The Story So Far - 50 Years of The American University of Rome
This story of The American University of Rome - the first fifty years.
This story of The American University of Rome - the first fifty years.
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Published in Italy in 2019<br />
on the occasion <strong>of</strong><br />
the <strong>50</strong>th Anniversary <strong>of</strong><br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
Via Pietro Roselli, 4<br />
00153 – <strong>Rome</strong>, Italy<br />
www.aur.edu<br />
©<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
Cover Illustration and Design<br />
by Craig Coulthard<br />
Copy-edited by James R. Mathieu<br />
Design by Land Ho®<br />
Printed independently and bound<br />
by PixartPrinting Italy<br />
2
Flag bearers and current students<br />
at the 2017 Commencement<br />
Ceremony at Villa Aurelia.<br />
Photo from AUR archives.<br />
3
6<br />
(Image on previous page) AUR<br />
students at an Art History on-site<br />
class at the Arch <strong>of</strong> Constantine<br />
in 1997. Photo from AUR archives.
THE STORY SO FAR<br />
<strong>50</strong> YEARS OF<br />
THE AMERICAN UNIVERSITY OF ROME<br />
By Laura Estrada Prada<br />
Art History, Class <strong>of</strong> 2016<br />
Alumni & Development Coordinator<br />
With contributions by<br />
Dr. Lisa Colletta<br />
Dr. Richard Hodges, OBE<br />
7
Foreword<br />
by Laura Estrada Prada<br />
It was an oddly warm November when<br />
I started working in the Alumni and<br />
Development Office <strong>of</strong> <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong> (AUR). As a student,<br />
I had never really been to the President’s<br />
Office. In a heartbeat, I was now part <strong>of</strong> it:<br />
a familiar and yet completely alien place.<br />
A few weeks into my new job, Maurizia<br />
Garzia (AUR’s Chief <strong>of</strong> Staff) called me<br />
into her <strong>of</strong>fice and showed me four scruffy<br />
boxes that sat in a corner. “Whenever you<br />
have time, Laura, those boxes contain the<br />
photographic archives <strong>of</strong> AUR. It would be<br />
great if we could organize them. It’s not<br />
urgent, but when you can, here they are.”<br />
<strong>The</strong> task immediately sparked my curiosity,<br />
but the boxes lay there for months as other<br />
department tasks were always prioritized.<br />
Yet every time I glanced over at them,<br />
the desire to open them and delve into<br />
the stories contained there was a difficult<br />
temptation to ignore. Finally, after about<br />
a year, when talk <strong>of</strong> the <strong>50</strong>th Anniversary<br />
was initiated, I had a chance to push it<br />
up on the to-do-list. I was given a small<br />
room in Building B where I could spread<br />
out the material and start making some<br />
sense <strong>of</strong> it. I called the room “<strong>The</strong> Cave,”<br />
mainly because, very much like Alice in<br />
Wonderland, when I went down there, time<br />
stopped and I traveled through a rabbit<br />
hole, eager to understand and connect<br />
the apparently unrelated images.<br />
My first Friday at “<strong>The</strong> Cave” was both<br />
marvelous and frustrating. As I took<br />
the material out <strong>of</strong> the boxes, I realized<br />
two important things: 1) there was no<br />
apparent order or reasoning behind<br />
the documentation; 2) I was not the<br />
first to attempt the organization and<br />
understanding <strong>of</strong> it all. I decided to ignore<br />
my first realization with the hope that it<br />
was just an overwhelmed first impression.<br />
<strong>The</strong> second realization, though, gave<br />
me mixed feelings. A part <strong>of</strong> me felt like<br />
one <strong>of</strong> those epic knights at the mouth<br />
<strong>of</strong> a dragon’s cave, surrounded by the<br />
skeletons <strong>of</strong> those that had attempted<br />
the same foolish endeavor. Another<br />
part <strong>of</strong> me—the adult one—was keen to<br />
accept the challenge.<br />
My adventure started and as I grasped for<br />
any indications <strong>of</strong> time and space amongst<br />
the heaps, questions arose, answers slowly<br />
appeared, only to lead to more questions.<br />
<strong>So</strong>on, as if I had been digging through<br />
my own family’s pictures, I started to<br />
understand the trajectory <strong>of</strong> AUR as if<br />
it were a long-lost cousin. Like a child,<br />
its first years were the most thoroughly<br />
8
documented: the first steps, the first faces,<br />
the first joys. From 1970 to the early 1980s<br />
there is an incredible amount <strong>of</strong> film strips<br />
and pictures taken by one <strong>of</strong> our founders,<br />
David T. Colin.<br />
In the late 1980s, “puberty” arrived<br />
and the pictures diminished. Bits and<br />
pieces <strong>of</strong> memories and Commencements<br />
here and there, but no actual visual story.<br />
It’s only with the new millennium that we<br />
start having a more thorough photographic<br />
documentation <strong>of</strong> the activities and<br />
people <strong>of</strong> AUR.<br />
In an attempt to coherently connect the<br />
dots, I also looked into the first documents<br />
available about the <strong>University</strong>. I had not<br />
anticipated that the story <strong>of</strong> AUR would<br />
turn out to be so much more interesting<br />
and complicated than the version <strong>of</strong> events<br />
that, until now, we believed to be true.<br />
<strong>So</strong> here we are. AUR is now in its <strong>50</strong>th<br />
year and this book is but a sketch <strong>of</strong><br />
its growth and trajectory. May this book,<br />
and this celebratory year, be the initiation <strong>of</strong><br />
a more thorough comprehension <strong>of</strong> our<br />
past, so that we can conscientiously<br />
embrace the future.<br />
Fontana di Trevi. Creative<br />
Commons CC0 1.0 Universal<br />
Public Domain Image.<br />
9
10<br />
AUR students with camera in<br />
1975. Photo from AUR archives.
This book would not have been possible without<br />
the many people that helped me gather<br />
and organize the information.<br />
Amy Baldonieri, who supported every step <strong>of</strong> it<br />
and facilitated both the research as well as the<br />
production. Dr. Richard Hodges, who believed<br />
I could do it, even when my anxieties seemed<br />
insurmountable.<br />
Ellie Johnson, who is my partner in crime with<br />
all the production and deciphering <strong>of</strong> AUR’s past.<br />
Harry Greiner, who is always immensely honest<br />
and directed me toward ideas that worked.<br />
I wrote the book with Harry’s voice in the back<br />
<strong>of</strong> my head telling me, “Don’t make it boring,”<br />
so I hope it’s not too dull <strong>of</strong> a read.<br />
Maurizia Garzia, who allowed me to delve into<br />
the archives to look for missing pieces.<br />
Alexandra Tesoro Miller, David Colin Jr.,<br />
Joan Carpenter, Margaret Melady, Andrew Palmieri,<br />
Rosa Fusco, Pr<strong>of</strong>. Silvano Susi, Franziska Wallner,<br />
Mary Handley, and the many others who <strong>of</strong>fered<br />
their time and memories.<br />
Dr. Roderick Bailey, Dr. Mauro Canali, Lisette Matano<br />
and Nathaly Campusano-Agüero for helping search<br />
and gather pivotal information for the reconstruction<br />
<strong>of</strong> historical facts. Last but certainly not least,<br />
Erin Chase, Abigail Hungate, and Mark Ozella,<br />
current students and Student Trainees in our <strong>of</strong>fice,<br />
who methodically organized and cataloged<br />
it all. Without them, this adventure would have<br />
lasted a century and I would have given up on it.<br />
11
Table<br />
<strong>of</strong> contents<br />
PART THE ORIGINS<br />
Introduction by Dr. Lisa Colletta<br />
Chapter 1: Discovering AUR’s Origins<br />
Founder Fact Sheets<br />
Prominent Connections <strong>of</strong> AUR’s Founders<br />
PART <strong>50</strong> YEARS OF HISTORY<br />
Chapter 2: <strong>The</strong> AUR Identity<br />
<strong>Rome</strong><br />
A Classroom Without Walls<br />
From a Study Abroad Institution to a Resident-Based<br />
<strong>University</strong> in the Heart <strong>of</strong> <strong>Rome</strong><br />
AUR Commencement Ceremonies<br />
A Hub <strong>of</strong> World Citizens<br />
According to Myth<br />
12
Chapter 3: AUR Is its People<br />
AUR Chairs <strong>of</strong> the Board <strong>of</strong> Trustees<br />
AUR Presidents<br />
Honorary Degree Recipients Since 1994<br />
People Who Have Left an Unforgettable Trace at AUR<br />
Robert Henry Evans<br />
Terry Rossi Kirk<br />
James Walston<br />
Seniority Honor Roll by <strong>Years</strong> <strong>of</strong> Service<br />
Chapter 4: <strong>The</strong> Locations <strong>of</strong> AUR<br />
Via della Mercede, 21 (Colin property)<br />
Viale delle Milizie, 6<br />
Via Marche, 54 (Scala B, 5th floor)<br />
Piazza Sallustio, 24<br />
Via Sallustiana, 1A<br />
Via Collina, 24<br />
Via Pietro Roselli, 4<br />
Chapter 5: AUR’s Neighborhood<br />
<strong>The</strong> Janiculum Hill and Monteverde<br />
PART THE FUTURE<br />
Chapter 6: Janus<br />
Conclusion by Dr. Richard Hodges:<br />
AUR’s Brave New World<br />
13
PART I.<br />
THE ORIGINS<br />
THE<br />
ORIGINS<br />
14
THE ORIGINS<br />
PART I.<br />
Introduction<br />
Dr. Lisa Colletta<br />
15
PART I.<br />
THE ORIGINS<br />
Introduction<br />
1.<br />
1969 was a year <strong>of</strong> tumult and change.<br />
<strong>The</strong> Apollo 11 space mission successfully<br />
landed the first man on the moon,<br />
and Neil Armstrong’s famous phrase,<br />
“That’s one small step for man, and one<br />
giant leap for mankind,” entered the<br />
world’s collective vocabulary. In America,<br />
Woodstock attracted more than 3<strong>50</strong>,000<br />
rock-n-roll fans, members <strong>of</strong> the cult<br />
led by Charles Manson murdered five people<br />
in Los Angeles, 2<strong>50</strong>,000 people marched<br />
on Washington to protest the Vietnam<br />
War, PBS was established, Seiko sold the<br />
first quartz wristwatch, the first Automatic<br />
Teller Machine was installed, and the<br />
microprocessor was invented, opening<br />
the way for the computer revolution<br />
that followed.<br />
16<br />
1. Image <strong>of</strong> the interior <strong>of</strong> the Banca<br />
Nazionale dell’Agricoltura in Milan,<br />
after the explosion - Piazza Fontana,<br />
12 December 1969. Image shot in Italy<br />
and declared Public Domain.<br />
2. Young David T. Colin<br />
in Capri in the late 1930s.<br />
Image courtesy <strong>of</strong> David<br />
Colin, Jr.
THE ORIGINS<br />
PART I.<br />
Around the world, the Beatles played<br />
their last public performance on the ro<strong>of</strong><br />
<strong>of</strong> Apple Records, the album Abbey Road<br />
was released, the first Concorde test<br />
flight was conducted in France, enormous<br />
student protests rocked cities around the<br />
globe, the PLO (Palestinian Liberation<br />
Organization) was founded, and a coup in<br />
Libya deposed King Idris.<br />
In Italy, 1969 was a year marked by tension<br />
and terrorism. Throughout that year, a<br />
series <strong>of</strong> explosives were detonated on<br />
trains and in stations. But, on December<br />
12, 1969, “la madre di tutte le stragi,” or<br />
“the mother <strong>of</strong> all massacres,” happened<br />
when a bomb exploded in the Banca<br />
Nazionale dell’Agricoltura in Milan, killing<br />
17 people and injuring 88. Orchestrated<br />
by Neo-Fascists to discredit the anarchist<br />
movement, the event ushered in the anni<br />
di piombo, the years <strong>of</strong> lead, definitively<br />
ending nearly two decades <strong>of</strong> economic,<br />
cultural, and creative growth in Italy. Before<br />
these tragic events, Italy was known for<br />
la dolce vita, the sweet life: a growing<br />
standard <strong>of</strong> living, elegant fashion, iconic<br />
products like the Vespa and Fiat, a thriving<br />
film industry, and a beautiful playground<br />
for celebrities and aristocrats.<br />
in, and a safeguard against the growing<br />
anxiety and polarization that threatened it.<br />
Popular lore has it that AUR was founded as<br />
a “school for spies,” and given the turbulent<br />
times in which it was established, one can<br />
understand how the story started. <strong>The</strong><br />
United States was alarmed by Italy’s shift<br />
to the left during the sixties and seventies<br />
and was actively, albeit covertly, involved<br />
in preventing the country from going<br />
Communist. However, the factual evidence<br />
suggests that if there was a political<br />
motivation for establishing <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong> (and surely there was),<br />
it had more to do with spreading <strong>American</strong><br />
ideology and cultural values than actively<br />
training spies.<br />
Introduction<br />
In this combination <strong>of</strong> hope, energy, and<br />
fear, <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
(AUR) was born. <strong>The</strong> brain child <strong>of</strong> three<br />
individuals, who all had complicated<br />
wartime experiences and a love <strong>of</strong> Italy,<br />
AUR was the embodiment <strong>of</strong> the belief in<br />
progress that the post-war boom ushered<br />
2.<br />
17
PART I.<br />
THE ORIGINS<br />
Introduction<br />
<strong>The</strong> three founders—David Tyrone Colin,<br />
Giorgio Alfred Tesoro, and Lisa Sergio—all<br />
shared the belief that education was the<br />
only way to prevent the world from tearing<br />
itself apart for a third time in a century.<br />
International understanding, firmly rooted<br />
in <strong>American</strong> democratic values, was the<br />
key to a peaceful and productive future.<br />
All three had also had fraught wartime<br />
experiences and knew intimately, though<br />
in varying ways, the realities <strong>of</strong> Fascist<br />
ideology and the trauma <strong>of</strong> war. Also,<br />
in varying ways, they all understood the<br />
shifting political sands in America and<br />
Europe after the end <strong>of</strong> World War II,<br />
when old allies become new enemies, and<br />
political opinions harden into blinkered<br />
thought, violence, and oppression. <strong>The</strong><br />
creation <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong><br />
<strong>Rome</strong> was their positive response to the<br />
negative forces that had shaped their<br />
earlier lives and a way to “reclaim” the<br />
country they loved.<br />
<strong>American</strong> negotiations with Axis countries<br />
allowed him to secure a passage on the<br />
Swedish steamer Drottningholm, which<br />
sailed from Lisbon on May 22, 1942, and<br />
arrived in New York on June 1.<br />
3.<br />
David T. Colin was born in St. Louis, Missouri,<br />
with, according to his son, “an itch to see<br />
the world.” He traveled widely, working as a<br />
journalist and international correspondent<br />
for several US newspapers. In December<br />
<strong>of</strong> 1941, when Italy <strong>of</strong>ficially declared war<br />
