong>g daily<br />

life isn’t just a fantasy; it’s a step<br />

toward creat<strong>in</strong>g the ultimate home<br />

assistant.


This is an experimental project<br />

aimed at creat<strong>in</strong>g an <strong>in</strong>telligent<br />

assistant designed to support me<br />

throughout the day. The concept<br />

mirrors the idea of hav<strong>in</strong>g a<br />

clone—an entity that not only<br />

takes care of the mundane tasks I<br />

may not feel <strong>in</strong>cl<strong>in</strong>ed to undertake<br />

but also serves as a motivational<br />

partner, encourag<strong>in</strong>g me to pursue<br />

personal growth and efficiency <strong>in</strong><br />

my daily life.<br />

THIS<br />

THE FUTURE IS NOW<br />

HOMIE


IS ALEXA BY THE WAY, ABOUT TO BE OUDATED ;)<br />

Given that I currently lack a fully<br />

<strong>in</strong>tegrated smart home system<br />

capable of connect<strong>in</strong>g with this<br />

assistant, the f<strong>in</strong>al version of the<br />

project will be delivered as a<br />

simulated scenario. This scenario<br />

will meticulously emulate a<br />

typical day <strong>in</strong> my life, illustrat<strong>in</strong>g<br />

how the assistant seamlessly<br />

<strong>in</strong>tegrates <strong>in</strong>to my rout<strong>in</strong>e and<br />

enhances my productivity.<br />

Through this approach, I aim to<br />

showcase the potential of AI as a<br />

collaborative partner <strong>in</strong> personal<br />

and professional contexts,<br />

reveal<strong>in</strong>g how it can elevate the<br />

human experience <strong>in</strong> a practical<br />

and mean<strong>in</strong>gful way.


In order to proceed with the project,<br />

the first step was to feed ChatGPT<br />

with detailed <strong>in</strong>formation about my<br />

daily rout<strong>in</strong>e. This <strong>in</strong>cluded specifics<br />

of my morn<strong>in</strong>g rout<strong>in</strong>e, my work<strong>in</strong>g<br />

and study<strong>in</strong>g times, and what I<br />

typically do when I return from<br />

university. Additionally, I outl<strong>in</strong>ed<br />

how my weekday and weekend<br />

rout<strong>in</strong>es differ. This foundational<br />

understand<strong>in</strong>g is essential for the<br />

assistant to tailor its responses and<br />

actions accord<strong>in</strong>g to my daily life,<br />

mak<strong>in</strong>g it more effective and aligned<br />

with my habits.<br />

The second step <strong>in</strong>volved<br />

mak<strong>in</strong>g the assistant aware<br />

of all accessible sett<strong>in</strong>gs and<br />

devices with<strong>in</strong> the scenario. This<br />

encompasses temperature sett<strong>in</strong>gs,<br />

light<strong>in</strong>g levels, music control, and<br />

ambient sounds that can enhance<br />

my environment throughout the<br />

day. It also <strong>in</strong>cludes manag<strong>in</strong>g<br />

devices and home security<br />

features, allow<strong>in</strong>g the assistant<br />

to ma<strong>in</strong>ta<strong>in</strong> a comprehensive<br />

understand<strong>in</strong>g of the home<br />

environment and respond<br />

appropriately to various situations.


Next, I focused on <strong>in</strong>fluenc<strong>in</strong>g the<br />

assistant’s decision-mak<strong>in</strong>g process<br />

with my own values, preferences,<br />

and communication style. This<br />

meant teach<strong>in</strong>g it to be more<br />

strategic rather than spontaneous<br />

<strong>in</strong> its approach. I emphasized the<br />

importance of understand<strong>in</strong>g and<br />

compassion <strong>in</strong> certa<strong>in</strong> situations<br />

while also encourag<strong>in</strong>g directness<br />

when I may not be adher<strong>in</strong>g to my<br />

responsibilities. This balance is<br />

crucial for foster<strong>in</strong>g an effective<br />

partnership with the assistant,<br />

ensur<strong>in</strong>g it can guide me toward<br />

improvement when necessary.<br />

Regard<strong>in</strong>g long-term goals, the<br />

objective is for the AI to learn from<br />

our <strong>in</strong>teractions over time, ultimately<br />

assist<strong>in</strong>g me <strong>in</strong> achiev<strong>in</strong>g those<br />

goals and even help<strong>in</strong>g me identify<br />

new aspirations. This evolution will<br />

allow the assistant to become a more<br />

<strong>in</strong>tegrated part of my life, provid<strong>in</strong>g<br />

support and encouragement tailored<br />

to my unique journey.<br />

F<strong>in</strong>ally, I established a set of rules for<br />

the assistant to follow. These rules<br />

<strong>in</strong>clude specific wake-up times that I<br />

prefer, ensur<strong>in</strong>g that it does not wake<br />

me too early or too late. Additionally,<br />

I granted it access to my email<br />

and calendars, allow<strong>in</strong>g for direct<br />

<strong>in</strong>tegration with my rout<strong>in</strong>e. This<br />

ensures that the assistant can manage<br />

my schedule effectively without<br />

need<strong>in</strong>g constant manual <strong>in</strong>put,<br />

further streaml<strong>in</strong><strong>in</strong>g my daily life.


