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The Story So Far - 50 Years of The American University of Rome

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Published in Italy in 2019<br />

on the occasion <strong>of</strong><br />

the <strong>50</strong>th Anniversary <strong>of</strong><br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

Via Pietro Roselli, 4<br />

00153 – <strong>Rome</strong>, Italy<br />

www.aur.edu<br />

©<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

Cover Illustration and Design<br />

by Craig Coulthard<br />

Copy-edited by James R. Mathieu<br />

Design by Land Ho®<br />

Printed independently and bound<br />

by PixartPrinting Italy<br />

2


Flag bearers and current students<br />

at the 2017 Commencement<br />

Ceremony at Villa Aurelia.<br />

Photo from AUR archives.<br />

3


6<br />

(Image on previous page) AUR<br />

students at an Art History on-site<br />

class at the Arch <strong>of</strong> Constantine<br />

in 1997. Photo from AUR archives.


THE STORY SO FAR<br />

<strong>50</strong> YEARS OF<br />

THE AMERICAN UNIVERSITY OF ROME<br />

By Laura Estrada Prada<br />

Art History, Class <strong>of</strong> 2016<br />

Alumni & Development Coordinator<br />

With contributions by<br />

Dr. Lisa Colletta<br />

Dr. Richard Hodges, OBE<br />

7


Foreword<br />

by Laura Estrada Prada<br />

It was an oddly warm November when<br />

I started working in the Alumni and<br />

Development Office <strong>of</strong> <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong> (AUR). As a student,<br />

I had never really been to the President’s<br />

Office. In a heartbeat, I was now part <strong>of</strong> it:<br />

a familiar and yet completely alien place.<br />

A few weeks into my new job, Maurizia<br />

Garzia (AUR’s Chief <strong>of</strong> Staff) called me<br />

into her <strong>of</strong>fice and showed me four scruffy<br />

boxes that sat in a corner. “Whenever you<br />

have time, Laura, those boxes contain the<br />

photographic archives <strong>of</strong> AUR. It would be<br />

great if we could organize them. It’s not<br />

urgent, but when you can, here they are.”<br />

<strong>The</strong> task immediately sparked my curiosity,<br />

but the boxes lay there for months as other<br />

department tasks were always prioritized.<br />

Yet every time I glanced over at them,<br />

the desire to open them and delve into<br />

the stories contained there was a difficult<br />

temptation to ignore. Finally, after about<br />

a year, when talk <strong>of</strong> the <strong>50</strong>th Anniversary<br />

was initiated, I had a chance to push it<br />

up on the to-do-list. I was given a small<br />

room in Building B where I could spread<br />

out the material and start making some<br />

sense <strong>of</strong> it. I called the room “<strong>The</strong> Cave,”<br />

mainly because, very much like Alice in<br />

Wonderland, when I went down there, time<br />

stopped and I traveled through a rabbit<br />

hole, eager to understand and connect<br />

the apparently unrelated images.<br />

My first Friday at “<strong>The</strong> Cave” was both<br />

marvelous and frustrating. As I took<br />

the material out <strong>of</strong> the boxes, I realized<br />

two important things: 1) there was no<br />

apparent order or reasoning behind<br />

the documentation; 2) I was not the<br />

first to attempt the organization and<br />

understanding <strong>of</strong> it all. I decided to ignore<br />

my first realization with the hope that it<br />

was just an overwhelmed first impression.<br />

<strong>The</strong> second realization, though, gave<br />

me mixed feelings. A part <strong>of</strong> me felt like<br />

one <strong>of</strong> those epic knights at the mouth<br />

<strong>of</strong> a dragon’s cave, surrounded by the<br />

skeletons <strong>of</strong> those that had attempted<br />

the same foolish endeavor. Another<br />

part <strong>of</strong> me—the adult one—was keen to<br />

accept the challenge.<br />

My adventure started and as I grasped for<br />

any indications <strong>of</strong> time and space amongst<br />

the heaps, questions arose, answers slowly<br />

appeared, only to lead to more questions.<br />

<strong>So</strong>on, as if I had been digging through<br />

my own family’s pictures, I started to<br />

understand the trajectory <strong>of</strong> AUR as if<br />

it were a long-lost cousin. Like a child,<br />

its first years were the most thoroughly<br />

8


documented: the first steps, the first faces,<br />

the first joys. From 1970 to the early 1980s<br />

there is an incredible amount <strong>of</strong> film strips<br />

and pictures taken by one <strong>of</strong> our founders,<br />

David T. Colin.<br />

In the late 1980s, “puberty” arrived<br />

and the pictures diminished. Bits and<br />

pieces <strong>of</strong> memories and Commencements<br />

here and there, but no actual visual story.<br />

It’s only with the new millennium that we<br />

start having a more thorough photographic<br />

documentation <strong>of</strong> the activities and<br />

people <strong>of</strong> AUR.<br />

In an attempt to coherently connect the<br />

dots, I also looked into the first documents<br />

available about the <strong>University</strong>. I had not<br />

anticipated that the story <strong>of</strong> AUR would<br />

turn out to be so much more interesting<br />

and complicated than the version <strong>of</strong> events<br />

that, until now, we believed to be true.<br />

<strong>So</strong> here we are. AUR is now in its <strong>50</strong>th<br />

year and this book is but a sketch <strong>of</strong><br />

its growth and trajectory. May this book,<br />

and this celebratory year, be the initiation <strong>of</strong><br />

a more thorough comprehension <strong>of</strong> our<br />

past, so that we can conscientiously<br />

embrace the future.<br />

Fontana di Trevi. Creative<br />

Commons CC0 1.0 Universal<br />

Public Domain Image.<br />

9


10<br />

AUR students with camera in<br />

1975. Photo from AUR archives.


This book would not have been possible without<br />

the many people that helped me gather<br />

and organize the information.<br />

Amy Baldonieri, who supported every step <strong>of</strong> it<br />

and facilitated both the research as well as the<br />

production. Dr. Richard Hodges, who believed<br />

I could do it, even when my anxieties seemed<br />

insurmountable.<br />

Ellie Johnson, who is my partner in crime with<br />

all the production and deciphering <strong>of</strong> AUR’s past.<br />

Harry Greiner, who is always immensely honest<br />

and directed me toward ideas that worked.<br />

I wrote the book with Harry’s voice in the back<br />

<strong>of</strong> my head telling me, “Don’t make it boring,”<br />

so I hope it’s not too dull <strong>of</strong> a read.<br />

Maurizia Garzia, who allowed me to delve into<br />

the archives to look for missing pieces.<br />

Alexandra Tesoro Miller, David Colin Jr.,<br />

Joan Carpenter, Margaret Melady, Andrew Palmieri,<br />

Rosa Fusco, Pr<strong>of</strong>. Silvano Susi, Franziska Wallner,<br />

Mary Handley, and the many others who <strong>of</strong>fered<br />

their time and memories.<br />

Dr. Roderick Bailey, Dr. Mauro Canali, Lisette Matano<br />

and Nathaly Campusano-Agüero for helping search<br />

and gather pivotal information for the reconstruction<br />

<strong>of</strong> historical facts. Last but certainly not least,<br />

Erin Chase, Abigail Hungate, and Mark Ozella,<br />

current students and Student Trainees in our <strong>of</strong>fice,<br />

who methodically organized and cataloged<br />

it all. Without them, this adventure would have<br />

lasted a century and I would have given up on it.<br />

11


Table<br />

<strong>of</strong> contents<br />

PART THE ORIGINS<br />

Introduction by Dr. Lisa Colletta<br />

Chapter 1: Discovering AUR’s Origins<br />

Founder Fact Sheets<br />

Prominent Connections <strong>of</strong> AUR’s Founders<br />

PART <strong>50</strong> YEARS OF HISTORY<br />

Chapter 2: <strong>The</strong> AUR Identity<br />

<strong>Rome</strong><br />

A Classroom Without Walls<br />

From a Study Abroad Institution to a Resident-Based<br />

<strong>University</strong> in the Heart <strong>of</strong> <strong>Rome</strong><br />

AUR Commencement Ceremonies<br />

A Hub <strong>of</strong> World Citizens<br />

According to Myth<br />

12


Chapter 3: AUR Is its People<br />

AUR Chairs <strong>of</strong> the Board <strong>of</strong> Trustees<br />

AUR Presidents<br />

Honorary Degree Recipients Since 1994<br />

People Who Have Left an Unforgettable Trace at AUR<br />

Robert Henry Evans<br />

Terry Rossi Kirk<br />

James Walston<br />

Seniority Honor Roll by <strong>Years</strong> <strong>of</strong> Service<br />

Chapter 4: <strong>The</strong> Locations <strong>of</strong> AUR<br />

Via della Mercede, 21 (Colin property)<br />

Viale delle Milizie, 6<br />

Via Marche, 54 (Scala B, 5th floor)<br />

Piazza Sallustio, 24<br />

Via Sallustiana, 1A<br />

Via Collina, 24<br />

Via Pietro Roselli, 4<br />

Chapter 5: AUR’s Neighborhood<br />

<strong>The</strong> Janiculum Hill and Monteverde<br />

PART THE FUTURE<br />

Chapter 6: Janus<br />

Conclusion by Dr. Richard Hodges:<br />

AUR’s Brave New World<br />

13


PART I.<br />

THE ORIGINS<br />

THE<br />

ORIGINS<br />

14


THE ORIGINS<br />

PART I.<br />

Introduction<br />

Dr. Lisa Colletta<br />

15


PART I.<br />

THE ORIGINS<br />

Introduction<br />

1.<br />

1969 was a year <strong>of</strong> tumult and change.<br />

<strong>The</strong> Apollo 11 space mission successfully<br />

landed the first man on the moon,<br />

and Neil Armstrong’s famous phrase,<br />

“That’s one small step for man, and one<br />

giant leap for mankind,” entered the<br />

world’s collective vocabulary. In America,<br />

Woodstock attracted more than 3<strong>50</strong>,000<br />

rock-n-roll fans, members <strong>of</strong> the cult<br />

led by Charles Manson murdered five people<br />

in Los Angeles, 2<strong>50</strong>,000 people marched<br />

on Washington to protest the Vietnam<br />

War, PBS was established, Seiko sold the<br />

first quartz wristwatch, the first Automatic<br />

Teller Machine was installed, and the<br />

microprocessor was invented, opening<br />

the way for the computer revolution<br />

that followed.<br />

16<br />

1. Image <strong>of</strong> the interior <strong>of</strong> the Banca<br />

Nazionale dell’Agricoltura in Milan,<br />

after the explosion - Piazza Fontana,<br />

12 December 1969. Image shot in Italy<br />

and declared Public Domain.<br />

2. Young David T. Colin<br />

in Capri in the late 1930s.<br />

Image courtesy <strong>of</strong> David<br />

Colin, Jr.


THE ORIGINS<br />

PART I.<br />

Around the world, the Beatles played<br />

their last public performance on the ro<strong>of</strong><br />

<strong>of</strong> Apple Records, the album Abbey Road<br />

was released, the first Concorde test<br />

flight was conducted in France, enormous<br />

student protests rocked cities around the<br />

globe, the PLO (Palestinian Liberation<br />

Organization) was founded, and a coup in<br />

Libya deposed King Idris.<br />

In Italy, 1969 was a year marked by tension<br />

and terrorism. Throughout that year, a<br />

series <strong>of</strong> explosives were detonated on<br />

trains and in stations. But, on December<br />

12, 1969, “la madre di tutte le stragi,” or<br />

“the mother <strong>of</strong> all massacres,” happened<br />

when a bomb exploded in the Banca<br />

Nazionale dell’Agricoltura in Milan, killing<br />

17 people and injuring 88. Orchestrated<br />

by Neo-Fascists to discredit the anarchist<br />

movement, the event ushered in the anni<br />

di piombo, the years <strong>of</strong> lead, definitively<br />

ending nearly two decades <strong>of</strong> economic,<br />

cultural, and creative growth in Italy. Before<br />

these tragic events, Italy was known for<br />

la dolce vita, the sweet life: a growing<br />

standard <strong>of</strong> living, elegant fashion, iconic<br />

products like the Vespa and Fiat, a thriving<br />

film industry, and a beautiful playground<br />

for celebrities and aristocrats.<br />

in, and a safeguard against the growing<br />

anxiety and polarization that threatened it.<br />

Popular lore has it that AUR was founded as<br />

a “school for spies,” and given the turbulent<br />

times in which it was established, one can<br />

understand how the story started. <strong>The</strong><br />

United States was alarmed by Italy’s shift<br />

to the left during the sixties and seventies<br />

and was actively, albeit covertly, involved<br />

in preventing the country from going<br />

Communist. However, the factual evidence<br />

suggests that if there was a political<br />

motivation for establishing <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong> (and surely there was),<br />

it had more to do with spreading <strong>American</strong><br />

ideology and cultural values than actively<br />

training spies.<br />

Introduction<br />

In this combination <strong>of</strong> hope, energy, and<br />

fear, <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

(AUR) was born. <strong>The</strong> brain child <strong>of</strong> three<br />

individuals, who all had complicated<br />

wartime experiences and a love <strong>of</strong> Italy,<br />

AUR was the embodiment <strong>of</strong> the belief in<br />

progress that the post-war boom ushered<br />

2.<br />

17


PART I.<br />

THE ORIGINS<br />

Introduction<br />

<strong>The</strong> three founders—David Tyrone Colin,<br />

Giorgio Alfred Tesoro, and Lisa Sergio—all<br />

shared the belief that education was the<br />

only way to prevent the world from tearing<br />

itself apart for a third time in a century.<br />

International understanding, firmly rooted<br />

in <strong>American</strong> democratic values, was the<br />

key to a peaceful and productive future.<br />

All three had also had fraught wartime<br />

experiences and knew intimately, though<br />

in varying ways, the realities <strong>of</strong> Fascist<br />

ideology and the trauma <strong>of</strong> war. Also,<br />

in varying ways, they all understood the<br />

shifting political sands in America and<br />

Europe after the end <strong>of</strong> World War II,<br />

when old allies become new enemies, and<br />

political opinions harden into blinkered<br />

thought, violence, and oppression. <strong>The</strong><br />

creation <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong><br />

<strong>Rome</strong> was their positive response to the<br />

negative forces that had shaped their<br />

earlier lives and a way to “reclaim” the<br />

country they loved.<br />

<strong>American</strong> negotiations with Axis countries<br />

allowed him to secure a passage on the<br />

Swedish steamer Drottningholm, which<br />

sailed from Lisbon on May 22, 1942, and<br />

arrived in New York on June 1.<br />

3.<br />

David T. Colin was born in St. Louis, Missouri,<br />

with, according to his son, “an itch to see<br />

the world.” He traveled widely, working as a<br />

journalist and international correspondent<br />

for several US newspapers. In December<br />

<strong>of</strong> 1941, when Italy <strong>of</strong>ficially declared war<br />

on the United States, Colin was a civilian<br />

member <strong>of</strong> the US National Broadcasting<br />

Company in <strong>Rome</strong>.<br />

As an <strong>American</strong> on Italian soil, Colin was<br />

considered an “enemy alien” and was most<br />

probably interned in one <strong>of</strong> the pensioni<br />

or hotels where <strong>American</strong> journalists and<br />

diplomats stayed after December 11, 1941.<br />

3. David T. Colin in <strong>Rome</strong> in 1938.<br />

Image courtesy <strong>of</strong> David Colin, Jr.<br />

18


THE ORIGINS<br />

PART I.<br />

Introduction<br />

4.<br />

4-5. David T. Colin’s account <strong>of</strong> the situation<br />

in Italy, just after his return to the United<br />

States. JTA Daily News Bulletin, Vol. IX – No.<br />

125, Jewish Telegraphic Agency, New York, NY.<br />

19


PART I.<br />

THE ORIGINS<br />

Introduction<br />

5.<br />

20


THE ORIGINS<br />

PART I.<br />

6.<br />

Introduction<br />

6. Swedish steamer SS Drottningholm,<br />

Courtesy <strong>of</strong> the Boston Public Library,<br />

Leslie Jones Collection.<br />

21


PART I.<br />

THE ORIGINS<br />

Introduction<br />

7.<br />

22<br />

7- 8. Associated Press, “948 Axis Diplomats<br />

Sail for Portugal in Exchange Agreement,”<br />

<strong>The</strong> Evening Star, Washington, DC, May 8,<br />

1942. P. A-15. <strong>So</strong>urce: NewspaperArchive.com.


THE ORIGINS<br />

PART I.<br />

Introduction<br />

8.<br />

23


PART I.<br />

THE ORIGINS<br />

Introduction<br />

After his return to the United States, Colin<br />

enrolled in the U.S. Army and was sent<br />

back to Italy as a member <strong>of</strong> the Office<br />

<strong>of</strong> Strategic Services (OSS). In October <strong>of</strong><br />

1944, Colin was captured on the border<br />

between France and Italy and was sent<br />

to prison in Munich, Germany. After six<br />

harsh months in Munich, he was transferred<br />

to Fort Zinna, at Torgau, to await trial<br />

before the German Supreme Military<br />

Court for “crimes committed against the<br />

German Army.”<br />

<strong>The</strong> encounter between <strong>So</strong>viet and<br />

<strong>American</strong> troops on the Elbe River near<br />

Torgau on April 25, 1945 saved his life.<br />

Aware that the Allied net was tightening,<br />

the Nazi guards deserted the prison<br />

camp, leaving many <strong>of</strong> the cells unlocked.<br />

After his liberation, Colin was sent back<br />

to the U.S., but when the war ended, he<br />

headed back to <strong>Rome</strong>, where he was to<br />

live out much <strong>of</strong> his life. His apartment on<br />

Via della Mercede, near the Spanish Steps<br />

and the place where John Keats took his<br />

last breath, was to become the site <strong>of</strong> the<br />

first <strong>American</strong> university in <strong>Rome</strong>.<br />

24


THE ORIGINS<br />

PART I.<br />

Introduction<br />

9.<br />

9 -11. Newspaper article by Ann Stringer.<br />

“Bravo, Yells Red <strong>So</strong>ldier.” Winnipeg Free Press.<br />

Winnipeg, Canada. Vol. 51, No. 180-22. Pgs. 1<br />

and 5. <strong>So</strong>urce: NewspaperArchive.com.<br />

25


PART I.<br />

THE ORIGINS<br />

Introduction<br />

26


THE ORIGINS<br />

PART I.<br />

Introduction<br />

27


PART I.<br />

THE ORIGINS<br />

Introduction<br />

Giorgio Alfredo Tesoro was born in <strong>Rome</strong><br />

in 1904. He studied law at La Sapienza,<br />

working closely with important scholars<br />

and eventually specializing in corporate<br />

and tax law. His ground-breaking work<br />

in the new field earned him esteemed<br />

scholarly and pr<strong>of</strong>essional posts, but as<br />

a Jewish Roman and a politically engaged<br />

citizen, Tesoro watched with concern<br />

as Mussolini drifted closer and closer to<br />

Hitler’s views on race and ethnic purity.<br />

In 1938, with a thriving career, Tesoro was<br />

banned from teaching because <strong>of</strong> his<br />

Jewish origins. With a sense <strong>of</strong> what was<br />

to come, he left Italy and arrived in the<br />

United States on December 29, 1940.<br />

12.<br />

12. Giorgio Tesoro and his wife Gilda in <strong>Rome</strong>,<br />

September 1978. Photo from AUR archives.<br />

28


THE ORIGINS<br />

PART I.<br />

13.<br />

Introduction<br />

13. “Background <strong>of</strong> Development <strong>of</strong> Foreign<br />