on the United States, Colin was a civilian<br />
member <strong>of</strong> the US National Broadcasting<br />
Company in <strong>Rome</strong>.<br />
As an <strong>American</strong> on Italian soil, Colin was<br />
considered an “enemy alien” and was most<br />
probably interned in one <strong>of</strong> the pensioni<br />
or hotels where <strong>American</strong> journalists and<br />
diplomats stayed after December 11, 1941.<br />
3. David T. Colin in <strong>Rome</strong> in 1938.<br />
Image courtesy <strong>of</strong> David Colin, Jr.<br />
18
THE ORIGINS<br />
PART I.<br />
Introduction<br />
4.<br />
4-5. David T. Colin’s account <strong>of</strong> the situation<br />
in Italy, just after his return to the United<br />
States. JTA Daily News Bulletin, Vol. IX – No.<br />
125, Jewish Telegraphic Agency, New York, NY.<br />
19
PART I.<br />
THE ORIGINS<br />
Introduction<br />
5.<br />
20
THE ORIGINS<br />
PART I.<br />
6.<br />
Introduction<br />
6. Swedish steamer SS Drottningholm,<br />
Courtesy <strong>of</strong> the Boston Public Library,<br />
Leslie Jones Collection.<br />
21
PART I.<br />
THE ORIGINS<br />
Introduction<br />
7.<br />
22<br />
7- 8. Associated Press, “948 Axis Diplomats<br />
Sail for Portugal in Exchange Agreement,”<br />
<strong>The</strong> Evening Star, Washington, DC, May 8,<br />
1942. P. A-15. <strong>So</strong>urce: NewspaperArchive.com.
THE ORIGINS<br />
PART I.<br />
Introduction<br />
8.<br />
23
PART I.<br />
THE ORIGINS<br />
Introduction<br />
After his return to the United States, Colin<br />
enrolled in the U.S. Army and was sent<br />
back to Italy as a member <strong>of</strong> the Office<br />
<strong>of</strong> Strategic Services (OSS). In October <strong>of</strong><br />
1944, Colin was captured on the border<br />
between France and Italy and was sent<br />
to prison in Munich, Germany. After six<br />
harsh months in Munich, he was transferred<br />
to Fort Zinna, at Torgau, to await trial<br />
before the German Supreme Military<br />
Court for “crimes committed against the<br />
German Army.”<br />
<strong>The</strong> encounter between <strong>So</strong>viet and<br />
<strong>American</strong> troops on the Elbe River near<br />
Torgau on April 25, 1945 saved his life.<br />
Aware that the Allied net was tightening,<br />
the Nazi guards deserted the prison<br />
camp, leaving many <strong>of</strong> the cells unlocked.<br />
After his liberation, Colin was sent back<br />
to the U.S., but when the war ended, he<br />
headed back to <strong>Rome</strong>, where he was to<br />
live out much <strong>of</strong> his life. His apartment on<br />
Via della Mercede, near the Spanish Steps<br />
and the place where John Keats took his<br />
last breath, was to become the site <strong>of</strong> the<br />
first <strong>American</strong> university in <strong>Rome</strong>.<br />
24
THE ORIGINS<br />
PART I.<br />
Introduction<br />
9.<br />
9 -11. Newspaper article by Ann Stringer.<br />
“Bravo, Yells Red <strong>So</strong>ldier.” Winnipeg Free Press.<br />
Winnipeg, Canada. Vol. 51, No. 180-22. Pgs. 1<br />
and 5. <strong>So</strong>urce: NewspaperArchive.com.<br />
25
PART I.<br />
THE ORIGINS<br />
Introduction<br />
26
THE ORIGINS<br />
PART I.<br />
Introduction<br />
27
PART I.<br />
THE ORIGINS<br />
Introduction<br />
Giorgio Alfredo Tesoro was born in <strong>Rome</strong><br />
in 1904. He studied law at La Sapienza,<br />
working closely with important scholars<br />
and eventually specializing in corporate<br />
and tax law. His ground-breaking work<br />
in the new field earned him esteemed<br />
scholarly and pr<strong>of</strong>essional posts, but as<br />
a Jewish Roman and a politically engaged<br />
citizen, Tesoro watched with concern<br />
as Mussolini drifted closer and closer to<br />
Hitler’s views on race and ethnic purity.<br />
In 1938, with a thriving career, Tesoro was<br />
banned from teaching because <strong>of</strong> his<br />
Jewish origins. With a sense <strong>of</strong> what was<br />
to come, he left Italy and arrived in the<br />
United States on December 29, 1940.<br />
12.<br />
12. Giorgio Tesoro and his wife Gilda in <strong>Rome</strong>,<br />
September 1978. Photo from AUR archives.<br />
28
THE ORIGINS<br />
PART I.<br />
13.<br />
Introduction<br />
13. “Background <strong>of</strong> Development <strong>of</strong> Foreign<br />
Broadcast Intelligence Service” Memorandum<br />
presented to Chief, Information Branch.<br />
Dated 6 March 1946. CIA file approved<br />
for release in 2003.<br />
29
PART I.<br />
THE ORIGINS<br />
Introduction<br />
Tesoro immediately applied for US<br />
citizenship and to US government positions,<br />
while pursuing his academic interests.<br />
His first teaching job was at the <strong>American</strong><br />
<strong>University</strong> in Washington, DC, where<br />
he wrote a detailed study <strong>of</strong> war finance,<br />
funded by the Rockefeller Foundation. This<br />
eventually led to his government posts<br />
as an economic analyst and <strong>of</strong>ficer with<br />
the Foreign Economic Administration,<br />
the State Department, and the US Mission<br />
in Geneva. When George (no longer<br />
Giorgio) Tesoro died in 2001, his obituary<br />
in <strong>The</strong> New York Times read: “97 years<br />
<strong>of</strong> kindness, loyalty and hard work.<br />
A beloved father, grandfather, uncle and<br />
friend. Esteemed lawyer, economist,<br />
pr<strong>of</strong>essor, diplomat, Commendatore<br />
della Repubblica Italiana, founder <strong>of</strong> the<br />
<strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>.”<br />
30
THE ORIGINS<br />
PART I.<br />
14.<br />
Introduction<br />
14. “Brother Now With <strong>University</strong> Staff.”<br />
<strong>The</strong> Chillicothe Constitution-Tribune. Vol. LI<br />
– No. 128. June 5, 1942. Chillicothe, Missouri.<br />
<strong>So</strong>urce: NewspaperArchive.com.<br />
31
PART I.<br />
THE ORIGINS<br />
15.<br />
Introduction<br />
Perhaps the most enigmatic <strong>of</strong> the<br />
three founders is Lisa Sergio, writer,<br />
broadcaster, activist, and philanthropist.<br />
Born in Florence in 1905 to Baron Agostino<br />
Sergio, and a wealthy <strong>American</strong> mother,<br />
Margherita Fitzgerald, Lisa Sergio grew<br />
up in the heady atmosphere <strong>of</strong> the city’s<br />
Anglo-Italian community. Rich in gossip<br />
and intrigue, the community included a<br />
mix <strong>of</strong> academics, intellectuals, artists,<br />
and wealthy aristocrats. In 1922, when<br />
she was 17, her parents divorced after her<br />
father attempted to shoot her mother.<br />
32<br />
15. Lisa Sergio’s Tesserino dei Giornalisti.<br />
Image from Lisa Sergio papers, Booth Family Center<br />
for Special Collections, Georgetown <strong>University</strong> Library,<br />
Washington, DC.
THE ORIGINS<br />
PART I.<br />
As a young woman she claimed to have<br />
translated some works <strong>of</strong> Aldous Huxley<br />
and D.H. Lawrence into Italian. She<br />
eventually became the editor <strong>of</strong> Italian<br />
Mail, the only English language weekly in<br />
Italy. In 1929, she moved to <strong>Rome</strong> after<br />
falling in love with a much older man.<br />
female broadcaster in Italy and Mussolini’s<br />
<strong>of</strong>ficial English translator. <strong>The</strong> position<br />
gave her access to high-ranking Fascist<br />
<strong>of</strong>ficials and inside information about<br />
the regime. In the spring <strong>of</strong> 1937, Sergio<br />
was fired from the Office <strong>of</strong> Press<br />
and Propaganda in <strong>Rome</strong>.<br />
In <strong>Rome</strong>, Sergio was in contact with<br />
individuals like Guglielmo Marconi,<br />
inventor <strong>of</strong> radio and known worldwide<br />
for his work in long-distance radio<br />
transmission. Marconi connected her with<br />
the Italian Fascist government and Sergio<br />
was eventually hired by the Italian Ministry<br />
<strong>of</strong> Propaganda to translate newspaper<br />
items into French and English for a<br />
15-minute daily news program. Known as<br />
“the golden voice <strong>of</strong> <strong>Rome</strong>,” Sergio became<br />
an international sensation as the first<br />
<strong>The</strong>re are two different stories about<br />
how and why Sergio left Italy for the<br />
United States. Sergio’s version was that<br />
her dismissal was primarily due to her<br />
broadcasting omissions and ideological<br />
differences with the regime. However,<br />
according to Sergio’s FBI file, she lost her<br />
position because she was too vocal about<br />
her relationship with Galeazzo Ciano<br />
(Mussolini’s son-in-law) and other Fascist<br />
<strong>of</strong>ficials. Regardless <strong>of</strong> the true reason, Lisa<br />
Sergio left Naples for the United States<br />
on June 27, 1937.<br />
Introduction<br />
16.<br />
16. Lisa Sergio and her colleagues at the Ente<br />
Italiano per le Audizioni Radi<strong>of</strong>oniche (EIAR),<br />
<strong>Rome</strong>, 1936. Photo printed by Studio Vasari<br />
Roma. Image from Lisa Sergio papers, Booth<br />
Family Center for Special Collections,<br />
Georgetown <strong>University</strong> Library, Washington, DC.<br />
33
PART I.<br />
THE ORIGINS<br />
17.<br />
Introduction<br />
By the time Lisa arrived in the United<br />
States, her political beliefs had shifted<br />
dramatically, and she became an advocate<br />
<strong>of</strong> democracy and a strong anti-Fascist.<br />
She explained her change <strong>of</strong> heart in a note<br />
from 1937: "Human beings are not born<br />
knowing. <strong>The</strong>y are endowed, from birth<br />
with the capacity to learn. <strong>The</strong>y learn to<br />
walk, to talk. We must also learn how to<br />
be free." Despite what is in her FBI file,<br />
Sergio’s ideological change <strong>of</strong> heart was<br />
genuine, and she spent the rest <strong>of</strong> her<br />
life fervently working for democratic<br />
ideals and against Fascism in all its forms<br />
even those that stalk democracies.<br />
She became a vocal supporter <strong>of</strong><br />
education, women’s rights, and special<br />
target <strong>of</strong> Senator Joseph McCarthy.<br />
After moving to the United States, Sergio<br />
worked for NBC (National Broadcasting<br />
Company), but she quickly became<br />
frustrated because she believed that<br />
“NBC was not about to allow a woman to<br />
do news.” In 1939, she was hired by WQXR<br />
(an AM radio station licensed in New York<br />
City from December 1936 to November<br />
1992) as a news commentator, developing<br />
her program “Column <strong>of</strong> the Air,” which<br />
focused on the crisis in Europe. When asked<br />
about being a woman in a man’s world <strong>of</strong><br />
news broadcasting, Sergio wrote, “Here,<br />
too, women can claim and hold a place.<br />
If men and women are equally needed<br />
in the war effort, as they indubitably are,<br />
if men and women the world over are<br />
bearing the tragic burden <strong>of</strong> a war without<br />
quarter, as they are, it follows that men<br />
and women can equally contribute to<br />
the understanding <strong>of</strong> issues at stake and<br />
<strong>of</strong> the sometimes baffling trend <strong>of</strong> the<br />
events which affect us.”<br />
34<br />
17. Lisa Sergio’s visa for entry into the United States in 1937.<br />
Lisa Sergio papers, Booth Family Center for Special Collections,<br />
Georgetown <strong>University</strong> Library, Washington, DC.
THE ORIGINS<br />
PART I.<br />
18.<br />
Introduction<br />
“Column <strong>of</strong> the Air” broadcast seven times<br />
a week from 1939 to 1946, when WQXR<br />
cancelled it. Sergio was blacklisted by the<br />
<strong>American</strong> Legion in 1949 and listed in the<br />
anti-communist publication Red Channels:<br />
<strong>The</strong> Report <strong>of</strong> Communist Influence in<br />
Radio and Television in 19<strong>50</strong>. During the<br />
McCarthy era she was unable to work<br />
in broadcasting, and she eventually<br />
became a visiting pr<strong>of</strong>essor and lecturer for<br />
several universities. Sergio also became very<br />
active in human rights organizations and<br />
in <strong>The</strong> <strong>So</strong>ciety for the Prevention <strong>of</strong> World<br />
War III. For Sergio, the responsibility <strong>of</strong><br />
learning how to think and the liberation<br />
that comes with knowledge would<br />
eventually inspire her to help found <strong>The</strong><br />
<strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>.<br />
<strong>Rome</strong> met through connections in the<br />
political and cultural world, and their<br />
love <strong>of</strong> Italy certainly put them in the<br />
same orbit. More importantly though,<br />
their post-war commitment to building a<br />
better world, to promoting international<br />
understanding, and to educating young<br />
people to learn how to be free meant that<br />
they were involved in similar activities.<br />
Archival evidence shows that the three<br />
founders <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong><br />
18. Lisa Sergio (right), Eleanor Roosevelt (center)<br />
and friend. Lisa Sergio papers, Booth Family<br />
Center for Special Collections, Georgetown<br />
<strong>University</strong> Library, Washington, DC.<br />
35
PART I.<br />
THE ORIGINS<br />
Introduction<br />
19.<br />
36<br />
19-21. <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>: a project in the making.<br />
A vision for the AUR project, prepared by Lisa Sergio based on<br />
her conversations with David T. Colin and Hon. Emilio Daddario.<br />
<strong>So</strong>urce: AUR archives.
THE ORIGINS<br />
PART I.<br />
Introduction<br />
20.<br />
37
PART I.<br />
THE ORIGINS<br />
Introduction<br />
21.<br />
38
THE ORIGINS<br />
PART I.<br />
Introduction<br />
22.<br />
22-25. Board <strong>of</strong> Trustees Secretary William De Paulo drafted a<br />
Memorandum regarding a personal meeting he had with Giorgio Tesoro<br />
in 1987. <strong>The</strong> Memo speaks <strong>of</strong> a prior document that lays out the history<br />
<strong>of</strong> AUR. Unfortunately, the prior document has been lost. This document,<br />
though, explains that it was, in fact, Lisa Sergio who connected Tesoro and<br />
Colin for the AUR project. <strong>So</strong>urce: AUR archives.<br />
39
PART I.<br />
THE ORIGINS<br />
Introduction<br />
23.<br />
40
THE ORIGINS<br />
PART I.<br />
Introduction<br />
24.<br />
41
PART I.<br />
THE ORIGINS<br />
Introduction<br />
25.<br />
42
THE ORIGINS<br />
PART I.<br />
On the <strong>50</strong>th anniversary <strong>of</strong> the founding<br />
<strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>, it is<br />
important to remember the crucible <strong>of</strong><br />
history in which it was born. Envisioned<br />
by committed individuals who had seen<br />
the violence and destruction <strong>of</strong> world<br />
war, AUR was an active step in educating<br />
a new generation <strong>of</strong> young people who<br />
grew up in a post-war world during the<br />
largest economic expansion in history. <strong>The</strong><br />
<strong>University</strong>’s aim and mission is to educate<br />
students in an international context, to<br />
understand themselves and others, to<br />
work across boundaries, and to always be<br />
aware that freedom is a responsibility and<br />
education is the key to peace and progress.<br />
Introduction<br />
Fifty years later, we find ourselves on a<br />
similar historical precipice, where economic<br />
expansion has made the material lives <strong>of</strong><br />
most people in the West more comfortable<br />
than ever before. But freedom and<br />
democracy cannot be taken for granted;<br />
they need a well-educated, thoughtful<br />
citizenry to thrive and to overcome the<br />
chaos <strong>of</strong> the current moment. <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong> proudly carries on<br />
the legacy <strong>of</strong> its founders to help build<br />
a better world.<br />
Please join the AUR community in<br />
celebrating its past and embracing<br />
its future.<br />
43
PART I.<br />
THE ORIGINS<br />
Chapter 1. Discovering AUR’s Origins<br />
Chapter 1:<br />
DISCOVERING AUR’S ORIGINS<br />
In order to better understand the present<br />
and prepare for the future, in this <strong>50</strong>th<br />
Anniversary <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong><br />
<strong>of</strong> <strong>Rome</strong>, we have delved to the roots<br />
<strong>of</strong> the institution and started to put the<br />
puzzle pieces together. <strong>The</strong> journey has led<br />
us to exciting discoveries that had been<br />
swallowed by time and forgetfulness. <strong>The</strong><br />
origins <strong>of</strong> AUR have proven to be an intricate<br />
web <strong>of</strong> connections and people. Here is a<br />
taste <strong>of</strong> a complicated, but fascinating<br />
story <strong>of</strong> a group <strong>of</strong> people who believed in<br />
the power <strong>of</strong>, and, more importantly, the<br />
need, for high-quality education.<br />
44
THE ORIGINS<br />
PART I.<br />
Chapter 1. Discovering AUR’s Origins<br />
Speculum Romanae Magnificentiae: Plan <strong>of</strong> Ancient <strong>Rome</strong>,<br />
print <strong>of</strong> engraving by Pirro Logorio, 16th century, the Metropolitan Museum<br />
<strong>of</strong> Art, Rogers Fund, Transferred from the Library in 1941. Creative Commons<br />
CC0 1.0 Universal Public Domain Image.<br />
45
PART I.<br />
THE ORIGINS<br />
Founder fact sheets<br />
Chapter 1. Discovering AUR’s Origins<br />
David T.<br />
Colin<br />
1.<br />
Full name:<br />
David Tyrone Colin<br />
(originally Cohen)<br />
D.O.B:<br />
June 9, 1912<br />
Citizenship: <strong>American</strong><br />
Pr<strong>of</strong>essional Information:<br />
Journalist, OSS member in the<br />
Research and Analysis Branch,<br />
Olivetti Corporation, Founder<br />
and President <strong>of</strong> <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong>.<br />
Deceased: 1992<br />
46<br />
1. David T. Colin and his wife<br />
Joan Carpenter, December 1978.<br />
Photo from AUR archives.
THE ORIGINS<br />
PART I.<br />
Giorgio A.<br />
Tesoro<br />
Lisa<br />
Sergio<br />
Chapter 1. Discovering AUR’s Origins<br />
2. 3.<br />
Full name:<br />
Giorgio Alfredo Tesoro<br />
D.O.B:<br />
February 6, 1904<br />
Citizenship: Italian - <strong>American</strong><br />
Pr<strong>of</strong>essional Information: Lawyer,<br />
Economist, Member <strong>of</strong> the State<br />
Department, Informant and<br />
Advisorfor the US Government,<br />
Italian Consultant for diplomatic<br />
agreements for the reconstruction<br />
<strong>of</strong> Italy and the Marshall Plan,<br />
Founder and Board Member <strong>of</strong> <strong>The</strong><br />
<strong>American</strong> <strong>University</strong><br />
<strong>of</strong> <strong>Rome</strong>.<br />
Deceased: 2001<br />
Full name:<br />
Elisa Maria Alice Sergio<br />
D.O.B:<br />
March 17, 1905<br />
Citizenship: Italian - <strong>American</strong><br />
Pr<strong>of</strong>essional Information:<br />
Archaeologist, Translator, Radio<br />
Broadcaster, Fundraiser, Political<br />
Commentator, Author and Lecturer,<br />
Founder and Board Member <strong>of</strong> <strong>The</strong><br />
<strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>.<br />
Deceased: 1989<br />
2. Giorgio Tesoro in 1942. Image<br />
courtesy <strong>of</strong> the Tesoro Family.<br />
3. Lisa Sergio with microphone<br />
in 1941. Image available on the<br />
World Wide Web as an image<br />
<strong>of</strong> Public Domain.<br />
47
PART I.<br />
THE ORIGINS<br />
Prominent connections<br />
<strong>of</strong> AUR’s founders<br />
Chapter 1. Discovering AUR’s Origins<br />
Compiled from interviews with<br />
relatives or people who knew<br />
them personally.<br />
Volterra<br />
Almagià<br />
Family<br />
1.<br />
David T. Colin is remembered to be a<br />
charming man. A charismatic <strong>American</strong><br />
and a talented investigative journalist,<br />
he was known for his ability to make friends<br />
no sooner than entering a room. Indeed,<br />
he made very good friends in all types <strong>of</strong><br />
social spheres. Although much research must<br />
still be done to connect all the missing<br />
links, it is useful to note certain friendships<br />
<strong>of</strong> Colin: friendships that duringAUR’s<br />
48<br />
1. Edoardo Volterra<br />
(second from right<br />
to left) with AUR students<br />
in 1975. Photo from<br />
AUR archives.
