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VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY NOVEMBER <strong>2024</strong><br />

Deep Sea Treasure<br />

A MOMENT FOR PEARLS IN THE<br />

INTERNATIONAL SPOTLIGHT<br />

Uniquely Australian<br />

THE POWERFUL APPEAL OF<br />

HOMEGROWN JEWELLERY<br />

Heritage & Legacy<br />

THE PAST, PRESENT, AND FUTURE<br />

OF WOLF AFTER 190 YEARS


Pink Kimberley jewellery showcases the exquisite pink hues of Australian pink diamonds,<br />

meticulously crafted into luxurious designs. Pink Kimberley takes inspiration from Australian nature<br />

and landscapes, with each stone carefully chosen and arranged in a vision of elegance. Our diamond<br />

creations combine quality & luxury to truly pay tribute to the rare beauty of Australia’s pink diamonds.<br />

PinkKimberley.com.au<br />

Become a stockist today 02 9290 2199


Experience the understated glamour of the Blush Pink collection, where each piece reflects a<br />

slice of Australian history. This range features natural light pink diamonds, sourced from the<br />

Kimberley region of Western Australia. Meticulously crafted with elegance in mind, these diamonds<br />

are set into wearable, timeless jewellery, embodying beauty and heritage in every design.<br />

Pinkkimberley.com.au/collections/blush-pink<br />

Become a stockist today 02 9290 2199


ORIGINALS<br />

EXCLUSIVELY DISTRIBUTED IN AUSTRALIA AND NEW ZEALAND BY<br />

AU +61 2 8543 4600 NZ +64 9 480 2211 | designaaccessories.com.au


A MOMENT FOR PEARLS IN THE<br />

INTERNATIONAL SPOTLIGHT<br />

VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY NOVEMBER <strong>2024</strong><br />

THE POWERFUL APPEAL OF<br />

HOMEGROWN JEWELLERY<br />

THE PAST, PRESENT, AND FUTURE<br />

OF WOLF AFTER 190 YEARS<br />

NOVEMBER <strong>2024</strong><br />

Contents<br />

This Month<br />

Industry Facets<br />

33 HOME GROWN HEROES<br />

Australian identity<br />

Australian jewellery products offer<br />

unique advantages to retailers and are<br />

adored by local consumers.<br />

9 Editorial<br />

10 Upfront<br />

12 News<br />

24<br />

27<br />

48<br />

10 YEARS AGO<br />

Time Machine: <strong>November</strong> 2014<br />

LEARN ABOUT GEMS<br />

Game-changing Gemmologists: XV<br />

MY BENCH<br />

Louis Kleimeyer<br />

50<br />

SOAPBOX<br />

Romel Santos<br />

Features<br />

30 ANNIVERSARY CELEBRATION<br />

190 years later<br />

Over nearly two centuries, WOLF has<br />

grown from a small European jewellery box<br />

manufacturer to a respected industry supplier.<br />

28<br />

30<br />

33<br />

40<br />

JEWELLERY FAIR REVIEW<br />

Pearls dominate the spotlight in Hong Kong<br />

ANNIVERSARY CELEBRATION<br />

WOLF reflects on 190 years of brand history<br />

UNIQUELY AUSTRALIAN<br />

Local consumers in love with Aussie designs<br />

COLOUR GEMSTONE JEWELLERY<br />

Best of the best captures hearts and minds<br />

Better Your Business<br />

28 TRADE SHOW WRAP<br />

Pearls steal the show<br />

With thousands of jewellery industry<br />

buyers and suppliers gathering in Hong<br />

Kong, pearls and pearl jewellery were<br />

thrust into the spotlight.<br />

42<br />

44<br />

45<br />

46<br />

47<br />

BUSINESS STRATEGY<br />

GRAHAM JONES explains why working yourself to exhaustion is a common mistake.<br />

SELLING<br />

DONNA ST JEAN CONTI encourages you to begin planning for 2025.<br />

MANAGEMENT<br />

Are you ready to go to the next level? PAUL SLOANE reveals the way forward.<br />

MARKETING & PR<br />

THOMAS YOUNG highlights important reasons to begin using Artificial Intelligence.<br />

LOGGED ON<br />

DAVID BROCK outlines the critical role human decision-making plays in your business.<br />

40 GEMSTONE MASTERY<br />

<strong>Jeweller</strong> to the Stars<br />

Australian collectors have been treated to a<br />

rare showcase of colour gemstone jewellery from<br />

one of the world's most respected designers.<br />

FRONT COVER Based in Melbourne,<br />

Athan Wholesale <strong>Jeweller</strong>s was founded<br />

by Arthur Papagrigoriou in 1998 to supply<br />

Australian jewellery retailers with the<br />

highest quality gold chains from leading<br />

Italian manufacturers. Today, Athan<br />

continues to specialise in exceptional gold<br />

chains and also supplies tennis mounts,<br />

earrings, necklaces, bracelets, religious<br />

pendants and charms, all made in Italy.<br />

To learn more visit: athan.com.au<br />

Deep Sea Treasure<br />

Uniquely Australian<br />

Heritage & Legacy<br />

<strong>November</strong> <strong>2024</strong> | 7


BALLET<br />

Since 1962, Duraflex Group Australia have been proudly distributing international<br />

jewellery and watch brands. (02) 9417 0177 | www.dgau.com.au


Editor’s Desk<br />

Pricing psychology: A hidden edge not to be ignored<br />

In a competitive market, every slight advantage is important.<br />

SAMUEL ORD explores the fascinating world of the psychology of retail pricing strategies.<br />

When retailers face intense competition to<br />

capture the attention of consumers,<br />

every little edge becomes critical.<br />

The increasing importance of product<br />

display is noteworthy, as is the significance<br />

of pricing online because the consumer is<br />

far from the product itself.<br />

Consumers are typically presented with a<br />

product image, description, and price. This<br />

is the only information retailers can provide<br />

online – so getting it right is crucial.<br />

With that in mind, it should come as no<br />

surprise that the psychology surrounding<br />

pricing is a treasure trove of intriguing ideas.<br />

When understanding what makes<br />

consumers ‘tick’ in terms of price,<br />

research constantly unearths new edges<br />

and advantages that can tip the scales in<br />

favour of one retailer over another.<br />

It can be as simple as the placement<br />

of a comma!<br />

Consumer pricing theories and strategies<br />

evolve; however, the mission remains the<br />

same: converting a dismissive ‘no’ or an<br />

apprehensive ‘maybe’ into a confident ‘yes’.<br />

The advice can sometimes seem<br />

contradictory, and specific nuances<br />

must be considered regarding pricing<br />

strategy for jewellery retailers.<br />

<strong>Jeweller</strong>y is a luxury product – not a<br />

necessity – with emotional and cultural<br />

connotations. As a result, what’s known as<br />

‘premium pricing’ tactics are usually applied.<br />

While the strategy can vary from company<br />

to company, broadly speaking, the purpose<br />

is to emphasise the exclusivity and quality<br />

of the products with high prices.<br />

Premium pricing isn’t a strategy used<br />

exclusively for luxury products.<br />

For example, Apple rarely offers discounts<br />

to avoid the perception that its smartphones<br />

and computers are inferior to others<br />

on the market.<br />

Other examples of premium pricing are<br />

found in luxury clothing and footwear,<br />

such as Louis Vuitton. The belief around<br />

the use of round numbers is intriguing.<br />

When products are priced with odd<br />

numbers, such as $799.99, consumers<br />

infer that this represents savings.<br />

Conversely, round numbers, such as $800,<br />

reinforce luxury and exclusivity.<br />

Pricing psychology is a topic with which I<br />

became acutely aware during my first year<br />

with <strong>Jeweller</strong> while researching a story<br />

about the use of price tags in jewellery<br />

stores. The mixed answers took me aback.<br />

Putting themselves in their customers'<br />

shoes; many suggested that jewellery<br />

should always be visibly priced.<br />

It eliminates the hassle of finding a staff<br />

member and asking them for the price,<br />

saving salespeople time as they do not<br />

have to look for the answer.<br />

Perhaps more importantly, it removes the<br />

possibility of a customer asking for the price<br />

of a piece that is out of their budget, which<br />

could be embarrassing.<br />

On the other hand, some retailers felt<br />

that price tags diminish the perceived<br />

value of jewellery.<br />

Instead of consumers selecting something<br />

based on interest, they’re encouraged to<br />

ruminate on the ‘bottom line’ and little else.<br />

An article I recently read looked at the<br />

nature of commas on price tags and the<br />

subtle impact this can have on consumer<br />

perception.<br />

Phonetic size is important when<br />

prices are spoken and read silently,<br />

which many people do.<br />

For example, if a diamond ring is priced at<br />

$1,950 – with the comma included – it’s read<br />

as ‘one thousand, nine hundred and fifty.’<br />

When priced at $1950, the same ring is read<br />

as ‘nineteen fifty’.<br />

Consumers consider items with a shorter<br />

phonetic size, without the comma, sound<br />

less expensive than those that are longer<br />

phonetically because of the comma.<br />

Another article discussed the importance of<br />

sorting prices from highest to lowest. The<br />

first price a consumer sees becomes the<br />

‘baseline for comparison’.<br />

For example, a customer visiting your<br />

website is presented with a $2,000 diamond<br />

ring and then a $2,400 diamond ring.<br />

Consumers psychologically feel that<br />

they are ‘losing’ the ability to pay a<br />

lower price.<br />

Many of these<br />

factors impact<br />

consumers<br />

subconsciously,<br />

and chances are<br />

your customers<br />

aren’t entirely<br />

conscious of the<br />

subtle reasons<br />

why they favour<br />

one product or<br />

business and not<br />

another.<br />

Perhaps the first option was the best<br />

available, and for their wallet,<br />

it’s all downhill from here.<br />

When products are presented in a decreasing<br />

sequence – most expensive to least expensive<br />

– it has the reserve effect.<br />

The perception is that quality is decreasing,<br />

and the focus is shifted away from trying to<br />

spend less money. As a result, the article<br />

argued that customers feel inclined to<br />

purchase something more expensive.<br />

The example given was a menu at a bar;<br />

however, the same principles could easily<br />

be applied to jewellery listed on a website,<br />

in a catalogue, and even when displayed<br />

in a store.<br />

Another interesting study found that<br />

male customers associate the colour red<br />

with implied savings, particularly around<br />

marketing campaigns. This is likely because<br />

red is commonly used for discounting.<br />

This study found that men seem to process<br />

advertising ‘less in-depth’ than women and<br />

use price colour as a visual representation to<br />

judge perceived savings.<br />

It’s also been said that if you’re going to use<br />

the colour red when pricing products –<br />

it can’t just be on one product!<br />

It singles out that product as inferior<br />

to the rest and harms sales rather<br />

than increasing them.<br />

Pricing psychology is a fascinating topic;<br />

the above examples are a handful of many.<br />

While not all – or possibly none – of the above<br />

may apply to your business, it’s something<br />

to think about.<br />

At the very least, these types of insights<br />

highlight the many unspoken factors that<br />

influence consumer decision-making.<br />

Many of these factors impact consumers<br />

subconsciously, and chances are your<br />

customers aren’t entirely conscious<br />

of the subtle reasons why they favour<br />

one product or business and not another.<br />

It’s also a reminder that your business<br />

is likely communicating with your<br />

customers in ways you may have<br />

never considered or intended.<br />

SAMUEL ORD<br />

EDITOR<br />

<strong>November</strong> <strong>2024</strong> | 9


Upfront<br />

Rewind: Best Bench Tip<br />

Stranger Things<br />

Weird, wacky and wonderful<br />

jewellery news from around the world<br />

Let them eat cake<br />

A historic necklace with possible<br />

links to Marie Antoinette will be sold<br />

at Sotheby's with a high estimate of<br />

$USD2.8 million. The necklace is at least<br />

240 years old and comprises three rows<br />

of diamonds weighing more than 300<br />

carats. The diamonds are believed to<br />

be sourced from the Golconda Mine in<br />

India. It will be offered at Sotheby's Royal<br />

and Noble Jewels Live Sale on<br />

11 <strong>November</strong> in Geneva.<br />

Trump’s surprise timepieces<br />

With the <strong>2024</strong> US presidential election<br />

roughly one month away, one could be<br />

forgiven for thinking that Republican<br />

nominee Donald Trump would be too<br />

preoccupied to venture into a new retail<br />

market. Of course, anyone making that<br />

assumption would be wrong. In what is<br />

almost certainly a first for a presidential<br />

candidate, Trump has unveiled a line<br />

of luxury timepieces priced between<br />

$USD499 and $USD100,000. The<br />

Republican nominee discussed the<br />

release of Trump Watches, suggesting<br />

ownership places the wearer in<br />

a ‘very exclusive club’.<br />

AUGUST 2018<br />

“Always listen to a<br />

customer’s requirements<br />

– you can never have too<br />

many details.”<br />

CRAIG DODD<br />

CHRISTOPHER GREEN JEWELLERS<br />

HISTORIC GEMSTONE<br />

Rosser Reeves Star Ruby<br />

The Rosser Reeves Star Ruby is a<br />

138-carat rich red and well-defined<br />

star gemstone. The early origins of<br />

the gemstone are unknown; however,<br />

it is believed it was discovered in Sri<br />

Lanka. A gemstone dealer in London<br />

purchased it in the late 1950s. It was<br />

eventually owned by Rosser Reeves, a<br />

US advertising executive and pioneer<br />

of television advertising. He carried<br />

the ruby for good luck and claimed<br />

that he had acquired the gemstone at<br />

an auction in Istanbul in the 1950s; however, this has been disputed.<br />

Reeves donated it to the Smithsonian Institution in 1965.<br />

Timeless Trends<br />

Vintage-inspired jewellery is<br />

always in vogue because it appeals<br />

to nostalgia and fine craftsmanship.<br />

It's a form of adornment that evokes<br />

feelings of timeless elegance and<br />

heritage, meaning consumers<br />

can wear pieces that tell powerful<br />

personal stories.<br />

Image: Fred Leighton<br />

Image: Lightbox Jewelry<br />

Brave barbers take action<br />

A pair of barbers have thwarted<br />

three men who allegedly attempted to<br />

rob a jewellery store in Queensland.<br />

Queensland Police have arrested<br />

and charged three men after a failed<br />

attempt at a robbery at a jewellery<br />

store in Westfield Coomera on the<br />

Gold Coast on Friday afternoon. The<br />

trio allegedly arrived at the shopping<br />

centre in a vehicle around 5pm. Two<br />

men attempted to smash a glass<br />

cabinet at a jewellery store using a tyre<br />

iron. The plot was foiled, however, when<br />

two barbers observed the robbery and<br />

decided to intervene.<br />

Facial recognition technology<br />

A trial of facial recognition<br />

technology in New Zealand has<br />

been praised as ‘encouraging’ as<br />

authorities attempt to curb retail<br />

crime. The trial took place across<br />

25 stores during six months. The<br />

technology produced more than<br />

1,700 ‘alerts’ with only one reported<br />

case of misidentification. Retail<br />

NZ CEO Carolyn Young explained<br />

that early results suggest the<br />

trial reduced harmful incidents,<br />

including physical and verbal abuse.<br />

Campaign Watch<br />

Lightbox Jewelry, the lab-created<br />

diamond jewellery brand, has<br />

released two new campaigns —<br />

Shine Bright Spend Less and<br />

Modern Family — that reflect the<br />

focus on accessible pricing and<br />

fashion jewellery. The De Beers<br />

Group-owned company recently<br />

announced it would no longer create<br />

diamonds for use in jewellery.<br />

VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY<br />

Published by Befindan Media Pty Ltd<br />

Locked Bag 26, South Melbourne, VIC 3205 AUSTRALIA | ABN 66 638 077 648 | Phone: +61 3 9696 7200 | Subscriptions & Enquiries: info@jewellermagazine.com<br />

Publisher Angela Han angela.han@jewellermagazine.com • Editor Samuel Ord samuel.ord@jewellermagazine.com • Advertising Toli Podolak toli.podolak@jewellermagazine.com<br />

Production Prince Bisenio art@befindanmedia.com • Digital Coordinator Riza Buliag riza@jewellermagazine.com • Accounts Paul Blewitt finance@befindanmedia.com<br />

Copyright All material appearing in <strong>Jeweller</strong> is subject to copyright. Reproduction in whole or in part is strictly forbidden without prior written consent of the publisher. Befindan Media Pty Ltd<br />

strives to report accurately and fairly and it is our policy to correct significant errors of fact and misleading statements in the next available issue. All statements made, although based on information<br />

believed to be reliable and accurate at the time, cannot be guaranteed and no fault or liability can be accepted for error or omission. Any comment relating to subjective opinions should be addressed to<br />

the editor. Advertising The publisher reserves the right to omit or alter any advertisement to comply with Australian law and the advertiser agrees to indemnify the publisher for all damages or liabilities<br />

arising from the published material.


