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Folio.YVR ☆ Issue 25 May ☆ 2024 ☆ Luxury Lifestyle Magazine ☆ Vancouver, BC

Showcasing the triumphant return of Diljit Dosanjh, season finale performance by Hayato 'Cateen' Sumino and the VMO under Maestro Ken Hsieh, Tommaso Melani of Stefano Bemer at Style by Sarai Showroom, the launch of Prophecy at Rosewood Hotel Georgia, Ballet BC x LYLE XOX collaboration in FOR EVER, Karla Welch & The Met Gala, Spring/Summer 2024 Collection at Stefano Ricci, Watches and Wonder wrapped in Geneva, Fiona Ackerman's Paper Trail at Gallery Jones, Jaxon Howell's IRL Launch, and CICA Vancouver's Toy Story Exhibition. [ORDER HARD COPY HERE! https://folioyvr.com/order-print-copies-folioyvr-portfolioyvr-here]

Showcasing the triumphant return of Diljit Dosanjh, season finale performance by Hayato 'Cateen' Sumino and the VMO under Maestro Ken Hsieh, Tommaso Melani of Stefano Bemer at Style by Sarai Showroom, the launch of Prophecy at Rosewood Hotel Georgia, Ballet BC x LYLE XOX collaboration in FOR EVER, Karla Welch & The Met Gala, Spring/Summer 2024 Collection at Stefano Ricci, Watches and Wonder wrapped in Geneva, Fiona Ackerman's Paper Trail at Gallery Jones, Jaxon Howell's IRL Launch, and CICA Vancouver's Toy Story Exhibition.

[ORDER HARD COPY HERE! https://folioyvr.com/order-print-copies-folioyvr-portfolioyvr-here]

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folio.yvr

ISSUE #25

M A Y 2024


001

CICA VA NCOUVER | K A WS | 228 A bbott Street



003

EDITOR-IN-CHIEF | Publisher's M essage

WELCOM E TO ISSUE # 25

Contained within these pages are

captivating tales of individuals who

epitomize elegance, enrich our cultural

tapestry, and infuse our vibrant city with the

rhythms of music and more. This fusion of

diverse cultures has given rise to the

distinctive West Coast Lifestyle for which

Vancouver garners international acclaim.

Diljit Dosanjh, the Punjabi pop/ film

mega-star, who continues to break records

worldwide, sold-out a stadium and mobilized

a community to engage in an evening of joy

and profound pride.

Hayato ' Cateen' Sumino, YouTube

superstar, arrived and delivered an

explosive performance with the VM O.

Under the invitation and baton of

M aestro Ken Hsieh, his presence 'brought

the house down,' leaving a lasting

impact on Vancouver's cultural scene.

In the world of bespoke footwear,

Tommaso M elani of Stefano Bemer is a

'shoe-whisperer' to those who value the

perfect additions to their tailored

wardrobes. Held at the Style by Sarai

showroom in historic Gastown, the SB Trunk

Show brought the best of Italy to Vancouver.

In hospitality, the genius team from

At Home Hospitality launched the

much-anticipated Prophecy. This moody

lounge is located below the Rosew ood

Hotel Georgia, with its entrance off Howe

Street is ready to shake up the cocktail

scene.

At The M et Gala, uber-stylist Karla Welch

dressed no less than six influential persons!

Hailing from Pow ell River, with time spent

in Vancouver at Vij' s, this activist and

entrepreneur continues to excel in

multiple industries.

The S/ S 20 24 Collection has arrived at

Stefano Ricci downtown. We share the

journey of the Ricci family as they travel to

the Galapagos Islands for a sanctioned

shoot, with conservation at the forefront of

this marketing campaign.

Watches and Wonders in Sw itzerland

captivated everyone with displays of the

latest ultra-collectable novelties, which will

soon be available at Vancouver luxury

retailers, and the delightful ' Walk the City'

approach to expanding their audience.

Locally, Ballet BC presented its finale with

FOR EVER, which included a

years-in-the-making collaboration with

Vancouver-based artist LYLE XOX,

Jaxon How ell has launched IRL bespoke

services, and Gallery Jones presented

Fiona Ackerman' s 'Paper Trail' exhibition.

This issue marks the first time since

launching Folio.YVR that I am sharing my

photo with another. Taken at the

Style by Sarai showroom by Rene Pierre

(Pierre Production), this image of myself

and Tommaso inspired this issue's theme of

' International Influences.'

Helen Siwak



005

STEFA NO BEM ER | Sarai Bespok e Show room


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10 1

111

121

135

TABLE OF CON TEN TS

PUBLISHER' S M ESSAGE: HELEN SIWAK, EIC

STEFAN O BEM ER: TOM M ASO M ELAN I

VM O CAN ADA: HAYATO ' CATEEN ' SUM IN O

DILJIT DOSAN JH: DIL- LUM IN ATI TOUR

ROSEWOOD HOTEL GEORGIA: PROPHECY

WATCHES AN D WON DERS

THE M ET GALA: SLEEPIN G BEAUTIES

STEFAN O RICCI S/ S 20 24

JAXON HOWELL

FION A ACKERM AN : PAPER TRAIL

BALLET BC: FOR EVER

HUM M ER EV SUV

M ASTHEAD


007

WA LK ER M CK INLEY | Commonplace Launch Event


p e r s o n a l i t i e s


009

STEFANO

BEMER

TOMMASO

MELANI



011

TOM M A SO M ELA NI | Sarai Bespok e Show room

S

BJason Sarai, founder and creative

director of Sarai Bespoke, recently

hosted an exclusive trunk show at his

showroom in the historic east side

Dominion Building.

The two-day event was a rare opportunity

for well-heeled guests to meet a master

of Italian craftsmanship, Tommaso M elani,

in person, view and discover a wide

selection of Stefano Bemer's handcrafted

shoes, flip through rings of luxury material

samples, and enjoy the camaraderie of

being in the company of others who

appreciate the finest in men's fashion.

We were personally on hand as Melani

presented his collection, took

measurements, and helped guests

navigate through the made-to-order and

customization options.

On display was an extensive collection of

sample shoes, shipped from Florence to

provide inspiration and a plethora of

samples and swatches. Under the astute

guidance of Melani, guests created a

unique pair (or two), which were finalized

and ordered.

Melani shared, "Trunk shows are how I

started 12 years ago, extending the

reach of Stefano Bemer. What I learned

back then is how interesting and exciting

it is to, for such a niche brand, chart

new territories and meet people in

faraw ay cultures. I made friends and

clients, and, to this day, I make time to go

on trunk shows myself because it refreshes

the memory of that thrill and rekindles a

side of my entrepreneurial spirit that

would otherwise get numbed if I was

sitting in an office all the time!"



013


Jason Sarai, who founded Style by Sarai

a decade ago, understands the

importance of offering this expertise to

the Vancouver community.

"We aspire to surround ourselves with, and

learn from, the best sartorial brands in

their world ? brands that exemplify true

craftsmanship, timeless design, and

produce the highest quality products.

Stefano Bemer, a company that has been

making some of the best handmade shoes

in the world for more than 40 years,

is one of those brands."

"Our goal is to provide access and

experiences to those world-renowned

companies and brands with our community

here in Vancouver. We live in a

w orld- class city, and we should

experience the best sartorial products the

world has to offer."

"And we're excited to continue building

our relationship in the future. Not only is

Sarai Bespoke one of a select few ateliers

to offer access to Stefano Bemer shoes

year-round (we are equipped with their

exclusive fitters and range of material

options so clients can build their

made-to-order shoes even when Tommaso

isn't in town), we are planning a

destination soirée in N ew York, where

Stefano Bemer has launched a brand new

store on historic Park Avenue."

THE BON D IS STRON G

The relationship between Sarai Bespoke

and Stefano Bemer goes back almost

seven years. The two esteemed brands

began working together in 20 18, with their

collaboration at Cappelleria Bertacchi in

Gastow n. Sarai says, "It was at that first

event that Tommaso and I really

connected both professionally and

personally, first over our love of

craftsmanship and design, and then

cycling. I knew he was an avid cyclist, so I

organized a ride from Vancouver to

Horseshoe Bay so he could experience the

beauty of our city."

In 20 19, Sarai hosted a Stefano Bemer

trunk show, this time at the Sarai Bespoke

showroom, which included Melani's

attendance at the ' Soirée by Sarai' event

at the Rosew ood Hotel Georgia. The

black-tie event included guests who

arrived from Chicago, San Diego, and

Toronto who enjoyed an art exhibition at

Hublot, a four-course dinner in the York

Room of the award-winning and M ichelin

Guide- recommended Haw ksw orth

Restaurant, cigars and cocktails in the

penthouse, and an overnight stay at the

hotel for everyone.