Broadcast Intelligence Service” Memorandum<br />

presented to Chief, Information Branch.<br />

Dated 6 March 1946. CIA file approved<br />

for release in 2003.<br />

29


PART I.<br />

THE ORIGINS<br />

Introduction<br />

Tesoro immediately applied for US<br />

citizenship and to US government positions,<br />

while pursuing his academic interests.<br />

His first teaching job was at the <strong>American</strong><br />

<strong>University</strong> in Washington, DC, where<br />

he wrote a detailed study <strong>of</strong> war finance,<br />

funded by the Rockefeller Foundation. This<br />

eventually led to his government posts<br />

as an economic analyst and <strong>of</strong>ficer with<br />

the Foreign Economic Administration,<br />

the State Department, and the US Mission<br />

in Geneva. When George (no longer<br />

Giorgio) Tesoro died in 2001, his obituary<br />

in <strong>The</strong> New York Times read: “97 years<br />

<strong>of</strong> kindness, loyalty and hard work.<br />

A beloved father, grandfather, uncle and<br />

friend. Esteemed lawyer, economist,<br />

pr<strong>of</strong>essor, diplomat, Commendatore<br />

della Repubblica Italiana, founder <strong>of</strong> the<br />

<strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>.”<br />

30


THE ORIGINS<br />

PART I.<br />

14.<br />

Introduction<br />

14. “Brother Now With <strong>University</strong> Staff.”<br />

<strong>The</strong> Chillicothe Constitution-Tribune. Vol. LI<br />

– No. 128. June 5, 1942. Chillicothe, Missouri.<br />

<strong>So</strong>urce: NewspaperArchive.com.<br />

31


PART I.<br />

THE ORIGINS<br />

15.<br />

Introduction<br />

Perhaps the most enigmatic <strong>of</strong> the<br />

three founders is Lisa Sergio, writer,<br />

broadcaster, activist, and philanthropist.<br />

Born in Florence in 1905 to Baron Agostino<br />

Sergio, and a wealthy <strong>American</strong> mother,<br />

Margherita Fitzgerald, Lisa Sergio grew<br />

up in the heady atmosphere <strong>of</strong> the city’s<br />

Anglo-Italian community. Rich in gossip<br />

and intrigue, the community included a<br />

mix <strong>of</strong> academics, intellectuals, artists,<br />

and wealthy aristocrats. In 1922, when<br />

she was 17, her parents divorced after her<br />

father attempted to shoot her mother.<br />

32<br />

15. Lisa Sergio’s Tesserino dei Giornalisti.<br />

Image from Lisa Sergio papers, Booth Family Center<br />

for Special Collections, Georgetown <strong>University</strong> Library,<br />

Washington, DC.


THE ORIGINS<br />

PART I.<br />

As a young woman she claimed to have<br />

translated some works <strong>of</strong> Aldous Huxley<br />

and D.H. Lawrence into Italian. She<br />

eventually became the editor <strong>of</strong> Italian<br />

Mail, the only English language weekly in<br />

Italy. In 1929, she moved to <strong>Rome</strong> after<br />

falling in love with a much older man.<br />

female broadcaster in Italy and Mussolini’s<br />

<strong>of</strong>ficial English translator. <strong>The</strong> position<br />

gave her access to high-ranking Fascist<br />

<strong>of</strong>ficials and inside information about<br />

the regime. In the spring <strong>of</strong> 1937, Sergio<br />

was fired from the Office <strong>of</strong> Press<br />

and Propaganda in <strong>Rome</strong>.<br />

In <strong>Rome</strong>, Sergio was in contact with<br />

individuals like Guglielmo Marconi,<br />

inventor <strong>of</strong> radio and known worldwide<br />

for his work in long-distance radio<br />

transmission. Marconi connected her with<br />

the Italian Fascist government and Sergio<br />

was eventually hired by the Italian Ministry<br />

<strong>of</strong> Propaganda to translate newspaper<br />

items into French and English for a<br />

15-minute daily news program. Known as<br />

“the golden voice <strong>of</strong> <strong>Rome</strong>,” Sergio became<br />

an international sensation as the first<br />

<strong>The</strong>re are two different stories about<br />

how and why Sergio left Italy for the<br />

United States. Sergio’s version was that<br />

her dismissal was primarily due to her<br />

broadcasting omissions and ideological<br />

differences with the regime. However,<br />

according to Sergio’s FBI file, she lost her<br />

position because she was too vocal about<br />

her relationship with Galeazzo Ciano<br />

(Mussolini’s son-in-law) and other Fascist<br />

<strong>of</strong>ficials. Regardless <strong>of</strong> the true reason, Lisa<br />

Sergio left Naples for the United States<br />

on June 27, 1937.<br />

Introduction<br />

16.<br />

16. Lisa Sergio and her colleagues at the Ente<br />

Italiano per le Audizioni Radi<strong>of</strong>oniche (EIAR),<br />

<strong>Rome</strong>, 1936. Photo printed by Studio Vasari<br />

Roma. Image from Lisa Sergio papers, Booth<br />

Family Center for Special Collections,<br />

Georgetown <strong>University</strong> Library, Washington, DC.<br />

33


PART I.<br />

THE ORIGINS<br />

17.<br />

Introduction<br />

By the time Lisa arrived in the United<br />

States, her political beliefs had shifted<br />

dramatically, and she became an advocate<br />

<strong>of</strong> democracy and a strong anti-Fascist.<br />

She explained her change <strong>of</strong> heart in a note<br />

from 1937: "Human beings are not born<br />

knowing. <strong>The</strong>y are endowed, from birth<br />

with the capacity to learn. <strong>The</strong>y learn to<br />

walk, to talk. We must also learn how to<br />

be free." Despite what is in her FBI file,<br />

Sergio’s ideological change <strong>of</strong> heart was<br />

genuine, and she spent the rest <strong>of</strong> her<br />

life fervently working for democratic<br />

ideals and against Fascism in all its forms<br />

even those that stalk democracies.<br />

She became a vocal supporter <strong>of</strong><br />

education, women’s rights, and special<br />

target <strong>of</strong> Senator Joseph McCarthy.<br />

After moving to the United States, Sergio<br />

worked for NBC (National Broadcasting<br />

Company), but she quickly became<br />

frustrated because she believed that<br />

“NBC was not about to allow a woman to<br />

do news.” In 1939, she was hired by WQXR<br />

(an AM radio station licensed in New York<br />

City from December 1936 to November<br />

1992) as a news commentator, developing<br />

her program “Column <strong>of</strong> the Air,” which<br />

focused on the crisis in Europe. When asked<br />

about being a woman in a man’s world <strong>of</strong><br />

news broadcasting, Sergio wrote, “Here,<br />

too, women can claim and hold a place.<br />

If men and women are equally needed<br />

in the war effort, as they indubitably are,<br />

if men and women the world over are<br />

bearing the tragic burden <strong>of</strong> a war without<br />

quarter, as they are, it follows that men<br />

and women can equally contribute to<br />

the understanding <strong>of</strong> issues at stake and<br />

<strong>of</strong> the sometimes baffling trend <strong>of</strong> the<br />

events which affect us.”<br />

34<br />

17. Lisa Sergio’s visa for entry into the United States in 1937.<br />

Lisa Sergio papers, Booth Family Center for Special Collections,<br />

Georgetown <strong>University</strong> Library, Washington, DC.


THE ORIGINS<br />

PART I.<br />

18.<br />

Introduction<br />

“Column <strong>of</strong> the Air” broadcast seven times<br />

a week from 1939 to 1946, when WQXR<br />

cancelled it. Sergio was blacklisted by the<br />

<strong>American</strong> Legion in 1949 and listed in the<br />

anti-communist publication Red Channels:<br />

<strong>The</strong> Report <strong>of</strong> Communist Influence in<br />

Radio and Television in 19<strong>50</strong>. During the<br />

McCarthy era she was unable to work<br />

in broadcasting, and she eventually<br />

became a visiting pr<strong>of</strong>essor and lecturer for<br />

several universities. Sergio also became very<br />

active in human rights organizations and<br />

in <strong>The</strong> <strong>So</strong>ciety for the Prevention <strong>of</strong> World<br />

War III. For Sergio, the responsibility <strong>of</strong><br />

learning how to think and the liberation<br />

that comes with knowledge would<br />

eventually inspire her to help found <strong>The</strong><br />

<strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>.<br />

<strong>Rome</strong> met through connections in the<br />

political and cultural world, and their<br />

love <strong>of</strong> Italy certainly put them in the<br />

same orbit. More importantly though,<br />

their post-war commitment to building a<br />

better world, to promoting international<br />

understanding, and to educating young<br />

people to learn how to be free meant that<br />

they were involved in similar activities.<br />

Archival evidence shows that the three<br />

founders <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong><br />

18. Lisa Sergio (right), Eleanor Roosevelt (center)<br />

and friend. Lisa Sergio papers, Booth Family<br />

Center for Special Collections, Georgetown<br />

<strong>University</strong> Library, Washington, DC.<br />

35


PART I.<br />

THE ORIGINS<br />

Introduction<br />

19.<br />

36<br />

19-21. <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>: a project in the making.<br />

A vision for the AUR project, prepared by Lisa Sergio based on<br />

her conversations with David T. Colin and Hon. Emilio Daddario.<br />

<strong>So</strong>urce: AUR archives.


THE ORIGINS<br />

PART I.<br />

Introduction<br />

20.<br />

37


PART I.<br />

THE ORIGINS<br />

Introduction<br />

21.<br />

38


THE ORIGINS<br />

PART I.<br />

Introduction<br />

22.<br />

22-25. Board <strong>of</strong> Trustees Secretary William De Paulo drafted a<br />

Memorandum regarding a personal meeting he had with Giorgio Tesoro<br />

in 1987. <strong>The</strong> Memo speaks <strong>of</strong> a prior document that lays out the history<br />

<strong>of</strong> AUR. Unfortunately, the prior document has been lost. This document,<br />

though, explains that it was, in fact, Lisa Sergio who connected Tesoro and<br />

Colin for the AUR project. <strong>So</strong>urce: AUR archives.<br />

39


PART I.<br />

THE ORIGINS<br />

Introduction<br />

23.<br />

40


THE ORIGINS<br />

PART I.<br />

Introduction<br />

24.<br />

41


PART I.<br />

THE ORIGINS<br />

Introduction<br />

25.<br />

42


THE ORIGINS<br />

PART I.<br />

On the <strong>50</strong>th anniversary <strong>of</strong> the founding<br />

<strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>, it is<br />

important to remember the crucible <strong>of</strong><br />

history in which it was born. Envisioned<br />

by committed individuals who had seen<br />

the violence and destruction <strong>of</strong> world<br />

war, AUR was an active step in educating<br />

a new generation <strong>of</strong> young people who<br />

grew up in a post-war world during the<br />

largest economic expansion in history. <strong>The</strong><br />

<strong>University</strong>’s aim and mission is to educate<br />

students in an international context, to<br />

understand themselves and others, to<br />

work across boundaries, and to always be<br />

aware that freedom is a responsibility and<br />

education is the key to peace and progress.<br />

Introduction<br />

Fifty years later, we find ourselves on a<br />

similar historical precipice, where economic<br />

expansion has made the material lives <strong>of</strong><br />

most people in the West more comfortable<br />

than ever before. But freedom and<br />

democracy cannot be taken for granted;<br />

they need a well-educated, thoughtful<br />

citizenry to thrive and to overcome the<br />

chaos <strong>of</strong> the current moment. <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong> proudly carries on<br />

the legacy <strong>of</strong> its founders to help build<br />

a better world.<br />

Please join the AUR community in<br />

celebrating its past and embracing<br />

its future.<br />

43


PART I.<br />

THE ORIGINS<br />

Chapter 1. Discovering AUR’s Origins<br />

Chapter 1:<br />

DISCOVERING AUR’S ORIGINS<br />

In order to better understand the present<br />

and prepare for the future, in this <strong>50</strong>th<br />

Anniversary <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong><br />

<strong>of</strong> <strong>Rome</strong>, we have delved to the roots<br />

<strong>of</strong> the institution and started to put the<br />

puzzle pieces together. <strong>The</strong> journey has led<br />

us to exciting discoveries that had been<br />

swallowed by time and forgetfulness. <strong>The</strong><br />

origins <strong>of</strong> AUR have proven to be an intricate<br />

web <strong>of</strong> connections and people. Here is a<br />

taste <strong>of</strong> a complicated, but fascinating<br />

story <strong>of</strong> a group <strong>of</strong> people who believed in<br />

the power <strong>of</strong>, and, more importantly, the<br />

need, for high-quality education.<br />

44


THE ORIGINS<br />

PART I.<br />

Chapter 1. Discovering AUR’s Origins<br />

Speculum Romanae Magnificentiae: Plan <strong>of</strong> Ancient <strong>Rome</strong>,<br />

print <strong>of</strong> engraving by Pirro Logorio, 16th century, the Metropolitan Museum<br />

<strong>of</strong> Art, Rogers Fund, Transferred from the Library in 1941. Creative Commons<br />

CC0 1.0 Universal Public Domain Image.<br />

45


PART I.<br />

THE ORIGINS<br />

Founder fact sheets<br />

Chapter 1. Discovering AUR’s Origins<br />

David T.<br />

Colin<br />

1.<br />

Full name:<br />

David Tyrone Colin<br />

(originally Cohen)<br />

D.O.B:<br />

June 9, 1912<br />

Citizenship: <strong>American</strong><br />

Pr<strong>of</strong>essional Information:<br />

Journalist, OSS member in the<br />

Research and Analysis Branch,<br />

Olivetti Corporation, Founder<br />

and President <strong>of</strong> <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong>.<br />

Deceased: 1992<br />

46<br />

1. David T. Colin and his wife<br />

Joan Carpenter, December 1978.<br />

Photo from AUR archives.


THE ORIGINS<br />

PART I.<br />

Giorgio A.<br />

Tesoro<br />

Lisa<br />

Sergio<br />

Chapter 1. Discovering AUR’s Origins<br />

2. 3.<br />

Full name:<br />

Giorgio Alfredo Tesoro<br />

D.O.B:<br />

February 6, 1904<br />

Citizenship: Italian - <strong>American</strong><br />

Pr<strong>of</strong>essional Information: Lawyer,<br />

Economist, Member <strong>of</strong> the State<br />

Department, Informant and<br />

Advisorfor the US Government,<br />

Italian Consultant for diplomatic<br />

agreements for the reconstruction<br />

<strong>of</strong> Italy and the Marshall Plan,<br />

Founder and Board Member <strong>of</strong> <strong>The</strong><br />

<strong>American</strong> <strong>University</strong><br />

<strong>of</strong> <strong>Rome</strong>.<br />

Deceased: 2001<br />

Full name:<br />

Elisa Maria Alice Sergio<br />

D.O.B:<br />

March 17, 1905<br />

Citizenship: Italian - <strong>American</strong><br />

Pr<strong>of</strong>essional Information:<br />

Archaeologist, Translator, Radio<br />

Broadcaster, Fundraiser, Political<br />

Commentator, Author and Lecturer,<br />

Founder and Board Member <strong>of</strong> <strong>The</strong><br />

<strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>.<br />

Deceased: 1989<br />

2. Giorgio Tesoro in 1942. Image<br />

courtesy <strong>of</strong> the Tesoro Family.<br />

3. Lisa Sergio with microphone<br />

in 1941. Image available on the<br />

World Wide Web as an image<br />

<strong>of</strong> Public Domain.<br />

47


PART I.<br />

THE ORIGINS<br />

Prominent connections<br />

<strong>of</strong> AUR’s founders<br />

Chapter 1. Discovering AUR’s Origins<br />

Compiled from interviews with<br />

relatives or people who knew<br />

them personally.<br />

Volterra<br />

Almagià<br />

Family<br />

1.<br />

David T. Colin is remembered to be a<br />

charming man. A charismatic <strong>American</strong><br />

and a talented investigative journalist,<br />

he was known for his ability to make friends<br />

no sooner than entering a room. Indeed,<br />

he made very good friends in all types <strong>of</strong><br />

social spheres. Although much research must<br />

still be done to connect all the missing<br />

links, it is useful to note certain friendships<br />

<strong>of</strong> Colin: friendships that duringAUR’s<br />

48<br />

1. Edoardo Volterra<br />

(second from right<br />

to left) with AUR students<br />

in 1975. Photo from<br />

AUR archives.