News<br />

Intriguing jewellery sales<br />

analysis as holidays approach<br />

Start to finish: Sydney jeweller launches diamond<br />

marketplace to improve consumer experience<br />

“Fairfax & Roberts consumers will now have<br />

access to a secure and reliable global diamond<br />

wholesale service, not only guaranteeing<br />

quality but the ultimate bespoke process from<br />

selection to curation,” she said.<br />

“This new offering benefits from Fairfax<br />

& Roberts’ incredibly strict quality control<br />

whereby consumers can feel confident<br />

knowing they now have an end-to-end,<br />

one-stop platform to alleviate the stress<br />

of navigating and selecting the diamond of<br />

their dreams.”<br />

The latest analysis of Australia’s independent<br />

jewellery stores revealed a modest decline in sales<br />

across September.<br />

In the latest report from Retail Edge Consultants,<br />

sales from September decreased by 2.7 per cent on<br />

a year-on-year comparison and six per cent when<br />

compared with 2022.<br />

This follows a six per cent decrease in sales in<br />

August, while July was highlighted by a 2.9 per<br />

cent increase. Average unit sales decreased by<br />

eight per cent on a year-on-year comparison, with<br />

the average retail sale (inventory only) recorded at<br />

$262, an increase of seven per cent.<br />

Breaking the data down further, diamond<br />

jewellery sales decreased by 3.2 per cent when<br />

compared with September 2023. Change in sales<br />

of colour gemstone jewellery (decrease 0.1 per<br />

cent) was negligible.<br />

Silver and alternative metals jewellery decreased<br />

by 13 per cent on a one-year comparison, while<br />

precious metal jewellery without a diamond or<br />

gemstone improved by 13 per cent.<br />

A minor decrease was detected in laybys between<br />

new orders and pickups or cancellations. Services,<br />

such as repairs, declined substantially, while<br />

special orders improved modestly.<br />

Bigger picture?<br />

An analysis released by the Australian Bureau of<br />

Statistics (ABS) reported higher-than-expected<br />

sales for the nation's retailers in August, with<br />

these results attributed to sunshine.<br />

Head of business statistics Robert Ewing said<br />

retailers benefited from warmer-than-expected<br />

weather, with sales increasing by 0.7 per cent.<br />

“This year was the warmest August on record<br />

since 1910, which saw more spending on items<br />

typically purchased in spring. The lift in turnover<br />

from the warmer weather was also boosted by<br />

higher discretionary spending as consumers took<br />

advantage of Father’s Day sales events during the<br />

month," he said.<br />

Economists previously expected a 0.4 per cent<br />

increase in sales.<br />

Australian jewellery retailer Fairfax &<br />

Roberts has launched a new digital platform,<br />

offering a wholesale diamond marketplace<br />

directly to consumers.<br />

In an announcement, the retailer said the<br />

platform gives consumers access to a vast<br />

global diamond supplier network, providing<br />

both lab-created and natural diamonds.<br />

More than 500,000 certified diamonds, ranging<br />

between 0.3 and 20 carats, are available at the<br />

‘click of a button’.<br />

CEO Irene Deutsch said the platform would<br />

ensure the retailer can offer a comprehensive<br />

bespoke process.<br />

Canturi unveils stunning diamond timepiece<br />

Sydney jeweller Stefano Canturi has created a<br />

remarkable one-of-a-kind diamond-encrusted<br />

watch with an eye-popping price tag.<br />

The piece features a Swiss-sourced ETA<br />

movement and more than 330 natural<br />

diamonds, totalling 50 carats.<br />

In an interview, Canturi said that after more<br />

than 35 years spent designing luxury jewellery,<br />

he was interested in a new challenge.<br />

Director of retail Joshua Rogers described<br />

the platform as an all-inclusive, end-toend<br />

service unlike anything else available<br />

in Australia.<br />

“From sourcing to retailing, all diamonds<br />

undergo rigorous testing at our in-house<br />

workshop before they reach consumers and<br />

our new wholesale diamond marketplace will<br />

be no different,” he explained.<br />

“This platform is set to be a comprehensive<br />

full-service solution, allowing consumers<br />

the unique opportunity to curate a bespoke<br />

piece of jewellery, from initial concept<br />

to final presentation at the hands of the<br />

trusted experts.”<br />

Fairfax & Roberts is based in Sydney and has<br />

been operating since 1958.<br />

“Everything’s about timing. “You don’t try to do<br />

a watch when you’re ten years in business, it<br />

makes no sense, it’s too complicated,” he told<br />

the Australian Financial Review.<br />

“I just thought, ‘you know what? After years<br />

of making beautiful high jewellery, this is the<br />

perfect time’.”<br />

Canturi confirmed that one offer of $530,000<br />

for the watch had been received so far and<br />

said that one of the key challenges was finding<br />

a recognisable design without a logo.<br />

“In the early days, I used to sell Jaeger-<br />

LeCoultre, a beautiful watch, which I loved,<br />

loved, loved, and I fell in love with the<br />

whole world of watches. But we made the<br />

decision not to carry other brands in order to<br />

concentrate on our own designs,” he said.<br />

“I would love to do the next piece and the<br />

next piece. It’s about what I can do here in my<br />

beautiful atelier and a goal would be to have<br />

something new released every few years.”<br />

Canturi operates three stores in Melbourne,<br />

Sydney, and Brisbane.<br />

12 | <strong>November</strong> <strong>2024</strong>


News<br />

Case study review: Diamond dealer takes legal action for reinstatement as CEO<br />

Trust is often touted as paramount in the jewellery<br />

industry, and a recent legal case in Australia has<br />

highlighted several critical lessons for small<br />

business owners.<br />

In late April, <strong>Jeweller</strong> reported on the unusual<br />

case of Craig Miller's ousting from the CEO<br />

position of his company, JC Jewels.<br />

Miller — who was recently elected president of<br />

the Diamond Dealers Club of Australia - was a<br />

director and 25 per cent shareholder in JC Jewels<br />

when he was suddenly terminated. According<br />

to Australian Securities and Investments<br />

Commission (ASIC) records at the time of<br />

publication, he remains as such.<br />

<strong>Jeweller</strong> recently learned that following his<br />

unexpected ousting, Miller sought an interlocutory<br />

injunction to be reinstated as CEO. This is a court<br />

order to compel or prevent a party from doing certain<br />

acts pending the final determination of the case.<br />

Dispute background<br />

On 6 April, Craig, and Lonn Miller – who also worked<br />

for JC Jewels – received termination letters.<br />

According to NSW Supreme Court documents,<br />

"The letter to Miller offered that he could resign<br />

in lieu of termination and asked him to tender his<br />

resignation by 5pm Sunday 7th April <strong>2024</strong>. No such<br />

offer was made to Lonn. Miller did not resign.<br />

“Miller and Lonn then sought reinstatement<br />

which was not responded to. Shortly thereafter,<br />

Miller and Lonn’s access to JCJ’s office was cut off.”<br />

Subsequently, they were physically locked out<br />

of the Sydney office and denied access to the<br />

company’s software, including email, supplier<br />

WhatsApp chat groups, and bank accounts.<br />

The termination letters outlined the following<br />

reasoning: “As you are aware, JC Jewels has<br />

undertaken a review of the business and has<br />

determined that in order to ensure the longa-term<br />

profitability of the business a restructure must occur.<br />

“As a consequence, your employment is being<br />

terminated. Your termination is due to the<br />

corporate and financial restructuring of JC<br />

Jewels. As a small business employer, we note<br />

that redundancy is not payable.”<br />

Legal proceedings were then commenced on<br />

19 April <strong>2024</strong>. Miller was seeking “a variety of<br />

final relief including an order declaring that the<br />

conduct of JCJ’s affairs is and has been,<br />

oppressive to, unfairly prejudicial to, or<br />

unfairly discriminatory against, Miller.”<br />

There was a dispute about who started the company<br />

and when. Court documents detail that it was<br />

formed in September 2018, and Miller was appointed<br />

in August 2020.<br />

It is worth noting that in December 2023, Miller<br />

had offered to sell his shares to the other directors.<br />

There was also a dispute about the background and<br />

details of Lonn Miller’s employment contract.<br />

“Lonn was employed by JCJ as Sales Director by a<br />

written document entitled Heads of Agreement and<br />

dated 6 October 2020. The agreement provided that<br />

5% Class B Shares would be created as an option<br />

to Lonn upon him reaching a target of $2,000,000 in<br />

revenue within a 12-month time frame being granted<br />

Class B,” the documents state.<br />

However, there was disagreement on whether Lonn<br />

reached the $2 million target because it “appears to<br />

have involved [Craig] Miller apparently transferring to<br />

[brother] Lonn a number of Miller’s [his] clients.”<br />

Miller’s termination letter also raised a dispute about<br />

his alleged misuse of a company credit card. He<br />

denied there had been any wrongdoing.<br />

In his 7 May decision, Justice Pike noted: ”The<br />

suggestion was that Miller had misused his<br />

corporate credit card, and this appears to have<br />

contributed, at least in part, to the breakdown in<br />

trust and confidence referred to by [director and<br />

shareholder Stephen] Braun.<br />

“Counsel for the plaintiffs [Miller] took objection to<br />

this material being admitted into evidence on the<br />

present application. I admitted it over objection. I do<br />

not need to, and do not, make any findings in relation<br />

to these allegations. Miller strongly denies that there<br />

has been any wrongdoing.<br />

“The fact that the allegations have been made, and<br />

there is a dispute about them, goes to the present<br />

state of the relationship between the plaintiffs on the<br />

one hand and the other owners on the other.”<br />

Decisions and determinations<br />

The interlocutory relief sought by Craig and Lonn<br />

Miller failed. In an interesting decision dated 7 May,<br />

four days after the hearing, Justice Pike dismissed<br />

the interlocutory injunction and awarded costs<br />

against the brothers.<br />

The judgement made several salient points as to<br />

why he dismissed the interlocutory injunction.<br />

This includes the following: “And contrary to what<br />

was contended by the plaintiffs, reinstatement<br />

would not be maintaining the status quo, but<br />

rather upsetting it.”<br />

Put simply, Justice Ian Pike explained how the<br />

company had ‘moved on’ since the Millers had<br />

been terminated.<br />

“Reinstating Miller and Lonn would also bring about<br />

an outcome which the majority of the owners of the<br />

business do not want in circumstances where there<br />

appears to be a breakdown in trust and confidence.<br />

Miller said as much at the Board meeting held on 14<br />

<strong>November</strong> 2023,” the documents state.<br />

“I do not accept any contention that the assertions of<br />

a loss of trust and confidence made by Mr Braun in<br />

his affidavit are somehow confected. The termination<br />

of Miller and Lonn suggests quite clearly that the<br />

majority of the owners no longer want them working<br />

in the day to day operations of the business. Miller<br />

also seeks a buy out as his primary final relief.”<br />

As previously reported, when <strong>Jeweller</strong> contacted<br />

JC Jewels in April for comment, director Stephen<br />

Braun was asked about the circumstances of the<br />

company’s restructuring.<br />

“We're in a competitive market and restructures are<br />

not uncommon and often necessary,” he explained.<br />

“While we recognise that restructures can be<br />

challenging for all parties involved, we're confident<br />

this decision is in the best interest of the company<br />

and our customers.”<br />

Lessons learned<br />

This legal case is a fascinating lesson for many<br />

small businesses. In particular, it demonstrates<br />

how the breakdown of complicated interpersonal<br />

relationships may be assessed in court.<br />

CONTINUED ON PAGE 14<br />

<strong>November</strong> <strong>2024</strong> | 13


News<br />

Case study review: Diamond dealer takes legal action<br />

for reinstatement as CEO<br />

CONTINUED FROM PAGE 13<br />

The case became the subject of a YouTube video hosted by James<br />

d’Apice, founder and principal lawyer of Gravamen - a boutique law<br />

firm specialising in shareholder and partnership disputes.<br />

As part of the Coffee and a Case Note series, d’Apice explained that<br />

Justice Pike’s decision to dismiss the case was based on the ‘balance<br />

of convenience’ test.<br />

This test involves the court determining whether the inconvenience or<br />

injury the plaintiff would be likely to suffer if an injunction were refused<br />

outweighs or is outweighed by the injury the defendant would suffer if an<br />

injunction were granted. d’Apice explains the various factors a court must<br />

consider when evaluating such a case.<br />

“The court noted that in matters of this type, generally speaking, the<br />

court is going to be reluctant to order interlocutory relief. We can<br />

understand that this makes sense because we have the expression of<br />

the will of the majority of the shareholders and the majority of the board,”<br />

d’Apice explains.<br />

“They’ve said, ‘We don’t like plaintiffs one and two anymore, and we<br />

want them gone.’ The court is going to be reluctant to force back into<br />

the company people who the majority have already said they want gone,<br />

and so that weighs against the balance of convenience test.”<br />

He continues: “And so what we have here is the plaintiffs failing in their<br />

application to be reinstated as CEO and sales director, and they’re left<br />

to fight another day in relation to the buyout of their shares, but that<br />

disposes of their application for an interlocutory injunction.”<br />

Following their termination from JC Jewels, Craig and Lonn Miller have<br />

since started a new retail business - Jewelco - based in Rose Bay, Sydney.<br />

ASIC records reveal that the Jewelco business name was registered on<br />

12 March 2023, around a month before the Millers were locked out of the<br />

JC Jewels office.<br />

Craig Miller was contacted several times prior to publication; however,<br />

he did not respond to requests for comment.<br />

Watches of Switzerland buys Hodinkee<br />

Watches of Switzerland Group has acquired the editorial company<br />

Hodinkee.<br />

According to a statement, Hodinkee will remain an independent media<br />

organisation headquartered in New York City under the Watches of<br />

Switzerland ‘umbrella’.<br />

Ben Clymer, who founded the company in 2008, will return as CEO — a<br />

position he held until 2020. In an article published online, he explained<br />

what this acquisition means for the publication's future.<br />

“We're gonna sit back from retail and let our partners at Watches of<br />

Switzerland do the selling. We’ll do the writing and the special things<br />

that only we can do,” Clymer writes.<br />

“Will we cover brands that Watches of Switzerland doesn't sell?<br />

Absolutely. Will we cover interesting retailers that have nothing to do<br />

with Watches of Switzerland? Absolutely."<br />

Watches of Switzerland has more than 200 stores across the US and<br />

UK. The acquisition of Hodinkee will include a website, magazine, brand<br />

partnerships division, and an insurance business.<br />

Neither company has disclosed the terms of the sale. Watches of<br />

Switzerland CEO Brian Duffy said in a statement that it was a deal that<br />

would benefit both parties long-term.


A new range of Argyle pink and blue diamond jewellery,<br />

from one of the original Argyle Pink Diamond Select Ateliers.<br />

All Rosé products are made with official Argyle pink and blue diamonds.<br />

ninasjewellerywholesale.com.au<br />

Nina’s <strong>Jeweller</strong>y proudly supports White Ribbon Australia. Stand up, speak out and act to end men’s violence against women.


