UMS 2023/24 Annual Report
Learn more about UMS’s many activities during its 23/24 season, including performing arts events, educational activities, and more!
Learn more about UMS’s many activities during its 23/24 season, including performing arts events, educational activities, and more!
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ANNUAL
REPORT
145TH
SEASON
UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN
145TH
SEASON
2 23/24 Annual Report
After the proverbial curtains closed
on our 23/24 season, I found myself
reflecting with profound gratitude and
pride on the remarkable journey we
have undertaken together over the past
few years. This past season was not just
a series of performances; it was a true
celebration of the arts, a reaffirmation of
our communal bonds, and a testament
to the unifying power of music, dance,
and theater.
This year, our stages were graced by
an extraordinary array of talent and
innovation. From the awe-inspiring
melodies of British guitarist John
McLaughlin and Indian tabla virtuoso
Zakir Hussain with Shakti to the soulstirring
immersive performance cycle
by the Druid theater company of Sean
O’Casey’s Dublin Trilogy, each event was
a moment of magic that will resonate in
our memories for years to come.
I am particularly proud of our special
projects and community collaborations
this season. Collaborations with the
U-M Arts Initiative; the School of Music,
Theatre & Dance; and other campus
units and leaders resulted in thoughtprovoking
and engaging performances.
Our commitment to inclusivity
through programs like Pay-What-You-
Wish performances at the Ypsilanti
Freighthouse ensured that the arts
remained financially accessible to all
members of our community.
Our learning and engagement initiatives
once again took center stage, fostering
a deeper connection between artists
and audiences. Artist residencies and
masterclasses provided invaluable
opportunities for learning and
inspiration, while our K-12 and university
programs nurtured the next generation
of artists and art lovers.
In the digital arena, we made significant
strides in expanding our digital
programming to reach new audiences.
Our streaming options, behind-thescenes
content, and interactive events
allowed us to connect with new
audiences beyond Southeast Michigan.
None of this would have been possible
without the unwavering support of
our patrons, sponsors, donors, and
partners at the University of Michigan.
Your generosity and dedication are
the heartbeat of UMS, enabling us to
bring world-class performances to Ann
Arbor and beyond. I extend my deepest
gratitude to each and every one of you.
As we look forward to the next season,
we carry with us the successes and
memories of this past year. Each
performance, from world-renowned
symphony orchestras to intimate,
cutting-edge theater, contributes to a
tapestry of artistry that has enriched our
lives and strengthened our community.
Thank you for being an integral part of
our journey and the UMS community.
I look forward to seeing you again as
we continue to explore, innovate, and
celebrate the arts in the seasons to come.
With warmest regards,
Matthew VanBesien
UMS President
Be Present
3
About UMS
OURMISSION
To inspire individuals and enrich
communities by connecting audiences and
artists in uncommon and engaging experiences.
OUR GUIDING
PRINCIPLES
From the illustrious to the unknown,
from the traditional to the experimental,
UMS opens the doors to a fascinating
journey, full of new discoveries. We
remain committed to our mission but
are also compelled to adapt — as our
organization always has — building on
our traditions and history, responding to
the issues of our time, and embracing
our future. This juxtaposition of the
traditional and the innovative is truly
part of our DNA at UMS, and why we
keep challenging ourselves each
day and each season to be a cultural
resource for our community.
The performing arts are foundational
to human existence. At their best, they
can illuminate shared life experiences
across cultural differences and create
a space for conversation, growth, and
healing in an ever-more polarized
society. This is why we do what we
do — and guiding us in this work and
our vision is our commitment to the
following core principles:
CREATIVITY AND
RESPONSIVENESS
Creativity, innovation, and learning are
central to UMS’s mission, and providing
inspiring experiences for our entire
community is our north star. We aspire
to present special, high impact artistry
and to nurture artists creating new
and important work, and we hope UMS
can transcend the walls of our venues
and become part of our thinking, our
memories, and our lives.
BELONGING AND RESPECT
UMS is a place where everyone belongs.
Our work is driven by the inspirations
and needs of both our artists and our
community. We see and respect each
person’s humanity, and we use our
platform as a performing arts presenter
to elevate and celebrate the human
condition, cultivate empathy, foster
meaningful dialogue, and promote
wellness and healing. We value and
learn from our differences and elevate
celebrations of life, love, joy, and even
sadness. And we bring this same care
and compassion to ensure all who work
and volunteer at UMS feel valued.
DIVERSITY, EQUITY,
INCLUSION, AND
JUSTICE WORK
We acknowledge that we alone cannot
solve larger societal issues, but we have
a moral and organizational imperative to
treat all people with equity and fairness,
engage in intercultural work that
embraces diversity and inclusion work,
and dismantle barriers to resources —
at the individual and community level,
as well as in our day-to-day operations
with artists and partners. We strive to
put the needs and inspirations of artists,
partners, and audiences at the forefront
of our work, and we actively share
our resources to support and engage
artists, audiences, and perspectives
historically excluded from our industry
and our organization.
4 23/24 Annual Report
OUR
VISION
UMS is a cultural catalyst for Michigan:
the premiere destination for artistic celebration,
creative possibility, challenging conversations,
and meaningful impact.
STRATEGIC
PLANNING
As we approach our 150th season,
UMS has begun work to properly
commemorate this milestone
through a celebration of past,
present, and future: commissioning
and producing new works, shaping
exciting strategic and artistic
partnerships, and finding ways to
further invest in the people who
make it all possible — artists,
audiences, staff, board, volunteers,
and partners.
A team of UMS staff and board
members worked with the Tom
O’Connor Group throughout the
23/24 season to develop a five-year
plan for UMS, to cover the period
leading up to and including our 150th
season in 28/29. The plan comprises
four main pillars
THE UMS COMMUNITY:
Cultivating a Culture of
Belonging
Goal: Cultivate a culture that prioritizes
a shared sense of welcome,
belonging, and transparency
as a foundation for all that UMS
achieves and aspires to do.
UMS is a sought-after employer,
collaborator, and partner, and its
values are apparent to audiences
and donors, its full- and part-time
staff, its hundreds of volunteers,
and its community, educational,
and artistic partners.
THE UMS INFRASTRUCTURE:
Building Our Capacity to Support
Our Vision and Realize Our
Ambition
Goal: UMS responsibly invests
its resources to create the
most optimal and exciting
environments for artists, our staff,
and our community: establishing
pathways for artistic celebration
and incubation across various
programs and platforms, providing
opportunities for deeper audience
experiences and meaningful
impact for all stakeholders, and
developing the physical spaces
and technology required to
support it all.
THE UMS PROMISE:
Championing Uncommon Ideas
and Experiences
Goal: UMS is internationally respected
and locally cherished, building on
its extensive history with an iconic
mix of traditional and innovative
programming that serves as an
artistic and cultural conduit for
the world to Michigan, and for
Michigan to the world.
THE UMS AMBITION: Leveraging
Our Strengths for a Bold, Secure,
and Sustainable Future
Goal: UMS reaches its 150th season
operating with vision and
confidence, and marked
by strategic financial and
philanthropic models that support
our programming, personnel,
and capital aspirations. UMS
is a responsible leadership
organization that mindfully
stewards its resources to
support an ambitious, evolving,
and sustainable portfolio of live
performing arts activities that
is increasingly available and
accessible to all.
Be Present
5
Programmatic Leadership
Packed to the brim, the 23/24 season expanded
the boundaries of UMS. A powerhouse opening
week launched a season with over 10 events
at or near capacity, including thrilling debuts,
meaningful sonic contributions, moments where
the arts and resistance came together, and
countless opportunities to be present.
PROGRAMMATIC
LEADERS
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GRAND EVENTS
& THRILLING
DEBUTS
September started us off, setting Hill
Auditorium abuzz with superband Snarky
Puppy performing songs from their 2023
Grammy-winning Empire Central for our
season opener. Big, bold, eclectic, and
electric, the 19-piece ensemble brought its
detailed arrangements of fetching melodies,
layered harmonies, exciting solos, ear-candy
synth effects, and propulsive beats. Snarky
Puppy’s originality set the stage for a
dynamic season.
Four nights later, we hosted the 50th
anniversary of the revolutionary ensemble
Shakti, featuring British guitarist John
McLaughlin and Indian tabla virtuoso Zakir
Hussain in an extraordinary sellout event.
HIP
Be Present
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Programmatic Leadership
In a much-anticipated UMS return, superstar
soprano Renée Fleming and pianist Inon
Barnatan presented the world premiere
of Voice of Nature, an all-new multimedia
performance. Inspired by Renée’s 2023
Grammy Award-winning album Voice of Nature:
The Anthropocene, the unique performance
included beloved songs and new commissions
alongside an original National Geographic
Society video reflecting the musical selections.
In addition to their world premiere recital
program, Fleming and Barnatan immersed
themselves on the U-M campus. Fleming
brought her Music and Mind project to UMS,
featuring a panel discussion presented in
partnership with Michigan Medicine that
explored the relationships between the
arts and neuroscience. The panel featured
local researchers and practitioners from
the University community who shared their
experiences and the numerous ways music has
proven to positively impact human health.
Inon Barnatan’s performance with Fleming
launched a week-long residency that ended
with his performance with the Jerusalem
String Quartet in Rackham Auditorium a week
later. Between the two performances, he led
piano and chamber music masterclasses at
the School of Music, Theatre & Dance and
gave a free recital featuring selections from his
just-released album, Rachmaninoff Reflections.
The recital included his own virtuosic solo
piano arrangement of Rachmaninoff’s beloved
Symphonic Dances, which mesmerized an
attentive capacity audience. We’re grateful to
Elaine and Peter Schweitzer for sponsoring
Inon Barnatan’s residency week with UMS.
I’VE HAD THE PRIVILEGE OF
MEETING SCIENTISTS, THERAPISTS,
AND MUSICIANS AROUND THE
WORLD, AND MY PASSION FOR THE
INTERSECTION OF HEALTH AND THE
ARTS HAS ONLY GROWN.”
— Renée Fleming
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THESE EXPERIENCES
WERE MADE POSSIBLE
WITH THE SUPPORT
OF MANY GENEROUS
SPONSORS, INCLUDING
MICHIGAN MEDICINE.
For 20 years, UMS friends from
Michigan Medicine have played
a leading role in making UMS
performances and educational
programming possible.
It started with a group of physicians
who felt the restorative power of
arts experiences was critical to
relieving the stresses of their jobs
and who wanted to make sure these
events continued to support future
generations.
These volunteers began a tradition
of hosting an annual reception,
which introduced new faculty and
clinicians from across the region’s
medical community — including
neighboring hospital systems such
as Trinity Health, Henry Ford, and
Beaumont — to UMS, raising funds
to start an endowment that would
help support UMS programs. Thanks
to many generous donors throughout
these past 20 years, the Medical
Community Endowment has grown
to over $250,000, providing income
to help underwrite a Hill Auditorium
performance each season.
Several faculty from Michigan
Medicine were also interested in
exploring the idea of integrating
arts experiences into the curriculum
for residents and house officers as
part of their post-graduate training.
After partnering together on two
preliminary initiatives, UMS and
Michigan Medicine faculty teamed
up over a decade ago to apply
for a grant to support their new
“Medical Arts” Program. Now an
annual program, participants come
together about once a month during
the academic year to experience
performances, analyze works of
visual art, and meet with artists
and creators in an effort to foster
essential but often overlooked
skills in their training, such as
empathy, awareness of social
context, and comfort with ambiguity
and uncertainty, all of which are
pervasive elements of clinical care.
As these relationships within
Michigan Medicine grew, the
University’s academic medical
center, recognizing the importance
of the arts in health and well-being
for its patients, students, and faculty,
began sponsoring a series of UMS
events each year. UMS has worked
with its touring artists to provide
lobby concerts and bedside visits
through the Gifts of Art program, to
bring children’s musicians to C.S.
Mott Children’s Hospital, and, last
season, to host renowned soprano
Renée Fleming for her Music and
Mind program. Fleming spoke about
the latest research into the powerful
impacts of music and the arts in
health and the human experience.
She was joined by colleagues
from Michigan Medicine, including
neurologist Dr. Zachary London,
cardiologist Dr. John Bisognano, and
music therapist and studio manager
of Sophie’s Place at C.S. Mott
Children’s Hospital Meredith Irvine,
as well as musicologist Dr. Charles
Lwanga, who each shared research
projects of their own as well as their
experiences with music and arts in
clinical practice.
UMS is grateful to Michigan
Medicine and its extraordinary
leadership, and we are proud to
bring performances and learning
opportunities that spark joy, enhance
wellness, and connect us to each
other and our shared humanity to our
campus and community.
Be Present
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Programmatic Leadership
THEIR PERFORMANCE WASN’T OUTSTANDING BECAUSE
IT WAS REMINISCENT OF EUROPEAN CLASSICAL MUSIC —
IT WAS OUTSTANDING BECAUSE EVERY MUSICIAN ON STAGE
SHARED A GOAL OF MAKING POWERFUL MUSIC TOGETHER, AND
THEY EMITTED A RADIANT ENERGY THAT CAPTIVATED EVERY
MEMBER OF THE AUDIENCE, REGARDLESS OF THE MUSICAL
JOURNEYS THAT LED THEM TO HILL THAT NIGHT.”
— Michigan Daily Arts Writer Jack Moeser
Read Article
The energy and passion of the Orquesta
Sinfónica de Minería sent the Hill
Auditorium audience into rapturous
applause following the ensemble’s UMS
debut performance in October. Mexico’s
top orchestra was led by maestro Carlos
Miguel Prieto and featured a program of
music by Mexican and Latino composers,
including Venezuelan pianist Gabriela
Montero, who performed her own Piano
Concerto No. 1, as well as an encore
improvisation of a song suggested on
the spot by an audience member. The
orchestra’s energetic percussion section,
led by Maestro Prieto, also participated in
a masterclass for U-M SMTD students the
following morning. The performance and
masterclass was made possible by Wacker
Chemical, a company based in Germany
with locations in Ann Arbor and México City.
10 23/24 Annual Report
In January, UMS had the pleasure of
presenting classical superstar trio Emanuel
Ax, Leonidas Kavakos, and Yo-Yo Ma in
an all-Beethoven concert that included a
transcription of Beethoven’s Symphony No. 1
for piano trio. This marquee evening resulted
in another full house at Hill Auditorium,
with over 900 students in attendance. The
warmth of the artists with each other and
the audience made it a memorable evening
for all.
Also in January, UMS presented LaTasha
Barnes’s The Jazz Continuum, a new
production centering the prolific artistry
of jazz music and dance as a cornerstone
of Black American culture and community.
Unlike a typical choreographed
performance, the content changes from city
to city because it incorporates new talent
from each region where it is performed. The
Jazz Continuum seeks to build community
and connect to the artists’ stories and
histories through movement.
For her Power Center appearance,
Barnes collaborated with House of Jit,
a Detroit-based dance collective that
spreads awareness of and pushes the
limits of Detroit Jit, a street-dance style
characterized by fast footwork. The House of
Jit collective then returned to the Ypsilanti
Freighthouse in September 2024 with their
own show.
