គម្រោងសាលមហោស្រពមេគង្គ/Mekong Theatre

MEKONG THEATRE
Bachelor’s Thesis of Architecture Department
By
Vathana MENG
Sreyne THEA
Rithdareya CHIN

MEKONG
THEATRE
A thesis submitted to the Department of Architecture
By
Vathana MENG
Sreyne THEA
Rithdareya CHIN
Submitted to:
Mr. Pisith HUN, MSC. Urban and Regional Planning
Mrs. Vichera HEANG, M.Arch.
Mr. Ruben Castillero Mortena, M.Arch
Mr. Bendith LY, M.Arch
In Partial Fullfillment of the Requirements for
the Degree of Bachelor of Science in Architecture
Date of submission: 24 June 2024
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Thesis Approval
This thesis has been approved by the Thesis Commitee in partial fulfillment
of the requirement for the Degree of Bachelor of Science in Architecture
Entitled
“ MEKONG THEATRE ”
Written by
Vathana MENG 19010305
Sreyne THEA 19010200
Rithdareya CHIN 20010326
Supervisor
..............................
Date:
First Reader
Second Reader
.............................. ..............................
Date:
Date:
Presentation Date: ..............................
.............................. Approved by the Dean of Engineering Faculty
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Disclaimer
I hereby declare that this Bachelor’s Thesis is my own original work and has not been submitted before to
any institution for assessment purposes.
Further, I have acknowledged all sources used and have cited these in the reference section.
……………………………..
Signature
……………………………
Date
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Acknowledgements
Firstly, we would like to express our deepest gratitude to to Supervisor, Prof. Pisith Hun, for the invaluable
guidance, unwavering support, and encouragement throughout this journey. Your expertise, patience, and mentorship
have been instrumental in shaping this research. we are the 4th generation students of the Faculty of
Engineering of Department of Architecture, who have studied the project of MEKONG THEATRE, would
like to express our deepest gratitude and appreciation to Project Supervisor, Prof. Pisith Hun; HOD, Prof. Ruben
Castillero Mortera; Dean Prof. Vichera Heang, we wish all professors good health, strong physical strength,
success in all tasks, have only happiness and stay as a advisor for the next generation of Cambodian students.
Three of us would like to thank the members of our thesis committee from the start to the very end of this
project. We appreciate all of your effort, sacrifice, and hard work on this project. This project is highly comprehensive
and gives us happiness, even if it is not flawless; it would not be such without our participation.
Our deepest gratitude goes to our family for their unwavering love, encouragement, and understanding throughout
this academic journey. Their constant support and belief in my abilities have been a source of strength and
motivation during both the triumphs and challenges encountered along the way.
We would like extend our gratitude to all of our lecturers for their support and words of inspiration. These
things combined to give us the motivation we needed to finish what we started and pursue our goals. The entire
experience will live on in our hearts forever.
Last but least, wewould like to acknowledge the countless individuals who, directly or indirectly, have contributed
to our academic journey. Their influence, guidance, and encouragement have left an indelible mark on our
development as a scholar and researcher.
................... Phnom Penh, ............., 2024
with respect from us of Vathana Meng,
Rithdareya Chin and Sreyne Thea
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Abstract
This thesis examines the role and significance of performing venue in Phnom Penh, Cambodia, as a vibrant
cultural space that reflects and shapes societal dynamics. Cambodia’s continually expanding economy and rapid
rate of urbanization have seen an increased demand for cultural and recreational facilities. Drawing upon ethnographic
research conducted over 2 semesters, this study investigates the historical evolution, socio-cultural
context, and symbolic significance within the urban fabric of Phnom Penh. Through these methodologies, the
thesis explores the interplay between traditional Khmer performing arts, modern theatrical innovations, and
global influences within the context of Mekong theatre.
Our theater project, “MEKONG THEATRE,” aims to develop a multifunctional stage for artists and a public
venue for cultural appreciation and international exchange. The project strives to establish itself as a central
and adaptable performance facility for both national and international events, offering diverse settings to accommodate
various artistic visions. Additionally, it emphasizes enhancing the connection between the Theatre
and its surroundings, exemplified by the inclusion of an outdoor plaza and amphitheatre in its design.
The thesis project on MEKONG THEATRE offers a comprehensive evaluation of existing infrastructures
and support systems for theatre practitioners and organizations in Phnom Penh. It identifies opportunities for
improvement and innovation while advocating for sustainable strategies that promote inclusivity, accessibility,
and artistic excellence within the local theatre ecosystem. Furthermore, the project aims to foster international
collaborations and exchange programs to enrich cross-cultural dialogue and creative exchange.
Key Words: Theater, Chroy Changvar, Versatile performing venue
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Tables of Contents
Acknowledgement
Abstract
Table of Contents
List of Figures
1. Chapter I: Project Introduction
1.1 Background of Study
1.2 Problem Statement
1.3 Project Intent
1.4 Why do we need a theater in Chroy Changvar District?
1.5 Scope of Work
1.5.1 Meet our Team
1.5.2 Our Main Function
1.5.3 Limitation
1.6 Methodology
1.7 Literature Review
1.7.1 What is Theater?
1.7.2 Categories of Theater
1.7.3 Background of Theater in Phnom Penh
1.8 Technical Data
1.8.1 Theatre Facilities
1.8.2 The Proscenium
1.8.3 Seating Geometry
1.8.4 Seating Density
1.8.5 Sightline for a Seated Audience
1.8.6 Dressing Room
2. Chapter II: Precedent Studies
2.1 Preah Suramarit National Theater
2.2 Walt Disney Concert Hall
3. Chapter III: Site Analysis
3.1 Site Location
3.2 Site History
3.3 Site Dimension
3.4 Site Section
3.5 Site Landmarks, Nodes and Edges
3.6 Nighbourhood and Natural Built Environment analysis
3.7 Path Analysis, Traffic Density and Vehicle Movement
3.8 Sensory Analysis
3.9 Climate Condition
3.10 Demography
3.10.1 Population in District of Chroy Changvar
3.10.2 Population Annual Change from 1998 to 2019
3.10.3 Population By Age in Khan Chroy Changvar
3.10.4 Site Culture
3.10.5 Religion
3.11 SWOT
4. Chapter IV: Design Concept
4.1 Design Concept and Inspiration
4.2 Form Transformation
4.3 Diagram
4.3.1 Passive Design Diagram
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4.3.2 Eploded Diagram
4.3.3 Circulation Diagram
4.3.4 Roof Exploded Diagram
4.3.5 Outdoor Acivities Diagram
5. Chapter V: Schematic Design
5.1 Program Chart
5.2 Bubble Diagram
5.2.1 Ground Floor
5.2.2 First Floor
5.2.3 Second Floor
5.2.4 Third Floor
5.3 Zoning Diagram
5.3.1 Ground Floor
5.3.2 First Floor
5.3.3 Second Floor
5.3.4 Third Floor
5.4 Schematic Layout
5.4.1 Ground Floor
5.4.2 First Floor
5.4.3 Second Floor
5.4.4 Third Floor
6. Chapter VI: Architectural Drawing
6.1 Master plan
6.2 Site plan
6.3 Layout plans
6.4 Elevations
6.5 Sections
6.6 Details Drawing
6.7 Material List
6.8 3D Visaulization
6.8.1 Exterior Visualization
6.8.2 Interior Visualization
7. Chapter VII: Conclusion
7.1 Statement of Conclusion
References
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List of Figures
Figure 1.1: highlight of Khmer traditional performing arts
Figure 1.2: Illustration of the problems and project intention
Figure 1.3: Current activities and performing venues in Cambodia
Figure 1.4: Types of Khmer Performance ( Reference from Bloom Architecture)
Figure 1.5: Tyoes and forms of theatre (Image from Theatre Project)
Figure 1.6: Relationship diagrams for buildings for opera, musicals, dance and drama ( Metric Handbook Planning
and design data)
Figure 1.7: Auditorium formats for opera and drama ( Metric Handbook Planning and design data)
Figure 1.8: Alternative auditorium seating arrangements ( Metric Handbook Planning and design data)
Figure 1.9: Designated wheelchair area, required dimensions
Figure 1.10: Graphic representation of vertical and horizontal sightlines ( Metric Handbook Planning and design
data)
Figure 1.11: Spaces for actors, singers and dancers ( Metric Handbook Planning and design data)
Figure 2.1: Preah Suramarit National Theatre master plan (Image from Vann Molyvann Project)
Figure 2.2: Preah Suramarit National Theater exterior facade of auditorium ( Image from Paul Stewart)
Figure 2.3: Preah Suramarit National Theater ground floor plan ( Image from Vann Molyvann Project)
Figure 2.4: Preah Suramarit National Theater first floor plan ( Image from Vann Molyvann Project)
Figure 2.5: Preah Suramarit National Theater second floor plan ( Image from Vann Molyvann Project)
Figure 2.6: Preah Suramarit National Theater third floor plan ( Image from Vann Molyvann Project)
Figure 2.7: Preah Suramarit National Theater section AA ( Image from Vann Molyvann Project)
Figure 2.8: Preah Suramarit National Theater West elevation ( Image from Vann Molyvann Project)
Figure 2.9: Preah Suramarit National Theater South elevation ( Image from Vann Molyvann Project)
Figure 2.10: Praying Area ( Image from Paul Stewart)
Figure 2.11: Void View ( Image from Paul Stewart)
Figure 2.12: Pool under the staircase ( Image from Paul Stewart)
Figure 2.13: Preah Suramarit National Theater exterior facade of auditorium ( Image from Paul Stewart)
Figure 2.14: Preah Suramarit National Theater bird eye view ( Image from Paul Stewart)
Figure 2.15: Frank Gehry’s original sketch of what would become Walt Disney Concert Hall
Figure 2.16: Exterior detail diagram of WDCH auditorium
Figure 2.17: WDCH ground floor
Figure 2.18: WDCH first floor
Figure 2.19: WDCH second floor
Figure 2.20: Capture of WDCH Lobby
Figure 2.21: Capture of WDCH Dreams Skin Projection
Figure 2.22: Section AA of the WDCH
Figure 2.23: The view of WDCH Auditorium, as seen from the balcony seating section
Figure 2.24: Acoustic detail diagram of WDCH auditorium
Figure 2.25: Capture of WDCH concave principle ceiling
Figure 2.26: Detail of the WDCH organ stops
Figure 2.27: The organ’s keyboard
Figure 2.28: walt Disney Concert Hall organ pipes
Figure 2.29: Capture of WDCH Dreams Skin Projection
Figure 2.30: “A Rose for Lilly” ( Photo by Vern Avens)
Figure 2.32: walt Disney Concert Hall organ pipes
Figure 2.33: Capture of WDCH Dreams Skin Projection
Figure 2.34: “A Rose for Lilly” ( Photo by Vern Avens)
Figure 3.1: Cambodia map
Figure 3.2: Phnom Penh city map
Figure 3.3: Chroy Changvar district map
Figure 3.4: Chosen site map
Figure 3.5: 1937A map depicting the extension plan of Phnom-Penh