News<br />

Rolex in space: Astronaut's<br />

luxury watch up for auction<br />

Best of the best: Brady’s watch collection up for grabs<br />

Legendary US athlete Tom Brady has placed<br />

his luxury watch collection up for auction.<br />

The seven-time NFL Super Bowl champion’s<br />

collection will be available in December at<br />

Sotheby’s as part of ‘The GOAT Collection:<br />

Watches and Treasures from Tom Brady.’<br />

The timepieces range in value between<br />

$USD12,000 ($AUD17,800) and $USD800,000<br />

($AUD1.18 million).<br />

Among the collection are Patek Philippe,<br />

Rolex, and IWC Schaffhausen models and a<br />

custom-made Audemars Piguet.<br />

A Rolex worn by an astronaut on the Moon is<br />

currently up for auction in the US and is expected<br />

to generate significant interest among collectors.<br />

RR Auction in Boston is offering a GMT-Master<br />

‘Pepsi’ model watch, which Edgar Mitchell, the<br />

sixth man to walk on the Moon, owned. The watch<br />

is named ‘Pepsi’ from its blue and red bezel.<br />

“This incredibly rare watch, part of Mitchell’s<br />

personal collection, is one of only two Apolloflown<br />

Rolex watches ever sold at auction,” RR<br />

Auction writes.<br />

“A historic timepiece, it symbolises the<br />

intersection of human achievement and<br />

precision craftsmanship.”<br />

Although all Apollo astronauts were issued Omega<br />

Speedmaster Pro watches, some preferred Rolex<br />

chronometers, and Mitchell wore the GMT-Master<br />

to the moon along with his Omega.<br />

Mitchell's Rolex is expected to return $USD400,000<br />

($AUD593,640) before the sale closes on 24 October.<br />

The watch is engraved with the following:<br />

“Worn by Cdr. E. Mitchell on Apollo 14, 1971,<br />

To Karlin – My Daughter.”<br />

Anthony Traina of Hodinkee expects the auction<br />

to attract an unlikely buyer.<br />

“I'd have to guess that a watch of such importance<br />

will attract the interest of Rolex as a bidder,”<br />

Traina writes.<br />

“It's no secret the brand has scooped up a few of<br />

its historically important watches at auction over<br />

the last few years.<br />

"Last year, it bought Commander Warren's<br />

GMT-Master ref. 6542 at Sotheby's, one of the<br />

more expensive results we've seen for a vintage<br />

GMT-Master.”<br />

Mitchell was the pilot for the Lunar Module of<br />

Apollo 14, the eighth crewed mission of the<br />

Apollo program and the third to land on the Moon.<br />

After making the lunar landing, Mitchell completed<br />

two walks on the Moon's surface.<br />

Brady said his interest in watches began<br />

during high school after he received a<br />

timepiece as a graduation present.<br />

“I’ve been so fortunate to have such an<br />

amazing journey in my career, and these<br />

watches and collectibles really capture those<br />

unforgettable moments and all the hard work<br />

behind them,” he said.<br />

“I’m excited to give fans and collectors a<br />

chance to own and cherish these special<br />

pieces from my journey just like I have.”<br />

Among the items of interest is a white gold<br />

and diamond-set flying tourbillon Royal Oak<br />

by Audemars Piguet, expected to return a<br />

minimum of $USD400,000 ($AUD594,000).<br />

A Richard Mille 35-03 Baby Nadal is<br />

likely to sell for as much as $USD500,000<br />

($AUD724,000).<br />

Brady was a quarterback in the NFL for 23<br />

seasons (2000-2022) and is widely considered<br />

the competition’s greatest player of all time.<br />

Election fever: Trump showcases line of luxury watches<br />

With the <strong>2024</strong> US presidential election roughly<br />

one month away, one could be forgiven for<br />

thinking that Republican nominee Donald<br />

Trump would be too preoccupied to venture<br />

into a new retail market.<br />

Of course, anyone making that assumption<br />

would be wrong. In what is almost certainly a<br />

first for a presidential candidate, Trump has<br />

unveiled a line of luxury timepieces priced<br />

between $USD499 and $USD100,000.<br />

In a video released on 27 September, the<br />

Republican nominee discussed the release of<br />

Trump Watches, suggesting that ownership<br />

places the wearer in a ‘very exclusive club’.<br />

“This isn’t just any watch, it’s one of the best<br />

watches made,” he said.<br />

“It has almost 200 grams of gold and more<br />

than 100 real diamonds.<br />

"That’s a lot of diamonds. I love gold.<br />

I love diamonds.”<br />

Interestingly, one of the timepieces is the<br />

Fight Fight Fight watch, engraved with the<br />

words shouted by Trump after his 13 July<br />

assassination attempt.<br />

Trump is well-known for attaching his image<br />

to a range of unlikely consumer products,<br />

including steaks, trading cards, and even<br />

Bibles. A disclaimer on the website states:<br />

"Trump Watches are not designed,<br />

manufactured, distributed or sold by<br />

Donald J. Trump, The Trump Organization or<br />

any of their respective affiliates or principals.<br />

"TheBestWatchesonEarth LLC uses the<br />

“Trump” name, image and likeness under<br />

a paid license agreement which may be<br />

terminated or revoked according to its terms.<br />

Trump Watches are intended as collectible<br />

items for individual enjoyment only, not for<br />

investment purposes.”<br />

The website continues: “The images shown<br />

are for illustration purposes only and may<br />

not be an exact representation of the product.<br />

These watches are not political and have<br />

nothing to do with any political campaign."<br />

Trump Watches is not the first line of<br />

timepieces the former president has<br />

marketed. In 2005, he released the Donald<br />

J. Trump Signature Watch Collection.<br />

16 | <strong>November</strong> <strong>2024</strong>


(03) 9663 2321<br />

INFO@ATHAN.COM.AU<br />

WWW.ATHAN.COM.AU<br />

602/220 COLLINS ST, MELBOURNE VIC 3000


News<br />

Christmas cheer: Best is yet<br />

to come for Michael Hill<br />

The CEO of Michael Hill International has outlined<br />

his expectation of a robust holiday sales period for<br />

the major jewellery retailer.<br />

It’s been a productive year for Michael Hill,<br />

including a significant branding overhaul, the<br />

expansion of Bevilles, and the launch of luxury<br />

brand TenSevenSeven.<br />

CEO Daniel Bracken said with positive sales in the<br />

opening weeks of the financial year, the holiday<br />

period was shaping to be one to remember.<br />

“As we prepare for the all-important Christmas<br />

trading period, the positive momentum we have<br />

seen in the first 14 weeks is very encouraging,”<br />

Bracken said.<br />

“I’m particularly excited about the launch of our<br />

new Pendant Bar concept, providing a unique<br />

gifting proposition for Christmas.<br />

“Couple this with next week’s launch of our<br />

new campaign, ‘It’s a Michael Hill Christmas’,<br />

together with our best-in-class in-store visual<br />

merchandising and focused retail execution from<br />

our teams, and I’m confident that we are wellplaced<br />

for the critical Christmas trading period.”<br />

Gross margin recovery will be a priority for the<br />

retailer over the coming year. Bracken also said it<br />

would be important to maximise the popularity of<br />

the retailer’s loyalty program.<br />

“Beyond the brand’s leading position in bridal,<br />

promoting other key milestone moments like<br />

birthdays and anniversaries, provides significant<br />

revenue opportunities for the business, while<br />

leveraging the data in our loyalty program and<br />

growing the opportunities with self-purchasing<br />

customers,” Bracken continued.<br />

“Even with the challenging trading conditions in<br />

the fine jewellery sector, the business has held<br />

firm on its strategic intent to grow the footprint and<br />

strengthen Bevilles’ position in the market.”<br />

In other notable developments, Michael Hill<br />

confirmed that Miranda Kerr will be the company’s<br />

global ambassador in April and opened a new<br />

flagship store in Melbourne in May.<br />

Patek Philippe releases drought-breaking collection<br />

Luxury timepiece manufacturer Patek<br />

Philippe has released its first new watch<br />

line in 25 years.<br />

The Cubitus is reportedly aimed at younger<br />

consumers. It has a square case with<br />

rounded corners.<br />

It comes in three distinct styles: steel with<br />

an olive dial, a steel and rose gold two-one<br />

model with a blue dial, and a complicated<br />

platinum with a blue dial.<br />

Prices start around $USD40,000 and climb<br />

as high as $USD88,000. Before the unveiling of<br />

Cubitus, Patek Philippe’s most recent line was<br />

the Twenty-4 collection, released in 1999.<br />

The brand described the release of the<br />

collection as a ‘milestone in the company’s<br />

history’ in a statement; however, it hasn’t<br />

been all smooth sailing thus far.<br />

“Rumours of the Cubitus launch have been<br />

circling since as early as 2021, when eagleeye<br />

watch fans discovered a trademark had<br />

been filed for the name,” writes Nick Hall of<br />

Man of Many.<br />

“With that reveal, speculation mounted that<br />

Patek Philippe was looking to introduce a new<br />

range, and it wasn’t long before references<br />

to the Cubitus began regularly appearing on<br />

watch forums and Instagram pages in the<br />

lead-up to the 17 October Munich showcase.<br />

Then came a supposed leak.<br />

“An advertisement in Fortune Magazine gave<br />

a first brief glimpse at the new watch, sending<br />

the watch community into a frenzy and<br />

spurring anxiety (presumably) in the hearts of<br />

Patek Philippe retailers worldwide.<br />

"The jury is still out on whether the ‘leak’<br />

was a genuine accident or just a well-timed<br />

marketing stunt, but it matters little now.”<br />

Based in Switzerland, Patek Philippe was<br />

established in 1839.<br />

Be Love: New releases for Pandora’s holiday campaign<br />

The world’s largest mass-market jewellery<br />

brand, Pandora, has unveiled its <strong>2024</strong><br />

marketing campaign, a continuation of the<br />

Be Love project.<br />

The Be Love campaign was launched<br />

earlier this year, featuring a range of artists,<br />

actresses, and musicians. The holiday<br />

campaign will feature Pamela Anderson,<br />

Chloe, and Halle Bailey, as well as models<br />

Agyness Deyn and Jocelyn Corona.<br />

Erin Matson, vice president of marketing for<br />

Pandora North America, said the campaign<br />

encourages thinking beyond traditional gifting.<br />

"Our ambassadors are public figures who<br />

uphold the shared idea of love in all forms, and<br />

who value quality, beauty and sustainability in<br />

their jewellery," Matson said.<br />

"Icon Pamela Anderson embodies self-love<br />

and serves as a powerful force in today's<br />

society, reminding us that gifting to others<br />

can also be an act that makes you feel good,<br />

too. Meanwhile, the dynamic sister duo of<br />

Chloe and Halle Bailey perfectly represents the<br />

essence of this campaign, which celebrates<br />

the bonds we share with our loved ones."<br />

Among the new releases as part of the<br />

campaign are customisable engravable heart<br />

charms and bow motifs, classic pave tennis<br />

bracelets and various new styles using a blend<br />

of mixed metals.<br />

"This collection is all about themes of light<br />

and love, so we wanted these celestialinspired<br />

designs and iconic symbols of holiday<br />

magic and love, like the Be Love Heart, to<br />

really shine through within the campaign<br />

imagery," Matson continued.<br />

"The bow items are not only on trend but are<br />

also a playful holiday symbol. We carefully<br />

curated this collection to showcase our pieces<br />

made from sterling silver, 14-carat gold,<br />

hand-blown Murano glass and lab-grown<br />

diamonds."<br />

In August, Pandora predicted a revenue<br />

increase of between 9 and 12 per cent<br />

for this financial year.<br />

18 | <strong>November</strong> <strong>2024</strong>


Long live tradition.<br />

Introducing Legato by BECKS.<br />

Celebrate your unity with our exquisite Legato by BECKS collection,<br />

a premium enhancement to our classic range of wedding rings.<br />

Craftsmanship meets elegance with each ring showcasing a contrasting<br />

metal inlay tied together with the main band and your personalised<br />

message of love. Proudly crafted in our South Australian manufacturing<br />

facility to the highest quality standards to last a lifetime. Long live love.<br />

BECKS<br />

Long live love — Since 1976<br />

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becksgroup.au<br />

Proudly Australian owned and operated.


News<br />

Worth The Wait: De Beers and Signet launch new<br />

marketing campaign ahead of holidays<br />

It will also appear across several Signet brands.<br />

CEO of De Beers Brands, Sandrine Conseiller,<br />

said the campaign focuses on modern love and<br />

evolving relationship dynamics.<br />

“We're excited to launch this campaign as part<br />

of our refreshed approach to natural diamond<br />

category marketing to connect a new generation<br />

of consumers to the wonder of natural<br />

diamonds,” she said.<br />

The world’s largest diamond mining<br />

company and diamond jewellery retailer have<br />

collaborated on a new marketing campaign<br />

before the holiday season.<br />

The De Beers Group and Signet Jewelers have<br />

released ‘Worth The Wait’, a natural diamond<br />

campaign targeted at young consumers.<br />

A 90-second long-form feature and two<br />

30-second and two 15-second spots will appear<br />

on television, social media, and online platforms.<br />

“While the campaign draws on our track record<br />

of iconic natural diamond advertising, it brings<br />

an entirely fresh approach grounded in deep<br />

insights about the relationships of today’s<br />

diverse couples.”<br />

She continued: “The premise of the campaign<br />

is to celebrate the individual, challenging<br />

and rewarding journeys that couples go on<br />

before making the momentous decision to<br />

get engaged, which is perfectly mirrored by<br />

the journey of a natural diamond formed deep<br />

within the Earth’s surface.”<br />

The campaign was created by Arnold<br />

Worldwide, an American advertising agency<br />

based in Boston.<br />

Kaleidoscope: Fancy colour diamond tender launched<br />

A new range of natural<br />

coloured diamond jewellery,<br />

from Australia’s coloured<br />

diamond specialists.<br />

ninasjewellerywholesale.com.au<br />

Rio Tinto has launched its <strong>2024</strong> Beyond Rare<br />

Tender, showcasing 48 lots of fancy colour<br />

diamonds.<br />

The Colour Awakened collection is spearheaded<br />

by seven ‘Old Masters’, historic diamonds from<br />

the Argyle mine.<br />

These are seven round brilliant cut pink and<br />

red diamonds, ranging from 0.6 carats to 2.63<br />

carats.<br />

Each diamond was recovered more than a<br />

decade ago, with one of the stones discovered<br />

in 1987.<br />

The tender collection comprises of 76 diamonds<br />

weighing 39.44 carats, featuring seven Old<br />

Masters with one Fancy Red diamond, 32<br />

exquisite single pink and violet lots with a Fancy<br />

Purplish Red diamond, and nine curated sets,<br />

including a 2.47-carat Fancy Intense Yellow and<br />

a 4.04-carat D color diamond from Diavik.<br />

Sinead Kaufman, chief executive of Rio Tinto<br />

Minerals, said it was a remarkable collection of<br />

diamonds.<br />

“No other mining company in the world has<br />

custody of such a kaleidoscope of coloured<br />

diamonds,” she said.<br />

“Four years on from the closure of the Argyle<br />

mine, our Beyond Rare Tender platform is a<br />

testimony to the enduring prestige of the Argyle<br />

Pink Diamonds brand, the quality of production<br />

from our Diavik mine, and the ongoing demand<br />

for highly collectible natural diamonds.”<br />

The 48 lots will be displayed in London,<br />

Australia, Singapore, and Belgium, and bids<br />

will close on 18 <strong>November</strong>.


#furlaneverordinary<br />

EXCLUSIVELY DISTRIBUTED IN AUSTRALIA AND NEW ZEALAND BY<br />

AU +61 2 8543 4600 NZ +64 9 480 2211 | designaaccessories.com.au


News<br />

Luxury watch listing leads<br />

to home invasion<br />

Police in South Australia are encouraging the public<br />

to exercise caution after a listing for a luxury watch<br />

on social media allegedly inspired a home invasion.<br />

Three men entered a home in the Adelaide suburb<br />

of Lightsview last week armed with a variety of<br />

weapons, holding the tenants hostage for 30<br />

minutes. Investigators have since revealed that the<br />

crime is believed to have been motivated by a $37,000<br />

Rolex listing on Facebook Marketplace. The suspects<br />

tracked the address through a previous listing.<br />

In an interview, the victim – who remains<br />

anonymous – said he hoped that people<br />

would learn from his experience.<br />

"People with bad intentions essentially saw those<br />

listings and tried to arrange for an inspection and<br />

tried to get some more details, and obviously, they<br />

successfully did that," the victim told 9News.<br />

The Rolex had been sold three months earlier;<br />

however, the suspects took car keys, wallets, credit<br />

cards, and a mobile phone during the robbery. Police<br />

recommended meeting in public spaces in daylight,<br />

ideally with security cameras nearby. Anyone with<br />

information is urged to contact Crime Stoppers on<br />

1800 333 000.<br />

Legal battle: 50 Cent sues jeweller for using his likeness<br />

US rapper 50 Cent is suing a New York City<br />

jeweller for using his likeness to promote and<br />

sell luxury chains.<br />

TMZ reported on 10 October that 50 Cent (Curtis<br />

James Jackson III) has filed a lawsuit against<br />

Maksud Trax Agadjani, known as TraxNYC, for<br />

publicity and trademark infringement.<br />

TraxNYC is a jeweller with more than 2.5 million<br />

Instagram followers.<br />

A recent social media post featured diamondstudded<br />

pendants and chains and references to<br />

50 Cent. Social media users flooded the post,<br />

suggesting that it was a mistake and that 50<br />

Cent would take legal action in response — and<br />

they appear to have been correct.<br />

Southern District of New York court<br />

documents, obtained by TheWrap, state that<br />

the rapper is seeking damages of $USD5<br />

million ($AUD7.42 million).<br />

“Jackson did not purchase his necklace from<br />

Defendants and Jackson has never authorised<br />

Defendants to capitalise on his goodwill and<br />

reputation in order to promote their goods and<br />

services,” the lawsuit reads.<br />

“Defendants, who are in the jewellery business,<br />

willfully and knowingly created imitations<br />

of an original necklace designed exclusively<br />

for Jackson; used Jackson’s name, image<br />

and other intellectual property rights to<br />

mislead consumers into believing Defendants’<br />

reproductions are affiliated with, sponsored by,<br />

or endorsed by Jackson; and continue to use<br />

Jackson’s name, image and other intellectual<br />

property rights for commercial gain.”<br />

The document reportedly lists several occasions<br />

when Agadjani promoted the necklace design<br />

online between August and October.<br />

WHOLESALE /<br />

DISTRIBUTOR<br />

Australian wholesaler of<br />

exclusive brands. Our<br />

portfolio includes leading<br />

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Grovana and TACS.<br />

TACS<br />

Canberra ACT 2601<br />

02 6249 1509<br />

info@stellatimepieces.com<br />

stellatimepieces.com


News<br />

Iconic singer’s jewellery collection impresses at auction<br />

More than 80 pieces of jewellery from Shirley<br />

Bassey's private collection have impressed<br />

buyers after appearing at an auction in Paris.<br />

The collection was part of the Sotheby's Fine<br />

Jewels sale, which took place on 10 October.<br />

The proceeds went to charities.<br />

The auction returned €2.2 million ($AUD3.58<br />

million). A diamond brooch from the early 1900s<br />

sold for €162,000 ($AUD263,500), almost five<br />

times its estimate.<br />

A Van Cleef and Arpels emerald and diamond<br />

necklace sold for €174,000 ($AUD283,100), more<br />

than double its estimate.<br />

"I fell in love with jewellery when I first<br />

discovered natural pearls as an up-and-coming<br />

singer, and I bought myself my first string of<br />

pearls - the first piece of jewellery I'd ever<br />

bought,” Bassey said.<br />

"However, I quickly graduated to my lifelong<br />

passion for diamonds which preceded the<br />

recording of Diamonds Are Forever.<br />

"In fact, I accepted to sing the song because<br />

it rang true to me and the way I felt about<br />

diamonds then and now.”<br />

She added: "Collecting jewellery for me is like<br />

collecting memories and this collection is full<br />

of them.”<br />

A vintage 1960s Van Cleef and Arpels ring with<br />

brilliant-cut diamonds, gifted to Bassey by<br />

Elton John, sold for €48,000 ($AUD78,100).<br />

Emerald brooch returns to auction block after 50 years<br />

An emerald brooch that appeared at the<br />

inaugural Christie’s Geneva jewellery sale in<br />

1969 is expected to hit the block for a second<br />

time in <strong>November</strong>.<br />

The Aga Khan emerald brooch will enter the<br />

Geneva Magnificent Jewels auction on 12<br />

<strong>November</strong> with a presale estimate of $USD8<br />

million ($AUD12.1 million).<br />

The brooch features a 37-carat Colombian<br />

emerald and was commissioned from Cartier in<br />

1960 by Prince Sadruddin Aga Kahn as a gift for<br />

his wife, Nina Dyer.<br />

It was sold for $USD75,000 ($AUD113,700)<br />

in 1969.<br />

Christie’s Max Fawcett said it was a charismatic<br />

and eye-catching piece.<br />

“The emerald brooch is not just a piece of<br />

jewellery; it carries with it the stories and charm<br />

of a bygone era,” he said.<br />

“We are thrilled to present it once again, not only<br />

because of its history but also due to the increased<br />

interest in coloured stones the market has<br />

witnessed in recent years. We believe it will attract<br />

a high level of interest from clients globally.”<br />

Christie’s will also feature five lots belonging to<br />

the Sassoon family, known as the 'Rothschilds of<br />

the East'.<br />

Among the collection is an art deco Indo-Persian<br />

necklace by Cartier with antique cushion-cut<br />

diamonds totalling more than 130 carats. The<br />

necklace has a presale estimate of $USD1.5<br />

million ($AUD2.2 million).