THE ORIGINS<br />
PART I.<br />
3.<br />
early years, allowed students to meet<br />
and talk to important figures from a vast<br />
range <strong>of</strong> fields.<br />
2.<br />
Edoardo Volterra, scholar <strong>of</strong> Roman law and<br />
son <strong>of</strong> the famed Jewish mathematician<br />
Vito Volterra, was close friends with Colin.<br />
<strong>The</strong>ir friendship, though, was not born from<br />
shared acquaintances. Edoardo and David<br />
met in the early 1940s, when Edoardo was<br />
leading anti-Fascist initiatives in <strong>Rome</strong><br />
and David was working for the OSS. Colin,<br />
who had access to certain goods that were<br />
scarce in wartime, brought the Volterra<br />
Almagià family ice cream on Sundays.<br />
Joan Carpenter, former wife <strong>of</strong> Colin, also<br />
recalls how Colin proudly narrated the story<br />
<strong>of</strong> how after the war he gifted the family<br />
a hide <strong>of</strong> leather for shoes – a rare and<br />
valuable gift in a war-torn country.<br />
Jumping to the late 1970s, the friendship<br />
continued through AUR in two aspects.<br />
3.<br />
First, Roberto Almagià (a relative <strong>of</strong><br />
Edoardo on his mother’s side) was a<br />
pr<strong>of</strong>essor at the <strong>University</strong> for several years.<br />
Stefano Almagià was also a student at<br />
AUR, starting in the fall <strong>of</strong> 1975. Edoardo<br />
himself was a visiting pr<strong>of</strong>essor, hosting<br />
AUR students at the Italian Constitutional<br />
Court in the late 1970s.<br />
<strong>The</strong> second link to AUR is a story worth<br />
telling. Edoardo’s father, Vito Volterra,<br />
had a collection <strong>of</strong> scientific texts and<br />
manuscripts that he had collected<br />
throughout the years. When the war broke<br />
out, fearing that the collection would fall<br />
into the hands <strong>of</strong> the regime, the Volterra<br />
family hid the collection at Palazzo Fiano<br />
on Piazza San Lorenzo in Lucina, which<br />
was owned by the Almagià family at the<br />
time. After the war, Colin sequestered the<br />
collection and returned it to the Volterra<br />
Family and, in 1981, it was Colin who found<br />
Bern Dibner to purchase the collection.<br />
Bern Dibner, a wealthy <strong>American</strong> bought<br />
the rare collection <strong>of</strong> science texts (valued<br />
at one million dollars at the time) and<br />
eventually donated it to Brandeis <strong>University</strong><br />
in Waltham, Massachusetts. Mr. Dibner was<br />
also an AUR donor during the 1980s.<br />
Chapter 1. Discovering AUR’s Origins<br />
2. Edoardo Volterra<br />
(center) with AUR<br />
students and Joan<br />
Carpenter (far left)<br />
in 1977. Photo from<br />
AUR archives.<br />
3. Edoardo Volterra<br />
(on the right).<br />
Photo from AUR<br />
archives.<br />
49
PART I.<br />
THE ORIGINS<br />
Egidio<br />
Ortona<br />
Chapter 1. Discovering AUR’s Origins<br />
1.<br />
In war-torn Italy, the efforts leading to the<br />
country’s reconstruction were <strong>of</strong> imminent<br />
importance. Egidio Ortona was one <strong>of</strong> the<br />
five men who went to the United States<br />
during World War II to negotiate the terms<br />
for the reconstruction <strong>of</strong> Italy. Together<br />
with Quinto Quintieri, Raffaelle Mattioli,<br />
Marco Morelli, and Enrico Cuccia, Ortona<br />
arrived in the U.S.A. in 1944 where they were<br />
able to negotiate aid for Italy with the U.S.<br />
government. He also played a pivotal role in<br />
the political and economic negotiations <strong>of</strong><br />
the Italian diplomat Alcide De Gasperi who<br />
negotiated with the U.S. on the execution<br />
<strong>of</strong> the Marshall Plan. He later served as the<br />
Italian Ambassador to the United Nations<br />
(1958-1961) and as the Italian Ambassador<br />
to the United States (1967-1975).<br />
Egidio Ortona was very close to both<br />
Lisa Sergio and Giorgio Tesoro. While it is<br />
probable that he met Tesoro during his<br />
economic negotiations in the 1940s, archival<br />
evidence does not give any indication <strong>of</strong><br />
when and where he met Sergio. He did,<br />
however, know Sergio well as demonstrated<br />
by the correspondence between Ortona, his<br />
wife Giulia, and Lisa Sergio. Within those<br />
archives, there is an autographed book<br />
by Dino Grandi (a high-ranking Fascist<br />
politician who opposed Italy’s alliance with<br />
Germany) dedicated to Ortona; probably<br />
a gift from Ortona to Sergio.<br />
2.<br />
<strong>50</strong><br />
1. Lisa Sergio and Egidio Ortona during the<br />
ceremony where Sergio was honored as<br />
Cavaliere <strong>of</strong> the Order <strong>of</strong> the Star <strong>of</strong> Italian<br />
<strong>So</strong>lidarity. Lisa Sergio papers, Booth Family<br />
Center for Special Collections, Georgetown<br />
<strong>University</strong> Library, Washington, DC.<br />
2. Egidio Ortona honoring<br />
Giorgio Tesoro with the<br />
Order <strong>of</strong> Merit <strong>of</strong> the Italian<br />
Republic. Image courtesy<br />
<strong>of</strong> the Tesoro family.
THE ORIGINS<br />
PART I.<br />
Emilio Q. Daddario<br />
and His Wife Berenice<br />
3.<br />
Emilio Quincy Daddario was an Italian-<br />
<strong>American</strong> lawyer and politician who is<br />
credited to have captured Rodolfo Graziani,<br />
Mussolini’s Minister <strong>of</strong> National Defense<br />
since 1943. Daddario was a member<br />
<strong>of</strong> the OSS under Max Corvo – a Sicilian<br />
anti-Fascist who had been named as the<br />
head <strong>of</strong> the Italian faction <strong>of</strong> Strategic<br />
Services. In April 1945, Corvo sent<br />
Daddario to Switzerland to capture<br />
high-ranking Fascist <strong>of</strong>ficials, such as<br />
Benito Mussolini. His mission was to capture<br />
them before the Italian partisans did.<br />
Chapter 1. Discovering AUR’s Origins<br />
After the war, Daddario went back to<br />
the U.S., where he was eventually elected<br />
in Connecticut to the U.S. House <strong>of</strong><br />
Representatives, where he served from<br />
1959 to 1971.<br />
As a member <strong>of</strong> the OSS, Daddario was<br />
a friend <strong>of</strong> AUR’s founders and actually<br />
introduced Lisa Sergio to David T. Colin.<br />
Within the AUR archives, his name first<br />
appears as the co-author with Lisa Sergio<br />
<strong>of</strong> the AUR “project in the making”—a first<br />
draft <strong>of</strong> a vision for an <strong>American</strong> university<br />
in the Eternal City.<br />
Daddario (or ‘Mim,’ as he was known to<br />
friends) and his wife Berenice were close<br />
to both David T. Colin and Joan Carpenter<br />
as well as Lisa Sergio.<br />
3. Emilio Q. Daddario<br />
in 1970. Photo by<br />
Michael Lein,<br />
<strong>The</strong> New York Times.<br />
51
PART I.<br />
THE ORIGINS<br />
Lina<br />
Wertmüller<br />
Chapter 1. Discovering AUR’s Origins<br />
1.<br />
<strong>The</strong> very first cohorts <strong>of</strong> students at AUR<br />
remember quite vividly the high-caliber<br />
pr<strong>of</strong>essionals they met on field trips. <strong>The</strong><br />
well-connected David T. Colin took students<br />
to meet heads <strong>of</strong> companies such as<br />
Perugina, Olivetti, Honeywell, FIAT, and<br />
Gucci. He also introduced students to<br />
political leaders including Enrico Berlinguer,<br />
Venerio Cattani, and Giorgio Almirante.<br />
Yet it was not just through politics and<br />
business classes that AUR students<br />
were afforded the opportunity to mingle<br />
with notable people. Colin had many<br />
connections in the Italian cultural scene,<br />
especially within the movie business.<br />
Students were taken to the sets <strong>of</strong> Enzo<br />
Castellani (famous for his Spaghetti<br />
Westerns ) and Tinto Brass, and were<br />
introduced to producers such as Alessandro<br />
Tasca (who produced for Orson Welles) and<br />
Robert Haggiag.<br />
One <strong>of</strong> the protagonists <strong>of</strong> the Italian film<br />
industry who taught several cohorts <strong>of</strong><br />
early students at AUR was Lina Wertmüller.<br />
Extravagant and fascinating, Wertmüller<br />
would host AUR students in her studio or at<br />
her home, screen films, and speak to them<br />
about cinema at the time. Screenwriter<br />
and film director Wertmüller was the first<br />
woman in history to be nominated for an<br />
Academy Award for Best Director (1977).<br />
Close friends with Marcello Mastroianni<br />
and Federico Fellini, Wertmüller indulged<br />
students with tales from the industry, her<br />
eyes bright behind her signature white<br />
glasses, her vast knowledge animated<br />
by her distinctive charm.<br />
52<br />
1. Always smiling<br />
and fascinating, Lina<br />
gives her lectures on<br />
cinema at her home.<br />
October 1979. Photo<br />
from AUR archives.
THE ORIGINS<br />
PART I.<br />
Prince<br />
Alessandro<br />
Tasca di Cutò<br />
adapted into a film by Luchino Visconti).<br />
In October 1927, Tasca Junior emigrated to<br />
New York and worked as a car mechanic, a<br />
driver, a cashier at a racetrack, and a runner<br />
on the floor <strong>of</strong> the New York Stock Exchange<br />
during the Wall Street crash <strong>of</strong> 1929. After<br />
the outbreak <strong>of</strong> World War II, Alessandro<br />
returned to <strong>Rome</strong> in May <strong>of</strong> 1942 and<br />
was hired by the Ministry <strong>of</strong> Propaganda<br />
where he met Ezra Pound. Betrayed by<br />
Eddie Legiardi Laura, a colleague from<br />
the Ministry who he had helped when the<br />
Fascist downfall had started, Alessandro<br />
was arrested and interned in the British-run<br />
Prisoner <strong>of</strong> War camp <strong>of</strong> Certosa di Padula<br />
in southern Italy. He was liberated a couple<br />
<strong>of</strong> years later and he returned to <strong>Rome</strong>.<br />
Chapter 1. Discovering AUR’s Origins<br />
2.<br />
Prince Alessandro Tasca di Cutò was the<br />
son <strong>of</strong> Alessandro Tasca Filangeri di Cutò,<br />
known as the Sicilian “Red Prince” for the<br />
duality between his aristocratic background<br />
and his dedication to socialism. Tasca<br />
Senior, in fact, devoured his family fortune<br />
in support <strong>of</strong> his ideals, selling even the<br />
family estate <strong>of</strong> Santa Margherita Belice<br />
(described extensively by his cousin Prince<br />
Giuseppe Tomasi di Lampedusa, author <strong>of</strong><br />
the classic novel <strong>The</strong> Leopard, which was<br />
After the war, Tasca was hired by the<br />
United Nations Relief and Rehabilitation<br />
Administration (UNRRA). He later started<br />
working in the film industry, easing<br />
Anglo-<strong>American</strong> productions through<br />
the complications <strong>of</strong> Italian bureaucracy.<br />
Tasca met several protagonists <strong>of</strong> Italian<br />
and international cinema at the time,<br />
such as Vittorio De Sica, Roberto Rosellini,<br />
Pier Paolo Pasolini, John Huston, and<br />
Orson Welles, who was to become a<br />
lifelong friend.<br />
Alessandro Tasca was a visiting pr<strong>of</strong>essor<br />
<strong>of</strong> AUR, leading seminars on cinematic<br />
production and inviting friends, such as<br />
the producer Robert Haggiag, to follow in<br />
his steps by sharing their knowledge and<br />
experiences with the students.<br />
2. Orson Welles<br />
and Alessandro Tasca<br />
on the set <strong>of</strong> Falstaff<br />
(Chimes at Midnight).<br />
1964-1965. Image from<br />
Panorama.<br />
53
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
<strong>50</strong> YEARS<br />
OF<br />
HISTORY<br />
54
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Chapter 2:<br />
<strong>The</strong> AUR Identity<br />
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PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
Chapter 2:<br />
THE AUR IDENTITY<br />
AUR’s Mission<br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> prepares<br />
students to live and work across cultures as<br />
skilled and knowledgeable citizens <strong>of</strong> an<br />
interconnected and rapidly changing world.<br />
AUR is a private, independent, not-for-pr<strong>of</strong>it<br />
institution <strong>of</strong> higher education, primarily<br />
<strong>of</strong>fering undergraduate and graduate<br />
liberal arts and pr<strong>of</strong>essional programs to<br />
degree seeking and study abroad students<br />
from around the world.<br />
Taking the best <strong>of</strong> the <strong>American</strong> approach<br />
to interdisciplinary, student-centered<br />
learning, our international faculty and<br />
staff use <strong>Rome</strong> as our classroom and Italy<br />
and Europe as invaluable resources. AUR’s<br />
innovative programs promote intellectual<br />
excellence, personal growth and an<br />
appreciation <strong>of</strong> cultural diversity in an<br />
international environment.<br />
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<strong>50</strong> YEARS OF HISTORY<br />
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PART II.<br />
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1.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
FOTO<br />
<strong>Rome</strong><br />
Roma Caput Mundi… <strong>The</strong>re is no doubt<br />
that all roads lead to <strong>Rome</strong>. It is not by<br />
chance that <strong>The</strong> <strong>American</strong> <strong>University</strong><br />
<strong>of</strong> <strong>Rome</strong> was founded in a city that has<br />
claimed its strategic importance, in<br />
different times and for different reasons,<br />
throughout the centuries. AUR, like <strong>Rome</strong>,<br />
is a place <strong>of</strong> layers: high-caliber education,<br />
real life experiences, relationships… all<br />
joined to define who we are, what we do,<br />
and what differentiates us from other<br />
universities.<br />
But, let us start at the beginning. <strong>Rome</strong>, as<br />
the saying goes, is considered the capital<br />
<strong>of</strong> the world. <strong>The</strong> actual “navel <strong>of</strong> the<br />
world,” however, is located precisely on<br />
the Capitoline Hill, on the southeast side<br />
<strong>of</strong> Piazza Venezia. Around <strong>50</strong>0 BC, the<br />
Capitoline Hill was the site <strong>of</strong> three grand<br />
temples: the Temple <strong>of</strong> Juno Moneta, the<br />
Temple <strong>of</strong> Virtus, and the Temple <strong>of</strong> Jupiter<br />
Optimus Maximus Capitolinus. <strong>So</strong>me<br />
centuries later, a Tabularium that held<br />
the Roman State Archives also claimed<br />
its spot atop the hill. <strong>The</strong> ceremonial and<br />
religious grandeur <strong>of</strong> the Capitoline did not,<br />
however, survive the advent <strong>of</strong> Christianity<br />
and for most <strong>of</strong> the Middle Ages, the site<br />
was emptied and left in nature’s grip. It<br />
was even named Monte Caprino at one<br />
point, for goats and sheep were taken to<br />
pasture there.<br />
It was only in the 11th century that the<br />
Capitoline Hill was established as the civic<br />
government center <strong>of</strong> <strong>Rome</strong>. Since then,<br />
it began to be the site <strong>of</strong> civil resistance<br />
to the Papal hold on <strong>Rome</strong>. Several revolts<br />
against the Pope and the aristocracy<br />
58<br />
1. Speculum Romanae Magnificentiae: View <strong>of</strong><br />
the Roman Capitol, by Etienne DuPérac, 1569.<br />
Creative Commons CC0 1.0 Universal Public<br />
Domain Image from <strong>The</strong> Metropolitan Museum<br />
<strong>of</strong> Art. Vol 41.72.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
took place atop the Capitoline, including<br />
those <strong>of</strong> Cola di Rienzo in the 1300s. By<br />
the 16th century, when Michelangelo was<br />
commissioned to design and restructure<br />
the Capitoline, the site has conspicuously<br />
distanced itself from its pasturing past.<br />
Michelangelo’s project for the piazza<br />
was quite ambitious. Pope Paul III wished<br />
to impress King Charles V and hence<br />
commissioned Michelangelo with a<br />
project that would highlight the grandeur<br />
<strong>of</strong> <strong>Rome</strong> with a monumental civic center.<br />
Michelangelo modified the facades <strong>of</strong> the<br />
existing buildings, designed the square<br />
and the Cordonata staircase, and shifted<br />
the orientation <strong>of</strong> the civic center, so that,<br />
rather than facing the Roman Forum, the<br />
Capitoline now faced the Vatican and<br />
Saint Peter’s Basilica. Michelangelo did<br />
not live to see the completion <strong>of</strong> his design,<br />
but the construction followed his plans<br />
faithfully. <strong>The</strong> architectural opulence <strong>of</strong> the<br />
Capitoline Hill, regardless <strong>of</strong> one’s creed or<br />
political stance, is undeniable still today.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
In the late 1980s AUR adopted<br />
Michelangelo’s twelve-pointed geometry,<br />
and the world’s navel, as its logo. Its<br />
reference to planets and constellations<br />
and its slightly curved surface make it<br />
the architectural materialization <strong>of</strong> Roma<br />
Caput Mundi. AUR identifies itself with the<br />
symbolism and multiple layers that this<br />
statement encompasses: a place that is<br />
marked by history, a community <strong>of</strong> people<br />
from all over the world, a milestone in the<br />
lives <strong>of</strong> our students, and a site where<br />
wonderful memories are born.<br />
2.<br />
2. Piazza del Campidoglio,<br />
<strong>Rome</strong>. Photo by Jensens.<br />
July 7, 2008. Creative<br />
Commons CC0 1.0<br />
Universal Public Domain<br />
Image.<br />
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PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
A Classroom<br />
Without Walls<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
Since its inception, <strong>The</strong> <strong>American</strong> <strong>University</strong><br />
<strong>of</strong> <strong>Rome</strong> has been resolute in providing its<br />
students with a hands-on experiences in<br />
their subject <strong>of</strong> study. It is in this way that<br />
on-site learning and academic field trips<br />
have been an important pillar <strong>of</strong> the AUR<br />
curriculum and the AUR experience. David<br />
T. Colin, co-founder and the first president<br />
<strong>of</strong> AUR, is remembered for having the<br />
vision <strong>of</strong> AUR as a “classroom without<br />
walls.” <strong>The</strong> phrase stuck and since 1969<br />
these “wall-free” experiences have been<br />
the hub <strong>of</strong> unforgettable moments <strong>of</strong><br />
schooling and comradery for all the young<br />
minds that have passed through AUR.<br />
3.<br />
60<br />
3. AUR students with<br />
Marcello Mastroianni<br />
(far left), world famous<br />
Italian actor and<br />
protagonist <strong>of</strong> Fellini’s La<br />
Dolce Vita, in June 1975.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4.<br />
5.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
6.<br />
4. AUR students with<br />
Enzo G. Castellari<br />
(center) on the set<br />
<strong>of</strong> his film Cipolla Colt<br />
in 1975. Photo from<br />
AUR archives.<br />
5. Visiting pr<strong>of</strong>essor Prince<br />
Alessandro Tasca di Cutò<br />
(right, seated), producer<br />
and close friend <strong>of</strong> Orson<br />
Welles, with a group <strong>of</strong> AUR<br />
students in his studio in 1975.<br />
Photo from AUR archives.<br />
6 Film producer<br />
Roberto Haggiag<br />
(right, seated)<br />
with AUR students<br />
in 1975. Photo from<br />
AUR archives.<br />
61
PART I.<br />
THE ORIGINS<br />
7.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
62<br />
7. Kinetic artist Albert J. Friscia (far right) speaking to AUR<br />
students about art and sculpture in his studio in 1975.<br />
Friscia is remembered for the bronze altar he made for the Bernini<br />
apse <strong>of</strong> Saint Peter’s Basilica and the bronze doors <strong>of</strong> the Holy<br />
Name Cathedral in Chicago. Photo from AUR archives.