Figure 3.6: 1987 A map produced by the Defense Mapping AgencyTopographic Center ( USA )
Figure 3.7: 2023 Google Earth
Figure 3.8: 2023 OCIC Devolopment
Figure 3.9: Future OCIC Plan
Figure 3.10: Site dimension and views analysis
Figure 3.11: Site views strategies map
Figure 3.12: Longtitude section of the chosen site
Figure 3.13: Cross section of the chosen site
Figure 3.14: Site surrounding facilities
Figure 3.15: Site nighbourhood and natural-built environment analysis
Figure 3.16: Path analysis
Figure 3.17: Morning traffi c density
Figure 3.18: Afternoon traffi c density
Figure 3.19: Evening traffi c density
Figure 3.20: Night traffi c density
Figure 3.21: Vechicle movements
Figure 3.22: Sensory analysis map
Figure 3.23: Sun analysis
Figure 3.24: Sun analysis straegies
Figure 3.25: Wind speed
Figure 3.26: Population of Khan Chroy Changvar
Figure 3.27: Population annual change from 1998 to 2019
Figure 3.28: Population by age in Khan Chroy Changvar
Figure 3.29: Site culture
Figure 3.30: Religion
Figure 3.31: SWOT
Figure 6.1: Day Time View from river
Figure 6.2: Night Time View from river
Figure 6.3: View From Entrence
Figure 6.4: View of Bus Stop
Figure 6.5: View of Pavilion
Figure 6.6: View of Amphitheater
Figure 6.7: View of Playground
Figure 6.8: View of lobby
Figure 6.9: View to the Upper Void
Figure 6.10: Auditorium View from Stage
Figure 6.11: View of Auditorium from Side Balcony
Figure 6.12: View of Auditorium form Balcony
Figure 6.13: View of Atrium
Figure 6.14: View of Digital Gallery
Figure 6.15: Photo of Model
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01
INTRODUCTION
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1.1. Background of Study
Figure 1.1: highlight of Khmer traditional performing arts
Cambodia, situated in Southeast Asia, stands as a testament to ancient
civilizations and boasts a rich tapestry of cultural heritage, traditions,
and breathtaking natural landscapes. From the majestic temples of Angkor,
adorned with intricate stone carvings depicting epic tales of gods
and heroes, to the tranquil beauty of its rivers and forests teeming
with a rich variety of plants and animals, Cambodia’s historical legacy
is inseparable from its vibrant artistic expressions. Throughout centuries,
Cambodian ancestors have gifted the world with a myriad of art
forms that embody the essence of Khmer identity and creativity. The
Apsara dance, characterized by its ethereal movements and elaborate
costumes, narrates celestial stories of love and mythology, serving
as visual poetry that captures the spirit of Cambodian spirituality and
grace. Similarly, Bokator, an ancient martial art believed to have originated
from the Angkorian era, embodies the Khmer people’s resilience
and physical prowess through its disciplined techniques and symbolic
animal forms, reflecting a profound connection to the country’s warrior
traditions and historical resilience. (Overton and Chandler, 2024)
The ASEANCOCI (Committee on Culture and Information) plays a crucial
role inpromoting the ASEAN identity and cultural diversity through
joint initiatives, campaigns, and projects. (Khmer Times, 2024)
The lack of modern theatres in Phnom Penh poses a significant hurdle
for artists seeking to explore and innovate in contemporary art forms.
Local artists face obstacles due to the city’s current cultural infrastructure,
which lacks venues capable of meeting the technical and spatial requirements
of modern performances. This inadequacy prevents artists from
effectively presenting their work and limits their ability to engage with
broader audiences, both locally and internationally. Consequently, Phnom
Penh’s cultural scene is constrained, unable to fully support diverse expressions
and innovations that enrich cultural diversity and artistic vitality.
The city’s limited capacity to host a variety of cultural events and perfor
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mances exacerbates challenges for artists, especially those experimenting
with new genres and forms.
Without sufficient facilities, artists struggle to find appropriate venues
that can accommodate their creative productions while offering necessary
technical support and amenities for audiences. This shortfall not only
hampers artistic expression but also stifles opportunities for cultural exchange
and collaboration among local and international artists. As a result,
Phnom Penh’s cultural identity suffers as it endeavors to establish itself as
a vibrant cultural hub capable of attracting diverse talents and audiences
seeking innovative cultural experiences. Addressing the gap in cultural
infrastructure through the development of modern theatres is crucial for
revitalizing Phnom Penh’s arts scene and enhancing its cultural vibrancy
both locally and globally. By investing in cultural facilities that meet contemporary
standards, Phnom Penh can nurture a dynamic arts community
that celebrates creativity, diversity, and cultural dialogue on a global scale.
The Mekong Theatre project stands as a transformative initiative poised
to redefine Phnom Penh’s cultural landscape. By addressing critical gaps
in the city’s cultural infrastructure, it aims to provide a multifunctional
platform where local and international artists can collaborate and innovate.
Beyond serving as a venue for performances, Mekong Theatre aspires
to be a beacon of creativity and artistic excellence, enriching the
local cultural ecosystem while enhancing Cambodia’s global cultural presence.
Through its emphasis on fostering international collaborations and
promoting diverse artistic expressions, the theatre not only celebrates
Cambodia’s rich cultural heritage but also contributes to global cultural
dialogue and understanding. As Phnom Penh continues to evolve as a
vibrant urban center, Mekong Theatre promises to play a pivotal role in
shaping the city’s identity and fostering a thriving cultural community for
generations to come.
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1.2. Problem Statement
Throughout our site analysis, we foresee some problems involving surround Phnom Penh performing arts
space such as
Need for central and versatile performance
facilities for both national and international
events
The current lack of dedicated venues equipped with
modern facilities challenge the country’s ability to host
diverse cultural, artistic, and entertainment events, limiting
its potential as a hub for regional and global gatherings.
Besides, present theaters can not support the
evolution and technology of up-to-date performances.
This deficit not only limits opportunities for local artists
and performers but also constrains the country’s
capacity to attract and showcase international talent.
Following ASEAN COCI: Divine culture, One
lagacy
The Strategic Plan for Culture 2016-2025 encourages
a multi-stakeholder approach to promote an ASEAN
mindset and identity in order to increase awareness for
the ASEAN Community’s history, cultures, arts, traditions,
and values. The government’s efforts to encourage
culture, particularly the promotion of cultural
enterprises, have begun in recent years. Because of the
strong involvement of NGOs and government assistance,
artists and their work can be showcased for both
national and worldwide audiences. (ASEAN, 2021)
Lack of public participation, the majority of
youngster
Many young Cambodians face limited access to resources
and opportunities for arts education and training.
Without proper infrastructure and funding for
performing arts programs in schools and communities,
many youngsters may never have the chance to explore
their creative talents. Additionally, societal attitudes towards
the arts may pose challenges. In some cases, traditional
gender roles or perceptions of practicality and
success may discourage young people from pursuing
careers or hobbies in the performing arts. There might
be pressure to focus on more “stable” professions,
particularly ones that promise financial security.
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Figure 1.2: Illustration of the problems and project intention