015


THE N AM ESAKE

Stefano Bemer was a visionary who

established his company in 1983 with

the ambitious goal of creating the

perfect Italian shoe. As the brand

gained popularity, it attracted

notable clients such as actor

Daniel Day- Lew is, designer

Gianfranco Ferre, and singer

Julio Iglesias, to name a few.

Bemer's curiosity and passion for

shoe-making drove him to master the

infinite variations of this craft. He

began by repairing shoes, then

attended courses and w orkshops, and

eventually developed his technique,

which is now widely recognized and

appreciated for its elegance and

quality. The brand became synonymous

with the highest standard of Italian

sophistication, gaining a reputation

for style and refinement.

After Bemer's untimely demise in 20 12,

Melani took the reins and pushed the

company into its second phase of

development.

Melani ensured that Bemer's legacy

and vision would be given a more

prominent stage through an exclusive

shoe-making training program, the

finest bespoke shoe-making, an

unparalleled made-to-order line, and a

perfectly crafted ready-to-wear

collection. All these offerings reflect the

same quality paradigm that Bemer

established, ensuring that the brand

continues to thrive.

ON QUIET LUXURY

"Quite early in my life, I realized that

brand doesn't necessarily mean value. I

don't like being 'evaluated' based on

the logos that I carry, and most of all, I

believe that the way you carry it

determines your appearance. I put the

man (and the woman) first, and I create

an impression that is unrelated to the

brands they are wearing. Style,

manners, and ease are independent

of branding."

"You recognize a man of taste and can

surely recognize the quality of his

shopping choices, although you might

not know who made the items they are

wearing. Not every brand that claims

to be ' M ade in Italy' is actually MADE

in Italy. Not every product that is 'Made

in Italy' is handmade. Not every

handmade product is w ell made. That's

why we do not label our product 'Made

in Italy' nor 'handmade.' We want the

client to be the judge of the quality!"

THE SCHOLA ACADEM Y

In Florence, there is an academy

dedicated to craftsmanship and

uncompromising quality. It is an

ecosystem where future artisans from

all over the world learn and improve

their skills.

Each program is led by M aestros, who

guide students in completing their

paths and learning to make products

autonomously. Melani explained his

relationship with the academy.


017

"Schola Academy was born as a

natural development of the

experience I have lived through my

entire life. Scuola del Cuoio, my

family's leather workshop, was

created by my grandfather as a

school to train orphans of WW2 in

a craft and then became a

company that hired those newly

trained artisans to make quality

custom leather pieces."

"Training has always been the way

to create new master craftsmen

and I adopted that paradigm

when I took over Stefano Bemer in

20 13 to grow our capacity of

production without losing our

commitment to the highest quality."

"When my partner at Schola,

Alessandro Colombo, and I started

thinking of how that applies to all

the exquisite crafts we proudly

preserve in our city, we decided to

create this open hub for

craft-learning and venture into

other fields with the same spirit of

really preserving and transiting

craftsmanship to the artisans of

tomorrow."

REDEFIN IN G: RFORPEOPLE

Melani, a fashion entrepreneur with

a passion for sustainability, has

also launched a stunning new label

called RforPeople. This label is

more than a 'feel good' fashion

brand that speaks to the hearts of

those who want their wardrobe to

reflect their values.

RforPeople encourages individuals

to rethink their relationship with

consumption and to act with

intention, all while looking

impeccably stylish.

One of the most fascinating

aspects of RforPeople is its

zero- impact promise. The brand

encourages its supporters to send

their ' lovingly w orn- out sneakers

(of any brand)' for refurbishing,

repairing, refashioning, or

disassembling and disposing of

responsibly.

All footwear and garments in the

collection are the result of an

entire supply chain located in

Italy, with workers receiving

healthcare, paid leave, and

retirement benefits.

The 'R' in RforPeople stands for

Responsibility, Refashion, Reduce,

Recycle, and Respect, which truly

reflects Melani's values and vision

for the brand. Having spent time

with Melani, it Is clear that he is

committed to creating a

sustainable fashion industry that is

respectful of the planet and the

people involved in the production

process.

"I have the utmost respect for issues

concerning the environment, and I

strongly believe that we must put

effort into adopting sustainable

practices to reduce CO2 emissions

and preserve our beautiful planet."



019

"Nevertheless, it's us humans that we must put

first, and there cannot be a program to

protect the environment without a plan to

foster humanity."

"Respect must come first, and that starts with

labour, both in terms of conditions and

compensation. Rethink is the key to progress:

we must challenge our knowledge and beliefs

to have real breakthroughs."

"So, I put Rethink at the centre of

RforPeople's philosophy to remind myself, my

staff and the people who will come in touch

with our brand and policies about it."

"I also made the RforPeople paradigm the

leading policy for all the other brands I'm

involved with so that we all are inspired to

the same ideas and bring marginal

improvements in each sector of our business."

"For example, all of our dust bags, shopping

bags, and accessory cases are made by a

social enterprise that only hires w orkers

w ith disabilities and trains them for specific

jobs and positions in the chain of production

but also offers them a positively charged

environment that provides fair compensation

and a sense of personal accomplishment."

"On that note, my family has started the

M arcello Gori Foundation, which provides

six scholarships every year to allow

youngsters who have gone through a rough

patch in life to learn not just the skill but the

way of craft as a life path itself."

EXPERIEN CIN G VAN COUVER

"I was due to stay at the Rosew ood Hotel

Georgia, but it was under renovations,

so I was rebooked at the Wedgew ood, an

old-school hotel with wonderful service. The

best meal I had was at Kissa Tanto, which

blends, hear hear, Italian and Japanese

cuisines in a lively, cool and sophisticated

(just enough) setting. It is always a pleasure

visiting the city, and I wish I had more time to

walk around. Next time, I want to make time

to visit Vancouver Island by boat!"

Never forget that each pair undergoes a

meticulous process that spans over 10 0 hours

in an antique chapel in Oltrarno. The

exquisite stylings of each shoe reflect the

unparalleled craftsmanship and artistry that

goes into their creation, making them a true

work of art.

Stefano Bemer's legacy of crafting the finest

shoes using the most exceptional practices

and materials is a testament to his

unwavering commitment to perfection.

RFORPEOPLE

STEFAN O BEM ER

SCHOLA ACADEM Y



021

VMO

CANADA

HAYATO

' CATEEN'

SUMI NO



023

HA YA TO 'CA TEEN' SUM INO| VM O | Chan Centre

H

S

In a finale that had been anticipated

for months, M aestro Ken Hsieh and the

Vancouver M etropolitan Orchestra

culminated the season with special

guest Hayato ' Cateen' Sumino, a

N ew York- based Japanese pianist and

composer known for his performances

of music by Frédéric Chopin.

Founder of the VMO, Hsieh, shares, "I

choose Hayato Sumino to close the

20 24 season because he had been on

my wish list! Several of my colleagues

had recommended him to me, including

my mentor Yutaka Sado, who said he

had a fantastic time performing

Gershw in' s ' Rhapsody in Blue' with

Cateen. He makes music so accessible

to everyone and is truly a gifted and

super talented pianist, versatile in any

genre, and understands how to attract

anyone of any age into loving music."



025


During his visit to Vancouver, Cateen

resided at the Listel Hotel. He enjoyed

trying new and unique ramen dishes at

multiple restaurants, delectable sushi at

Octopus Garden, a leisurely lunch at

Glow bal, and sightseeing along the

world-famous Stanley Park Seaw all.

THE CHOSEN ON E

Hayato Sumino's musical odyssey began

with a resounding triumph, as he

emerged as the Grand Prix winner of

the PTN A Piano Competition in 20 18,

while still a dedicated student at The

University of Tokyo.

In 20 21, Sumino's talent shone on the

global stage as a semi-finalist in the

18th International Chopin Piano

Competition in Warsaw , Poland. His

international success continued with a

third prize at the 20 19 Lyon

International Piano Competition, a

gold medal at the 20 17 International

Chopin Competition in Asia, and

numerous other accolades.

This global recognition of his talent,

along with the significant role played by

his mentors, Jean- M arc Luisada and

Katsuko Kaneko, in his journey, makes

him an ideal collaborator for any

musical project.


027


EDUCATION & EN TERTAIN IN G

Sumino completed his

M aster of Engineering at The

University of Tokyo Graduate School

of Information Science and

Technology in March 20 20 . His

outstanding achievements in both

music and academics were

recognized with The University of

Tokyo President' s Aw ard.

Alongside his academic endeavours,

he actively researched M usic

Information Processing at the

Institute for Research and

Coordination in Acoustics/ M usic

(IRCAM ) for six months, beginning in

September 20 18.This combination of

musical and academic excellence

makes him a unique and appealing

figure for music enthusiasts, concert

organizers, and potential

collaborators.

Sumino's musical style is a captivating

fusion of classical techniques,

innovative arrangements, and

masterful improvisational skills. This

unique blend of music, which he shares

through performances at renowned

venues worldwide.