10 Years Ago<br />

Time Machine: <strong>November</strong> 2014<br />

A snapshot of the industry events making headlines this time 10 years ago in <strong>Jeweller</strong>.<br />

Historic Headlines<br />

<strong>Jeweller</strong>s to receive new-look sales training<br />

Kate Spade New York makes Aussie debut<br />

Thomas Sabo creates Xmas buzz with debut TV ad<br />

Sales increase and new stores for Pandora<br />

First Australian jewellery conference announced<br />

Diamond grading furore<br />

continues; ‘approved’ lab list<br />

released<br />

In the wake of international controversy<br />

surrounding the “over-grading” of diamonds,<br />

the JAA has published a list of “approved”<br />

laboratories while the World Federation of<br />

Diamond Bourses has stepped into the debate<br />

with a call for action.<br />

The <strong>Jeweller</strong>s Association of Australia (JAA) has<br />

taken steps to improve consumer confidence<br />

in diamond grading by publishing a list of six<br />

“approved” diamond grading laboratories.<br />

The list endorses only two Australian<br />

operations, and while it has recognised four<br />

international laboratories, no New Zealand<br />

operator has been given a stamp of approval.<br />

GIA takes action over mislabelled<br />

diamond<br />

The Gemological Institute of America has<br />

suspended one of its services across all<br />

laboratory locations after receiving a sealed<br />

diamond that did not match the accompanying<br />

data label.<br />

According to a statement released by the<br />

Gemological Institute of America (GIA), its<br />

diamond sealing service – a process that<br />

involves sealing a graded diamond and its key<br />

information in a compact, tamper-resistant<br />

package for easy transport and display – had<br />

been put on hold. An investigation held in<br />

conjunction with an independent agency was<br />

said to be underway to determine the source<br />

of the mislabelled sealed diamond and the<br />

circumstances surrounding its submission.<br />

Clients with concerns about a GIA-sealed<br />

diamond were encouraged to submit the<br />

unopened sealed packet for examination.<br />

Editor’s Desk<br />

A tale of two (jewellery) locations<br />

"If the JAA’s lease project gains traction, there’s<br />

a good chance that jewellers will be able to<br />

use the valuable information contained in the<br />

database to negotiate reductions in leasing<br />

costs or, at the very least, ensure they are not<br />

paying above market rates.<br />

The game has been stacked against small<br />

independent retailers for too long but things<br />

might be about to change.<br />

Sadly, though, the greater security risks –<br />

including the potential violent, armed attacks<br />

for jewellers located on the high street – will<br />

always remain."<br />

Soapbox<br />

I am Plating. Hear me roar.<br />

"Thank goodness the technology for making<br />

me has become so refined and we can keep<br />

creating big, beautiful designs that draw<br />

people into the stores.<br />

Madonna, a singer with neither the finest voice<br />

nor looks, is now touted to have a net worth<br />

of $1 billion not because she is precious but<br />

because she is bold and ready to lead. Don’t<br />

you think it is worth applying the same logic of<br />

her success to me? In her words, “You know<br />

that we are living in a material world, and I am<br />

a material girl.”<br />

Helen Hagerty,<br />

Julie Sandlau Australia<br />

<strong>November</strong> 2014<br />

ON THE COVER CITIZEN<br />

STILL RELEVANT 10 YEARS ON<br />

Sometimes your success will come down<br />

to demanding more from your business<br />

and, consequently, more for yourself.<br />

It requires an understanding of the<br />

“gap” that exists between what we want<br />

the business to achieve and what it is<br />

currently achieving. This is known as<br />

GAP analysis.<br />

Gold jewellery demand weakens,<br />

platinum council established<br />

READ ALL HEADLINES IN FULL ON<br />

JEWELLERMAGAZINE.COM<br />

Global gold jewellery demand in the third<br />

quarter of 2014 was unable to match last year’s<br />

“exceptional” corresponding period, according<br />

to the World Gold Council’s latest report.<br />

Although the Gold Demand Trends report found that<br />

global jewellery demand had decreased by 4 per<br />

cent to 534 tonnes, it noted that the third quarter<br />

of 2013 had been the “strongest third quarter for<br />

jewellery demand since 2008, and by<br />

a fair margin”.<br />

When viewed in the longer term, the third quarter<br />

was considered to have performed “marginally<br />

stronger” than the quarterly average of 528 tonnes,<br />

with the volumes said to indicate a continued<br />

recovery from the low experienced in 2009.<br />

Bank accused of money<br />

laundering for diamond dealers<br />

An international bank has been charged with<br />

assisting Antwerp diamond dealers to hide<br />

money in offshore accounts to evade tax.<br />

According to multiple media reports, the<br />

Belgian prosecutor has charged a Switzerlandbased<br />

subsidiary of HSBC Bank, HSBC<br />

Private Bank SA (Suisse), with fraud and<br />

money laundering. In a statement, the<br />

prosecutor alleged that the bank “knowingly<br />

eased and promoted fiscal fraud” by allowing<br />

clients to move money into offshore companies<br />

based in Panama and the Virgin Islands.<br />

The prosecutor claimed that the bank’s<br />

activities – which were estimated to have cost<br />

the Belgian government hundreds of millions of<br />

euros – dated back as far as 2003 and involved<br />

soliciting and managing the assets of more than<br />

1,000 wealthy clients, mainly from the Antwerp<br />

diamond industry.<br />

24 | <strong>November</strong> <strong>2024</strong>


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REVIEW<br />

Gems<br />

Gemmologists who changed the game:<br />

Campbell Bridges<br />

Campbell Bridges was a world-renowned<br />

geologist, gemmologist, gemstone dealer,<br />

and prospector who made a tremendous<br />

impact on the world of gemmology.<br />

Born in England, Bridges was introduced to<br />

geology from an early age through his father,<br />

Dr RJ Bridges, a chief geologist for The<br />

Central Mining and Investment Corporation<br />

in South Africa. His childhood in South Africa<br />

and his father's work exposed Bridges to<br />

various gemstones, which he collected.<br />

Bridges was educated at Hilton College<br />

before completing his Bachelor of Science<br />

in geology at the University of Witwatersrand.<br />

He worked across South Africa and Zimbabwe<br />

before expanding his explorations into<br />

Tanzania, where he made many critical<br />

gemmological discoveries.<br />

In 1967, Bridges discovered deposits of<br />

tsavorite, a green variety of grossular garnet,<br />

in the mountain ranges of northeast Tanzania.<br />

The discovery was made in the Taita Hills,<br />

near the Tsavo National Park, which inspired<br />

the gemstone's name.<br />

Along with the discovery of tsavorite, Bridges<br />

became enamoured with a purplish-blue<br />

stone he encountered at local markets. In<br />

an interview for Diamond World, Campbell's<br />

wife, Judith Bridges, described their first<br />

encounters with tanzanite.<br />

"We arrived in the city of Arusha in 1967 to<br />

find bazaar stands teeming with samples of<br />

a translucent purplish-blue stone. The first<br />

specimens of tanzanite had surfaced nearby<br />

earlier that year, but it was still a local find,”<br />

she explained.<br />

Bridges purchased rough of the purplishblue<br />

stone and sent it to the Gemmological<br />

Association of America in New York for further<br />

testing. The stone caught the attention of<br />

key figures in the industry, including Tiffany<br />

& Company jewellers, prompting Bridges to<br />

bring tanzanite to the international market.<br />

He did this for several years until the Tanzania<br />

government nationalised mining, blocking him<br />

from mining and exporting the gemstone.<br />

However, Bridges perseverance and geological<br />

knowledge motivated him to continue his<br />

exploration.<br />

Campbell Bridges: 1938 - 2009. A celebrated<br />

geologist and gemmologist, Bridges made<br />

groundbreaking discoveries of tsavorite and tanzanite,<br />

significantly impacting the gemmology field.<br />

He surmised that the seam bearing tsavorite<br />

and tanzanite gemstones could stretch across<br />

the border into Kenya.<br />

In 1971, his theory would prove partially<br />

correct, and he discovered the tsavorite<br />

deposits again in Kenya, where he officially<br />

registered his discovery and purchased<br />

mineral rights. With production and<br />

exportation possible, he commenced business<br />

with Tiffany & Co. to promote the new<br />

gemstone varieties to the mass market.<br />

In 1974, Tiffany & Co ran a full-page<br />

advertisement in The New Yorker magazine<br />

to promote the new gemstone, tsavorite,<br />

which featured Campbell Bridges.<br />

His discovery of tanzanite was also celebrated<br />

in a feature article in Life Magazine in 1969.<br />

Tanzanite was also promoted with a lavish<br />

campaign featuring Elizabeth Taylor wearing a<br />

pair of eight-carat tanzanite earrings cut<br />

from rough that Bridges had mined.<br />

Campbell Bridges was awarded a lifetime<br />

membership in the Alumni Association of<br />

the Geological Institute of America (GIA)<br />

and a senior membership in the National<br />

Association of Jewelry Appraisers (NAJA).<br />

In Kenya, where Bridges lived and worked for<br />

more than four decades, he was a founding<br />

member of the International Coloured<br />

Gemstone Association, founding chairman<br />

and committee member of The Kenyan<br />

Chamber of Mine, and former vice chairman<br />

of the Kenyan Gemstone Dealers Association.<br />

Campbell and Judith Bridges lived in a<br />

treehouse on their claim in Kenya, where<br />

they raised their family.<br />

Bridges owned and operated the Scorpion<br />

Mine in the Taita-Taveta District of southeast<br />

Kenya.<br />

Despite living in Kenya for more than 40<br />

years, the success of his tsavorite mine made<br />

him a target for a large, organised crime<br />

syndicate. Bridges had received numerous<br />

threats, prompting him to alert Kenyan police<br />

officials and hire his security team.<br />

Tragically, despite these efforts, Bridges' life<br />

came to an end when he was ambushed by<br />

a gang of more than 30 armed men. Bridges<br />

was murdered in front of his son, Bruce<br />

Bridges, and a security team.<br />

The tragedy devastated the gemmology<br />

community and was a confronting reminder<br />

of the volatile and dangerous conditions that<br />

can exist in the gemstone mining industry.<br />

Bridges' family continue to fight for justice<br />

over his death.<br />

Bridges leaves behind an immense legacy<br />

in the world of gemmology and geology. His<br />

name will forever remain synonymous with<br />

tsavorite garnets and the rise of tanzanite as<br />

a beautiful and desirable gemstone.<br />

Teaghan Hall is a fine art graduate with a<br />

specialised interest in antique jewellery. She works<br />

in the antique jewellery trade and has written for<br />

various industry publications while studying with<br />

the Gemmological Association of Australia.<br />

For more information on gems and gemmology,<br />

visit www.gem.org.au<br />

<strong>November</strong> <strong>2024</strong> | 27


TRADE SHOW WRAP<br />

Pearls in Hong Kong<br />

AUTORE<br />

OPHIDIA ENCHANTRESS NECKLACE<br />

T<br />

here's something for everyone at<br />

international events like <strong>Jeweller</strong>y and<br />

Gem World Hong Kong; however, this<br />

year’s September event had an unlikely hero.<br />

Diamonds, colour gemstones, luxury watches<br />

and jewellery of all thinkable varieties light up<br />

every corner of the Hong Kong Convention and<br />

Exhibition Centre and AsiaWorld-Expo venues.<br />

As a result, it’s not surprising that this year’s<br />

show in September attracted more than<br />

50,000 visitors from 142 countries – each<br />

eager to view showcases presented by more<br />

than 3,300 exhibitors.<br />

With that said, there was one clear star at this<br />

year’s event – pearls and pearl jewellery. It’s<br />

easy to understand why pearls have enraptured<br />

humans for thousands of years.<br />

Pearls' unique and lustrous appearance is<br />

captivating, and subtle colours add elegance<br />

and sophistication to any outfit. They are classic<br />

and never go out of style.<br />

Pearls have been valued for centuries, making<br />

them a staple in vintage and contemporary<br />

fashion. Event organiser Informa Markets thrust<br />

pearls into the spotlight in Hong Kong with the<br />

launch of the Orient Odyssey on 18 September.<br />

It was a fascinating tour through the intricate<br />

world of pearls, taking visitors from ‘shell to<br />

market’.<br />

Director of jewellery fairs at Informa Markets,<br />

Celine Lau, says the exhibition was designed to<br />

introduce a new generation of jewellers to the<br />

beauty of pearls.<br />

“Few things evoke fascination like the world’s<br />

only living gemstones, inherently perfect from<br />

the moment of harvest," she explains.<br />

"Orient Odyssey is celebrating the timeless<br />

beauty of pearls while at the same time<br />

introducing them to a new generation of buyers<br />

and ensuring that their enduring allure remains<br />

at the forefront of the industry’s collective<br />

consciousness."<br />

The exhibition showcased oysters' production of<br />

pearls, offered insights into the world’s various<br />

pearl grading systems, and highlighted the<br />

evolving science of pearl cultivation.<br />

Live demonstrations of pearls extracted<br />

from oysters captivated onlookers. Designer<br />

Rosemary Chung hosted sessions on<br />

pearl jewellery styling, while renowned<br />

gemstone artist Victor Tuzlukov provided live<br />

demonstrations of pearl facetting techniques.<br />

One of the major supporters of the exhibition<br />

was Australia’s Paspaley Pearling Company.<br />

Executive director Michael Bracher says that<br />

Australia has an important story to tell on the<br />

global stage.<br />

“It’s been a fantastic experience, and I think<br />

it’s really opened many people’s minds as to<br />

what is capable with the Australian oyster,”<br />

Bracher explains.<br />

“We’ve presented many pearls from our<br />

private collection that aren’t for sale, including<br />

the Paspaley Pearl, , which we found in 2003. My<br />

uncle said at the time that we shouldn’t sell it<br />

until we find a better one, and funnily enough,<br />

here we are in <strong>2024</strong> and still holding it.”<br />

Many consider the Paspaley Pearl<br />

to be the<br />

finest South Sea pearl ever discovered. It was<br />

harvested more than two decades ago on the<br />

Kimberley Coast. Perfectly round and measuring<br />

more than 20 millimetres in diameter, it has an<br />

intense lustre and strong pink overtone.<br />

“It’s been great to showcase our unique<br />

collection of the most interesting and<br />

important pearls that we’ve found over<br />

many decades,” Bracher explained.<br />

"We even spoke with a few clients and got their<br />

permission to temporarily showcase them at<br />

this booth so that we could highlight the<br />

excellence of Australian pearls.”<br />

Located in the fine jewellery pavilion, Autore<br />

Pearls also supported the exhibition. General<br />

manager of jewellery sales and operations<br />

Justin Schwarz offered an up-close look at<br />

some of the company’s finest creations.<br />

These include the award-winning Enchantress.<br />

Creative director Jane Autore and her design<br />

team created the necklace in 18-carat rose<br />

gold, which features more than 16 carats of pink<br />

diamonds and 23 carats of white diamonds,<br />

mimicking the pattern of scales.<br />

In the snake's head, a two-carat pear-shaped<br />

white diamond sits like a crown, and the eyes<br />

and nostrils are adorned with rubies, black<br />

diamonds, and moonstones.<br />

Australian company Autore's awardwinning<br />

Ophidia Enchantress Necklace<br />

is crafted from A-grade South Sea<br />

Keshi pearls set in 18 carat rose gold<br />

and 16.64-carats of pink diamonds and<br />

23.99-carats of white diamonds, with a<br />

2-carat pear shaped white diamond set<br />

in the head of the serpent.<br />

28 | <strong>November</strong> <strong>2024</strong>


Visitors observed live pearl extraction from oysters, saw gemstone artist Victor Tuzlukov demonstrate pearl faceting, and attended a fashion show by pearl companies<br />

at the Tahitian Pearl Association Hong Kong reunion party, spotlighting the elegance and craftsmanship of pearls.<br />