1.3. Project Intention
Our project objectives are placed and focused primarily on the development of performing venue and raise
awearness of our art and culture sector in Phnom Penh and we also would like to dive deeper into development
of our site location, an innovative district, khan Chroy Changvar.
Aims to be a new versatile Performance Space
within the region
In Cambodia, theaters that can support international
performers are not yet present. Besides, existing theaters
can not support the evolution and technology of
up-to-date performances. Through its current issue,
the new theater will become a new performing place
integrated with multiple configurable spaces within the
facility to host performances of varying scales simultaneously.
From intimate black-box theaters to grand
hall theaters, the goal is to offer a diverse range of settings
to suit different artistic visions.
Aiming to Follow the government’s vision of
encouraging culture art and tourism
By establishing a new theatre facility, our aim is to
provide a dedicated space where local and international
artists can showcase their talents across
various scales. Through strategic planning, collaborative
partnerships, and sustainable practices,
we envision this project as a catalyst for social cohesion,
economic development, and cultural enrichment,
reflecting our commitment to nurturing
a thriving cultural landscape for generations to
come.
Aiming to improve the awareness of performing
art among youngsters and Cambodians as
a whole
The fast-paced nature of modern life, paired with the
appeal of digital entertainment, has created a gap between
Cambodia’s vibrant performing arts traditions
and the youth. To bridge this divide, the new theater
will be a place involving both young seasoned artists
and emerging talents. Additionally, highlights the diversity
within Cambodia’s performing arts scene, contemporary
and fusion performances that resonate with
the evolving tastes of the younger generation.
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1.4. Why do we need a theater in Chroy Changvar District?
Figure 1.3: Current activities and performing venues in Cambodia
Cambodia possesses a rich and diverse cultural heritage deeply intertwined with its history, traditions, and religious
influences. In recent years, Khan Chroy Changvar has evolved from its historical roots to emerge as a
burgeoning satellite city of innovation within Phnom Penh. As Khan Chroy Changvar continues to thrive, it
holds promise for significantly shaping Cambodia’s landscape of innovation. Planned by OCIC as a city for the
future following Cambodia’s integration into the ASEAN Economic Community (AEC) in 2015, it presents an
opportune moment to propose futuristic architectural developments. (Construction & property, 2017)
However, the region lacks medium to large-scale theaters, which restricts opportunities for local artists and
limits public engagement with performing arts and art in general. Existing venues often have specific formats
and long lifespans, making renovations challenging and potentially unsafe. The absence of a robust medium to
large-scale performing arts sector in Cambodia poses a complex challenge that hampers the nation’s cultural
and artistic vibrancy. Despite a rich tradition in traditional arts, there has been limited development in contemporary,
sizable performing arts productions, which represents missed opportunities for economic growth, creative
expression, and enriching Cambodia’s cultural diversity. For instance, historical landmarks like the Preah
Suramarit National Theater (Bassac Theater) were lost to fire and subsequently demolished, while venues like
the Chaktomuk Conference Hall, originally intended for performances, are too small and outdated for modern
needs. The Chenla Theater, now renamed the Chenla Cultural Center, faced threats from developers and has
now fallen into disuse. Establishing a new, innovative theater in a district like Khan Chroy Changvar presents
an ideal solution. It would not only enhance public appreciation for performing arts but also boost tourism,
generating income and employment opportunities.
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1.5. Scope of work
1.5.1. Meet Our Team
Our team working on the Theater capstone project aims to produce efficient results in a timely manner. To
achieve this, we have divided the working process according to our skills and strengths. Working on what we
are good at, could push the design and analyze process more smoothly and faster.
About Me
My name is Vathana Meng.
I am a fourth-year Architecture
undergraduate at Paragon
International University.
Responsibility
• Graphic Design
• Design Concept
• 2D Drawing
• 3D Drawing
• Research
Skills & Strenghts
• Research
• Graphic Design
• Analysis
• Design Concept
• AutoCAD
• Sketchup
• Photoshop
• Adobe Illustrator
• Adobe Indesign
About Me
My name is Sreyne Thea. I
am a fourth-year Architecture
undergraduate at Paragon
International University.
Responsibility
• 3D Drawing
• Design Concept
• Graphic Design
• Research
• Visualize
Skills & Strenghts
• Research
• Graphic Design
• Analysis
• Design Concept
• AutoCAD
• Sketchup
• Photoshop
• Adobe Illustrator
• Adobe Indesign
About Me
My name is Rithdareya Chin.
I am a fourth-year Architecture
undergraduate at Paragon
International University.
Responsibility
• 2D Drawing
• Graphic Design
• Research
• Design Concept
• Report
Skills & Strenghts
• Research
• Graphic Design
• Analysis
• Design Concept
• AutoCAD
• Sketchup
• Photoshop
• Adobe Illustrator
• Adobe Indesign
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1.5. Scope of work
1.5.2. Our Main Function
The project envisions a future where a new type of building emerges in urban landscapes, dedicated to revitalizing
the performing arts and showcasing its influence on society. The goal is to create an iconic structure
that fulfills the dual purpose of a multipurpose hall and opera house. Additionally, the center will function as
a recreational space for city residents, offering amenities such as parks, gardens, and casual gathering areas.
Central to the design is a Grand Hall with a seating capacity of 2000, designed to accommodate a wide range
of artistic productions. It will feature state-of-the-art technology including a special adjustable auditorium and
stage system capable of hosting performances of varying scales simultaneously. This flexibility aims to meet
the diverse needs of artists and audiences alike, enhancing the city’s cultural landscape with modern facilities
tailored to support artistic innovation and community engagement.
Hence, the structure needs to provide:
• Grand Hall
• Rehearsal Space
• Dressing Room
• Loading Dock
• Scence Dock
• Press room
• Exhibition Hall
• Biophilic Atrium
• Cafeteria
• VIP Lounge
• Box Office
• Outdoor Ramp
• Plaza
• Amphitheater
• Underground Parking
• Playground
• Meeting Hall
• Balcony garden
Figure 1.4: Types of Khmer Performance ( Reference from Bloom Architecture)
1.5.3. Limitation
The primary function of our project is the performing hall, which we aim to enhance with a variety of complementary
functions. Therefore, we have chosen to exclude certain features:
1. Accommodation: Our decision to exclude accommodation aims to streamline operations within the theater
itself. By providing designated rest areas for artists and performers, we ensure they have spaces to recharge
between rehearsals and performances. With ample nearby infrastructure including hotels, condominiums,
and rental options, we prioritize convenience and flexibility for performers without the need to integrate
lodging directly into the theater’s design.
2. Art Gallery: The expansive lobby on the ground floor of the theater will serve as a versatile space capable
of hosting temporary art galleries and exhibitions across its 1,285 square meters.
3. Restaurant: We have decided against including a restaurant to align with local dining preferences and the
existing culinary landscape. Our priority is to support nearby eateries, leveraging the presence of a food
court within 1,200 meters of our site that accommodates up to 1,000 people at a time.
4. Library: Recognizing that theatergoers primarily seek live entertainment and artistic experiences,
our design excludes a library. Libraries typically cater to users in search of quiet spaces for research,
study, and contemplation, which differs from the ambiance and purpose of a performing arts venue.
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1.6. Methodology
By aiming to bring out the efficient results with the right time consuming for the capstone project which is the
Mekong Theatre, the team divide the working process into 4 stages:
STAGE 1: PRE-DESIGN
Topic Proposal
Defining Objective
Literature Review
Data Collection
Data Analysis
Site Selection
Site Analysis
STAGE 2: SCHEMATIC DESIGN
Bubble Diagram
Zoning Diagram
Conceptual Development
Form transformation
Program Distribution
STAGE 3: DESIGN DEVELOPMENT
Master Plan development
Architectural 2D drawing
3D Modelling
STAGE 4: FINAL PRESENTATION PREPARATION
Dissertation Reports
Presentation Boards
Presentation Slides
Architecture Model
Structure Model
3D Visualization
Animation
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1.7. Literature Review
1.7.1. What is theater?
In architecture, a theater is defined as a structure or space intended for live performances in front of an audience.
The term derives from the Greek word “theatron,” which translates to “a place for viewing.” Throughout
history, theater architecture has developed primarily to address audience requirements such as optimal sightlines
and sound quality, while also adapting to accommodate different styles of performances. (Izenour, Bay
and Barker, 2024)
1.7.2. Categories of theater
Arena
A theatre in which the audience completely surrounds the stage or playing area.
Thrust
The thrust stage may be backed by an enclosed proscenium stage, providing a place for background scenery,
but audience views into the proscenium opening are usually limited.
Endstage
A theatre with the stage at one end and the audience seated in front facing the stage.
Promenade theatre
A theatre without fixed seating in the main part of the auditorium—this allows the standing audience
Black box theatre
A “void” space that may indeed be black, audience seating is on the main floor with no audience galleries.
Studio theatre
A flexible theatre with one or more audience galleries on three or four sides of a rectangular room.
Courtyard theatre
The term courtyard theatre embraces a range of theatre forms,
Proscenium theatre
In a proscenium theatre, the stage is located at one end of the auditorium and is physically separated
Thrust and open stage
Some larger drama theatres take the form of a thrust stage, the term open stage can be used interchangeably
with thrust, but implies a more frontal arrangement. (Scott Frances, 2018)
Figure 1.5: Tyoes and forms of theatre (Image from Theatre Project)
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1.7. Literature Review
1.7.3. Background of theater in Phnom Penh
• Theater during the 1950s: the politics of the royal government under the control of King Norodom Sihanouk
was set to priorities of culture and art of the country which encouraged the art in this era to become
a great level, whether music, film, dance, or architecture which we called the golden age of Khmer art. A lot
of infrastructure such as the theater or the cinema was built in order to support this policy.
• Preah Suramarit Theatre and its fall: Cambodia used to have a grand national theater in the capital of
Phnom Penh city called the Preah Suramarit Theatre or the Bassac Theatre which is now a former national
theater of Cambodia. Designed by chief national architect Vann Molyvann in 1966, it opened in 1968 as
Mohorsrop Theatre. In 1994, the theater was damaged by fire in some parts of the roof and auditorium.
After renovation, the remaining building continued to be used by artists and dancers, as recorded space for
Rithy Panh’s 2005 film, Les Artistes du Théâtre Brûlé until it was demolished in 2008. (Jože Plečnik, 2013)
• Chaktomuk Conference Hall: which plays a role as the place for performing art and other events these
days. This building was first opened in 1961 as La Salle de Conférence Chaktomuk which is used for most
important government meetings. The building was converted into a restaurant in 1991 and turned into a
theater in 1994 after the firing of the Bassac Theatre. (Jože Plečnik, 2013)
• Chenla Theater: was another theater that we have, it was built in the middle of 1960 and was abandoned
during the Pol Pot regime between 1975 and 1979. After being liberated from this regime in 1979, it was
renamed as “Phnom Penh Theater”.The theater has now been renovated into a modern international standard
facility and was given a new name “Phnom Penh Cultural Center’’ which is prioritized providing all
kinds of business. (City of Water, 2012)
21

1.8. Technical Data
1.8.1.Theatre Facilities
Delivery
of scenery
Scene
dock
Delivery
of costumes
Costume
store
Performers’
spaces
Stage
Stage
door
Perfomance
organisation
Theaters and studio spaces, including makeshift
‘fringe’ venues within existing buildings, often categorize
themselves into small, medium, or large
scales. These distinctions hinge on several factors:
seating capacity, stage size, backstage amenities, and
even their geographic location. It’s crucial that any
project brief clearly defines the intended scale of
use, which must then be reflected in the design proposals.
Medium-scale theaters, for instance, typically
seat fewer than 1000 people and are equipped with
basic stage mechanics like fly suspension systems
and orchestra pits, suitable for smaller productions
with casts of about 20-25 individuals.
Orchestra
pit
Musicians’
spaces
Access to
managerial
spaces
Managerial
spaces
Box
office
Auditorium
Public
spaces
Service to
refreshment
areas
Delivery
of musical
instruments
a
Public
entry
Public
entry
PRODUCTION
FACILITIES
Delivery
of costumes
Delivery
of
materials
Wardrobe
Costume
store
Possible
public
entry
Rehearsal
spaces
Delivery
of scenery
Performers’
spaces
Stage
door
Delivery
of
materials
Scenic
workshops
Scene
dock
Stage
Performance
organisation
Orchestra
pit
Musicians’
spaces
Recording
studio
Auditorium
Delivery
of musical
instruments
Company
organisation
Managerial
spaces
Service
to refreshment
areas
Access to
managerial
spaces
Box
office
Public
spaces
Service to
refreshment
areas
b
Public
entry
Public
entry
Figure 1.6: Relationship diagrams for buildings for opera, musicals, dance and drama ( Metric Handbook Planning and design data)
22

1.8. Technical Data
1.8.2. The Proscenium
In many opera, dance, and musical performances, the formats typically adhere to either the proscenium or end
stage arrangements. The proscenium setup follows a traditional layout where the audience faces the stage, observing
the performance through an architectural frame. Traditionally, the orchestra is situated in a pit between
the audience and the stage, with the conductor positioned centrally to oversee both the orchestra and singers.
Auditorium configurations, depicted in Figure 15.40, encompass designs such as the horseshoe, fan-shaped
with or without balconies, and courtyard layouts. The courtyard style features shallow balconies spanning no
more than three rows around three sides of the auditorium. Conversely, the end stage resembles the proscenium
format but lacks the architectural frame, placing the audience and performers within the same space,
making it suitable for intimate, small-scale productions.
For drama there is a wider range of formats: the initial distinction is between the proscenium format and open
stage forms. The proscenium format is outlined above. There are 5 variations of open stage formats:
End - stage format
Fan shape,90 arc
Thrust stage 180 + arc
Theatre-in-the-round Transverse: audience on sider of stage
Figure 1.7: Auditorium formats for opera and drama ( Metric Handbook Planning and design data)
23

1.8. Technical Data
1.8.3. Seating Geometry
Seating arrangements are generally organized into either straight or curved rows that face towards the platform
or stage. Other variations include angled rows, straight rows that change direction in a curved manner, and
straight rows grouped into distinct blocks of seats, emphasizing specific sections of the audience area.
Straight rows on flat or sloping floor
Straight rows with separate angled side blocks
Curved rows on flat or sloping floor
Straight and angled rows on flat or sloping floor
Separated stepped blocks focused on stage
Straight stepped rows and seprated angle side
Figure 1.8: Alternative auditorium seating arrangements ( Metric Handbook Planning and design data)
24

1.8. Technical Data
1.8.4. Seating Density
Seating density in auditoriums
Seating density in Conference halls
Seat width 500
Seat width 750
seat width 450
seat width 750
clearway
Row to row spacing
Seat
Line
of seat back
in row in front
760
Seat
Line of seat back
in row in front
1400
Figure : 15.19 Seating density, from 0.38 sqm to 1.05 sqm per person ( Metric Handbook Planning and design data)
row to row spacing
fixed
seat
lift-up
writing
surface
760
fixed
writing
surface
1450
Figure : 15.20 Seating density in conference halls, from
0.38 sqm to 1.05 sqm per person ( Metric Handbook
Planning and design data)
Seats equipped with armrests and the ability to tip
can occupy as little as 500 mm in width (even less
for seats without armrests), with a distance between
rows of 760 mm. However, they can also be as wide
as 750 mm and as deep as 1400 mm, as shown in
Figure 15.19. Consequently, the area per seat varies
between 0.38 m² and 3.05 m². Larger dimensions
naturally reduce the overall seating capacity.
The minimum dimensions prescribed by regulations
set a baseline for comfort that should not
be considered ideal, as excessively high standards
could potentially undermine the social cohesion of
the audience. In conference halls where ample writing
space is necessary, lower seating densities are
unavoidable, as depicted in Figure 15.20.
Seating density for wheelchair
Regulations mandate a minimum of six spaces for
wheelchair users, or 1/100th of the audience capacity,
whichever is greater. These spaces can be discreetly
positioned at the rear, front, sides, or integrated within
the seating area, as illustrated in Figure 15.27. Wheelchair
access can be facilitated by centrally locating
them through designated bays off cross-gangways.
Figure 1.9: Designated wheelchair area, required dimensions
25

1.8. Technical Data
1.8.5. Sightline for a Seated Audience
Vertical sightlines
P lowest and nearest point on
stage clearly visible by audience,
HD horizontal distance between
eyes in successive audience
rows,
EH average audience eye
height above floor,
E height between eye and top
of head,
D distance from eye of person
in front row to P
The angle of horizontal vision for a stationary head is 40°
The angle of horizontal vision for a stationary head is 40°
Head angle would exceed 30°, the seats may be angled within the row
Figure 1.10: Graphic representation of vertical and horizontal sightlines ( Metric Handbook Planning and design data)
26