029

M ORE THAN A PLAYER

Sumino's musical prowess extends far

beyond the concert hall. He channels

his creativity through writing, arranging,

and sharing his music on YouTube

under the moniker 'Cateen.'

His channel boasts a staggering

1.34 million subscribers, and each of

his 225 videos has been streamed

millions of times. His versatility is further

underscored by his role as the official

navigator for BBC Proms JAPAN and

his inclusion in the esteemed Forbes

Japan ' 30 Under 30 ' list.

Furthermore, he has expanded his

musical capabilities by performing

contemporary pieces, including the

Japan premiere of 'Concerto for

Piano and Orchestra' by Thomas Adés

in 20 22 and the Japan premiere of

' Concerto for Violin, Piano and

String Orchestra, Op. 10 5' by

N ikolai Kapustin in 20 23.

AM ERICA BOUN D

In a bold move that marked a new

chapter in his career, Sumino set his

sights on New York in 20 23.

This season heralded his American

debut, where he shared his musical

prowess with the Boston Pops

Orchestra under the baton

of Keith Lockhart.

Sumino also recorded Chopin's Piano

' Concerto N o. 1' with M arin Alsop and

the Polish N ational Radio Symphony

Orchestra, a recording that was

unveiled in 20 22.

His debut album, ' HAYATOSM ' (eplus

music), was also released in 20 20,

signifying a significant milestone in his

musical journey.

Since 20 21, he has been a Steinw ay

Artist and CASIO electronic musical

instrument ambassador. As he continues

establishing a solid presence as a

classical pianist, he also draws

audiences as a unique musician known

for his thoughtful exploration of music

that transcends genre boundaries.

HAYATO ' CATEEN ' SUM IN O

VM O CAN ADA



031

DI LJI T

DOSANJH



033

DILJIT DOSA NJH | Dil-Luminati Tour


D D

The city is still glowing in the aftermath

of the gloriously hyped Diljit Dosanjh

Dil- Luminati Tour stop, which saw

BC Place Stadium sell out as 54,0 0 0

fans pushed the boundaries of

capacity.

Diljit became the first artist in the

genre to sell out such a massive

venue, headline both BC Place and

Rogers Centre, and pull off the largest

Punjabi performance outside India.

More than a concert, the performance

had people from all over North

America flying into Vancouver to be a

part of history. In addition to the

dancers, pyrotechnics, and dizzying

light show, Diljit invited six-year-old

Aanakh Bhuller to the stage, and

together they danced bhangra to the

song ' Vibe.'

Diljit's power-packed performance

included songs such as ' GOAT,'

' 5 Taara,' ' Lover,' ' Kinni Kinni,' and

' Ishq M itaye,' the famous track from

his latest film release ' Amar Singh

Chamkila.'

Diljit is not just an emblem of

excellence in Punjabi music on the

world stage; he is a unique presence

that transcends geographical borders.

Hailing from the vibrant state of

Punjab, India, Diljit has risen to

become a global sensation,

captivating audiences with his

enchanting voice, soulful music, and

power-packed performances. His

unique style and stage presence

are key aspects of his appeal

and his influence on the music

and film industry.


035

GROUN DBREAKIN G M USICIAN

Diljit's influence in the music industry is

undeniable. His repertoire of chart-topping

singles includes ' G.O.A.T' (236 million

view s), ' Lover' (123 million view s), and

' Proper Patola' (364 million view s), to

name but a few. In 20 21, he released his

twelfth album ' M oonchild Era,' which

charted at # 32 on the Billboard Canadian

Albums Chart, making him the first Indian

artist to have three albums on the Billboard

Charts.

In April 20 23, he became the first Punjabi

artist to perform at the prestigious

Coachella festival, the annual music and

arts festival held in California, announcing

'Punjabi aa gaye Coachella ve (The Punjabis

have arrived in Coachella).' He has become

the most loved Indian artist when it comes to

touring, generating more than $10 million in

ticket sales from his ' Born to Shine

Australia Tour.'

Before the BC Place Stadium sell-out, Diljit

had already made history as the first-ever

Indian artist to perform and sell out at

Rogers Arena Centre in Vancouver,

Scotiabank Arena in Toronto, and

Rod Laver Arena in M elbourne.

He also became the highest-selling Indian

artist at the Brisbane Entertainment Center

in Australia. His show in M elbourne proved

his popularity, selling out 14,0 0 0 tickets in

less than 72 hours.

HIGH PROFILE COLLABORATION S

Diljit's music has not only captivated the

Asian diaspora w orldw ide but has also

caught the attention of international music

icons like Ed Sheeran, Diplo, and Sia. His

collaborations, such as ' Hass Hass' with Sia,

showcase his unique ability to bridge the

gap between Eastern and Western musical

sensibilities. This trait has contributed to his

global influence.

By partnering with touring industry giants,

Diljit is leading a revolution in global touring

culture for Indian artists. His association with

these powerhouse companies signifies a shift

in perception towards Indian music on the

worldwide stage, paving the way for

future generations of artists to follow

in his footsteps.

Diljit's journey is not just about music but

also the power of passion, perseverance,

and the ability to break barriers. As he

continues to conquer hearts and transcend

boundaries, his story inspires music lovers

and dreamers worldwide, redefining the

essence of global music culture.



037

THE EARLY YEARS

Born in 1984 in the small village of

Dosanjh Kalan, Jalandhar, Diljit's early

life was rooted in humble beginnings.

His father, Balbir Singh, worked as a

former employee of Punjab Roadw ays,

while his mother, Sukhw inder Kaur, was

a homemaker. Diljit, the middle child,

has an elder sister and a younger

brother.

He spent his early childhood in Dosanjh

Kalan. Then, he moved to Ludhiana,

Punjab, where he completed his formal

education, graduating high school from

Shri Guru Harkrishan Public School.

While still in school, he began his

singing career by performing Kirtan at

local gurdwaras.

The beginning of his lifelong passion for

music can be traced back to his days

as a student when he often performed

in which he would sing Kirtan and other

religious songs. Diljit first appeared in

the music industry with the T-series

division in 20 0 4 with the song ' Ishq Da

Uda Ada.' During the same year, the

same record label also issued his

second studio album, ' Dil.' His third

album, produced by Sukhpal Sukh and

titled ' Smile,' gave him a much-needed

business breakthrough.

The record received a lot of positive

feedback. In 20 0 9, he came out with

not one but four singles all at once,

including ' Dancing w ith M e,'

' Bhaga Singh,' ' N o Stress,' and

' Pow er of Duets.'



039


By 20 16, the momentum had grown so

powerful that ' The Dosanjh Tour' sold out

concerts throughout the UK. As a result, he

became the second Punjabi artist to sell

Wembley Arena after Gurdas M ann.

IN FRON T OF THE CAM ERAS

Beyond the realm of music, Diljit's talents

extend to the silver screen, where he

commands a legion of fans with his

captivating performances. With a massive

social media follow ing and a stellar

presence in Indian cinema, Diljit effortlessly

juggles the roles of actor, entertainer, and

influencer, captivating audiences with his

undeniable charm.

Stepping beyond the realm of music, Diljit

made his mark in the Indian film industry.

His Bollywood debut came in 20 16 with the

crime thriller ' Udta Punjab,' for which he

earned the Filmfare Aw ard for Best M ale

Debut and a nomination for the Filmfare

Aw ard for Best Supporting Actor.

Diljit continued to impress with his

performances in ' Good N ew w z' (20 19),

earning his second nomination for the

Filmfare Award for Best Supporting Actor.

As of 20 20 , he has won five PTC Aw ards for

Best Actor. He has also showcased his

judging skills in three seasons of the

' Rising Star' reality show.

Diljit's influence extends beyond music and

into the world of Punjabi cinema. His movies,

including ' Jatt & Juliet 2,' ' Punjab 1984,'

' Sajjan Rangroot Singh,' and the filmed in

Vancouver ' Honsla Rakh,' have been among

the highest-grossing Punjabi films in history.

This success is due to his talent and ability to

connect with audiences through his

performances.

' THE GOOD BOY' GIVES BACK

On his birthday in 20 13, Dosanjh launched

an N GO called Saanjh Foundation. This

organization focuses on underprivileged

children and seniors and contributes to

orphanages and nursing homes.

The foundation endeavours to empower

youth with issues like self-confidence,

well-being, anti-bullying, mentoring, and

career development. It takes its name from

the second part of Dosanjh's last name,

which loosely translates to " amity."


041

CICA VA NCOUVER | HA ROSHI | 228 A bbott Street


h o s p i t a l i t y


043

PROPHECY ROSEWOOD

HOTEL

GEORGI A



045

PROPHECY | Rosew ood Hotel Georgia | Vancouver

PGet prepared to indulge in an unparalleled

experience within Vancouver's nightlife scene.