I’M REALLY HONORED TO
FACILITATE MAKING SPACE
FOR PEOPLE TO REALLY
UNAPOLOGETICALLY CELEBRATE
WHO THEY ARE AND WHAT THEY’VE
CONTRIBUTED TO THE WORLD.”
— LaTasha Barnes
Be Present
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Programmatic Leadership
January also featured Mariachi Herencia
de México with La Marisoul, which
brought audience members from around the
state together for an unforgettable night of
Mexican music and culture. The 2024 Latin
Grammy nominees presented an evening
that simultaneously honored the past and
celebrated the present and future of
mariachi music.
Long-time UMS corporate sponsor Old
National Bank teamed up with Rehmann, a
business consulting and professional advisory
firm, to co-sponsor UMS’s presentation
of Mariachi Herencia de Mexico featuring
La Marisoul. Old National Bank’s business
banking unit and Rehmann’s professional
advisory services were a perfect match,
hosting clients for a pre-performance
Mexican-themed reception. The two
companies will team up again during the
2024/25 season for a holiday event prior
to Joyce DiDonato and Kings Return’s
performance on December 14. We are thrilled
to welcome the team at Rehmann as a new
corporate sponsor, and thank our friends at
Old National Bank for their continued support.
UMS president Matthew VanBesien; Todd Clark, CEO
of Community Banking and Executive Vice President
at Old National Bank; and Adam Williams, Principal,
Advisory and Tax Services at Rehmann
12 23/24 Annual Report
March brought another exciting UMS debut
with the Isidore Quartet. Founded in 2019,
the New York-based string quartet had already
been awarded a 2023 Avery Fisher Career
Grant, a virtually unheard-of recognition so
early in an ensemble’s career. During their
time here, they led a masterclass with SMTD
students and recorded a digital-exclusive
performance featuring a work by the
trailblazing composer, jazz pianist, and sixtime
Grammy winner Billy Childs. The digital
performance, released over the summer for
a limited time period, reached an additional
1,300 viewers.
Young Finnish conductor Klaus Mäkelä led
Orchestre de Paris in Debussy’s Prelude
to the Afternoon of a Faun and Stravinsky’s
complete Firebird in another sold-out Hill
Auditorium performance. This thrilling UMS
concert also featured the debut of 19-yearold
pianist Yunchan Lim, who performed
Rachmaninoff’s Piano Concerto No. 2. Lim’s
meteoric ascent to international stardom
began in 2022 at age 18, when he won gold
at the Van Cliburn Competition. The audience
for this highly anticipated event included over
800 enthusiastic students.
Be Present
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Programmatic Leadership
Also in March, Samara Joy made her UMS
debut following her 2023 Grammy wins for
Best Jazz Vocal Album and Best New Artist,
only the second time in Grammy history that
a jazz artist has received the Best New Artist
nod. The performance date, which took place
during Women’s History month, coincided with
the 100th birthday of Sarah Vaughan, an artist
who has served as an important source of Joy’s
inspiration. Joy set the capacity audience at Hill
Auditorium on fire with her astounding vocals,
singing both originals and standards — and then
stayed hours after the show to greet hundreds of
adoring fans.
Watch Video
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Yannick Nézet-Séguin led the extraordinary
Philadelphia Orchestra in two performances
to close the 23/24 season. The season finale
put the UMS Choral Union and music director
Scott Hanoian on display with Johannes
Brahms’s German Requiem. The Orchestra
has had a deep history in Ann Arbor since its
1913 debut, and their two different programs
recalled nearly 50 years of May Festival
residencies from years past.
THE EXTRAORDINARILY POWERFUL
PERFORMANCE MOVED ME TO TEARS, NOT
JUST DURING THE CONCERT BUT ALSO
IN THE QUIET MOMENTS OF REFLECTION
THAT FOLLOWED AND EVEN THE NEXT DAY!
I am walking on air. Minority communities are
rarely represented in major establishments,
so I’m tremendously grateful that Yannick
Nézet-Séguin incorporated Florence Price’s
composition into the program. I also attended the
stimulating pre-performance session moderated
by Doyle Armbrust featuring Kori Coleman of
D-Composed in the lobby. I like that UMS is openminded
enough to mix it up!”
— Email from audience member
Be Present
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RESIDE
In addition to the events listed earlier, UMS
supported over 150 free educational activities
throughout the 23/24 season, commissioned
and produced new artistic works, and
sponsored artist residencies — including
two month-long residencies at the
Ypsilanti Freighthouse.
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NCIES
UMS AT THE
YPSI FREIGHTHOUSE
After its initial pilot residency in April
2023, UMS proudly continued its
exciting partnership with the City
of Ypsilanti at the historic Ypsilanti
Freighthouse for two different monthlong
residencies in 23/24. Each
residency featured a blend of music,
dance, and interactive experiences
designed to resonate with audiences of
all ages. This initiative has become so
ingrained into our season that it’s hard
to remember 23/24 was the first season
with two full residencies!
That Ypsilanti Freighthouse residencies
are marked by a Pay-What-You-Wish
ticket model and an eclectic variety of
events for multi-generational audiences,
all programmed from a community-first
lens. Through the two residencies,
we welcomed over 2,200 guests from
across Southeast Michigan — a third
of whom self-identified as Ypsilanti
residents.
We are delighted that the Freighthouse
has become a creative hub for local and
regional artists, as well as a gathering
place for culturally curious audiences of
all ages. Take a look back at our favorite
moments — from the local talents of
our Open Mic Night participants and the
immersive fun of our free Family Events
to an extended residency with HUB New
Music at Estabrook Elementary School
in Ypsilanti.
Be Present
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RESIDE
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NCIES
Be Present
19
Residencies
AKROPOLIS
REED
QUINTET
The Akropolis Reed Quintet’s residency was
particularly meaningful, as we welcomed back
these five Michigan alums — including former
UMS student employee Kari Landry! — for their
first-ever UMS performance.
20 23/24 Annual Report
THE
RESIDENCY
INCLUDED:
A WELCOME HOMECOMING
Akropolis returned to their alma mater,
leading a chamber music masterclass
for students at the U-M School of
Music, Theatre & Dance.
BACK TO SCHOOL(S)
A class visit to 2nd grade students at
Estabrook Elementary in Ypsilanti.
A concert and Q&A at Tappan Middle
School in Ann Arbor.
A short performance and woodwind
coaching session for students at Ann
Arbor’s Scarlett Middle School.
A MUSICAL DREAM
The Akropolis Reed Quintet
performed a virtuosic UMS debut
in Rackham Auditorium, with an
innovative, genre-defying program
that included an arrangement of
Gershwin’s An American in Paris.
They were joined by jazz pianist
and composer Pascal Le Boeuf and
drummer Christian Euman in the
spectacular Are We Dreaming The
Same Dream? — recently nominated
for the 2025 Grammy for Best
Instrumental Composition!
Be Present
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Residencies
THE
JAVAAD
ALIPOOR
COMPANY’S
THINGS HIDDEN SINCE THE
FOUNDATION OF THE WORLD
Known for his innovative and thoughtprovoking
work, British-Iranian
theatermaker Javaad Alipoor explores
contemporary issues through the lens of
digital culture, identity, and social justice.
His new work, Things Hidden Since the
Foundation of the World, represented a
full-circle moment for UMS, as it concluded
a trilogy of Alipoor’s works that explored
the relationship between contemporary
technology and contemporary politics.
(UMS presented The Believers Are But
Brothers, the first work in the trilogy, as part
of its No Safety Net 2.0 Festival in early
2020.) Alipoor’s 2023 residency at UMS
provided a rich opportunity for both the
university and the broader community to
engage with his multifaceted approach to
theater and storytelling.
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THE
RESIDENCY
INCLUDED:
PENNY STAMPS SPEAKER SERIES
Javaad Alipoor and musician/activist
King Raam began their Ann Arbor
residency with a Penny Stamps
Distinguished Speaker Series lecture at
the Michigan Theater, hosted by NPR’s
Neda Ulaby.
The full lecture is available to stream
on demand.
Watch Video
CLASS VISITS
Javaad Alipoor spent time with
students at Pioneer High School’s
World Literature classes to discuss and
preview his play; students at the school
participated in an in-depth theater
residency exploring the themes of
the work.
He also visited several U-M classes,
including “Revolutionary Iran,” a history
course, and a performance practice
workshop at the School of Music,
Theatre & Dance.
SCHOOL DAY PERFORMANCE
The Pioneer students were among
a group of about 200 students from
schools in Ann Arbor, Ypsilanti, Detroit,
and Plymouth-Canton who took a field
trip to experience Things Hidden.
Be Present
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Residencies
ENGAGING ARTS & RESISTANCE
ACROSS CAMPUS
Things Hidden Since the Foundation of
the World was supported by the U-M
College of Literature, Science, and
the Arts and the U-M Arts Initiative,
and represented UMS’s final program
as part of the U-M Arts & Resistance
Theme Semester (see more details
about this theme semester later in this
report).
SIX CULMINATING
PERFORMANCES
UMS presented five public
performances and a School Day
Performance of The Javaad Alipoor
Company’s Things Hidden Since the
Foundation of the World at the Arthur
Miller Theatre.
24 23/24 Annual Report
MARTHA
GRAHAM
DANCE COMPANY
In February, the Martha Graham Dance
Company participated in an extended
learning and engagement residency that
reached hundreds of elementary and
college students plus the community at
large including:
• An energetic school day performance at the Power Center
with nearly 900 students from 10 different schools
• Six additional visits to area schools by company members
• A visit to UMS’s undergraduate course at U-M, “Engaging
Performance”
• A UMS 101 on The Graham Technique, led by former Graham
dancer Peter Sparling
• A U-M SMTD dance class led by Martha Graham dancer
Lorenzo Pagano
• Post-Performance Q&As
• A You Can Dance workshop with Lorenzo Pagano, open to
amateur dancers of all ages and skill levels at the Riverside
Arts Center in Ypsilanti
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Commissions and Premieres
FLINT ARTIST
RESIDENCY
In addition to its work on the Ann Arbor
campus, UMS is proud to share its
resources with UM-Flint by supporting an
artist-in-residence on the Flint campus,
a program funded in part by the U-M Arts
Initiative. The program, a collaboration
with the UM-Flint Arts + Culture Research
Cluster, engages a Flint-area artist in a
residency on the campus of U-M Flint and
throughout Southeastern Michigan during
the academic year, centering the creation
of art in the campus experience.
This season, UMS welcomed Anthony
Feimster, better known by his stage name
Feimstro. Feimster is a Flint-based pianist,
vocalist, and composer who used his
residency to collaborate with musicians
and other artists to create new work. The
residency culminated in the release of his
second studio album Dis Aint No Joke in
May 2024.
COM
AND PR
As part of the September 2023 Ypsilanti
Freighthouse residency, Detroit-based
saxophonist and composer and U-M
alumnus Marcus Elliot led a sevenpiece
band of musicians and artists in
a special collaboration with the African
American Cultural and Historical Museum of
Washtenaw County that honored the history
of Ypsilanti as a refuge for Black Americans
dating back to the 1830s. Commissioned by
UMS to celebrate Ypsilanti’s bicentennial,
the new work, Sonic Contributions, was
inspired by stories from significant moments
in the history of Ypsilanti. Those stories
shaped original music compositions that
highlighted the bravery of those who sought
freedom on the Underground Railroad, and
honored the resilience that the African
American community in Ypsilanti has shown
throughout time.
Spurred by the residency itself, this UMS
commission premiered at the Freighthouse
in two meaningful evenings. The final dress
rehearsal was filmed and released for
streaming to further share this
monumental work.
Watch Video
26 23/24 Annual Report
MISSIONS
EMIERES
Be Present
27
Commissions and Premieres
In February, UMS produced and hosted
the world première of composer Nkeiru
Okoye’s When the Caged Bird Sings,
a collaboration between UMS and the
U-M School of Music, Theatre & Dance.
An elaborate work that fused elements
of oratorio, theater, and opera in a multimovement
musical ceremony, Caged Bird
was truly a collaborative effort, packing the
Hill Auditorium stage with a full orchestra,
chorus, and the EXIGENCE vocal ensemble,
as well as four soloists and a narrator.
Commissioned by the University of Michigan
School of Music, Theatre & Dance, the piece
draws on inspiration from the Black church
and celebrates the spirit of rising above
expectations and transforming adversity
into triumph. Partly in tribute to the activist
and poet laureate Maya Angelou, the work
celebrates Black women, commemorating
those who have paved a path for future
generations in many fields of human
endeavor.
During her time in Ann Arbor, Okoye also
participated in two public discussions
about the new work and her overarching
career, was interviewed as part of the Penny
Stamps Speaker Series, and joined U-M Arts
Initiative executive director Mark Clague in a
pre-concert conversation.
28 23/24 Annual Report
February also saw a special preview
performance by Martha Graham Dance
Company of the new work We The
People. Choreographed by Jamar Roberts,
resident choreographer for the Alvin Ailey
American Dance Theater, and set to music
by Rhiannon Giddens, the piece opened up
the conversation about how the American
vernacular dance in Rodeo emerged from
immigrant and enslaved communities.
The performances also included Agnes de
Mille’s 1942 classic Rodeo with the iconic
score by Aaron Copland reorchestrated
for a bluegrass ensemble, and Martha
Graham’s final complete work, Maple Leaf
Rag, celebrating the founder’s timeless
and uniquely American style of dance as
the influential dance company approaches
its 100th anniversary.
Be Present
29
Commissions and Premieres
In March, trumpeter Ambrose Akinmusire
and pianist Sullivan Fortner brought
a unique concert to UMS inspired by the
collaboration between the great jazz
trumpeter Louis Armstrong and Earl Hines,
a key figure in the evolution of jazz piano
playing. The concert was a tribute to the
iconic Armstrong/Hines album Weather Bird,
a series of groundbreaking recordings that
showcased each artist’s individual brilliance
as well as the seamless synergy between one
of the most influential duets in jazz history.
Performing only in Ann Arbor to a sold-out
Rackham Auditorium, Fortner and Akinmusire
brought charisma and delight, even
announcing from the stage that they were
going to play through intermission because
they were having so much fun and didn’t want
to stop. As the evening reached its conclusion,
the pair played Eden Ahbez’s “Nature Boy” as
an encore, leaving the crowd feeling enriched
by this new jazz pairing nearly a century after
the one that inspired it.
30 23/24 Annual Report
The thread of new commissions continued
through the end of the mainstage season with
the Takács Quartet, whose program nodded
to the natural world. In between Haydn’s
“Sunrise” quartet and Beethoven’s second
Razumovsky quartet, the slow movement
of which was inspired by Beethoven’s
contemplation of the starry sky, the Quartet
performed a new UMS co-commission by
Nokuthula Endo Ngwenyama that was inspired
by a deep sense of awe and wonder in nature.
Born in Los Angeles of Zimbabwean-Japanese
parentage, Ngwenyama’s work flow was a
huge hit among audiences, prompting one to
email,
NOKUTHULA NGWENYAMA’S “FLOW” WAS
WONDERFUL.