1.8. Technical Data
1.8.6. Dressing Room
Single dressing room with piano, area 15.7m2
Single dressing room with en-suite WC and shower
6500 hanging space
hanging
space
wc
wb
make-up
piano
s
4500
3000
piano
bed
table
chair
easy
chair
long
mirror
sh.
wc
bed
basin
3500
Dressing room for four, area 17.4m2 Dressing room for four, area 17.4m2
long mirror
shower
wash-basin
hanging space
shelves for shoes,
gloves, etc.
curtain
4000 1800
3600 1500
wb
long mirror
2300 2300
3000
Single dressing room with en-suite WC and shower
A pair of single dressing rooms each 14.4 m2
Figure 1.11: Spaces for actors, singers and dancers ( Metric Handbook Planning and design data)
27

28

02
PRECEDENT STUDY
29

2.1. Preah Suramarit National Theatre
Location: Phnom Penh, Cambodia
Completed: 1968
Architect: Vann Molyvann
Damage by fire: 1994
Demolished: 2008
Figure 2.1: Preah Suramarit National Theatre master plan (Image from Vann Molyvann Project)
The Preah Suramarit National Theatre stood on the banks of the Tonle Bassac river in Phnom Penh,
Cambodia. Situated on reclaimed land, its architectural design was reminiscent of a ship’s shape. Centrally
located near the Royal Palace and other prominent landmarks, the theatre enjoyed easy accessibility
via public transport and private vehicles. Its presence was cherished in Phnom Penh, serving as
a significant cultural symbol. Sadly, its demolition in 2008 marked a profound loss for the city, robbing
future generations of a beloved icon that embodied Cambodia’s cultural richness and heritage.
TYPOLOGY
MATERIALS
+
• Frame window
• Structure support
• Column and
structure system
• Facade
• Exterior wall
aduditorium
• Flooring
HEIGHT
3-4
OCCUPANCY
Stories Total Area
N/A
Capacity
1200 seats
30

31

Figure 2.2: Preah Suramarit National Theater exterior facade of auditorium ( Image from Paul Stewart)
Background
The National Theater was a prominent landmark in
Phnom Penh’s cultural milieu, serving as the home
of the National Conservatory of the Arts and the
centerpiece of the Bassac riverfront development.
A fire during renovations in 1994 caused extensive
damage to the auditorium and roof. Despite the setback,
the remaining structure remained a hub for
artists and dancers, as documented in Rithy Panh’s
2005 film, “Les Artistes du Théâtre Brûlé,” until its
demolition in 2008. (NK-A, 2009)
Concept
Audience members accessed the theater through a
triangular concrete facade, ascending a staircase into
a spacious lobby illuminated and ventilated by tall
claustras. At the lobby’s base, a pool provided both
a focal point and cooling effect. The auditorium’s
hexagonal layout was meticulously planned to ensure
proximity to the stage for all viewers, crucial
for appreciating the delicate movements of Khmer
ballet up close. This hexagonal motif echoed
throughout the building, influencing details like the
floor tiles and the design of the claustras.
Particulars
Upon further investigation, there was no definitive
evidence found regarding the source and path of
air circulation within the indoor seating area of the
Preah Suramarit Theatre. However, oral accounts
from those who visited the theatre before its original
design was destroyed in a fire consistently reported
during interviews that the auditorium lacked
air conditioning. Instead, natural air circulated within
the theatre, although there was uncertainty about its
origin and distribution, given the absence of visible
condenser units and windows in the building.
32

2 2
1
4
3 5 3 4
6
7 7
8
9
Figure 2.3: Preah Suramarit National Theater ground floor plan ( Image from Vann Molyvann Project)
Legends
Public Semi-private Private Virticle circulation
1. Stage
2. Side Staircase for Performer
3. Male Toilet
4. Female Toilet
5. Audiorium
6. Aisle
7. Side Staircase for Audience
8. Main Staircase
9. Void Above
10. Void Below
11. Lobby
12. Spiral Staircase
13. Mezzanine
14. Rehearsal
15. WC
16. Dressing
17. Top Mezzanine
18. Roof Top Garden
33

2
1
5
6
10
11
2
Figure 2.4: Preah Suramarit National Theater first floor plan ( Image from Vann Molyvann Project)
15
16
14
4
3
12
13
12
14
15 16
3
4
Figure 2.5: Preah Suramarit National Theater second floor plan ( Image from Vann Molyvann Project)
34

17 18
Figure 2.6: Preah Suramarit National Theater third floor plan ( Image from Vann Molyvann Project)
Public Semi-private Private Virticle
circulation
Legends
1. Stage
2. Side Staircase for Performer
3. Male Toilet
4. Female Toilet
5. Audiorium
6. Aisle
7. Side Staircase for Audience
8. Main Staircase
9. Void Above
10. Void Below
11. Lobby
12. Spiral Staircase
13. Mezzanine
14. Rehearsal
15. WC
16. Dressing
17. Top Mezzanine
18. Roof Top Garden
Layout Plans
The first floor, the architect added the siting space more to the performing hall which people
can access from the side and main staircase. It also have a big lobby as well which have viod
in the middle. The second floor is the floor which have a big mazzanine audiorium for the
performing hall. The audience can use the side staircase to access to the hall. In this floor also
have some facilities for the perfermer as well such as rehearsal rooms, wc, and dressing rooms.
And it have both side of the building. And for the third floor, it have a top mazzanine floor
for the performing hall and also have a roof top garden as well. People can access to this floor
by spiral staircase.
35

Figure 2.7: Preah Suramarit National Theater section AA ( Image from Vann Molyvann Project)
Passive Cooling Technique
Theatergoers are greeted by a triangular concrete fronton raised on stilts above ground
level, leading them to a spacious double-height foyer illuminated by natural light. Below,
a basement pool serves as a calming center and aids in air circulation, adapting to the local
climate conditions. In addition to the auditorium’s pyramid-shaped roof design, which
echoes Khmer influences, another intriguing architectural feature is the triangular roof atop
the fronton building. This roof serves dual purposes as a breathing skylight and ventilator,
combining light and air circulation. It effectively addresses lighting and ventilation needs by
allowing indirect sunlight to enter from the sides while facilitating the intake of fresh air and
venting out stale air from the building. (Pisith Ty, 2018)
Figure 2.8: Preah Suramarit National Theater West elevation ( Image from Vann Molyvann Project)
36

Figure 2.9: Preah Suramarit National Theater South elevation ( Image from Vann Molyvann Project)
37

Conclusion
This project give a good idea how to open space in ground floor for better connection
for users with the technique to allow natural ventilation and natural sun
light to go into the design. Moreover, there is a water feature under the atrium
which provide the feeling of calmness and cooling while using the grand staircase.
More than that, most of the interior spaces give users a good experience
on natural ventilation while AC are not needed. The most important point is the
design reflecting the Cambodia climate condition, site context which can be apply
and inspire in our design.
On the other hand, there are some not good point like landscape is not well
design, not enough trees and green space. And the project is also not mention
about the park space which we don’t know that it was include or not.
Figure 2.10: Praying Area ( Image from Paul Stewart)
38

Figure 2.11: Void View ( Image from Paul Stewart)
Figure 2.12: Pool under the staircase ( Image from Paul Stewart)
Figure 2.13: Preah Suramarit National Theater exterior facade of auditorium ( Image from Paul Stewart)
Figure 2.14: Preah Suramarit National Theater bird eye view ( Image from Paul Stewart)
39

2.2. Walt Disney Concert Hall
Location: Los Angeles, USA
Completed: 2003
Architect: Frank Gehry
Figure 2.15: Frank Gehry’s original sketch of what would become Walt Disney Concert Hall
A Symbol of the City
Situated at the intersection of First Street and Grand Avenue, Walt Disney
Concert Hall represents a cherished aspiration that has transformed
into a thrilling reality. Serving as the vibrant pulse of the city, it has ignited
remarkable artistic, civic, and social rejuvenation throughout downtown
Los Angeles.
TYPOLOGY
MATERIALS
+
HEIGHT
• Frame of curtain
wall
• Structure support
under the stainless
steel panel
• Column and
structure system
• Structure support
• Exterior facade
3-4
OCCUPANCY
Stories Total Area
300000sqft
Capacity
2265 seats
40

41

Figure 2.16: Exterior detail diagram of WDCH auditorium
Background
Walt Disney Concert Hall stands as an architectural
marvel that remains steadfast in its mission of
bringing music to Los Angeles and beyond, balancing
a striking exterior with an inviting interior.
Discover the design crafted by Frank Gehry, which
was conceived “from the inside out.” From the
initial donation by Lillian B. Disney in 1987 to its
public opening after 16 years, Walt Disney Concert
Hall was celebrated as a marvel of architecture and
acoustics upon its debut in October 2003, forever
transforming the musical landscape of Los Angeles.
(laphil, n.d)
Concept
Frank Gehry, the architect, aimed to establish an
iconic venue that would resonate with the community—a
place where people could gather comfortably
and feel a sense of belonging. His vision was to construct
“a living room for the city” where a diverse audience
could gather to appreciate music. The interior
of the building was designed to evoke the shape of
a boat’s hull, symbolizing Gehry’s intention to create
a space reminiscent of musical sculptures and to enhance
the connection between the audience and the
orchestra.
Layout
The building’s design ensured it was easily accessible
from all directions, providing direct
and convenient entry to the concert hall. We
observed that the rehearsal and dressing areas
were fully equipped as per the blueprint.
The street seamlessly leads into the hall, offering
access to various spaces within the complex. On
the ground level, there are a restaurant and service
areas, along with 3,000 m2 allocated for exhibitions.
The Founders Room, featuring a lounge
and cafeteria, is prominently located on the north
side of the access level, standing out architecturally.
Behind and surrounding the auditorium
box are the dressing rooms and support spaces.
Towards the south side, within an elongated
prismatic volume, are the offices. The parking
area accommodates nearly 2,200 cars
across seven levels, providing direct access
to the interior of the building via escalators.
Additionally, the building houses two amphitheaters.
The first seats 300 spectators and hosts children’s
shows, while the second can accommodate
120 people.
42

Ground Floor
PRE-CONCERT
FOUNDERS’
ROOM
PLAZA
LOBBY
CONCERT HALL
Figure 2.17: WDCH ground floor
Legends
Rehersal & dressing room
Performance Area
Core Area
Toilet
Public Space
43

First Floor
Figure 2.18: WDCH first floor
Second Floor
Figure 2.19: WDCH second floor
Legends
Rehersal & dressing room
Performance Area
44
Core Area
Toilet
Public Space

Figure 2.20: Capture of WDCH Lobby
Interior
The lobby was conceived by Gehry’s team as an
open, transparent, and light-filled “living room for
the city,” seamlessly connected to the sidewalk. Unlike
the enclosed foyer of the Dorothy Chandler Pavilion,
Gehry intended the lobby to metaphorically
bridge the gap between the inner sanctuary of the
concert hall and the outside world. Walt Disney Concert
Hall was designed not just as a venue for concerts
but as a vibrant center for community engagement.
Frank Gehry’s custom seats for the concert hall
were crafted and installed by Poltrona Frau Custom
Interiors. These seats are notable for their
rich blend of materials and features that harmonize
with the auditorium’s distinctive architecture.
The use of steel, wood, polyurethane, and fabric in
their construction meets rigorous acoustic standards.
To enhance the sense of accessible space, the venue’s
entrance features a grand staircase that connects
directly to the surrounding streets. Inside, the floor is
adorned with oak, while the stage is crafted from Alaskan
yellow cedar.
Figure 2.21: Capture of WDCH Dreams Skin Projection
45