The piece contains 26 Autore South Sea keshi<br />

pearls collected over eight years.<br />

“Autore is renowned for offering the finest quality<br />

pearls, and we have seen that reflected in the<br />

interactions and feedback we’ve had with buyers.<br />

We’ve been very busy,” Schwartz tells <strong>Jeweller</strong>.<br />

“One of the most valuable aspects of shows<br />

such as this is educating visitors on the value<br />

of Australian pearls. It’s a great chance to build<br />

rapport and highlight how special these natural<br />

wonders are. “<br />

He added: “This isn’t just limited to buyers<br />

from overseas, too; we find that Aussies still<br />

have plenty to learn.”<br />

Thick of the action<br />

<strong>Jeweller</strong>y and Gem World Hong Kong is divided<br />

across two venues for those unfamiliar. The<br />

Hong Kong Convention and Exhibition Centre is<br />

dedicated to finished jewellery, while AsiaWorld-<br />

Expo features loose gemstones.<br />

The <strong>2024</strong> show included an interactive<br />

exhibit called 'Orient Odyssey' that<br />

showcased pearls and included live<br />

demonstrations.<br />

The pearl section of AsiaWorld-Expo is usually<br />

a hive of activity, with buyers feverously<br />

purchasing strands. There was a notable<br />

decline in foot traffic this year, which has<br />

been attributed to a range of factors.<br />

Among the crowd was Adam Crase of South<br />

Sea Pearls and <strong>Jeweller</strong>y, based in Sydney.<br />

“There’s definitely been a significant reduction<br />

in foot traffic this year, but I’m happy with some<br />

of the new contacts we’ve made,” he says.<br />

“We’ve done really well with some of our<br />

silver lines in particular. We’ve spoken with<br />

some interesting buyers – generally speaking,<br />

Europeans aren’t particularly passionate about<br />

pearls, particularly in comparison with buyers<br />

from Asia.”<br />

Crase raised an interesting subject that<br />

attendees of recent jewellery fairs in Hong<br />

Kong have previously discussed — the impact<br />

of China’s expanding middle class.<br />

Diamond Federation of Hong Kong chairman<br />

Victor Yiu previously noted that diamond jewellery<br />

sales in China have slowed because an expanding<br />

middle class encourages consumers to delay<br />

marriage in favour of career advancement.<br />

Crase offered an interesting perspective on<br />

this topic.<br />

“If you think that about it in simple terms, if<br />

there’s an additional million families entering<br />

the middle class in China, that’s an additional one<br />

million strands of pearls to be sold,” he explains.<br />

“Advertising certainly helps promote pearl<br />

jewellery in that regard, and the message is<br />

often that you don’t need to have the very best<br />

pearls, but you need to have some.<br />

“As the emerging middle class comes into China,<br />

they’re accepting a lower-grade pearl because<br />

pearls are associated with wealth.”<br />

Located a short walk away was Jonathan<br />

Jacobson, co-founder of Pearl Traders.<br />

An industry veteran, he specialises in<br />

South Sea, Tahitian, and gold pearls.<br />

“We’ve spoken with quite a few people, and<br />

the feedback has been mixed; some people are<br />

quiet, and some people are busy. It’s like any<br />

trade show,” he tells <strong>Jeweller</strong>.<br />

“We are really happy with how we’ve gone;<br />

we have no complaints. I think people are<br />

finding that buyers are interested in anything<br />

and everything.<br />

“Whatever is available, they’re going to buy.<br />

We’ve got a wide range of pearls – from colour<br />

to black and gold and commercial pearls, and<br />

it’s all been selling which is fantastic.”<br />

Eye on the future<br />

As part of a new initiative, Informa Markets<br />

launched the Sustainability Awards <strong>2024</strong>, with<br />

an expert panel from the jewellery and gemstone<br />

industry judging the efforts of businesses of all<br />

sizes. Autore Pearls was named a finalist in the<br />

Environmental Stewardship category.<br />

Furthermore, on 18 September, a panel<br />

discussion titled The Power of Pearls:<br />

Sustainable Gems For A New Generation<br />

was held at the HKCEC's Grand Foyer.<br />

The discussion centred around innovative<br />

strategies, from design to branding, that<br />

increase pearls' appeal to consumers.<br />

Rosario Autore, founder of The Autore Group,<br />

participated in the discussion and went<br />

‘off-script’ to conclude his presentation,<br />

emphasising the importance of bringing the<br />

next generation into the industry.<br />

“Our key responsibility as leaders of this industry<br />

is to inspire the younger generation who will follow<br />

our path. It’s a commitment to building an industry<br />

for these future leaders so that they can, in turn,<br />

inspire and engage with their peers,” he said.<br />

“We need to provide them with the passion and<br />

dedication that everyone in this room has, and I<br />

hope we can all get together and make sure that<br />

we progress further down this path.”<br />

In 2025, <strong>Jeweller</strong>y and Gem World Hong Kong<br />

will be held from 15-19 September at the AWE<br />

and from 17-21 September at the HKCEC.<br />

<strong>November</strong> <strong>2024</strong> | 29


DEFYING TIME<br />

A Lasting Legacy<br />

Very few brands survive nearly two centuries.<br />

SAMUEL ORD<br />

explores the unique history and fascinating legacy of WOLF.<br />

T he watch and jewellery industries are<br />

steeped in tradition and legacy, with<br />

many brands proudly wearing their<br />

history as a badge of honour. Very few brands<br />

have a story that rivals WOLF.<br />

The brand celebrates 190 years of operation<br />

this year – and has done so in style, with the<br />

release of five new collections marking important<br />

moments and milestones.<br />

Watch winders and jewellery boxes are intriguing<br />

propositions for Australian retailers. On one hand,<br />

they’re niche products that cater to a specific audience.<br />

Put simply, most people are likely to purchase an<br />

engagement ring at some point in their lives; however,<br />

only a select few will be so committed and dedicated to<br />

collecting watches that they’ll require a winder.<br />

The same could be said for fine jewellery boxes as<br />

many consumers undoubtedly feel that ‘any old box<br />

will do’ – jewellery is meant to be worn, not stored!<br />

That said, this niche appeal can offer retailers access<br />

to loyal and dedicated consumers passionate about<br />

watches and jewellery.<br />

These products can also position a jewellery business<br />

as an ‘all-encompassing’ authority on luxury goods —<br />

with the answer to another common question (storage)<br />

easily on hand.<br />

Furthermore, retailers can pair these items with<br />

watches and jewellery, encouraging customers to<br />

purchase complementary products, thus increasing<br />

revenue with add-on sales.<br />

<strong>Jeweller</strong>y boxes and watch winders offer retailers a<br />

unique point of difference in a crowded market – and<br />

‘standing out’ is something WOLF prides itself on.<br />

Past: Winding back the clock<br />

The brand began in 1834 with Philipp Wolf I, a jeweller<br />

and silversmith by trade in Hanau, Germany. Dreaming<br />

of presenting his jewellery in the best way possible, he<br />

began handmaking boxes.<br />

He realised that he’d found a niche in the market, and<br />

as the popularity of these boxes grew, he shifted away<br />

from silversmithing to focus on this new passion.<br />

In a move highlighting the enduring respect for tradition<br />

and family the brand would later embody, Philipp Wolf<br />

I would later base the design of his family crest on the<br />

Hanau coat of arms.<br />

The second generation of the family was led by<br />

Philipp Wolf II, who immigrated to Sweden in 1895<br />

and, 15 years later, married Ida Wilhelmina Peterson.<br />

Unfortunately, not every fairy tale story has a happy<br />

ending, and after the tragic loss of two of their five<br />

children due to illness, he suffered severe mental<br />

health issues. With her husband unable to work,<br />

Ida took it upon herself to lead the company.<br />

She would travel throughout Sweden and Scandinavia<br />

by rail and horse-drawn carriage, selling whatever<br />

products the factory could make from a wooden trunk.<br />

Ida kept the WOLF story alive, and in 1936, two of her<br />

remaining children - Philipp Wolf III and his brother<br />

Ernst – took control of the business.<br />

Philipp Wolf III is described as a visionary. At the factory<br />

in Malmö, Sweden, he developed many new production<br />

techniques and processes. He is renowned for inventing<br />

the musical pirouetting ballerina box, which would<br />

become a world-famous jewellery box.<br />

In the 1950s, Philipp Wolf IV joined the family business<br />

at a young age, helping his father create samples and<br />

spending time at the factory.<br />

During this time, he briefly moved to England and<br />

encountered the woman who would become his wife –<br />

less than a week after they first met!<br />

In the 1960s, he moved to the UK, instructed by his<br />

father to build a factory and start production in Ireland.<br />

Production was soon relocated to South Wales.<br />

In the 1980s, a fifth generation was added to the family<br />

business – Simon Philipp Wolf V.<br />

He recently visited Australia as part of the anniversary<br />

celebration, meeting with retailers in Melbourne<br />

and Sydney.<br />

Speaking on the third floor of a hotel lounge in<br />

Melbourne on a warm spring afternoon, Wolf fondly<br />

remembers these early days – and laughingly<br />

dismisses any suggestion that joining the family<br />

business was ‘destiny’.<br />

“Growing up, I watched my father go to the office in<br />

London. I knew the work he did, and I found the boxes<br />

and samples fascinating; however, I never had any<br />

intention of joining the business,” he tells <strong>Jeweller</strong>.<br />

“I was very lucky as a child. I had a great education,<br />

went to boarding school, and lived in Sweden for a year<br />

before returning to London to study at university. That<br />

didn’t work out well for me.<br />

“One day, my father came to me and said, why don’t you<br />

try going out on the road with Tony?”<br />

‘Tony’ was a travelling salesperson for the business<br />

– and Wolf describes that suggestion as a ‘lightbulb<br />

moment’ in his life.<br />

Discovering first-hand how business is conducted<br />

was an eye-opening experience, and he loved<br />

every moment.<br />

It’s a relatable origin story; indeed, there’s often<br />

something special in seeing exactly how the<br />

‘sausage is made’.<br />

Witnessing the types of retailers Tony would visit, how<br />

he interacted with them, and how orders were made,<br />

finalised, and completed was inspiring.<br />

“When we returned to the office in London, my father<br />

dropped the phone directory in front of me and said go<br />

and sell something,” Wolf remembers.<br />

“Two years later, my father asked me what I thought of<br />

our distribution. I said I thought I could do a better job.<br />

I didn’t have a clue what I was talking about; I was only<br />

22 years old.”<br />

He continues: “I have these distinct memories from<br />

those days. How inspiring it is to learn how business<br />

works and the stress and duress and fear of not<br />

knowing what you’re doing. Those are<br />

the emotions and feelings<br />

that you remember<br />

clearly decades later.”<br />

THE WOLF TIMELINE<br />

30 | <strong>November</strong> <strong>2024</strong><br />

1836-1896<br />

Philipp Wolf I<br />

The Silversmith<br />

1869-1946<br />

Philipp Wolf II<br />

The Boxmaker<br />

1889 - 1991<br />

Ida Wilhelmina Peterson<br />

The Traveller


Present: Recognition and refinement<br />

Those fears were justified in many regards, and it<br />

wasn’t always smooth sailing for the brand. In the early<br />

2000s, he would pursue an ambitious rebranding from<br />

Wolf Designs to WOLF, aiming to highlight the heritage<br />

and family tradition behind the business.<br />

“Around 15 years ago, things began to change<br />

dramatically for us. We began to be recognised as the<br />

‘go-to’ for watch winders and jewellery cases, and I<br />

suppose it would say that was the beginning of a series<br />

of successive ‘ah-ha’ moments,” Wolf explains.<br />

“It was about recognising the value of the people who<br />

worked with me and realising that we could achieve so<br />

much more than we were. I have great people who work<br />

with me today, and when we’re set in a direction, the sky<br />

is the limit.”<br />

A distribution partnership between WOLF and Duraflex<br />

Group Australia was announced in September 2020.<br />

At the time, managing director Phil Edwards said<br />

the brand’s niche and unique appeal would be wellregarded<br />

in the Australian market.<br />

"WOLF is a truly unique brand with an unrivalled<br />

product offering that’s necessary for our market. We’re<br />

delighted to be the exclusive agent and look forward to<br />

growing this luxury brand locally,” he told <strong>Jeweller</strong> at<br />

the time.<br />

"The five-generation family-owned brand understands<br />

that extraordinary objects are representations of<br />

extraordinary moments in life.”<br />

Nearly half a decade later, Edwards says the<br />

partnership will only continue to grow.<br />

“We are honoured to be associated with the WOLF<br />

brand and truly value the partnership that we share,” he<br />

tells <strong>Jeweller</strong> today.<br />

“To be celebrating 190 years is a<br />

monumental milestone for the brand,<br />

and their commitment to innovation<br />

and sustainability is inspirational. The<br />

response from retailers and press<br />

meeting with Simon Wolf personally<br />

during his first visit to Australia has<br />

been exceptional.”<br />

He continues: “We look forward to now taking the WOLF<br />

brand to the next level.”<br />

As mentioned, WOLF has celebrated its 190th<br />

anniversary by releasing five new collections. The<br />

first is the Silver Watch <strong>Jeweller</strong>y and Legacy Box, a<br />

commemorative piece for Philipp Wolf I, who started<br />

the company as a silversmith in 1834.<br />

The silver box is decorated with a piano hinge and an<br />

engine-turned finish and features two lift-out trays.<br />

The Ida Trunk <strong>Jeweller</strong>y Box is a tribute to the woman<br />

who kept the business alive amid great grief and loss.<br />

It's a trunk-style jewellery box with a recycled canvas<br />

exterior, top-grain leather trim, brass stud detailing,<br />

and a custom lock.<br />

Next is the Ballet Musical <strong>Jeweller</strong>y Box, an iconic<br />

WOLF design created by Philipp Wolf III in the 1930s.<br />

It has eight compartments lined with blue ultrasuede.<br />

There are two ballerinas to choose from within the<br />

walnut wood veneer and marquetry-inlaid music box.<br />

Simon's wife, Fiona, designed the embroidery within<br />

the inner lid framing the mirror.<br />

The Philipp Watch and <strong>Jeweller</strong>y Lifestyle Box is<br />

inspired by the creation of Simon’s father, Philipp<br />

Wolf IV. The men’s watch and jewellery lifestyle case<br />

embodies vintage 1970s aesthetics with a modern twist.<br />

A rich brown vegan leather and beige nubuck exterior,<br />

with the Design Philipp ‘DP’ logo in a gold finish, is<br />

paired with a custom-designed lock.<br />

The final anniversary collection is Earth, designed<br />

by Simon to commemorate the brand's history. The<br />

collection blends sustainable materials, such as apple<br />

leather, with the latest WOLF technology, such as a<br />

lock-in dynamic cuff and app-set turns per day.<br />

Future: Cultural influence<br />

When celebrating an anniversary, it’s natural to turn<br />

one's attention not only to the past but to the future—<br />

and a 200th-anniversary celebration in 2034 beckons.<br />

Between now and then, WOLF has some significant<br />

ambitions – and has already outlined the steps required<br />

to achieve them.<br />

“By the time we reach our 200th anniversary, I hope the<br />

brand is recognised more universally,” he says.<br />

“The objective is to have our messaging strong enough<br />

that people no longer say they need a watch winder or a<br />

jewellery box; they need a WOLF.”<br />

Indeed, a brand name becoming synonymous with a<br />

product is often viewed as climbing the ‘Mount Everest’<br />

of marketing.<br />

The most common example most may recall is Kleenex<br />

being said instead of tissue in the US; however, Band-<br />

Aid, Tupperware, Frisbee, Velcro and even PowerPoint<br />

are all examples.<br />

It’s a sign that a brand has achieved market dominance<br />

and its product quality and reputation have reached<br />

cultural influence.<br />

Many brands and marketing teams dream of this<br />

accomplishment, and Wolf said he’s confident his<br />

company has what it takes.<br />

“It’s about taking one step every single day. It’s about<br />

being consistent with our products and development,<br />

how we deliver our messaging and the story behind the<br />

product, and supporting our customers and retailers,”<br />

he says.<br />

“It’s not something that happens overnight. It happens<br />

organically, every day, every week, and every month,<br />

as we continuously react and adjust the valuable<br />

information we receive from our retail partners<br />

and customers.”<br />

He continues: “That’s how this company has managed<br />

to survive for nearly two centuries, and it’s how we’ll<br />

move forward in the future.”<br />

From humble beginnings at the hands of a silversmith<br />

in Germany in the 1830s, WOLF has evolved into a<br />

global industry supplier with a strong presence in<br />

Europe, the US, Asia, and Australia.<br />

Making a brand name synonymous with luxury watch<br />

and jewellery storage is a lofty and ambitious dream.<br />

However, with more than 190 years of history supporting<br />

the brand, the odds are undoubtedly in WOLF’s favour.<br />

1911 - 1993<br />

Philipp Wolf III<br />

The Fisherman<br />

1936<br />

Philipp Wolf IV<br />

The Aviator<br />

TODAY<br />

Simon Philip Wolf V<br />

The Designer<br />

<strong>November</strong> <strong>2024</strong> | 31


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JEWELS DOWN UNDER<br />

Uniquely Australian<br />

FOR THE LOVERS OF HOMEGROWN<br />

Is the passion for Australian jewellery still burning bright?<br />

SAMUEL ORD speaks with local jewellery retailers about<br />

the priorities and preferences of their consumers.<br />

Christie Nicolaides


CHRISTIE NICOLAIDES<br />

SAPPHIRE DREAMS<br />

I<br />

t’s been a long-held belief in Australian<br />

retail circles that consumers are<br />

passionate about supporting local<br />

businesses and brands.<br />

With so many significant changes to the retail<br />

landscape over the past five years, it’s worth<br />

asking whether these purchasing patterns<br />

have changed.<br />

Indeed, in many ways, it would not be surprising<br />

to discover that the dedication local consumers<br />

claim they have for Australian jewellery products<br />

is nothing more than a ‘convenient truth’.<br />

It could easily be a self-proclaimed characteristic<br />

based on image, desire, and emotion rather than<br />

the reality reflected by purchasing patterns.<br />

The good news is that first-hand reports from<br />

jewellery retailers across Australia would appear<br />

to dismiss this fear!<br />

VICTORIA BUCKLEY<br />

Research conducted by Roy Morgan in<br />

2023 found that consumers associate<br />

many appealing values with the ‘Australian<br />

Made’ logo.<br />

Among them were supporting local jobs and<br />

employment, high-quality and reliable products,<br />

the use of ethical labour and environmental<br />

awareness, and expensive yet good value<br />

products.<br />

The broader philosophy behind these<br />

purchasing patterns is simple and easy to<br />

understand. With Australian brands, you know<br />

what you’re getting – quality products made at<br />

high production standards.<br />

At the same time, you’re helping maintain<br />

Australian jobs, strengthening domestic<br />

industries, and supporting local communities.<br />

These are the advantages Australian jewellery<br />

presents consumers. For retailers, it’s a different<br />

and yet still compelling equation.<br />

Partnerships between local retailers and<br />

suppliers offer improved quality assurance,<br />

faster turnaround times, and reduced<br />

shipping costs.<br />

Closer geographic proximity can lead to more<br />

robust communication and relationships, and<br />

local suppliers may offer more customisation<br />

and flexibility, along with market insight.<br />

Unique challenges<br />

That said, the retail landscape has changed<br />

considerably over the past five years. With stores<br />

and shopping centres nationwide forcibly closed<br />

during the COVID-19 pandemic, Australian<br />

consumers were temporarily forced to turn to<br />

online sources for jewellery shopping.<br />

These consumers discovered that now, more<br />

than ever, a wide range of jewellery is available<br />

online and for delivery at friendly prices.<br />

This presents a challenge for Australian<br />

brands and retailers, as customers were<br />

forcibly introduced to new sources of jewellery<br />

that threatened to undermine long-standing<br />

relationships reinforced by civic pride.<br />

IKECHO<br />

Angus Smith is the CEO of Krool Jewels, which<br />

operates stores in Newcastle and Melbourne.<br />

He says the pandemic was an unusual<br />

experience for his business.<br />

“I think the pandemic certainly widened people’s<br />

buying habits,” he tells <strong>Jeweller</strong>.<br />

“I definitely benefited from the buying habits<br />

during the pandemic because, at that point in<br />

time, my business was completely online with a<br />

strong social media presence.<br />

“Now that I have two brick-and-mortar stores,<br />

I think my relationship with customers is very<br />

different than it was when I was only online.”<br />

Smith says there is a distinction between<br />

consumers shopping in-person and online.<br />

Those in person are quick to espouse the<br />

importance of supporting Australian brands,<br />

while those online are likelier to favour price,<br />

style, and aesthetics over origin.<br />

“I think, especially in Melbourne, people have<br />

a strong urge to buy local, and I think the<br />

handmade aspect is still a solid selling point<br />

that many of my customers seem to appreciate,”<br />

he explains.<br />

“But in my experience, I think there is still a big<br />

appreciation for supporting locals and love for<br />

handmade pieces; even so much appreciation,<br />

it seems people would pay more money to have<br />

something done locally by someone they can<br />

meet rather than online.”


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Ph +612 9266 0636 | enquiries@ikecho.com.au | wholesale.ikecho.com.au


JEWELS DOWN UNDER | Uniquely Australian<br />

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36 | <strong>November</strong> <strong>2024</strong><br />

Changing tastes<br />

Defining consumers' different motives was also<br />

crucial to Natalie Barney, a French jewellery<br />

designer working in Sydney.<br />

She says there has also been a specific<br />

category of consumers interested in chasing<br />

cheaper prices from overseas. These<br />

consumers are less interested in the creative<br />

process behind jewellery and, by extension,<br />

less concerned with the emotional experience<br />

associated with pieces.<br />

Put simply, they favour the fast and efficient<br />

process of ordering online.<br />

“We know that jewellery is not only an emotional<br />

purchase; the experience of buying or creating<br />

jewellery is also one that feeds off human<br />

connections,” she tells <strong>Jeweller</strong>.<br />

“That means feeling that you are connecting<br />

with someone who is attentive to your needs and<br />

will come up with the right recommendation,<br />

especially when it comes to bespoke or madeto-order<br />

jewellery where trust is such an<br />

integral part of the process.”<br />

She also referenced an emerging type of<br />

‘anti-social’ consumers, who prefer to shop via<br />

technology rather than in person.<br />

The perception of these consumers<br />

undoubtedly differs from one business to<br />

another. Older generations are more likely<br />

to view them as unusual or unconventional,<br />

while younger business owners may feel it’s<br />

‘business as usual’.<br />

It’s easy to imagine how the conditions of the<br />

pandemic would've reinforced these habits.<br />

With e-commerce more accessible than ever,<br />

there’s been little motivation to return to instore<br />

shopping.<br />

“What I have seen is an increase in local people<br />

who are more receptive to either ordering<br />

online sight unseen or connecting with me as a<br />

designer through emails, messages, or phones<br />

and then placing an order without again having<br />

a physical appointment with me,” she added.<br />

Increasing savvy but still proud<br />

Another Australian business owner pointed<br />

out that trust can be found easily in local<br />

businesses but is more challenging to discern<br />

when shopping online.<br />

Victoria Buckley, a jewellery designer based<br />

in Sydney, says that her customers are more<br />

savvy and aware of international designers<br />

than ever.<br />

Social media and online shopping have<br />

undoubtedly played a vital role in this<br />

increasing awareness as the market<br />

transitions from learning about jewellery at<br />

local stores to online.<br />

With that said, she argues that the nature of<br />

jewellery is a highly valuable and emotional<br />

product, which means that connections with<br />

local businesses remain as strong as ever.<br />

Natalie Barney<br />

Natalie Barney<br />

“What I have seen is an increase<br />

in local people who are more<br />

receptive to either ordering<br />

online sight unseen or connecting<br />

with me as a designer through<br />

emails, messages, or phones<br />

and then placing an order<br />

without again having a physical<br />

appointment with me.”<br />

Victoria Buckley<br />

Victoria Buckley<br />

“Australians are increasingly<br />

well-travelled and aware of<br />

quality. Australian-designed<br />

and made jewellery is highly<br />

regarded and generally thought<br />

of as being excellent quality.”<br />

Davina Adamson<br />

Black Finch <strong>Jeweller</strong>y<br />

“Local now can feel global if<br />

your values align. At the same<br />

time, there is a certain romance<br />

of walking past a store every<br />

day where you have purchased<br />

significant jewellery, and that<br />

will always be the case.”<br />

Angus Smith<br />

Krool Jewels<br />

“I think, especially in Melbourne,<br />

people have a strong urge to buy<br />

local, and I think the handmade<br />

aspect is still a solid selling point<br />

that many of my customers seem<br />

to appreciate.”<br />

Geneine Honey<br />

Geneine Honey Bespoke <strong>Jeweller</strong>y<br />

“All of that being said, even<br />

the younger shoppers love a<br />

personalised experience, to<br />

meet the maker and have a little<br />

help navigating a purchase.<br />

<strong>Jeweller</strong>y can be a big financial<br />

decision, and who doesn’t need<br />

help with those!”