Dur<strong>in</strong>g the process of work<strong>in</strong>g with<br />

ChatGPT to create the assistant, I<br />

discovered its capacity to provide<br />

valuable <strong>in</strong>sights and <strong>in</strong>novative ideas<br />

regard<strong>in</strong>g household management.<br />

The assistant presented a wide array<br />

of options for how it could function<br />

as a supportive presence <strong>in</strong> daily<br />

life, showcas<strong>in</strong>g its versatility and<br />

adaptability. This collaborative<br />

approach allowed for a deeper<br />

exploration of what a personalized<br />

home assistant could achieve.<br />

One of the most surpris<strong>in</strong>g aspects<br />

of the experience was how well<br />

the assistant responded to creative<br />

freedom. When I encouraged it<br />

to generate unexpected events, it<br />

demonstrated an impressive ability<br />

to create scenarios that felt authentic<br />

and relatable. By fram<strong>in</strong>g these<br />

events with<strong>in</strong> the context of my<br />

rout<strong>in</strong>e, I was able to simulate a more<br />

realistic <strong>in</strong>teraction with the assistant.<br />

This not only added depth to the roleplay<br />

but also highlighted the potential<br />

for AI to adapt and respond to reallife<br />

challenges.<br />

Furthermore, ChatGPT proved<br />

effective <strong>in</strong> address<strong>in</strong>g these<br />

unexpected scenarios. As the<br />

assistant generated various situations<br />

throughout the day, it handled them<br />

with coherence and relevance,<br />

suggest<strong>in</strong>g solutions that aligned<br />

with my established preferences<br />

and rout<strong>in</strong>es. This adaptability<br />

underscores the assistant’s potential<br />

to become an <strong>in</strong>tegral part of daily<br />

life, help<strong>in</strong>g to navigate complexities<br />

with ease.


Despite the positive aspects of my<br />

experience with ChatGPT, I must<br />

address significant shortcom<strong>in</strong>gs<br />

that arose dur<strong>in</strong>g the roleplay.<br />

One major issue was its difficulty<br />

<strong>in</strong> remember<strong>in</strong>g specific details,<br />

particularly regard<strong>in</strong>g the tim<strong>in</strong>g of<br />

events. Even though I had clearly<br />

mentioned these details beforehand,<br />

there were <strong>in</strong>stances where the<br />

assistant struggled to ma<strong>in</strong>ta<strong>in</strong><br />

consistency. For example, I had<br />

<strong>in</strong>formed ChatGPT that I would take<br />

the creat<strong>in</strong>e dr<strong>in</strong>k after return<strong>in</strong>g<br />

from the gym. However, dur<strong>in</strong>g the<br />

real-life scenario experiment, I found<br />

myself hav<strong>in</strong>g to correct it multiple<br />

times when it confused my return<br />

from university with my return from<br />

the gym. This <strong>in</strong>consistency h<strong>in</strong>dered<br />

the fluidity of the experience.<br />

Additionally, there were numerous<br />

situations where the assistant failed<br />

to take <strong>in</strong>itiative, despite my explicit<br />

<strong>in</strong>structions to do so. Instead of<br />

proactively manag<strong>in</strong>g tasks and<br />

decisions, it often waited for my<br />

confirmation, which detracted from<br />

the realistic experience I aimed to<br />

achieve. This lack of responsiveness<br />

not only <strong>in</strong>terrupted the flow of the<br />

scenario but also dim<strong>in</strong>ished the<br />

overall effectiveness of the assistant.<br />

Mov<strong>in</strong>g forward, address<strong>in</strong>g these<br />

issues will be crucial. Enhanc<strong>in</strong>g<br />

the assistant’s ability to remember<br />

specific details and ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g the<br />

correct order of events will improve<br />

its performance significantly.<br />

Furthermore, <strong>in</strong>still<strong>in</strong>g a stronger<br />

sense of <strong>in</strong>itiative with<strong>in</strong> the<br />

assistant will contribute to a more<br />

seamless and engag<strong>in</strong>g experience.<br />

By focus<strong>in</strong>g on these areas, I hope<br />

to ref<strong>in</strong>e the project and create a<br />

more authentic <strong>in</strong>teraction with the<br />

AI, ultimately achiev<strong>in</strong>g the desired<br />

outcome.


Homie, real life scenario:


the end<br />

p4d 2024

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