Prophecy at Rosew ood Hotel Georgia aims to

usher in a new era of cocktail excellence in the

heart of dow ntow n Vancouver.

Nestled in the storied space beneath the

Rosewood, Prophecy seeks to captivate

patrons with its blend of timeless sophistication

and innovative flair.

The creative minds behind Prophecy are

the ' At Home Hospitality' team, led

by a dynamic trio of operating partners

Justin M ensah- Coker, Teddy Wilkie, and

M ike Rose. Drawing from their wealth of

experience that has driven the success of

esteemed establishments like Banter Room

and The Living Room at Hotel Belmont,

they are committed to establishing a new

standard for hospitality and exceptional

experiences in Vancouver.



047


Prophecy's cocktail program transcends

traditional mixology, offering an

intricate narrative journey crafted

by award-winning Beverage Director

Jeff Savage (Botanist Bar) and Bar

Manager N icole Cote (AnnaLena,

Published on M ain). From spirited stories

to refreshing anecdotes, each section of

the Prophecy cocktail menu is curated

to transport patrons through

old-fashioned tales and modern legends,

drawing inspiration from writers, poets,

musicians, and artists.

To guide guests on their cocktail odyssey,

a flavour legend is included in

Prophecy's stunning Cocktail Book,

directing them towards creations

that align with their palate preferences

and assigned Spirited, Refreshing,

Herbaceous, or Lush.

Elevated ' Short Story' selections (small

serves to be consumed quickly) include

options like ' Ponyboy,' from S.E. Hinton's

famous novel ' The Outsiders,' offering a

quick dose of Tio Pepe Fino Sherry,

Christian Drouin Calvados, and nutmeg.

Also featured in this short-serve section is

a rotating ' Community Cheers' option,

which will double as a monthly fundraiser

for a local charitable organization. A

complete menu section is also devoted

to ' Free Spirits' zero-proof beverages.

Designed by the Ste. M arie Studio,

Prophecy's interior seamlessly blends

classic sophistication with modern allure,

paying homage to the legacy of the

Rosewood Hotel Georgia and its role in

the past and future of elegant nightlife in

Vancouver.

Prophecy is the first in Canada to

partner with Apollo, a pioneer in

progressive art technology that

promises an ever-evolving showcase of

the world's most inspiring digital artwork,

enriching the guest experience with

unparalleled visual stimuli.

When launched, Prophecy's live music

program will feature live jazz during the

week and DJs during late- night

hours?another way to sip and celebrate

in a vibrant style.

THE HISTORICAL ROSEWOOD

The Rosewood Hotel Georgia is a

cornerstone of luxury hospitality in

Vancouver. It boasts an incredible

building with an even more, often

overlooked, fascinating history.

Following its grand debut in the roaring

1920 s, Hotel Georgia became a

Vancouver legend for introducing

unprecedented luxuries to the young city

and Canada's West Coast.

Over the decades, it hosted a long list

of Hollywood stars and royalty, from

John and Ethel Barrymore,

M arlene Dietrich, and her 40 suitcases,

to Errol Flynn, Sir Laurence Olivier, and

Gary Cooper. Notably, British royalty

graced the hotel early on. HRH Edw ard,

Prince of Wales, and his brother

George, the Duke of Kent, stayed in

1927 for the Seaforth Highlander' s Ball,

a gala event celebrated at the hotel.


049

During the Jazz Era, the hotel was home

to BC's most popular radio station,

CKWX, which broadcast from its studio

on the penthouse level for over a

decade up to 1941.

In 1950, the iconic pant-wearing

Katharine Hepburn introduced

late-night room service at the Hotel

Georgia, preferring to dine in the

privacy of her room, due to her

preference to dining late and without

bother.

Entertainment impresario Hugh Pickett

often hosted show business legends like

Bing Crosby, Bob Hope, Frank Sinatra,

Sammy Davis Jr, and even the iconic

rockers the Rolling Stones, further

solidifying the hotel's status as a premier

entertainment destination. By the

mid-century, the hotel had become a

favourite gathering place for the

immortals of show business.

After undergoing a complete renovation

and reopening in 20 11 as Rosewood

Hotel Georgia, the hotel returned to its

former grandeur with the additional

elegance of extensive amenities and the

impeccable service of Rosewood.

From the meticulous restoration of

old-world craftsmanship to the

installation of the most luxurious

furnishings and the latest technology,

Rosewood Hotel Georgia offers an

unmatched combination of legacy and

luxury? a return to the golden age of

hotel travel.



051

A FRESH FACE FOR 20 24

On the first day of this year, Rosewood Hotel

Georgia began a second extensive

refurbishment of the adored gathering spot.

The refurbishment will encompass signature

spaces throughout the hotel, including the

lobby and 1927 Lobby Lounge, its

accommodations, and the beloved

Reflections Terrace.

The new design will seamlessly connect

contemporary elements with classic luxury

features, showcasing materials ranging from

polished marble and rich dark w ood to

plush velvet textures that reflect our bustling

city.

Additionally, a 6-foot Fazioli F183

in Burled California Walnut from

M anuel Bernaschek' s Show case Pianos has

been installed in the lobby and its beautiful

full concert grand sound will, without a doubt,

add to the allure of the experience at the

hotel.

Rosewood Hotel Georgia has been

consistently recognized as one of the best

places to stay by the world's leading

publications, travel magazines, and consumer

organizations.

In 20 23, it was named # 1 Best Hotel in

Canada by the US N ew s & World Report

and received, for the 11th consecutive year,

the Five- Star Aw ard by Forbes Travel Guide.

PROPHECY

ROSEWOOD HOTEL GEORGIA

Dow nstairs, 80 1 West Georgia Street



053

CICA VA NCOUVER | Tak ashi M urak ami


e v e n t s


055

WATCHES

AND

WONDERS



057

WA TCHES A ND WONDERS | Geneva, Sw itzerland

W W

The Swiss watch industry's newest and This year's event saw a diverse range

most significant annual trade show, of over 49,0 0 0 unique visitors

Watches and Wonders, returned to throughout the week, a 14% increase

Geneva in April with a notable

from 20 23. This included 5,70 0

expansion in its public programming retailers and 1,50 0 journalists, all

compared to previous years. This

converging to explore the new

event, soon tobe a pillar of the

introductions from the watchmaking

watchmaking industry, continues to brands exhibiting across two levels

provide a platform for brands to

this year.

showcase their latest innovations

# w atchesandw onders20 24 shot to

and trends, now with a broader

the top of social networks, with an

reach and appeal.

estimated reach of over 60 0 million

The annual trade show is a highly

people at closing time. The arrival of

exclusive event, and is the largest

several celebrities set social media

gathering for the Swiss watchmaking ablaze. Among them were the

industry. It eagerly offers a unique supermodel Gisele Bündchen, the

occasion for renowned brands to

tennis champion Coco Gauff, and

unveil their significant new collections soccer superstar Kylian M bappé.

and timepieces.


s p i r i t s


059


LAB LAUN CH

As part of the public programme, a

brand new LAB was inaugurated at

Geneva's Palexpo. This LAB, a hub of

innovation and creativity, served as a

platform where schools, start-ups, and

exhibiting brands presented their

visionary ideas for tomorrow's

watchmaking world. Students from

the Swiss art and design school ECAL

presented more than a dozen

groundbreaking projects for the

occasion, sparking excitement about

the future of watchmaking.

The expansion of Watches and

Wonders public programme marks a

significant step towards inclusivity for

the trade show ? now in its fourth

year ? from an exclusive event for

industry professionals to a city-wide

celebration of the culture of

watchmaking, welcoming all

generations and watch enthusiasts.

N EW IN N OVELTIES

Over 54 brands presented new

watches? or novelties, as they are

called in the watch world. The

tradeshow is by far the biggest event

on the horological calendar, and its

participants include A. Lange &

Söhne, Cartier, Chanel, Chopard,

Grand Seiko, Hermès, Hublot, IWC,

Jaeger- LeCoultre, Oris, Panerai,

Patek Philippe, Piaget, Rolex,

Roger Dubuis, Tag Heuer, Tudor,

Vacheron Constantin, Van Cleef &

Arpels, and Zenith.


061


This year, the fair welcomed a thrilling lineup

of newcomers, including Bremont, Eberhard

& Co, Gerald Charles, N omos, N orqain,

and Raymond Weill. Swiss watchmaker

ArtyA is also made its grand debut at the fair

with the release of a new timepiece,

' Purity Stairw ay to Heaven,' which also

commemorates the brand's 15th anniversary.

Piaget debuted the thinnest tourbillon, which

clocks in at svelte 2 mm, or about the width

of a nickel. Bulgari broke its record for the

world's thinnest mechanical watch (0 .3 mm

thinner than the Piaget), and Vacheron

Constantin unveiled the most complicated

watch in the world.