Seating
Within the inviting interior adorned with Douglas fir, there are 2,265 steeply raked seats encircling the stage.
Former LA Phil Executive Director Ernest Fleischmann believed balconies and boxes created a social hierarchy,
while proscenium arches separated performers from their audience, advocating strongly for their elimination.
At Walt Disney Concert Hall, the orchestra performs amidst the audience, thanks to vineyard-style seating
that positions viewers near the orchestra, offering an intimate perspective of musicians and conductors from
every seat.
Figure 2.22: Section AA of the WDCH
Figure 2.23: The view of WDCH Auditorium, as seen from the balcony seating section
46

Acoustic
Figure 2.24: Acoustic detail diagram of WDCH auditorium
Acoustical Details
The success of an orchestra hinges significantly on the
venue they perform in, where the hall itself functions
as an integral component of the orchestra’s instrument.
Much of the architectural design revolves around the
concept that concave shapes focus sound, while convex
shapes scatter it.
The “walls” surrounding Disney Hall create an optical
illusion—they are constructed from transparent mesh
that allows sound to pass through easily and bounce off
hidden rows of concave curves. This design results in
acoustics that are praised for their clarity and warmth.
Every detail of the Walt Disney Concert Hall’s auditorium
was meticulously crafted with acoustics as a priority.
One of the most striking examples of this blend of
acoustical necessity and architectural creativity is found
in the ceiling design.
Figure 2.25: Capture of WDCH concave principle ceiling
47

ORGAN
Design
Architect Frank Gehry dedicated extensive time to
developing the design, collaborating closely with
Manuel J. Rosales, a renowned organ designer and
builder based in Los Angeles. They aimed to depart
from the traditional church organ, which typically
features rows of metal tubes. Gehry initially envisioned
pipes hanging from the ceiling and even proposed
placing the organist in a cage halfway up a
wall. While Rosales appreciated Gehry’s innovative
ideas, he recognized their impracticality in creating a
functional musical instrument.
Sound
Rosales requested that the organ not be finished until
2004, a year following the Hall’s opening, owing
to its intricate design. During tuning, rehearsals were
prohibited because Rosales needed to “voice” the organ,
requiring complete silence in the hall. He would
test each note by pressing down on a single key, then
move around the hall to listen from various seats.
Assessing a single note could take as long as 30 minutes.
This meticulous tuning process was essential to
creating the best possible instrument.
Figure 2.26: Detail of the WDCH organ stops
Figure 2.27: The organ’s keyboard
Figure 2.28: walt Disney Concert Hall organ pipes
48

Figure 2.29: Capture of WDCH Dreams Skin Projection
Conclusion
This project serves as a notable example. Unlike many traditional concert halls, Walt Disney Concert Hall
does not feature boxes and balconies. Instead, seats are arranged in a 360-degree vineyard-style layout. Gehry
aimed to eliminate perceived social hierarchies and establish a distinct connection between the audience,
conductor, and orchestra.
Similarly, the interior was conceived as a “musical instrument.” Gehry collaborated closely with acoustician
Yasuhisa Toyota to meticulously design every aspect of the hall, ensuring optimal internal sound reflection.
Every sound produced inside, whether a cough or a string pluck, is captured, fostering an intimate relationship
between the audience and the performers.
Figure 2.30: “A Rose for Lilly” ( Photo by Vern Avens)
49

50

03
SITE ANALYSIS
51

3.1. Site Location
CAMBODIA
Cambodia is located in Southeast Asia with a total land
area of 181 035 km² and borders Vietnam, Thailand,
Laos, and the Gulf of Thailand. Having a population
density of 15 288 489 (2019) and a total of 25 provinces.
0 50 100 200
km
Figure 3.1: Cambodia map
PHNOM PENH CITY
Phnom Penh is the vibrant capital city of Cambodia
with a population of 2 129 371 in 2019. Phnom Penh
city is home to several prominent performing arts centers
that serve as cultural hubs and showcase the diverse
talents of local and international artists.
0 5 10 20
km
Figure 3.2: Phnom Penh city map
CHROY CHANGVAR DISTRICT
The total population in this district is 71, 506 (2020)
with a total land of 8, 399 hectares. This district has become
an innovative district and a potential area among
the other areas because the site is under the development
stage of 2 mega investors which are OCIC group
and the new city development of LYP group.
0 2 4 8
km
Figure 3.3: Chroy Changvar district map
52

C H O S E N
104°55'31.0"E +
Kandal
Province
Koh
Oknha Tei
S I T E
Koh
Pich
11°35'25.3"N
M E KO NG RIV E R
T O N L E
S A P R I V E R
The chosen site is located near the Phrom Bayon roundabout in
front of the Cambodia-Japanese friendship bridge. It is in the
zone of Innovative district development of Oversea Cambodia
Investment Corporation OCIC.
N
0 500 1000 2000
m
Figure 3.4: Chosen site map
53

3.2. Site History
PAST
Between the 19th and 20th centuries,
Cambodia experienced many different
eras due to the influences of neighboring
countries and Western nations, which
brought about changes in society, politics,
urban planning, and more. During
the French colonial period, France had
ambitious plans to transform the Chroy
Changvar district into a modern urban
extension of the capital city, featuring
distinct zones for residential areas, industry,
and public spaces. However, due to
shifts in political leadership, the district
remained primarily agricultural land and
served as a transportation route between
the provinces and the city via National
Road 6A and the Chroy Changvar Bridge.
(Andrew, 2021)
PRESENT
After the end of the civil war, Cambodia
begins to develop rapidly with the help
of other developed countries. The economy
grows, and the population increases.
Chroy Changvar district transforms from
agricultural land into a residential area
with condos, Boreys, commercial buildings,
government areas, and institutional
spaces. Additionally, it becomes a tourist
attraction by creating entertainment venues
and historical sites. Today, this district
is under development by many large
companies in Cambodia, particularly the
Overseas Cambodian Investment Corporation
(OCIC).
Figure 3.5: 1937A map depicting the
extension plan of Phnom-Penh
Figure 3.6: 1987 A map produced
by the Defense Mapping Agency-
Topographic Center ( USA )
Figure 3.7: 2023 Google Earth
Figure 3.8: 2023 OCIC Devolopment
54

Figure 3.9: Future OCIC Plan
PRESENT
OCIC was planned Khan Chroy Changvar to be a city of future after joning of Cambodia in New Ecnomic
Hub AEC integration in 2015. The planning was overed 300 hectar of land to build a city of vibrant commercial
zone, business zone, turist destination, exclusive living and working and also happiness amidst green and
pristine condition. The city will be a smart city, smart living, smart mobility and smart green energy which high
attractive and sustainable. And our chosen site is on the planning area of OCIC as well. Thus it is a opportunity
to propose a furturistice architectural building to planing to make it more practical and achieveable since nowaday
there are some planned was complete espectialy infrusturture road and brigde.
STRATEGIES
To enhance the site’s efficiency with future planning, we need to create a space that supports the cultural sector
and allows people to enjoy their living while also attracting tourists. Additionally, the building must be designed
with smart technology, sustainability, and a futuristic approach.
55

3.3. Site Dimension and Views
C
D
I
H
300
100
50
J
G
130
B
280
A
E
F
D I M E N S
I O N
&
O U T S I D E
I N
V I E W
I N S I D E
O U T
V I E W
A B C D
Figure 3.10: Site dimension and views analysis
VIEW ANALYSIS
STATEGIES
Figure 3.11: Site views strategies map
56

3.4. Site Section
Site
Service road section
Figure 3.12: Longtitude section of the chosen site
Main road section
Main road section
Site
Secondary road section
Figure 3.13: Cross section of the chosen site
Chroy Changva Bridge section
Through our observe, there are small road around the site but near the main route which is national road 6 is
characterized by a network of smaller roads and streets that connect to this major route. In the vicinity of these
major routes, the smaller roads often serve local residential areas, businesses, and community facilities.
57

3.5. Site Landmarks, Nodes and Edges
Landmarks
Chroy Changva Fountain Roundaboutout
Known as a prominent landmark which serves as
a key intersection connecting various parts of the
city and is known for its distinctive fountain
feature at its center.
1
2
Kamplerng Kouch Kanong Circle
The statue was designed to commemorate a
weapon amnesty,the ministry of Cambodia
ordered that to be place in sunbaked
circle in front of Funchenpec’s heartquarter
of Phnom Penh.
1
3
1
Wat Phnom
Wat Phnom is a famous Buddhist temple located
in the capital city of Cambodia, Phnom Penh. It
is one of the most important and revered
temples in the city, with a rich history dating back
to the 14th century.
3
2
9
2
4
TONLE SAP RIVER
2
1
10
1
1KM
7
MEKONG KONG R RIVER
MEKONG RIVER
3
9
4
Vattanac Tower
Konwn as a 183.7 m, 39 storey building in
Phnom Penh. This tower is an 3
Cambodia's aspirations for growth and
prosperity
11
2
12 13
4
14
10
3
5
8
6
11
4
8
5 7
Royal Palace
The Royal Palace is a architectural
and cultural landmark in Cambodia. Situated in
Phnom Penh, the Royal Palace serves as the
residence of the King of Cambodia and a venue
for hosting royal ceremonies, state functions,
and other important events.
5
6
Independence Monument
Known as a landmark located in the heart
of Phnom Penh. Built in 1958 to commemorate the
country's independence from French colonial rule
in 1953, this monument holds deep historical and
symbolic importance for the Cambodian people.
6
Figure 3.14: Site surrounding facilities
58

Others Facilities
4KM
Central lMarket
As known as the bright yellow building completed
in 1937 has a 26-metre high central dome, with
four tall arch-roofed arms branching out diagonally
across the block, creating vast hallways housing
countless stalls and a variety of goods.
Olympic Stadium
11
9
7
Sokha Hotel
Old Stadium
The Olympic Stadium is a multi-purpose stadium
in Phnom Penh, Cambodia. It has a capacity of
50,000. Construction on the National Sports
Complex started in 1963 and was completed in
1964.
Strategies:
hotel located in the heart of Phnom Penh, convenient
base for exploring the capital city of
Cambodia, combining modern comforts with
traditional Cambodian hospitality.
National Musuem
9
10
Old Stadium (Royal Cambodia Armed Forces
Stadium), also known as the Old Stadium or
Lambert Stadium, is a stadium in Phnom Penh,
Cambodia. It has a capacity of 8,000 spectators. It
is the home stadium of National Defense Ministry
FC of the Cambodian League.
The museum houses one of the world's largest
collections of Khmer art, including sculptural,
Khmer ceramics, bronzes, and ethnographic
objects.
8
1
2
3
4
5
6
7
8
9
10
11
12
13
14
Edges
1
2
Nodes
1
2
3
4
Exibition hall
Two deer garden
Calmate hospital
Daun Penh Health Center
Preah Ang Duong Hospital
Phnom Penh Night Market
Norton University
Royal university of fine arts
National university of management
Food court
Eden garden
Ministry of National Defense
Office Council of Ministers
Orussey Market
The waterway “ Tonle Sap river” defines
the border between Khan Chroy Changvar
and Khan Reseykeo.
The local street worked as a border that
divided the developing area of Chroy
Changvar City from the informal settlement
housing zone in the west.
Mermaids Fountain Roundabout is the
secondary busiest circle insections of
Lyong Phat Road and road access into
Borey nearby.
Camko Roundabout is the most busiest
insections of two main roads between
Angkor Blvd & Oknha Mong Reththy
St. (1928) and three secondary roads
( St.598, St.528, St.355)
The spot created by two main road
(Charles de Gaulle Blvd.217 and Oknha
Tep Phan St.182) running across each
other create a busy intersection during
rush hours.
Tuolkok Roundabout is a busy intersection
node created by St.592, St. 608 with
the main road Kim Il Sung Blvd.(289)
running across each other which cause a
long way of traffic line.
There are plenty of important facilities surrounding the site that people can easily facilitate from one
function to another in short time and distance.
59