THE ORIGINS<br />

PART I.<br />

3.<br />

early years, allowed students to meet<br />

and talk to important figures from a vast<br />

range <strong>of</strong> fields.<br />

2.<br />

Edoardo Volterra, scholar <strong>of</strong> Roman law and<br />

son <strong>of</strong> the famed Jewish mathematician<br />

Vito Volterra, was close friends with Colin.<br />

<strong>The</strong>ir friendship, though, was not born from<br />

shared acquaintances. Edoardo and David<br />

met in the early 1940s, when Edoardo was<br />

leading anti-Fascist initiatives in <strong>Rome</strong><br />

and David was working for the OSS. Colin,<br />

who had access to certain goods that were<br />

scarce in wartime, brought the Volterra<br />

Almagià family ice cream on Sundays.<br />

Joan Carpenter, former wife <strong>of</strong> Colin, also<br />

recalls how Colin proudly narrated the story<br />

<strong>of</strong> how after the war he gifted the family<br />

a hide <strong>of</strong> leather for shoes – a rare and<br />

valuable gift in a war-torn country.<br />

Jumping to the late 1970s, the friendship<br />

continued through AUR in two aspects.<br />

3.<br />

First, Roberto Almagià (a relative <strong>of</strong><br />

Edoardo on his mother’s side) was a<br />

pr<strong>of</strong>essor at the <strong>University</strong> for several years.<br />

Stefano Almagià was also a student at<br />

AUR, starting in the fall <strong>of</strong> 1975. Edoardo<br />

himself was a visiting pr<strong>of</strong>essor, hosting<br />

AUR students at the Italian Constitutional<br />

Court in the late 1970s.<br />

<strong>The</strong> second link to AUR is a story worth<br />

telling. Edoardo’s father, Vito Volterra,<br />

had a collection <strong>of</strong> scientific texts and<br />

manuscripts that he had collected<br />

throughout the years. When the war broke<br />

out, fearing that the collection would fall<br />

into the hands <strong>of</strong> the regime, the Volterra<br />

family hid the collection at Palazzo Fiano<br />

on Piazza San Lorenzo in Lucina, which<br />

was owned by the Almagià family at the<br />

time. After the war, Colin sequestered the<br />

collection and returned it to the Volterra<br />

Family and, in 1981, it was Colin who found<br />

Bern Dibner to purchase the collection.<br />

Bern Dibner, a wealthy <strong>American</strong> bought<br />

the rare collection <strong>of</strong> science texts (valued<br />

at one million dollars at the time) and<br />

eventually donated it to Brandeis <strong>University</strong><br />

in Waltham, Massachusetts. Mr. Dibner was<br />

also an AUR donor during the 1980s.<br />

Chapter 1. Discovering AUR’s Origins<br />

2. Edoardo Volterra<br />

(center) with AUR<br />

students and Joan<br />

Carpenter (far left)<br />

in 1977. Photo from<br />

AUR archives.<br />

3. Edoardo Volterra<br />

(on the right).<br />

Photo from AUR<br />

archives.<br />

49


PART I.<br />

THE ORIGINS<br />

Egidio<br />

Ortona<br />

Chapter 1. Discovering AUR’s Origins<br />

1.<br />

In war-torn Italy, the efforts leading to the<br />

country’s reconstruction were <strong>of</strong> imminent<br />

importance. Egidio Ortona was one <strong>of</strong> the<br />

five men who went to the United States<br />

during World War II to negotiate the terms<br />

for the reconstruction <strong>of</strong> Italy. Together<br />

with Quinto Quintieri, Raffaelle Mattioli,<br />

Marco Morelli, and Enrico Cuccia, Ortona<br />

arrived in the U.S.A. in 1944 where they were<br />

able to negotiate aid for Italy with the U.S.<br />

government. He also played a pivotal role in<br />

the political and economic negotiations <strong>of</strong><br />

the Italian diplomat Alcide De Gasperi who<br />

negotiated with the U.S. on the execution<br />

<strong>of</strong> the Marshall Plan. He later served as the<br />

Italian Ambassador to the United Nations<br />

(1958-1961) and as the Italian Ambassador<br />

to the United States (1967-1975).<br />

Egidio Ortona was very close to both<br />

Lisa Sergio and Giorgio Tesoro. While it is<br />

probable that he met Tesoro during his<br />

economic negotiations in the 1940s, archival<br />

evidence does not give any indication <strong>of</strong><br />

when and where he met Sergio. He did,<br />

however, know Sergio well as demonstrated<br />

by the correspondence between Ortona, his<br />

wife Giulia, and Lisa Sergio. Within those<br />

archives, there is an autographed book<br />

by Dino Grandi (a high-ranking Fascist<br />

politician who opposed Italy’s alliance with<br />

Germany) dedicated to Ortona; probably<br />

a gift from Ortona to Sergio.<br />

2.<br />

<strong>50</strong><br />

1. Lisa Sergio and Egidio Ortona during the<br />

ceremony where Sergio was honored as<br />

Cavaliere <strong>of</strong> the Order <strong>of</strong> the Star <strong>of</strong> Italian<br />

<strong>So</strong>lidarity. Lisa Sergio papers, Booth Family<br />

Center for Special Collections, Georgetown<br />

<strong>University</strong> Library, Washington, DC.<br />

2. Egidio Ortona honoring<br />

Giorgio Tesoro with the<br />

Order <strong>of</strong> Merit <strong>of</strong> the Italian<br />

Republic. Image courtesy<br />

<strong>of</strong> the Tesoro family.


THE ORIGINS<br />

PART I.<br />

Emilio Q. Daddario<br />

and His Wife Berenice<br />

3.<br />

Emilio Quincy Daddario was an Italian-<br />

<strong>American</strong> lawyer and politician who is<br />

credited to have captured Rodolfo Graziani,<br />

Mussolini’s Minister <strong>of</strong> National Defense<br />

since 1943. Daddario was a member<br />

<strong>of</strong> the OSS under Max Corvo – a Sicilian<br />

anti-Fascist who had been named as the<br />

head <strong>of</strong> the Italian faction <strong>of</strong> Strategic<br />

Services. In April 1945, Corvo sent<br />

Daddario to Switzerland to capture<br />

high-ranking Fascist <strong>of</strong>ficials, such as<br />

Benito Mussolini. His mission was to capture<br />

them before the Italian partisans did.<br />

Chapter 1. Discovering AUR’s Origins<br />

After the war, Daddario went back to<br />

the U.S., where he was eventually elected<br />

in Connecticut to the U.S. House <strong>of</strong><br />

Representatives, where he served from<br />

1959 to 1971.<br />

As a member <strong>of</strong> the OSS, Daddario was<br />

a friend <strong>of</strong> AUR’s founders and actually<br />

introduced Lisa Sergio to David T. Colin.<br />

Within the AUR archives, his name first<br />

appears as the co-author with Lisa Sergio<br />

<strong>of</strong> the AUR “project in the making”—a first<br />

draft <strong>of</strong> a vision for an <strong>American</strong> university<br />

in the Eternal City.<br />

Daddario (or ‘Mim,’ as he was known to<br />

friends) and his wife Berenice were close<br />

to both David T. Colin and Joan Carpenter<br />

as well as Lisa Sergio.<br />

3. Emilio Q. Daddario<br />

in 1970. Photo by<br />

Michael Lein,<br />

<strong>The</strong> New York Times.<br />

51


PART I.<br />

THE ORIGINS<br />

Lina<br />

Wertmüller<br />

Chapter 1. Discovering AUR’s Origins<br />

1.<br />

<strong>The</strong> very first cohorts <strong>of</strong> students at AUR<br />

remember quite vividly the high-caliber<br />

pr<strong>of</strong>essionals they met on field trips. <strong>The</strong><br />

well-connected David T. Colin took students<br />

to meet heads <strong>of</strong> companies such as<br />

Perugina, Olivetti, Honeywell, FIAT, and<br />

Gucci. He also introduced students to<br />

political leaders including Enrico Berlinguer,<br />

Venerio Cattani, and Giorgio Almirante.<br />

Yet it was not just through politics and<br />

business classes that AUR students<br />

were afforded the opportunity to mingle<br />

with notable people. Colin had many<br />

connections in the Italian cultural scene,<br />

especially within the movie business.<br />

Students were taken to the sets <strong>of</strong> Enzo<br />

Castellani (famous for his Spaghetti<br />

Westerns ) and Tinto Brass, and were<br />

introduced to producers such as Alessandro<br />

Tasca (who produced for Orson Welles) and<br />

Robert Haggiag.<br />

One <strong>of</strong> the protagonists <strong>of</strong> the Italian film<br />

industry who taught several cohorts <strong>of</strong><br />

early students at AUR was Lina Wertmüller.<br />

Extravagant and fascinating, Wertmüller<br />

would host AUR students in her studio or at<br />

her home, screen films, and speak to them<br />

about cinema at the time. Screenwriter<br />

and film director Wertmüller was the first<br />

woman in history to be nominated for an<br />

Academy Award for Best Director (1977).<br />

Close friends with Marcello Mastroianni<br />

and Federico Fellini, Wertmüller indulged<br />

students with tales from the industry, her<br />

eyes bright behind her signature white<br />

glasses, her vast knowledge animated<br />

by her distinctive charm.<br />

52<br />

1. Always smiling<br />

and fascinating, Lina<br />

gives her lectures on<br />

cinema at her home.<br />

October 1979. Photo<br />

from AUR archives.


THE ORIGINS<br />

PART I.<br />

Prince<br />

Alessandro<br />

Tasca di Cutò<br />

adapted into a film by Luchino Visconti).<br />

In October 1927, Tasca Junior emigrated to<br />

New York and worked as a car mechanic, a<br />

driver, a cashier at a racetrack, and a runner<br />

on the floor <strong>of</strong> the New York Stock Exchange<br />

during the Wall Street crash <strong>of</strong> 1929. After<br />

the outbreak <strong>of</strong> World War II, Alessandro<br />

returned to <strong>Rome</strong> in May <strong>of</strong> 1942 and<br />

was hired by the Ministry <strong>of</strong> Propaganda<br />

where he met Ezra Pound. Betrayed by<br />

Eddie Legiardi Laura, a colleague from<br />

the Ministry who he had helped when the<br />

Fascist downfall had started, Alessandro<br />

was arrested and interned in the British-run<br />

Prisoner <strong>of</strong> War camp <strong>of</strong> Certosa di Padula<br />

in southern Italy. He was liberated a couple<br />

<strong>of</strong> years later and he returned to <strong>Rome</strong>.<br />

Chapter 1. Discovering AUR’s Origins<br />

2.<br />

Prince Alessandro Tasca di Cutò was the<br />

son <strong>of</strong> Alessandro Tasca Filangeri di Cutò,<br />

known as the Sicilian “Red Prince” for the<br />

duality between his aristocratic background<br />

and his dedication to socialism. Tasca<br />

Senior, in fact, devoured his family fortune<br />

in support <strong>of</strong> his ideals, selling even the<br />

family estate <strong>of</strong> Santa Margherita Belice<br />

(described extensively by his cousin Prince<br />

Giuseppe Tomasi di Lampedusa, author <strong>of</strong><br />

the classic novel <strong>The</strong> Leopard, which was<br />

After the war, Tasca was hired by the<br />

United Nations Relief and Rehabilitation<br />

Administration (UNRRA). He later started<br />

working in the film industry, easing<br />

Anglo-<strong>American</strong> productions through<br />

the complications <strong>of</strong> Italian bureaucracy.<br />

Tasca met several protagonists <strong>of</strong> Italian<br />

and international cinema at the time,<br />

such as Vittorio De Sica, Roberto Rosellini,<br />

Pier Paolo Pasolini, John Huston, and<br />

Orson Welles, who was to become a<br />

lifelong friend.<br />

Alessandro Tasca was a visiting pr<strong>of</strong>essor<br />

<strong>of</strong> AUR, leading seminars on cinematic<br />

production and inviting friends, such as<br />

the producer Robert Haggiag, to follow in<br />

his steps by sharing their knowledge and<br />

experiences with the students.<br />

2. Orson Welles<br />

and Alessandro Tasca<br />

on the set <strong>of</strong> Falstaff<br />

(Chimes at Midnight).<br />

1964-1965. Image from<br />

Panorama.<br />

53


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

<strong>50</strong> YEARS<br />

OF<br />

HISTORY<br />

54


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

Chapter 2:<br />

<strong>The</strong> AUR Identity<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

Chapter 2:<br />

THE AUR IDENTITY<br />

AUR’s Mission<br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> prepares<br />

students to live and work across cultures as<br />

skilled and knowledgeable citizens <strong>of</strong> an<br />

interconnected and rapidly changing world.<br />

AUR is a private, independent, not-for-pr<strong>of</strong>it<br />

institution <strong>of</strong> higher education, primarily<br />

<strong>of</strong>fering undergraduate and graduate<br />

liberal arts and pr<strong>of</strong>essional programs to<br />

degree seeking and study abroad students<br />

from around the world.<br />

Taking the best <strong>of</strong> the <strong>American</strong> approach<br />

to interdisciplinary, student-centered<br />

learning, our international faculty and<br />

staff use <strong>Rome</strong> as our classroom and Italy<br />

and Europe as invaluable resources. AUR’s<br />

innovative programs promote intellectual<br />

excellence, personal growth and an<br />

appreciation <strong>of</strong> cultural diversity in an<br />

international environment.<br />

56


<strong>50</strong> YEARS OF HISTORY<br />

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Chapter 2. <strong>The</strong> AUR Identity<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

1.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

FOTO<br />

<strong>Rome</strong><br />

Roma Caput Mundi… <strong>The</strong>re is no doubt<br />

that all roads lead to <strong>Rome</strong>. It is not by<br />

chance that <strong>The</strong> <strong>American</strong> <strong>University</strong><br />

<strong>of</strong> <strong>Rome</strong> was founded in a city that has<br />

claimed its strategic importance, in<br />

different times and for different reasons,<br />

throughout the centuries. AUR, like <strong>Rome</strong>,<br />

is a place <strong>of</strong> layers: high-caliber education,<br />

real life experiences, relationships… all<br />

joined to define who we are, what we do,<br />

and what differentiates us from other<br />

universities.<br />

But, let us start at the beginning. <strong>Rome</strong>, as<br />

the saying goes, is considered the capital<br />

<strong>of</strong> the world. <strong>The</strong> actual “navel <strong>of</strong> the<br />

world,” however, is located precisely on<br />

the Capitoline Hill, on the southeast side<br />

<strong>of</strong> Piazza Venezia. Around <strong>50</strong>0 BC, the<br />

Capitoline Hill was the site <strong>of</strong> three grand<br />

temples: the Temple <strong>of</strong> Juno Moneta, the<br />

Temple <strong>of</strong> Virtus, and the Temple <strong>of</strong> Jupiter<br />

Optimus Maximus Capitolinus. <strong>So</strong>me<br />

centuries later, a Tabularium that held<br />

the Roman State Archives also claimed<br />

its spot atop the hill. <strong>The</strong> ceremonial and<br />

religious grandeur <strong>of</strong> the Capitoline did not,<br />

however, survive the advent <strong>of</strong> Christianity<br />

and for most <strong>of</strong> the Middle Ages, the site<br />

was emptied and left in nature’s grip. It<br />

was even named Monte Caprino at one<br />

point, for goats and sheep were taken to<br />

pasture there.<br />

It was only in the 11th century that the<br />

Capitoline Hill was established as the civic<br />

government center <strong>of</strong> <strong>Rome</strong>. Since then,<br />

it began to be the site <strong>of</strong> civil resistance<br />

to the Papal hold on <strong>Rome</strong>. Several revolts<br />

against the Pope and the aristocracy<br />

58<br />

1. Speculum Romanae Magnificentiae: View <strong>of</strong><br />

the Roman Capitol, by Etienne DuPérac, 1569.<br />

Creative Commons CC0 1.0 Universal Public<br />

Domain Image from <strong>The</strong> Metropolitan Museum<br />

<strong>of</strong> Art. Vol 41.72.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

took place atop the Capitoline, including<br />

those <strong>of</strong> Cola di Rienzo in the 1300s. By<br />

the 16th century, when Michelangelo was<br />

commissioned to design and restructure<br />

the Capitoline, the site has conspicuously<br />

distanced itself from its pasturing past.<br />

Michelangelo’s project for the piazza<br />

was quite ambitious. Pope Paul III wished<br />

to impress King Charles V and hence<br />

commissioned Michelangelo with a<br />

project that would highlight the grandeur<br />

<strong>of</strong> <strong>Rome</strong> with a monumental civic center.<br />

Michelangelo modified the facades <strong>of</strong> the<br />

existing buildings, designed the square<br />

and the Cordonata staircase, and shifted<br />

the orientation <strong>of</strong> the civic center, so that,<br />

rather than facing the Roman Forum, the<br />

Capitoline now faced the Vatican and<br />

Saint Peter’s Basilica. Michelangelo did<br />

not live to see the completion <strong>of</strong> his design,<br />

but the construction followed his plans<br />

faithfully. <strong>The</strong> architectural opulence <strong>of</strong> the<br />

Capitoline Hill, regardless <strong>of</strong> one’s creed or<br />

political stance, is undeniable still today.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

In the late 1980s AUR adopted<br />

Michelangelo’s twelve-pointed geometry,<br />

and the world’s navel, as its logo. Its<br />

reference to planets and constellations<br />

and its slightly curved surface make it<br />

the architectural materialization <strong>of</strong> Roma<br />

Caput Mundi. AUR identifies itself with the<br />

symbolism and multiple layers that this<br />

statement encompasses: a place that is<br />

marked by history, a community <strong>of</strong> people<br />

from all over the world, a milestone in the<br />

lives <strong>of</strong> our students, and a site where<br />

wonderful memories are born.<br />

2.<br />

2. Piazza del Campidoglio,<br />

<strong>Rome</strong>. Photo by Jensens.<br />

July 7, 2008. Creative<br />

Commons CC0 1.0<br />

Universal Public Domain<br />

Image.<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

A Classroom<br />

Without Walls<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

Since its inception, <strong>The</strong> <strong>American</strong> <strong>University</strong><br />

<strong>of</strong> <strong>Rome</strong> has been resolute in providing its<br />

students with a hands-on experiences in<br />

their subject <strong>of</strong> study. It is in this way that<br />

on-site learning and academic field trips<br />

have been an important pillar <strong>of</strong> the AUR<br />

curriculum and the AUR experience. David<br />

T. Colin, co-founder and the first president<br />

<strong>of</strong> AUR, is remembered for having the<br />

vision <strong>of</strong> AUR as a “classroom without<br />

walls.” <strong>The</strong> phrase stuck and since 1969<br />

these “wall-free” experiences have been<br />

the hub <strong>of</strong> unforgettable moments <strong>of</strong><br />

schooling and comradery for all the young<br />

minds that have passed through AUR.<br />

3.<br />

60<br />

3. AUR students with<br />

Marcello Mastroianni<br />

(far left), world famous<br />

Italian actor and<br />

protagonist <strong>of</strong> Fellini’s La<br />

Dolce Vita, in June 1975.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4.<br />

5.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

6.<br />

4. AUR students with<br />

Enzo G. Castellari<br />

(center) on the set<br />

<strong>of</strong> his film Cipolla Colt<br />

in 1975. Photo from<br />

AUR archives.<br />

5. Visiting pr<strong>of</strong>essor Prince<br />

Alessandro Tasca di Cutò<br />

(right, seated), producer<br />

and close friend <strong>of</strong> Orson<br />

Welles, with a group <strong>of</strong> AUR<br />

students in his studio in 1975.<br />

Photo from AUR archives.<br />

6 Film producer<br />

Roberto Haggiag<br />

(right, seated)<br />

with AUR students<br />

in 1975. Photo from<br />

AUR archives.<br />

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PART I.<br />

THE ORIGINS<br />

7.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

62<br />

7. Kinetic artist Albert J. Friscia (far right) speaking to AUR<br />

students about art and sculpture in his studio in 1975.<br />

Friscia is remembered for the bronze altar he made for the Bernini<br />

apse <strong>of</strong> Saint Peter’s Basilica and the bronze doors <strong>of</strong> the Holy<br />

Name Cathedral in Chicago. Photo from AUR archives.