(03) 9663 2321<br />

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BECKS<br />

“Because of the high value of jewellery,<br />

and the challenge of visualising scale<br />

and quality online, customers still<br />

generally prefer to experience a piece in<br />

person,” Buckley says.<br />

“I’ve had very high-value pieces purchased<br />

online, unseen, before – it does happen.<br />

Generally speaking, however, customers like to<br />

hold a piece in their hands before purchasing.<br />

Once they know they can trust your brand, that<br />

becomes less essential.”<br />

Buckley argues that the profile of Australians<br />

as consumers has changed significantly<br />

over the past decade and that they are<br />

increasingly comfortable purchasing<br />

jewellery overseas. With that said, they’re still<br />

proud to be Australian – and to support local<br />

jewellery brands.<br />

“Australians are increasingly well-travelled<br />

and aware of quality. Australian-designed<br />

and made jewellery is highly regarded and<br />

generally thought of as being excellent<br />

quality,” she says.<br />

“I know our customers are very loyal<br />

and appreciative that my company<br />

makes everything locally. It’s a significant<br />

factor in our long history.”<br />

Memory lane<br />

Geneine Honey Bespoke <strong>Jeweller</strong>y is based in<br />

Fitzroy North in Melbourne. The owner, Geneine<br />

Honey, was also quick to raise the importance<br />

of trust and quality. She says that younger<br />

consumers are tech-savvy and willing to chase<br />

value online, partly because they’re yet to<br />

feel the sting of ordering jewellery online and<br />

discovering its poor quality.<br />

FUEDAL CROWN & PENDANT<br />

KROOL JEWELS<br />

BECKS<br />

ELLENDALE DIAMONDS<br />

She says that experiences such as these and the<br />

frustration of having to return a piece overseas<br />

motivate older consumers who understand the<br />

value of shopping locally.<br />

“Younger consumers also don't remember<br />

a time before little designer boutiques and<br />

businesses lined the Melbourne streets,”<br />

she recalls.<br />

“Older customers remember the 1990s and how<br />

many empty shop fronts there were and what<br />

a monopoly of retail we had dominated by big<br />

business, they understand and remember what<br />

limited choices we had here in Australia.”<br />

She continues: “I opened my first retail store<br />

in 2001 on Gertrude St in Fitzroy. What is<br />

now a thriving retail strip full of designer<br />

boutiques and broadsheet-worthy eateries<br />

was then a wasteland of empty shopfronts<br />

and boarding houses.<br />

“Since those early years, the boutiques have<br />

populated the inner north, and it’s easy to take<br />

them for granted.”<br />

Indeed, local consumers still have many<br />

advantages to enjoy when choosing between<br />

shopping in person and online.<br />

You can take your purchases home<br />

immediately without the infuriating<br />

wait for shipping! You can physically<br />

touch, try on, or test products, which<br />

builds confidence in decision-making.<br />

As Honey explains, face-to-face<br />

interactions with staff can provide<br />

valuable assistance, recommendations, and<br />

irreplaceable personalised service, which<br />

allows jewellery retailers to extoll the virtues of<br />

locally made jewellery.<br />

“All of that being said, even the younger<br />

shoppers love a personalised experience, to<br />

meet the maker and have a little help navigating<br />

a purchase. <strong>Jeweller</strong>y can be a big financial<br />

decision, and who doesn't need help with<br />

those!” she jokes.<br />

“Many of our customers are local and do really<br />

want to support local business, we also have<br />

a loyal customer base that has grown with the<br />

business over the past 20 years and shops with<br />

that brand loyalty in mind.”<br />

Diving even deeper<br />

BLACK FINCH JEWELLERY<br />

Black Finch <strong>Jeweller</strong>y is based in the<br />

Melbourne suburb of Collingwood and<br />

manufactures its pieces in a workshop above<br />

the store.<br />

“Local now can feel global if your values<br />

align. At the same time, there is a certain<br />

romance of walking past a store every<br />

day where you have purchased significant<br />

jewellery, and that will always be the case,”<br />

explains creative director Davina Adamson.<br />

“I think identity is such a huge part of<br />

culture now, finding the brand that aligns<br />

more precisely with 'who you are' has<br />

become more valued.”<br />

38 | <strong>November</strong> <strong>2024</strong>


NATALIE BARNEY<br />

At the end of 2023, the business completed a survey of more<br />

than 700 customers. One of the questions asked consumers to<br />

rank the factors that influence their purchasing.<br />

The three most popular responses were budget constraints,<br />

quality craftsmanship, and unique design. General manager<br />

Marie-Lauren Romano says these responses revealed<br />

a significant advantage Australian jewellery brands and<br />

businesses have over overseas competitors.<br />

“I think now more than ever consumers are seeking a point<br />

of difference - not only in jewellery but from multiple lifestyle<br />

industries,” she explains.<br />

“The rise of e-commerce, social media and our increasing digital<br />

connection across the globe has led to homogenised product<br />

offerings. It's uninspiring, to say the least. Coming from a<br />

design business, the importance of innovation and integrity is<br />

more evident; these values are the life of our business.”<br />

Word spreads quickly<br />

It’s clear that those with their ‘feet on the street’ have identified the<br />

key characteristics that attracted Australian consumers to local<br />

businesses and brands.<br />

Local consumers prioritise brands and businesses that uphold<br />

ethical standards in their operations, including fair labour practices,<br />

transparency in sourcing, and responsible corporate behaviour.<br />

They're also after high-quality products or services that consistently<br />

meet or exceed expectations. Consumers are willing to pay more<br />

for reliability and durability. Strong customer service is naturally<br />

a significant factor. Consumers appreciate businesses prioritising<br />

their needs, providing personalised experiences, and responding<br />

promptly to issues.<br />

Finally, supporting local communities is a factor that resonates<br />

strongly with Australian consumers. They prefer businesses that<br />

source locally, contribute to community initiatives, and create<br />

employment opportunities. Businesses that align with these values<br />

attract and retain loyal customers.<br />

The good news for Australian jewellery brands brings all this to<br />

the table – and more. Retailers can capitalise on consumers' trust<br />

in Australian-made products, which can foster brand loyalty and<br />

repeat purchases.<br />

In a similar light, reduced shipping times and proximity to the<br />

market mean quicker stock replenishment and faster response to<br />

changing consumer demands. Retailers can align with consumer<br />

sentiment towards supporting local jobs and industries, which can<br />

resonate positively with their customer base.<br />

Indeed, Australian jewellery brands and suppliers can provide<br />

retailers with a competitive edge through quality, trust, and<br />

alignment with consumer preferences.<br />

<strong>November</strong> <strong>2024</strong> | 39


AN EVENT TO REMEMBER<br />

Colour Gemstone Mastery<br />

W<br />

hat do dinosaur bones, space shuttles,<br />

religious relics, and fine jewellery all<br />

have in common? They’re all objects<br />

of fascination to Robert Procop.<br />

Earlier this month, Holloway Diamonds hosted a<br />

special showcase that brought the creations of one<br />

of the world’s most sought-after jewellery designers<br />

back to Australia.<br />

Across two evenings at the Holloway Diamonds<br />

store in Canterbury (Melbourne), budding jewellery<br />

collectors were introduced to the work of Robert Procop<br />

Exceptional Jewels.<br />

Two additional evenings were hosted at the<br />

Melbourne Museum under cover of night, during<br />

which established jewellery collectors were shown<br />

the latest rings, bracelets, pendants, and earrings<br />

from the Los Angeles ‘jeweller to the stars’ amid a<br />

backdrop of dinosaur fossils.<br />

Procop has little interest in the spotlight despite<br />

having every reason to live in its warm glow. He’s<br />

perhaps best known for his work with Angelina Jolie<br />

and Brooke Shields; however, those are just two items<br />

on a seemingly never-ending curriculum vitae.<br />

Among his many accomplishments are working<br />

hand-in-hand with several US presidents and receiving<br />

personal instruction from Queen Elizabeth II on the<br />

restoration of the English Crown Jewels.<br />

Who is Robert Procop?<br />

Introducing people to Procop and his work<br />

is an unenviable task — knowing where to<br />

begin can be difficult.<br />

Garry Holloway says that telling stories is the key.<br />

“Storytelling is the only way to explain how significant<br />

this jewellery is and how unique of a person Robert is,”<br />

Holloyway explains.<br />

“He’s a self-made man who became fascinated with<br />

jewellery while working at his brother-in-law’s pawn<br />

shop in Beverley Hills. Pawnbrokers in Los Angeles<br />

aren’t like ordinary pawnbrokers – people quickly cycle<br />

between wealthy and poor in Hollywood.”<br />

He continues: “Robert would watch the pawnbrokers<br />

remove gemstones from all types of trophies and<br />

awards – Oscars, Emmys, Grammys, and so on – so<br />

the gold could be melted and sold, and noticed that<br />

the gemstones would chip and shatter. He asked the<br />

pawnbroker what became of the leftover gemstones,<br />

and from there, a business was born.”<br />

Procop was informed that chipped and broken<br />

gemstones were sold in parcels once or twice a year.<br />

He asked if he could purchase a handful and then<br />

visited a gemstone cutter who taught him how to cut,<br />

polish, and repair the gemstones. His development was<br />

aided by an understanding of lighting, which came from<br />

working with his father, a General Electric engineer.<br />

From there, he was taught<br />

the disciplines of<br />

gemstone cutting and jewellery design. He soon found<br />

himself travelling from California to Las Vegas with his<br />

own collections to sell to retailers.<br />

He later opened a store called Diamonds on Rodeo,<br />

where he created jewellery for influential figures,<br />

including President Ronald Reagan.<br />

These were the opening stepping stones on Procop’s<br />

journey, which eventually took him to the UK. There, he<br />

was appointed CEO of Asprey & Garrard, leading the<br />

company through a high-profile restructuring and a<br />

return to its beginnings as two separate companies.<br />

Class of its own<br />

Even the most oblivious layperson – this author included<br />

– is immediately aware that Procop’s jewellery is in<br />

a class of its own. He specialises in large untreated,<br />

rare, natural colour gemstones and uses an expansive<br />

network to ascertain these stones.<br />

Beyond the value and rarity of these gemstones is the<br />

intricacy and sophistication of the jewellery itself.<br />

A single bracelet can feature hundreds of hinged joints,<br />

meticulously crafted to maximise flexibility and comfort.<br />

Platinum earrings featuring dozens and dozens of<br />

gemstones are intricately constructed to dramatically<br />

minimise weight, creating a practical piece that can be<br />

worn like any other.<br />

Procop is even a devotee of ‘surprise diamonds’ –<br />

concealing stones beneath settings and under bands<br />

that won’t be visible when the jewellery is worn.<br />

They serve as a hidden complement to any already<br />

remarkable piece. It’s a secret ‘cherry on top’.<br />

Among many fantastical tales is the suggestion that he<br />

sleeps with a gemstone in each pocket at night –<br />

waiting for each stone to tell him where it belongs.<br />

40 | <strong>November</strong> <strong>2024</strong>


“Robert is remarkable in the way that he can<br />

seemingly ‘break all the rules’ in terms of practical<br />

jewellery design while refusing to cut a single<br />

corner,” Holloway explains.<br />

“He has a remarkable team of craftsmen in exotic<br />

cities in every corner of the planet. There are former<br />

Van Cleef & Arpels people in Paris who work with<br />

Robert to create specific pieces, while in Bangkok,<br />

setters sit side-by-side with gemstone cutters to<br />

ensure that each gemstone is trimmed to be the<br />

perfect size.”<br />

“He will use 20 different torches with varying colour<br />

temperatures to ensure that each stone in a piece will always<br />

match under differing light sources.<br />

“It’s a level of attention to detail and sophistication that most jewellers can<br />

only dream of – and even if it were achievable, most people simply don’t<br />

have the patience and commitment to work to this standard of perfection.”<br />

It’s a description reminiscent of the best-selling book Mastery by US<br />

author Robert Greene, published in 2012. The central finding is as<br />

follows: Mastery is not a function of any innate genius or God-given<br />

talent. It’s a function of time and intense focus applied to any particular<br />

field of knowledge.<br />

Procop visited Australia in person for the first time in 2019, and his work<br />

is supplied to Holloway Diamonds every two years for these types of<br />

unique displays.<br />

It resulted from an unlikely friendship that began in 2018 at a Las Vegas<br />

trade show. Holloway laughingly recalls the first time he saw Procop’s<br />

work in person.<br />

“I was nagged by a friend for several years to travel to the US and meet<br />

Robert, and when I finally found the time and sat down and looked at his<br />

jewellery, I started weeping,” Holloway remembers.<br />

“My wife asked me what on Earth was wrong and I said that I had never<br />

felt like such an amateur before. It’s not just about the gemstones and how<br />

beautiful they are; all these incredibly talented people from around the<br />

world are tasked by Robert to create jewellery that is the best of the best.”<br />

Psyche of a collector<br />

Holloway describes Procop as the ‘penultimate collector’ and believes this<br />

passion plays a large role in his ability to appeal to collectors. Tucked away<br />

in Beverley Hills – not far from the pawn shop where this story began -<br />

Procop’s home sounds like a boyhood dream realised.<br />

Film memorabilia, religious artifacts, spacecraft, and dinosaur fossils are<br />

meticulously placed throughout the property and more than 50 tonnes of<br />

quartz crystal line the walls. Oh, and his neighbour is actor Johnny Depp.<br />

“If I had to describe Robert’s collecting, I would have to say obsessive,”<br />

jokes Holloway.<br />

“He collects everything and anything he’s passionate about, but it’s very<br />

focused, and there’s always a good reason or motivation to own something.<br />

He has a great understanding of the psyche of collectors, and I’ve got no<br />

doubt that plays a key part in his jewellery being so widely sought.”<br />

Among his collection is a time capsule with replacement gemstones for<br />

many of his pieces that have long since sold. With the exception of feature<br />

stones, Procop maintains this cache of replacement gemstones if his<br />

pieces are damaged today or in the decades to follow. It’s a rare dedication<br />

that ensures the jewellery remains ‘as it should be’ even after the sale is<br />

finalised and a new owner is found.<br />

“When you tell people these stories, it doesn’t take them long to get the<br />

idea that Robert is not a normal jeweller,” Holloway explains.<br />

“These are exceptional practices, and how fitting it is that he would call his<br />