Its heart and soul [was] a string quartet, but new
and modern. It sat so well between the Haydn
and the Beethoven, and I’d love to hear it again.
Brava to Ms. Ngwenyama, and to the Takács
Quartet for the whole program.”
— Email from audience member
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31
Commissions and Premieres
THE
ORCHESTRA OF
THE AMERICAS
RESIDENCY
CARLOS MIGUEL PRIETO,
KAYHAN KALHOR, AND YO-YO MA
In the summer of 2023, Yo-Yo Ma’s
management team approached UMS
about an opportunity to host a one-of-akind
musical gathering at the University
of Michigan in June 2024. This project
would bring together talented young
musicians from around the world to
rehearse, workshop, and perform an allnew
concerto in advance of its official
world premiere at the Elbphilharmonie in
Hamburg, Germany in 2025.
The Orchestra of the Americas, a Latin
Grammy-winning ensemble led by
conductor Carlos Miguel Prieto and
composed of young pre-professional
musicians from around the world
were joined by 20 students from the
U-M School of Music, Theater & Dance
to participate in a week of rehearsals
and workshops for this new double
concerto, which was written for cello and
kamancheh (spiked fiddle) by composer
Kayhan Kalhor. The piece celebrates 25
years of musical friendship between
Ma and Kalhor, who were both original
members of the Silkroad Ensemble.
After months of complex planning and
preparation during our 23/24 season, this
project came fully to life with a weeklong
residency and culminating preview
performance in Hill Auditorium on Tuesday,
June 11, 2024, marking the official end to
the 23/24 season and UMS’s first June
performance in decades.
32 23/24 Annual Report
WELCOME TO ANN ARBOR
Thursday, June 6
More than 60 musicians from 18
countries arrived in Ann Arbor for
the start of the residency. A morning
orientation allowed the Orchestra of
the Americas musicians to meet the
participating U-M SMTD students and
explore the beautiful University of
Michigan campus.
SECTIONAL REHEARSALS
ACROSS CAMPUS
Thursday-Saturday, June 6-8
Musicians worked together over three
days during sectional rehearsals led
by faculty from OA and U-M SMTD, as
well as OA conducting fellows. They
ensured the collective ensemble was
well prepared before the arrivals of
conductor Carlos Miguel Prieto and
soloists Yo-Yo Ma and Kayhan Kalhor.
In addition to the new Kalhor concerto,
their performance repertoire included
Gabriela Ortiz’s Téenek, plus Ottorino
Respighi’s Roman Festivals and Pines
of Rome.
ALL TOGETHER ON STAGE
Saturday, June 8
After an exciting first rehearsal with the
full orchestra and guest artists, Yo-Yo
Ma joined the musicians for a quick
photo op!
AN INSIDER’S PERSPECTIVE
Monday, June 10
U-M SMTD oboist Mark Doerr, who
participated in the residency, took over
UMS’s Instagram account to give us an
insider’s look (and listen!) of the final
day of rehearsals with his colleagues.
In this clip, he tackles a passage from
Respighi’s Pines of Rome.
Watch Video
Be Present
33
Commissions and Premieres
A PACKED AUDIENCE
Tuesday, June 11
Audiences began to fill the 3,500-seat
Hill Auditorium in eager anticipation
of the residency’s culminating
performance. This concert sold out
within a week of its public on-sale in
January.
VENUS IN THE MIRROR
PREVIEW PERFORMANCE
Yo-Yo Ma and Kayhan Kalhor brilliantly
performed Venus in the Mirror, Kalhor’s
new double concerto, in the first half of
the program.
Kalhor shared the following insights on
his composition:
As a musician, I have always cherished
the profound privilege of interpreting
the voice of my musical culture and
instrument in moments of solitude and
alongside those I hold dear. Over the
past 50 years, this freedom has enabled
me to define my perception of life
through the Arts.
Amidst a world in turmoil, a 25-year
journey of friendship and collaboration
with a remarkable individual is a
milestone that calls for artistic
commemoration.
This piece serves not only as a
celebration of our bond but also as a
reflection on the social interests and
complexities in general and during the
past few years, particularly the current
situation and social nuances of my home
country and the brave young Iranians,
especially Iranian women.
The concerto, Venus in the Mirror, is
a testament to peace and friendship.
It was born out of a desire to create a
moment of tranquility amid chaos and to
explore the delicate balance of human
existence. This theme resonates deeply
in these complicated times.
34 23/24 Annual Report
A THRILLING SECOND HALF
In the second half of the program,
audiences were treated to Ottorino
Respighi’s masterpieces Roman
Festivals and Pines of Rome, which
featured the sonic brilliance of
antiphonal brass from the balcony.
AN ENCORE UNLIKE ANY OTHER
Carlos Miguel Prieto and the Orchestra
of the Americas kept the celebration
going with two joyous encores by
Alberto Ginastera and Zequinha de
Abreu, which had the crowd stomping
their feet. The final encore featured
improvised musical and dance solos
by the musicians — an Orchestra of
the Americas tradition at every concert
they perform!
In the final of several standing ovations,
OA musicians proudly unfurled flags
from their home countries in a fantastic
sendoff, a visual commemoration of this
unforgettable residency and week of
cultural exchange.
WHAT HAPPENED LAST NIGHT WAS A
CULMINATION OF INCREDIBLY HARD
WORK, EXECUTED FLAWLESSLY WITH
PASSION, TENACITY, AND HEART.
I hope you felt what I felt from both the
orchestra members and the audience — a
kind of people’s communion transcending
time and space, words that we often use in
our sector, but this time, those descriptions
landed in our collective hearts.
I am deeply grateful and appreciative to the
whole team for working individually and
collaboratively to this kind of cultural work
that truly makes a difference.”
— Yo-Yo Ma, in post-residency message
to UMS staff
Be Present
35
Commissions and Premieres
OUR SINCEREST
APPRECIATION
Every staff member at UMS played a
significant role behind the scenes in
bringing the Orchestra of the Americas
residency to life. We especially thank
our project leaders in the Programming,
Production, and Learning & Engagement
teams for their tireless dedication to
making this summer residency possible:
Alex Gay, Director of Production
Cayenne Harris, Vice President,
Learning & Engagement
Marissa Honig, Project Manager
Mark Jacobson, Vice President,
Programming and Production
The Orchestra of the Americas residency
was only possible because of the
passionate support from university,
individual, and corporate sponsors who
were essential to making it happen at
the University of Michigan. We thank
all of our sponsors for their incredible
generosity and commitment to our mission
of connecting audiences and artists in
uncommon and engaging experiences:
Orchestra of the Americas residency sponsors,
with Kayhan Kalhor, Yo-Yo Ma, and Carlos Miguel
Prieto. L-R: Mark Clague (Arts Initiative), Thea
Glicksman, Menakka Bailey, Peter Schweitzer,
Kayhan Kalhor, Yo-Yo Ma, Carlos Miguel Prieto,
Rachel Feder, Dan Feder, Eileen Weiser, Richard
Caldarazzo, Mike Martin, Brian Weisman.
Not pictured: Matt and Nicole Lester, Linh and
Dug Song, Helga and Jerry Bilik, Stephen and
Faith Brown, Shaomeng Wang and Ju-Yun Li, Ellie
Serras, Dianne Widzinski, Jon and Sandy Willen,
Sesi Motors, Honigman
36 23/24 Annual Report
UMS
IMPACT
STRENGTHENING OUR
SOCIETY THROUGH
THE ARTS
UMS is dedicated to work that not
only enriches the cultural life of
the University of Michigan and the
surrounding community but also
inspires broader societal change. As
mentioned earlier, the world premiere
of Nkeiru Okoye’s When the Caged
Bird Sings, the Underground Railroadinspired
work Sonic Contributions
by Marcus Elliott at the Ypsilanti
Freighthouse, and the exploration
of jazz by LaTasha Barnes’s Jazz
Continuum all connected to larger
social and cultural issues, bringing
audiences together for experiences
that expand and enrich the way
we see one another and the world.
In fall 2023, UMS presented
performances and many campus
engagement events as part of the
University of Michigan’s Arts &
Resistance theme semester, with
support from the U-M Arts Initiative:
Javaad Alipoor, DruidO’Casey, and
DakhaBrakha.
Javaad Alipoor’s 2023 residency
exemplified the commitment to
fostering innovative and socially
relevant art. Alipoor’s creative talents
and unique perspective as a British-
Iranian theatermaker stimulated
important conversations about the role
of the arts in addressing contemporary
social issues.
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37
UMS Impact
38 23/24 Annual Report
THERE IS THIS ENERGY INSIDE THE
THEATER AT THE END OF TRILOGY
DAYS THAT IS OTHERWORLDLY.”
We’ve all experienced something, but it’s
different every time. To commit to a full
day, I think you take the characters to heart
because you live that day with them. You live
in that tenement world. You live in that Sean
O’Casey world for the day.”
— Druid actor Caitríona Ennis
In October, UMS brought the magic of
Ireland’s Druid Theatre Company
to Ann Arbor with the presentation of
Sean O’Casey’s Dublin Trilogy, featuring
three pivotal plays by the legendary Irish
playwright: The Shadow of a Gunman, Juno
and the Paycock, and The Plough and the
Stars. Directed by the renowned Garry
Hynes, this trilogy not only captivated
audiences but also provided a deep
immersion into the heart of Dublin’s sociopolitical
landscape during the early 20th
century.
Presented in only two US cities —New York
and Ann Arbor — by a single company of
18 actors, the staging of all three plays as
a cohesive trilogy allowed theater-goers
to experience the full arc of O’Casey’s
narrative, feeling the interconnectedness
of personal and political struggles across
different periods of Irish history.
Over the course of a seven-hour day that
included all three plays, audience members
immersed themselves in the experiences
of people during different moments in
Ireland’s history, tastefully mixing together
tragedy and comedy. An Irish-inspired
Zingerman’s dinner allowed audiences to
fuel up between the performances of
The Shadow of a Gunman and Juno and
the Paycock.
Be Present
39
UMS Impact
Ukrainian “ethno-chaos” band DakhaBrakha
opened our November lineup with a thrilling
return to Hill Auditorium. This performance,
presented in association with the Center for
Russian, East European, & Eurasian Studies
(CREES), highlighted the incredible bravery,
resilience, and determination of the Ukrainian
people in the midst of war — a message that
the band conveyed through both their music
and the visual representations that appeared
on screen as they performed.
Immediately after their performance, the
musicians were introduced to students
from CREES for an intimate meet-and-greet
backstage, where students shared stories
about themselves and their appreciation for
DakhaBrakha’s music in Ukrainian. These
students were just a handful of the nearly
500 who attended the performance.
CONSIDERING THAT UKRAINE HAS A
BIG NEIGHBOR WHO THINKS THAT EVEN
THE EXISTENCE OF OUR COUNTRY IS
A HISTORICAL MISUNDERSTANDING…
EVERY ONE OF OUR CONCERTS ABROAD
CAN BE REGARDED AS A POLITICAL ACT
IN ITSELF.”
— Marko Halanevych, DakhaBrakha
founder and musician
The following morning, DakhaBrakha joined
CREES students and professors for brunch
and a tour of the Center’s special exhibition,
Guardian Passage: The Power of Ukrainian
Cultural Memory in the Face of War.
40 23/24 Annual Report
Be Present 41
UMS Impact
UMS AT U-M
Partnerships with the University of
Michigan represent a cornerstone of
the learning and engagement activities
that UMS presents, with dozens of
opportunities each year for students
to engage with UMS artists through
masterclasses, opportunities to perform
premieres of new works, classroom
visits, lectures, demonstrations,
and more.
U-M STUDENT
EXPERIENCE SPONSORS
Presenting Sponsors:
THE EHRENBERG FAMILY CHARITABLE FUND
PATTI ASKWITH KENNER
TIM AND SALLY PETERSEN
Supporting Sponsors
STEPHEN AND ROSAMUND FORREST
STUDENT TICKET ENDOWMENT FUND
WALLIS C. KLEIN ENDOWMENT FUND
STUDENT IMPACT
UMS’s impact on students includes
programs at both the K-12 and
university levels. Each year, over 20%
of our audiences are students who
attend through specially discounted
ticket programs and collectively
save over $540,000 each year. One
can’t underestimate the impact that
attending these performances has on
students, whether they are from SMTD
or other areas of study.
In reflecting on her time at Michigan,
one SMTD student noted, “The
University Musical Society brought in
so many guest artists and orchestras
who would come through Ann Arbor,
Michigan. The Berlin Philharmonic
comes [to the US], and they play in
Carnegie Hall, they play in Chicago
Symphony Hall, and they play in…
Hill Auditorium. It’s ridiculous to get
to hear that caliber of artistry right
there on campus. We learned so
much from that.”
An engineering student, who was a
recipient of a free ticket to the Yo-Yo
Ma / Emanuel Ax / Leonidas Kavakos
concert provided by an anonymous
donor, wrote,
I HAD AN INCREDIBLE TIME AT
THE YO-YO MA PERFORMANCE.
THAT WAS MY FIRST CONCERT
AT HILL AUDITORIUM, AND AS A
SENIOR THAT WAS SOMETHING I
REALLY WANTED TO DO BEFORE I
GRADUATED.
I used to play the cello and piano
and have looked up to Yo-Yo Ma for a
long time, and it was really exciting to
actually hear him play in person. I even
made friends with another student
next to me who had also received a
ticket from the donor.” Another student
added, “I hope to one day also be able
to give back to students like this.”
But the impact of UMS on students
extends far beyond the performances
on stage.
CLASSROOM EXPERIENCES
At the University level, UMS works
with professors in a variety of
departments — encompassing
engineering, dentistry, chemistry,
English, the arts, and more — to
incorporate UMS events and class
visits by UMS artists into their syllabi.
This past season was the 10th
year of UMS’s popular “Engaging
Performance” class, which invites
undergraduate students to learn more
about the arts directly from the artists
we present, as well as attending
performances and writing about them.
This year, the class, which is co-taught
by faculty in the School of Music,
Theatre & Dance and the College of
Literature, Science & the Arts, was
taught by the two professors who
led the first iteration: Yopie Prins and
Matthew Thompson. Read more on
our blog.
Read Article
21ST CENTURY INTERNSHIP
PROGRAM
UMS Campaign Co-Chairs Tim and
Sally Petersen have been involved with
UMS for many years and sponsor the
21st Century Artist Internship program,
which places four SMTD students each
summer with companies that UMS will
be presenting the following season.
Their support allowed Matthew Eggers
(theater and production design, class
42 23/24 Annual Report
of '24) to work with Javaad Alipoor in
England and Scotland; Sasha Gusekhin
(vocal performance and biology,
cognition, and neuroscience, '24) to
work with The Philadelphia Orchestra;
Kate Klassa (organizational studies
and theater arts, '24) to intern with the
Martha Graham Dance Company; and
Emilia Vizachero (acting, '24) to work
with Druid in Ireland, in advance of the
DruidO’Casey trilogy presented here.
These extraordinary opportunities can
be life-changing for both the interns and
the companies that host them.
