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Lee Ka-sing and Holly Lee Archive 李 家 昇 黃 楚 喬 文 件 庫

SCREENCAPTURE

2025-01-19 Capturing K&H Archive weekly updates across Media

Diptych (2014-2023) A Group of Boxes Ready to Receive Desire

一 群 正 準 備 着 接 收 欲 望 的 盒 子

Diptych (2014–2023), a series of over 1,500 diptychs created over ten years, is currently being reformatted

for publication in book volumes. In the meantime, you’re welcome to browse a flipbook version of the

series at diptych.leekasing.com as we continue the work in progress.

The series is also shared on Facebook and Instagram several times a week.

Edited by: LEE KA-SING AND HOLLY LEE ARCHIVE kasingholly.com kasingholly@gmail.com


(above) We Landed by the Water, Facing a Large Building with a Striped Ceiling, 2020

(below) Memories Sprouting from a Pattern of Grids, 2020

(above) A Wooden Door Facing the Wall Marked with Wounds, 2020

(below) This Path Leads to the Large Room Constructed with Tomorrow’s Plans, 2020



(above) The Currents Racing Through the Ground, 2020

(below) The Nervous System Resting on a Blue Background, Singing a Song, 2020

(above) A Drooping Potted Plant Gazes at Its Companion’s Shadow on the Opposite Wall, 2020

(below) Listening to Bach at Home During the Time of Coronavirus, 2020



SIX PORTRAITS by Holly Lee

vintage gelatin silver photograph, 8x10 inches (1993-94)

Visual Research into Contemporary Hong Kong 1990-1996, organized by the Hong Kong Arts

Centre, Wong Wo Bik, and others, featured the works of 31 participating photographers, including

Holly and myself. Holly photographed a series of six portraits of artists, which could be seen as an

extension of her earlier series on artists, though it adopted an entirely different approach. In 2019,

while revisiting past works, this series of photographs was published in DOUBLE DOUBLE, issue

1106-2020, accompanied by a piece of note written by Holly. Here, we reprint it in its entirety.

For me, the nineties in Hong Kong was the best of time. While hesitating about climate of the

city’s future, people inevitably had to move forward. Everything was in motion, everybody worked

enthusiastically toward identifying one thing or the other; Chinese, Hong Kongese, pre-colonial,

post-colonial, and the degree of Britishness affecting and intervening ordinary people’s lives. For

a moment, we did have a cultural identity crisis, and many cultural projects produced around

that period reflected just that - who were we as a Hong Kong people? In 1993, I was invited to

work on the third phase of a project curated and directed by Wong Wo Bik namely A Metropolis:

Visual Research into Contemporary Hong Kong 1990-1996. My contribution to the project was to

take portraits of selected artists, who were from different area. Basically we knew each other well

because there weren’t many working in the arts and it was a small and tight-knit circle. However,

they represented certain aspect of Hong Kong activities and creativities in the nineties, and

admittedly they were among the best in the art field. In the course of organizing some old pictures

I came across these six prints again, but found one - Sunny Pang’s portrait missing. Instead I

located the test strip. As a matter of fact,

this mini series of portraits had never been

officially exhibited. The 8x10 prints that I

found and which are on view here were work

prints, a small part of the printing materials

for the more substantial book printed in

1996 as a result of the multi-year visual

research project.

(above) 彭 錦 耀 Sunny Pang (Dancer, Choreographer, Performing artist)

(opposite page) 唐 景 森 Tong King Sum (Sculptor)



(above) 黃 仁 逵 Yank Wong (Painter)

(below) 鄧 達 智 William Tang (Fashion Designer)

(above) 梅 卓 燕 Mui Cheuk-Yin (Dancer, Choreographer)

(below) 尊 子 Zunzi (cartoonist)



Night Reading 夜 讀 記

You’re welcome to browse a flipbook version of the series at:

reads.doubledouble.org/2024/11/night-reading.html

The series is also shared on Facebook and Instagram several times a week.



TERRAIN

TERRAIN is a daily collaboration project featuring photography by Lee Ka-sing paired with responsive

haiku by Gary Michael Dault. The project aims to produce 1,000 collaborative pairs, to be presented across

twenty volumes of books. We are currently on Volume Twelve.

These daily collaborations are published on the front page of OCEANPOUNDS.COM, an online retail

platform showcasing works by Lee Ka-sing and Holly Lee. The site offers a diverse range of creations,

including originals, unique pieces, multiples, objects, monographs, and PDF e-books.

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