THE ORIGINS<br />

PART I.<br />

8.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

9.<br />

8. Enzo G. Castellari<br />

(center) with Grand Valley<br />

State College students,<br />

leading his film class<br />

in 1975. Photo from<br />

AUR archives.<br />

9. Seminar with Leone<br />

Cattani (far right, back<br />

row), Italian lawyer,<br />

politician, and anti-Fascist<br />

activist in 1973. Photo<br />

from AUR archives.<br />

63


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

“TELL ME AND I’LL FORGET;<br />

SHOW ME AND I MAY REMEMBER;<br />

INVOLVE ME AND I’LL UNDERSTAND.”<br />

Chinese proverb<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

10.<br />

64<br />

10. Film director Tinto Brass (left)<br />

with AUR students on the set <strong>of</strong> his<br />

movie Salon Kitty, released in 1976.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

11.<br />

12.<br />

11. AUR students with<br />

Dr. Franco Ferrari<br />

(second from left)<br />

at the Olivetti plants<br />

in April <strong>of</strong> 1977. Photo<br />

from AUR archives.<br />

12. AUR students<br />

at the Acropolis in<br />

Athens in October<br />

1977. Photo from<br />

AUR archives.<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

13.<br />

66<br />

13. Joan Carpenter (second from<br />

left) and AUR students at<br />

Piazza del Campidoglio in 1977.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

“EDUCATING THE MIND<br />

WITHOUT EDUCATING THE HEART<br />

IS NO EDUCATION AT ALL.”<br />

Aristotle<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

14.<br />

14. Session with Italian<br />

novelist and journalist<br />

Alberto Moravia (center,<br />

seated) in his apartment<br />

in November 1977. Photo<br />

from AUR archives.<br />

67


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

15.<br />

68


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

15. Drawing<br />

and study session<br />

at the Colosseum<br />

in 1977. Photo from<br />

AUR archives.<br />

69


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

16.<br />

“EDUCATION IS THE MOST POWERFUL<br />

WEAPON WHICH YOU CAN USE TO<br />

CHANGE THE WORLD.”<br />

Nelson Mandela<br />

70<br />

16. Session with Giorgio Almirante<br />

(third from left) leader <strong>of</strong> the<br />

Movimento <strong>So</strong>ciale Italiano in 1977.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

17.<br />

17. AUR students with NBC<br />

Bureau Chief David Teitelbaum<br />

(right seated) in 1977.<br />

Photo from AUR archives.<br />

71


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

18.<br />

19.<br />

72<br />

18. Chantal Skibinski<br />

(second from left),<br />

Head <strong>of</strong> Public Relations<br />

for GUCCI, in March 1978.<br />

Photo from AUR archives.<br />

19. AUR students visiting<br />

the <strong>American</strong> Embassy<br />

in <strong>Rome</strong> in 1978. Photo<br />

from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

20.<br />

21.<br />

20. AUR students in a<br />

seminar on labor and<br />

industry at the Unione<br />

Industriale (Industrial<br />

Union) <strong>of</strong> Turin in April<br />

1978. Photo from AUR<br />

archives.<br />

21. AUR students with<br />

Pietro Giustina (center)<br />

President and CEO<br />

<strong>of</strong> Giustina Spa, in<br />

1978. Photo from AUR<br />

archives.<br />

73


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

22.<br />

74<br />

22. AUR students attending<br />

a seminar at the beverage<br />

company Cinzano in 1978.<br />

Cinzano was bought by<br />

the Campari group in 1999.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

23.<br />

23. Session at the<br />

Milan headquarters<br />

<strong>of</strong> Honeywell in 1978.<br />

Photo from AUR archives.<br />

75


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

24.<br />

76


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

24. Joan Carpenter (right)<br />

and AUR students getting<br />

ready to head out to<br />

on-site experiences<br />

in December 1978.<br />

Photo from AUR archives.<br />

77


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

25.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

26.<br />

78<br />

25. AUR students at the<br />

train station in 1978.<br />

Photo from AUR archives.<br />

26. Enrico Berlinguer (center)<br />

with AUR students in 1978.<br />

Berlinguer was a charismatic leader<br />

<strong>of</strong> Italy’s Communist party (1972-84)<br />

and a staunch opponent <strong>of</strong> Fascist policy<br />

in Italy. Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

27.<br />

28.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

29.<br />

27. Pr<strong>of</strong>. Enzo Amorini<br />

(center) conducting his<br />

Italian lesson with AUR<br />

students in Perugia in 1978.<br />

Photo from AUR archives.<br />

28. AUR students at<br />

the entrance <strong>of</strong> Pompeii<br />

before a lesson with<br />

Pr<strong>of</strong>. Almagià in<br />

December 1978.<br />

Photo from AUR archives.<br />

29. Heading back<br />

from Pompeii with<br />

Pr<strong>of</strong>. Almagià (far left)<br />

in April 1979. Photo<br />

from AUR archives.<br />

79


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

30.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

31.<br />

80<br />

30. AUR students<br />

attending an on-site class<br />

with Pr<strong>of</strong>. Reboli (center)<br />

at Saint Peter’s in July 1979.<br />

Photo from AUR archives.<br />

31. Pr<strong>of</strong>. Peggy Craig<br />

(far left) giving an art<br />

history lesson to students in<br />

the Roman Forum in 1978.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

32.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

33.<br />

32. AUR students<br />

and Pr<strong>of</strong>. Nicholas Reboli<br />

(third from left) ready to<br />

depart for a fieldtrip in 1978.<br />

Photo from AUR archives.<br />

33. AUR students heading<br />

out to Perugia, Assisi,<br />

and Spoleto in September 1981.<br />

Photo from AUR archives.<br />

81


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

“A WELL-EDUCATED MIND<br />

WILL ALWAYS HAVE MORE QUESTIONS<br />

THAN ANSWERS.”<br />

Helen Keller<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

34.<br />

82<br />

34. Driving from<br />

Olympia in Greece in<br />

October 1981. Photo<br />

from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

35.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

36.<br />

35.<br />

35. AUR students<br />

boarding the airplane<br />

back to <strong>Rome</strong> at the<br />

Athens airport in<br />

October 1981. Photo<br />

from AUR archives.<br />

36. AUR students<br />

at Herculaneum<br />

in 1983. Photo from<br />

AUR archives.<br />

83


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

37.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

84


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

37. AUR students<br />

on a field trip with Pr<strong>of</strong>.<br />

Eduardo Almagià (right)<br />

May 1978. Photo from<br />

AUR archives.<br />

85


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

38.<br />

“THE MIND IS NOT A VESSEL<br />

TO BE FILLED,<br />

BUT A FIRE TO BE KINDLED.”<br />

Plutarch<br />

86<br />

38. AUR students<br />

with Pr<strong>of</strong>. Amorini<br />

(top row, second<br />

from right) in 1982.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

39.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

39. Visit to the Perugina<br />

chocolate factory in the 1990s.<br />

Photo from AUR archives.<br />

87


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

40<br />

88


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

40. AUR students at the Fiera<br />

di Milano with Mary Handley<br />

(top row right) in 1994.<br />

Photo from AUR archives.<br />

89


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

41<br />

42<br />

90<br />

41. Fieldtrip to Esso<br />

Refinery in Augusta, Sicily,<br />

with Pr<strong>of</strong>. Aldo Patania<br />

(second from right)<br />

in the early 2000s.<br />

Photo from AUR archives.<br />

42. Fieldtrip to the Vatican<br />

State headquarters<br />

with Pr<strong>of</strong>. James Walston<br />

(fourth from left) in 2009.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

43<br />

44<br />

43. Kosovo fieldtrip with<br />

Pr<strong>of</strong>. James Walston<br />

(first row, center) in 2009.<br />

Photo from AUR archives.<br />

44. AUR and Sapienza<br />

<strong>University</strong> students digging<br />

at the Colosseum with Pr<strong>of</strong>.<br />

Valerie Higgins (far right)<br />

in 2014. Photo from AUR<br />

archives.<br />

91


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

From a Study<br />

Abroad Institution<br />

to a Resident-Based<br />

<strong>University</strong> in the<br />

Heart <strong>of</strong> <strong>Rome</strong><br />

1<br />

Although not originally conceived as such,<br />

AUR operated mainly as a Study Abroad<br />

institution during its first years, <strong>of</strong>fering<br />

<strong>American</strong> students an experience abroad in<br />

collaboration with their home universities.<br />

Initially, AUR received students from<br />

Pitzer College (California), Grand Valley<br />

State College (Michigan), and <strong>American</strong><br />

<strong>University</strong> in Washington, DC.<br />

92<br />

1. Grand Valley State College<br />

students arriving at the airport<br />

in 1975. Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Slowly, AUR expanded its reach and created<br />

affiliations with other universities in the<br />

United States. Today, AUR is affiliated with<br />

more than 40 universities and institutions<br />

across the U.S.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

2<br />

In the late 1970s, the leadership that<br />

succeeded the founding team took<br />

a significant step towards expanding<br />

AUR and making it a degree-granting<br />

institution. In 1986, with an articulation<br />

agreement with CUNY College <strong>of</strong> Staten<br />

Island, AUR was granted the authority to<br />

confer degrees in Business Administration,<br />

Interdisciplinary Studies, and International<br />

Business. Italian Studies and International<br />

Relations were added to the curriculum<br />

in the early 1990s, while Communication<br />

arrived in the latter part <strong>of</strong> the decade.<br />

Thus, AUR steadily grew into the higher<br />

education institution it is today, now<br />

<strong>of</strong>fering ten undergraduate programs and<br />

three graduate programs.<br />

2. Pitzer and Pomona students<br />

with Pr<strong>of</strong>. Enzo Amorini<br />

(far right, standing) in Perugia<br />

in 1978. Photo from AUR archives.<br />

93


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

3<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

4<br />

94<br />

3. AUR barbecue with<br />

President Melady (front<br />

row, third from right)<br />

in 1992. Photo from AUR<br />

archives.<br />

4. Group <strong>of</strong> AUR<br />

students in the early<br />

1990s. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

AUR granted its first degree<br />

in 1987. Where in these<br />

early days graduating<br />

classes held between<br />

12 to 20 students,<br />

it now graduates some<br />

80 students each year.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

5<br />

5. Cohort <strong>of</strong> the<br />

Class <strong>of</strong> 1996 walking<br />

through the AUR<br />

garden. Photo from<br />

AUR archives.<br />

95


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

AUR Commencements<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

<strong>Rome</strong> has long been a crossroads <strong>of</strong> the world, a city<br />

that lies between Europe and Asia, a meeting point<br />

<strong>of</strong> ideas, cultures, and nationalities. AUR is, for many<br />

<strong>of</strong> our students, the crossroads between adolescence<br />

and adulthood. As the procession through <strong>Rome</strong>’s<br />

triumphal arches signified victory and celebration<br />

millennia ago, the Commencement ceremony serves<br />

as a celebratory rite <strong>of</strong> passage for all AUR graduates<br />

as they launch themselves into the world and the<br />

next chapter <strong>of</strong> their life’s journey. In the early 1990s,<br />

1<br />

96<br />

1. Graduates <strong>of</strong> 2001 at<br />

the Commencement<br />

ceremony at Palazzo<br />

Brancaccio. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

2<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

some commencements were held on the<br />

campus <strong>of</strong> Via Pietro Roselli, in the style <strong>of</strong><br />

<strong>American</strong> universities in the United States.<br />

With increasing class sizes over time, AUR<br />

commencements moved to Villa Miani (on<br />

the Via Trionfale in northern <strong>Rome</strong>) and<br />

Palazzo Falconieri (near Campo dei Fiori).<br />

Eventually, the ceremony moved to the<br />

majestic Villa Aurelia (five minutes from<br />

the current AUR campus).<br />

3<br />

While the locations changed, the spirit <strong>of</strong><br />

Commencement remained the same: an<br />

occasion for staff, faculty, families, and<br />

students to come together in celebration.<br />

For students and parents, the event<br />

means the end <strong>of</strong> one chapter and the<br />

beginning <strong>of</strong> another. For staff and<br />

faculty, the celebration is a reminder <strong>of</strong><br />

why we do what we do at AUR: we work<br />

with students, and for students, to foster<br />

informed citizens and better leaders.<br />

2. <strong>The</strong> Class <strong>of</strong> 1999<br />

at the Commencement<br />

ceremony at Villa Miani.<br />

Photo from AUR archives.<br />

3. Graduates <strong>of</strong> the<br />

Class <strong>of</strong> 1995 sitting in<br />

the AUR garden <strong>of</strong> Via<br />

Pietro Roselli. Photo<br />

from AUR archives.<br />

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4<br />

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4. Graduates-to-be<br />

<strong>of</strong> the Class <strong>of</strong> 2004<br />

getting ready for the<br />

ceremony at Villa<br />

Aurelia. Photo from<br />

AUR archives.<br />

99


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5<br />

6<br />

100<br />

5. <strong>The</strong> Class <strong>of</strong> 2003<br />

at the Commencement<br />

ceremony at Palazzo<br />

Brancaccio. Photo from<br />

AUR archives.<br />

6. <strong>The</strong> Class <strong>of</strong> 2004<br />

graduation procession<br />

led by Pr<strong>of</strong>. James Walston<br />

at Villa Aurelia. Photo<br />

from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

7<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

7. Graduates <strong>of</strong> 2010<br />

at Villa Aurelia. Photo<br />

from AUR archives.<br />

101


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Chapter 2. <strong>The</strong> AUR Identity<br />

8<br />

9<br />

102<br />

8. Honorary Degree<br />

Recipient Joseph Plumeri<br />

(far left, standing)<br />

addresses the Class <strong>of</strong> 2018<br />

at the Commencement<br />

ceremony at Villa Aurelia.<br />

Photo from AUR archives.<br />

9. Pr<strong>of</strong>. Kathleen Fitzsimmons<br />

(third from right) with students at<br />

the Commencement ceremony<br />

<strong>of</strong> 2012 at Villa Aurelia.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

10<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

11<br />

10. Master’s Degree<br />

Graduates <strong>of</strong> 2018 at<br />

the Commencement<br />

ceremony at Villa<br />

Aurelia. Photo from<br />

AUR archives.<br />

11. Graduates <strong>of</strong><br />

the Class <strong>of</strong> 2015<br />

taking a selfie at<br />

the Commencement<br />

ceremony at Villa<br />

Aurelia. Photo from<br />

AUR archives.<br />

103


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

12<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

13<br />

14<br />

104<br />

12. <strong>The</strong> Class <strong>of</strong><br />

2000 hat toss at the<br />

Commencement<br />

ceremony at Villa<br />

Miani. Photo from<br />

AUR archives.<br />

13.<strong>The</strong> Class <strong>of</strong> 2006<br />

hat toss at the<br />

Commencement<br />

ceremony at Villa<br />

Aurelia. Photo from<br />

AUR archives.<br />

14. <strong>The</strong> Class <strong>of</strong><br />

2007 hat toss at the<br />

Commencement<br />

ceremony at Villa<br />

Aurelia. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

15<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

16<br />

15. <strong>The</strong> Class <strong>of</strong><br />

2016 hat toss at the<br />

Commencement<br />

ceremony at Villa<br />

Aurelia. Photo from<br />

AUR archives.<br />

16. <strong>The</strong> Class <strong>of</strong><br />

2015 hat toss at the<br />

Commencement<br />

ceremony at Villa<br />

Aurelia. Photo from<br />

AUR archives.<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

A Hub<br />

<strong>of</strong> World Citizens<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

In a world that is <strong>of</strong>ten inclined towards<br />

the building <strong>of</strong> walls, AUR seeks to build<br />

bridges.Education, in an environment<br />

that fosters intercultural exchange, is<br />

crucial if we are to see a world that favors<br />

collaboration instead <strong>of</strong> exclusion.<br />

Together with Michelangelo’s geometry at<br />

the Piazza del Campidoglio, AUR’s motto<br />

reads inter gentes trans orbem, translating<br />

as “between peoples, across the world”.<br />

A paramount element <strong>of</strong> the AUR identity<br />

is, in fact, its multicultural nature. AUR<br />

prides itself on having students from<br />

all parts <strong>of</strong> the world who enrich the<br />

community with their diverse cultures and<br />

experiences. It is this cultural richness that<br />

has made this <strong>University</strong> a hub <strong>of</strong> world<br />

citizens and cultural exchange since its<br />

inception <strong>50</strong> years ago, right up until the<br />

present day, standing atop the Janiculum<br />

Hill. Alumni testimonials consistently<br />

identify AUR’s element <strong>of</strong> cultural diversity<br />

as one <strong>of</strong> the highlights <strong>of</strong> their university<br />

experience, and they truly value the global<br />

network that they become a part <strong>of</strong>,<br />

having kept in touch with friends from AUR<br />

after graduating.<br />

<strong>The</strong> abounding multiculturalism at AUR<br />

combines with its high caliber academic<br />

<strong>of</strong>ferings to create the AUR experience.<br />

<strong>The</strong> <strong>University</strong> provides its students<br />

with a strong knowledge base, while<br />

simultaneously endowing them with<br />

significant cultural experiences that foster<br />

awareness <strong>of</strong> the past and the present, to<br />

better face the challenges <strong>of</strong> the future.<br />

1<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

1. Film students<br />

shooting at EUR<br />

neighborhood in<br />

1975. Photo from<br />

AUR archives.<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

2<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

3<br />

108<br />

2. Students relaxing at CIVIS<br />

in 1975. <strong>The</strong> Casa Italiana Viaggi<br />

Internazionali Studenti (CIVIS) is<br />

Loyola <strong>University</strong>’s headquarters<br />

in <strong>Rome</strong>. Photo from AUR archives.<br />

3. Group <strong>of</strong> students in front<br />

<strong>of</strong> Spoleto Cathedral in 1979.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

5<br />

4. AUR Orientation for freshmen<br />

and sophomores in 1980. Photo<br />

from AUR archives.<br />

5. Group <strong>of</strong> students in<br />

Napflion, Greece in 1981.<br />

Photo from AUR archives.<br />

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PART II.<br />

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Chapter 2. <strong>The</strong> AUR Identity<br />