MEDICAL ARTS PROGRAM
In addition to these opportunities and
others already mentioned in this report,
UMS and Michigan Medicine continued
its Medical Arts program, which provides
opportunities for U-M residents and
house officers to attend performances
and engage with UMS artists as part of
a larger conversation about how the arts
and medicine intersect.
Be Present
43
Ypsi UMS Freighthouse
Impact
EXPERIENCES
FOR K-12
STUDENTS
44 23/24 Annual Report
On the K-12 front, in addition to School
Day Performances (two of which were
livestreamed and available on demand
to schools across the state), a series of
artist facilitators went into classrooms
in Ann Arbor, Ypsilanti, Allen Park,
Detroit, and Bloomfield Hills to prepare
students to attend a UMS performance
and to debrief with them about the
experience afterwards. Each classroom
attending a School Day Performance
receives a learning guide that connects
what they will see with curricular
requirements for various levels of
instruction. These guides are also
provided for two digital-only School
Day Performances that are made
available to families across the state.
Of particular note this past year was a
relationship with Ypsilanti’s Estabrook
Elementary School. In addition to
hosting members of the Akropolis Wind
Quintet, the students at Estabrook
worked with contemporary chamber
music ensemble Hub New Music.
For an in-school residency known
as Hub Lab, students at Estabrook
worked directly with musicians from
Hub New Music to compose their own
piece, which was later performed
by the musicians at the Ypsilanti
Freighthouse. Tyler Rindo, a teacher
at Estabrook, wrote to UMS when the
residency was over:
I JUST WANTED TO TAKE A MOMENT
TO THANK YOU AGAIN FOR YOUR
SUPPORT AND ENTHUSIASM THIS
YEAR AS YOUR TEAM PROVIDED
SO MANY INCREDIBLE MUSIC
OPPORTUNITIES FOR MY STUDENTS.
In the month of April alone EVERY
SINGLE ESTABROOK STUDENT had the
opportunity to enrich their education
with a HIGH QUALITY LIVE performing
arts experience at the freighthouse.
Yesterday at our district music
department meeting we were sharing
our visions for the future of our
Ypsilanti music programs and I spoke at
length about the positive experiences
my students had with the freighthouse
music residency. Specifically, my
vision is that every single YCS student
(3,721) gets to see a live high quality
performing arts experience every year.”
SCHOOL DAY
PERFORMANCES BY
THE NUMBERS
14,963
Students impacted, including
10,829 who viewed a digital
performance
46%
Of students were from underserved
communities
17
School districts participated in
UMS School Day programs
21
Cities participated in UMS
School Day programs
7
Participating counties: Clinton,
Genesee, Kalamazoo, Macomb,
Oakland, Wayne, Washtenaw
ARTIST FACILITATORS
1,303
students participated in...
46
workshops from ...
18
schools
Be Present
45
UMS Impact
K-12 PROGRAMS ARE MADE
POSSIBLE BY
Presenting Sponsors
Principal Sponsors
RICHARD AND NORMA SARNS
Patron Sponsors
ANONYMOUS
DAVID AND KIANA BARFIELD FAMILY FOUNDATION
KAREN AND CHARLIE CHAPELL
THE COZAD FAMILY
DAVID AND JO-ANNA FEATHERMAN
DAVID AND PHYLLIS HERZIG ENDOWMENT FUND
TIMOTHY AND JO WEISE JOHNSON
TIM AND LISA LYNCH
WARDE AND CHRISLAN FULLER MANUEL
PRUDENCE AND AMNON ROSENTHAL K-12
EDUCATION ENDOWMENT FUND
GAIL FERGUSON STOUT
Additional funding provided by
Supporting Sponsors
MENAKKA AND ESSEL BAILEY
ELAINE A. BENNETT
MATT AND NICOLE LESTER FAMILY
46 23/24 Annual Report
BE CHALLENGED.
145TH
SEASON
Be Present
47
People
PEOPLE
We welcomed several new staff members
during the 23/24 season:
The marketing team welcomed Miranda
Tolsma at the top of the season, in July
2023, as Digital Marketing Coordinator.
A Michigan State graduate, Miranda has a
background in graphic design and comes
to UMS after positions with the digital
marketing firm Capacity Interactive and
American Repertory Theater in Boston.
ARTS INITIATIVE AT U-M
The Arts Initiative, launched in 2019 by the
Office of the President, is a university-wide
endeavor to make the arts central to U-M’s
identity and mission. It seeks to illuminate
and expand human connections, inspire
collaborative creativity, and build a more
just and equitable world through the arts.
Mark Clague, professor of music, former
UMS board member, and associate dean
for collaborations and partnerships in the
School of Music, Theatre & Dance, was
recently named the Arts Initiative’s
inaugural executive director following
a national search.
Alex Gay rejoined UMS as our Production
Director in November 2023. Alex was a
familiar name to UMS, having worked in
our production office from 2015-2022
as assistant production manager, before
leaving to work at the Power Center. We
were delighted to lure him back to run our
production office, where he oversees all
of the backstage and technical aspects of
UMS events.
48 23/24 Annual Report
Our development office welcomed
Courtney Ross in the role of
Development Associate, Annual Giving
in March. Courtney came to UMS from
the music nonprofit Accent Pontiac,
where she served as operations
director, and has also worked with
the University of Michigan’s Office of
University Development and the Ann
Arbor Summer Festival.
Athena Papageorgiou joined UMS
in May as Special Events Coordinator,
managing the details of many activities
in the UMS president’s office and
for the development team. An active
community volunteer, Athena is a former
UMS Ambassador and a former usher,
having helped at countless School Day
Performances.
In addition, Justine Sedky and Rochelle
Clark took on new roles at UMS. Justine
left the Development team to become our
new Community and Audience Programs
Manager in the Learning & Engagement
Department, and Rochelle became the
Production Manager in June 2024 after
nearly five years of working in the Patron
Services Office.
We also said farewell to Kathleen
Operhall, who stepped down after
serving as the manager of the UMS
Choral Union for 26 years.
BOARD TRANSITIONS
UMS bid farewell to two board members
who stepped down after eight years on
the Board of Directors.
Chris Conlin, owner of Conlin Travel,
served on the board for eight years,
including two as secretary and seven
as a member of the Development
Committee, where he played a role
in creating the Forward Fund to help
sustain UMS during the pandemic.
Through Conlin Travel, Chris has been
a performance sponsor for a variety
of events, including Jazz at Lincoln
Center, the Philadelphia Orchestra,
and Aida Cuevas, to name just a few.
He also encouraged UMS to host travel
experiences and helped launch and plan
UMS tours to New Orleans, Edinburgh,
and Amsterdam/Berlin/Vienna.
Gail Stout also served on the board
for eight years, and her relationship as
a volunteer goes back to 2009, when
she joined the UMS Ambassadors
(then called the Advisory Committee).
She served as chair of that group in
the 2013/14, and as a board member
has served on numerous committees,
including chairing the Education &
Community Engagement committee in
2017/18. Gail has a deep commitment
to UMS’s learning and engagement
programs, is a steadfast sponsor of
our school day performances, and
maintains deep relationships to music
education through both the local K-12
schools and at U-M and the Michigan
Marching Band, where she helped make
the New York Philharmonic’s halftime
appearance in 2015 a possibility. With
her late husband, John, she sponsored
mainstage performances through their
company, Stout Systems, including Chick
Corea, Cécile McLorin Salvant, and Jake
Shimabukuro. She experienced her
first UMS concert when she was just
six months old and her mother, a UMS
Choral Union member, smuggled her into
Hill Auditorium for Handel’s Messiah.
Be Present
49
People
BOARD MEMBERS
At the annual meeting in June 2024,
five new board members were
elected to their first four-year term:
THE 23/24 SLATE OF
EXECUTIVE OFFICERS
WILL ALL RETURN FOR
THE 24/25 SEASON:
Christina Kim and Brian Willen,
co-chairs
Rob VanRenterghem, vice chair
Timothy G. Marshall, treasurer
Karen Chapell, secretary
James Coleman
Vice President, Client and Community
Relations Director at PNC Bank
Nakia Johnson
Head of Regulatory Strategy and
Compliance Operations at Google
DeAnne Ramos
Chief Financial Officer at the University of
Michigan Credit Union (UMCU)
Dug Song
Co-founder of the Song Foundation, and
co-founder and former CEO of Duo Security
Gwendolyn (Wendy) Yip
Amateur classical pianist, arts champion,
and First Lady of the University of Michigan
50 23/24 Annual Report
UMS
SUPPORTERS
DONOR IMPACT
As the Leader and Best among
nonprofit university arts presenters,
UMS aims to bring the transformative
power of music, theater, and dance to
audiences, students, and community
members across generations. Any
and all investments from members of
our community make it possible for
us to fulfill our mission, but many gifts
stand out because they demonstrate
the ways in which UMS is meaningful
to you.
LARGEST GIFT IN UMS HISTORY
The 23/24 season saw the largest
gift to University Musical Society
in its 146-year history, from
longtime UMS supporters Eileen
Weiser and Richard Caldarazzo,
pictured below with UMS Board
Co-Chairs Brian Willen and
Christina Kim and UMS President
Matthew VanBesien.
With a generous gift of $5 million,
the University of Michigan alumni
established the Weiser Caldarazzo
Iconic Artists Endowment Fund,
which will support two performances
each season by significant artists or
ensembles recognized as icons in
today’s vibrant performing arts scene.
“The performing arts are precious
to both of us for the haven they
provide from everyday life. We
treasure how the arts challenge us,
make us laugh or cry, provoke new
thoughts and ideas while lifting up
our emotions. They are essential to
creating tolerance, strengthening
our humanity, and helping people
find balance in our increasingly
complex world,” Weiser explained.
“The University Musical Society
has provided amazing performance
opportunities for 146 years. We are
grateful that we can help ensure
that tradition of excellence for the
future, both for the performers they
nurture and the joy they bring to our
community,” Caldarazzo added.
This is the first gift that Weiser and
Caldarazzo are making together, and
the largest gift that UMS has ever
received since its founding in 1879.
It helps to ensure that we can always
invite the world’s most iconic and
important artists and ensembles
to perform on our stages and for
the benefit of our students and the
broader community, especially as we
look forward to our 150th season in
2028/29.
Read on to learn more about several
donors who have let us know about
their bequest intentions to benefit
UMS and its future audiences.
Be Present
51
People
A BEQUEST INTENTION FROM DIANE
AND GARY STAHLE
Longtime Canton residents Diane and Gary
Stahle have enjoyed UMS performances
since the 1990s. Diane, a retired hospital
administrator, particularly enjoys the
orchestras and pianists UMS presents,
while Gary, a retired engineer, is more
partial to jazz. They first began sponsoring
performances 10 years ago and, as they
got to know the organization better,
realized they had an opportunity to make
an additional impact through their estate.
Diane and Gary are generously bequeathing
75% of their estate to UMS to help ensure
that future generations are able to enjoy the
same caliber of musical performances that
have brought them so much joy.
JERRY AND DALE KOLINS THEATER
ENDOWMENT
UMS Campaign Council members Jerry and
Dale Kolins are enthusiastic Wolverines
who venture back to Ann Arbor from their
California home frequently for both football
and UMS performances. Among their most
memorable UMS experiences were the
residencies by the Royal Shakespeare
Company. In 2014, Dale and Jerry established
the Jerry and Dale Kolins Shakespearean
Endowment Fund to help UMS continue
to bring classical theater to campus. To
help grow the endowment, Jerry and Dale
recently updated their estate plans to
include a $250,000 bequest to UMS. Their
“forever gift” to UMS will help ensure that
U-M students and the Ann Arbor community
can enjoy dynamic theater presentations
from a wide range of playwrights and
theatermakers.
52 23/24 Annual Report
LESLIE AND MARY ELLEN GUINN
ENDOWMENT FUND
Rachel and Dan Feder recently established
an endowment in honor of Rachel’s parents,
Leslie Guinn (who passed away in 2020)
and Mary Ellen Guinn, both of whom were
involved in the University of Michigan’s
School of Music, Theatre & Dance (SMTD).
Mary Ellen danced with The Joffrey Ballet
and American Ballet Theatre before later
teaching at SMTD. Leslie joined the faculty
in 1971, serving as chair of the voice
department and director of the Vocal Arts
Division from 1986 until his retirement in
1999, after which he helped establish the
Vocal Health Center at Michigan Medicine.
Rachel’s parents instilled a deep love of
music in her, leading her to study flute at
SMTD, and she later became a public school
educator. The endowment will support the
performances and programs at UMS that her
family so cherished.
CARL COHEN CHAMBER ARTS
PERFORMANCE FUND
During Carl Cohen’s 62 years as professor of
philosophy at the University of Michigan, he
was a fixture at UMS chamber music concerts
in Rackham Auditorium. While he sponsored
performances for many years, in 2015 he chose
to create a provision in his will establishing
an endowment for UMS that would continue
supporting great chamber music for future
generations to enjoy. Carl passed away last fall,
and the $500,000 he directed to UMS from
his estate has been used to establish the Carl
Cohen Chamber Arts Performance Fund, which
will fully underwrite the direct costs of one
chamber arts performance each season
in perpetuity.
Be Present
53
People
DARRAGH H. AND ROBERT O.
WEISMAN MEMORIAL
ENDOWMENT FUND
Bob and Darragh Weisman met through
mutual friends while students at the
University of Michigan. At the time, the
one outlet they had to be together on a
regular basis was attending concerts at Hill
Auditorium. When Darragh died in 2021, Bob
remembered that other UMS supporters
had established endowments to fund
performances in perpetuity. He wanted to
establish a fund to both honor Darragh and
provide a forever gift to an organization
that meant so much to both of them. Bob
made gifts during his lifetime to establish
an endowment in Darragh’s memory,
and provided a gift through his estate to
complete the endowment after he passed
away last fall. UMS is honored to steward
this “forever gift,” ensuring that great
music will be available to the community
for generations to come.
To have her name go on forever is big, not just
for her memory, but for our family. UMS has
meant a lot to us over the years. To be able
to see that UMS is going to be able to go on,
not only for Darragh and the family, but for
the Ann Arbor community, that great music
will be here for decade after decade. It was
60+ years for us, I think this gift will help it go
on longer. Endowing this concert for Darragh
is everything I hoped it would be. — Bob
Weisman, on establishing the endowment
to honor his wife. After Bob passed away in
2023, his family renamed the endowment for
both of them.
54 23/24 Annual Report
PLANNED GIFTS /
BEQUESTS
Thank you to our community of
donors who made generous gifts
to UMS over the past year (July 1,
2023 – July 1, 2024).
Every gift is important to UMS. Due to
space constraints, we have recognized
supporters of $100 and above in the
following listing. An entire list of UMS
supporters can be found at ums.org/
support.
We apologize in advance for any
omissions or errors. Please contact
us at umsgiving@umich.edu or
734.647.1175 with corrections.
We are grateful to the following
people who have included UMS
in their estate plans. These future
gifts, many directed toward
establishing endowments, help
secure the future success of UMS
for generations to come.