3.6. Nighbourhood and Natural Built-Environment Analysis
Plumeria Trees
27%
Palm Trees
6%
4%
Terminalia Mentalis
43%
Romdoul Folwers
Golden Shower
11% 9%
Cotton Trees
Legend
Commercial
Residential
Educational
Industrial
Administration
Green space
60
Strategies:
The site is surrounded by abundant potential facilities- education centers, commercials, and residential
buildings, which the idea of proposing entertaining function is quite an ideal for the site .
Designing a space for people to gather and face to most landmarks as well as respect the existing
landmarks
Figure 3.15: Site nighbourhood and natural-built environment analysis

61

3.7. Path Analysis, Traffice Density and Vechicle Movement
Legend
High ways
Service roads
Bus lines
Site
Main roads
Pedestrain roads
Railways
Roundabout
Secondary roads
Cycling roads
Ferry Line
Figure 3.16: Path analysis
62

Morning Heavy Moderate Smooth Afternoon Heavy Moderate Smooth
surrounds Chroy Changvar the roundabout. People pass by
the roundabout in any direction.
during lunchtime. Mostly the delivery task creates a little
Figure 3.17: Morning traffic density
Figure 3.18: Afternoon traffic density
Evening
Heavy Moderate Smooth Night Heavy Moderate Smooth
roads and streets during this arrived time from work or study-
Figure 3.19: Evening traffic density
am as there are not too many activities along the street.
Figure 3.20: Night traffic density
Figure 3.21: Vechicle movements
Vehicles servey per hour
Motorcycles: 5148 units
Cars: 2052 units
Tuk Tuk: 942 units
Vans: 258 units
Bus: 41 units
Bicycles: 14 units
Stratergy : Propose a bus line connecting National Road 6 to
Kinor Roundabout that could be accessed to the site. Especially,
we propose a bus stop on the site to facilitate passengers’
easy access to the centre.
63

3.8. Sensory Analysis
Since the site is located close to the bridge and the
roundabout, there is an abundant traffic density surrounding
the site. Therefore, it causes many problems
to the site, especially noise and air pollution from the
vehicle engine. After we do the observation, we see that
the site is also very poor at waste management, especially
the space under the bridge and community house
along the river.
Thus, our strategy to deal with this problem is to propose a large plantation area to serve as air purification
for this abundant traffic area. Additionally, for the waste problem, we have to propose a large trash
bin space easy for collection, and water filter treatment before it goes to the river. Using upcycle water
management system for proposal project, this approach significantly reduces the demand for freshwater
and lowers the amount of wastewater that needs to be treated and discharged into the environment.
64

Figure 3.22: Sensory analysis map
65

3.9. Climate Condition
21 June Solstic
70 - 80
21 December Solstic
50 - 60
Sunrise at 6:27 am
Sunrise at 6:27 am
Figure 3.23: Sun analysis
Chroy Changvar has a tropical monsoon climate, with two distinct seasons: a rainy season from May to
October, and a dry season from November to April.
The hottest month is April, with an average high of 35.3°C (95.5°F), and the coolest month is December,
with an average low of 21.6°C.
According to the weather forecast, the wind direction in Chroy Changvar varies from west to southwest.
The wind is usually stronger in the afternoon and evening, and weaker in the morning and night.
Strategies:
Figure 3.24: Sun analysis straegies
The site is surrounded by abundant potential facilities- education centers, commercials, and residential
Designing a space for people to gather and face to most landmarks as well as respect the existing landmarks
66

Wind speed
30 days
25 days
20 days
15 days
10 days
5 days
0 days
Jan Feb Mar April May Jun Jul Aug Sep Oct Nov Dec
Figure 3.25: Wind speed
0 >1 >5 >12 >19 >28 >38 >50 61km/h
The site is surrounded by abundant potential facilities- education centers, commercials, and
the site .Designing a space for people to gather and face to most landmarks as well as respect
the existing landmarks
67

3.10. Demographic Analysis
3.10.1. Population in Districts of Chroy Chongvar
Figure 3.26: Population of Khan Chroy Changvar
There are 5 districts in Khan Chroy Chongvar, Phnom Penh. Prek Leap district has the biggest number
in population accordingto the data following by Chroy Chongva, Koh Dach, Bak kheng,and Prek Ta
Sek. According to the 2019 Cambodian census, the total population of Chroy Changvar was 159,233
and the land size is 88.5 km2. The population density in 2019 was 1,864/km².
68

3.10.2. Population Annual Change from 1998 to 2019
200,000
150,000
100,000
50,000
0
2000 2005 2010 2015
Figure 3.27: Population annual change from 1998 to 2019
The result of the 2019 census represents the de facto population of Cambodia. It excludes migrants
working abroad. According to the 1998 Cambodian census, the total population of Chroy Changvar
was 49,301, in 2008, the total population of Chroy Changvar was 61,214, and in 2019, the total population
of Chroy Changvar was 159,233 with 9.1% Annual Population Change from 2008 to 2019.
3.10.3. Population By Age in Khan Chroy Chongvar
48.9% Population of 159,233 in 2019 51.1%
Group of Ages
0 - 14
15 - 59
60+
11.2% 0 - 14
34.1%
3.6%
Figure 3.28: Population by age in Khan Chroy Changvar
15 - 59
60+
12.3%
34.4%
4.4%
69

3.10.4. Site Culture
Food and snack vendors are most likely to be found
around the site since our chosen site was close to
relaxing areas like Chroy Changvar Frontriver Bank
and Chroy Chongvar Theme Park.
According to our site observations, there are many types
of vendors around the site. Some vendors are walking,
some are riding bikes while some are occupied with motorcycle
stalls. Food and snack vendors are most likely to
be found around the site since our chosen site was close
to relaxing areas like Chroy Changvar Frontriver Bank
and Chroy Chongvar Theme Park.
What can we learn from locals activities?
Through our observation, we noticed that the majority of people are likely to
use public areas, appreciate them, and engage in activities there. Aside from
the surrounding high density traffic area, persons around this property are
more inclined to walk or bike. Additionally, the authentic river lifestyle of the
locals gives the place its unique charm. On top of the river, a crowd of boats
forms a community.
Kids surrounding the site are likely to ga
or cycling in their spare time after schoo
Figure 3.29: Site culture
70

If we go somewhere near the river bank, we will find
many fishing boats gathering up while some are in the
middle of the river doing fishing.
During the evening time, we observed there were many
joggers around the site, mostly along the bridge and
along the river bank.
ther together to play games like leng chos
l in the afternoons and evenings.
Strategy
• While propose a new iconic performing art function, landscape design and
spaces for community are also take into account.
• To give back the community sense of the existing facility which is a theme
park.
71

3.10.5. Religion
Buddhism
Cambodians accepted Buddhism since the 12th century.
However, nowadays, 95% of people practice Buddhism,
while the remaining 5% practice Islam or Christianity.
According to our site survey, 80% of locals believe in
Buddhism.
Muslim
Muslim traders along the main trade-route between
Western Asia through Āryāvarta were responsible for the
introduction of Islam to Cambodia around 12th to 17th
centuries CE. According to our site survey, 15% of locals
believe in Islam.
Christianity
The first known Christian mission in Cambodia was undertaken
by Gaspar da Cruz, a Portuguese member of
the Dominican Order, in 1555-1556. According to our
site survey, 5% of locals believe in Chistianity.
Figure 3.30: Religion
72

3.11. SWOT
STENGTH
Easy to access since it
situated along many main
aceess and roundabout.
Located close to waterway
“ Tonle Sap River”
Located in potential
area,especially in OCIC
development zone.
Near most of the main
facilities such as the Tax
building, university, condominium
.
WEAKNESS
Site
Site
Site
Site
Less shading devices even
shading from trees.
There’s no pedestrian road
along the site
Low air quality due to high
Social lifestyle separation,Lack
of the sense of
social interaction.
OPPORTUNITY
Fast deveopment zone
view and Chroy Changvar
bridge.
Potential spot that could
attract for investment
Tourist Attraction.
THREAT
Noise
There is no bus stop near
the site.
Figure 3.31: SWOT
High-rise development
direction
happens quite often.
Noise pollution due to the
around the roundabout in
front of the site
73

74

04
DESIGN CONCEPT
75

4.1 Design Concept and Inspiration
76

SBAI KHVENG
CONCEPT INSPIRATION
In ancient times, Sbai could be freely used in different ways such as wrapping it around the body, covering the
shoulder, and commonly covering the breast and stomach over the left shoulder. Different styles of Sbai are
used by Cambodian women based on their preferences and traditions. Inspired by SBAI KHVENG, Which is
a Khmer Traditional costume in ancient times of Khmer civilization. The design applied this concept to wrap
the structure with sweeping Sbai, representing the term used to describe the Khmer traditional dancer’s costume
during a performance. The term “Khveng,” associated with Sbai Khveng, encapsulates the essence of
weaving together traditional and modern art forms. This metaphorical woven cross highlights the importance
of preserving cultural heritage while embracing contemporary innovation. The woven cross of modern and
traditional art offers an immersive experience that connects viewers to both the historical roots and contemporary
interpretations of the art form. This dual engagement fosters a deeper appreciation and understanding
of cultural heritage.
SBAI PATTERN
SKIN PATTERN
Sbai textiles are a significant part of Southeast Asian cultural heritage, particularly in Cambodia. Sbai textiles,
especially those worn by dancers, symbolize grace and fluidity. This can be reflected in the architectural
design through flowing forms and elegant lines, evoking a sense of movement and harmony. Just as
Sbai patterns often tell stories through their designs, the architecture can narrate a visual story, enhancing
the thematic connection between the building and the performances within. The functional benefits of using
Sbai-inspired designs, combined with advanced fabrication techniques and sustainable practices, result
in a theatre that is not only beautiful and evocative but also environmentally and operationally efficient.
77

4.2 Form Tranformation
PHASE 1
Site is located next to the high traffic desity road around the Prohm Bayon
Roundabout and next to Chroy Changvar bridge which is a big landmark of
city.
PHASE 2
Started from a volume of geometry sh
the landscape base on site analysis.
PHASE 4 PHASE 5
Cut some part volume of the form for a better pedestrian circulation which
reduce some edges.
Applied the tropical design technique
up and subtracting a pocket garden on
nature lighting.
78

ape that run parallel with two axis on
PHASE 3
Subtracted some volume of the form to make a better inside out view base
on site view.
which cutting void, raising the form
the form to improve air moment and
PHASE 6
Used inspiration from sound wave and music note to create a skin pattern
and curvy roof which represent a status of sound of the city.
79

4.3. Diagram
4.3.1. Passive Design Diagram
HIGH-PERFORMANCE
BUILDING MAINTENANCE
A theater utilizing Glass Fiber Reinforced
Concrete (GFRC) as its primary skin material
involves several key strategies
SOUND QUA
By using curved and wavy
wall and ceiling surface.
visual interest and cont
inside space.
SUNSHADING FACADE
The translucent GFRC panels facade help
reduce the direct sunlight while bring enough
indirect sunlight and natural ventilation to
the building.
STAGE ORIENTATION
The building orientation is face to the
South-West, which gives a better oportunity
to design a stage and all back stage facilities
to the west side. Thus the auditorium and
other functions can located in most ideal
direction.
80