Eleven years in the making, the Vacheron

Constantin Berkley Grand Complication,

which features 2,877 parts and 63

complications, including the first Chinese

perpetual calendar, was commissioned by

insurance billionaire William Berkley, who

also owns the second most complicated

timepiece with 57 complications.

IWC has become the world's fifth

watchmaker to make a secular perpetual

calendar (complicated enough to handle

leap year 'exceptions' so it theoretically will

not need setting before the year 40 0 0 ).

The colour green is still thriving, and Grand

Seiko is still making beautifully textured dials

inspired by random elements of Japanese

landscapes, like the new Genbi Valley dial.

Cartier has released some colourful Santos

models.

OPEN TO THE PUBLIC

For the first time, the public attended

product presentations led by brands to learn

about the complex mechanics behind luxury

timepieces. Many watchmakers, like Italian

Maison Panerai, also held exclusive events.

Panerai is one of the pioneers advocating

for a more ' holistic experience' for

watch collectors that goes beyond

buying a product. The brand ran its own

' Panerai Xperiences Program' for buyers of

its limited-edition Experience timepieces,

which has seen clients train with professional

sailors and US N avy Seals.

Watchmakers like Swiss heritage brand

Baume & M ercier went beyond traditional

presentations, offering unique experiences

for attendees. For instance, they held a

' treasure hunt' at their stand, engaging

visitors in a series of tasks. The lucky winner

was rewarded with a timepiece from the

brand's signature Riviera collection, adding

an element of excitement and anticipation

to the event.


063

TREN DS & TAKE- AWAYS

As for trends to look out for at this year's

show, smaller watches ? with a diameter of

40 mm and under ? have been increasingly

popular over the past year. This reflects the

grow ing influence of female collectors in

the luxury watch market, which is predicted

to continue past 20 24. As a result, tinier

timepieces will likely feature prominently in

Watches and Wonders, marking a

significant shift in the industry's design and

marketing strategies.

In a similar vein, gender- neutral styles

have also been growing in popularity, as

have jewellery watches by brands like

Cartier, Piaget, and Chopard. The industry

shift in consumer preferences signifies a

broader acceptance of diverse design

aesthetics in the industry, breaking away

from standard models and opening up to

various design possibilities. It also reflects

the industry's efforts to cater to a

broader audience and adapt to

changing societal norms.

AN D THAT' S A WRAP

It took 3,50 0 steps to explore the entire

Salon, but even more to realize the full

experience, which included the

' In The City' program and new

Watchmaking Village activities.

Watches and Wonders Geneva opened its

doors to an even broader audience this

year, welcoming all generations while

continuing to balance inclusivity and

exclusivity around an industry that has

become more inspiring than ever.

The celebration of watchmaking continued

with an incredible evening party in the city

centre that won everyone over.

Boutiques sold out late into the night, while

the Lost Frequencies concert transformed

Geneva's quayside into an open-air festival

for all to enjoy.



065

THE

MET

GALA

SLEEPI NG

BEAUTI ES:

REAWAKENI NG

FASHI ON



067

THE M ET GA LA 2024 | New York , New York

S B

The M etropolitan M useum is in full Bolton shares, "When an item of

bloom, due in no small part to the

clothing enters our collection, its

Costume Institute's new exhibit

status is changed irrevocably. What

' Sleeping Beauties: Reaw akening was once a vital part of a person's

Fashion.'

lived experience is now a motionless

'artwork' that can no longer be worn

or heard, touched, or smelled."

The 20 24 exhibit is a testament to

the transformation and ties between

the past and present, symbolized

through nature. It showcases a

curation of archival and

contemporary pieces from brands

including Alexander M cQueen,

Dior, Loew e, M arc Jacobs, M arni,

Thom Brow ne, Schiaparelli, and

many more.

All exhibits are themed according to

organic life, with displays ranging

from birds and marine life to

foliage, shells, insects, and arrays of

flowers. The concept is one that

Andrew Bolton, Curator in Charge,

The Costume Institute, crafted when

pondering fashion's connection to the

human senses.

"The exhibition endeavours to

reanimate these artworks by

re-awakening their sensory

capacities through a diverse range

of technologies, affording visitors

sensorial 'access' to rare historical

garments and rarefied contemporary

fashions."

"By appealing to the widest possible

range of human senses, the show aims

to reconnect with the works on

display as they were originally

intended? with vibrancy, with

dynamism, and ultimately with life."


s p i r i t s


069


CON N ECTIN G THROUGH N ATURE

The 'Sleeping Beauties: Reawakening

Fashion' exhibition features approximately

250 opulent, w ell- restored garments and

accessories that are connected visually

through nature.

On entering the exhibition, a sequence of

self- contained galleries is organized into

three sections, focused on earth, air, and

water.

One gallery, arranged as a garden,

includes a glass greenhouse displaying

hats blooming with various flowers and

surrounded by subtle 'smell-scapes' that

challenge olfactory expectations.

The show takes advantage of life's sensory

capacities. Throughout the exhibit, there

are aromatic histories of hats bearing

floral motifs; galleries' w alls are embossed

with select garments' embroidery;

soft voices read poetry and stories, and

birds chirp.

While preparing for the exhibit, sewing

artisans needed to mend some clothes,

accessories, and other garments from

various periods. Some galleries feature

actual ' sleeping beauties' ? gowns lying

flat on the floors in vignettes? so fragile

that they can no longer be used to

dress mannequins.


071

"The Met's innovative spring 20 24

Costume Institute exhibition pushes the

boundaries of your imagination and

invites you to experience the multisensory

facets of a garment, many of which get

lost when entering a museum collection as

an object," said M ax Hollein, the Met's

Marina Kellen French Director and CEO.

"'Sleeping Beauties' will heighten our

engagement with these masterpieces of

fashion by evoking how they feel, move,

sound, smell, and interact when being

worn, ultimately offering a deeper

appreciation of the integrity, beauty, and

artistic brilliance of the works on display."

The section of the exhibit includes

creations by couture foundation designers

such as Cristóbal Balenciaga, Hattie

Carnegie, Lilly Daché, Hubert de

Givenchy, Deirdre Haw ken, Stephen

Jones, Guy Laroche, M adame Pauline,

M ainbocher, Elsa Schiaparelli, Sally

Victor, and others.

Incredibly, a coat by Jonathan Anderson

for LOEWE has been planted with oat,

rye, and wheat grass that will start alive

and gradually die during the exhibition.

Two examples of Charles James'

' Butterfly' ball gow n? one in pristine

condition, the other a 'sleeping beauty'

with extensive damage? demonstrate a

rare instance of duplicates in the

collection.

CAN ADIAN CON N ECTION

Originally from Pow ell River, Karla

Welch is an internationally renowned

stylist, activist, and entrepreneur based in

Los Angeles. She dressed seven influential

personalities for this year's red carpet -

Eve Hew son, Sarah Paulson,

Karlie Kloss, Greta Gerw ig, Adw oa,

M att Damon and Luciana Barroso.

Known for her 'edgy classicist' fashion

sensibility, Karla also incorporates

elements of grunge, punk, and skater

style inspired by her upbringing on the

West Coast in the 1990s, where she spent

many hours indulging in the only

high-fashion television available at the

time - ' Fashion File' by Tim Blanks.

As a young woman, Karla left behind

working at her father's men's wear store,

moved to Vancouver, attended and then

dropped out of college to become the

sommelier-trained manager of the

renowned Vij' s Indian restaurant on

Cambie Street.

Karla's editorial work appears in

Citizen K, N uméro, BlackBook,

Teen Vogue, Vogue, Rolling Stone, W,

N ylon, Vanity Fair, InStyle, and more.

Her advertising and consulting clients

include Tiffany, Forevermark,

Louis Vuitton, Valentino, Gemfields,

Cole Haan, Apple, M ax M ara, N ike,

Adidas, and J Brand.


STYLED BY KARLA WELCH:

Sarah Paulson (Prada)

Eve Hew son (Simone Rocha)

Adw oa (H&M )

Greta Gerw ig (Chloe)

Karlie Kloss (Sw arovski)


073

Her list of celebrity clients is extensive,

including Karlie Kloss, Olivia Wilde,

Sarah Paulson, Tracee Ellis Ross,

Amber Heard, Elisabeth M oss, and,

one of her first serious clients and the

fashionably iconic - Justin Bieber.

Karla also founded and created the

clothing brand xKarla w ith Hanes,

the WISHI online styling platform, and,

most recently, The Period Company.

The Hollyw ood Reporter and

The N ew York Times have recognized

Karla Welch as one of the world's

' M ost Pow erful' stylists.



075

CICA VA NCOUVER | M r. | 228 A bbott Street

f a s h i o n



077

STEFANO

RI CCI

SPRI NG

SUMMER

2024



079

STEFA NO RICCI | 1139 W. Georgia Street

S

RStefano Ricci has partnered with the

Charles Darw in Foundation to support

research and conservation of

Galápagos giant tortoises.