Anonymous
Bernard and Raquel Agranoff
Mike Allemang
Carol and Herb Amster
Neil P. Anderson
Dr. and Mrs. David G. Anderson
Catherine S. Arcure
Barbara K. and
Laurence R. Baker
Emily Bandera
Barbara Barclay
Rodney and Joan Bentz
Kathy Benton and
Robert Brown
Linda and Maurice Binkow
Elizabeth S. Bishop
Mr. and Mrs. W. Howard Bond
Mr. and Mrs. Pal E. Borondy
Barbara Everitt Bryant
Lou and Janet Callaway
Pat and Geroge Chatas
Mr. and Mrs. John Alden Clark
Carl Cohen
Alan and Bette Cotzin
Dallas and Sharon Dort
Jo-Anna and
David Featherman
Penny and Ken Fischer
Susan Ruth Fisher
Dorothy and Larry Fobes
Meredith L. and Neal Foster
Thomas and Barbara Gelehrter
Dr. Sid Gilman and
Dr. Carol Barbour
Anne and Paul Glendon
Thea and Elliot Glicksman
Katherine Hein
Debbie and Norman Herbert
David and Phyllis Herzig
Rita and Peter Heydon
John and Martha Hicks
Gideon and Carol Hoffer
Marilyn G. Jeffs
Thomas C. and
Constance M. Kinnear
Diane Kirkpatrick
Dr. and Mrs. Jerry Kolins
Frank Legacki and
Alicia Torres
Leo and Kathy Legatski
Richard LeSueur
Paul and Carolyn Lichter
Robert and Pearson Macek
Susan McClanahan
Griff and Pat McDonald
Joanna McNamara
Rachelle and
Michael Michelon
M. Haskell and
Jan Barney Newman
Len Niehoff
Dr. and Mrs. Frederick O’Dell
David Parsigian
Irena Politano
Eleanor Pollack
Mr. and Mrs. Dennis M. Powers
Mr. and Mrs. Michael Raddock
Anthony L. Reffells
Marnie Reid
Mr. and Mrs. Jack Ricketts
Prue and Ami Rosenthal
Ellie Serras
Alyce Sigler
Irma J. Sklenar
Richard W. Solt
Diane and Gary Stahle
Julie Howe Stewart
James L. Stoddard
Eric and Ines Storhok
Louise Taylor
Roger Valade
Hans H. Wagner
Robert O. Weisman
Edward and Colleen M. Weiss
Roy and JoAnn Wetzel
Ann and Clayton Wilhite
Max Wicha and Sheila Crowley
Marion Wirick
Mr. and Mrs. Ronald G. Zollar
Be Present
55
UMS Supporters
THANK
YOU TO OUR MANY
DONORS!
A
Nina Abani
Adeboye Adebayo
Grenmarie Agresar
Dr. Diane Agresta
Hyunyoung Ahn
Joseph S. Ajlouny Jr.
Yuki Akiyama
Dharma and Devon Akmon
Roger Albin and Nili Tannenbaum
Jane E. Alder
Raymond and Sandy Aldrich
Debbie Aliya
Michael Allemang and Janis Bobrin
Andrew Allward
Richard Alonzo
Ariell Altamirano
Fred and Helen Altman
Becky and Rick Altschuler
Daniel Alverson
Christine W. Alvey
Helen and David Aminoff
Margot Amrine
Neil P. Anderson
Christiane Anderson
Eric Anderson
James and Cathy Andonian
Catherine M. Andrea
Dave and Katie Andrea
Carmen and Chris Andrianopoulos
George Angell
Elaine and Ralph Anthony
Karisa Antonio
Padma and Ravi Anupindi
Barbara Arbuckle
Gaard and Ellen Arneson
Ron Aronovich
Lewis D. Arscott
Brett Ashley and Richard Wood
Donna Atkins
Paul and Michelle Astolfi
Phyllis Avery
Elizabeth R. Axelson and
Donald H. Regan
B
Drs. John and Lillian Back
Catherine Badgley
Sara Bahnmaier
Janice Baietty
Menakka and Essel Bailey
Scott and Denise Bailey
Baird Trust
Lisa and Jim Baker
Laurence and Barbara Baker
Lynn Baldwin and Tim McIntyre
Gina Balibrera
Bridget Balint
Deborah Loewenberg Ball
John Ballard
Emily W. Bandera, M.D.
Clare Banks
Karen Bantel and Steve Geiringer
Dr. Jayapalli R. Bapuraj
Nancy Barbas and Jonathan Sugar
John and Ginny Bareham
David and Monika Barera
Kiana and David Barfield
Gerri Barr and Tom Egel
Liz Barry
Robert and Linda Barry
William Barsan
Robert and Wanda Bartlett
Clayton B. Bartley
Lois and David Baru
Leslie Bash
Frank and Lindsay Tyas Bateman
Lydia Bates
Stephen and Mary Bates
Rajeev Batra and Priscilla A Spencer
Sarah Batzer
James and Lisa Baumbick
Dan Beard and Kate Delaney
Anne Beaubien
Astrid B. Beck
Gary Beckman and Karla Taylor
Susan and Todd Beel
Rachel Bendit and Mark Bernstein
Emile Bendit and Diane Abeloff
Luca Benetti
Ilene Beninson
David and Joyce Benjamins
Jacob and Lisa Ben-Meir
Elaine A. Bennett
Jane Bennett
Ronald and Linda Benson
Jan Benson and Nancy Whitelaw
Kathleen Benton and Robert Brown
Rosemary R. Berardi and
Carolyn R. Zaleon
Joy Berent
Frederick Berg
Lynda W. Berg
Steve Berg
Samuel Bergman
Barbara Bernard Butler
Tonya Berry
Andrew H. Berry, D.O.
56 23/24 Annual Report
Bill and Caitlin Beuche
Amanda Bicket
Glenn Biedron
Dennis Bierlein
Cecilia Big
Paul Bigler
Jerry and Helga Bilik
John Billi and Sheryl Hirsch
Sara Billmann and Jeffrey Kuras
Bonita Bingham
Maurice and Linda Binkow
Joan Binkow
Dr. Carter R. Bishop II
Dr. Elizabeth S. Bishop
Bivouac
James Bizer and Mary Jo Larson
Mary E. Black
James Blackburn and Lynn Videka
Lesa Blackwell
John Blankley and Maureen Foley
Dr. Donald and Roberta Blitz
David and Martha Bloom
Carol Blotter
Francis X. Blouin Jr.
Angela Bodley Carter
Ronald and Mimi Bogdasarian
Steven Bollini
Howard Bond
Brittanie Bondie
The Jonathan and Sara Bonesteel
Foundation
Renee Bookal
Robert Borcherts
Gary Boren
Charles and Linda Borgsdorf
Reva Bornstein
Amanda and Bennett Borsuk
Anita Bosky
Ellen E. Noesen Bosscher
Vicki Botek and Bill Edwards
Joshua Botkin and Deborah Meizlish
Olivia Bottum
Mary Jane Bower
Grace Jordison Boxer
Lauren V. Boyles
Dr. and Mrs. Ralph R. Bozell
Robert M. Bradley and
Charlotte Mistretta
Francisco Brady
Susan Braymer
Thomas Brennan
Thomas Brewer
Charles Bright and Susan Crowell
Cliff and Amy Broman
David and Sharon Brooks
Elizabeth Brough
Emily and Monty Brower
Stephen and Faith Brown
Pamela Brown
Ash Brown
Stephen Brown and Ruth Slavin
Cindy Browne
Marco and Melissa Bruzzano
Barbara Everitt Bryant
Robert Bubeck
Phil Bucksbaum and Roberta Morris
Tom Buffett
Tom and Lori Buiteweg
Gary and Karen Burdick
Jan Burgess
David and Jacqueline Burks
Charles and Joan Burleigh
Joseph S. Burman
Dan Burns and Smilka Zdravkovska
Tony and Jane Burton
Ayse Buyuktur
David and Barbara Buzzelli
C
Kathleen A. Cagney
Michelle and Andrew Caird
Richard Caldarazzo and Eileen Weiser
Betty Caldwell
Janet Callaway
Isaac Campbell
Valerie and David Canter
Robert Caplis
Thomas and Marilou Capo
Thomas and Colleen Carey
Jack and Susan Carlson
Julia Caroff
Jenny and Jim Carpenter
Rory and Donna Carpenter
Denise Carr
Sara and John Carriere
Peggy Carroll
Monica Carroll
Laura Carry
Carolyn M. Carty
Kimberly Casement
Douglas and Beverly Cass
Fred Castenholz
David Castlegrant
Jack Cederquist and
Meg Kennedy Shaw
Angela Cesere and Rob Thomas
Stuart Chalin
Laura Chang and Arnold Chavkin
Karen and Charlie Chapell
Daran Chapman
Samuel and Roberta Chappell
Patricia Chatas
Barry and Marjorie Checkoway
James Chen
W Peter Cherry
Dr. Kyung and Young Cho
Adrian Cho
Patrick Cho
Felix and Ann Chow
Ryan Chung
Beverly Ciokajlo
Cheryl and Brian Clarkson
Dr. Raymond Cleary
Donald and Astrid Cleveland
Deb Cochran
Don and Michele Cody
Carl Cohen
Hilary U. Cohen
Ben and Julie Cohen
Jonathan Cohn and Daniela Wittmann
Clifford and Jeanette Cole
Connie Cole
John Coleman
Mary Sue and Kenneth Coleman
George Collins and Paula Hencken
Denise L. Colturi
Barbara Comai
Carolyn Comai
Roger and Midge Cone
Chris Conlin and Dana Sachs
William and Joyce Connett
Mary E. Connors
Cheryl Conrad
Connie and Jim Cook
Dr. Lisa D. Cook
Mark Cook
Matthew Cook
Jeff Cooper and Peggy Daub
Arnold and Susan Coran
Dave Corsa and Ann Sprunger
Kai Cortina
Beth Costello
Paul Courant and Marta Manildi
Jacqueline Courteau
Richard D. and Nancy M. Cowan
Katherine and Clifford Cox
Mac and Nita Cox
The Cozad Family
Susan Bozell Craig and Family
Carol Cramer
George and Ann Crane
Richard and Penelope Crawford
Colleen Crawley and Kenneth Clein
Thomas Crossley
Willie Cupples and Peter Norlin
D
Christopher Dahl and Ruth Rowse
Peggy Daitch and Peter Remington
Amal and Gregory Dalack
Peter Dale and Chris Hench
Marylee Dalton and Lynn Drickamer
Connie D’Amato
Tim and Robin Damschroder
Millie Danielson
Julia Donovan Darlow and
John Corbett O’Meara
Susan T. Darrow
Diane K. Davidson
Ryan Davis
James and Joanna Davis
David L. DeBruyn
Mike DeJack
Matthew DeMaio
Sue Dempsey and Gregory Czarnecki
Amanda and Walter Dempsey
Jane Deng
Tony Denton and Lori Pierce
Frank and Karen Deogracias
David Deromedi
Michele Derr
Brian Dervishi
Monique Deschaine
Anthony DiBello
Macdonald and Carolin Dick
Alison and Keith Dickey
Glenn Diegel
Susan Diehl
Lisa Disch and Andreas Gailus
Barbara Dixon
Andrzej and Cynthia Dlugosz
Joseph and Marjorie Dobos
Steve and Judy Dobson
Karen Domino and Gene Brenowitz
Jim and Patsy Donahey
Dr. Kirk Donaldson D.D.S. and
Dr. K. Guenther D.D.S.
Sharon and Dallas Dort
Ellen and Matt Doss
Mary Drotar
John Dryden and Diana Raimi
Liliane Dubois-Esnard
Michael and Tracy Ducker
Rebecca Dunkle
Jill and Doug Dunn
Don and Kathy Duquette
Grace A. Duren
Ed and Mary Durfee
Swati Dutta
Kathleen Dvorak, D.C.
E
Gavin Eadie
Lauren Eaton
James Eder and Kim Redic
John Eder
Edward D. Jones & Co. L.P.
Rosalie Edwards/
Vibrant Ann Arbor Fund
Morgan and Sally Edwards
Daniel Edwards
Johice Edwards
Roger and Carin Ehrenberg
Paul Eichbauer
Charles and Julia Eisendrath
Alan S. Eiser
Elizabeth Eliason
Paula and Tony Elliott
Krystal Elliott
Charles and Julie Ellis
Judith Endres
Joan H. Engel
Judith Erb
Richard Erne
Ernst and Young Foundation
Raymond Estes
Don and Gwen Evich
Abigail R. Eynon
F
Thomas Fabiszewski
Harvey and Elly Falit
Melissa Famula
Susan Fancy
Howard Fanning
Chris Farnum
Stephen Farr and Jean LeMay
Katy Fasl
Margaret Faulkner
The Drs. Fauman
Eric Fearon and Kathy Cho
David and Jo-Anna Featherman
Rachel and Dan Feder
Damian Fermin
Kloe Ferriman
Thomas Filardo
Elnora A. Finkelstein
Ken and Penny Fischer
C. Peter and Beverly A. Fischer
John and Karen Fischer
Phillip and Lauren Fisher
Susan R. Fisher
Susan Fitzpatrick
Lisa and Hugh Flack, Jr.
Arnold Fleischmann
Phil and Kathy Fleming
Wayne Flowers
Gina Flowers
Esther Floyd
Thomas and Sarah Flynn
Kerry Flynn
Kelley Fodale
Jessica Fogel and Lawrence Weiner
Be Present
57
UMS Supporters
Janet Fogler
Food Art
George W. Ford
Stephen and Rosamund Forrest
Ellen Forsman
Paul and Jennifer Fossum
David Fox and Paula Bockenstedt
Betsy Foxman and Michael Boehnke
Terry Fraker
Dan and Jill Francis
Patrick Francis
Sara and Michael Frank
Amy Frank
Alfred Franzblau and Lisa B. Slattery
Frederick and Jean Birkhill
Judy and Paul Freedman
Leon and Marcia Friedman
Bernard Friedman and Sarah Mack
Joanna and Richard Friedman
Sharon Fries
Belinda Friis
Susan L. Froelich and Richard E. Ingram
Gail Fromes
Rhyan Frost
Philip and Renée Woodten Frost
William Fulton
Philip Furspan and Alexandra Wagner
G
Deborah Gabrion
Rebecca Gaffney
Carol Gagliardi and David Flesher
John Galbo
Leslie Gallay
Enid H. Galler
Alec D. Gallimore. Ph.D. and
Reates K. Curry, Ph.D.