6<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

6. Group <strong>of</strong> students in front<br />

<strong>of</strong> Spoleto Cathedral in 1982.<br />

Photo from AUR archives.<br />

111


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

7<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

8<br />

9<br />

112<br />

7. Tie dye in the AUR<br />

garden in 2017. Photo<br />

from AUR archives.<br />

8. AUR group photo after<br />

Board <strong>of</strong> Trustees’ event<br />

at the Majestic Hotel<br />

in <strong>Rome</strong> in 2009.Photo<br />

from AUR archives.<br />

9. AUR students on the<br />

terrace <strong>of</strong> Building A.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

10<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

11<br />

10. AUR students<br />

in Piazza Navona.<br />

Photo from AUR<br />

archives.<br />

11. Group <strong>of</strong> AUR<br />

students in the<br />

campus garden<br />

in 2008. Photo<br />

by Julie Williams,<br />

from AUR archives.<br />

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PART II.<br />

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Chapter 2. <strong>The</strong> AUR Identity<br />

According to myth...<br />

Romulus<br />

and Remus:<br />

<strong>The</strong> wolf and our mascot<br />

No history is complete without the myths<br />

that accompany it. Like <strong>Rome</strong>, AUR proudly<br />

carries a myth about its founding.<br />

<strong>The</strong> first and most significant myth <strong>of</strong><br />

<strong>Rome</strong> is that <strong>of</strong> Romulus and Remus, and<br />

<strong>of</strong> course, the she-wolf. AUR adopted the<br />

wolf as its <strong>of</strong>ficial mascot in celebration<br />

<strong>of</strong> <strong>Rome</strong> and the myth, so it is only suitable<br />

to start there.<br />

Legend tells that <strong>Rome</strong> was founded on<br />

April 21, 753 BC by Romulus and Remus,<br />

sons <strong>of</strong> Rhea Silvia. <strong>The</strong> question <strong>of</strong><br />

paternity varies greatly from version to<br />

version. <strong>So</strong>me attribute the pregnancy to<br />

Mars, the god <strong>of</strong> War, others to the hero<br />

Hercules. <strong>The</strong> more rational would take<br />

the stance <strong>of</strong> Livy, who attributed the<br />

conception to rape. Regardless <strong>of</strong> who the<br />

father was, as a Vestal Virgin, Rhea would<br />

have faced dire consequences for infringing<br />

her vow <strong>of</strong> chastity.<br />

When the twins are born, they are<br />

abandoned in a basket on the River Tiber,<br />

either by order <strong>of</strong> King Amulius or by the<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

hand <strong>of</strong> a frightened and desperate<br />

mother. <strong>The</strong> story goes that at the<br />

foot <strong>of</strong> the Palatine Hill, the basket gets<br />

caught in the roots <strong>of</strong> a fig tree. <strong>The</strong>re,<br />

the children are found by a she-wolf,<br />

1<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

who feeds them and protects them as if<br />

they were her cubs. When fully grown, the<br />

twin brothers decide to establish a city.<br />

Disagreeing, as all siblings do, things get a<br />

little out <strong>of</strong> hand. Romulus kills Remus and<br />

calls the new city <strong>Rome</strong>.<br />

All roads do lead to <strong>Rome</strong>, and no amount<br />

<strong>of</strong> words or images can prepare for the<br />

sense <strong>of</strong> awe that this wonderfully chaotic<br />

city inspires in all who come here. You could<br />

spend a lifetime in <strong>Rome</strong> and it would<br />

never stop surprising you with its endless<br />

intricacies and fragments <strong>of</strong> history that<br />

are woven into the very fabric <strong>of</strong> the city.<br />

1. Illustration <strong>of</strong> the Capitoline she-wolf with<br />

young Romulus and Remus. Page 102 from<br />

Speculum romanae magnificentiae, 1575,<br />

by Antoine Lafréry (1512-1577). Typ 525.75.<strong>50</strong>9.<br />

Houghton Library, Harvard <strong>University</strong>.<br />

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<strong>50</strong> YEARS OF HISTORY<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

<strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong>:<br />

A School for<br />

<strong>American</strong> Spies<br />

<strong>The</strong> founding myth regarding <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong> is that it was set-up as<br />

a school with tight links to the <strong>American</strong><br />

intelligence services. After World War<br />

II, it is rumored that <strong>American</strong> overseas<br />

universities were set up as surveillance<br />

hubs and information centers, especially<br />

in Europe. Within the <strong>American</strong> narrative<br />

<strong>of</strong> the “communist enemy,” Italy was <strong>of</strong><br />

particular interest. Italian socialist groups<br />

were known to sway more towards the<br />

ideals <strong>of</strong> <strong>So</strong>viet Communism instead <strong>of</strong><br />

those <strong>of</strong> a more democratic socialism, as in<br />

other parts <strong>of</strong> Europe. <strong>The</strong>refore, <strong>Rome</strong> was<br />

in theory one <strong>of</strong> the best places to establish<br />

a <strong>University</strong> that would serve as a cover for<br />

intelligence missions.<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

2<br />

Chapter 2. <strong>The</strong> AUR Identity<br />

2. Wellman, Walter J., Memorandum presented<br />

to the Office <strong>of</strong> General Counsel OASW,<br />

SSU. Dated 26 October 1945. Declassified file.<br />

Office <strong>of</strong> Strategic Services Personnel Files<br />

from World War II. <strong>The</strong> U.S. National Archives<br />

and Records Administration.<br />

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PART II.<br />

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Chapter 2. <strong>The</strong> AUR Identity<br />

This myth has been part <strong>of</strong> AUR since its<br />

beginnings. I have heard it from different<br />

sources and at different times, but I will<br />

do my best to transcribe it as faithfully as<br />

possible and not forget any <strong>of</strong> the details.<br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> was<br />

founded in 1969 by David T. Colin, a<br />

member <strong>of</strong> the <strong>American</strong> intelligence<br />

services. Colin had been an undercover<br />

spy during World War II, Sergeant <strong>of</strong> the<br />

<strong>American</strong> military and listed as a soldier<br />

<strong>of</strong> Operation PAPAYA <strong>of</strong> October 1944: a<br />

five-man mission led by Major John Tozzi<br />

that aimed at entering Italy from France.<br />

In the mid-1960s, he was sent to Italy to<br />

set up a school that would help keep an<br />

eye on the intellectual left-wing groups.<br />

A classified operation with an academic<br />

façade, <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

was brimming with trained spies that<br />

taught the courses <strong>of</strong>fered. In keeping<br />

under the radar, the programs lasted only<br />

four months, as most spy pr<strong>of</strong>essors had<br />

to return to their U.S. base regularly. Colin,<br />

a spy himself and the head <strong>of</strong> the <strong>Rome</strong><br />

operation, was very well connected among<br />

the political circles <strong>of</strong> <strong>Rome</strong> and the Italian<br />

government. Taking AUR students on<br />

fieldtrips, it is rumored that Colin did “spy<br />

work” on the side, gathering information<br />

as part <strong>of</strong> his mission with U.S. intelligence<br />

services. <strong>So</strong>me accounts <strong>of</strong> the myth also<br />

say that some <strong>of</strong> the students were junior<br />

spies in training.<br />

<strong>The</strong> roots <strong>of</strong> this myth—apart from the<br />

historical context that would seem to<br />

support it—probably lie in the founders’<br />

involvement with the State Department<br />

and the U.S. Foreign Service. Although<br />

AUR’s founding group was closely involved<br />

with politics and both the U.S. and Italian<br />

governments, there is no real pro<strong>of</strong> that<br />

the <strong>University</strong> was in fact a cover for<br />

espionage activities. Records show that<br />

David Colin was discharged from the OSS<br />

(predecessor to the CIA) in October 1945. If<br />

he was doing undercover espionage during<br />

the early years <strong>of</strong> AUR in the 1970s, we have<br />

yet to find the documents to confirm it.<br />

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Chapter 2. <strong>The</strong> AUR Identity<br />

3. Colin, David. Letter presented to 1st Lt.<br />

James D. Walsh. Dated 30 November 1945.<br />

Declassified file. Office <strong>of</strong> Strategic Services<br />

Personnel Files from World War II. <strong>The</strong> U.S.<br />

National Archives and Records Administration.<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 3. AUR Is Its People<br />

Chapter 3:<br />

AUR IS ITS PEOPLE<br />

History is nothing but a narration <strong>of</strong><br />

those who live, work, believe in a vision,<br />

and make it happen. AUR is only as strong<br />

as its people. It is thanks to the people—<br />

from all constituencies, throughout<br />

the years—that AUR is what it is today.<br />

Students, staff, faculty, alumni, trustees,<br />

donors, volunteers, and friends, all make<br />

up that worldwide AUR community that<br />

will always call <strong>Rome</strong>, home.<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

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Chapter 3. AUR Is Its People<br />

1. Group <strong>of</strong> AUR<br />

students in 2005.<br />

Photo from AUR archives.<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

AUR Chairs <strong>of</strong> the<br />

Board <strong>of</strong> Trustees:<br />

Chapter 3. AUR Is Its People<br />

George A. Tesoro<br />

(1969-1984)<br />

Joseph T. Ventura<br />

(1984-1989)<br />

Margaret J. Giannini<br />

(1989-2003)<br />

Joseph V. Del Raso<br />

(2003-2013)<br />

Gabriel A. Battista<br />

(2013-Present)<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

2<br />

Chapter 3. AUR Is Its People<br />

3<br />

2. Current Chair <strong>of</strong> the Board<br />

<strong>of</strong> Trustees, Gabriel A. Battista<br />

addressing the graduating class<br />

at Commencement.<br />

Photo from AUR archives.<br />

3. Current Board <strong>of</strong> Trustees,<br />

with Dr. Richard Hodges, OBE<br />

(second row, third from left).<br />

Photo from AUR archives.<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

AUR Presidents:<br />

Chapter 3. AUR Is Its People<br />

David T. Colin<br />

(1969-1985)<br />

John V. Falconieri<br />

(1985-1989)<br />

Gregory O. Smith<br />

(Acting)<br />

(1989-1990)<br />

Robert Severino<br />

(1990-1993)<br />

Amb. Alessandro<br />

Cortese de Bosis<br />

(1993-1995)<br />

Angela Iovino<br />

(1995-1996)<br />

Peter Alegi<br />

(Acting)<br />

(1996-1996)<br />

Margaret Melady<br />

(1997-2003)<br />

Robert H. Evans<br />

(2003-2005)<br />

Robert Marino<br />

(2005-2011)<br />

Andrew Thompson<br />

(Acting)<br />

(2011-2012)<br />

Richard Hodges, OBE<br />

(2012-Present)<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

Chapter 3. AUR Is Its People<br />

4. Founder and first President<br />

<strong>of</strong> AUR, David T. Colin (front left),<br />

with students in 1977.<br />

Photo from AUR archives.<br />

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PART II.<br />

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Chapter 3. AUR Is Its People<br />

Honorary degree<br />

recipients since 1994:<br />

1994<br />

Rev. Donald Harrington<br />

Former President<br />

<strong>of</strong> St. John’s <strong>University</strong><br />

1995<br />

Edward D. Re<br />

Chief Judge, Pr<strong>of</strong>essor<br />

<strong>of</strong> St. John’s <strong>University</strong><br />

1997<br />

Cipriana Artom Scelba<br />

Former Exec. Director, Italian<br />

Fulbright Commission<br />

(1948-1988)<br />

1997<br />

Antonio Marinelli<br />

Businessman, and former Member<br />

<strong>of</strong> the Board <strong>of</strong> Trustees<br />

<strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

1998<br />

Corinne Claiborne Boggs<br />

<strong>American</strong> Politician and former<br />

Ambassador <strong>of</strong> the U.S.<br />

to the Vatican<br />

1998<br />

Hage Geingob<br />

Politician and current President<br />

<strong>of</strong> the Republic <strong>of</strong> Namibia<br />

1999<br />

Stephen A. Fausel<br />

Philanthropist, Environmentalist,<br />

Businessman, Humanitarian<br />

1999<br />

Rexhep Meidani<br />

Physics Pr<strong>of</strong>essor and Diplomat,<br />

former President <strong>of</strong> the Republic<br />

<strong>of</strong> Albania<br />

2000<br />

Francesco Rutelli<br />

Italian Politician and former Mayor<br />

<strong>of</strong> the City <strong>of</strong> <strong>Rome</strong><br />

2001<br />

Boris Biancheri<br />

Italian Diplomat and Author, former<br />

President <strong>of</strong> Ansa<br />

(Italian Press Agency)<br />

2001<br />

Catherine Bertini<br />

Leader in International Organization<br />

Management, former Executive<br />

Director <strong>of</strong> World Food Program<br />

(1992-2002)<br />

2002<br />

Patricia de Stacy Harrison<br />

U. S. Assistant Secretary <strong>of</strong> State,<br />

Educational & Cultural Affairs,<br />

former Member <strong>of</strong> the Board<br />

<strong>of</strong> Trustees <strong>of</strong> the <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

2002<br />

Lawrence E. Auriana<br />

Co-founder and Portfolio Manager,<br />

Federated Kaufmann Fund<br />

126


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

2003<br />

Dr. Margaret J. Giannini<br />

Director, Office <strong>of</strong> Disability,<br />

Department <strong>of</strong> Health and Human<br />

Services, former Member <strong>of</strong> the<br />

Board <strong>of</strong> Trustees <strong>of</strong> <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

2004<br />

Lilli Gruber<br />

RAI Television Journalist<br />

2005<br />

On. Franco Frattini<br />

Italian Politician<br />

and EU Commissioner<br />

2005<br />

John F. Scarpa<br />

Entrepreneur, Former co-founder<br />

and president <strong>of</strong> <strong>American</strong> Cellular<br />

Network Corporation, as well as<br />

former co-founder <strong>of</strong> Unitel Wireless<br />

Communications Systems<br />

2005<br />

Robert H. Evans<br />

Educator, Scholar <strong>of</strong> Politics<br />

and International Relations,<br />

former President <strong>of</strong> <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

2006<br />

Pier Francesco Guarguaglini<br />

Italian Engineer, Businessman<br />

and Educator, former Chairman<br />

<strong>of</strong> Finmeccanica (2002-2011)<br />

2006<br />

Adriano La Regina<br />

Italian Archaeologist and former<br />

President <strong>of</strong> the Instituto Nazionale<br />

di Archeologia e Storia dell Arte<br />

and President <strong>of</strong> Zetema-Progetto<br />

Cultura (1976-2004)<br />

2007<br />

Sean Lovett<br />

Director <strong>of</strong> English Programs,<br />

Vatican Radio<br />

2007<br />

Sylvia Poggioli<br />

Senior European Correspondent<br />

for NPR’s Foreign Desk<br />

2008<br />

Ronald P. Spogli<br />

<strong>American</strong> Venture Capitalist<br />

and Diplomat, former US<br />

Ambassador to Italy<br />

2009<br />

Giuliano Amato<br />

Italian Lawyer and Politician,<br />

President <strong>of</strong> the <strong>American</strong><br />

Studies Center<br />

2009<br />

Vincent Viola<br />

Senior Strategic Advisor New York<br />

Mercantile Exchange<br />

2010<br />

Piero Angela<br />

Writer and RAI Journalist<br />

2010<br />

Robert Carlucci<br />

Businessman and Philanthropist<br />

Founder <strong>of</strong> R&R Ventures<br />

and Affiliates.<br />

2011<br />

David H. Thorne<br />

<strong>American</strong> Businessman and former<br />

US Ambassador to Italy<br />

2012<br />

Francesco Guccini<br />

Italian Singer, Poet and <strong>So</strong>ngwriter<br />

Chapter 3. AUR Is Its People<br />

127


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 3. AUR Is Its People<br />

2012<br />

Emmanuele F.M. Emanuele<br />

Honorary Chairman<br />

Fondazione Roma<br />

2013<br />

Donna Shalala<br />

US Congresswoman and former<br />

President <strong>of</strong> the <strong>University</strong> <strong>of</strong> Miami<br />

2013<br />

Adele Chatfield Taylor<br />

Prominent Arts Administrator<br />

and former President <strong>of</strong> <strong>American</strong><br />

Academy in <strong>Rome</strong> (1988-2013)<br />

2013<br />

Salvatore Mancuso<br />

President Equinox;<br />

Former Vice President <strong>of</strong> Alitalia<br />

2013<br />

Andrea Camilleri<br />

Novelist<br />

2014<br />

Roger Waters<br />

Pink Floyd Lead Singer<br />

and Philanthropist<br />

2014<br />

Mary Beard<br />

Classicist<br />

2014<br />

Aurelio De Laurentiis<br />

Film Producer and Chairman<br />

<strong>of</strong> Napoli Football Club<br />

2015<br />

Paolo <strong>So</strong>rrentino<br />

Film Director and Producer<br />

2015<br />

Alice Waters<br />

Chef, Author, Food Activist<br />

2016<br />

Oscar <strong>Far</strong>inetti<br />

Founder <strong>of</strong> Eataly<br />

2016<br />

Harry Shindler, MBE<br />

Author and campaigner<br />

for veterans <strong>of</strong> WWII<br />

2017<br />

Laura Boldrini<br />

President <strong>of</strong> the Italian Chamber<br />

<strong>of</strong> Deputies<br />

2017<br />

Lynn Meskell<br />

Pr<strong>of</strong>essor, Department<br />

<strong>of</strong> Anthropology, Stanford <strong>University</strong><br />

2017<br />

Rula Jebreal<br />

Journalist, Author and Foreign<br />

Policy Analyst<br />

2018<br />

Charles K. Williams II<br />

Philanthropist and Archaeologist<br />

2018<br />

Joseph J. Plumeri II<br />

Philanthropist and Entrepreneur<br />

128


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

5<br />

Chapter 3. AUR Is Its People<br />

6<br />

5. Honorary Degree recipient<br />

Roger Waters (center) with<br />

AUR Board Chair and Senior Staff<br />

in 2014. Photo from AUR archives.<br />

6. Honorary Degree recipient<br />

Rula Jebreal (center) with Syrian<br />

scholarship recipients in 2017.<br />

Photo from AUR archives.<br />

129


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

7<br />

Chapter 3. AUR Is Its People<br />

8<br />

130<br />

7. Honorary Degree recipient<br />

Paolo <strong>So</strong>rrentino (front left),<br />

with AUR students in 2015.<br />

Photo from AUR archives.<br />

8. Honorary Degree recipient<br />

Vincent Viola (left), with AUR<br />

students in 2009.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

People who have left<br />

an unforgettable trace<br />

at AUR:<br />

Robert Henry<br />

Evans<br />

President 2003-2005<br />

Robert Henry Evans was born in Bristol,<br />

England, on April 1, 1937. He grew up<br />

mainly in France, becoming a fluent French<br />

and Italian speaker, graduating from the<br />

Institut des Etudes Politiques in 1959. He<br />

then taught geography and history in<br />

France for two years before going to the<br />

<strong>University</strong> <strong>of</strong> Denver where he received his<br />

master’s degree in 1961 and his Ph.D. in<br />

1966. During this period, he continued to<br />

work at the Bologna Center as Assistant<br />

to the Director. He then returned to the<br />

U.S., where he taught at the <strong>University</strong><br />

<strong>of</strong> Notre Dame and later at the <strong>University</strong><br />