To showcase the ecosystem's natural

and fragile beauty, Filippo and

N iccolò Ricci led a wonderous

excursion to the Islands with

world-renowned natural history

photographer M attias Klum

(National Geographic Fellow) to

capture the S/ S 20 24 Collection.

Filippo and Niccolò Ricci were along

every step as the team explored the

remote corners of the legendary

archipelago.

From Las Grietas to Tortuga Bay,

El Garrapatero, Santa Fe Island,

Isla Guy Faw kes Sur to Punta

Bow ditch, Sierra N egra volcano,

El Chato Ranch to Los Gemelos and

Galapagos Safari Camp ? following

in the footsteps of the great naturalist

Charles Darw in who first explored the

islands in 1835 during his expedition on

the brig-sloop HM S Beagle.

During this production, the Ricci

brothers oversaw the styling of the

Spring/ Summer 20 24 Collection. They

came into close contact with the

Galápagos Islands' endemic fauna and

flora, including sea lions, marine and

land iguanas, Sally Lightfoot crabs,

brown pelicans, frigatebirds,

blue-footed boobies, Darwin's finches,

sharks, Scalesia trees and Galápagos

giant tortoises.



081


This new chapter of the Stefano Ricci

Explorer Project was carried out under the

careful supervision of the Galápagos

N ational Park Directorate and with

absolute respect for the archipelago's

fragile and unique ecosystems. With this

vision, the company, founded in 1972 by

designer Stefano Ricci, is joining the

frontlines of conservation action by

supporting the research efforts undertaken

by the Charles Darwin Foundation to

protect the emblematic animals.

"We saw the melting of Europe's largest

glacier last fall in Iceland. In this new

adventure, we experienced raw nature up

close in an ancient and primordial way.

In these unique places, species have

evolved independently to survive

extreme conditions."

"The evolution of species is our beacon, our

inspiration. And it is by visiting such locations

and meeting passionate scientists and

researchers in the cradle of evolution itself

that one can truly come to terms with the

meaning of sustainability."

"It is a theme that many talk about, but that

few truly understand. We are determined to

continue with this mission: Explore the

w orld, to explore ourselves," says Filippo

Ricci.

This production was created under the

supervision of Terry D. Garcia (CEO of

Exploration Ventures, Former Executive

Vice President of the National Geographic

Society) and photographer Mattias Klum.


083

COLLECTION HIGHLIGHTS

Since ancient times, and now more than

ever, fashion has been expressing the

tale of oneself, the letter describing who

we are. Clothes are the mirror of the

soul, the fulcrum of emotions and

personality.

In the Stefano Ricci Spring/ Summer

20 24 Collection, these archetypes

appear as flashes of truth, according to

the brand's tradition. The brand has

always held a high standard of

excellence and is truly ' M ade' in Italy.

The brand adheres to the needs of the

modern man, who explores beyond any

geographical and social border.

The colours of nature are masterful,

giving way to a symphony of pure, light,

ductile elegance for the man who

travels the w orld and comes to know

unexplored lands.

The collection is for a wardrobe that

takes the best style and reinterprets it

with the aesthetic elements of comfort.

Nothing is excessive, even in the

exaltation of an authentic luxury made

of sublime materials and modern

techniques which create an aspect of

living. It is an immediately recognizable

style because the highest manual skills

are paired with excellence.



085


Outerwear is in the colours of

impenetrable forests, from

neutral- to- bark green tones, with

'worn' pockets and collar; it is an

unforgettable garment straight out of

memories.

Cotton or linen and silk blend

sweatshirts are perfect for the modern

explorer, with the subtle logo hidden in

the couture linings. Some colours recall

the waters of the marshes, the cactus

forests, the shells of giant turtles, the

enchanted waters of the Ecuadorian

islands, the rust and brown of the stones

and cliffs, the SR blue that shines like a

sapphire, the dark bursts of the colour of

lava, and an antique pink.

Knitwear is prevalent, with refined

finishings and yarns. The jogging suits

have ease and style, in linen and silk or

silk and cotton, which have become

irreplaceable and refined, faded jeans

with sharp details, or cargo trousers

worn with an overshirt or light dust coat

paired with trousers.

For the evening, outerwear fabrics

woven by the mastery of the weavers

of the Antico Setificio Fiorentino

are paired with dreamy shirts with

French cuffs embellished with precious

white gold rectangular cufflinks

set with diamonds, the details

of the unmistakable style of the

Florentine M aison.

Stefano Ricci

1139 West Georgia Street

Vancouver, BC


087

JAXON

HOWELL



089

JA X ON HOWELL | Vancouver, BC

J H

Adventurer, rebel, artist, icon, whatever

mark you are making, Jaxon How ell's

hats are 10 0 % unique and made to

stand out. Each hat is carefully shaped,

sewn, and styled by hand in Vancouver,

using sustainably sourced felts,

hand-woven Ecuadorian straw s,

upcycled textiles, and trimmings he

collects from local fabric stores and

vintage shops or markets and

bazaars while travelling the world.

"As a kid, I quickly discovered an

artistic streak and eye for details.

You'd rarely find me without a pencil,

paintbrush, or camera in my hands."

"In my teen years, I got more into

creative expression, fashion, and

wearing all kinds of hats."

FROM IN JURY TO OPPORTUN ITY

In 20 0 6, Howell owned a custom

furniture and millwork company, but in

20 19, a car accident changed his

journey.

A wrist injury made woodworking very

painful and often impossible, and the

pandemic further impacted his craft.

With everyone's ability restricted, the

demand for woodworking evaporated.



091

PUSHIN G FORWARD

Despite the sudden physical

challenges, Howell's spirit remained

undeterred. He made the courageous

decision to close the w oodw orking

chapter of his life and embark on a

new journey.

"I needed to feed my love for

craftsmanship in another way, so I

started making hats as a hobby. It

allowed me to still create something

with my hands without putting

unnecessary strain on my body. With

the pandemic in full force, all

millinery classes were on an

indefinite hold, and the opportunity

to apprentice under someone was

not an option."

"It was a lot of trial and error in the

beginning. Hat making is a pretty

secretive trade so there's not much to

find online in the way of learning.

Luckily, I have a knack for picking

things up so what I did find on

YouTube I was able to put into

practice. I polished my technique

along the way and started creating

some pieces I was really proud of."



093

BUILDIN G A N EW BRAN D

As word spread through the

community that Howell was now

creating bespoke hats, he soon

fielded calls and received orders

from not only family and friends but

also people internationally whom he

had never met.

"To me, hats are an extension of

personality. You want them to

capture a person's essence. It's the

same with a great portrait

photograph. And no two people are

the same, so no two hats should be

either. The rest of it comes down to

quality. The antique finishing nail in

each hat is my signature touch. It's

a nod to my woodworking days,

and the elegant, timeless feel I aim

to invoke in all my work."

He truly believes, and his actions do

not bely this, that in an age of fast

fashion and mass production, as a

society, we have lost the magic of

enjoying things crafted meticulously

with passion, things that will ensure.

"My goal is to create beautiful,

one-of-a-kind pieces that last a

lifetime, and make you feel a spark

of joy every time you slip them on."



095


TRUSTIN G THE PROCESS

Every Jaxon Howell hat is made to

measure with the finest materials and

personalized finishing touches. He works

with every client and guides them through

the entire process from start to finish, from

picking the colour, shape, and design of

the hat to, if you are in Vancouver, this

includes custom measuring your head to

ensure the perfect fit.

Even every online order receives that

same attention to detail. During a

45- minute bespoke consultation, which

can be done via phone or video call,

Jaxon will ask questions to learn your

unique style, preferences, and personality

so that he can create the perfect custom

piece. This includes guidance on choosing

a felt colour that compliments your

w ardrobe and a crow n shape and brim

size that best suits your face/ head shape.

Crafting uniqueness is also key, and

Howell suggests different design options,

including the band, stitching details, and

the signature nail finish, to suit your style

best and help you select personalized

design details you may want to add, like

a favourite quote, lucky number, family

heirloom, special name, initials, or dates.

All hats are conceived, constructed,

and delivered worldwide in an

8- 10 w eek w indow and arrive in a

custom Jaxon Howell hat box.


097


SUSTAIN ABILITY & PRIORITIES

Howell prides himself on creating

custom, handcrafted hats to assist

sustainably minded fashion lovers in

escaping the harmful cycle of buying,

donating, buying, and donating.

Howells's mission is not just about

creating beautiful hats, but also about

making a difference. Adding a

one- of- a- kind statement piece to a

client's wardrobe that will turn heads,

inspire conversations, and be passed

on for generations fuels the process.