Ruth Galloway
Joseph and Catherine Galura
Robert Gantz
Elena Gapova
Barbara Garavaglia
Gwyn and Jay Gardner
Jan Garfinkle and Mike O’Donnell
Sandy Garges and Jeff Kersten
Teresa Garland
Bill Garvey
Sandra Gast and Greg Kolecki
Elaine K. Gazda
Linda and John van Gelder
Thomas and Barbara Gelehrter
Beverley Geltner
Lisa Genoa
Chris Genteel and Dara Moses
Kareem George and Frederick Morsches
Maryanne George and David Broat
Michael Gerdenich and
Ina Hanel-Gerdenich
Scott Gerstenberger and Liz Sweet
Thomas M. Gervasi
Beth Gerwig
Monica Getz
Ronald Gibala and Janice Grichor
Randall Gilchrist
J. Martin and Tara Gillespie
Zita and Wayne Gillis
Sid Gilman and Carol Barbour
Dr. Robert and Mrs. Christine Gilman
Elena Gimenez
John Gingrich
David and Maureen Ginsburg
Heather and Seth Gladstein
Thomas and Ann Gladwin
Dawn Glanz and Robert Brown
Robert Glassman and Jennie Lieberman
Steve Glauberman and
Margaret Schankler
James and Robin Frisch Gleason
Pamela Gleichman
Anne and Paul Glendon
Thea Glicksman
Patricia and John Glidewell
Tobias Glik
Tina Gloss-Finnell
Ira and Cynthia Glovinsky
Drs. Vijay and Sara Goburdhun
Nan Godwin
John and Sherri Goff
Tom J. and Katherine Briggs Goldberg
Leora Goldbloom-Helzner
David and Krista Golden
Erin Goldman
Dwayne Goldsmith
Anita and Albert Goldstein
Phyllis L. Goodman
Kathryn Goodson and John Hieftje
Peter and Hanna Goodstein
Charilyn Goolsby
Peggy and Jon Gordon
Hannah Gornik
Patricia R. Gotfredson
Lisa Goulet
Sharon Gourdji
Michael L. Gowing
Elizabeth Grace
Matthew Graff
Christopher and Elaine Graham
Mary Sue Grant
Brian Grant
Martha and Larry Gray
Kenneth B. Gray
John and Renee Greden
Jeffrey B. Green
Judith Lempert Green
Elliott Greenberg and Gayle Harte
Clinton and Sandra Greenstone
Scott Greer
Linda Gregerson and Steven Mullaney
Linda Grekin
Robert Griebel
Nicki Griffith
Maryann Griffith
Penny Griffith
William and Martha Grimes
Henry Grix and Howard Israel
Milton and Susan Gross
Mr. and Mrs. Charles D. Groves
Fred and Iris Gruhl
Jerome Grumeretz
Margaret Guire
Arthur W. Gulick
Sandra Gunning
Hanley M. Gurwin
Susan and Richard Gutow
Kathleen Gwinn
H
Robert Haas
Talbot and Jan Hack
Darby and Eve Hadley
Lauren Hagerman
Anne Hagiwara
Robert and Karen Hahn
John Halford
Jamie Hall
Richard and Deborah Haller
Leslie Hamil
Marlys Hamill
Bob and Dannielle Hamilton
Susan A. Hamilton
Patrick Hanniford
Hansen Marketing Services, Inc.
Janelle Hansen
Randall and Nancy Caine Harbour
Alan Harnik and Gillian Feeley-Harnik
Cayenne Harris
David N. Harris
Susan S. Harris
Joan Harris and Ed Sarath
Martin and Connie Harris
Nancy R. Harris
Lynelle Harrison
Clifford and Alice Hart
Stuart and Patricia Hart
Douglas Hartman
Lee Hartmann
David Harvey
Jane Hassinger
Will and Paula Hathaway
D Craig Hausman and
Holly Heaviland, Ph.D.
Neil and Annmarie Hawkins
Laura and Brian Hayden
Dan and Jane Hayes
Anne Heacock and Stephen Fisher
Kathy Heady
Melissa Heely
Esther C. Heitler
David W. Heleniak
Kristen Hellebust
Jacqueline Stearns Henkel
Jackie Henniger
Norman and Debbie Herbert
Alfred and Therese Hero
Manuel A. Herrera
Edie Herrold
David and Phyllis Herzig
Don and Anais Hicks
Amy Higgins
Mark and Janette High
Margaret Higley
Stephanea Hignight
Richard and Susan Hill
Kayla Hill
Paul and Nancy Hillegonds
Anne Hiller
Dennis Hillers
Timothy Hofer and Valerie Kivelson
Carol Hoffer
Jeffrey and Maxine Hoffman
Dana Hoffman
Carol and Dieter Hohnke
Christeen Holdwick
Maurita Holland and Roger Chard
Alexander Holland
Daniel Hollander
Saleela Hollingsworth
Ann Holmes and Michael Williams
Herbert Holmes
Mr. Fulter and Dr. Rebecca Hong
Allison Hong
Patricia Honton
Robert and Barbara Hooberman
David Hoornstra
Bruce Horne
Joy Horne
Jack W. and Davetta J. Horner
Lydia E. Horvath
Paul Hossler and Charlene Bignall
James S. House and
Wendy Fisher House
Colleen Howe
Joel Howell and Linda Samuelson
Paul Howell
Linda S. Hubbard
Stephen and Kimberly Hudolin
Jane H. Hughes
Greg and Carol Hulbert
Jim and Colleen Hume
Richard and Lesley Hume
Gaye Humphrey
Ann D. Hungerman
Suzanne Hunter
Marlene Hurshman
Mary Hyde
Eileen and Saul Hymans
Kyoung Ja Hyun
I
Matthew and Lidia Ickes
Anthony and Marilyn Iesulauro
Jayden Im
Diane C. Imredy
William Ince
Kathleen Irvin
Richard and Suzette Isackson
Lisa Isserstedt
J
Michael Jacobson and Wanda Olsen
Ruth Jacobson
Peter and Jane Jaffe
Dr. Joachim Janecke
John and Tracy Janevic
Nicholas and Julia Janosi
Ibrahim and Therese Jarjoura
Richard and Elizabeth Jarzembowski
Wallie and Janet Jeffries
Carey Jernigan
Michael Jewett
Simon Jeynes
Feng Jiang and Lydia Qiu
Timothy and Jo Wiese Johnson
Mary and Kent Johnson
Sue and Kevin Johnson
Henry and Billie Johnson
Mark and Linda Johnson
Barbara A. Johnson
Avida Johnson
Daphne Johnson
Tamera Johnson-Roy
Andrew Johnston
Kevin Jones
Mattias Jonsson and Johanna Eriksson
Jim Joyce and Emily Santer
Devin Judge-Lord
James Judson
K
Monica and Fritz Kaenzig
Carol Rose Kahn
Alan Kalter and Chris Lezotte
Mark and Madolyn Kaminski
58 23/24 Annual Report
Ibrahim S. Kandah
Megan Kanous
Carol and Mark Kaplan
Susan Karp
Suzanne Karpus
Martin L. Katz
Ellen Katz
Martin and Hedwig Kaufman
Alan Kaufman
Heiko Kaufmann
Inderjit Kaur
Jacqueline Kauza
Barbara Kaye and John Hogikyan
Julian Kefallinos
Ralph and Erika Keith
Jim Keller and Mary Ellen Hoy
Deborah Keller-Cohen and Evan Cohen
Keith and Leslie Kellman
James A. Kelly and Mariam Noland
Charles Kelly and Allison Sugiyama
Dr. Barbara J. Kelly
David and Gretchen Kennard
Sally Kennedy
Patti Askwith Kenner
Nancy Keppelman and Michael Smerza
David and Mary Keren
Sangeeta Khanna
Patricia Khleif
Roland and Jeanette Kibler
Bonnie and Robert Kidd
Edie Kieffer
Thomas Kiel
Karen Kienbaum
Anthony and Marie Kilbane
Paul and Leah Kileny
Christopher and Elizabeth Kim
Charles and Christina Kim
Cathy Kim and Yeong Kwok
Seon Kim
Seungkyung Kim
Jacqueline Kim
Robyn Frey-King and Laurence King
Cathy and William King
Venita King-Hill
Tom and Connie Kinnear
Anna R. Kirkland
Diane Kirkpatrick
Marilyn Klar and Steven Lauer
Rich and Myra Klarman
Louis T. Klauder
Wally and Robert Klein
Michael and Marcy Klein
Steve and Shira Klein
Phil Klintworth
Jean and Arnold Kluge
Jim and Carolyn Knaggs
Carolyn and Jim Knake
Elisabeth Knibbe
Amy Knight
Knights Steakhouse
Gretchen Knoell
Michael Koen
Rosalie and Ron Koenig
Christie Kojima
Joseph and Marilynn Kokoszka
Dr. and Mrs. Jerry Kolins
Marlene and John Kondelik
Joel Kopinsky
Jenny Koppera
Kenneth Korotkin
John Koschik
Julie Kovach
Ron Kramer
Morrey Kramer
Barbara and Michael Kratchman
Gary and Barbara Krenz
Robert and Ileana Krumme
Lynn Kryska
Ruth Krzyzowski
Chris Kuczynski and Charlotte Temple
Veena K. Kulkarni-Rankin
Natalia Kulynych
Donald and Jeanne Kunz
Dennis Kutzen
Danguole Kviklys
L
Lily Ladin
Connie LaFata
Mary Laidlaw
Jane Fryman Laird
Lynn Suits Lamkin
David Lampe and Susan Rosegrant
Lucy and Ken Langa
Susan Langel
Anne T Larin
Anthony Larson
Emile Lauzzana
Danielle and Mika LaVaque-Manty
Andrew Lawlor
Ted and Wendy Lawrence
John K. Lawrence and Jeanine A. DeLay
James Lawrence-Lupton
Lawrence and Melissa Lax
John and Theresa Lee
Vivienne Lee
Byung Lee
Kathy Legatski
Mark Legnini
Naomi Lehman
David Leichtman and Laura A. McGinn
Rachel and Dan Leonard
Mark and Heather Lepage
John Lesko and Suzanne Schluederberg
Donald E. Lesniowksi
Matt and Nicole Lester
Loren Levy and Steve Mandell
Phillip Lewandowski
James Lewis
Melissa and James Lewis
Lawrence Lewis
Dominic Li
Thomas Libby
Carolyn and Paul Lichter
Nancy Liebler
Ann Lin
Russ Linden and Jackie Lichtman
Richard and Carolyn Lineback
Vladimir Lipovetsky
Daniel Little and Bernadette Lintz
Rafael Loera
Julie M. Loftin
Elaine Logan
Margaret and Ronald Lomax
Kay and E. Daniel Long
Jaime Lopez
Sally Louis
Marcia Louisell-McFawn
William and Lois Lovejoy
Joan Lowenstein and Jonathan Trobe
Kimberley W. Ludwig
Steve Luongo
Fran Lyman
Tim and Lisa Lynch
Barbara and Edward Lynn
Marjorie Lynn
M
Louis and Carol MacCini
Etta and Jon MacDonagh-Dumler
John MacKrell
Eric Macks
Shelley MacMillan and Gary Decker
Michael Madden
Kirk Madsen
Jayne Maerker
Katherine M. Magill
Lori Maher
Dr. Oksana Malanchuk
Preeti Malani and Mark Zacharek
Joseph Malcoun and Caitlin Klein
Nancy Malecki
Kelly Malloy and Vincent Young
Prof. William Malm and
Jutta Gerber-Malm
Ward Manchester
Theodore Manikas
Warde and Chrislan Fuller Manuel
Joanne Marbut
Charles and Frances Marchand
Julia Marchese
Wendy Marder
The Mardi Gras Fund
Mark and Jan Maretka
Betsy Yvonne Mark
Stacy F. and David C. Markell
Amy Marquardt
W. Harry Marsden
Tim Marshall and Emily Moore-Marshall
Kristle Marshall
Bill and Sally Martin
Michael and Kristie Martin
Martin Family Foundation
Ann W. Martin and Russ Larson
Renee Martin
Ken and Marja Martin
Matthew Mason
William and Carol Mathis
Mary Matthews
Ginny Maturen
Kelly and Rose Maxwell
Mark Maxwell
Jerry A. and Deborah Orr May
Ryan Maynard
Martha Mayo
Melissa Mazzola
Ben McCallister
Duncan McCallum
Susan McCannell
Laurie McCauley and Jessy Grizzle
Harris McClamroch
Sarah McCord
Peggy McCracken and Doug Anderson
Mr. and Mrs. Ronald G. McCready
Carolyn J. McCreary
Griff and Pat McDonald
Daniel and Carol McDonnell
Theresa and Tony McDonnell
Jill McDonough and Greg Merriman
Scott McElrath
Joe McElroy
Erin McKean and Steve Sullivan
Tashima McKenney Fund
Chie and Paul McKenney
John McLaughlin and
Sara Koenig McLaughlin
Tom and Debby McMullen
Beth McNally
Gitanjli McRoy
John and Deborah McWilliams
Thomas R. Meadows
Semyon and Terry Meerkov
Dr. Gerlinda S. Melchiori
Amy Meltzer and Scott Gitlin
Mrs. Robert E. Meredith
John Merkel
Patrick Merkel
Mrs. Bernice Merte
Scott and Julie Merz
Quentin Messer Jr.