business Robert Procop Exceptional Jewels.”<br />

Procop wasn't able to travel to Australia this year; however, he was<br />

represented by Tina Herman, who led the presentations with Holloway.<br />

SapphireDreams.com.au<br />

Become a stockist today 02 9290 2199


BUSINESS<br />

Strategy<br />

Do you need to strive to be<br />

the best at your job?<br />

GRAHAM JONES explains why working yourself to the point<br />

of exhaustion can bring down those around you.<br />

Being a weather forecaster is a<br />

challenging job. Every day, people will<br />

know whether you are good at making<br />

meteorological predictions.<br />

Recently, in the UK, the bulk of the<br />

nation was given a ‘weather warning’<br />

by the Met Office, saying there would be<br />

thunderstorms and flooding from north<br />

to south. As it turned out, the severe<br />

weather was largely restricted to a few<br />

small areas. The rest of the country<br />

wondered why they had been warned<br />

about poor weather as they sweltered in<br />

the summer heat.<br />

Despite what you might think, weather<br />

forecasting is highly accurate. The Met<br />

Office’s data shows that a four-day<br />

forecast is now as accurate as the oneday<br />

forecast was 30 years ago.<br />

The meteorologists in Exeter, where the<br />

Met Office is based, do their hardest to<br />

get the weather forecast right. Indeed,<br />

the one-day forecast is now 97 per cent<br />

accurate. Given the vast variety of things<br />

that affect the weather, this remarkable<br />

feat shows how hard the forecasters<br />

work to do their job well.<br />

I assume you, too, do the best you can<br />

in your job. I expect that you put in the<br />

additional effort required to ensure that<br />

your tasks are completed to the best of<br />

your ability. You might even be putting in<br />

the kind of effort we witnessed from the<br />

Olympic Games athletes in Paris.<br />

However, we have also witnessed several<br />

individuals supposedly at the top of<br />

their game demonstrate that they are<br />

currently not doing their very best.<br />

Sir Andy Murray, tipped for another<br />

gold medal, finished his professional<br />

career this week without even making<br />

it to the semi-finals. Adam Peaty, the<br />

swimmer, achieved second place silver<br />

despite a massive build-up suggesting<br />

he was sure to get gold. BMX cyclist<br />

Beth Shriever finished last in the<br />

final, even though she had won all her<br />

qualifying races.<br />

What was remarkable about these<br />

people failing to do their very best was<br />

that they were ecstatic with their results.<br />

Three people are supposedly doing their<br />

very best, demonstrating they were not,<br />

and then all saying it is OK.<br />

That’s not what you hear in most<br />

workplaces. People who fail to do their<br />

very best are either called out for it or<br />

asked to improve by their bosses. Or<br />

they are prepared to admit to it and<br />

apologise to their work colleagues for<br />

letting them down. This is not a healthy<br />

situation because the employee feels<br />

under personal pressure or bulldozed<br />

by bosses.<br />

A recent Healthy Organisation Index<br />

produced by McKinsey shows that<br />

these old ways of thinking are no<br />

longer applicable.<br />

The report says, “Organisations can<br />

move away from treating employees as<br />

cogs who hit their deliverables to using<br />

an artists-and-athletes model, which<br />

inspires people.”<br />

The report suggests multiple ways of<br />

encouraging people to achieve their<br />

best, including ‘empowering leadership’<br />

that gives individuals more autonomy.<br />

Striving to<br />

do your very<br />

best can cause<br />

problems for<br />

you and those<br />

around you.<br />

That does not<br />

mean you<br />

should not aim<br />

for success.<br />

Some of those employees, though, will<br />

strive to achieve their most remarkable<br />

possible work. That may be good for<br />

them as individuals, but is it suitable<br />

for those around them?<br />

A new study from the University of<br />

Pennsylvania suggests otherwise.<br />

This research shows that people at<br />

work often take on multiple tasks to<br />

demonstrate that they are doing well at<br />

their jobs. However, individuals who do<br />

this deceive others into believing that<br />

success is more easily achievable than<br />

is the case.<br />

This is known as ‘the floating duck<br />

syndrome’. Your fellow employees,<br />

who are doing their very best, make it<br />

look easy, like a duck floating on the<br />

water, which is paddling like crazy<br />

underneath. This means that if you<br />

strive to do your very best at work,<br />

you are making it harder for your<br />

colleagues to do the same.<br />

The McKinsey report suggests that<br />

we should be more like those Olympic<br />

athletes. We know how hard it has been<br />

for Adam Peaty or Sir Andy Murray to<br />

achieve what they have done. Their<br />

struggles to do their very best have<br />

been highly public. They were not<br />

‘floating ducks’. If you want to emulate<br />

either, you know what you are letting<br />

yourself in for.<br />

So, does that apply in the workplace?<br />

If you strive to do your best but paddle<br />

away like a duck on water, your<br />

colleagues will have no idea how hard<br />

it is to do what you do. This puts them<br />

under pressure and potentially leads<br />

to failure.<br />

42 | <strong>November</strong> <strong>2024</strong>


In turn, that leads to bosses<br />

admonishing or a personal sense of<br />

setback and all that entails.<br />

Striving to do your very best can cause<br />

problems for you and those around you.<br />

That does not mean you should not aim<br />

for success.<br />

Rather, it suggests that we should all<br />

be honest about our achievements and<br />

comfortable accepting that second best<br />

is often good enough—just like those<br />

failing athletes in Paris or those weather<br />

forecasters who are happy with less<br />

than perfect.<br />

How do you know?<br />

Recently, I was trying to get home from<br />

work in good time to watch the Opening<br />

Ceremony of the Paris Olympics.<br />

However, judging by the traffic on the<br />

roads, everyone had the same idea.<br />

My journey was constantly<br />

interrupted by periods of sitting in<br />

traffic, going nowhere. There were no<br />

accidents or breakdowns, just many<br />

cars slowing down.<br />

Now and then, I would realise the cause<br />

of the problem. Going up a hill, we<br />

slowed down to about 30mph on a road<br />

with a 70mph limit. Like me, I suspect<br />

you get frustrated by drivers who seem<br />

oblivious to the fact that to maintain<br />

speed going up a hill, you need to give<br />

the car more power. Their inability to<br />

realise this affects the rest of us.<br />

Later on in the evening, having<br />

endured the four-hour Olympic<br />

opening ceremony, the Olympic gold<br />

medallist Rebecca Adlington made<br />

a pithy comment. She pointed out<br />

that for several points in the opening<br />

ceremony, the attendees were left<br />

wondering what was happening and<br />

completely unentertained.<br />

The ceremony occurred along the River<br />

Seine and in various venues around<br />

Paris. On TV, it all seemed to flow<br />

seamlessly, albeit slowly. However, for<br />

the people assembled in the hub of the<br />

ceremony, the Trocadéro, not much was<br />

going on for most of the time.<br />

The organisers appear to have thought<br />

about the television audience but not<br />

the people in Paris. It’s rather like the<br />

slow drivers - they were focused on their<br />

driving, not their effect on other people.<br />

I have encountered the same thing in<br />

the workplace. Like me, I suspect you<br />

have colleagues who focus on their work<br />

but disregard their impact on others<br />

around them.<br />

For example, I once had a colleague who<br />

dutifully went through his tasks in the<br />

order they arrived. For him, that was<br />

logical. However, he did not appear to<br />

think that he should consider what to do<br />

about the needs of his work colleagues.<br />

He was very frustrating to work with.<br />

Some years ago, Australian researchers<br />

investigated work-life balance and found<br />

that the most significant impact came<br />

from our co-workers.<br />

This suggests that we are impacted<br />

most by the other people we work<br />

with, not the job itself. In her book on<br />

burnout, Dr Darlynne Kerr indicates that<br />

when some people work to the point<br />

of exhaustion, they are not affecting<br />

themselves but also those around them.<br />

These research elements suggest that<br />

people focus on doing a good job without<br />

realising the impact they are having on<br />

those around them.<br />

It’s the same factor again as the slow<br />

drivers on a hill or an event organiser<br />

who is concerned with one audience on<br />

TV, forgetting those in the live audience.<br />

LESSONS<br />

LEARNED<br />

Accepting<br />

failure<br />

The acceptance<br />

of less-thanperfect<br />

results<br />

among athletes<br />

contrasts with<br />

how workplaces<br />

often scrutinise<br />

and demand<br />

perfection.<br />

Changing tides<br />

Modern<br />

businesses are<br />

moving towards a<br />

model that values<br />

‘empowering<br />

leadership’<br />

and inspires<br />

employees.<br />

Broaden your<br />

horizons<br />

Focusing solely<br />

on personal<br />

performance<br />

without<br />

considering<br />

its impact on<br />

others can lead<br />

to frustration and<br />

inefficiency.<br />

The bigger<br />

picture<br />

True job<br />

performance is<br />

measured not<br />

just by personal<br />

efficiency and<br />

effectiveness, but<br />

also by how one’s<br />

work impacts and<br />

integrates with<br />

the work of others.<br />

It is the same with our work colleagues<br />

who believe they are doing an excellent<br />

job because they work late to finish<br />

everything. Or they think they are doing<br />

very well because they finish all their<br />

tasks on time with no delays.<br />

But have they looked in their ‘rearview<br />

mirror’? Have they considered the<br />

impact of the way they work on those<br />

around them?<br />

Whether you do a good job is not about<br />

whether you are performing your tasks<br />

efficiently or effectively. It is about how<br />

you go about your work and its impact<br />

on those around you.<br />

Even if you work alone, your work<br />

will affect your family, customers,<br />

or suppliers. You are only doing an<br />

excellent job if you do not negatively<br />

impact them.<br />

I suspect the organisers of the Olympic<br />

Opening ceremony will be patting<br />

themselves on the back for doing a good<br />

job; however, the hundreds of thousands<br />

standing in the rain across Paris who<br />

were rather bored for much of the<br />

evening might have a different view.<br />

The lack of focus on the impact on<br />

everyone meant the organisers didn’t do<br />

as well as they might think.<br />

Like so much in life, you will do a much<br />

better job at work if you spend your<br />

time focusing on the impact you have<br />

on others. Just thinking about the job<br />

and trying your best could mean that<br />

the people around you think you are not<br />

doing well despite your best efforts.<br />

GRAHAM JONES studies online<br />

behaviour and consumer psychology<br />

to help businesses improve website<br />

success. Visit: grahamjones.co.uk<br />

<strong>November</strong> <strong>2024</strong> | 43


BUSINESS<br />

Selling<br />

Time to start setting sales goals for the new year<br />

Are you ready for the road ahead? Failing to plan is planning to fail!<br />

DONNA ST JEAN CONTI encourages you to enter the new year with a strategy.<br />

As we head into a new year, it’s an<br />

appropriate time to begin thinking of<br />

new goals and ambitions, including<br />

setting targets for your business.<br />

Whenever this subject comes up, I<br />

remember a famous quote by Canadian<br />

educator Laurence J. Peter: “If you don’t<br />

know where you are going, you will<br />

probably end up somewhere else.”<br />

What are the secrets to setting practical<br />

goals? It would be best if you made<br />

them lofty yet achievable, set metrics to<br />

determine success, and determine time<br />

frames and/or deadlines.<br />

What makes an effective business goal?<br />

In the words of this article by Tech<br />

Target, a business goal is an articulated<br />

aim that a business wishes to achieve<br />

over a period of time.<br />

While this idea may seem trivial or<br />

obvious, businesses must set goals<br />

to help shape everyday activities<br />

and decisions.<br />

Goals provide a sense of direction<br />

and aid in gauging success. More<br />

importantly, having a specific goal<br />

provides motivation to work hard<br />

and grind away continually.<br />

With that said, what are the attributes<br />

of an effective business goal?<br />

An article from Entrepreneur says to<br />

aim for the following qualities:<br />

Specificity: It’s important to be as<br />

straightforward as possible when<br />

defining what you would like to achieve.<br />

They provide the example that merely<br />

‘raising money’ is not a goal; however,<br />

raising $10,000 by 1 July is.<br />

Optimism: Phrasing your goal in a<br />

positive manner is essential. For<br />

example, aim for overall financial<br />

security rather than to pay your bills.<br />

Realism: Setting realistic standards<br />

for your goals is critical.<br />

Aiming to make an amount of money<br />

you have never made is unrealistic<br />

and will only demoralise you when it<br />

is not achieved.<br />

Instead, aim to increase your sales<br />

by a specific percentage and take<br />

incremental steps from there.<br />

Day-to-day design: Short-term<br />

goals are what you wish to<br />

achieve in the coming weeks,<br />

months, or years, and they can be<br />

steppingstones to larger ambitions.<br />

Long-range planning: Long-term goals<br />

are those substantially loftier aims that<br />

can be achieved in the distant future<br />

and are only achieved by attaining more<br />

immediate goals first.<br />

The Entrepreneur article mentions<br />

factors to consider when setting goals,<br />

such a show much money you have and<br />

how much you wish to make in your first<br />

year and each subsequent year.<br />

The article also encourages you to<br />

consider your lifestyle, such as your<br />

ability and willingness to travel. It’s<br />

also important to factor in the number<br />

of hours you are willing to work and<br />

invest in personal assets that can carry<br />

varying amounts of risk.<br />

Consider the gratification that<br />

you are looking to get out of your<br />

business. When set honestly, these<br />

qualities and factors go a long way<br />

toward making an effective goal.<br />

Best practices<br />

Although the qualities and factors<br />

mentioned are the essential building<br />

blocks of setting business goals.<br />

Phrasing<br />

your goal in<br />

a positive<br />

manner is<br />

essential. For<br />

example, aim<br />

for overall<br />

financial<br />

security rather<br />

than to pay<br />

your bills.<br />

There are some additional best<br />

practices to consider.<br />

An article published by 15Five lays them<br />

out and states that if you are not the<br />

company owner, having support from<br />

leadership is an absolute necessity.<br />

Executives must decide where they<br />

want to be in the marketplace and<br />

create a roadmap of how the business<br />

will get there.<br />

Getting executive support may take<br />

some convincing; however, explaining<br />

how people need to work more<br />

efficiently with clear goals, providing<br />

a productive solution, and showing<br />

how successful a team can be with this<br />

solution are steps in the right direction.<br />

The article also details setting ‘hard and<br />

soft’ goals, celebrating incremental and<br />

small wins, common missteps and how<br />

to avoid them, and achieving objectives<br />

as a team.<br />

The new year is nearly here, and this<br />

is a great time to start setting goals<br />

for your business. Staying specific,<br />

optimistic, and realistic is key, and<br />

understanding what you want out of<br />

your goals and securing the backing of<br />

leadership is crucial.<br />

To set effective goals, ensure they<br />

are specific, such as raising a certain<br />

amount of money, rather than<br />

remaining vague.<br />

Phrase goals positively, aiming for<br />

overall financial security instead<br />

of just paying bills. Set realistic<br />

goals, such as increasing sales by<br />

a specific percentage rather than<br />

unattainable figures.<br />

Break these into short-term goals<br />

for immediate progress, which<br />

support achieving long-term, more<br />

ambitious objectives.<br />

When done correctly, nothing is more<br />

satisfying and fulfilling than setting and<br />

achieving goals in business.<br />

DONNA ST. JEAN CONTI is president<br />

of St. Conti Communications, an<br />

award-winning full-service marketing<br />

communications agency.<br />

Visit: stconticommunications.com<br />

44 | <strong>November</strong> <strong>2024</strong>


BUSINESS<br />

Management<br />

A strategic approach to business brainstorming<br />

Are you ready to take your business to the next level?<br />

PAUL SLOANE shares a valuable brainstorming exercise.<br />

In the fast-paced and competitive<br />

world of business, innovation is not<br />

just a luxury; it’s a necessity.<br />

Businesses must continually evolve<br />

to meet the ever-changing needs of<br />

customers, outpace competitors,<br />

and adapt to new market dynamics.<br />

One powerful method I use for<br />

generating innovative ideas is called<br />

Tri-Force Ideation.<br />

It involves focusing on three key<br />

elements: strengths, values, and<br />

assumptions. This structured<br />

approach ensures the brainstorming<br />

process is comprehensive and<br />

aligned with the organisation’s core<br />

competencies and aspirations.<br />

Building on strengths<br />

The first step in this brainstorming<br />

process is to identify and leverage<br />

the key strengths of your business.<br />

Strengths are the areas where your<br />

organisation already excels.<br />

By recognising these strengths, you<br />

create a foundation for generating ideas<br />

that can propel your business forward.<br />

Identifying strengths: Begin by<br />

gathering your staff to list all the<br />

strengths that define the business.<br />

This might include advanced strategies<br />

you’ve developed, unique skills within<br />

your staff, extensive market reach, or a<br />

highly effective marketing strategy.<br />

It’s important to be thorough in this<br />

exercise, as each strength represents a<br />

potential springboard for innovation.<br />

Generating ideas: Once you have a<br />

comprehensive list of strengths, the<br />

next step is to brainstorm ideas that<br />

build on these strengths. For example,<br />

if your business has a robust technology<br />

platform, consider how you might<br />

expand its capabilities to create new<br />

products or services.<br />

If your strength lies in marketing,<br />

consider innovative ways to reach<br />

new customer segments or enhance<br />

customer engagement.<br />

The goal is to use each identified<br />

strength as a catalyst for innovation,<br />

ensuring that the ideas generated are<br />

creative and aligned with what your<br />

business does best.<br />

Innovating through values<br />

The second element of this<br />

brainstorming method focuses on your<br />

company’s values.<br />

Values represent the principles and<br />

beliefs that guide your organisation,<br />

such as a commitment to customer<br />

service, diversity, employee growth, or<br />

even fostering a fun workplace culture.<br />

These values are not just ethical<br />

guidelines; they can also be powerful<br />

sources of inspiration for innovation.<br />

Identifying values: Start by listing<br />

the core values that your business<br />

embodies or aspires to. These could<br />

include a dedication to sustainability,<br />

a focus on employee well-being, or a<br />

commitment to continuous learning.<br />

Values such as these not only define<br />

your business’ culture but also<br />

influence how you interact with<br />

customers, employees, and the<br />

broader community.<br />

Generating ideas: For each value,<br />

brainstorm ways to innovate that are<br />

consistent with and enhance that value.<br />

For example, if your company values<br />

diversity, you might develop new<br />

initiatives to foster inclusivity in your<br />

hiring practices or create products that<br />

cater to a more diverse customer base.<br />

If customer service is a core value,<br />

consider innovative approaches to<br />

exceed customer expectations, such as<br />

personalised service offerings or new<br />

communication channels.<br />

By recognising<br />

these strengths,<br />

you create<br />

a solid<br />

foundation<br />

for generating<br />

innovative<br />

ideas that<br />

can propel<br />

your business<br />

forward.<br />

By aligning innovation with your<br />

company’s values, you ensure that<br />

the ideas generated resonate with<br />

both your internal staff and your<br />

external stakeholders.<br />

Challenging assumptions<br />

This brainstorming method's third and<br />

final element involves challenging the<br />

fundamental assumptions underpinning<br />

your business.<br />

Assumptions are the beliefs or<br />

expectations you have about your<br />

customers, markets, products, and<br />

competitors. While assumptions can<br />

provide a valuable framework for<br />

decision-making, they can also limit<br />

your ability to see new opportunities.<br />

Identifying assumptions: Begin by<br />

listing the assumptions under which<br />

your business operates. These could<br />

be assumptions about customer<br />