<strong>of</strong> Virginia as a Pr<strong>of</strong>essor <strong>of</strong> Government<br />

and Foreign Affairs, as well as serving as<br />

Chair <strong>of</strong> the Department at the latter from<br />

1982-1987. In 1992, he returned to Bologna to<br />

direct the Johns Hopkins <strong>University</strong> School<br />

<strong>of</strong> Advanced International Studies.<br />

In 2003, he moved to <strong>Rome</strong> to become<br />

President <strong>of</strong> AUR.<br />

During his lifetime, he received several<br />

awards for his work in the field <strong>of</strong> education<br />

and international relations. Among these<br />

were the Turrito d’Oro from the Mayor<br />

<strong>of</strong> Bologna, the Sigillo d’Ateneo from the<br />

<strong>University</strong> <strong>of</strong> Bologna, the Distinguished<br />

Alumnus Award from Johns Hopkins<br />

<strong>University</strong>, and, along with his wife, the<br />

Founder’s Award from the Paul H. Nitze<br />

School <strong>of</strong> Advanced International Studies<br />

in Washington, DC.<br />

A scholar, political scientist, educator, and<br />

revered academic leader, Robert Evans<br />

believed that international education<br />

allowed for better world citizens and<br />

more mindful leaders. He stated: “You<br />

put 30 nationalities together, each with<br />

its point <strong>of</strong> view, and by the end <strong>of</strong> the<br />

year each person has learned to listen to<br />

another point <strong>of</strong> view, and ponder it, and<br />

even agree with it.” He was, undeniably, a<br />

perfect fit for AUR and it is saddening that<br />

he was not able to see the growth <strong>of</strong> the<br />

<strong>University</strong> as he had once envisioned it. In<br />

2005, Evans passed away prematurely due<br />

to illness. In honor <strong>of</strong> his memory, the SAIS<br />

department <strong>of</strong> Johns Hopkins <strong>University</strong><br />

in Bologna dedicated library in his name.<br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> named<br />

its library after him and his wife, who both<br />

made great contributions to the growth<br />

and vision <strong>of</strong> the <strong>University</strong>, despite the<br />

brevity <strong>of</strong> the time they spent there.<br />

Robert H. Evans will always be remembered<br />

by the AUR community as a kind and<br />

visionary man and a leading voice <strong>of</strong> AUR<br />

that has echoed throughout the years.<br />

Chapter 3. AUR Is Its People<br />

Robert H. Evans<br />

in 2003.<br />

Photo from<br />

AUR archives.<br />

131


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 3. AUR Is Its People<br />

Terry Rossi<br />

Kirk<br />

Pr<strong>of</strong>essor <strong>of</strong> Art History<br />

1988-2009<br />

“IMPOSSIBLE WORDS,<br />

WONDROUS<br />

NECESSARY WORDS,<br />

WORDS LONGING TO BE<br />

MORE THAN WORDS,<br />

LONGING TO<br />

BE MORE LIKE SILENCE<br />

OR LIKE ACTION,<br />

WORDS IN THE FACE<br />

OF UNSPEAKABLE BEAUTY,<br />

OF UNSPEAKABLE<br />

ANGUISH,<br />

WORDS OF SHAME<br />

AND OF HOPE<br />

BLUSHING<br />

AT THEMSELVES.”<br />

Poem by Paul Murray,<br />

shared by Pr<strong>of</strong>. Breda Enis<br />

132


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 3. AUR Is Its People<br />

Terry Rossi Kirk was born on August 30,<br />

1961, in Florida. He attended Université de<br />

Genève in Switzerland, Universität Wien<br />

in Austria, and Università per Stranieri<br />

in Perugia, Italy. He received a B.A. with<br />

distinction in Art History at Yale College,<br />

New Haven, in 1984. Kirk completed three<br />

additional degrees at Columbia <strong>University</strong>,<br />

New York, in the Department <strong>of</strong> Art<br />

History: an M.A. in 1986, an M.Phil. in 1987,<br />

and a Ph.D. in 1997. During his lifetime, he<br />

collaborated with the National Endowment<br />

for the Humanities, the Institut de l’Histoire<br />

de l’Art, the Deutsches Archaeologisches<br />

Institut, the Yale <strong>University</strong> School <strong>of</strong><br />

Architecture, the <strong>University</strong> <strong>of</strong> Lund, the<br />

Savannah College <strong>of</strong> Art and Design,<br />

and the Wagner <strong>So</strong>ciety <strong>of</strong> <strong>Rome</strong>.<br />

Wanderer Above the<br />

Sea <strong>of</strong> Fog,<br />

by Caspar David<br />

Friedrich circa 1817.<br />

Oil on canvas.<br />

Kunsthalle Hamburg.<br />

133


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 3. AUR Is Its People<br />

Terry Kirk started working at <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong> in 1988, teaching an<br />

introductory course entitled “<strong>The</strong> Art<br />

<strong>of</strong> <strong>Rome</strong>.” He worked closely not only<br />

with the faculty in his department, but<br />

with pr<strong>of</strong>essors from all AUR’s academic<br />

departments, and formed strong bonds<br />

with students, pr<strong>of</strong>essors, and staff alike.<br />

He left in his wake that most significant<br />

and pr<strong>of</strong>ound legacy that any teacher can<br />

hope for: he changed lives. His students<br />

remember his lectures as engaging and<br />

inspiring, his marvelous way with words<br />

bringing the art and architecture <strong>of</strong><br />

<strong>Rome</strong> to life. A singer and a performer,<br />

he imbued his classes with theatricality,<br />

leading students through the streets<br />

<strong>of</strong> <strong>Rome</strong> on expeditions to plume its stories<br />

and secrets. His dedication and enthusiasm<br />

as a pr<strong>of</strong>essor is extant, still today.<br />

<strong>The</strong> students who had the honor <strong>of</strong><br />

meeting him continue to treasure their<br />

memories <strong>of</strong> his dedication and enthusiasm<br />

as a pr<strong>of</strong>essor.<br />

On October 17, 2009, Terry Kirk left<br />

this world prematurely. His death was<br />

a tremendous loss for the entire AUR<br />

community, the field <strong>of</strong> Art History, and<br />

academia at large. He will always be<br />

remembered for his unfaltering smile and<br />

joie-de-vivre, one <strong>of</strong> the greatest pr<strong>of</strong>essors<br />

<strong>Rome</strong> and AUR ever had.<br />

134<br />

Pr<strong>of</strong>. Kirk (second from<br />

left) with his students<br />

at Parco del Colle Oppio,<br />

near the Colosseum.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

“Terry loved a painting entitled wanderer<br />

above the sea <strong>of</strong> fog by the German Romantic<br />

landscape painter Caspar David Friedrich<br />

– a haunting vision <strong>of</strong> a lonely figure standing<br />

on a rocky peak confronting the grandeur<br />

<strong>of</strong> nature in astonished reverence.<br />

In the distance – through the swirling fog<br />

– rises a triangular shaped mountain which<br />

seems to dialogue with him across the vast open<br />

spaces inhabited by hills, trees,<br />

and <strong>of</strong> course the fog.<br />

Chapter 3. AUR Is Its People<br />

Terry climbed up to the rocky peak for a final<br />

communion with nature’s great distances<br />

and vast spaces.<br />

We, all <strong>of</strong> us, want to spiritually go up<br />

the mountain with him.<br />

We want to Acknowledge his loneliness<br />

and his solitude – a loneliness that is desiring<br />

and which lent a dignity to the poem <strong>of</strong> his life.<br />

His last word to us is silence-------that silence coming<br />

from the mystery <strong>of</strong> the human condition.<br />

Again ------his last word is silence – a silence having<br />

within it an element <strong>of</strong> the tragic and the heroic.<br />

It brings us to contemplate our own inner<br />

spaces and solitude.<br />

Terry went into the enormous beauty <strong>of</strong> nature<br />

to solace his soul, a soul that yearned for what<br />

the mountain would say to him.”<br />

Pr<strong>of</strong>. Breda Ennis<br />

135


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 3. AUR Is Its People<br />

James<br />

Walston<br />

Pr<strong>of</strong>essor <strong>of</strong> International<br />

Relations 1991-2014<br />

James Walston was born in Dublin, Ireland,<br />

on July 18, 1949. He was raised in England,<br />

where he studied at Eton and Jesus College,<br />

Cambridge <strong>University</strong> (B.A. 1975 and<br />

Ph.D. 1986). In the early 1970s, he taught in<br />

Milan, and, in 1974, he moved permanently<br />

to <strong>Rome</strong>.<br />

Walston taught mainly in U.S. higher education<br />

institutions abroad, including the<br />

<strong>University</strong> <strong>of</strong> Maryland, Middlebury College<br />

in Vermont, and various U.S. programs<br />

in <strong>Rome</strong>, including Temple, Trinity, and<br />

Loyola. In 1991, he joined the AUR community,<br />

teaching history, politics, and international<br />

relations. An expert in contemporary<br />

Italian politics, conflict resolution issues,<br />

and modern history, Walston published extensively<br />

and was called to comment on<br />

politics and economy by important news<br />

outlets, such as <strong>The</strong> Guardian, CNN, ABC,<br />

136<br />

Pr<strong>of</strong>essor Walston at<br />

the 40th Anniversary<br />

picnic in 2009. Photo<br />

from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

and the BBC. In 1997, he became the first<br />

European Union citizen to stand for election<br />

to the <strong>Rome</strong> City Council.<br />

From 2002 to 2008, Walston was the Chair<br />

<strong>of</strong> the International Relations Department<br />

at AUR. During this time, he took students<br />

on regular fieldtrips to sites like Brussels,<br />

Geneva, and Vienna, as well as to conflict<br />

resolution sites like the Basque Country,<br />

Northern Ireland, Montenegro, and Kosovo.<br />

During this period, Walston also established<br />

an annual Ghana trip and the brief, but<br />

influential, Ghana Scholarship for Ghanaian<br />

students to spend a semester abroad at<br />

AUR. Since 2004, and until his premature<br />

passing, he also taught and directed the<br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong> La Sapienza’s Eurosapienza’s<br />

international relations module in the<br />

master’s program in State Management<br />

and Humanitarian Affairs.<br />

James Walston changed the lives <strong>of</strong> his students.<br />

With his passion and dedication to<br />

teaching, he is remembered by all as a pillar<br />

<strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>. In the<br />

words <strong>of</strong> President Richard Hodges, “Over<br />

the course <strong>of</strong> a quarter century, Pr<strong>of</strong>essor<br />

Walston was not only a founding father <strong>of</strong><br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>, but its<br />

most distinguished, gracious, and charismatic<br />

public champion. He was a beloved<br />

pr<strong>of</strong>essor who provided his students with<br />

fascinating classes and real-world experiences,<br />

always combined with a habitually<br />

gentle wisdom.”<br />

James Walston passed away in May 2014.<br />

Following his death, several memorial<br />

initiatives were launched in his memory.<br />

<strong>The</strong> James Walston Fund was launched by<br />

alumnae Sallie Pisch (International Relations,<br />

2010) and Caitlin Bagby (International<br />

Relations, 2009). <strong>The</strong> fund supports<br />

the International Relations fieldtrips that<br />

Walston so strongly believed in. To Pr<strong>of</strong>essor<br />

Walston these trips were an essential<br />

component <strong>of</strong> an International Relations’<br />

education because they provided students<br />

the possibility to experience theoretical and<br />

historical training on the ground.<br />

Chapter 3. AUR Is Its People<br />

Pr<strong>of</strong>essor Walston at<br />

the Commencement<br />

procession <strong>of</strong> 2010.<br />

Photo from AUR<br />

archives.<br />

137


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 3. AUR Is Its People<br />

Through these academic fieldtrips, students<br />

do not just gain knowledge <strong>of</strong> the<br />

real world but create bonds as a community<br />

by sharing a common passion <strong>of</strong> international<br />

affairs. Furthermore, the annual<br />

James Walston Memorial Lecture was established<br />

in commemoration <strong>of</strong> the various<br />

guest lecturers that Walston brought to<br />

AUR during his years as a pr<strong>of</strong>essor.<br />

<strong>The</strong> premature passing <strong>of</strong> James Walston<br />

was a great loss to AUR, but he will always<br />

be remembered, commemorated,<br />

and honored as one <strong>of</strong> the great people<br />

that changed AUR forever.<br />

“Pr<strong>of</strong>essor Walston was a true teacher<br />

and an incredible academic mind.<br />

His devotion to AUR stemmed from<br />

his relationships with the students,<br />

his love <strong>of</strong> Italy, and <strong>Rome</strong> in particular,<br />

and an unflappable drive to be a force<br />

for good in the world. He had a very<br />

strong belief that he could contribute<br />

to students’ world views through teaching<br />

and through practical exposure to<br />

the political realities <strong>of</strong> any given<br />

situation. I believe that he found a perfect<br />

confluence <strong>of</strong> inspirations at AUR,<br />

in that he could incorporate his workstudy<br />

trips into a rigorous academic<br />

program and truly teach people about<br />

politics and the world.”<br />

Bliss Holloway, International<br />

Relations and Global Politics, 2004<br />

Chair, AUR Alumni Council<br />

138


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 3. AUR Is Its People<br />

AUR students at an on-site<br />

class at the Pantheon.<br />

Photo from AUR archives.<br />

139


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

SENIORITY HONOR ROLL<br />

by years <strong>of</strong> service<br />

Chapter 3. AUR Is Its People<br />

27 years <strong>of</strong> service<br />

Rosa Fusco, Director <strong>of</strong> Computer Services<br />

22 years <strong>of</strong> service<br />

Franziska Wallner, Senior Librarian<br />

21 years <strong>of</strong> service<br />

Giovanna Agostini, Adjunct Faculty, Fine Arts<br />

Anna Balzarro, Adjunct Faculty, History<br />

Paolo Crocchiolo, Adjunct Faculty, Biology<br />

Lucy Delogu, Adjunct Faculty, Italian Studies<br />

Valentina Dorato, Adjunct Faculty, Italian Studies<br />

Alessandro Liberto, Adjunct Faculty, Poetry and Literature<br />

Josephine Luzon, Adjunct Faculty, Accounting<br />

Timothy Martin, Adjunct Faculty, Italian Studies/Fine Arts<br />

Ida Passarelli, Adjunct Faculty, Italian Studies<br />

Silvano Susi, Adjunct Faculty, Business Administration<br />

140


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

18 years <strong>of</strong> service<br />

Marita Luzon, Finance Office Manager<br />

17 years <strong>of</strong> service<br />

Katherine Bemis, Student Life Coordinator,<br />

Community Service & Engagement Specialist<br />

Daria Borghese, Adjunct Faculty, Art History<br />

Chiara Lino, Student Life Coordinator & Intercultural<br />

Relations Specialist<br />

David A. Pollon, Adjunct Faculty, Business Administration<br />

Robert G. <strong>So</strong>nnabend, Adjunct Faculty, Business<br />

Administration<br />

Chapter 3. AUR Is Its People<br />

15 years <strong>of</strong> service<br />

Kathleen Fitzsimmons, Associate Pr<strong>of</strong>essor,<br />

Director <strong>of</strong> Business Administration<br />

Paul Gwynne, Full Pr<strong>of</strong>essor <strong>of</strong> Medieval<br />

and Renaissance Studies, Director <strong>of</strong> Interdisciplinary Studies<br />

Valerie Higgins, Associate Pr<strong>of</strong>essor <strong>of</strong> Archaeology,<br />

Director <strong>of</strong> Sustainable Cultural Heritage MA<br />

Jens D. Koehler, Adjunct Faculty, Archaeology and Classics<br />

Marshall Langer, Adjunct Faculty, Business Administration<br />

Catherine Ramsey-Portolano, Associate Pr<strong>of</strong>essor,<br />

Director <strong>of</strong> Italian Studies<br />

Stefano Stoppaccioli, Dean <strong>of</strong> Students<br />

& Director <strong>of</strong> Affilliate Programs<br />

141


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Chapter 4:<br />

THE LOCATIONS OF AUR<br />

When you walk onto the campus<br />

<strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong><br />

today, it seems inconceivable that AUR<br />

started in an apartment in the center<br />

<strong>of</strong> <strong>Rome</strong>. And yet, it did. With its legal<br />

headquarters at the Colin residence,<br />

AUR rented two apartments in the<br />

vicinity <strong>of</strong> Via Veneto, where most classes<br />

were held. <strong>The</strong> <strong>American</strong> <strong>University</strong><br />

<strong>of</strong> <strong>Rome</strong>, as envisioned by its founders,<br />

was in fact a <strong>University</strong> without—or<br />

with very few—walls. David T. Colin and<br />

Joan Carpenter took students all around<br />

<strong>Rome</strong>, and Italy, to learn from high pr<strong>of</strong>ile<br />

pr<strong>of</strong>essionals in business, art, cinema, and<br />

politics. It was not until 1993, when the<br />

dislocated buildings became insufficient to<br />

hold the number <strong>of</strong> students it had, that<br />

AUR was forced to look for a new campus.<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Giovanni Battista Piranesi. <strong>The</strong> Piazza di Spagna<br />

(Veduta di Piazza di Spagna). Etching. Ca. 17<strong>50</strong>.<br />

Creative Commons CC0 1.0 Universal Public Domain<br />

Image from <strong>The</strong> Metropolitan Museum <strong>of</strong> Art.<br />

143


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Via della Mercede, 21<br />

Colin property<br />

144


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

When <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> was<br />

founded, David T. Colin generously <strong>of</strong>fered<br />

his property in the center <strong>of</strong> <strong>Rome</strong> as the<br />