Lynne Metty
John Metzler
Joetta Mial
Mike and Rachelle Michelon
Gayle and Michael Michelon
Jon Michelson
Microsoft Corporation
Jon Milan
Carmen E Miller
Jerry and Emily Miller
Patricia M. Miller
Janiis Miller
Anita Millers
Tom and Olga Million
Andy Milne
Candice and Andrew Mitchell
Stephen Mitchell
Bert and Kathy Moberg
Thomas Mobley
Sharon Moggach
Thomas Mohan
Elizabeth and John Moje
David Molenda
Victor Moles
Lisa and Lawrence Molnar
Lesa Monroe-Gatrell
Pamela Montgomery
Chai Montgomery
Deborah Dash Moore
Barrett Moore
Ian R. Moore
Ariel Moore
Mr. and Mrs. Donald L. Morelock
Kittie Berger Morelock
Virginia Morgan and Joseph Spiegel
Genevieve and James Morrissey
The Mosaic Foundation
(of R. & P. Heydon)
Cyril Moscow
Trevor Mudge and Janet Van Valkenburg
Sylvia Muglia
Mullick Foundation
Jose Camino Munoz
Natalia Munoz
Michelle Murdoch
Lisa Murray and Michael Gatti
Samuel Musser
N
Drs. Louis Nagel and Julie Jaffee Nagel
Tammie Nahra and Lee Hollander
Hitomi Nakagaki
Rishi and Alison Narayan
Javonna Neel
Deanne and Eli Neiburger
Erika Nelson and David Wagener
Be Present
59
UMS Supporters
Thomas and Barbara Nelson
James Nelson
Helene Neu
New England Foundation for the Arts
Amy Newberg
Silvia Newell
Jan Barney Newman
Ellen Nielsen
Richard and Susan Nisbett
Carl and Heidi Nitchie
John and Martha Nitz
Susan and Daniel Noetzel
William Nolting and Donna Parmelee
Naveed Noordin
David Nowak
Arthur S. Nusbaum
Caroline and Mitchell Nussbaum
and Family
O
Marylen S. Oberman
Jeffrey C. Ogden
Violetta Ogilvy
Timothy J. O’Hara
Joseph Ohren
Richard and Bonita Ohye
Old National Bank Foundation
Jim and Linda Oldfield
Christina Olsen and Jeff Glab
Constance K. Olson
Gilbert Omenn and Martha Darling
Ann Quackenbush Ongerth
Kathleen I. Operhall
Anthony Opipari
Cheryl Orosz
Betty O’Rourke
David Orr and Gwynne Jennings
Susan and Mark Orringer
Dr. Jon Oscherwitz
Peter L. Osler
Elisa Ostafin
Beverly Ostrowiecki and Ray Siciak
Edgar and Julianne Otto
Christine Ouellette
Lauren G. Owens
P
Jessica Pace
Daniel P. Padilla
Alan and Susan Paikin
Stephen and Elizabeth Palms
Pals Philanthropic Fund at the
United Jewish Foundation
Mara Palty
Karen Pancost
James Pantelas
Hedda and William Panzer
Mahesh Parab
Dilip and Leena Parikh
Rodger and Terri Park
Stephen Park
SoungHee Park
Mona Parlove
Susan Parrish and Bruce Judge
Mary Partridge
Marina Pasca
John Pascoe
Manuel Patterson
Liz Pattison
Janis Paul
Mary and John Pedley
Professor Silvia Pedraza
Sumer and Mickey Pek
James and Joan Penner-Hahn
Judith Pennywell
Giannine Perigo
Warren and Shelley Perlove
Michael and Leslee Perlstein
Perry Pernicano
Stephen R. Perrin
Tim and Sally Petersen
Emily Peterson and Anish Wadhwa
Ruth S. Petit
Andrew Petrovich
Douglas Phelps and
Gwendolyn Jessie-Phelps
Marianne Udow-Phillips and Bill Phillips
Nancy S. Pickus
Robert and Mary Ann Pierce
Steve C. Pierce
Mark and Margaret Pieroni
Paula and Daniel Pietryga
Adela Pinch
Winifred Pinet
Peter and Corinne Pirog
Elaine and Bertram Pitt
Donald and Evonne Plantinga
Olga Podolyako
Courtney Polenick
Susan Pollans and Alan Levy
Stephen and Bettina Pollock
Tom Porter
Gary and Toshiko Porter
Brooke A. Portmann
Rachel Portnoy and Adam Eichner
Alisse Portnoy and
Mark and Jessica Rothstein
Jeffrey and Joanna Post
Daniel and Christina Powell
Mark Power
Dorota Poznanska
Sara A. Pozzi
Diana Pratt
Stephen W. Pratt
Rick and Mary Price
George and Joan Price
Karen and Berislav Primorac
John and Nancy Prince
Evelyn and Julian Prince
Mike and Chris Prins
Daniel Pritts
Kirk and Sharon Profit
Helmut Puff
The Pulpo Group/Sava Farah
Q
Eric and Lucinda Quackenbush
Gail Quaderer
R
Peter Railton and Rebecca Scott
Achutha Raman
Phillip and Wendy Rampson-Gage
Stephen and Ellen Ramsburgh
Richard E. Ratliff
Stephanie Rau
Sue Rau
Brian J. Read
Bonnie Reece
Jeff and Katie Reece
Lori Reece
Russ and Nancy Reed
Anthony L. Reffells
Phillip W. Reid
Ray and Ginny Reilly
Chris and Sarah Reinhardt
Malverne Reinhart
Barbara Remboski
Fred and Anne Remley
Linda K Rexer
James Reynolds
Lou and Sheila Rice
Frank and Betsy Richardson
Sally Richardson
Douglas and Robin Richstone
Karen Riedel
Michael Riethmiller
Devin Riley
Michele Roberge
Jessica C. Roberts
Sarah Roberts
Mark Roberts
Kathryn Robine and Dr. Kevin Kerber
Ian Robinson
Katja Robinson
Ernest Robles
Tom Rockne
Jonathan and Anala Rodgers
Phillip Rodgers
Amy Rodriguez
Philip Roe
Vivian Roeder
Steven Rogers
Alice Rolfes-Curl
Janice Roller
David Rolston and Kathryn Rinehart
Arturo Romero
Diana Rooks
Nicola and Charles Rooney
Phil and Katherine Roos
Huda Karaman Rosen
Stephen Rosenblum and Rosalyn Sarver
Richard and Edie Rosenfeld
Andy Rosenzweig
Jordan and Courtney Ross
Randall Ross
Herbert Rossi and Sandra Gregerman
Janet Rost
Rosemarie Haag Rowney
Remmi Rue
Carol D. Rugg and
Richard K. Montmorency
Rimantas and Cheryl Rukstele
Judy and Don Rumelhart
Mary Ann Rumler
Elena Runion
Omari Rush
S
Shigeru Sadakane
Ann and David Saffer
Kate and Randy Safford
Lori and Paul Saginaw
Amy Saldinger and Robert Axelrod
Susan Sanchez
Mark Sandstrom
Ashish and Norma Sarkar
Dick and Norma Sarns
Michael and Kimm Sarosi
Terra Sattler
Michele and Eli Saulson
Albert J. and Jane L. Sayed
Helga and Jochen Schacht
Preeti and Tim Schaden
Elizabeth Schafer
Steven Schaus
L. Scherdt
Katie Schilling
Carol Schirr
David Schmidt and Jane Myers
Susan Schmidt
Lorenz and Rebecca Schmitt
Cynthia Schoen
Edward and Jane Schulak
Paul Schulte
John Schultz
Melisa Schuster and Tim Donahue
Anna Schwartz
Sheldon and Phyllis Schwartz
Elaine and Peter Schweitzer
John Scudder and Regan Knapp
David H. Seaman and Helen M. Zylman
John Seamans
Elizabeth Sears
Amy Seetoo
Yaniv and Joanna Segal
Larry and Bev Seiford
Suzanne Selig
Don and Toni Sellars
Robert Selwa
Erik Serr
Ellie Serras
Joe and Yvonne Sesi
Naimish Shah and Sunjoo Lee
Robert D. Shannon
Matthew Shapiro and Susan Garetz
Elvera Shappirio
Janet Shatusky
Erik and Peggy Sheagren
Laurence Shear
Charles Sheeley
Vladimir Sheftelyevich
Cliff and Ingrid Sheldon
Bill and Chris Shell
Kay Shen
Tim Sheppard
Joan Sherman
Dan Sherrick
Patrick and Carol Sherry
Rosamond Shewchuk
Susan and Patrick Shields
Hope Shimabukuro
George and Gladys Shirley
Jean and Thomas Shope
Renee Siegan
Annette Siffin
Alyce K. Sigler
Nina Silbergleit
Edward and Kathy Silver
Naomi Silver
Carl Simon and Bobbi Low
Sandy and Dick Simon
Mary Ann Sincock
David Sine and Beverly Cher Sine
Scott and Joan Singer
Kathleen Singer
Christine A. Sist
60 23/24 Annual Report
Brooks Sitterley
Janice Skadsen and James Egan
Kurt Skifstad
The Skillman Foundation
Jurgen Skoppek
Robert Sloan and Ellen Byerlein
Barbara Furin Sloat
Coleen Slosberg
Susan M. Smith and Robert H. Gray
Carl and Jari Smith
Rodney Smith and Janet Kemink
Sidonie Smith
Janet Smith
Robert W. Smith
Will and Megann Smith
Catherine Smith
Josh Smith
Deborah Smith
Nicole Smith
Debbie Smith
Suzanne Smitley
Chuck and Katherine Snyder
Richard Soble and Barbara Kessler
Sandra Sohn
Tomas and Elinore Sommerfeld
Linh and Dug Song
Jenny, Youn and Il Song
Lydia Soo
Barbara Soyster
Juanita and Joseph Spallina
Becki Spangler and Peyton Bland
Katherine R. Spindler
Jeff Spindler
Mary C Spires
Michael B. Staebler and
Jennifer R. Poteat
Andrea and Gus Stager
Gary and Diane Stahle
Leslie Stainton and Steven Whiting
Steve Stancroff and Tamar Springer
Nancy and James Stanley
Jim and Christine Stead
Jeffrey and Marjorie Stearns
Barbara and Michael Steer
Charity Steere
Susan Stepek
Aly Sterling
Dana and Diana Stetson
Julie H. Stewart
Cynthia J. Stewart
Ray and Alena Stocking
David Stockman
James L. Stoddard
James B. and Carolyn A. Stokoe
Eric and Ines Storhok
Gail Ferguson Stout
Gail Straith
Dalia Strasius
Cynthia Straub
David Strayer and Judith Bondus
Victor J. Strecher and Jeri L. Rosenberg
Catherine Strumbos
Karen and David Stutz
Eugene Y. Su and Christin Carter-Su
Steve Sullivan and Erin McKean
Kate Sullivan
Dennis and Jan Sullivan
Susan Sutherland
Andrew Swain
June Swartz
Cordelia B. Sweetland
Nancy Szabo and Steven Ratner
Sheryl M. Szady
Orit Szwarcman
T
Suzanne Tainter and Kenneth Boyer
David Tallman
David D. Tao
Alanda Tate
Judy and John Tatum
Louise Taylor
Stephan Taylor and Elizabeth Stumbo
Thomas and Nancy Taylor
Deborah Taylor
David Teare
Jacquelin B. Telesford
William Tennant
Toby and Julie Teorey
Alex Terzian
Denise Thal and David Scobey
Bette M. Thompson
Jerrold Thompson
David Thompson
Scott J. Tindall
Chelsea Tischler
Jeffrey and Lisa Tulin-Silver
Bruce Tobis
Elizabeth Tocce
Hitomi Tonomura
Peter Toogood and Hanna Song
Joan Topping
Janet E. and Randall C. Torno
Alicia Torres
Michael and Marcia Torrey
William Treharne
Yelena Tretyakova
Elizabeth and Daniel Triner
Dushyant Trivedi
Elena Tsai
Linda Tubbs
Marc and Leslie Tuchman
Marleen Tulas
Claire L. Turcotte
Ilene and Norman Tyler
Maureen Tyler
U
Daisuke Uchida
Alvan Uhle
Fawwaz Ulaby and Jean Cunningham
Susan B. Ullrich
Joe and Suzanne Upton
Joyce A. Urba and David J. Kinsella
Lola Usmanova
V
Leticia Valdez
Robert Valle
Suzanne Van Appledorn
Abraham Van Der Spek
Jack and Marilyn van der Velde
Rebecca Van Dyke
Linda van Gelder
Carol VanBesien
Matthew VanBesien and Rosie Jowitt
Karla and Hugo Vandersypen
Sara E. Vander Voort
Rob and Cynthia VanRenterghem
Addy Vansledright
Bradley Vauter
Christine Veenstra
Anne Veis
Elsa Verderber
Sonali Vijayavargiya
Juventino G. Villarreal
Andrew Vine and Caroline Blane
W
Virginia Wait
Richard and Shelley Walinski
Elizabeth A. and David C. Walker
Jack and Carolyn Wallace
Bob and Liina Wallin
Shaomeng Wang and Ju-Yun Li
Jo Ann Ward
Paul Ward and Laura Lamps
Stanford and Sandra Warshawsky
Arthur and Renata Wasserman
Harvey and Robin Wax
John Weber and Dana Zakalik
Richard and Madelon Weber
Deborah Webster and George Miller
Mr. and Mrs. Richard C. Weiermiller
Neal and Susan Weinberg
Arnold J. Weiner
Richard and Gretchen Weir
Elise Weisbach
Joan and Matt Weisberg
Lois Weisman
Robert O. Weisman
Edward and Colleen Weiss
Joan B. Wells
Charles Werney
James and Karen Westphal
Robert Westveer
Julie Wheaton
Prof. James B. White and
Mary F. White
Kathy White
Mac and Rosanne Whitehouse
Susan Whitlock and Dr. Earl Lewis
Max Wicha and Sheila Crowley
Dianne Widzinski
Steve and Peg Wilcox
Peter and Karen Wildman
Ann and Robert Wiles
David and Anne Wilhoit
Sandy and Jon Willen
Pat and John Wilson
Thomas K. Wilson
John and Friedelle Winans
I. W. Winsten
Lawrence and Mary Wise
Max and Mary Wisgerhof
Charles Witke and Aileen Gatten
Steven and Helen Woghin
Matthias Wolf
Charlotte A. Wolfe
Douglas Wood and Kay Holsinger
Eric Woodhams
Richard Woodhams
Stewart and Carolyn Work
Frances A. Wright
Bryant Wu
Roger Wykes
X
Yan Xie
Xin Xie
Y
Mary Jean and John Yablonky
Wen Ye
Nathan Yee
Mark Yoshida
Misuzu Yoshioka
Sarah Young
Z
Kathleen Zaracki
Sergei Zari
Gerald B. and Christine Zelenock
Barbara and David Zimdars
Gail and David Zuk
TRIBUTE GIFTS
Gifts to UMS were made in
honor or in memory of the
following individuals during
the 23/24 season:
Bert Askwith
Mel Barclay, M.D.
Bradford Bates
Lawrence Berlin
Timothy A Brennan
Karen and Charlie Chapell
Reginald Ciokajlo
Carl Cohen
Ellwood Derr
H. Michael Endres
Jim Garavaglia
Ken Guire
Anne Lee Hawkins and
Rane L. Curl
Christa Janecke
John B. Kennard, Jr.
David Kennedy
Christina Kim
Leo Legatski
Rhona Aronoff Lewinshtein
Barbara and Irving Nusbaum
Jean Long
Clara Jane Owens
Eric Ross Quackenbush
George Grosenwald
Tom Thompson
Brian Willen
Gary Woodworth
Be Present
61
UMS Supporters
INSTITUTIONAL SUPPORT
ENDOWED FUNDS
The success of UMS is secured in part by income from UMS endowment
funds. You may contribute to an existing endowment fund or establish
a named endowment with a minimum gift of $25,000. We extend our
deepest appreciation to the many donors who have established and/or
contributed to the following funds:
H. Gardner and Bonnie Ackley Endowment Fund
Herbert S. and Carol Amster Endowment Fund
Catherine S. Arcure Endowment Fund
Menakka and Essel Bailey Endowment Fund for Artistic Brilliance
Carl and Isabelle Brauer Endowment Fund
Anne and Raymond Chase Endowment Fund
Choral Union Endowment Fund
Carl Cohen Chamber Arts Performance Fund
Lisa D. Cook Endowment Fund
Sally Cushing and Michael Gowing Chamber Arts Fund
Dahlmann Sigma Nu Endowment UMS Fund
Hal and Ann Davis Endowment Fund
Dallas and Sharon Dort Endowment Fund
Doris Duke Charitable Foundation Endowment Fund
John R. and Betty B. Edman Endowment Fund
Epstein Endowment Fund
Oscar Feldman Endowment Fund
Ken Fischer Legacy Endowment Fund
Barbara Fleischman Theater Endowment Fund
Stephen and Rosamund Forrest Student Ticket Endowment Fund
Ilene H. Forsyth Endowment Funds for Choral Union, Chamber Arts, and Theater
James Garavaglia Theater Endowment Fund
Anne and Paul Glendon Endowment Fund
Leslie and Mary Ellen Guinn Endowment Fund
Susan and Richard Gutow Renegade Ventures Endowment Fund
George N. and Katharine C. Hall Endowment Fund
Karl V. Hauser and Ilene H. Forsyth Choral Union Endowment Fund
Norman and Debbie Herbert Endowment Fund
David and Phyllis Herzig Endowment Fund
Richard and Lillian Ives Endowment Fund
JazzNet Endowment Fund
William R. Kinney Endowment Fund
Wallis Cherniack Klein Endowment for Student Experiences
Dr. and Mrs. Jerry Kolins Shakespearean Endowment Fund
Samuel and Marilyn Krimm Endowment Fund
Frances Mauney Lohr Choral Union Endowment Fund
Natalie Matovinović Endowment Fund
Medical Community Endowment Fund
Dr. Robert and Janet Miller Endowment Fund
NEA Matching Fund
Nicoli Family Fund
Ottmar Eberbach Funds
Palmer Endowment Fund
Mary R. Romig-deYoung Music Appreciation Fund
Prudence and Amnon Rosenthal K-12 Education Endowment Fund
Charles A. Sink Endowment Fund
Herbert E. and Doris Sloan Endowment Fund
Dr. HIldreth H. Spencer Endowment Fund
James and Nancy Stanley Endowment Fund
Helmut F. and Candis J. Stern Endowment Fund
Susan B. Ullrich Endowment Fund
UMCU Arts Adventures Endowed Fund at UMS
UMS Endowment Fund
UMS Theater Endowment Fund
The Wallace Endowment Fund
Weiser Caldarazzo Iconic Artists Endowment Fund
Darragh H. and Robert O. Weisman Memorial Endowment Fund
The Zelenock Family Endowment Fund
62 23/24 Annual Report
145TH
SEASON
DAKHABRAKHA by Andriy Petryna
Be Present
63
FY24
FINANCIAL
STATEMENTS
Our 145th season included 42
mainstage performances; four inperson
school day performances
(unfortunately, one was canceled
due to a snowstorm); digital
presentations of two school day
performances, two family events,
and two UMS Live Sessions; and
two full-scale residencies at the
Ypsilanti Freighthouse, which
included 26 public events and
workshops plus numerous events
for the K-12 community. The
Americans for the Arts Economic
Impact calculator estimates that
the economic impact of these
programs on our local community
is more than $10 million and over
200 jobs. We’re grateful to the
committed staff, dedicated board
and volunteers, and generous
donors and investors who helped to
make this season possible.