preferences, the landscape, or the<br />

effectiveness of products or services.<br />

It’s essential to be candid during this<br />

step, as identifying the assumptions<br />

that might be holding you back is crucial<br />

for innovation.<br />

Challenging assumptions: For each<br />

assumption, ask, “What if this is not<br />

true?” or “What if this changes?”<br />

Challenging these assumptions opens<br />

the door to new ways of thinking and<br />

innovative ideas.<br />

Selecting and implementing<br />

After generating a wealth of ideas<br />

through this structured brainstorming<br />

process, the next step is to select<br />

the most promising innovations.<br />

Evaluate the ideas based on feasibility,<br />

alignment with your business goals,<br />

and potential impact.<br />

Once the best ideas have been selected,<br />

develop a clear plan for implementation<br />

and ensure that the necessary<br />

resources and support are in place.<br />

PAUL SLOANE is an author and founder<br />

of Destination Innovation, which offers<br />

innovation workshops.<br />

Visit: destination-innovation.com<br />

<strong>November</strong> <strong>2024</strong> | 45


BUSINESS<br />

Marketing & PR<br />

Important reasons to rethink your digital marketing<br />

Have you thrown in the towel too early?<br />

THOMAS YOUNG discusses the digital marketing revolution.<br />

In my new book, Digital Marketing in<br />

the Age of AI, I discuss using Artificial<br />

Intelligence (AI) to supercharge your<br />

business' digital marketing efforts.<br />

In a way, AI is like the world’s most<br />

intelligent sales and marketing<br />

consultant. It has access to Internet<br />

content and is designed to create a story<br />

from that input, making AI an incredible<br />

marketing tool.<br />

After all, effective marketing is about<br />

connecting with your target market’s<br />

personal stories. AI isn’t always great<br />

about facts, information, or history;<br />

however, it is excellent at creating<br />

stories of value and benefit to your<br />

prospective customers. This is why AI<br />

is helpful in supporting your sales and<br />

marketing strategies.<br />

How you get the best sales and<br />

marketing advice from AI is<br />

determined by the questions you<br />

ask and how you use prompts. The<br />

effective use of ChatGPT4 or Google’s<br />

Gemini for digital marketing starts<br />

with how you write prompts.<br />

Many people give up on AI because their<br />

prompts or questions are generic and<br />

not descriptive or detailed enough to<br />

generate helpful responses. Poor use of<br />

AI prompts is also driving the creation<br />

of generic AI content, which Google will<br />

eventually ban from searches.<br />

Be highly descriptive with your prompts<br />

and mention your industry or company<br />

name. Use prompts as if you are texting<br />

and having a discussion with a highlevel<br />

marketing consultant. AI works<br />

best when content is specific to your<br />

industry, customers, and marketplace.<br />

Use prompts to create a dialogue,<br />

just as you would if you had the<br />

world’s most significant sales and<br />

marketing consultant at your finger<br />

tips. One way to start is by asking<br />

questions about your most important<br />

marketing challenges.<br />

Uncover your key benefits<br />

People purchase from your company<br />

because of the benefits they receive<br />

from your products and services. AI<br />

can give you a thorough and accurate<br />

checklist of benefits for each of your key<br />

market segments.<br />

You can then ensure these benefits are<br />

featured in your digital content, on your<br />

website and in your sales discussions<br />

with prospective customers.<br />

Place these benefits on your website's<br />

homepage, key landing pages, social<br />

media content, emails, and more.<br />

Your target market cares about<br />

benefits. You can verify AI-generated<br />

benefits by asking your customers why<br />

they buy from your company.<br />

AI for personas<br />

This may be the most powerful use of AI<br />

in digital marketing. The best marketers<br />

on the planet live inside the heads of<br />

their ideal customers.<br />

The worst marketers live in their<br />

own heads and can’t visualise their<br />

customers' needs.<br />

You can use AI to create a persona<br />

matching your ideal customer types.<br />

This enables you to understand their<br />

specific and unique needs as they<br />

research your company.<br />

This allows you to meet their needs<br />

with content they want to read and,<br />

more importantly, show empathy and<br />

understanding of where they are in their<br />

life story.<br />

Use AI to write marketing personas<br />

and move your marketing team to<br />

action so that these personas can find<br />

your brand.<br />

Many people<br />

give up on AI<br />

because their<br />

prompts or<br />

questions are<br />

generic and not<br />

descriptive or<br />

detailed enough<br />

to generate<br />

helpful<br />

responses.<br />

AI for digital content<br />

Once you have personas identified,<br />

you can use AI to determine the<br />

content topics your personas want to<br />

read. You can also use AI to find them<br />

where they research your products<br />

and services online.<br />

This allows you to move quickly on<br />

digital content and avoid the delays that<br />

often plague digital marketing teams.<br />

Focus on three channels with your<br />

AI-generated content: your website<br />

content found in Google search results,<br />

social media content, and email<br />

marketing content that connects with<br />

your audience. Remember that all AIgenerated<br />

content is first-draft content<br />

and must be reviewed by a human!<br />

Prepare your personas using the same<br />

prompt thread, and the AI tool will know<br />

which personas you are referring to in<br />

your prompt.<br />

Increase sales<br />

AI is your personal sales and marketing<br />

consultant. It is an excellent tool for<br />

understanding where prospective<br />

customers are in their sales research<br />

journey, which is your sales funnel.<br />

The greatest challenge to many<br />

businesses is moving people through<br />

a sales funnel. AI can help solve this<br />

challenge with strategic ideas, updated<br />

and improved content, conversion<br />

recommendations and more.<br />

AI is best when it supports what you<br />

already do well. So, the better you<br />

understand sales and marketing, the<br />

better the results from AI tools will be.<br />

Using prompts and interacting with<br />

your favourite AI tool will improve your<br />

results and the AI tool over time.<br />

It’s hard for me to understand why<br />

anyone would not use AI in their digital<br />

marketing. Missing out will hurt their<br />

ability to compete and drive growth.<br />

THOMAS YOUNG is CEO of Intuitive<br />

Websites. He has more than 25 years’<br />

marketing and sales experience. Visit:<br />

intuitivewebsites.com<br />

46 | <strong>November</strong> <strong>2024</strong>


BUSINESS<br />

Logged On<br />

Can you do what Artificial Intelligence cannot?<br />

Are we overlooking something important?<br />

DAVID BROCK considers some of the shortcomings of AI in the world of business.<br />

We have become enamoured with<br />

everything Artificial Intelligence (AI)<br />

can do to improve our businesses.<br />

It provides the potential to eliminate all<br />

sorts of tasks that somehow seem to fill<br />

our time. As both the technology and our<br />

understanding of AI develop, we quickly<br />

learn that there are some things these<br />

machines cannot do. These tasks are<br />

often critical to our jobs.<br />

I would ask, are you doing those things<br />

with the time that AI is freeing from<br />

other tasks?<br />

We will fail without people filling<br />

these gaps, regardless of how well<br />

we leverage AI. We will fail our<br />

customers, fail to achieve our goals,<br />

and fail our people!<br />

What are some things that AI can’t<br />

do that are so critical for humans to<br />

focus on?<br />

The first, most glaring area is emotional<br />

intelligence and empathy. Business,<br />

including selling, is about interacting<br />

and engaging with people.<br />

How are we connecting with people<br />

and how they feel about their actions?<br />

Research suggests that at least 60<br />

per cent of planned purchases end<br />

in ‘no decision made’. The underlying<br />

reasons for this have nothing to do with<br />

our businesses.<br />

It is about how people ‘feel’ about the<br />

change. Are they doing the right thing<br />

for themselves and what they want to<br />

achieve? Significant research has been<br />

done on people’s lack of commitment to<br />

change and how it impacts business.<br />

These are human issues that can only<br />

be addressed by humans working with<br />

humans. Building trust and relationships<br />

underlies all of this.<br />

We build trust with each other and<br />

betray trust; however, trust is core to<br />

everything we do.<br />

AI is very weak at complex problemsolving.<br />

Complex problems are<br />

never static. Perhaps the best way to<br />

visualise problems in the real world is<br />

using an amoeba.<br />

Amoebas are constantly changing,<br />

shifting shape and direction.<br />

Because they are always changing, we<br />

can never define what an amoeba looks<br />

like. That’s what problems in the real<br />

world look like - evolving. As we learn<br />

more about the issue, things change.<br />

The more people involved, the<br />

perspectives of the problems,<br />

their impact, and what should be<br />

done constantly change. Ambiguity<br />

underlies everything we see in<br />

complex problem solving. Regardless<br />

of how many times we solve certain<br />

categories of problems, each is<br />

nuanced and different.<br />

In helping customers understand and<br />

address change, we must be sensitive<br />

to the constant changes and nuances<br />

underlying every initiative. We must<br />

help our customers and our people<br />

successfully navigate these issues.<br />

None of these problems exist in<br />

isolation. Each exists in a larger<br />

strategic context, unique to<br />

each customer.<br />

They exist in the context of the overall<br />

business strategies, market dynamics,<br />

competitive landscape. They exist in<br />

the context of organisational cultures<br />

and values. They exist in the context<br />

of the expectations of each other’s<br />

customers, employees, partners,<br />

shareholders, and communities.<br />

These are<br />

human issues<br />

that can only<br />

be addressed<br />

by humans<br />

working with<br />

humans.<br />

Building<br />

trust and<br />

relationships<br />

underlies all of<br />

this.<br />

What about innovation, creativity, and<br />

critical thinking? While AI can help<br />

us see patterns and things that were<br />

difficult or impossible to see in the past,<br />

we are faced with the question, " What<br />

do we do about them?”<br />

How do we combine disparate and<br />

disconnected ideas to discover new and<br />

novel approaches? No one imagined this,<br />

yet when we see it, it becomes obvious.<br />

It is the human imagination, curiosity<br />

and creativity that underlie every change<br />

we make.<br />

Then, we start thinking about leadership,<br />

motivation, and organisational<br />

development. How do we inspire and<br />

create a vision for what we do and where<br />

we go? How do we align different people<br />

with varied interests around a purpose,<br />

mission, and goals?<br />

AI is great at responding to what we ask<br />

it to do; however, so much of what we<br />

do is unscripted. We must be agile and<br />

imaginative enough to understand and<br />

respond to these things.<br />

When you consider how we work<br />

individually, organisationally, with<br />

our customers, and with others, you<br />

realise that AI isn’t good at many other<br />

things. It helps us with bits and pieces;<br />

however, it can’t put it ‘all together’ at<br />

the right moment.<br />

I’m excited about the future and what AI<br />

can do to help us in business. I leverage<br />

AI tools daily, saving time, completing<br />

tedious tasks that I hate doing, and<br />

sometimes giving me new ideas.<br />

That said, what worries me about the<br />

collective obsession with AI is that it<br />

focuses on what it can do, overlooking<br />

its shortcomings. This leads me to<br />

question whether we have the skills and<br />

capabilities to pick up the slack.<br />

Until we address these issues, we will<br />

never leverage AI the way it could be.<br />

DAVID BROCK is CEO of Partners<br />

In Excellence, a global consultancy<br />

focused on helping organisations<br />

engage customers more effectively. He<br />

writes at partnersinexcellenceblog.com<br />

<strong>November</strong> <strong>2024</strong> | 47


My Bench<br />

Louis Kleimeyer<br />

Artisans Bespoke <strong>Jeweller</strong>s<br />

AGE 33 • YEARS IN TRADE 2 • TRAINING Currently completing my apprenticeship with Artisans Bespoke <strong>Jeweller</strong>s • First job Electrician<br />

SIGNATURE PIECE<br />

ODE TO OLIVIA<br />

I handmade my fiance a bangle for the 2023 JAA <strong>Jeweller</strong>y<br />

Design Awards and called it ‘Ode to Olivia’. The bangle<br />

design was inspired by the Art Deco period and features<br />

an oval 1.42-carat pink spinel set within a diamond floral<br />

halo arrangement with millgrain accents. More than one<br />

carat worth of natural diamonds is a bezel set in round and<br />

marquise patterns, a handmade heart-shaped hook, and<br />

an eye-style clasp. The side of the bangle is personalised<br />

with small family initials O, L, and S and a love heart symbol<br />

representing a future family member.<br />

FAVOURITE GEMSTONE Paraiba Tourmaline.<br />

FAVOURITE METAL 18-carat yellow gold.<br />

FAVOURITE TOOL Knipex Mini Parralel Pliers.<br />

BEST NEW TOOL DISCOVERY ‘Zap Zap’ Lighter.<br />

BEST PART OF THE JOB Working in a<br />

supportive environment where I can learn<br />

something new every day.<br />

WORST PART OF THE JOB Cleaning out the<br />

sink’s gold trap.<br />

BEST TIP FROM A JEWELLER Don’t close your<br />

eyes or sneeze when hammering.<br />

BEST TIP TO A JEWELLER Never be afraid to<br />

ask questions.<br />

BIGGEST HEALTH CONCERN ON THE BENCH<br />

Inhaling dust and chemical fumes.<br />

LOVE JEWELLERY BECAUSE I get to make<br />

special pieces for my fiancé<br />

48 | <strong>November</strong> <strong>2024</strong>


<strong>November</strong> <strong>2024</strong> | 49


OPINION<br />

Soapbox<br />

Taming the Beast: Lessons learned<br />

from 30 years in jewellery retail<br />

Time flies when you're having fun! ROMEL SANTOS reflects on wisdom attained<br />

across three decades in jewellery retail.<br />

Retail is tough, and jewellery retail is<br />

more challenging again. I expect it will<br />

only become more difficult in the next<br />

few years.<br />

This year marked 30 years in the jewellery<br />

industry, and to celebrate, I’ve opened<br />

a new store focused on creating an<br />

unforgettable experience for customers.<br />

With an emphasis on custom design, the<br />

store is a throwback to the good old days<br />

– when jewellery was about emotions and<br />

sentiment and not ‘scoring’ discounts.<br />

I’ve watched the industry change at<br />

breakneck speed over three decades,<br />

beginning as a teenage sales trainee and<br />

now running two independent stores. It’s<br />

been one heck of a ride, like trying to tame<br />

a wild beast while wearing diamonds.<br />

One thing I’ve learned from all the chaos<br />

is that while retail is always a challenge,<br />

jewellery retail is another beast entirely.<br />

Diving into the unknown<br />

At 17 years old, I attended my first job<br />

interview with one of Australia’s largest<br />

jewellery chains. I knew nothing about the<br />

industry but was keen and fearless—or at<br />

least I pretended to be!<br />

The area manager dropped this wisdom:<br />

“Retail is hard, but jewellery retail is even<br />

harder — and it’s only going to get tougher.”<br />

I’ll be honest – those words rattled me.<br />

I was fresh out of high school, thinking I<br />

had just found my dream job. I was told<br />

that it was going to be an uphill slog. My<br />

determination and youthful cockiness<br />

prevented me from backing down.<br />

Getting the job was one thing; keeping<br />

it was another. When I walked into the<br />

store on my first day, I could’ve sworn<br />

the staff were taking wagers on how<br />

long I would last.<br />

My manager didn’t sugarcoat the situation.<br />

“This is going to be hard work. Your first<br />

goal is to sell. Hit your targets, and then<br />

we’ll talk about your future here.”<br />

I was thrown head-first into learning<br />

everything from sales techniques and store<br />

operations to product knowledge. Most<br />

people reading this will know that jewellery<br />

isn’t just pretty rocks and shiny metals.<br />

There’s a science behind diamonds,<br />

gemstones, and designs, and it doesn’t<br />

all sink in overnight.<br />

It was overwhelming; however, I thrived on<br />

the challenge. At the time, jewellery retailers<br />

had a straightforward formula for success.<br />

Location was king, and appropriately trained<br />

staff were essential. A clean and welcoming<br />

store was a must-have, and you needed a<br />

solid, well-executed sales plan. Key pieces<br />

needed to be merchandised professionally,<br />

and marketing was defined by television,<br />

radio, and catalogues. Culture and morale<br />

within the store were just as important as<br />

the gold in the window.<br />

More than anything, you had to sell personto-person<br />

and face-to-face with excellent<br />

customer service. If you could nail these<br />

basics, you were golden. It was challenging<br />

work, but the rules made sense.<br />

The digital age & a new frontier<br />

Being a great salesperson is only half the<br />

battle today, and now, you need to be a<br />

digital wizard. As a business owner, you’re<br />

checking website tracking, tracking online<br />

sales, and tweaking your SEO.<br />

Internally, you’re constantly questioning your<br />

business: Is your website driving enough<br />

visitors, and are they buying anything?<br />

These are things I never thought about 30<br />

years ago. That’s without mentioning social<br />

media – don’t get me started! It’s no longer<br />

enough to have a sparkling store; you must<br />

have a professional account on platforms<br />

such as Instagram, Facebook, and TikTok.<br />

Every post, every reel, and every story<br />

needs to reflect your brand - and don’t<br />

forget to keep an eye on Google reviews.<br />

After one bad review, you’ll be sent<br />

scrambling for damage control.<br />

You must also master paid advertising,<br />

content marketing, and ranking on Google<br />

like it’s a second job. Your brand’s online<br />

presence is now as crucial as your physical<br />

store. It’s like playing chess with a dozen<br />

opponents around the clock – and there are<br />

no bathroom breaks!<br />

The competition is global now. Remember<br />

when your biggest competitor was the<br />

jewellery store across the street?<br />

Culture and<br />

morale within<br />

the store<br />

were just as<br />

important as<br />

the gold in the<br />

window.<br />

Those were the days! Now, you’re competing<br />

not just with other stores but against<br />

Amazon, Temu, Shein, and eBay. They’re<br />

selling everything from engagement rings to<br />

fashion jewellery - faster and cheaper.<br />

Wholesalers who once exclusively supplied<br />

retailers are selling directly to consumers.<br />

Digital tools allow customers to design online<br />

and cut out the ‘middleman’ – me!<br />

It’s enough to make you nostalgic for the<br />

days when securing a good location and<br />

maintaining shiny windows were your<br />

biggest concerns.<br />

People, passion & perseverance<br />

Despite the industry's evolution, one thing<br />

hasn’t changed — the importance of people.<br />

My relationships with my family, friends, staff,<br />

and customers have kept me grounded.<br />

Thirty years ago, I had mentors who showed<br />

me the ropes, and now I’m surrounded by an<br />

amazing staff and a loyal customer base.<br />

I’ve formed strong partnerships with<br />

suppliers — some of whom I consider family<br />

— and built a network of fellow jewellers<br />

who’ve shared this journey with me.<br />

No one makes it alone! You need the right<br />

buying group, the best suppliers, solid<br />

mentors, and a dedicated staff. Those<br />

relationships are what help you through the<br />

toughest challenges.<br />

Looking ahead, the road appears tough;<br />

however, I’m confident we’re ready for the<br />

challenge. The future of jewellery retail<br />

seems increasingly competitive and complex.<br />

It might be more fast-paced than ever;<br />

however, after 30 years, I know one thing.<br />

While the tools and trends may change, the<br />

core of the business – people, passion, and<br />

perseverance – will always be the heartbeat<br />

that keeps us going.<br />

If you love what you do, every challenge<br />

is just another part of a journey I wouldn’t<br />

trade anything for.<br />

Name: Romel Santos<br />

Business: Santos Customs<br />

Position: Owner<br />

Location: Sydney, NSW<br />

Years in the industry: 30<br />

50 | <strong>November</strong> <strong>2024</strong>


Unwrap the New Year: A Perfect Match for Retailers<br />

FEBRUARY 1 – 3, 2025<br />

Melbourne Exhibition Centre, South Wharf<br />

Run in<br />

conjunction with<br />

Organised by<br />

jewelleryfair.com.au/mjexpo


Sapphire Dreams was founded from a deep admiration for the natural<br />

beauty of Australian sapphires, celebrating exceptional craftsmanship and<br />

contemporary jewellery designs. Sustainably sourced, Australian sapphires<br />

boast an incredible colour range, captured in every Sapphire Dreams piece.<br />

Become a stockist today 02 9290 2199<br />

SapphireDreams.com.au

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