THE ORIGINS<br />
PART I.<br />
8.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
9.<br />
8. Enzo G. Castellari<br />
(center) with Grand Valley<br />
State College students,<br />
leading his film class<br />
in 1975. Photo from<br />
AUR archives.<br />
9. Seminar with Leone<br />
Cattani (far right, back<br />
row), Italian lawyer,<br />
politician, and anti-Fascist<br />
activist in 1973. Photo<br />
from AUR archives.<br />
63
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
“TELL ME AND I’LL FORGET;<br />
SHOW ME AND I MAY REMEMBER;<br />
INVOLVE ME AND I’LL UNDERSTAND.”<br />
Chinese proverb<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
10.<br />
64<br />
10. Film director Tinto Brass (left)<br />
with AUR students on the set <strong>of</strong> his<br />
movie Salon Kitty, released in 1976.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
11.<br />
12.<br />
11. AUR students with<br />
Dr. Franco Ferrari<br />
(second from left)<br />
at the Olivetti plants<br />
in April <strong>of</strong> 1977. Photo<br />
from AUR archives.<br />
12. AUR students<br />
at the Acropolis in<br />
Athens in October<br />
1977. Photo from<br />
AUR archives.<br />
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PART II.<br />
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Chapter 2. <strong>The</strong> AUR Identity<br />
13.<br />
66<br />
13. Joan Carpenter (second from<br />
left) and AUR students at<br />
Piazza del Campidoglio in 1977.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
“EDUCATING THE MIND<br />
WITHOUT EDUCATING THE HEART<br />
IS NO EDUCATION AT ALL.”<br />
Aristotle<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
14.<br />
14. Session with Italian<br />
novelist and journalist<br />
Alberto Moravia (center,<br />
seated) in his apartment<br />
in November 1977. Photo<br />
from AUR archives.<br />
67
PART II.<br />
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Chapter 2. <strong>The</strong> AUR Identity<br />
15.<br />
68
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
15. Drawing<br />
and study session<br />
at the Colosseum<br />
in 1977. Photo from<br />
AUR archives.<br />
69
PART II.<br />
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Chapter 2. <strong>The</strong> AUR Identity<br />
16.<br />
“EDUCATION IS THE MOST POWERFUL<br />
WEAPON WHICH YOU CAN USE TO<br />
CHANGE THE WORLD.”<br />
Nelson Mandela<br />
70<br />
16. Session with Giorgio Almirante<br />
(third from left) leader <strong>of</strong> the<br />
Movimento <strong>So</strong>ciale Italiano in 1977.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
17.<br />
17. AUR students with NBC<br />
Bureau Chief David Teitelbaum<br />
(right seated) in 1977.<br />
Photo from AUR archives.<br />
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PART II.<br />
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Chapter 2. <strong>The</strong> AUR Identity<br />
18.<br />
19.<br />
72<br />
18. Chantal Skibinski<br />
(second from left),<br />
Head <strong>of</strong> Public Relations<br />
for GUCCI, in March 1978.<br />
Photo from AUR archives.<br />
19. AUR students visiting<br />
the <strong>American</strong> Embassy<br />
in <strong>Rome</strong> in 1978. Photo<br />
from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
20.<br />
21.<br />
20. AUR students in a<br />
seminar on labor and<br />
industry at the Unione<br />
Industriale (Industrial<br />
Union) <strong>of</strong> Turin in April<br />
1978. Photo from AUR<br />
archives.<br />
21. AUR students with<br />
Pietro Giustina (center)<br />
President and CEO<br />
<strong>of</strong> Giustina Spa, in<br />
1978. Photo from AUR<br />
archives.<br />
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PART II.<br />
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Chapter 2. <strong>The</strong> AUR Identity<br />
22.<br />
74<br />
22. AUR students attending<br />
a seminar at the beverage<br />
company Cinzano in 1978.<br />
Cinzano was bought by<br />
the Campari group in 1999.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
23.<br />
23. Session at the<br />
Milan headquarters<br />
<strong>of</strong> Honeywell in 1978.<br />
Photo from AUR archives.<br />
75
PART II.<br />
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Chapter 2. <strong>The</strong> AUR Identity<br />
24.<br />
76
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
24. Joan Carpenter (right)<br />
and AUR students getting<br />
ready to head out to<br />
on-site experiences<br />
in December 1978.<br />
Photo from AUR archives.<br />
77
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
25.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
26.<br />
78<br />
25. AUR students at the<br />
train station in 1978.<br />
Photo from AUR archives.<br />
26. Enrico Berlinguer (center)<br />
with AUR students in 1978.<br />
Berlinguer was a charismatic leader<br />
<strong>of</strong> Italy’s Communist party (1972-84)<br />
and a staunch opponent <strong>of</strong> Fascist policy<br />
in Italy. Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
27.<br />
28.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
29.<br />
27. Pr<strong>of</strong>. Enzo Amorini<br />
(center) conducting his<br />
Italian lesson with AUR<br />
students in Perugia in 1978.<br />
Photo from AUR archives.<br />
28. AUR students at<br />
the entrance <strong>of</strong> Pompeii<br />
before a lesson with<br />
Pr<strong>of</strong>. Almagià in<br />
December 1978.<br />
Photo from AUR archives.<br />
29. Heading back<br />
from Pompeii with<br />
Pr<strong>of</strong>. Almagià (far left)<br />
in April 1979. Photo<br />
from AUR archives.<br />
79
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
30.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
31.<br />
80<br />
30. AUR students<br />
attending an on-site class<br />
with Pr<strong>of</strong>. Reboli (center)<br />
at Saint Peter’s in July 1979.<br />
Photo from AUR archives.<br />
31. Pr<strong>of</strong>. Peggy Craig<br />
(far left) giving an art<br />
history lesson to students in<br />
the Roman Forum in 1978.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
32.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
33.<br />
32. AUR students<br />
and Pr<strong>of</strong>. Nicholas Reboli<br />
(third from left) ready to<br />
depart for a fieldtrip in 1978.<br />
Photo from AUR archives.<br />
33. AUR students heading<br />
out to Perugia, Assisi,<br />
and Spoleto in September 1981.<br />
Photo from AUR archives.<br />
81
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
“A WELL-EDUCATED MIND<br />
WILL ALWAYS HAVE MORE QUESTIONS<br />
THAN ANSWERS.”<br />
Helen Keller<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
34.<br />
82<br />
34. Driving from<br />
Olympia in Greece in<br />
October 1981. Photo<br />
from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
35.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
36.<br />
35.<br />
35. AUR students<br />
boarding the airplane<br />
back to <strong>Rome</strong> at the<br />
Athens airport in<br />
October 1981. Photo<br />
from AUR archives.<br />
36. AUR students<br />
at Herculaneum<br />
in 1983. Photo from<br />
AUR archives.<br />
83
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
37.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
84
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
37. AUR students<br />
on a field trip with Pr<strong>of</strong>.<br />
Eduardo Almagià (right)<br />
May 1978. Photo from<br />
AUR archives.<br />
85
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
38.<br />
“THE MIND IS NOT A VESSEL<br />
TO BE FILLED,<br />
BUT A FIRE TO BE KINDLED.”<br />
Plutarch<br />
86<br />
38. AUR students<br />
with Pr<strong>of</strong>. Amorini<br />
(top row, second<br />
from right) in 1982.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
39.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
39. Visit to the Perugina<br />
chocolate factory in the 1990s.<br />
Photo from AUR archives.<br />
87
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
40<br />
88
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
40. AUR students at the Fiera<br />
di Milano with Mary Handley<br />
(top row right) in 1994.<br />
Photo from AUR archives.<br />
89
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
41<br />
42<br />
90<br />
41. Fieldtrip to Esso<br />
Refinery in Augusta, Sicily,<br />
with Pr<strong>of</strong>. Aldo Patania<br />
(second from right)<br />
in the early 2000s.<br />
Photo from AUR archives.<br />
42. Fieldtrip to the Vatican<br />
State headquarters<br />
with Pr<strong>of</strong>. James Walston<br />
(fourth from left) in 2009.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
43<br />
44<br />
43. Kosovo fieldtrip with<br />
Pr<strong>of</strong>. James Walston<br />
(first row, center) in 2009.<br />
Photo from AUR archives.<br />
44. AUR and Sapienza<br />
<strong>University</strong> students digging<br />
at the Colosseum with Pr<strong>of</strong>.<br />
Valerie Higgins (far right)<br />
in 2014. Photo from AUR<br />
archives.<br />
91
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
From a Study<br />
Abroad Institution<br />
to a Resident-Based<br />
<strong>University</strong> in the<br />
Heart <strong>of</strong> <strong>Rome</strong><br />
1<br />
Although not originally conceived as such,<br />
AUR operated mainly as a Study Abroad<br />
institution during its first years, <strong>of</strong>fering<br />
<strong>American</strong> students an experience abroad in<br />
collaboration with their home universities.<br />
Initially, AUR received students from<br />
Pitzer College (California), Grand Valley<br />
State College (Michigan), and <strong>American</strong><br />
<strong>University</strong> in Washington, DC.<br />
92<br />
1. Grand Valley State College<br />
students arriving at the airport<br />
in 1975. Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Slowly, AUR expanded its reach and created<br />
affiliations with other universities in the<br />
United States. Today, AUR is affiliated with<br />
more than 40 universities and institutions<br />
across the U.S.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
2<br />
In the late 1970s, the leadership that<br />
succeeded the founding team took<br />
a significant step towards expanding<br />
AUR and making it a degree-granting<br />
institution. In 1986, with an articulation<br />
agreement with CUNY College <strong>of</strong> Staten<br />
Island, AUR was granted the authority to<br />
confer degrees in Business Administration,<br />
Interdisciplinary Studies, and International<br />
Business. Italian Studies and International<br />
Relations were added to the curriculum<br />
in the early 1990s, while Communication<br />
arrived in the latter part <strong>of</strong> the decade.<br />
Thus, AUR steadily grew into the higher<br />
education institution it is today, now<br />
<strong>of</strong>fering ten undergraduate programs and<br />
three graduate programs.<br />
2. Pitzer and Pomona students<br />
with Pr<strong>of</strong>. Enzo Amorini<br />
(far right, standing) in Perugia<br />
in 1978. Photo from AUR archives.<br />
93
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
3<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
4<br />
94<br />
3. AUR barbecue with<br />
President Melady (front<br />
row, third from right)<br />
in 1992. Photo from AUR<br />
archives.<br />
4. Group <strong>of</strong> AUR<br />
students in the early<br />
1990s. Photo from<br />
AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
AUR granted its first degree<br />
in 1987. Where in these<br />
early days graduating<br />
classes held between<br />
12 to 20 students,<br />
it now graduates some<br />
80 students each year.<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
5<br />
5. Cohort <strong>of</strong> the<br />
Class <strong>of</strong> 1996 walking<br />
through the AUR<br />
garden. Photo from<br />
AUR archives.<br />
95
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
AUR Commencements<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
<strong>Rome</strong> has long been a crossroads <strong>of</strong> the world, a city<br />
that lies between Europe and Asia, a meeting point<br />
<strong>of</strong> ideas, cultures, and nationalities. AUR is, for many<br />
<strong>of</strong> our students, the crossroads between adolescence<br />
and adulthood. As the procession through <strong>Rome</strong>’s<br />
triumphal arches signified victory and celebration<br />
millennia ago, the Commencement ceremony serves<br />
as a celebratory rite <strong>of</strong> passage for all AUR graduates<br />
as they launch themselves into the world and the<br />
next chapter <strong>of</strong> their life’s journey. In the early 1990s,<br />
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1. Graduates <strong>of</strong> 2001 at<br />
the Commencement<br />
ceremony at Palazzo<br />
Brancaccio. Photo from<br />
AUR archives.
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some commencements were held on the<br />
campus <strong>of</strong> Via Pietro Roselli, in the style <strong>of</strong><br />
<strong>American</strong> universities in the United States.<br />
With increasing class sizes over time, AUR<br />
commencements moved to Villa Miani (on<br />
the Via Trionfale in northern <strong>Rome</strong>) and<br />
Palazzo Falconieri (near Campo dei Fiori).<br />
Eventually, the ceremony moved to the<br />
majestic Villa Aurelia (five minutes from<br />
the current AUR campus).<br />
3<br />
While the locations changed, the spirit <strong>of</strong><br />
Commencement remained the same: an<br />
occasion for staff, faculty, families, and<br />
students to come together in celebration.<br />
For students and parents, the event<br />
means the end <strong>of</strong> one chapter and the<br />
beginning <strong>of</strong> another. For staff and<br />
faculty, the celebration is a reminder <strong>of</strong><br />
why we do what we do at AUR: we work<br />
with students, and for students, to foster<br />
informed citizens and better leaders.<br />
2. <strong>The</strong> Class <strong>of</strong> 1999<br />
at the Commencement<br />
ceremony at Villa Miani.<br />
Photo from AUR archives.<br />
3. Graduates <strong>of</strong> the<br />
Class <strong>of</strong> 1995 sitting in<br />
the AUR garden <strong>of</strong> Via<br />
Pietro Roselli. Photo<br />
from AUR archives.<br />
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4. Graduates-to-be<br />
<strong>of</strong> the Class <strong>of</strong> 2004<br />
getting ready for the<br />
ceremony at Villa<br />
Aurelia. Photo from<br />
AUR archives.<br />
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5<br />
6<br />
100<br />
5. <strong>The</strong> Class <strong>of</strong> 2003<br />
at the Commencement<br />
ceremony at Palazzo<br />
Brancaccio. Photo from<br />
AUR archives.<br />
6. <strong>The</strong> Class <strong>of</strong> 2004<br />
graduation procession<br />
led by Pr<strong>of</strong>. James Walston<br />
at Villa Aurelia. Photo<br />
from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
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7. Graduates <strong>of</strong> 2010<br />
at Villa Aurelia. Photo<br />
from AUR archives.<br />
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8<br />
9<br />
102<br />
8. Honorary Degree<br />
Recipient Joseph Plumeri<br />
(far left, standing)<br />
addresses the Class <strong>of</strong> 2018<br />
at the Commencement<br />
ceremony at Villa Aurelia.<br />
Photo from AUR archives.<br />
9. Pr<strong>of</strong>. Kathleen Fitzsimmons<br />
(third from right) with students at<br />
the Commencement ceremony<br />
<strong>of</strong> 2012 at Villa Aurelia.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
10<br />
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11<br />
10. Master’s Degree<br />
Graduates <strong>of</strong> 2018 at<br />
the Commencement<br />
ceremony at Villa<br />
Aurelia. Photo from<br />
AUR archives.<br />
11. Graduates <strong>of</strong><br />
the Class <strong>of</strong> 2015<br />
taking a selfie at<br />
the Commencement<br />
ceremony at Villa<br />
Aurelia. Photo from<br />
AUR archives.<br />
103
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12<br />
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13<br />
14<br />
104<br />
12. <strong>The</strong> Class <strong>of</strong><br />
2000 hat toss at the<br />
Commencement<br />
ceremony at Villa<br />
Miani. Photo from<br />
AUR archives.<br />
13.<strong>The</strong> Class <strong>of</strong> 2006<br />
hat toss at the<br />
Commencement<br />
ceremony at Villa<br />
Aurelia. Photo from<br />
AUR archives.<br />
14. <strong>The</strong> Class <strong>of</strong><br />
2007 hat toss at the<br />
Commencement<br />
ceremony at Villa<br />
Aurelia. Photo from<br />
AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
15<br />
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16<br />
15. <strong>The</strong> Class <strong>of</strong><br />
2016 hat toss at the<br />
Commencement<br />
ceremony at Villa<br />
Aurelia. Photo from<br />
AUR archives.<br />
16. <strong>The</strong> Class <strong>of</strong><br />
2015 hat toss at the<br />
Commencement<br />
ceremony at Villa<br />
Aurelia. Photo from<br />
AUR archives.<br />
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A Hub<br />
<strong>of</strong> World Citizens<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
In a world that is <strong>of</strong>ten inclined towards<br />
the building <strong>of</strong> walls, AUR seeks to build<br />
bridges.Education, in an environment<br />
that fosters intercultural exchange, is<br />
crucial if we are to see a world that favors<br />
collaboration instead <strong>of</strong> exclusion.<br />
Together with Michelangelo’s geometry at<br />
the Piazza del Campidoglio, AUR’s motto<br />
reads inter gentes trans orbem, translating<br />
as “between peoples, across the world”.<br />
A paramount element <strong>of</strong> the AUR identity<br />
is, in fact, its multicultural nature. AUR<br />
prides itself on having students from<br />
all parts <strong>of</strong> the world who enrich the<br />
community with their diverse cultures and<br />
experiences. It is this cultural richness that<br />
has made this <strong>University</strong> a hub <strong>of</strong> world<br />
citizens and cultural exchange since its<br />
inception <strong>50</strong> years ago, right up until the<br />
present day, standing atop the Janiculum<br />
Hill. Alumni testimonials consistently<br />
identify AUR’s element <strong>of</strong> cultural diversity<br />
as one <strong>of</strong> the highlights <strong>of</strong> their university<br />
experience, and they truly value the global<br />
network that they become a part <strong>of</strong>,<br />
having kept in touch with friends from AUR<br />
after graduating.<br />
<strong>The</strong> abounding multiculturalism at AUR<br />
combines with its high caliber academic<br />
<strong>of</strong>ferings to create the AUR experience.<br />
<strong>The</strong> <strong>University</strong> provides its students<br />
with a strong knowledge base, while<br />
simultaneously endowing them with<br />
significant cultural experiences that foster<br />
awareness <strong>of</strong> the past and the present, to<br />
better face the challenges <strong>of</strong> the future.<br />
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1. Film students<br />
shooting at EUR<br />
neighborhood in<br />
1975. Photo from<br />
AUR archives.<br />
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PART II.<br />
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3<br />
108<br />
2. Students relaxing at CIVIS<br />
in 1975. <strong>The</strong> Casa Italiana Viaggi<br />
Internazionali Studenti (CIVIS) is<br />
Loyola <strong>University</strong>’s headquarters<br />
in <strong>Rome</strong>. Photo from AUR archives.<br />
3. Group <strong>of</strong> students in front<br />
<strong>of</strong> Spoleto Cathedral in 1979.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
5<br />
4. AUR Orientation for freshmen<br />
and sophomores in 1980. Photo<br />
from AUR archives.<br />
5. Group <strong>of</strong> students in<br />
Napflion, Greece in 1981.<br />
Photo from AUR archives.<br />
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PART II.<br />
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6<br />
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6. Group <strong>of</strong> students in front<br />
<strong>of</strong> Spoleto Cathedral in 1982.<br />
Photo from AUR archives.<br />
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8<br />
9<br />
112<br />
7. Tie dye in the AUR<br />
garden in 2017. Photo<br />
from AUR archives.<br />