Our complete audited financial
statements are available on
our website at ums.org/about/
financial-statements, with a
topline summary on the next page.
For comparison purposes, we
have included both FY22 (which
reflected a smaller scale of inperson
programming) and FY23,
in addition to the most recent
statements reflecting FY24.
During FY24, we showed a net
surplus from operations of nearly
$680,000, a nearly $900,000
improvement from the previous
year. Our total net assets improved
dramatically, with a $4.9 million
increase.
These FY24 statements are
representative of UMS’s overall
position of financial strength due
to the excellent stewardship of
our board and staff, the generous
support from and deep partnership
with the University of Michigan,
and the deep and long-held
commitment of our audiences and
donors. Nevertheless, as we look
ahead to the coming years, we
continue to be mindful that we can
take nothing for granted and must
continue to be vigilant with respect
to potential economic headwinds
and unforeseen long-term impacts
of the pandemic on artist tours and
attendance.
We are extraordinarily grateful to
all who continue to support UMS
during these uncertain times, and
proudly submit these financial
results for your consideration.
Sincerely,
Matthew VanBesien
President, UMS
Christina Kim
Co-Chair, UMS Board of Directors
Brian Willen
Co-Chair, UMS Board of Directors
64 23/24 Annual Report
OPERATING RESULTS FY24 FY23 FY22
Ticket Revenue $3,152,367 $2,747,813 $1,252,681
Other Earned Revenues $750,074 $709,607 $455,943
Net Investment Income $1,439,815 $1,305,958 $1,185,385
Gifts and Grants (1) $3,176,736 $3,140,366 $4,242,080
Gifts and Grants Released from Restrictions (2) $497,940 $287,992 $209,954
University of Michigan (3) $1,954,500 $1,945,588 $1,685,000
Operating Revenue $10,971,432 $10,137,324 $9,031,043
Concert Expenses & Related Programs (4) $6,127,582 $6,436,158 $5,408,917
Administrative Expenses (5) $2,664,717 $2,516,784 $2,069,183
Development Expenses $1,499,745 $1,402,602 $1,277,161
Operating Expenses $10,292,044 $10,355,544 $8,755,261
Net Surplus/(Deficit) from Operations $679,388 ($218,220) $275,782
NET ASSETS (including Endowment Funds) FY24 FY23 FY22
Beginning Balance - Net Assets $40,307,984 $40,309,719 $36,244,606
Changes in Net Assets:
Gifts and Grants $2,070,220 $1,780,304 $1,026,491
Gifts and Grants Released from Restrictions (2) $(497,940) ($287,992) ($209,954)
Net Investment Income $21,834 $34,648 $48,059
Net Unrealized Gain/(Loss) on Investments Without Donor Restrictions $748,606 ($376,976) $839,017
Net Unrealized Gain/(Loss) on Investments With Donor Restrictions $1,893,656 ($933,499) $2,085,718
Net Surplus/(Deficit) from Operations $679,388 ($218,220) $275,782
Total Change in Net Assets $4,915,764 ($1,735) $4,065,113
Ending Balance - Net Assets (6) $45,223,748 $40,307,984 $40,309,719
(1) This line includes $1,628,106 in FY22 from the Shuttered Venue Operating Grant and $362,800 in FY21 from Payroll Protection Plan, which was forgiven.
(2) Represents gifts and grants received in prior years whose gift or grant restrictions (purpose and/or timing) were met.
(3) Represents discretionary support provided by the U-M Offices of the President and Provost, as well as other University units.
(4) Includes digital artist residencies and digital programming expense for FY21 when there were no in-person performances, as well as ongoing digital
programming expense.
(5) Includes estimated market value of in-kind subsidized lease costs for office space: $139k (FY24), $136k (FY23), $138k (FY22), and $143k (FY21).
(6) Includes an Endowment Fund balance of $42,439,736 at the end of FY24. Of that amount, $25,909,823 is permanently restricted; $4,791,727 is temporarily
restricted; and $11,738,186 is unrestricted.
Be Present
65
23
24 EVENTS
SEPTEMBER 2023
Snarky Puppy
Shakti 50th Anniversary Tour
Featuring John McLaughlin, Zakir
Hussain, Shankar Mahadevan,
Ganesh Rajagopalan, and
Selvaganesh Vinayakram, with
very special guest Béla Fleck
Renée Fleming, soprano
Inon Barnatan, piano
Ypsilanti Freighthouse
September Residency
Yoga at the Freighthouse
Open Mic Night
slapslap Family Workshops
Marcus Elliott: Sonic
Contributions
Square Dance at the
Freighthouse
LIGHTNING: A One-of-a-Kind
Drag Show Extravaganza
West African Dance Workshops
Manual Cinema: Leonardo!
A Wonderful Show About
a Terrible Monster
OCTOBER 2023
Jerusalem String Quartet
Inon Barnatan, piano
DruidO’Casey:
Sean O’Casey’s Dublin Trilogy
The Plough and the Stars
The Shadow of a Gunman
Juno and the Paycock
Orquesta Sinfónica de Minería
Carlos Miguel Prieto, conductor
Gabriela Montero,
piano/composer
NOVEMBER 2023
DakhaBrakha
Akropolis Reed Quintet
Pascal Le Boeuf, piano/composer
Christian Euman, drums
Javaad Alipoor Company:
Things Hidden Since The Foundation
Of The World
Maxim Vengerov, violin
Polina Osetinskaya, piano
DECEMBER 2023
Handel’s Messiah
UMS Choral Union
Ann Arbor Symphony Orchestra
Scott Hanoian, conductor
Jake Shimabukuro:
Holidays In Hawai’i
Michael Feinstein and
Jean-Yves Thibaudet
Two Pianos: Who Could Ask For
Anything More?
JANUARY 2024
The Godfather Live
Grand Rapids Symphony
John Varineau, conductor
Hélène Grimaud, piano
Latasha Barnes’
The Jazz Continuum
Mariachi Herencia de México
featuring La Marisoul
Emanuel Ax, piano
Leonidas Kavakos, violin
Yo-Yo Ma, cello
FEBRUARY 2024
WORLD PREMIÈRE
When The Caged Bird Sings
Nkeiru Okoye, music and libretto
University Symphony Orchestra
University Choirs and
EXIGENCE Vocal Ensemble
Eugene Rogers, music director
Kenneth Kiesler, conductor
James Ehnes, violin
Andrew Armstrong, piano
Martha Graham Dance Company
Janet Eilber, artistic director
MARCH 2024
Igor Levit, piano
Isidore String Quartet
Orchestre de Paris
Klaus Mäkelä, conductor
Yunchan Lim, piano
Weather Bird: Reimagining The
Music Of Earl Hines And Louis
Armstrong
Sullivan Fortner, piano
Ambrose Akinmusire, trumpet
Samara Joy
APRIL 2024
Takács Quartet
The Philadelphia Orchestra
Yannick Nézet-Séguin, conductor
The Philadelphia Orchestra
Yannick Nézet-Séguin, conductor
UMS Choral Union
Scott Hanoian, music director
Ypsilanti Freighthouse
April Residency
Swing Dance at the Freighthouse
Hub New Music
Y2Gay Drag Show at the
Freighthouse
Alfred Hitchcock’s The Lodger:
A Story of the London Fog
featuring Little Bang Theory
Dancing Through México with
El Ballet Folklórico Estudiantil
Joe Reilly Earth Day Family
Performances
Shigeto Live Ensemble
Regenerate Orchestra
Open Mic Night
JUNE 2024
Orchestra of the Americas
with Yo-Yo Ma and Kayhan Kalhor
Carlos Miguel Prieto, conductor
66 23/24 Annual Report
UMS
STAFF &
VOLUNTEERS
PRESIDENT’S OFFICE
Matthew VanBesien, President
Jessica Adamczyk, Senior Executive
Assistant to the President and
Manager, Board and U-M Relations
Athena Papageorgiou, Special Events
Coordinator
ADMINISTRATION & FINANCE
Carmen Rodriguez, Vice President,
Finance and Administration
Scott Baker, Business Systems Analyst
Salina Naranjo, Senior Accountant
John Peckham, Director of Administration
& Information Systems
Amy Valade, Accounting Clerk
DEVELOPMENT
Ryan Davis, Vice President and Chief
Development Officer
Susan Bozell Craig, Director of
Development
Rachelle Michelon, Associate Director
of Development, Annual Giving
Lisa Michiko Murray, Associate
Director of Development,
Foundation & Government
Relations
Margaret Reid, Associate Director
of Development, Major Gifts and
Planned Giving
Courtney Ross, Development
Associate, Annual Giving
Will Smith, Director of Major Gifts &
Special Projects
LEARNING & ENGAGEMENT
Cayenne Harris, Vice President,
Learning & Engagement
Terri Park, Associate Director, Learning
& Engagement K-12 Programs
Justine Sedky, Community & Audience
Programs Manager
Maddy Wildman, University Programs
Manager
MARKETING &
COMMUNICATIONS
Sara Billmann, Vice President,
Marketing & Communications
Eric Woodhams, Director of Digital
Media
Miranda Tolsma, Digital Marketing
Coordinator
Lilian Varner, Marketing & Media
Relations Manager
PATRON SERVICES
Anné Renforth, Director of Patron
Services
Rochelle Clark, Patron Services
Associate
Corrinne Hamilton, Group Sales &
Promotions Associate
Bridget Kojima, Patron Services
Assistant Manager
Nina Renella, Front of House Assistant
Manager
PRODUCTION/PROGRAMMING
Mark Jacobson, Vice President,
Programming & Production
Alex Gay, Production Director
Anne Grove, Artist Services Manager
Mary Roeder, Associate Director of
Programming
Kaylin Stinson, Artist Services
Associate
UMS CHORAL UNION
Scott Hanoian, Music Director and
Conductor
Kathleen Operhall, Chorus Manager
STUDENT EMPLOYEES &
PART-TIME ASSISTANTS
Anya Baldus
Madeline Balog
Treasa Bell
Aditya Bodanapu
Melanie Castaneda
Priyal Deep
Aiden Drysdale
Matthew Eggers*
Ashton Gibson
Alexandra (Sasha) Gusikhin*
William Halloran
Candace Jung
Koralynn Kennedy
Katherine (Kate) Klassa*
Isabella Kressaty
Kimberly Masters
Jasper Morris
Christian Mulville
Jayant Namdhari
Matthew Osterholzer
Gabriel Paredes
Nathan Rodriquez
Lily Roof
Madison Ruiz
Schnadè Saintïl
Emilia Vizachero*
*21st Century Artist Intern
HEAD USHERS
Ali Newton
Juli Pinsak
Sanjay Ravipati
Brian Roddy
BOARD OF DIRECTORS
Christina Kim, co-chair
Brian Willen, co-chair
Rob VanRenterghem, vice chair
Karen Chapell, secretary
Timothy G. Marshall, treasurer
Karen Bantel
Kiana Barfield
Rachel Bendit
Marco Bruzzano
Christopher Conlin
Timothy Damschroder
Keith Dickey
Linda Gregerson
Neil C. Hawkins
Ibrahim Jarjoura
Barbara Kaye
David Leichtman
Timothy G. Lynch
Pretti N. Malani
Chrislan Fuller Manuel
Michael C. Martin
Elizabeth Birr Moje
Rishi Narayan
Mariam C. Noland
Eli Saulson
Peter Schweitzer
Gail Ferguson Stout
Louise Taylor
Alicia Torres
David Wilhoit
EX-OFFICIO MEMBERS:
Geoffrey Chatas, Executive Vice
President and Chief Financial
Officer, University of Michigan
David Gier, Dean, School of Music,
Theatre & Dance, University of
Michigan
Laurie McCauley, Provost, University of
Michigan
Santa J. Ono, President, University of
Michigan
REPRESENTATIVES TO THE BOARD:
Mary Anne Beltzman, UMS
Ambassadors
Katherine Goldberg, UMS Sustaining
Directors
Norman G. Herbert, UMS Sustaining
Directors
Beth McNally, UMS Ambassadors
Tim Petersen, UMS Campaign Council
UMS AMBASSADORS
Mary Anne Beltzman, co-chair
Beth McNally, co-chair
Lisa Armstrong, secretary/treasurer
Jordan Harrison, volunteer coordinator
Kirsten Williams, school day
performance chair
Astrid Beck, membership co-chair
Jaye Kain, membership co-chair
Janet Torno, social coordinator
Terri Park, UMS liaison
Oliver Baldner
Arlene Barnes
Susan Beel
Todd Beel
Elaine Bennett
Francine Bomar
Andrea Ciske
Mike Dergis
Wenli Frisch
Joan Grissing
Susan Jarvis-Noetzel
Cathy King
Jean Kluge
Leah Korth
Susan Krueger
Michael Lee
Vivienne Lee
Daria Massimilla
Barb Mulay
Athena Papageorgiou
Janet Popper
Anne Preston
Sue Rebner
Pat Rideout
Jill Ross
Ellen Sapper
Andrew Schneider
Elena Snyder
Brian Watson
Be Present
67
2014 National Medal of Arts Recipient
@UMSPRESENTS
UMS.ORG——734.764.2538