We applaud him for his dedication to

being an artisan educating clients on

the eliminating mass fashion

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the closet, all while using upcycled

fabrics and carefully sourcing

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Be sure to follow and support Howell

as he builds this incredible bespoke

brand in our beautiful city!


099

CICA VA NCOUVER | M r. | 228 A bbott Street

a r t s & c u l t u r


e


101

FI ONA

ACKERMAN

PAPER

TRAI L



103

FIONA A CK ERM A N | Gallery Jones

FPAPER TRAIL, Gallery Jones, M ay 20 24

The Works of Fiona Ackerman

"During the development phase of this

show, I read an essay by German art

historian Wilhelm Worringer entitled

Abstraction and Empathy (190 8),

translated into English and published in

the 1950s. He divided painting into two

aesthetic schools: abstraction on one

side - attempting to connect with the

spiritual, existential and intangible, and

on the other, what he defined as

empathetic painting (naturalistic),

projecting our physical connection to

material existence."

"Worringer?s essay not only elevated

abstraction to the ?respectable?level of

representational artwork, it entrusted a

fundamentally important role in the

human creative project: to explore the

fleeting, obscured and experiential

aspects of mortal life."

"It struck me that I have never committed

to one lane. I continually move in

opposing directions, swerving freely

across an invisible divide, pursuing a

series of expressionistic abstract

paintings, then veering into naturalism

with surrealist recklessness."



105


"My statements, however, have been sure: I

work with action and reaction, tightening my

realism hand for a series of paintings to

manipulate, (or empathize with, for

Worringer) the natural world, until I?m

overcome with an urge to cast that world

aside and run away into creative impulse. A

next series of paintings is often born of a

need to be spontaneous, expressive and

loose, to look inside rather than out."

"Beginning this new series, my descriptive for

these two directions in painting began to

lose hold, perhaps even invert."

"I discovered that a very expressionistic

piece, painted to feel loose, impulsive and

fleeting could be transformed by the

addition of a realistically painted piece of

lightly adhered masking tape. With one

small addition of something appearing less

permanent than a gestural mark (tape, a

post-it note, etc.), realism takes on an

expressive fragility, and the gestural

abstraction becomes the painting?s bones,

the solid ground on which realism sits lightly."

"In his essay, Worringer wrote: ?The need for

empathy and the need for abstraction are

two poles of human artistic experience.""

"Walking back and forth from home to

studio over the winter, I began to question

whether this is true, in my experience."


107



109

"Do I flip flop between poles, or do I

prefer to lose myself in a spectrum? As

the series of paintings grew, I

continued to walk back and forth

along familiar streets, through the

change of seasons, I began to feel

increasingly uncomfortable with

Worringer?s dichotomy. Without

noticing, I diverted my attention to the

actual poles on my route: the lamp

posts hosting notices of people?s needs

and offers. My empathetic and

abstract paintings began to

incorporate messages left by

strangers. ?French Teacher From

France? seeking students. Another

evaporated cat... All found their way

into the paintings."

"Out of this came the title of the

exhibition: Paper Trail. I paint my way

back and forth, looking for my lane,

refusing to stand in one place. It is not

possible to separate engagement with

the material world from personal

interior space. My paper trail of

paintings leads to one conclusion: all

of art is an abstraction, exploring the

very real experience of fleeting life.

There is, finally, no division between

worlds."

Fiona Ackerman, 20 24


GALLERY JON ES

258 East 1st Avenue

Vancouver, BC

FION A ACKERM AN

Vancouver, BC


111

BALLET

BC

FOR

EVER



113

BA LLET BC | Queen Elizabeth Theatre

BFollowing a season of sold-out

houses, record-breaking

fundraising campaigns, and rave

reviews from critics and audiences

alike, Ballet BC returned to the

Queen Elizabeth Theatre for

three nights for its season finale

' FOR EVER: A Full Evening of

Works by M edhi Walerski.'

The evening included three works

from Artistic Director and French

choreographer M edhi Walerski,

including Chamber and

SWAY? both new to Ballet BC's

repertoire? and a world premiere,

his sixth for the company since first

commissioned in 20 11, were

presented.

"I have been a part of Ballet BC

for almost 15 years, so it brings me

great pride to share each of these

works with our audiences who

have given so much to me over the

years," shared Walerski.

"I am now at a point in my career,

and in my trajectory with this

company, where I deeply value

the community we have built.

Vancouver has absolutely become

a global centre for dance

creation, and I feel more fortunate

than ever to have the opportunity

to contribute to that, and

to work next to some inspiring,

like-minded artistic collaborators

along the way."

The landmark evening featured a

new creative collaborator for

Walerski, the internationally

acclaimed visual artist LYLE XOX

[Folio.YVR Issue # 18]. Known for

work that combines his experience

in art, fashion, design and

make-up artistry to create striking

images using his face and body as

canvas and plinth.



115


At the company?s final program of the 23/ 24

season, FOR EVER, an artistic collaboration

was years in the making. Stepping out onto the

stage wearing the creation was company

artist Emanuel Dostine.

Themes that were explored for the piece,

which was featured in the world premiere of

Medhi?s latest creation for the company

' Pieces of Tomorrow ,' included loss, reuse,

transformation, and reconstruction.

A central facet of Lyle?s multi-media work is

discovering and utilizing found objects and

discarded materials to create something new.

For this collaboration, materials were sourced

from near and far, including Japan, M exico,

and from within the Ballet BC family itself,

giving it special meaning.

Walerski said, ?The creation of 'Pieces of

Tomorrow' began with the concept of legacy.

Drawing inspiration from LYLE XOX?s sculptures

made from found materials, the dancers and I

aimed to create the choreography by

exploring themes of destruction, creation, and

reconstruction."

"Just as Lyle transforms materials, we focused

on repurposing movement elements to breathe

new life into them."

"Johan Ullen?s recomposed violin sonatas from

Bach deepened our exploration with a

profound layer. The recycling of musical

material echoed our approach, enriching our

work with a sense of continuity and growth.

Loss, transformation, and rebirth. The cyclical

nature of artistic expression, and life.?


117

To which, LYLE XOX added, ?Inspiration

always begins with the found objects

themselves. Objects discovered or gifted

from various parts of the globe, including

discarded remnants from members of the

Ballet BC family."

"It was essential to use pieces that

reflected life in its many facets; embracing

all genders and telling a story of creation,

transformation, loss and rebirth. A sculpture

that encapsulated strength and fragility."

"Medhi and I were instinctively drawn to the

colour gold. A hue that is illuminating,

sacred and precious; a colour with a

spiritual connection. The sculpture would

live in the environment of movement, and so

this particular piece was constructed in

consideration of that."

"Watching it come alive on the dancer for

the first time was an incredibly moving

experience, a moment where two art forms

bonded together."

AN EVEN IN G OF EXPLORATION

In addition to 'Pieces of Tomorrow,'

Walerski presented one of his most

acclaimed and largest-scale works to date

' Chamber.' Inspired by Stravinsky' s

' The Rite of Spring," the piece is a visually

rich echo of what the music provokes in the

choreographer's imagination. It was

named one of the LA Times top

performances of 20 13, a testament to

its artistic merit and impact.

Danced by a large ensemble to a stunning

score by decorated British composer

Joby Talbot, Chamber is a primal, ritualistic

work that seeks to balance order and

chaos, ultimately underlining the duality

between the collective and the individual.

' SWAY,' a North American premiere for

seven dancers, joined Ballet BC's repertoire

at FOR EVER. This piece, which invokes the

lyrical movement language Walerski has

become known for, is a unique ode to

movement and its ability to communicate

without words, offering a different

experience from the other works in the

program.

The evening concluded with a long-awaited

world premiere, Walerski's sixth with the

company and his second new creation

since becoming Artistic Director. This

captivating piece, set to music by Bach

and featuring the entire company of 20

dancers, reinforcing Walerski's continued

innovation and artistic vision.

BALLET BC

Queen Elizabeth Theatre

630 Hamilton Street, Vancouver



119

WA TCHES A ND WONDERS 2024 | Sw itzerland

t r a n


s p o r t a t i o n


121

HUMMER

LUXURY

EV

SUV



123

GM C | Dueck GM on M arine | Vancouver, BC

HGM C's electric supertruck lineup

expands with the addition of the 20 24

HUM M ER EV SUV, loaded with smart,

purposeful technology.

"GMC's HUMMER EV SUV offers an

exceptional balance of on-road

performance and off-road capability,

enhanced by a unique structure that

allows for our signature open-air

experience," said Al Oppenheiser,

HUMMER EV chief engineer. "New

features debuting on the SUV reinforce

its role as a tactical tool in almost any

situation."



125


New technologies include trail mapping

available via the redesigned myGM C

app, and a newly available Pow er Station

generator that enables customers to utilize

up to 3 kilowatts of power from the

vehicle, turning the HUMMER EV SUV into a

power source on the trail or a backup

generator. These features are designed to

empower you, giving you the freedom to

explore without limits.