8. AUR group photo after<br />
Board <strong>of</strong> Trustees’ event<br />
at the Majestic Hotel<br />
in <strong>Rome</strong> in 2009.Photo<br />
from AUR archives.<br />
9. AUR students on the<br />
terrace <strong>of</strong> Building A.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
10<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
11<br />
10. AUR students<br />
in Piazza Navona.<br />
Photo from AUR<br />
archives.<br />
11. Group <strong>of</strong> AUR<br />
students in the<br />
campus garden<br />
in 2008. Photo<br />
by Julie Williams,<br />
from AUR archives.<br />
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According to myth...<br />
Romulus<br />
and Remus:<br />
<strong>The</strong> wolf and our mascot<br />
No history is complete without the myths<br />
that accompany it. Like <strong>Rome</strong>, AUR proudly<br />
carries a myth about its founding.<br />
<strong>The</strong> first and most significant myth <strong>of</strong><br />
<strong>Rome</strong> is that <strong>of</strong> Romulus and Remus, and<br />
<strong>of</strong> course, the she-wolf. AUR adopted the<br />
wolf as its <strong>of</strong>ficial mascot in celebration<br />
<strong>of</strong> <strong>Rome</strong> and the myth, so it is only suitable<br />
to start there.<br />
Legend tells that <strong>Rome</strong> was founded on<br />
April 21, 753 BC by Romulus and Remus,<br />
sons <strong>of</strong> Rhea Silvia. <strong>The</strong> question <strong>of</strong><br />
paternity varies greatly from version to<br />
version. <strong>So</strong>me attribute the pregnancy to<br />
Mars, the god <strong>of</strong> War, others to the hero<br />
Hercules. <strong>The</strong> more rational would take<br />
the stance <strong>of</strong> Livy, who attributed the<br />
conception to rape. Regardless <strong>of</strong> who the<br />
father was, as a Vestal Virgin, Rhea would<br />
have faced dire consequences for infringing<br />
her vow <strong>of</strong> chastity.<br />
When the twins are born, they are<br />
abandoned in a basket on the River Tiber,<br />
either by order <strong>of</strong> King Amulius or by the<br />
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<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
hand <strong>of</strong> a frightened and desperate<br />
mother. <strong>The</strong> story goes that at the<br />
foot <strong>of</strong> the Palatine Hill, the basket gets<br />
caught in the roots <strong>of</strong> a fig tree. <strong>The</strong>re,<br />
the children are found by a she-wolf,<br />
1<br />
Chapter 2. <strong>The</strong> AUR Identity<br />
who feeds them and protects them as if<br />
they were her cubs. When fully grown, the<br />
twin brothers decide to establish a city.<br />
Disagreeing, as all siblings do, things get a<br />
little out <strong>of</strong> hand. Romulus kills Remus and<br />
calls the new city <strong>Rome</strong>.<br />
All roads do lead to <strong>Rome</strong>, and no amount<br />
<strong>of</strong> words or images can prepare for the<br />
sense <strong>of</strong> awe that this wonderfully chaotic<br />
city inspires in all who come here. You could<br />
spend a lifetime in <strong>Rome</strong> and it would<br />
never stop surprising you with its endless<br />
intricacies and fragments <strong>of</strong> history that<br />
are woven into the very fabric <strong>of</strong> the city.<br />
1. Illustration <strong>of</strong> the Capitoline she-wolf with<br />
young Romulus and Remus. Page 102 from<br />
Speculum romanae magnificentiae, 1575,<br />
by Antoine Lafréry (1512-1577). Typ 525.75.<strong>50</strong>9.<br />
Houghton Library, Harvard <strong>University</strong>.<br />
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Chapter 2. <strong>The</strong> AUR Identity<br />
<strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong>:<br />
A School for<br />
<strong>American</strong> Spies<br />
<strong>The</strong> founding myth regarding <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong> is that it was set-up as<br />
a school with tight links to the <strong>American</strong><br />
intelligence services. After World War<br />
II, it is rumored that <strong>American</strong> overseas<br />
universities were set up as surveillance<br />
hubs and information centers, especially<br />
in Europe. Within the <strong>American</strong> narrative<br />
<strong>of</strong> the “communist enemy,” Italy was <strong>of</strong><br />
particular interest. Italian socialist groups<br />
were known to sway more towards the<br />
ideals <strong>of</strong> <strong>So</strong>viet Communism instead <strong>of</strong><br />
those <strong>of</strong> a more democratic socialism, as in<br />
other parts <strong>of</strong> Europe. <strong>The</strong>refore, <strong>Rome</strong> was<br />
in theory one <strong>of</strong> the best places to establish<br />
a <strong>University</strong> that would serve as a cover for<br />
intelligence missions.<br />
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2. Wellman, Walter J., Memorandum presented<br />
to the Office <strong>of</strong> General Counsel OASW,<br />
SSU. Dated 26 October 1945. Declassified file.<br />
Office <strong>of</strong> Strategic Services Personnel Files<br />
from World War II. <strong>The</strong> U.S. National Archives<br />
and Records Administration.<br />
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This myth has been part <strong>of</strong> AUR since its<br />
beginnings. I have heard it from different<br />
sources and at different times, but I will<br />
do my best to transcribe it as faithfully as<br />
possible and not forget any <strong>of</strong> the details.<br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> was<br />
founded in 1969 by David T. Colin, a<br />
member <strong>of</strong> the <strong>American</strong> intelligence<br />
services. Colin had been an undercover<br />
spy during World War II, Sergeant <strong>of</strong> the<br />
<strong>American</strong> military and listed as a soldier<br />
<strong>of</strong> Operation PAPAYA <strong>of</strong> October 1944: a<br />
five-man mission led by Major John Tozzi<br />
that aimed at entering Italy from France.<br />
In the mid-1960s, he was sent to Italy to<br />
set up a school that would help keep an<br />
eye on the intellectual left-wing groups.<br />
A classified operation with an academic<br />
façade, <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
was brimming with trained spies that<br />
taught the courses <strong>of</strong>fered. In keeping<br />
under the radar, the programs lasted only<br />
four months, as most spy pr<strong>of</strong>essors had<br />
to return to their U.S. base regularly. Colin,<br />
a spy himself and the head <strong>of</strong> the <strong>Rome</strong><br />
operation, was very well connected among<br />
the political circles <strong>of</strong> <strong>Rome</strong> and the Italian<br />
government. Taking AUR students on<br />
fieldtrips, it is rumored that Colin did “spy<br />
work” on the side, gathering information<br />
as part <strong>of</strong> his mission with U.S. intelligence<br />
services. <strong>So</strong>me accounts <strong>of</strong> the myth also<br />
say that some <strong>of</strong> the students were junior<br />
spies in training.<br />
<strong>The</strong> roots <strong>of</strong> this myth—apart from the<br />
historical context that would seem to<br />
support it—probably lie in the founders’<br />
involvement with the State Department<br />
and the U.S. Foreign Service. Although<br />
AUR’s founding group was closely involved<br />
with politics and both the U.S. and Italian<br />
governments, there is no real pro<strong>of</strong> that<br />
the <strong>University</strong> was in fact a cover for<br />
espionage activities. Records show that<br />
David Colin was discharged from the OSS<br />
(predecessor to the CIA) in October 1945. If<br />
he was doing undercover espionage during<br />
the early years <strong>of</strong> AUR in the 1970s, we have<br />
yet to find the documents to confirm it.<br />
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3. Colin, David. Letter presented to 1st Lt.<br />
James D. Walsh. Dated 30 November 1945.<br />
Declassified file. Office <strong>of</strong> Strategic Services<br />
Personnel Files from World War II. <strong>The</strong> U.S.<br />
National Archives and Records Administration.<br />
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Chapter 3. AUR Is Its People<br />
Chapter 3:<br />
AUR IS ITS PEOPLE<br />
History is nothing but a narration <strong>of</strong><br />
those who live, work, believe in a vision,<br />
and make it happen. AUR is only as strong<br />
as its people. It is thanks to the people—<br />
from all constituencies, throughout<br />
the years—that AUR is what it is today.<br />
Students, staff, faculty, alumni, trustees,<br />
donors, volunteers, and friends, all make<br />
up that worldwide AUR community that<br />
will always call <strong>Rome</strong>, home.<br />
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1. Group <strong>of</strong> AUR<br />
students in 2005.<br />
Photo from AUR archives.<br />
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PART II.<br />
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AUR Chairs <strong>of</strong> the<br />
Board <strong>of</strong> Trustees:<br />
Chapter 3. AUR Is Its People<br />
George A. Tesoro<br />
(1969-1984)<br />
Joseph T. Ventura<br />
(1984-1989)<br />
Margaret J. Giannini<br />
(1989-2003)<br />
Joseph V. Del Raso<br />
(2003-2013)<br />
Gabriel A. Battista<br />
(2013-Present)<br />
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3<br />
2. Current Chair <strong>of</strong> the Board<br />
<strong>of</strong> Trustees, Gabriel A. Battista<br />
addressing the graduating class<br />
at Commencement.<br />
Photo from AUR archives.<br />
3. Current Board <strong>of</strong> Trustees,<br />
with Dr. Richard Hodges, OBE<br />
(second row, third from left).<br />
Photo from AUR archives.<br />
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PART II.<br />
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AUR Presidents:<br />
Chapter 3. AUR Is Its People<br />
David T. Colin<br />
(1969-1985)<br />
John V. Falconieri<br />
(1985-1989)<br />
Gregory O. Smith<br />
(Acting)<br />
(1989-1990)<br />
Robert Severino<br />
(1990-1993)<br />
Amb. Alessandro<br />
Cortese de Bosis<br />
(1993-1995)<br />
Angela Iovino<br />
(1995-1996)<br />
Peter Alegi<br />
(Acting)<br />
(1996-1996)<br />
Margaret Melady<br />
(1997-2003)<br />
Robert H. Evans<br />
(2003-2005)<br />
Robert Marino<br />
(2005-2011)<br />
Andrew Thompson<br />
(Acting)<br />
(2011-2012)<br />
Richard Hodges, OBE<br />
(2012-Present)<br />
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Chapter 3. AUR Is Its People<br />
4. Founder and first President<br />
<strong>of</strong> AUR, David T. Colin (front left),<br />
with students in 1977.<br />
Photo from AUR archives.<br />
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Honorary degree<br />
recipients since 1994:<br />
1994<br />
Rev. Donald Harrington<br />
Former President<br />
<strong>of</strong> St. John’s <strong>University</strong><br />
1995<br />
Edward D. Re<br />
Chief Judge, Pr<strong>of</strong>essor<br />
<strong>of</strong> St. John’s <strong>University</strong><br />
1997<br />
Cipriana Artom Scelba<br />
Former Exec. Director, Italian<br />
Fulbright Commission<br />
(1948-1988)<br />
1997<br />
Antonio Marinelli<br />
Businessman, and former Member<br />
<strong>of</strong> the Board <strong>of</strong> Trustees<br />
<strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
1998<br />
Corinne Claiborne Boggs<br />
<strong>American</strong> Politician and former<br />
Ambassador <strong>of</strong> the U.S.<br />
to the Vatican<br />
1998<br />
Hage Geingob<br />
Politician and current President<br />
<strong>of</strong> the Republic <strong>of</strong> Namibia<br />
1999<br />
Stephen A. Fausel<br />
Philanthropist, Environmentalist,<br />
Businessman, Humanitarian<br />
1999<br />
Rexhep Meidani<br />
Physics Pr<strong>of</strong>essor and Diplomat,<br />
former President <strong>of</strong> the Republic<br />
<strong>of</strong> Albania<br />
2000<br />
Francesco Rutelli<br />
Italian Politician and former Mayor<br />
<strong>of</strong> the City <strong>of</strong> <strong>Rome</strong><br />
2001<br />
Boris Biancheri<br />
Italian Diplomat and Author, former<br />
President <strong>of</strong> Ansa<br />
(Italian Press Agency)<br />
2001<br />
Catherine Bertini<br />
Leader in International Organization<br />
Management, former Executive<br />
Director <strong>of</strong> World Food Program<br />
(1992-2002)<br />
2002<br />
Patricia de Stacy Harrison<br />
U. S. Assistant Secretary <strong>of</strong> State,<br />
Educational & Cultural Affairs,<br />
former Member <strong>of</strong> the Board<br />
<strong>of</strong> Trustees <strong>of</strong> the <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
2002<br />
Lawrence E. Auriana<br />
Co-founder and Portfolio Manager,<br />
Federated Kaufmann Fund<br />
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<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
2003<br />
Dr. Margaret J. Giannini<br />
Director, Office <strong>of</strong> Disability,<br />
Department <strong>of</strong> Health and Human<br />
Services, former Member <strong>of</strong> the<br />
Board <strong>of</strong> Trustees <strong>of</strong> <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
2004<br />
Lilli Gruber<br />
RAI Television Journalist<br />
2005<br />
On. Franco Frattini<br />
Italian Politician<br />
and EU Commissioner<br />
2005<br />
John F. Scarpa<br />
Entrepreneur, Former co-founder<br />
and president <strong>of</strong> <strong>American</strong> Cellular<br />
Network Corporation, as well as<br />
former co-founder <strong>of</strong> Unitel Wireless<br />
Communications Systems<br />
2005<br />
Robert H. Evans<br />
Educator, Scholar <strong>of</strong> Politics<br />
and International Relations,<br />
former President <strong>of</strong> <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
2006<br />
Pier Francesco Guarguaglini<br />
Italian Engineer, Businessman<br />
and Educator, former Chairman<br />
<strong>of</strong> Finmeccanica (2002-2011)<br />
2006<br />
Adriano La Regina<br />
Italian Archaeologist and former<br />
President <strong>of</strong> the Instituto Nazionale<br />
di Archeologia e Storia dell Arte<br />
and President <strong>of</strong> Zetema-Progetto<br />
Cultura (1976-2004)<br />
2007<br />
Sean Lovett<br />
Director <strong>of</strong> English Programs,<br />
Vatican Radio<br />
2007<br />
Sylvia Poggioli<br />
Senior European Correspondent<br />
for NPR’s Foreign Desk<br />
2008<br />
Ronald P. Spogli<br />
<strong>American</strong> Venture Capitalist<br />
and Diplomat, former US<br />
Ambassador to Italy<br />
2009<br />
Giuliano Amato<br />
Italian Lawyer and Politician,<br />
President <strong>of</strong> the <strong>American</strong><br />
Studies Center<br />
2009<br />
Vincent Viola<br />
Senior Strategic Advisor New York<br />
Mercantile Exchange<br />
2010<br />
Piero Angela<br />
Writer and RAI Journalist<br />
2010<br />
Robert Carlucci<br />
Businessman and Philanthropist<br />
Founder <strong>of</strong> R&R Ventures<br />
and Affiliates.<br />
2011<br />
David H. Thorne<br />
<strong>American</strong> Businessman and former<br />
US Ambassador to Italy<br />
2012<br />
Francesco Guccini<br />
Italian Singer, Poet and <strong>So</strong>ngwriter<br />
Chapter 3. AUR Is Its People<br />
127
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 3. AUR Is Its People<br />
2012<br />
Emmanuele F.M. Emanuele<br />
Honorary Chairman<br />
Fondazione Roma<br />
2013<br />
Donna Shalala<br />
US Congresswoman and former<br />
President <strong>of</strong> the <strong>University</strong> <strong>of</strong> Miami<br />
2013<br />
Adele Chatfield Taylor<br />
Prominent Arts Administrator<br />
and former President <strong>of</strong> <strong>American</strong><br />
Academy in <strong>Rome</strong> (1988-2013)<br />
2013<br />
Salvatore Mancuso<br />
President Equinox;<br />
Former Vice President <strong>of</strong> Alitalia<br />
2013<br />
Andrea Camilleri<br />
Novelist<br />
2014<br />
Roger Waters<br />
Pink Floyd Lead Singer<br />
and Philanthropist<br />
2014<br />
Mary Beard<br />
Classicist<br />
2014<br />
Aurelio De Laurentiis<br />
Film Producer and Chairman<br />
<strong>of</strong> Napoli Football Club<br />
2015<br />
Paolo <strong>So</strong>rrentino<br />
Film Director and Producer<br />
2015<br />
Alice Waters<br />
Chef, Author, Food Activist<br />
2016<br />
Oscar <strong>Far</strong>inetti<br />
Founder <strong>of</strong> Eataly<br />
2016<br />
Harry Shindler, MBE<br />
Author and campaigner<br />
for veterans <strong>of</strong> WWII<br />
2017<br />
Laura Boldrini<br />
President <strong>of</strong> the Italian Chamber<br />
<strong>of</strong> Deputies<br />
2017<br />
Lynn Meskell<br />
Pr<strong>of</strong>essor, Department<br />
<strong>of</strong> Anthropology, Stanford <strong>University</strong><br />
2017<br />
Rula Jebreal<br />
Journalist, Author and Foreign<br />
Policy Analyst<br />
2018<br />
Charles K. Williams II<br />
Philanthropist and Archaeologist<br />
2018<br />
Joseph J. Plumeri II<br />
Philanthropist and Entrepreneur<br />
128
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
5<br />
Chapter 3. AUR Is Its People<br />
6<br />
5. Honorary Degree recipient<br />
Roger Waters (center) with<br />
AUR Board Chair and Senior Staff<br />
in 2014. Photo from AUR archives.<br />
6. Honorary Degree recipient<br />
Rula Jebreal (center) with Syrian<br />
scholarship recipients in 2017.<br />
Photo from AUR archives.<br />
129
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
7<br />
Chapter 3. AUR Is Its People<br />
8<br />
130<br />
7. Honorary Degree recipient<br />
Paolo <strong>So</strong>rrentino (front left),<br />
with AUR students in 2015.<br />
Photo from AUR archives.<br />
8. Honorary Degree recipient<br />
Vincent Viola (left), with AUR<br />
students in 2009.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
People who have left<br />
an unforgettable trace<br />
at AUR:<br />
Robert Henry<br />
Evans<br />
President 2003-2005<br />
Robert Henry Evans was born in Bristol,<br />
England, on April 1, 1937. He grew up<br />
mainly in France, becoming a fluent French<br />
and Italian speaker, graduating from the<br />
Institut des Etudes Politiques in 1959. He<br />
then taught geography and history in<br />
France for two years before going to the<br />
<strong>University</strong> <strong>of</strong> Denver where he received his<br />
master’s degree in 1961 and his Ph.D. in<br />
1966. During this period, he continued to<br />
work at the Bologna Center as Assistant<br />
to the Director. He then returned to the<br />
U.S., where he taught at the <strong>University</strong><br />
<strong>of</strong> Notre Dame and later at the <strong>University</strong><br />
<strong>of</strong> Virginia as a Pr<strong>of</strong>essor <strong>of</strong> Government<br />
and Foreign Affairs, as well as serving as<br />
Chair <strong>of</strong> the Department at the latter from<br />
1982-1987. In 1992, he returned to Bologna to<br />
direct the Johns Hopkins <strong>University</strong> School<br />
<strong>of</strong> Advanced International Studies.<br />
In 2003, he moved to <strong>Rome</strong> to become<br />
President <strong>of</strong> AUR.<br />
During his lifetime, he received several<br />
awards for his work in the field <strong>of</strong> education<br />
and international relations. Among these<br />
were the Turrito d’Oro from the Mayor<br />
<strong>of</strong> Bologna, the Sigillo d’Ateneo from the<br />
<strong>University</strong> <strong>of</strong> Bologna, the Distinguished<br />
Alumnus Award from Johns Hopkins<br />
<strong>University</strong>, and, along with his wife, the<br />
Founder’s Award from the Paul H. Nitze<br />
School <strong>of</strong> Advanced International Studies<br />
in Washington, DC.<br />
A scholar, political scientist, educator, and<br />
revered academic leader, Robert Evans<br />
believed that international education<br />
allowed for better world citizens and<br />
more mindful leaders. He stated: “You<br />
put 30 nationalities together, each with<br />
its point <strong>of</strong> view, and by the end <strong>of</strong> the<br />
year each person has learned to listen to<br />
another point <strong>of</strong> view, and ponder it, and<br />
even agree with it.” He was, undeniably, a<br />
perfect fit for AUR and it is saddening that<br />
he was not able to see the growth <strong>of</strong> the<br />
<strong>University</strong> as he had once envisioned it. In<br />