<strong>of</strong>ficial headquarters <strong>of</strong> the <strong>University</strong>. <strong>The</strong><br />

two-bedroom apartment near the Spanish<br />

steps hosted the administrative <strong>of</strong>fices<br />

<strong>of</strong> AUR, the Student Union, and a small<br />

classroom space. Convivial events that Joan<br />

Carpenter (Colin’s wife and Dean <strong>of</strong> Students)<br />

organized—usually Sunday pizza parties—were<br />

held at the Colin residence on Via Cassia.<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

1<br />

1. Front <strong>of</strong> CIVIS.<br />

Photo from AUR<br />

archives.<br />

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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Thanks to Colin’s contacts, AUR<br />

classes and dorms were located in the<br />

Montemario neighborhood at the then<br />

CIVIS (Casa Italiana Viaggi Internazionali<br />

Studenti) center. CIVIS, Loyola <strong>University</strong>’s<br />

headquarters in <strong>Rome</strong> since 2009, was<br />

founded in 1962 by Reverend John P.<br />

Felice, a Maltese Jesuit who served as an<br />

intelligence <strong>of</strong>ficer in the British Eighth<br />

Army during World War II.<br />

Between 1969 and approximately 1980,<br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> shared<br />

CIVIS spaces with other <strong>American</strong> and<br />

International universities that <strong>of</strong>fered study<br />

abroad programs in <strong>Rome</strong>.<br />

2<br />

146<br />

2. AUR students at<br />

the CIVIS dorms in<br />

1974. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

3<br />

4<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

5<br />

3. Students at the<br />

CIVIS dining hall in<br />

1975. Photo from<br />

AUR archives.<br />

4. Pizza party at the<br />

Colin residence on Via<br />

Cassia in 1975. Photo<br />

from AUR archives.<br />

5. Pizza party at the<br />

Colin’s residence on<br />

Via Cassia in 1975.<br />

Photo from AUR archives.<br />

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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Viale delle Milizie, 6<br />

148


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PART II.<br />

1<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

As AUR grew steadily, its demand for more<br />

space to host more students became<br />

imperative. In addition, student strikes and<br />

squatting at the CIVIS facilities made the<br />

use <strong>of</strong> the space on the Nomentana less<br />

than ideal. It was then that President Colin<br />

arranged for the renting <strong>of</strong> a space in the<br />

Prati neighborhood, more precisely on Viale<br />

delle Milizie, 6. <strong>The</strong> facilities there consisted<br />

<strong>of</strong> three classrooms, an <strong>of</strong>fice-seminar<br />

room, and a garden. <strong>The</strong> administrative<br />

<strong>of</strong>fices, a student lounge, and a classroom<br />

remained in the Colin property near Piazza<br />

di Spagna and the library space used by<br />

students was the British Council Library.<br />

This was a temporary solution, as the<br />

<strong>University</strong> was growing at a fast pace.<br />

<strong>The</strong> Viale delle Milizie facilities were shared<br />

with the Istituto delle Comunicazioni led<br />

by a Mr. Alberto J. Sciaky, who was part<br />

<strong>of</strong> a prominent Jewish family and an<br />

acquaintance <strong>of</strong> Colin. Having left CIVIS,<br />

housing for students was in lodging houses<br />

or pensioni. <strong>So</strong>me <strong>of</strong> the lodging houses<br />

that had an agreement with AUR were<br />

Pensione Paradiso, Pensione Chindano,<br />

and Pensione De Petris. Most <strong>of</strong> these still<br />

exist today.<br />

1. Viale delle Milizie<br />

in 1982. Photo from<br />

AUR archives.<br />

149


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

2<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

3<br />

1<strong>50</strong><br />

2. Pr<strong>of</strong>. Michael Rudd<br />

(top right) teaching<br />

Roman Literature in<br />

Translation in 1983<br />

at AUR. Photo from<br />

AUR archives.<br />

3. Students outside<br />

Pensione Paradiso.<br />

Photo from AUR<br />

archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

5<br />

4. Students in a<br />

room <strong>of</strong> one <strong>of</strong> the<br />

pensioni. Photo from<br />

AUR archives.<br />

5. Viale delle Milizie today.<br />

Photo by Ellie Johnson.<br />

151


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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Via Marche, 54<br />

Scala B, 5th floor<br />

152


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

1<br />

In June 1984, <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong><br />

<strong>Rome</strong> moved to Via Marche, 54. A couple<br />

<strong>of</strong> minutes away from the <strong>American</strong><br />

Embassy and Via Veneto, AUR facilities<br />

included administrative <strong>of</strong>fices, classrooms,<br />

a conference room, and a small library<br />

with mostly course-related books.<br />

Classes were still held mostly on-site and<br />

academic fieldtrips were a pivotal part <strong>of</strong><br />

the curriculum. Today, the apartment is a<br />

private residence. <strong>The</strong> doorwoman there<br />

has worked in the building since before AUR<br />

was there.<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

1. Entrance to<br />

Via Marche in<br />

the early 1980s.<br />

Photo from AUR<br />

archives.<br />

153


PART II.<br />

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3<br />

154<br />

2. Entrance to Via Marche today.<br />

Photo by Ellie Johnson.<br />

3. Roberto, the barista <strong>of</strong> Caffe Tazza d’Oro<br />

on Via Marche. He has been working at the<br />

c<strong>of</strong>fee bar since the 1970s and still remembers<br />

AUR students and pr<strong>of</strong>essors who came to<br />

have c<strong>of</strong>fee there. Photo by Ellie Johnson.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

5<br />

4. Via Marche street<br />

view today. Photo by<br />

Ellie Johnson.<br />

5. Via Marche street<br />

view in 1983. Photo<br />

from AUR archives.<br />

155


PART II.<br />

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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Piazza Sallustio, 24<br />

156


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

1<br />

As AUR grew, its expansion project<br />

continued. In 1986, the <strong>University</strong> rented<br />

an apartment overlooking the ancient Villa<br />

<strong>of</strong> Sallust where the Gardens <strong>of</strong> Sallust—<br />

formerly the Gardens <strong>of</strong> Caesar—once<br />

blossomed. <strong>The</strong> Via Marche apartment<br />

remained the main headquarters, with<br />

administrative <strong>of</strong>fices, library, and<br />

auditorium, while the Piazza Sallustio, 24<br />

location hosted most classrooms.<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

1. Piazza Sallustio<br />

street view. Photo<br />

from AUR archives.<br />

157


PART II.<br />

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3<br />

158<br />

2. Piazza Sallustio<br />

AUR headquarters.<br />

Photo from AUR<br />

archives.<br />

3. Possibly student<br />

lounge at Piazza<br />

Sallustio. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

5<br />

4. Entrance to<br />

Piazza Sallustio 24<br />

today. Photo by Ellie<br />

Johnson.<br />

5. Classroom at<br />

Piazza Sallustio.<br />

Photo from AUR<br />

archives.<br />

159


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Via Sallustiana, 1A<br />

160


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Shortly after renting the first apartment<br />

in Piazza Sallustio, the need for a<br />

more practical space for the library led<br />

then- President John Falconieri to search<br />

for somewhere to move the library closer<br />

to the Sallustio quarters. He found a spot<br />

right on the Piazza, in an elegant corner<br />

building. In this way, the disposition was<br />

more efficient, with the administrative<br />

<strong>of</strong>fices on Via Marche and most <strong>of</strong> the<br />

teaching, studying, and conferences<br />

focused at the Sallustio locations.<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

1<br />

1. View <strong>of</strong> the Gardens<br />

<strong>of</strong> Sallust from a window<br />

<strong>of</strong> Via Sallustiana<br />

1A. Photo from AUR<br />

archives.<br />

161


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

2<br />

3<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

3<br />

162<br />

2. <strong>The</strong> entrance <strong>of</strong><br />

Via Sallustiana 1A<br />

today. Photo by Ellie<br />

Johnson.<br />

3. <strong>The</strong> doorman <strong>of</strong> the Sallustiana<br />

Center was known for his charm<br />

and humor, so much so that he<br />

was featured in the AUR catalogue<br />

<strong>of</strong> 1989-1990. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

5<br />

4. AUR students at<br />

Library front desk.<br />

Photo from AUR<br />

archives.<br />

5. AUR students studying at the<br />

Library <strong>of</strong> the Sallustiana Center.<br />

Photo from AUR archives.<br />

163


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

6<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

7<br />

164<br />

6. Pr<strong>of</strong>. Alex Liberto<br />

in the classroom<br />

at the Sallustiana<br />

Center in 1989. Photo<br />

from AUR archives.<br />

7. AUR students<br />

studying at the<br />

Library <strong>of</strong> the Sallustiana<br />

Center. Photo<br />

from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

8<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

8. <strong>The</strong> <strong>American</strong> <strong>University</strong><br />

<strong>of</strong> <strong>Rome</strong> facilities map.<br />

Academic catalogue 1989-1990.<br />

Photo from AUR archives.<br />

165


PART II.<br />

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Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Via Collina, 24<br />

166


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

1<br />

By the end <strong>of</strong> 1990, AUR left the Via Marche<br />

apartment and fully completed the triangle<br />

<strong>of</strong> the ruins <strong>of</strong> the Villa <strong>of</strong> Sallust. Moving<br />

out <strong>of</strong> the close vicinity <strong>of</strong> Via Veneto,<br />

the administrative <strong>of</strong>fices, the computer<br />

laboratory, the bookstore, and some<br />

classrooms were housed in the Via Collina<br />

apartment. <strong>The</strong> other two apartments on<br />

the Piazza continued to host classrooms,<br />

<strong>of</strong>fices, and the AUR Library.<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

1. View from Via<br />

Collina 24. Photo<br />

from AUR archives.<br />

167


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

2<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

3<br />

168<br />

2. Interior view <strong>of</strong><br />

AUR facilities at Via<br />

Collina. Photo from<br />

AUR archives.<br />

3. Entrance to<br />

Via Collina 24 today.<br />

Photo by Ellie Johnson.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

4. <strong>The</strong> <strong>American</strong> <strong>University</strong><br />

<strong>of</strong> <strong>Rome</strong> facilities map. Academic<br />

catalogue 1991-1992/1992-1993.<br />

Photo from AUR archives.<br />

169


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

5<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

6<br />

170<br />

5. Non-smoker student<br />

lounge at Via Collina<br />

facilities. Photo from<br />

AUR archives.<br />

6. Computer laboratory,<br />

Via Collina. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

7<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

8<br />

7. AUR students outside<br />

Via Collina. Photo from<br />

AUR archives.<br />

8. Computer laboratory,<br />

Via Collina. Photo from<br />

AUR archives.<br />

171


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1<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

Via Pietro Roselli, 4<br />

172


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> was<br />

growing at a fast pace. Moving to a single<br />

space that would resemble an <strong>American</strong><br />

university campus had been a goal for<br />

AUR’s leadership for quite some time. In<br />

1993, with Robert Severino as President,<br />

AUR found a building atop the Janiculum<br />

Hill that was a fitting solution for the needs<br />

<strong>of</strong> the time. Owned by the Vatican and<br />

administered by the Barnabite order, the<br />

property was a drastic change in location:<br />

from the city center to the primarily<br />

residential Monteverde.<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

1. Building B when<br />

AUR first moved to<br />

Via Pietro Roselli 4<br />

in 1993. Photo from<br />

AUR archives. 173


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

2<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

AUR initially rented and refurbished<br />

only one <strong>of</strong> the buildings (what today<br />

is known as Building A). Formerly a<br />

radio broadcasting studio, the building<br />

underwent several renovations to make it<br />

suitable to the <strong>University</strong>’s needs. As the<br />

students increased and there was more<br />

need for space, AUR started expanding,<br />

renting a portion <strong>of</strong> the adjacent Barnabite<br />

building (now known as Building B) and<br />

the Barnabite guest house (which once<br />

housed administrative <strong>of</strong>fices, and is today<br />

the site <strong>of</strong> the AUR Library). <strong>The</strong> Auriana<br />

Auditorium, the Carini Building, and Masina<br />

Art Studios were added later, extending the<br />

campus to three nearby locations.<br />

3<br />

174<br />

2. Terrace <strong>of</strong> Building A<br />

before AUR moved in 1993.<br />

Photo from AUR archives.<br />

3. Building A before<br />

renovations:<br />

Entrance and garden<br />

in 1993. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

5<br />

6<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

4. Building A before<br />

renovations: radio station,<br />

ground floor <strong>of</strong> Building A<br />

in 1993. Photo from<br />

AUR archives.<br />

5. Building A before<br />

renovations: this was<br />

the radio recording<br />

studio in 1993. Photo<br />

from AUR archives.<br />

6. Building A after<br />

renovations in 1995.<br />

Photo from AUR archives.<br />

175


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

7<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

8<br />

9<br />

176<br />

7. AUR auditorium<br />

and classroom, ground<br />

floor <strong>of</strong> Building A in 1995.<br />

Photo from AUR archives.<br />

8. Ground floor <strong>of</strong><br />

Building A, from auditorium<br />

to computer lab. Photo<br />

from AUR archives.<br />

9. Building A Terrace.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

10<br />

11<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

10. Staircase <strong>of</strong> Building A<br />

(no elevator yet).<br />

Photo from AUR archives.<br />

11. AUR Library in Building B,<br />

1st floor. Photo from AUR archives.<br />

177


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

12<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

13<br />

178<br />

12. AUR Garden in the<br />

early 1990s. Photo from<br />

AUR archives.<br />

13. Building A in 2003.<br />

Photo by Anthony Fassero.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

14<br />

15<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

14. AUR Garden in 2003.<br />

Photo by Anthony Fassero.<br />

Photo from AUR archives.<br />

15. Building B in 2003.<br />

Photo by Anthony Fassero.<br />

Photo from AUR archives.<br />

179


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

16<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

17<br />

180<br />

16. AUR Library,<br />

Evans Hall, in 2005.<br />

Photo from AUR archives.<br />

17. Inside the AUR<br />

Library, Evans Hall,<br />

in 2008. Photo from<br />

AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

18<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

19<br />

18. Ground floor <strong>of</strong> Building A,<br />

from computer lab to lounge<br />

in 2017. Photo by Luigi Mistrulli.<br />

Photo from AUR archives.<br />

19. Garden Entrance<br />

to AUR. Photo from<br />

AUR archives.<br />

181


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<strong>50</strong> YEARS OF HISTORY<br />

20<br />

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182


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

20. AUR aerial view in 2013.<br />

Photo from AUR archives.<br />

183


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

21<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

22<br />

184<br />

21. We are AUR<br />

during Open Day<br />

2017. Photo from<br />

AUR archives.<br />

22. 4th <strong>of</strong> July celebrations<br />

with fireworks in 2018.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

23<br />

Chapter 4. <strong>The</strong> Locations <strong>of</strong> AUR<br />

23.AUR Garden view<br />

in April 2015. Photo<br />

from AUR archives.<br />

185


PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 5. AUR’s Neighborhood<br />

Chapter 5:<br />

AUR’S NEIGHBORHOOD<br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> has,<br />

coincidentally, been located at the two<br />

locations <strong>of</strong> the Horti Caesaris, or the<br />

gardens that once belonged to Julius<br />

Caesar. <strong>The</strong> first locations <strong>of</strong> AUR,<br />

around Piazza Sallustio, were the site <strong>of</strong><br />

the gardens belonging to Caesar on the<br />

Quirinal. After the death <strong>of</strong> Julius Caesar,<br />

Sallust acquired the gardens, hence their<br />

name. On the Janiculum, where AUR is<br />

today, the gardens <strong>of</strong> Caesar are famed<br />

for having hosted Cleopatra in 44 BC.<br />

186<br />

1. Triennale di<br />

Milano in May<br />

1968


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

1<br />

Chapter 5. AUR’s Neighborhood<br />

1. View from the Janiculum Hill, <strong>Rome</strong>,<br />

with the Villa Aurelia, Fontana dell’Acqua Paola<br />

and San Pietro in Montorio, J.M.W. Turner, 1819.<br />

Graphite and watercolor on paper. Tate Britain.<br />

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PART II.<br />

<strong>50</strong> YEARS OF HISTORY<br />

Chapter 5. AUR’s Neighborhood<br />

<strong>The</strong> Janiculum Hill<br />

and Monteverde<br />

Although not one <strong>of</strong> the famous seven<br />

hills <strong>of</strong> <strong>Rome</strong>, Monteverde is the second<br />

highest hill <strong>of</strong> the city. Mostly a rural area,<br />

the neighborhood that extended from<br />

the Tiber and up the slope, hosted mainly<br />

small cottages and bigger villas, gardens,<br />

and vineyards. Monteverde was an area <strong>of</strong><br />

summer houses and entertainment. <strong>The</strong><br />

land where AUR is today, in fact, once<br />

encompassed all <strong>of</strong> the adjacent Villa<br />

Sciarra and much <strong>of</strong> the land that extends<br />

down to the river. In 1886, the then owner<br />

<strong>of</strong> the estate, Maffeo Barberini Colonna<br />

di Sciarra, and the Compagnia Fondiaria<br />

Italiana divided the land into lots to be<br />

sold. <strong>The</strong> Villa Sciarra and a portion <strong>of</strong> the<br />

surrounding gardens (what we know as the<br />

park today) remained, however, owned by<br />

the Colonna di Sciarra family.<br />

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<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

2<br />

<strong>The</strong> early 20th century saw the most<br />

activity atop the Janiculum. Even though<br />

a city plan for Monteverde had been in<br />

the works since the 1880s, it was only<br />

with <strong>Rome</strong>’s Mayor Ernesto Nathan that<br />

the plan was carried out. AUR’s current<br />

location was purchased by the Vatican and<br />

distributed amongst several congregations,<br />

some <strong>of</strong> which had recently fled from an<br />

increasingly secular France, back to Italy.<br />

Chapter 5. AUR’s Neighborhood<br />

2. View <strong>of</strong> <strong>Rome</strong> from the<br />

Janiculum from the early 1900s.<br />

Image available on the World Wide<br />

Web and part <strong>of</strong> public domain.<br />

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Chapter 5. AUR’s Neighborhood<br />