The interdependent body/ battery

structure enables the Infinity Roof on the

EV pickup as well as the SUV. Expected

best-in-class off-road proportions help

make the new SUV even more

maneuverable while taking advantage of

the HUMMER EV's signature features, such

as CrabWalk, Extract M ode, and more.

These safety features are designed to

keep you secure, no matter the terrain.

M ASTER OF M AN EUVERABILITY

With a nearly 9- inch shorter w heelbase

than the HUMMER EV Pickup, the all-new

HUMMER EV SUV offers even greater

maneuverability, with expected

best- in- class off- road proportions and a

turning circle of only 35.4 feet (10 .8

meters) with 4 Wheel Steer ? smaller than

a M ustang M ach- E.

Without the constraints of a conventional

propulsion system and traditional drive

axles, the unique ' Ultium drive system'

provides tremendous power and control to

each wheel.


127

This innovative system can channel

power to a single wheel, keeping the

vehicle moving in some of the most

challenging driving conditions and

terrain ? including 13 inches of

suspension travel, climbing 60

percent grades (forward and reverse),

scaling 18- inch verticals and fording

water more than two feet deep.

Standard features on 2X, 3X, and

Edition 1 models include a 4-Wheel

Steering with CrabWalk, which allows

diagonal-drive functionality, Adaptive

Air Suspension with Extract Mode, and

22-inch wheels with 35-inch-OD

Goodyear all-terrain tires. e4WD with

torque vectoring is also standard on

3X and Edition 1.

IM M ERSIVE EXPERIEN CE

The 20 24 HUMMER EV SUV offers a

multi-sensory, immersive experience

that puts drivers in the middle of every

moment.

The user experience team worked with

Perception, a creative agency best

known for their science fiction thinking

and technology design work within the

M arvel Universe, to create a

cinematic in-cabin experience that

engages the senses.

Special features such as ' Watts To

Freedom' bring unique multi-sensory,

interactive experiences.



129


This feature allows you to unleash the full

power of the HUMMER EV SUV, with

distinctive sound via the premium Bose

audio system, feel through the haptic

driver' s seat, and sight with custom

screen displays showing the special

performance mode is armed and ready.

The user experience is customizable

through M y M ode, allowing the driver to

tailor their favourite features, including

steering, suspension, sound and

acceleration, for a genuinely personal

interface that celebrates every drive.

This vehicle's remarkable driving

capabilities blend with these engaging

technologies and a carefully crafted

user experience, creating a sense of

intensity and drama for drivers and

passengers. In contrast, features such as

the standard Infinity Roof and modular

Sky Panels create an open experience,

allowing customers to enjoy nearly silent

movement during outdoor adventures.

The HUMMER EV was also designed as a

two- row SUV with a shorter wheelbase

to help optimize its off-road

maneuverability while providing

secure rear storage. Its instantly

recognizable proportions convey the

characteristically aggressive stance.


131

"Designing the Pickup and SUV

simultaneously helped us give each their

own unique features to maximize utility,"

said Phil Zak, HUMMER EV design

executive director. "The SUV's tight

proportions create a distinct profile and

spacious cargo area, while maintaining a

roomy and architecturally-inspired

cabin."

The SUV's rear design is unique and

incorporates a standard full-size spare

tire mounted to a pow er sw ing- out

tailgate. Using one of three button

options, the swing gate automatically

opens like a vault? even wider than the

vehicle itself. The extra width allows for

an unimpeded 48-inch opening to make

loading gear and supplies easier. The

spare tire mount also creatively houses a

rear- facing camera to assist with reverse

maneuvers and trailer alignment.

SUPER STRON G & SUPER- FAST

As with the HUMMER EV Pickup, the new

SUV is built on a unique, interdependent

body/ battery structure that serves two

crucial functions: It reinforces the overall

structure for exceptional rigidity while

protecting the double-stacked Ultium

battery pack.

"The HUMMER EV's body protects the

battery while the battery supports the

structure," said Oppenheiser. "That means

the battery pack itself is a structural

element, which enables a truly open-air

experience and a rare combination of

extreme off-road capability and smooth

on-road performance in a body-frame

integral platform."

With GM's unique ability to stack long

pouch cells vertically or horizontally, the

HUMMER EV SUV can pack its power in a

relatively small space: the available

20 - module, double-stacked battery

pack, consisting of two layers of 10

modules. It can deliver up to 830

horsepow er and up to 11,50 0 lb- ft of

torque and is capable of enabling

0 - 60 mph in approximately 3.5 seconds.

N EW TRAIL M APPIN G

The HUMMER EV SUV is loaded with

smart, purposeful technology designed to

enhance on- and off- road excursions.

One of the latest features is an updated

myGM C mobile phone app, redesigned

with an all-new home screen and

enhanced features, including new

off-road trail mapping.

Tailored for HUMMER EV drivers, it

not only helps plan and navigate

off-road driving adventures, it

incorporates charging locations and their

distances from off-road locations and

provides real-time energy consumption

with community-based energy forecast.

Routes and plans can be downloaded

from the app on the driver's phone and

projected on the vehicle's infotainment

screen for more straightforward,

at-a-glance navigation while driving.



133

Standard HUM M ER EV SUV technologies

include:

- Large, 13.4-inch diagonal

infotainment screen and 12.3-inch

diagonal driver information centre,

including trail mapping projection

from the myGMC app.

- The in-vehicle Energy App monitors

energy use, sets up charging

schedules, controls battery

temperature conditioning, and

more right from the infotainment

screen.

- Digital Key allows owners to use

their smartphone as the key fob for

their HUMMER EV. The technology

detects the owner's phone and

location in proximity to the vehicle,

enabling several passive

operations such as approach

lighting, entry unlock and vehicle

operation.

- HD Surround Vision offers up to 14

camera views, and

UltraVision offers up to 17 camera

views.

- Off-road widgets offer a myriad of

information related to selectable

capabilities and performance

readouts in off-road driving

scenarios? everything from the

ride height and eLocker

engagement to compass headings,

pitch/ roll status, and more.

Additionally, all HUMMER EV models

feature the enhanced version of

Super Cruise. An available

driver-assistance technology offering

hands-free driving on more than

322,0 0 0 km of enabled roads.

It includes a new automatic

lane-changing feature, where the system

can determine when a lane change is

optimal and initiate the maneuver while

following signalling protocols.

The HUMMER EV SUV also incorporates

a great degree of customer

customization through available buttons

that can be used for several accessory

features, and nearly 20 0 accessories

will be available from participating

GMC dealers.

GM C Dueck on M arine

40 0 SE M arine Drive

Vancouver, BC



135

LYLE X OX X BA LLET BC | Pieces of Tomorrow


Folio.YVR Lux ury Lifestyle M agazine

Helen Siw ak , EIC & Publisher

EcoLux Luv M ark eting & Communications Inc.

Imagery provided by the follow ing:

001-002: HELEN SIWAK | ARTIST: JAVIER CALLEJA

003-006: PIERRE PRODUCTION

007-008: HELEN SIWAK

009-020: PIERRE PRODUCTION

021-022: HAYATO SUMINO

023-030: MAYOWILL PHOTOGRAPHY

031-040: DILJIT DOSANJH IG

041-042: HELEN SIWAK

043-048: JONATHAN THOMPSON PHOTOGRAPHY

049-052: MAGGIE LAM | SMC COMMS

053-054: HELEN SIWAK

055-064: WATCHES AND WONDERS

065-072: THE MET GALA

073-074: KARLA WELCH | THE MET GALA

075-076: HELEN SIWAK

077-086: MATTIAS KLUM

087-098: KEZIAN PHOTOGRAPHY | JAXON HOWELL

099-100: HELEN SIWAK

101-105: GALLERY JONES

106: L: PENNYLANE SHEN, DAZED AND CONFUCIUS CONSULTING

106: R: GALLERY JONES

107-110: GALLERY JONES

111-114: MARCUS ERIKSSON

115-116: LYLE XOX

117-118: MARCUS ERIKSSON

119-120: WATCHES AND WONDERS

121-134: GMC HUMMER

135-136: LYLE XOX

All rights reserved. No part of the material protected by this copyright

notice may be reproduced or utilized in any form or by any means, without

written permission.

FOLIO.YVR does not accept unsolicited materials or accept any

responsibilities for incorrect information as all information is deemed to be

accurate as of date of publishing. FOLIO.YVR is published by EcoLuxLuv

Marketing & Communications Inc. and is a marketing tool of sponsored

content designed to augment services provided by the company.

Queries regarding collaboration, sponsorship, marketing, consulting, and/ or

inclusion in FOLIO.YVR should be directed to the publisher via email:

helen@folioyvr.com or text to 778.847.3011.


folio.yvr

ISSUE #25

M A Y 2024

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