2005, Evans passed away prematurely due<br />
to illness. In honor <strong>of</strong> his memory, the SAIS<br />
department <strong>of</strong> Johns Hopkins <strong>University</strong><br />
in Bologna dedicated library in his name.<br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> named<br />
its library after him and his wife, who both<br />
made great contributions to the growth<br />
and vision <strong>of</strong> the <strong>University</strong>, despite the<br />
brevity <strong>of</strong> the time they spent there.<br />
Robert H. Evans will always be remembered<br />
by the AUR community as a kind and<br />
visionary man and a leading voice <strong>of</strong> AUR<br />
that has echoed throughout the years.<br />
Chapter 3. AUR Is Its People<br />
Robert H. Evans<br />
in 2003.<br />
Photo from<br />
AUR archives.<br />
131
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 3. AUR Is Its People<br />
Terry Rossi<br />
Kirk<br />
Pr<strong>of</strong>essor <strong>of</strong> Art History<br />
1988-2009<br />
“IMPOSSIBLE WORDS,<br />
WONDROUS<br />
NECESSARY WORDS,<br />
WORDS LONGING TO BE<br />
MORE THAN WORDS,<br />
LONGING TO<br />
BE MORE LIKE SILENCE<br />
OR LIKE ACTION,<br />
WORDS IN THE FACE<br />
OF UNSPEAKABLE BEAUTY,<br />
OF UNSPEAKABLE<br />
ANGUISH,<br />
WORDS OF SHAME<br />
AND OF HOPE<br />
BLUSHING<br />
AT THEMSELVES.”<br />
Poem by Paul Murray,<br />
shared by Pr<strong>of</strong>. Breda Enis<br />
132
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 3. AUR Is Its People<br />
Terry Rossi Kirk was born on August 30,<br />
1961, in Florida. He attended Université de<br />
Genève in Switzerland, Universität Wien<br />
in Austria, and Università per Stranieri<br />
in Perugia, Italy. He received a B.A. with<br />
distinction in Art History at Yale College,<br />
New Haven, in 1984. Kirk completed three<br />
additional degrees at Columbia <strong>University</strong>,<br />
New York, in the Department <strong>of</strong> Art<br />
History: an M.A. in 1986, an M.Phil. in 1987,<br />
and a Ph.D. in 1997. During his lifetime, he<br />
collaborated with the National Endowment<br />
for the Humanities, the Institut de l’Histoire<br />
de l’Art, the Deutsches Archaeologisches<br />
Institut, the Yale <strong>University</strong> School <strong>of</strong><br />
Architecture, the <strong>University</strong> <strong>of</strong> Lund, the<br />
Savannah College <strong>of</strong> Art and Design,<br />
and the Wagner <strong>So</strong>ciety <strong>of</strong> <strong>Rome</strong>.<br />
Wanderer Above the<br />
Sea <strong>of</strong> Fog,<br />
by Caspar David<br />
Friedrich circa 1817.<br />
Oil on canvas.<br />
Kunsthalle Hamburg.<br />
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PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 3. AUR Is Its People<br />
Terry Kirk started working at <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong> in 1988, teaching an<br />
introductory course entitled “<strong>The</strong> Art<br />
<strong>of</strong> <strong>Rome</strong>.” He worked closely not only<br />
with the faculty in his department, but<br />
with pr<strong>of</strong>essors from all AUR’s academic<br />
departments, and formed strong bonds<br />
with students, pr<strong>of</strong>essors, and staff alike.<br />
He left in his wake that most significant<br />
and pr<strong>of</strong>ound legacy that any teacher can<br />
hope for: he changed lives. His students<br />
remember his lectures as engaging and<br />
inspiring, his marvelous way with words<br />
bringing the art and architecture <strong>of</strong><br />
<strong>Rome</strong> to life. A singer and a performer,<br />
he imbued his classes with theatricality,<br />
leading students through the streets<br />
<strong>of</strong> <strong>Rome</strong> on expeditions to plume its stories<br />
and secrets. His dedication and enthusiasm<br />
as a pr<strong>of</strong>essor is extant, still today.<br />
<strong>The</strong> students who had the honor <strong>of</strong><br />
meeting him continue to treasure their<br />
memories <strong>of</strong> his dedication and enthusiasm<br />
as a pr<strong>of</strong>essor.<br />
On October 17, 2009, Terry Kirk left<br />
this world prematurely. His death was<br />
a tremendous loss for the entire AUR<br />
community, the field <strong>of</strong> Art History, and<br />
academia at large. He will always be<br />
remembered for his unfaltering smile and<br />
joie-de-vivre, one <strong>of</strong> the greatest pr<strong>of</strong>essors<br />
<strong>Rome</strong> and AUR ever had.<br />
134<br />
Pr<strong>of</strong>. Kirk (second from<br />
left) with his students<br />
at Parco del Colle Oppio,<br />
near the Colosseum.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
“Terry loved a painting entitled wanderer<br />
above the sea <strong>of</strong> fog by the German Romantic<br />
landscape painter Caspar David Friedrich<br />
– a haunting vision <strong>of</strong> a lonely figure standing<br />
on a rocky peak confronting the grandeur<br />
<strong>of</strong> nature in astonished reverence.<br />
In the distance – through the swirling fog<br />
– rises a triangular shaped mountain which<br />
seems to dialogue with him across the vast open<br />
spaces inhabited by hills, trees,<br />
and <strong>of</strong> course the fog.<br />
Chapter 3. AUR Is Its People<br />
Terry climbed up to the rocky peak for a final<br />
communion with nature’s great distances<br />
and vast spaces.<br />
We, all <strong>of</strong> us, want to spiritually go up<br />
the mountain with him.<br />
We want to Acknowledge his loneliness<br />
and his solitude – a loneliness that is desiring<br />
and which lent a dignity to the poem <strong>of</strong> his life.<br />
His last word to us is silence-------that silence coming<br />
from the mystery <strong>of</strong> the human condition.<br />
Again ------his last word is silence – a silence having<br />
within it an element <strong>of</strong> the tragic and the heroic.<br />
It brings us to contemplate our own inner<br />
spaces and solitude.<br />
Terry went into the enormous beauty <strong>of</strong> nature<br />
to solace his soul, a soul that yearned for what<br />
the mountain would say to him.”<br />
Pr<strong>of</strong>. Breda Ennis<br />
135
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 3. AUR Is Its People<br />
James<br />
Walston<br />
Pr<strong>of</strong>essor <strong>of</strong> International<br />
Relations 1991-2014<br />
James Walston was born in Dublin, Ireland,<br />
on July 18, 1949. He was raised in England,<br />
where he studied at Eton and Jesus College,<br />
Cambridge <strong>University</strong> (B.A. 1975 and<br />
Ph.D. 1986). In the early 1970s, he taught in<br />
Milan, and, in 1974, he moved permanently<br />
to <strong>Rome</strong>.<br />
Walston taught mainly in U.S. higher education<br />
institutions abroad, including the<br />
<strong>University</strong> <strong>of</strong> Maryland, Middlebury College<br />
in Vermont, and various U.S. programs<br />
in <strong>Rome</strong>, including Temple, Trinity, and<br />
Loyola. In 1991, he joined the AUR community,<br />
teaching history, politics, and international<br />
relations. An expert in contemporary<br />
Italian politics, conflict resolution issues,<br />
and modern history, Walston published extensively<br />
and was called to comment on<br />
politics and economy by important news<br />
outlets, such as <strong>The</strong> Guardian, CNN, ABC,<br />
136<br />
Pr<strong>of</strong>essor Walston at<br />
the 40th Anniversary<br />
picnic in 2009. Photo<br />
from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
and the BBC. In 1997, he became the first<br />
European Union citizen to stand for election<br />
to the <strong>Rome</strong> City Council.<br />
From 2002 to 2008, Walston was the Chair<br />
<strong>of</strong> the International Relations Department<br />
at AUR. During this time, he took students<br />
on regular fieldtrips to sites like Brussels,<br />
Geneva, and Vienna, as well as to conflict<br />
resolution sites like the Basque Country,<br />
Northern Ireland, Montenegro, and Kosovo.<br />
During this period, Walston also established<br />
an annual Ghana trip and the brief, but<br />
influential, Ghana Scholarship for Ghanaian<br />
students to spend a semester abroad at<br />
AUR. Since 2004, and until his premature<br />
passing, he also taught and directed the<br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong> La Sapienza’s Eurosapienza’s<br />
international relations module in the<br />
master’s program in State Management<br />
and Humanitarian Affairs.<br />
James Walston changed the lives <strong>of</strong> his students.<br />
With his passion and dedication to<br />
teaching, he is remembered by all as a pillar<br />
<strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>. In the<br />
words <strong>of</strong> President Richard Hodges, “Over<br />
the course <strong>of</strong> a quarter century, Pr<strong>of</strong>essor<br />
Walston was not only a founding father <strong>of</strong><br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>, but its<br />
most distinguished, gracious, and charismatic<br />
public champion. He was a beloved<br />
pr<strong>of</strong>essor who provided his students with<br />
fascinating classes and real-world experiences,<br />
always combined with a habitually<br />
gentle wisdom.”<br />
James Walston passed away in May 2014.<br />
Following his death, several memorial<br />
initiatives were launched in his memory.<br />
<strong>The</strong> James Walston Fund was launched by<br />
alumnae Sallie Pisch (International Relations,<br />
2010) and Caitlin Bagby (International<br />
Relations, 2009). <strong>The</strong> fund supports<br />
the International Relations fieldtrips that<br />
Walston so strongly believed in. To Pr<strong>of</strong>essor<br />
Walston these trips were an essential<br />
component <strong>of</strong> an International Relations’<br />
education because they provided students<br />
the possibility to experience theoretical and<br />
historical training on the ground.<br />
Chapter 3. AUR Is Its People<br />
Pr<strong>of</strong>essor Walston at<br />
the Commencement<br />
procession <strong>of</strong> 2010.<br />
Photo from AUR<br />
archives.<br />
137
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 3. AUR Is Its People<br />
Through these academic fieldtrips, students<br />
do not just gain knowledge <strong>of</strong> the<br />
real world but create bonds as a community<br />
by sharing a common passion <strong>of</strong> international<br />
affairs. Furthermore, the annual<br />
James Walston Memorial Lecture was established<br />
in commemoration <strong>of</strong> the various<br />
guest lecturers that Walston brought to<br />
AUR during his years as a pr<strong>of</strong>essor.<br />
<strong>The</strong> premature passing <strong>of</strong> James Walston<br />
was a great loss to AUR, but he will always<br />
be remembered, commemorated,<br />
and honored as one <strong>of</strong> the great people<br />
that changed AUR forever.<br />
“Pr<strong>of</strong>essor Walston was a true teacher<br />
and an incredible academic mind.<br />
His devotion to AUR stemmed from<br />
his relationships with the students,<br />
his love <strong>of</strong> Italy, and <strong>Rome</strong> in particular,<br />
and an unflappable drive to be a force<br />
for good in the world. He had a very<br />
strong belief that he could contribute<br />
to students’ world views through teaching<br />
and through practical exposure to<br />
the political realities <strong>of</strong> any given<br />
situation. I believe that he found a perfect<br />
confluence <strong>of</strong> inspirations at AUR,<br />
in that he could incorporate his workstudy<br />
trips into a rigorous academic<br />
program and truly teach people about<br />
politics and the world.”<br />
Bliss Holloway, International<br />
Relations and Global Politics, 2004<br />
Chair, AUR Alumni Council<br />
138
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Chapter 3. AUR Is Its People<br />
AUR students at an on-site<br />
class at the Pantheon.<br />
Photo from AUR archives.<br />
139
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
SENIORITY HONOR ROLL<br />
by years <strong>of</strong> service<br />
Chapter 3. AUR Is Its People<br />
27 years <strong>of</strong> service<br />
Rosa Fusco, Director <strong>of</strong> Computer Services<br />
22 years <strong>of</strong> service<br />
Franziska Wallner, Senior Librarian<br />
21 years <strong>of</strong> service<br />
Giovanna Agostini, Adjunct Faculty, Fine Arts<br />
Anna Balzarro, Adjunct Faculty, History<br />
Paolo Crocchiolo, Adjunct Faculty, Biology<br />
Lucy Delogu, Adjunct Faculty, Italian Studies<br />
Valentina Dorato, Adjunct Faculty, Italian Studies<br />
Alessandro Liberto, Adjunct Faculty, Poetry and Literature<br />
Josephine Luzon, Adjunct Faculty, Accounting<br />
Timothy Martin, Adjunct Faculty, Italian Studies/Fine Arts<br />
Ida Passarelli, Adjunct Faculty, Italian Studies<br />
Silvano Susi, Adjunct Faculty, Business Administration<br />
140
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
18 years <strong>of</strong> service<br />
Marita Luzon, Finance Office Manager<br />
17 years <strong>of</strong> service<br />
Katherine Bemis, Student Life Coordinator,<br />
Community Service & Engagement Specialist<br />
Daria Borghese, Adjunct Faculty, Art History<br />
Chiara Lino, Student Life Coordinator & Intercultural<br />
Relations Specialist<br />
David A. Pollon, Adjunct Faculty, Business Administration<br />
Robert G. <strong>So</strong>nnabend, Adjunct Faculty, Business<br />
Administration<br />
Chapter 3. AUR Is Its People<br />
15 years <strong>of</strong> service<br />
Kathleen Fitzsimmons, Associate Pr<strong>of</strong>essor,<br />
Director <strong>of</strong> Business Administration<br />
Paul Gwynne, Full Pr<strong>of</strong>essor <strong>of</strong> Medieval<br />
and Renaissance Studies, Director <strong>of</strong> Interdisciplinary Studies<br />
Valerie Higgins, Associate Pr<strong>of</strong>essor <strong>of</strong> Archaeology,<br />
Director <strong>of</strong> Sustainable Cultural Heritage MA<br />
Jens D. Koehler, Adjunct Faculty, Archaeology and Classics<br />
Marshall Langer, Adjunct Faculty, Business Administration<br />
Catherine Ramsey-Portolano, Associate Pr<strong>of</strong>essor,<br />
Director <strong>of</strong> Italian Studies<br />
Stefano Stoppaccioli, Dean <strong>of</strong> Students<br />
& Director <strong>of</strong> Affilliate Programs<br />
141
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
Chapter 4:<br />
THE LOCATIONS OF AUR<br />
When you walk onto the campus<br />
<strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />
today, it seems inconceivable that AUR<br />
started in an apartment in the center<br />
<strong>of</strong> <strong>Rome</strong>. And yet, it did. With its legal<br />
headquarters at the Colin residence,<br />
AUR rented two apartments in the<br />
vicinity <strong>of</strong> Via Veneto, where most classes<br />
were held. <strong>The</strong> <strong>American</strong> <strong>University</strong><br />
<strong>of</strong> <strong>Rome</strong>, as envisioned by its founders,<br />
was in fact a <strong>University</strong> without—or<br />
with very few—walls. David T. Colin and<br />
Joan Carpenter took students all around<br />
<strong>Rome</strong>, and Italy, to learn from high pr<strong>of</strong>ile<br />
pr<strong>of</strong>essionals in business, art, cinema, and<br />
politics. It was not until 1993, when the<br />
dislocated buildings became insufficient to<br />
hold the number <strong>of</strong> students it had, that<br />
AUR was forced to look for a new campus.<br />
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Giovanni Battista Piranesi. <strong>The</strong> Piazza di Spagna<br />
(Veduta di Piazza di Spagna). Etching. Ca. 17<strong>50</strong>.<br />
Creative Commons CC0 1.0 Universal Public Domain<br />
Image from <strong>The</strong> Metropolitan Museum <strong>of</strong> Art.<br />
143
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Via della Mercede, 21<br />
Colin property<br />
144
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
When <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> was<br />
founded, David T. Colin generously <strong>of</strong>fered<br />
his property in the center <strong>of</strong> <strong>Rome</strong> as the<br />
<strong>of</strong>ficial headquarters <strong>of</strong> the <strong>University</strong>. <strong>The</strong><br />
two-bedroom apartment near the Spanish<br />
steps hosted the administrative <strong>of</strong>fices<br />
<strong>of</strong> AUR, the Student Union, and a small<br />
classroom space. Convivial events that Joan<br />
Carpenter (Colin’s wife and Dean <strong>of</strong> Students)<br />
organized—usually Sunday pizza parties—were<br />
held at the Colin residence on Via Cassia.<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
1<br />
1. Front <strong>of</strong> CIVIS.<br />
Photo from AUR<br />
archives.<br />
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Thanks to Colin’s contacts, AUR<br />
classes and dorms were located in the<br />
Montemario neighborhood at the then<br />
CIVIS (Casa Italiana Viaggi Internazionali<br />
Studenti) center. CIVIS, Loyola <strong>University</strong>’s<br />
headquarters in <strong>Rome</strong> since 2009, was<br />
founded in 1962 by Reverend John P.<br />
Felice, a Maltese Jesuit who served as an<br />
intelligence <strong>of</strong>ficer in the British Eighth<br />
Army during World War II.<br />
Between 1969 and approximately 1980,<br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> shared<br />
CIVIS spaces with other <strong>American</strong> and<br />
International universities that <strong>of</strong>fered study<br />
abroad programs in <strong>Rome</strong>.<br />
2<br />
146<br />
2. AUR students at<br />
the CIVIS dorms in<br />
1974. Photo from<br />
AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
3<br />
4<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
5<br />
3. Students at the<br />
CIVIS dining hall in<br />
1975. Photo from<br />
AUR archives.<br />
4. Pizza party at the<br />
Colin residence on Via<br />
Cassia in 1975. Photo<br />
from AUR archives.<br />
5. Pizza party at the<br />
Colin’s residence on<br />
Via Cassia in 1975.<br />
Photo from AUR archives.<br />
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Viale delle Milizie, 6<br />
148
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1<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
As AUR grew steadily, its demand for more<br />
space to host more students became<br />
imperative. In addition, student strikes and<br />
squatting at the CIVIS facilities made the<br />
use <strong>of</strong> the space on the Nomentana less<br />
than ideal. It was then that President Colin<br />
arranged for the renting <strong>of</strong> a space in the<br />
Prati neighborhood, more precisely on Viale<br />
delle Milizie, 6. <strong>The</strong> facilities there consisted<br />
<strong>of</strong> three classrooms, an <strong>of</strong>fice-seminar<br />
room, and a garden. <strong>The</strong> administrative<br />
<strong>of</strong>fices, a student lounge, and a classroom<br />
remained in the Colin property near Piazza<br />
di Spagna and the library space used by<br />
students was the British Council Library.<br />
This was a temporary solution, as the<br />
<strong>University</strong> was growing at a fast pace.<br />
<strong>The</strong> Viale delle Milizie facilities were shared<br />
with the Istituto delle Comunicazioni led<br />
by a Mr. Alberto J. Sciaky, who was part<br />
<strong>of</strong> a prominent Jewish family and an<br />
acquaintance <strong>of</strong> Colin. Having left CIVIS,<br />
housing for students was in lodging houses<br />
or pensioni. <strong>So</strong>me <strong>of</strong> the lodging houses<br />
that had an agreement with AUR were<br />
Pensione Paradiso, Pensione Chindano,<br />
and Pensione De Petris. Most <strong>of</strong> these still<br />
exist today.<br />
1. Viale delle Milizie<br />
in 1982. Photo from<br />
AUR archives.<br />
149
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3<br />
1<strong>50</strong><br />
2. Pr<strong>of</strong>. Michael Rudd<br />
(top right) teaching<br />
Roman Literature in<br />
Translation in 1983<br />
at AUR. Photo from<br />
AUR archives.<br />
3. Students outside<br />
Pensione Paradiso.<br />
Photo from AUR<br />
archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
5<br />
4. Students in a<br />
room <strong>of</strong> one <strong>of</strong> the<br />
pensioni. Photo from<br />
AUR archives.<br />
5. Viale delle Milizie today.<br />