Monteverde underwent extensive<br />

construction that started in the 1920s,<br />

with the growth <strong>of</strong> the Fascist regime<br />

and its urban projects. Via di Donna<br />

Olimpia and its welfare housing were a<br />

relocation project that would allow the<br />

construction <strong>of</strong> Via della Conciliazione:<br />

one <strong>of</strong> the many Fascist initiatives to<br />

“re-monumentalize” <strong>Rome</strong>. A once<br />

aristocratic rural area, Monteverde quickly<br />

became a blend <strong>of</strong> people. Monteverde<br />

Vecchio saw the arrival <strong>of</strong> wealthy<br />

<strong>American</strong>s (such as those connected to<br />

the building <strong>of</strong> the <strong>American</strong> Academy in<br />

<strong>Rome</strong> and the Wurts Family, who bought<br />

Villa Sciarra) and religious congregations,<br />

while the close by Monteverde Nuovo took<br />

in merchants and laborers.<br />

Monteverde has had its fair share <strong>of</strong><br />

famous personalities walk its streets.<br />

Maurits Cornelis Escher, world renowned<br />

Dutch graphic designer, lived for almost<br />

a decade in a house on Via Poerio. After<br />

World War II, Monteverde saw the presence<br />

<strong>of</strong> important Italian personalities such<br />

as Giovanni “Gianni” Rodari (poet and<br />

author, famous for his children’s books),<br />

Pier Paolo Pasolini (film director, poet, and<br />

author), Attilio Bertolucci (poet, father<br />

<strong>of</strong> the famous film director Bartolomeo<br />

Bartolucci), and Miriam Mafai (journalist,<br />

politician, and one <strong>of</strong> the founders <strong>of</strong> the<br />

La Repubblica newspaper). Pasolini lived a<br />

portion <strong>of</strong> his life in the neighborhood: first<br />

on Via Fonteiana 86 and later on Via Carini<br />

45. Today, Monteverde is still the home<br />

<strong>of</strong> artists and intellectuals, such as film<br />

director Nanni Moretti, the sculptor Peter<br />

190<br />

3. Detail <strong>of</strong> the fountain<br />

<strong>of</strong> fauns near the entrance<br />

<strong>of</strong> Villa Sciarra.<br />

Photo by Jacob Moore.<br />

Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

4<br />

Chapter 5. AUR’s Neighborhood<br />

Rockwell (son <strong>of</strong> famous painter Norman<br />

Rockwell), actresses Paola Cortellesi and<br />

Serena Dandini, actors Carlo Verdone and<br />

Pino Insegno, and pianist Nicola Piovani.<br />

When the lands <strong>of</strong> Maffeo Barberini<br />

Colonna di Sciarra were allotted and put<br />

on the market, Villa Sciarra was sold as<br />

well. Just across the street from AUR, Villa<br />

Sciarra is a place that has been meaningful<br />

to our community since the <strong>University</strong><br />

moved to the Janiculum in 1993. <strong>The</strong> park,<br />

as all places in the Eternal City, has quite<br />

an interesting history. In 1902, George<br />

Washington Wurts, a retired <strong>American</strong><br />

diplomat from Pennsylvania bought the<br />

Villa for 300,000 lire. Wurts had spent<br />

several years in <strong>Rome</strong> before being a<br />

diplomat in Russia, and once retired, he<br />

moved back to the city that had conquered<br />

his heart. In 1902, Wurts and his second<br />

wife Henrietta Tower moved back to the<br />

Italian capital and after purchasing the<br />

Villa, they invested all their time and<br />

energy in the restoration <strong>of</strong> the Villa and<br />

the gardens. Avid collectors <strong>of</strong> art and<br />

furniture, the Wurts restored the grandeur<br />

<strong>of</strong> the Villa and took the 19th-centurystyle<br />

gardens one step further. Filling the<br />

grounds with statues purchased in auction<br />

from Villa Visconti at Brignano (Lombardy),<br />

the gardens became an oasis <strong>of</strong> winding<br />

paths and suggestive imagery. In 1930,<br />

after the death <strong>of</strong> George Wurts, Henrietta<br />

Tower donated the estate to the state <strong>of</strong><br />

Italy, or more precisely, to Mussolini. <strong>The</strong><br />

donation, however, included the clause<br />

that the park be made public. In 1932,<br />

the Villa itself became the venue <strong>of</strong> the<br />

Istituto Studi Germanici, an institution that<br />

occupies it still today.<br />

4. Historical Map <strong>of</strong><br />

Monteverde Vecchio<br />

from 1925. Valerio<br />

Varrale Collection.<br />

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5<br />

Chapter 5. AUR’s Neighborhood<br />

192<br />

5. Detail <strong>of</strong> one <strong>of</strong> the sculptures<br />

<strong>of</strong> Villa Sciarra. Photo by Jacob<br />

Moore. Photo from AUR archives.


<strong>50</strong> YEARS OF HISTORY<br />

PART II.<br />

<strong>The</strong> gardens hold a myriad <strong>of</strong> wonders<br />

that are not commonly known. Firstly,<br />

within the gardens lie a Syrian sanctuary<br />

that was unveiled in 1906. <strong>The</strong> sanctuary<br />

probably dated to the late 1st century AD<br />

and hosted syncretized Romanized Syrian<br />

deities. <strong>The</strong> sculptures within the gardens<br />

also tell stories worth hearing. Originating<br />

from the Lombard aristocratic family<br />

<strong>of</strong> Visconti, several sculptures within the<br />

park, starting with the fountain <strong>of</strong> fauns at<br />

the entrance <strong>of</strong> the park in front <strong>of</strong> AUR,<br />

allude to the grass snakes depicted on the<br />

Visconti family shield. Worthy <strong>of</strong> note are<br />

also the Fountain <strong>of</strong> Vices (Rage, Lust,<br />

Greed, and Gluttony) and the statues for<br />

the Twelve Months <strong>of</strong> the Year. Villa Sciarra<br />

is an urban oasis that hosts Monteverde<br />

natives, their families, and their pets,<br />

as well as the artists and scholars <strong>of</strong><br />

the <strong>American</strong> Academy and the young<br />

dream-filled students <strong>of</strong> <strong>The</strong> <strong>American</strong><br />

<strong>University</strong> <strong>of</strong> <strong>Rome</strong>.<br />

Chapter 5. AUR’s Neighborhood<br />

6<br />

6. Pathway in Villa Sciarra.<br />

Photo by Jacob Moore.<br />

Photo from AUR archives.<br />

193


PART III.<br />

THE FUTURE<br />

THE<br />

FUTURE<br />

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THE FUTURE<br />

PART III.<br />

“<strong>Rome</strong> is our classroom, Italy<br />

is our laboratory, the world<br />

is our potential.”<br />

-David T. Colin -<br />

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PART III.<br />

THE FUTURE<br />

Chapter 6. Janus<br />

Chapter 6:<br />

JANUS<br />

By Laura Estrada Prada<br />

<strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong> has<br />

been a pillar <strong>of</strong> <strong>American</strong> education in<br />

<strong>Rome</strong> for the past <strong>50</strong> years. Offering<br />

students high caliber education in a city<br />

that serves as an open text book for culture,<br />

politics, philosophy, and civilization,<br />

AUR has established itself as a place<br />

that transcends higher education and<br />

<strong>of</strong>fers life-changing experiences. In 2019,<br />

AUR marks its <strong>50</strong>th Anniversary:<br />

celebrating <strong>50</strong> years <strong>of</strong> history while<br />

looking forward to the years ahead. What<br />

better symbol for this than the Roman<br />

god Janus, who gave the name to the hill<br />

where AUR stands today.<br />

Janus is the god <strong>of</strong> endings and new<br />

beginnings, <strong>of</strong> passages, transitions, and<br />

time. He is usually depicted with a dual<br />

face: one that looks back at the past, and<br />

another that looks forward to the future.<br />

<strong>The</strong> Janiculum—the “door” from <strong>Rome</strong> to<br />

Etruria—is named after the god Janus, as<br />

is made evident from the Gianicolense<br />

neighborhood shield. Whilst the actual<br />

nature and precise purpose <strong>of</strong> invoking<br />

Janus is debated, given that there is no<br />

evidence <strong>of</strong> temples or priests devoted<br />

to this deity, most modern scholars agree<br />

that —like Jupiter— he was summoned at<br />

the beginning <strong>of</strong> many rites.<br />

A god <strong>of</strong> time and progression, Janus<br />

symbolizes movement and change,<br />

past and future, youth and adulthood.<br />

Furthermore, as the god <strong>of</strong> all beginnings,<br />

Janus is also associated with omens and<br />

auspices. All these attributes make Janus<br />

the perfect way to “end” this narration <strong>of</strong><br />

AUR’s history.<br />

AUR is changing for the better, aware <strong>of</strong> its<br />

past, and ready to embrace its future. It is<br />

an institution that serves as a formative<br />

cradle for students: a stepping stone<br />

between adolescence and adulthood, both<br />

educationally as well as pr<strong>of</strong>essionally and<br />

personally.<br />

<strong>The</strong>refore, let us all celebrate the first <strong>50</strong><br />

years <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong> <strong>Rome</strong>,<br />

and raise a toast for the many decades<br />

still to come.<br />

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THE FUTURE<br />

PART III.<br />

1<br />

Chapter 6. Janus<br />

1. Head <strong>of</strong> Janus, Vatican<br />

Museums, <strong>Rome</strong>. Photo by<br />

Loudon Dodd. Image licensed<br />

under the Creative Commons<br />

Attribution-Share Alike.<br />

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PART III.<br />

THE FUTURE<br />

Conclusion<br />

Conclusion<br />

By Dr. Richard Hodges, OBE<br />

198


THE FUTURE<br />

PART III.<br />

‘IF WE COULD BE<br />

REBORN WHEREVER<br />

WE CHOSE,<br />

HOW CROWDED<br />

ROME WOULD BE,<br />

POPULATED BY<br />

SOULS<br />

WHO HAD SPENT<br />

THEIR PREVIOUS<br />

LIVES LONGING TO<br />

INHABIT A VILLA<br />

ON THE JANICULUM<br />

HILL’<br />

Conclusion<br />

(Francine Prose, <strong>The</strong> New York Times review<br />

<strong>of</strong> Robert Hughes, <strong>Rome</strong>, 2 December 2011).<br />

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PART III.<br />

THE FUTURE<br />

Conclusion<br />

AUR’s Brave New World<br />

<strong>The</strong> world is changing faster than any time<br />

in its history. <strong>So</strong>me historians have found<br />

parallels in the Renaissance when massproduced<br />

books, printed for the first time,<br />

and the bold discovery <strong>of</strong> the New World<br />

were just two elements that transformed<br />

European (and world) culture forever.<br />

Today, social media and globalization are<br />

two elements that have paved the way<br />

for a future in which robotics will displace<br />

many traditional jobs and call for a radical<br />

re-thinking <strong>of</strong> society. Jobs for life are a<br />

thing <strong>of</strong> the past. Instead, we need to<br />

envisage seven or more different careers,<br />

involving periodic re-training.<br />

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THE FUTURE<br />

PART III.<br />

Many found the Renaissance to be<br />

terrifying as it up-ended traditions that<br />

were age-old. It is no secret that Gen<br />

Z, raised with digital tools, are just as<br />

concerned about the immense changes<br />

now overtaking us. Universities in the<br />

Renaissance provided places where the<br />

cultural and economic revolution was<br />

mediated and then advanced. <strong>So</strong>, today,<br />

universities must first and foremost<br />

confront change and equally provide the<br />

secure space for young minds to confront<br />

the digital revolution that is accelerating.<br />

AUR as it looks to its next <strong>50</strong> years is well<br />

aware <strong>of</strong> its responsibility to our students.<br />

We can look back with confidence on the<br />

evolution <strong>of</strong> our community. This is the<br />

basis for our belief in the future.<br />

More students than ever will want to<br />

experience globalization in this formative<br />

moment in their lives. In other words, AUR<br />

naturally serves a purpose that is growing<br />

in global importance as students want to<br />

leave their home comfort zones and face<br />

immersion in a genuinely international<br />

experience. What better place to do this<br />

than Italy, home <strong>of</strong> the Renaissance?<br />

What better city than <strong>Rome</strong>, where<br />

the past meets the present in so many<br />

different ways? <strong>Rome</strong> has become a multifaceted<br />

city. Famous for the Colosseum,<br />

the Forum <strong>of</strong> <strong>Rome</strong>, the Vatican and works<br />

by Caravaggio and Michelangelo, to name<br />

just a few <strong>of</strong> its attractions, it is the world’s<br />

supreme heritage city. Yet, <strong>of</strong> course, it is<br />

more than this. Half-way between Asia<br />

and America, and Europe’s window on<br />

Africa, the eternal city has a contemporary<br />

importance not just as a European capital<br />

but also as the seat <strong>of</strong> major global<br />

agencies handling critical strategies for<br />

feeding and managing future populations.<br />

<strong>Rome</strong> may be dazzlingly rich in terms <strong>of</strong> its<br />

artistic and archaeological heritage, but it<br />

is no less rich as a great global capital.<br />

AUR aims to be more than a place-holder<br />

in <strong>Rome</strong>. It is developing its curriculum<br />

for the coming decades, confident that<br />

its (Middle States) accredited signature<br />

programs will advance its students<br />

anywhere in the world. It aims to educate<br />

its students in critical thinking, problemsolving<br />

and communication, skills which<br />

in a robotic universe will have increasing<br />

importance. It aims, too, to create citizens<br />

<strong>of</strong> the world, passionate about what<br />

they do, and armed with international<br />

peer networks that endure for a lifetime.<br />

Lastly, it aims to immerse its students<br />

in international real-life experiences<br />

as distinctive parts <strong>of</strong> the curriculum.<br />

Conclusion<br />

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PART III.<br />

THE FUTURE<br />

Conclusion<br />

One goal is to create opportunities for<br />

our students in a range <strong>of</strong> places from<br />

archaeological excavations and businesses<br />

that operate within conditions that <strong>of</strong>fer<br />

a genuine intellectual challenge to each<br />

and every one <strong>of</strong> our community. We feel<br />

sure that whatever these internships and<br />

experiences consist <strong>of</strong>, they will provide<br />

a vital and unforgettable stepping stone<br />

to a work-place where changing careers<br />

repeatedly is the new norm.<br />

AUR is also being bold about its future<br />

campus location. Over the past <strong>50</strong> years<br />

we were initially in the centro storico, and<br />

then in a Barnebite monastery on the<br />

Janiculum Hill, part <strong>of</strong> Monteverde above<br />

Trastevere. We want to remain in this<br />

attractive district <strong>of</strong> <strong>Rome</strong>, but we aim to<br />

grow in size and <strong>of</strong>fer increased facilities.<br />

world our students will take courage from<br />

their internationalization, their diversity,<br />

and their intellectual reasoning to become<br />

contemporary leaders.<br />

One final thought about our brave new<br />

world. We at AUR have faith that our<br />

future students will, to paraphrase the<br />

words <strong>of</strong> President John F. Kennedy,<br />

declaim proudly: We chose to go to AUR<br />

not because the program is easy, but<br />

because it is hard; because that will serve<br />

to organize and measure the best <strong>of</strong> our<br />

energies and skills, because the challenge<br />

is one that we are willing to accept, one<br />

we are unwilling to postpone, and one we<br />

intend to win.<br />

In this new educational context AUR aims<br />

to draw upon <strong>Rome</strong>’s eternal attraction<br />

to have visiting pr<strong>of</strong>essors in residence to<br />

provide new and alternative experiences<br />

for our students. Our aim is to equip our<br />

students with an intellectual curiosity that<br />

will serve as armor in a world being defined<br />

by global standardization and robotics.<br />

Like the great seats <strong>of</strong> learning in the<br />

Renaissance, we want to take advantage<br />

<strong>of</strong> the new thinking and new opportunities<br />

that a digital world will provide. Our<br />

students must become resilient argonauts<br />

who sail without fear to new destinations<br />

and invent new ways <strong>of</strong> resolving old<br />

problems. In confronting this brave new<br />

202


THE FUTURE<br />

PART III.<br />

Conclusion<br />

President Richard Hodges and Laura Estrada Prada<br />

at Commencement ceremony in 2016.<br />

Photo by Luigi Mistrulli, AUR archives.<br />

203


References<br />

206<br />

(Image on previous page) AUR<br />

student on a field trip in Umbria<br />

in 1979. Photo from AUR archives.


Anon. “Villa Sciarra.” Roma Segreta. 18<br />

May 2013. https://www.romasegreta.it/<br />

trastevere/villa-sciarra.html<br />

Colin, David. Letter presented to 1st Lt.<br />

James D. Walsh. Dated 30 November<br />

1945. Declassified file. Office <strong>of</strong> Strategic<br />

Services Personnel Files from World War<br />

II. <strong>The</strong> U.S. National Archives and Records<br />

Administration.<br />

Costanzo, Ezio. “Uno 007 in Sicilia.<br />

” La Repubblica. 10 July 2010.<br />

La Repubblica online archives.<br />

Gassaway, Special Agent J. H. Dated May<br />

26, 1942, Milwaukee, Wisconsin, “Vittorio<br />

Umberto Tesoro; Internal Security - Ij<br />

Alien Enemy Control.” Declassified file.<br />

Office <strong>of</strong> Strategic Services Personnel<br />

Files from World War II. <strong>The</strong> U.S. National<br />

Archives and Records Administration.<br />

Geffcken, Katherine A., and Norma<br />

W. Goldman. <strong>The</strong> Janus View from<br />

<strong>The</strong> <strong>American</strong> Academy in <strong>Rome</strong>:<br />

Essays on the Janiculum. 2007:<br />

Mundus Media, New York.<br />

Spaulding, Stacy. “Exiled from Italy:<br />

<strong>The</strong> Golden Voice <strong>of</strong> Italy’s Propaganda<br />

Broadcasts (1932-1937).” Paper submitted<br />

to the History Division <strong>of</strong> the 2006 AEJMC<br />

annual convention.<br />

Spaulding, Stacy. “Totalitarian Refugee<br />

or Fascist Mistress?” Journalism History,<br />

34:3 (Fall 2008).<br />

Tasca di Cutò, Alessandro. Un Principe<br />

in America. 2004. Enzo Sellerio Editore,<br />

Palermo.<br />

Toaff, Daniel. “Quattro storie <strong>American</strong>e.”<br />

<strong>So</strong>rgente di Vita. Documentary film by<br />

RAI DUE. 1987.<br />

Zita, Tiziana. “Un salotto popolare a Roma:<br />

Monteverde.” Cronache Letterarie. http://<br />

cronacheletterarie.com/2014/10/06/unsalotto-popolare-a-roma/<br />

…And the photographic and document<br />

archives <strong>of</strong> <strong>The</strong> <strong>American</strong> <strong>University</strong> <strong>of</strong><br />

<strong>Rome</strong>.<br />

Lisa Sergio papers, Booth Family Center<br />

for Special Collections, Georgetown<br />

<strong>University</strong> Library, Washington, DC.<br />

207

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