Photo by Ellie Johnson.<br />
151
PART II.<br />
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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
Via Marche, 54<br />
Scala B, 5th floor<br />
152
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
1<br />
In June 1984, <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong><br />
<strong>Rome</strong> moved to Via Marche, 54. A couple<br />
<strong>of</strong> minutes away from the <strong>American</strong><br />
Embassy and Via Veneto, AUR facilities<br />
included administrative <strong>of</strong>fices, classrooms,<br />
a conference room, and a small library<br />
with mostly course-related books.<br />
Classes were still held mostly on-site and<br />
academic fieldtrips were a pivotal part <strong>of</strong><br />
the curriculum. Today, the apartment is a<br />
private residence. <strong>The</strong> doorwoman there<br />
has worked in the building since before AUR<br />
was there.<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
1. Entrance to<br />
Via Marche in<br />
the early 1980s.<br />
Photo from AUR<br />
archives.<br />
153
PART II.<br />
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3<br />
154<br />
2. Entrance to Via Marche today.<br />
Photo by Ellie Johnson.<br />
3. Roberto, the barista <strong>of</strong> Caffe Tazza d’Oro<br />
on Via Marche. He has been working at the<br />
c<strong>of</strong>fee bar since the 1970s and still remembers<br />
AUR students and pr<strong>of</strong>essors who came to<br />
have c<strong>of</strong>fee there. Photo by Ellie Johnson.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
5<br />
4. Via Marche street<br />
view today. Photo by<br />
Ellie Johnson.<br />
5. Via Marche street<br />
view in 1983. Photo<br />
from AUR archives.<br />
155
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Piazza Sallustio, 24<br />
156
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
1<br />
As AUR grew, its expansion project<br />
continued. In 1986, the <strong>University</strong> rented<br />
an apartment overlooking the ancient Villa<br />
<strong>of</strong> Sallust where the Gardens <strong>of</strong> Sallust—<br />
formerly the Gardens <strong>of</strong> Caesar—once<br />
blossomed. <strong>The</strong> Via Marche apartment<br />
remained the main headquarters, with<br />
administrative <strong>of</strong>fices, library, and<br />
auditorium, while the Piazza Sallustio, 24<br />
location hosted most classrooms.<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
1. Piazza Sallustio<br />
street view. Photo<br />
from AUR archives.<br />
157
PART II.<br />
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158<br />
2. Piazza Sallustio<br />
AUR headquarters.<br />
Photo from AUR<br />
archives.<br />
3. Possibly student<br />
lounge at Piazza<br />
Sallustio. Photo from<br />
AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
5<br />
4. Entrance to<br />
Piazza Sallustio 24<br />
today. Photo by Ellie<br />
Johnson.<br />
5. Classroom at<br />
Piazza Sallustio.<br />
Photo from AUR<br />
archives.<br />
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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
Via Sallustiana, 1A<br />
160
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
Shortly after renting the first apartment<br />
in Piazza Sallustio, the need for a<br />
more practical space for the library led<br />
then- President John Falconieri to search<br />
for somewhere to move the library closer<br />
to the Sallustio quarters. He found a spot<br />
right on the Piazza, in an elegant corner<br />
building. In this way, the disposition was<br />
more efficient, with the administrative<br />
<strong>of</strong>fices on Via Marche and most <strong>of</strong> the<br />
teaching, studying, and conferences<br />
focused at the Sallustio locations.<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
1<br />
1. View <strong>of</strong> the Gardens<br />
<strong>of</strong> Sallust from a window<br />
<strong>of</strong> Via Sallustiana<br />
1A. Photo from AUR<br />
archives.<br />
161
PART II.<br />
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3<br />
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3<br />
162<br />
2. <strong>The</strong> entrance <strong>of</strong><br />
Via Sallustiana 1A<br />
today. Photo by Ellie<br />
Johnson.<br />
3. <strong>The</strong> doorman <strong>of</strong> the Sallustiana<br />
Center was known for his charm<br />
and humor, so much so that he<br />
was featured in the AUR catalogue<br />
<strong>of</strong> 1989-1990. Photo from<br />
AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
5<br />
4. AUR students at<br />
Library front desk.<br />
Photo from AUR<br />
archives.<br />
5. AUR students studying at the<br />
Library <strong>of</strong> the Sallustiana Center.<br />
Photo from AUR archives.<br />
163
PART II.<br />
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6<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
7<br />
164<br />
6. Pr<strong>of</strong>. Alex Liberto<br />
in the classroom<br />
at the Sallustiana<br />
Center in 1989. Photo<br />
from AUR archives.<br />
7. AUR students<br />
studying at the<br />
Library <strong>of</strong> the Sallustiana<br />
Center. Photo<br />
from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
8<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
8. <strong>The</strong> <strong>American</strong> <strong>University</strong><br />
<strong>of</strong> <strong>Rome</strong> facilities map.<br />
Academic catalogue 1989-1990.<br />
Photo from AUR archives.<br />
165
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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
Via Collina, 24<br />
166
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
1<br />
By the end <strong>of</strong> 1990, AUR left the Via Marche<br />
apartment and fully completed the triangle<br />
<strong>of</strong> the ruins <strong>of</strong> the Villa <strong>of</strong> Sallust. Moving<br />
out <strong>of</strong> the close vicinity <strong>of</strong> Via Veneto,<br />
the administrative <strong>of</strong>fices, the computer<br />
laboratory, the bookstore, and some<br />
classrooms were housed in the Via Collina<br />
apartment. <strong>The</strong> other two apartments on<br />
the Piazza continued to host classrooms,<br />
<strong>of</strong>fices, and the AUR Library.<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
1. View from Via<br />
Collina 24. Photo<br />
from AUR archives.<br />
167
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3<br />
168<br />
2. Interior view <strong>of</strong><br />
AUR facilities at Via<br />
Collina. Photo from<br />
AUR archives.<br />
3. Entrance to<br />
Via Collina 24 today.<br />
Photo by Ellie Johnson.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
4. <strong>The</strong> <strong>American</strong> <strong>University</strong><br />
<strong>of</strong> <strong>Rome</strong> facilities map. Academic<br />
catalogue 1991-1992/1992-1993.<br />
Photo from AUR archives.<br />
169
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6<br />
170<br />
5. Non-smoker student<br />
lounge at Via Collina<br />
facilities. Photo from<br />
AUR archives.<br />
6. Computer laboratory,<br />
Via Collina. Photo from<br />
AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
7<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
8<br />
7. AUR students outside<br />
Via Collina. Photo from<br />
AUR archives.<br />
8. Computer laboratory,<br />
Via Collina. Photo from<br />
AUR archives.<br />
171
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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
Via Pietro Roselli, 4<br />
172
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> was<br />
growing at a fast pace. Moving to a single<br />
space that would resemble an <strong>American</strong><br />
university campus had been a goal for<br />
AUR’s leadership for quite some time. In<br />
1993, with Robert Severino as President,<br />
AUR found a building atop the Janiculum<br />
Hill that was a fitting solution for the needs<br />
<strong>of</strong> the time. Owned by the Vatican and<br />
administered by the Barnabite order, the<br />
property was a drastic change in location:<br />
from the city center to the primarily<br />
residential Monteverde.<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
1. Building B when<br />
AUR first moved to<br />
Via Pietro Roselli 4<br />
in 1993. Photo from<br />
AUR archives. 173
PART II.<br />
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2<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
AUR initially rented and refurbished<br />
only one <strong>of</strong> the buildings (what today<br />
is known as Building A). Formerly a<br />
radio broadcasting studio, the building<br />
underwent several renovations to make it<br />
suitable to the <strong>University</strong>’s needs. As the<br />
students increased and there was more<br />
need for space, AUR started expanding,<br />
renting a portion <strong>of</strong> the adjacent Barnabite<br />
building (now known as Building B) and<br />
the Barnabite guest house (which once<br />
housed administrative <strong>of</strong>fices, and is today<br />
the site <strong>of</strong> the AUR Library). <strong>The</strong> Auriana<br />
Auditorium, the Carini Building, and Masina<br />
Art Studios were added later, extending the<br />
campus to three nearby locations.<br />
3<br />
174<br />
2. Terrace <strong>of</strong> Building A<br />
before AUR moved in 1993.<br />
Photo from AUR archives.<br />
3. Building A before<br />
renovations:<br />
Entrance and garden<br />
in 1993. Photo from<br />
AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4<br />
5<br />
6<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
4. Building A before<br />
renovations: radio station,<br />
ground floor <strong>of</strong> Building A<br />
in 1993. Photo from<br />
AUR archives.<br />
5. Building A before<br />
renovations: this was<br />
the radio recording<br />
studio in 1993. Photo<br />
from AUR archives.<br />
6. Building A after<br />
renovations in 1995.<br />
Photo from AUR archives.<br />
175
PART II.<br />
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7<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
8<br />
9<br />
176<br />
7. AUR auditorium<br />
and classroom, ground<br />
floor <strong>of</strong> Building A in 1995.<br />
Photo from AUR archives.<br />
8. Ground floor <strong>of</strong><br />
Building A, from auditorium<br />
to computer lab. Photo<br />
from AUR archives.<br />
9. Building A Terrace.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
10<br />
11<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
10. Staircase <strong>of</strong> Building A<br />
(no elevator yet).<br />
Photo from AUR archives.<br />
11. AUR Library in Building B,<br />
1st floor. Photo from AUR archives.<br />
177
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12<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
13<br />
178<br />
12. AUR Garden in the<br />
early 1990s. Photo from<br />
AUR archives.<br />
13. Building A in 2003.<br />
Photo by Anthony Fassero.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
14<br />
15<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
14. AUR Garden in 2003.<br />
Photo by Anthony Fassero.<br />
Photo from AUR archives.<br />
15. Building B in 2003.<br />
Photo by Anthony Fassero.<br />
Photo from AUR archives.<br />
179
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16<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
17<br />
180<br />
16. AUR Library,<br />
Evans Hall, in 2005.<br />
Photo from AUR archives.<br />
17. Inside the AUR<br />
Library, Evans Hall,<br />
in 2008. Photo from<br />
AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
18<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
19<br />
18. Ground floor <strong>of</strong> Building A,<br />
from computer lab to lounge<br />
in 2017. Photo by Luigi Mistrulli.<br />
Photo from AUR archives.<br />
19. Garden Entrance<br />
to AUR. Photo from<br />
AUR archives.<br />
181
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182
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PART II.<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
20. AUR aerial view in 2013.<br />
Photo from AUR archives.<br />
183
PART II.<br />
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21<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
22<br />
184<br />
21. We are AUR<br />
during Open Day<br />
2017. Photo from<br />
AUR archives.<br />
22. 4th <strong>of</strong> July celebrations<br />
with fireworks in 2018.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
23<br />
Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />
23.AUR Garden view<br />
in April 2015. Photo<br />
from AUR archives.<br />
185
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Chapter 5. AUR’s Neighborhood<br />
Chapter 5:<br />
AUR’S NEIGHBORHOOD<br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> has,<br />
coincidentally, been located at the two<br />
locations <strong>of</strong> the Horti Caesaris, or the<br />
gardens that once belonged to Julius<br />
Caesar. <strong>The</strong> first locations <strong>of</strong> AUR,<br />
around Piazza Sallustio, were the site <strong>of</strong><br />
the gardens belonging to Caesar on the<br />
Quirinal. After the death <strong>of</strong> Julius Caesar,<br />
Sallust acquired the gardens, hence their<br />
name. On the Janiculum, where AUR is<br />
today, the gardens <strong>of</strong> Caesar are famed<br />
for having hosted Cleopatra in 44 BC.<br />
186<br />
1. Triennale di<br />
Milano in May<br />
1968
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
1<br />
Chapter 5. AUR’s Neighborhood<br />
1. View from the Janiculum Hill, <strong>Rome</strong>,<br />
with the Villa Aurelia, Fontana dell’Acqua Paola<br />
and San Pietro in Montorio, J.M.W. Turner, 1819.<br />
Graphite and watercolor on paper. Tate Britain.<br />
187
PART II.<br />
<strong>50</strong> YEARS OF HISTORY<br />
Chapter 5. AUR’s Neighborhood<br />
<strong>The</strong> Janiculum Hill<br />
and Monteverde<br />
Although not one <strong>of</strong> the famous seven<br />
hills <strong>of</strong> <strong>Rome</strong>, Monteverde is the second<br />
highest hill <strong>of</strong> the city. Mostly a rural area,<br />
the neighborhood that extended from<br />
the Tiber and up the slope, hosted mainly<br />
small cottages and bigger villas, gardens,<br />
and vineyards. Monteverde was an area <strong>of</strong><br />
summer houses and entertainment. <strong>The</strong><br />
land where AUR is today, in fact, once<br />
encompassed all <strong>of</strong> the adjacent Villa<br />
Sciarra and much <strong>of</strong> the land that extends<br />
down to the river. In 1886, the then owner<br />
<strong>of</strong> the estate, Maffeo Barberini Colonna<br />
di Sciarra, and the Compagnia Fondiaria<br />
Italiana divided the land into lots to be<br />
sold. <strong>The</strong> Villa Sciarra and a portion <strong>of</strong> the<br />
surrounding gardens (what we know as the<br />
park today) remained, however, owned by<br />
the Colonna di Sciarra family.<br />
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2<br />
<strong>The</strong> early 20th century saw the most<br />
activity atop the Janiculum. Even though<br />
a city plan for Monteverde had been in<br />
the works since the 1880s, it was only<br />
with <strong>Rome</strong>’s Mayor Ernesto Nathan that<br />
the plan was carried out. AUR’s current<br />
location was purchased by the Vatican and<br />
distributed amongst several congregations,<br />
some <strong>of</strong> which had recently fled from an<br />
increasingly secular France, back to Italy.<br />
Chapter 5. AUR’s Neighborhood<br />
2. View <strong>of</strong> <strong>Rome</strong> from the<br />
Janiculum from the early 1900s.<br />
Image available on the World Wide<br />
Web and part <strong>of</strong> public domain.<br />
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Chapter 5. AUR’s Neighborhood<br />
Monteverde underwent extensive<br />
construction that started in the 1920s,<br />
with the growth <strong>of</strong> the Fascist regime<br />
and its urban projects. Via di Donna<br />
Olimpia and its welfare housing were a<br />
relocation project that would allow the<br />
construction <strong>of</strong> Via della Conciliazione:<br />
one <strong>of</strong> the many Fascist initiatives to<br />
“re-monumentalize” <strong>Rome</strong>. A once<br />
aristocratic rural area, Monteverde quickly<br />
became a blend <strong>of</strong> people. Monteverde<br />
Vecchio saw the arrival <strong>of</strong> wealthy<br />
<strong>American</strong>s (such as those connected to<br />
the building <strong>of</strong> the <strong>American</strong> Academy in<br />
<strong>Rome</strong> and the Wurts Family, who bought<br />
Villa Sciarra) and religious congregations,<br />
while the close by Monteverde Nuovo took<br />
in merchants and laborers.<br />
Monteverde has had its fair share <strong>of</strong><br />
famous personalities walk its streets.<br />
Maurits Cornelis Escher, world renowned<br />
Dutch graphic designer, lived for almost<br />
a decade in a house on Via Poerio. After<br />
World War II, Monteverde saw the presence<br />
<strong>of</strong> important Italian personalities such<br />
as Giovanni “Gianni” Rodari (poet and<br />
author, famous for his children’s books),<br />
Pier Paolo Pasolini (film director, poet, and<br />
author), Attilio Bertolucci (poet, father<br />
<strong>of</strong> the famous film director Bartolomeo<br />
Bartolucci), and Miriam Mafai (journalist,<br />
politician, and one <strong>of</strong> the founders <strong>of</strong> the<br />
La Repubblica newspaper). Pasolini lived a<br />
portion <strong>of</strong> his life in the neighborhood: first<br />
on Via Fonteiana 86 and later on Via Carini<br />
45. Today, Monteverde is still the home<br />
<strong>of</strong> artists and intellectuals, such as film<br />
director Nanni Moretti, the sculptor Peter<br />
190<br />
3. Detail <strong>of</strong> the fountain<br />
<strong>of</strong> fauns near the entrance<br />
<strong>of</strong> Villa Sciarra.<br />
Photo by Jacob Moore.<br />
Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
4<br />
Chapter 5. AUR’s Neighborhood<br />
Rockwell (son <strong>of</strong> famous painter Norman<br />
Rockwell), actresses Paola Cortellesi and<br />
Serena Dandini, actors Carlo Verdone and<br />
Pino Insegno, and pianist Nicola Piovani.<br />
When the lands <strong>of</strong> Maffeo Barberini<br />
Colonna di Sciarra were allotted and put<br />
on the market, Villa Sciarra was sold as<br />
well. Just across the street from AUR, Villa<br />
Sciarra is a place that has been meaningful<br />
to our community since the <strong>University</strong><br />
moved to the Janiculum in 1993. <strong>The</strong> park,<br />
as all places in the Eternal City, has quite<br />
an interesting history. In 1902, George<br />
Washington Wurts, a retired <strong>American</strong><br />
diplomat from Pennsylvania bought the<br />
Villa for 300,000 lire. Wurts had spent<br />
several years in <strong>Rome</strong> before being a<br />
diplomat in Russia, and once retired, he<br />
moved back to the city that had conquered<br />
his heart. In 1902, Wurts and his second<br />
wife Henrietta Tower moved back to the<br />
Italian capital and after purchasing the<br />
Villa, they invested all their time and<br />
energy in the restoration <strong>of</strong> the Villa and<br />
the gardens. Avid collectors <strong>of</strong> art and<br />
furniture, the Wurts restored the grandeur<br />
<strong>of</strong> the Villa and took the 19th-centurystyle<br />
gardens one step further. Filling the<br />
grounds with statues purchased in auction<br />
from Villa Visconti at Brignano (Lombardy),<br />
the gardens became an oasis <strong>of</strong> winding<br />
paths and suggestive imagery. In 1930,<br />
after the death <strong>of</strong> George Wurts, Henrietta<br />
Tower donated the estate to the state <strong>of</strong><br />
Italy, or more precisely, to Mussolini. <strong>The</strong><br />
donation, however, included the clause<br />
that the park be made public. In 1932,<br />
the Villa itself became the venue <strong>of</strong> the<br />
Istituto Studi Germanici, an institution that<br />
occupies it still today.<br />
4. Historical Map <strong>of</strong><br />
Monteverde Vecchio<br />
from 1925. Valerio<br />
Varrale Collection.<br />
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Chapter 5. AUR’s Neighborhood<br />
192<br />
5. Detail <strong>of</strong> one <strong>of</strong> the sculptures<br />
<strong>of</strong> Villa Sciarra. Photo by Jacob<br />
Moore. Photo from AUR archives.
<strong>50</strong> YEARS OF HISTORY<br />
PART II.<br />
<strong>The</strong> gardens hold a myriad <strong>of</strong> wonders<br />
that are not commonly known. Firstly,<br />
within the gardens lie a Syrian sanctuary<br />
that was unveiled in 1906. <strong>The</strong> sanctuary<br />
probably dated to the late 1st century AD<br />
and hosted syncretized Romanized Syrian<br />
deities. <strong>The</strong> sculptures within the gardens<br />
also tell stories worth hearing. Originating<br />
from the Lombard aristocratic family<br />
<strong>of</strong> Visconti, several sculptures within the<br />
park, starting with the fountain <strong>of</strong> fauns at<br />
the entrance <strong>of</strong> the park in front <strong>of</strong> AUR,<br />
allude to the grass snakes depicted on the<br />
Visconti family shield. Worthy <strong>of</strong> note are<br />
also the Fountain <strong>of</strong> Vices (Rage, Lust,<br />
Greed, and Gluttony) and the statues for<br />
the Twelve Months <strong>of</strong> the Year. Villa Sciarra<br />
is an urban oasis that hosts Monteverde<br />
natives, their families, and their pets,<br />
as well as the artists and scholars <strong>of</strong><br />
the <strong>American</strong> Academy and the young<br />
dream-filled students <strong>of</strong> <strong>The</strong> <strong>American</strong><br />
<strong>University</strong> <strong>of</strong> <strong>Rome</strong>.<br />
Chapter 5. AUR’s Neighborhood<br />
6<br />
6. Pathway in Villa Sciarra.<br />
Photo by Jacob Moore.<br />
Photo from AUR archives.<br />
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PART III.<br />
THE FUTURE<br />
THE<br />
FUTURE<br />
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THE FUTURE<br />
PART III.<br />
“<strong>Rome</strong> is our classroom, Italy<br />
is our laboratory, the world<br />
is our potential.”<br />
-David T. Colin -<br />
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PART III.<br />
THE FUTURE<br />
Chapter 6. Janus<br />
Chapter 6:<br />
JANUS<br />
By Laura Estrada Prada<br />
<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> has<br />
been a pillar <strong>of</strong> <strong>American</strong> education in<br />
<strong>Rome</strong> for the past <strong>50</strong> years. Offering<br />
students high caliber education in a city<br />
that serves as an open text book for culture,<br />
politics, philosophy, and civilization,<br />
AUR has established itself as a place<br />
that transcends higher education and<br />
<strong>of</strong>fers life-changing experiences. In 2019,<br />
AUR marks its <strong>50</strong>th Anniversary:<br />
celebrating <strong>50</strong> years <strong>of</strong> history while<br />
looking forward to the years ahead. What<br />
better symbol for this than the Roman<br />
god Janus, who gave the name to the hill<br />
where AUR stands today.<br />
Janus is the god <strong>of</strong> endings and new<br />
beginnings, <strong>of</strong> passages, transitions, and<br />
time. He is usually depicted with a dual<br />
face: one that looks back at the past, and<br />
another that looks forward to the future.<br />
<strong>The</strong> Janiculum—the “door” from <strong>Rome</strong> to<br />
Etruria—is named after the god Janus, as<br />
is made evident from the Gianicolense<br />
neighborhood shield. Whilst the actual<br />
nature and precise purpose <strong>of</strong> invoking<br />
Janus is debated, given that there is no<br />
evidence <strong>of</strong> temples or priests devoted<br />
to this deity, most modern scholars agree<br />
that —like Jupiter— he was summoned at<br />
the beginning <strong>of</strong> many rites.<br />
A god <strong>of</strong> time and progression, Janus<br />
symbolizes movement and change,<br />
past and future, youth and adulthood.<br />
Furthermore, as the god <strong>of</strong> all beginnings,<br />
Janus is also associated with omens and<br />
auspices. All these attributes make Janus<br />
the perfect way to “end” this narration <strong>of</strong><br />
AUR’s history.<br />
AUR is changing for the better, aware <strong>of</strong> its<br />
past, and ready to embrace its future. It is<br />
an institution that serves as a formative<br />
cradle for students: a stepping stone<br />
between adolescence and adulthood, both<br />
educationally as well as pr<strong>of</strong>essionally and<br />
personally.<br />
<strong>The</strong>refore, let us all celebrate the first <strong>50</strong><br />
years <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>,<br />
and raise a toast for the many decades<br />
still to come.<br />
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THE FUTURE<br />
PART III.<br />
1<br />
Chapter 6. Janus<br />
1. Head <strong>of</strong> Janus, Vatican<br />
Museums, <strong>Rome</strong>. Photo by<br />
Loudon Dodd. Image licensed<br />
under the Creative Commons<br />
Attribution-Share Alike.<br />
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PART III.<br />
THE FUTURE<br />
Conclusion<br />
Conclusion<br />
By Dr. Richard Hodges, OBE<br />
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THE FUTURE<br />
PART III.<br />
‘IF WE COULD BE<br />
REBORN WHEREVER<br />
WE CHOSE,<br />
HOW CROWDED<br />
ROME WOULD BE,<br />
POPULATED BY<br />
SOULS<br />
WHO HAD SPENT<br />
THEIR PREVIOUS<br />
LIVES LONGING TO<br />
INHABIT A VILLA<br />
ON THE JANICULUM<br />
HILL’<br />
Conclusion<br />
(Francine Prose, <strong>The</strong> New York Times review<br />
<strong>of</strong> Robert Hughes, <strong>Rome</strong>, 2 December 2011).<br />
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PART III.<br />
THE FUTURE<br />
Conclusion<br />
AUR’s Brave New World<br />
<strong>The</strong> world is changing faster than any time<br />
in its history. <strong>So</strong>me historians have found<br />
parallels in the Renaissance when massproduced<br />
books, printed for the first time,<br />
and the bold discovery <strong>of</strong> the New World<br />
were just two elements that transformed<br />
European (and world) culture forever.<br />
Today, social media and globalization are<br />
two elements that have paved the way<br />
for a future in which robotics will displace<br />
many traditional jobs and call for a radical<br />
re-thinking <strong>of</strong> society. Jobs for life are a<br />
thing <strong>of</strong> the past. Instead, we need to<br />
envisage seven or more different careers,<br />
involving periodic re-training.<br />
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THE FUTURE<br />
PART III.<br />
Many found the Renaissance to be<br />
terrifying as it up-ended traditions that<br />
were age-old. It is no secret that Gen<br />
Z, raised with digital tools, are just as<br />
concerned about the immense changes<br />
now overtaking us. Universities in the<br />
Renaissance provided places where the<br />
cultural and economic revolution was<br />
mediated and then advanced. <strong>So</strong>, today,<br />
universities must first and foremost<br />
confront change and equally provide the<br />
secure space for young minds to confront<br />
the digital revolution that is accelerating.<br />
AUR as it looks to its next <strong>50</strong> years is well<br />
aware <strong>of</strong> its responsibility to our students.<br />
We can look back with confidence on the<br />
evolution <strong>of</strong> our community. This is the<br />
basis for our belief in the future.<br />
More students than ever will want to<br />
experience globalization in this formative<br />
moment in their lives. In other words, AUR<br />
naturally serves a purpose that is growing<br />
in global importance as students want to<br />
leave their home comfort zones and face<br />
immersion in a genuinely international<br />
experience. What better place to do this<br />
than Italy, home <strong>of</strong> the Renaissance?<br />
What better city than <strong>Rome</strong>, where<br />
the past meets the present in so many<br />
different ways? <strong>Rome</strong> has become a multifaceted<br />
city. Famous for the Colosseum,<br />
the Forum <strong>of</strong> <strong>Rome</strong>, the Vatican and works<br />
by Caravaggio and Michelangelo, to name<br />
just a few <strong>of</strong> its attractions, it is the world’s<br />
supreme heritage city. Yet, <strong>of</strong> course, it is<br />
more than this. Half-way between Asia<br />
and America, and Europe’s window on<br />
Africa, the eternal city has a contemporary<br />
importance not just as a European capital<br />
but also as the seat <strong>of</strong> major global<br />
agencies handling critical strategies for<br />
feeding and managing future populations.<br />
<strong>Rome</strong> may be dazzlingly rich in terms <strong>of</strong> its<br />
artistic and archaeological heritage, but it<br />
is no less rich as a great global capital.<br />
AUR aims to be more than a place-holder<br />
in <strong>Rome</strong>. It is developing its curriculum<br />
for the coming decades, confident that<br />
its (Middle States) accredited signature<br />
programs will advance its students<br />
anywhere in the world. It aims to educate<br />
its students in critical thinking, problemsolving<br />
and communication, skills which<br />
in a robotic universe will have increasing<br />
importance. It aims, too, to create citizens<br />
<strong>of</strong> the world, passionate about what<br />
they do, and armed with international<br />
peer networks that endure for a lifetime.<br />
Lastly, it aims to immerse its students<br />
in international real-life experiences<br />
as distinctive parts <strong>of</strong> the curriculum.<br />
Conclusion<br />
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PART III.<br />
THE FUTURE<br />
Conclusion<br />
One goal is to create opportunities for<br />
our students in a range <strong>of</strong> places from<br />
archaeological excavations and businesses<br />
that operate within conditions that <strong>of</strong>fer<br />
a genuine intellectual challenge to each<br />
and every one <strong>of</strong> our community. We feel<br />
sure that whatever these internships and<br />
experiences consist <strong>of</strong>, they will provide<br />
a vital and unforgettable stepping stone<br />
to a work-place where changing careers<br />
repeatedly is the new norm.<br />
AUR is also being bold about its future<br />
campus location. Over the past <strong>50</strong> years<br />
we were initially in the centro storico, and<br />
then in a Barnebite monastery on the<br />
Janiculum Hill, part <strong>of</strong> Monteverde above<br />
Trastevere. We want to remain in this<br />
attractive district <strong>of</strong> <strong>Rome</strong>, but we aim to<br />
grow in size and <strong>of</strong>fer increased facilities.<br />
world our students will take courage from<br />
their internationalization, their diversity,<br />
and their intellectual reasoning to become<br />
contemporary leaders.<br />
One final thought about our brave new<br />
world. We at AUR have faith that our<br />
future students will, to paraphrase the<br />
words <strong>of</strong> President John F. Kennedy,<br />
declaim proudly: We chose to go to AUR<br />
not because the program is easy, but<br />
because it is hard; because that will serve<br />
to organize and measure the best <strong>of</strong> our<br />
energies and skills, because the challenge<br />
is one that we are willing to accept, one<br />
we are unwilling to postpone, and one we<br />
intend to win.<br />
In this new educational context AUR aims<br />
to draw upon <strong>Rome</strong>’s eternal attraction<br />
to have visiting pr<strong>of</strong>essors in residence to<br />
provide new and alternative experiences<br />
for our students. Our aim is to equip our<br />
students with an intellectual curiosity that<br />
will serve as armor in a world being defined<br />
by global standardization and robotics.<br />
Like the great seats <strong>of</strong> learning in the<br />
Renaissance, we want to take advantage<br />
<strong>of</strong> the new thinking and new opportunities<br />
that a digital world will provide. Our<br />
students must become resilient argonauts<br />
who sail without fear to new destinations<br />
and invent new ways <strong>of</strong> resolving old<br />
problems. In confronting this brave new<br />
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THE FUTURE<br />
PART III.<br />
Conclusion<br />
President Richard Hodges and Laura Estrada Prada<br />
at Commencement ceremony in 2016.<br />
Photo by Luigi Mistrulli, AUR archives.<br />
203
References<br />
206<br />
(Image on previous page) AUR<br />
student on a field trip in Umbria<br />
in 1979. Photo from AUR archives.
Anon. “Villa Sciarra.” Roma Segreta. 18<br />
May 2013. https://www.romasegreta.it/<br />
trastevere/villa-sciarra.html<br />
Colin, David. Letter presented to 1st Lt.<br />
James D. Walsh. Dated 30 November<br />
1945. Declassified file. Office <strong>of</strong> Strategic<br />
Services Personnel Files from World War<br />
II. <strong>The</strong> U.S. National Archives and Records<br />
Administration.<br />
Costanzo, Ezio. “Uno 007 in Sicilia.<br />
” La Repubblica. 10 July 2010.<br />
La Repubblica online archives.<br />
Gassaway, Special Agent J. H. Dated May<br />
26, 1942, Milwaukee, Wisconsin, “Vittorio<br />
Umberto Tesoro; Internal Security - Ij<br />
Alien Enemy Control.” Declassified file.<br />
Office <strong>of</strong> Strategic Services Personnel<br />
Files from World War II. <strong>The</strong> U.S. National<br />
Archives and Records Administration.<br />
Geffcken, Katherine A., and Norma<br />
W. Goldman. <strong>The</strong> Janus View from<br />
<strong>The</strong> <strong>American</strong> Academy in <strong>Rome</strong>:<br />
Essays on the Janiculum. 2007:<br />
Mundus Media, New York.<br />
Spaulding, Stacy. “Exiled from Italy:<br />
<strong>The</strong> Golden Voice <strong>of</strong> Italy’s Propaganda<br />
Broadcasts (1932-1937).” Paper submitted<br />
to the History Division <strong>of</strong> the 2006 AEJMC<br />
annual convention.<br />
Spaulding, Stacy. “Totalitarian Refugee<br />
or Fascist Mistress?” Journalism History,<br />
34:3 (Fall 2008).<br />
Tasca di Cutò, Alessandro. Un Principe<br />
in America. 2004. Enzo Sellerio Editore,<br />
Palermo.<br />
Toaff, Daniel. “Quattro storie <strong>American</strong>e.”<br />
<strong>So</strong>rgente di Vita. Documentary film by<br />
RAI DUE. 1987.<br />
Zita, Tiziana. “Un salotto popolare a Roma:<br />
Monteverde.” Cronache Letterarie. http://<br />
cronacheletterarie.com/2014/10/06/unsalotto-popolare-a-roma/<br />
…And the photographic and document<br />
archives <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong><br />
<strong>Rome</strong>.<br />
Lisa Sergio papers, Booth Family Center<br />
for Special Collections, Georgetown<br />
<strong>University</strong> Library, Washington, DC.<br />
207