LITY
wood panel along
It helps add the
rol reverberation
MOVEABLE SKYLIGHT
Providing flexibility in controlling indoor
climate and ambiance, offering occupants the
option to enjoy open skies and fresh air while
maintaining thermal comfort and energy
efficiency when closed.
STACK VENTILATION EFFECT
By design a void under a flexible skylight, the
flow of cold and hot air have adjusted the
temperature throughout the public zone of
the bilding. When the heat gains, it draw the
warm air up vertically.
GREEN BOX
The intention of the design is to reduce the
indoor temperature, with gren relationship. It
is also help captures the precipitation from
rainfall, that helps improve air quality and
protect from rain.
81

4.3. Diagram
4.3.2. Sustainable Development Goals Diagram
7
7
9
ON SITE
PARKING
x50
BALCONY 2
5
5
HANDICAP
PARKING
x9
BALCONY 1
5
11
5
BUS
PARKING
x16
5
5
7
3
AUDITORIUM
5
11
5
5
3 3
5
5
Good Health and Well-Being
Landscape integrate with building and facilities
good artists will promote the welfare of artist.
Gender Equality
Equal gender distribution in theatrical performances
and provide Equal amount of space use.
Decent Work and Economic Growth
This project can have a positive impact on
developing area and stimulate economic growth.
Industry, Innovative and Infrastructure
Engaging material innovative towards a
bio-base/low carbon footprint.
Affordable and Clean Energy
Passive Climate design strategy to reduce heat
with a sunscreen facade system.
Sustainable Cities and Communities
Culture and music have a positive impact on the
neighborhood .
82

4.3. Diagram
4.3.3. Circulation Diagram
ACCESSIBILITIES
ROOF
+ 37.71m
STAIRCASE
ACCESS
x1
THIRD FLOOR
+ 17.53m
LIFT
ACCESS
x6
SECOND FLOOR
+ 12.73m
x6
EMERGENCY
ACCESS
FIRST FLOOR
+ 12.73m
GROUND AND
MEZZANINE FLOOR
+ 0.65m- 4.25m
LEGEND
Main Staircase
Lift and Emergency
Public Circulation
Internal Circulation
Vehicle Circulation
83

4.3. Diagram
4.3.4. Roof Exploded Diagram
3D AXONOMETRIC RENDERING SECTION
JOIN
7
6
DETAILS
5
1
9
1.GFRP Pnael
2. Primary structure
3. Insulation panel
4. Tubes structure
5. Joining steel
6. Panel frame
7. Panel bracket
8. Mullion
9. Truss structure
2
8
4
3
84

Roof skin layera dynamic nonstructural
rooftop which creates the
over all
Glass fiber reinforced concrete, also
known as GFRC or GRC, is a type of fiber-reinforced
concrete.
Simple geometry in between layer acts
as an insulation
Weatherproofing
All weatherproofing trays were pre assembled
on site, The first layer is a prefabricated
weatherproofing tray system,
according to their actual dimensions, and
lifted up to the roof as complete units.
Space Frame structure
The first layer is a prefabricated weatherproofing
tray system, according to their
actual dimensions , and lifted up to the
roof as complete units.
Simple geometry in between layer acts
as an insulation
Tubes Structure
Light aluminum tubes structure holding
up the GFRP Panels.
Inner Skin layer
Interior skin The interior skin of the
building has the same geometrical complexity
as the exterior skin. In addition, the
architectura intention was also to divide
the interior skin visually Into “bands” in
the cross-building direction.
85

4.3. Diagram
4.3.5. Outdoor Activities
AMPHITHEATER
Which is facing the west direction, offering a versatile and
vibrant space for entertainment, culture, and community engagement.
CANO
Located at the front of the bu
ing area, the canopy provides
ensures a seamless entry exper
RECREATION ZONE
The recreation zone is a multi-functional area designed to
cater to various recreational activities, promoting physical fitness,
relaxation, and community engagement.
PAVILIO
The pavilion situated near the
, its strategic placement and or
ment of sunsets and the calmin
86

Y
ilding near the handicap parkshelter,
enhances safety, and
ience.
PLAYGROUND
The playground adjacent to the amphitheater provides a vibrant
and engaging space for children to play and explore
while their families enjoy events at the amphitheater.
N
water feature and facing west
ientation maximize the enjoyg
effects of the nearby water.
BUS STOP
It is designed to significantly reduce traffic congestion by encouraging
the use of public transportation. With a focus on
safety, accessibility, and environmental sustainability.
87

88

05
SCHEMATIC DESIGN
89

5.1. Program Chart
PROGRA
No. Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Amphitheater - Open-air Venue 200 1 1074 Outdoo
Cars drop off 10 cars each 2 240 Outdoo
Buses stop 1 bus 1 42 Outdoo
OUTDOOR
Stuff Drop Off 10 cars each 2 160 Outdoo
Truck Parking 5 truck each 3 217 Outdoo
Artist Parking 25 25 540 Outdoo
Bus Parking 16 16 200 Outdoo
Handicap Parking 10 10 150 Outdoo
VIP Parking 25 25 464 Outdoo
Plaza 100 3 3000 Outdoo
MAIN BU
Playground 50 1 527 Outdoo
Security 10 5 50 Outdoo
No. Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Stage Storage - 1 512 3m
Orchestra Pit storage - 2 191 3m
UNDER GROUND 1
Stuff Car Parking 82 82 1847 3m
Stuff Motorcycle Parking 341 341 1116 3m
Car Parking 310 310 6810 3m
Motorcyle Parking 400 400 1362 3m
Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Lifts 12-13 person/ 1 unit 3 unit/ 2 17.5 -
Stair - 1 93 -
MEP 5 2 94 4m
Lockers Room - 2 54.5 4m
Emergency Stair - 3 26 3m
CORE AREA
Women WC (Stuff) 30 person/ 1unit 12 units/ 2 74 3m
Men WC (Stuff) 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC (Stuff) 10 person/ 1 unit 1 units /2 10.4 3m
Janitor room (Stuff) 3 person/ 1 unit 1 unit /2 10.4 3m
Women WC 30 person/ 1unit 12 units/ 2 74 3m
Men WC 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC 10 person/ 1 unit 2 units /2 30 3m
Family WC 10 person/ 1 unit 1 unit /2 10 3m
Janitor room 3 person/ 1 unit 1 unit /2 10 3m
Garbage room - 2 50 4m
No. Room/ Space (excluded) Number of Users Quantity Area (m2) Height
UNDER GROUND 2
Car Parking 700 - 23,535 3m
Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Lifts 12-13 person/ 1 unit 3 unit/ 2 17.5 -
MEP 5 2 94 4m
CORE AREA
Lockers Room - 2 54.5 4m
Emergency Stair - 3 26 3m
Women WC (Stuff) 30 person/ 1unit 12 units/ 2 74 3m
Men WC (Stuff) 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC (Stuff) 10 person/ 1 unit 1 units /2 10.4 3m
Janitor room (Stuff) 3 person/ 1 unit 1 unit /2 10.4 3m
90

r
CHART
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public
Seatings, Show equipment, Speaker, Lighting fixture,
Backstage
r Public Handicap Ramp, Street Cross, Speed Bump, Pavement
r
Public
Handicap Ramp, Benches , Street Croos, Pavement,CCTV
cameras, Lighting , Seatings
It is located face to the river at the south west side of the maim building and
have a plantation surrounding to aviod people from sensory unquality and
make the space comfortable from the cold ventilation
It is located at the East side of the building near the roundabound ,along with
veriaty of plantation, which show as a axis from the roundabound to the
building
It is located at the North-east side of the building along the main road and at
the South-east side of the building along the brigde
r Public Drop off sign It is located at the entrance of the building, mostly for stuff
r Public Bumper block, speed bump It is located at the rear with the on-site parallel parking
r Semi-Public Bumper block, speed bump It is located at the rear with the on-site 45 deg parking
r Public Handicap Ramp, Benches , Street Croos, Pavement
It'll locate at the south-east side of the building under the bright. It'll be 45
degree parkings.
r Public Handicap Ramp, Benches , Street Croos, Pavement
It'll locate between the drop off area and bus parking. And It'll be also 45
degree parking which near the main entrance.
r Semi-Public Bumper block, speed bump It is located at the front with the on-site 45 deg parking
r
Public
Benches, Pavement, Street light, Street arts,Canopy, Trash
bin
It Located around the main building espeacially at along the bridge and road
which have too abandant of traffic. Moreover, It have to design near the
informal suttlement as well to blend that with the public park in the side
r Semi-Public Swing, Seesaw, Spiral Slide, Monkey Bar
It'll locate near the river near the space under the brigde to make it safe from
the traffic
r Private Camera, Desk, Computer It'll locate near the drop off area with a circular design.
ILDING
Space Type Furniture and Equipment Characteristics of rooms & special comments
Private stage machinery It is located under the stage for the technical stage system
Private Seating wagon It is located under the orchestra pi for the technical adjustable system
Public Bumper block, speed bump It is located near core area
Public Bumper block, speed bump It is located near ramp out
Public Bumper block, speed bump It is located near core area
Public Bumper block, speed bump It is located near ramp out
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public
Lift System
It is located near the Auditorium which is located at a focal point easy to
notice
Public - It is located along the atrium with dynamic shape
Private
Fire detection systems, Lighting systems, CCTV systems,
Plumbing systems, Air conditioning systems, Ventilation It is located in between the backstage and WC
system
Public Lockers It is located next to lift area
Public - It is located next to lift area
Semi-Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is locatedclose to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Private Cleaning Supplies, Labels and Signage, Trash bins It is located near Lift and emergency exit, facing to side stage
Private Differences types of trash bins It is located near Lift and emergency exit, facing to side stage
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public Bumper block, speed bump It is fully serve for audience car
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public
Lift System
It is located near the Auditorium which is located at a focal point easy to
notice
Private
Fire detection systems, Lighting systems, CCTV systems,
Plumbing systems, Air conditioning systems, Ventilation It is located in between the backstage and WC
system
Public Lockers It is located next to lift area
Public - It is located next to lift area
Semi-Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
91

Women WC 30 person/ 1unit 12 units/ 2 74 3m
Men WC 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC 10 person/ 1 unit 2 units /2 30 3m
Family WC 10 person/ 1 unit 1 unit /2 10 3m
Janitor room 3 person/ 1 unit 1 unit /2 10 3m
Garbage room - 2 50 4m
No. Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Entrance Lobby+ Atruim 1000 1 1600 40m
Exhibition Hall 300 1
1285 10m
Box office 15
4 Counters for Walk-in 2
Spots for Online Booking
95 4m
CCTV Office 10 1 51 4m
IT Office 10 1 51 4m
Financial Office 10 1 51 4m
Administration Office 15 1 51 4m
Director Office 5 1 51 4m
Grand hall Seating (Zone A) 474 1 782 40m
- Stage
- 1 512 40m
GROUND FLOOR
- Side Stage
- Rear Stage
- Orchestra Pit
Dressing Room (Green room)
- Single Dressing
- 4 seaters Dressing
- Common Dressing
- 2 954 40m
- 1 485 40m
80 1 191 40m
50 1 179.4 5m
4 person/ 1unit 6 67.6 4m
50 1 179.4 5m
Rehearsal Room (singers) 50 person/ 1 room 2 380 5m
Rehearsal Room (Dancers) 50 person/ 1 room 2 380 5m
Artists' Storage - 2 136 4m
Performance Organization 30 1 125 4m
Loading Dock - 1 190 5m
Worship Room 10 1 60 4m
Medical Room 10 1 106.5 4m
Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Lifts 12-13 person/ 1 unit 3 unit/ 2 17.5 -
Stair - 1 93 -
MEP 5 2 94 4m
Lockers Room - 2 54.5 4m
Emergency Stair - 3 26 3m
CORE AREA
Women WC (Stuff) 30 person/ 1unit 12 units/ 2 74 3m
Men WC (Stuff) 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC (Stuff) 10 person/ 1 unit 1 units /2 10.4 3m
Janitor room (Stuff) 3 person/ 1 unit 1 unit /2 10.4 3m
Women WC 30 person/ 1unit 12 units/ 2 74 3m
Men WC 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC 10 person/ 1 unit 2 units /2 30 3m
Family WC 10 person/ 1 unit 1 unit /2 10 3m
Janitor room 3 person/ 1 unit 1 unit /2 10 3m
Garbage room - 2 50 4m
No. Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Atrium Void - 1 850
Control Room 6 1 62 4m
Conference Hall 50 1 692 5m
92

Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Private Cleaning Supplies, Labels and Signage, Trash bins It is located near Lift and emergency exit, facing to side stage
Private Differences types of trash bins It is located near Lift and emergency exit, facing to side stage
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public Sofas, Tables, Seatings, Arts display, Plants or Greenery It is a verticle garden
Public
Arts Painting, sculpture, art gallery,pedestal, technology arts
gallery
It is locatedunder the pilotis functions as the outdoor flexible exhibition space
for temporary events or performane
Public
Counters, computers, shelves, screen display
It is located under the auditorium seatings which face to the atrium and main
staircase
Private Monitors , Desks , Projector , Screens, Tables, Seatings It is located under the auditorium's seatings
Private Monitors , Desks , Projector , Screens, Tables, Seatings It is located under the auditorium's seatings
Private Monitors , Desks , Projector , Screens, Tables, Seatings It is located under the auditorium's seatings
Private Monitors , Desks , Projector , Screens, Tables, Seatings It is locatedunder the auditorium's seatings
Private Monitors , Desks , Projector , Screens, Tables, Seatings It is located under the auditorium's seatings
Public
Private
Private
Acoustic Treatment, seating areas
Portable Stage Lighting, Sound System, Curtains or
Backdrops, Dance Floor or Mats, Control Consoles and
Interfaces
Sound System, Curtains or Backdrops, Dance Floor or Mats,
Control Consoles, and Interfaces
It is Divided into 2 seating types, an emergency exit from the mezzanine to
the ground floor
It is located on the west side
A space for loading props and artist or performance before perform in the
main stage
Private Scenery, Performance prop, Curtains or Backdrops A scene dock to install scenery or performance equipment
Semi-Public
Conductor, Strings, Woodwinds, Brass, Percussion
instruments
It is located in front of the stage with a flexible function
It is located at the back stage part
Private Makeup desk, clothing storage, a mirror, and a place to sit Types 1 of green room
Private Makeup desk, clothing storage, a mirror, and a place to sit Types 2 of green room
Private Makeup desk, clothing storage, a mirror, and a place to sit Types 3 of green room
Semi-Public
Semi-Public
Private
Microphones, Music Playback System, Acoustic Treatment,
Metronome
Mirrors, Music Playback System, Acoustic Treatment,
Metronome
Shelves, Equipment, lockers
It is located next to and have direct access to the rear stage
It is located next to and have direct access to the rear stage
It is located near the rehearsal room, store the loading suitcases and
equipment before the artist take it
Private Sofas, Tables, Seatings It is located near the rehearsal room and rear stage
Private unload the instruments and wardrobe cases It is located on the north side with a big open for logistic truck to load
Private
Public
Statue of belief, alter, meditation cushion
Emergency Oxygen Kit, Blood Pressure Monitors and
Thermometers
It is located in the backstage area, next to the dressing room which is easily
access before performance
It's located in the backstage area, next to the dressing room
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public
Lift System
It is located near the Auditorium which is located at a focal point easy to
notice
Public - It located along the atrium with dynamic shape
Private
Fire detection systems, Lighting systems, CCTV systems,
Plumbing systems, Air conditioning systems, Ventilation It is located in between the backstage and WC
system
Public Lockers It is located next to lift area
Public - It is located next to lift area
Semi-Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Private Cleaning Supplies, Labels and Signage, Trash bins It is located near Lift and emergency exit, facing to side stage
Private Differences types of trash bins It is located near Lift and emergency exit, facing to side stage
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public -
A dynamic shape, above the lobby area, makes our main entrance sense
more grand
Private
Projectors, tables,chairs, Monitor Speakers, Digital Audio
Workstation (DAW), Headphones, Acoustic Treatment
It is located in between the auditorium entrances
Private Seatings, lectern, projection screen, projector It is located on the opposite side of the auditorium facing to atrium
93

Conference Hall Back Stage 1 322 4m
- Stage Void
- Side Stage Void
- 1 512 30m
- 2 954 30m
FIRST FLOOR
- Rear Stage Void
- 1 485 30m
Grand hall seatings( zone B) 1 1002 30m
Dressing Room (Green room)
- Single Dressing
- 4 seaters Dressing
- Common Dressing
50 1 179.4 5m
4 person/ 1unit 6 67.6 4m
50 1 179.4 5m
Rehearsal room ( Singers) 50 person/ 1 room 1 380 5m
Rehearsal room ( Dancers) 50 person/ 1 room 1 380 5m
Artists' Storage - 2 136 4m
Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Lifts 12-13 person/ 1 unit 3 unit/ 2 17.5 -
Stair - 1 - -
MEP 5 2 94 4m
Lockers Room - 2 54.5 4m
Emergency Stair - 3 - -
CORE AREA
Women WC (Stuff) 30 person/ 1unit 12 units/ 2 74 3m
Men WC (Stuff) 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC (Stuff) 10 person/ 1 unit 1 units /2 10.4 3m
Janitor room (Stuff) 3 person/ 1 unit 1 unit /2 10.4 3m
Women WC 30 person/ 1unit 12 units/ 2 74 3m
Men WC 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC 10 person/ 1 unit 2 units /2 30 3m
Family WC 10 person/ 1 unit 1 unit /2 10 3m
Janitor room 3 person/ 1 unit 1 unit /2 10 3m
Garbage room - 2 50 4m
No. Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Atrium Void - 1 512.5 20m
- Stage Void
- 1 512 20m
Catwalk 5 1 300 20m
Grand hall seatings( zone C) 570 1 680 20m
Cafeteria 100 1 451 5m
VIP Lounge 300 1 563 5m
SECOND FLOOR
Control Room
5 1 62 4m
Lighting Technical Room 10 1 240 4m
Sound Technical Room 20 1 406 4m
Ramp - 2 1545 -
Storage 5 1 122 4m
Multipurpose Room 200 1 500.4 5m
Temporary Exhibition Space 100 1 437 5m
Pocket City Room Park 500 1 2087 -
Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Lifts 12-13 person/ 1 unit 3 unit/ 2 17.5 -
Stair - 1 93 -
MEP 5 2 94 4m
Lockers Room - 2 54.5 4m
94

Private
Private
Private
Private
Mirrors, make-up tables, Seatings
Lighting fixtures, Sound System, Curtains or Backdrops,
Catwalk
Lighting fixtures, Sound System, Curtains or Backdrops,
Catwalk
Lighting fixtures, Sound System, Curtains or Backdrops,
Catwalk
Seating area, VIP seats
It is located next to the conferencehall
It's located on the west side
It is located on both sides of the main stage
It is located on both sides of the main stage
Private
Private Makeup desk, clothing storage, a mirror, and a place to sit Types 1 of green room
Private Makeup desk, clothing storage, a mirror, and a place to sit Types 2 of green room
Private Makeup desk, clothing storage, a mirror, and a place to sit Types 3 of green room
Private
Private
Microphones, Music Playback System, Acoustic Treatment,
Metronome
Mirrors, Music Playback System, Acoustic Treatment,
Metronome
Shelves, Equipment, lockers
It is Divided into 2 seating types, an emergency exit from the mezzanine to
the ground floor
It is located at the back stage part
It is located next to and have direct access to the rear stage
It is located next to and have direct access to the rear stage
It is located near the rehearsal room, store the loading suitcases and
equipment before the artist take it
Private
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public
Lift System
It is located near the Auditorium which is located at a focal point easy to
notice
Public - It is located along the atrium with dynamic shape
Fire detection systems, Lighting systems, CCTV systems,
Private Plumbing systems, Air conditioning systems, Ventilation It is located in between the backstage and WC
system
Public Lockers It is located next to lift area
Public - It is located next to lift area
Semi-Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Private Cleaning Supplies, Labels and Signage, Trash bins It is located near Lift and emergency exit, facing to side stage
Private Differences types of trash bins It is located near Lift and emergency exit, facing to side stage
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public - A different shape from the lower floor with the glass handrails
Private
Lighting fixtures, Sound System, Curtains or Backdrops,
Catwalk
It's located on the west side
As walkway above the stage or auditorium used by technicians, lighting
Private
Panel Built's steel catwalks
operators, or performers for various purposes like managing lighting, sound,
rigging, or special effects during a performance.
Public Seatings A seating balcony overhang above the main seatings area
Public
Tables and chairs, bar or counter seating, cleaning equipment,
receptionist area, microwaves, sinks
It is located on the opposite side of the auditorium facing to atrium
Public Sofas, Tables, Chairs It is located next to the cafeteria
Projectors, tables,chairs, Monitor Speakers, Digital Audio
Private Workstation (DAW), Headphones, Acoustic Treatment
It is located in between the auditorium entrances
Private Lighting fixtures, Seatings, Tables, Shelves It is located next to the Main stage void with a direct access to the catwalk
Mixing Console, Audio Processors, Playback Devices,
Private
Monitoring Equipment
It is located next to the Main stage void with a direct access to the catwalk
Public
It is located along both sides building elevation, one up and the other down to
-
first floor
Private Shelf , Equipment It is located near Lighting technical room, mostly to store lighting equipments
Private Desk , Chair , Sofa , AC , Cabinet, It is located at the rear part of the building next to the MEP room
Public
Arts Painting, sculpture, art gallery,pedestal, technology arts
gallery
It is located next to Pocket City Room Park which link between the indoor
foyer and the outdoor park
Public Seatings, plants, trees A tropical element, big green space facing the river
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public
Lift System
It is located near the Auditorium which is located at a focal point easy to
notice
Public - It is located along the atrium with dynamic shape
Private
Fire detection systems, Lighting systems, CCTV systems,
Plumbing systems, Air conditioning systems, Ventilation It is located in between the backstage and WC
system
Public Lockers It is located next to lift area
95

Emergency Stair - 3 26 -
CORE AREA
Women WC (Stuff) 30 person/ 1unit 12 units 37 3m
Men WC (Stuff) 60 person/ 1 unit 6units + 6 Urinals 34 3m
Handicap WC (Stuff) 10 person/ 1 unit 1 units 5.2 3m
Janitor room (Stuff) 3 person/ 1 unit 1 unit 5.2 3m
Women WC 30 person/ 1unit 12 units/ 2 74 3m
Men WC 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC 10 person/ 1 unit 2 units /2 30 3m
Family WC 10 person/ 1 unit 1 unit /2 10 3m
Janitor room 3 person/ 1 unit 1 unit /2 10 3m
Garbage room - 2 50 4m
No. Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Atrium Void - 1 383 10m
- Stage Void
- 1 512 10m
Catwalk 5 1 300 10m
THIRD FLOOR
Grand hall seatings( zone D) 182 1 410 10m
Lighting Technical Room 10 1 240 4m
Sound Technical Room 20 1 406 4m
Storage 5 1 122 4m
Multipurpose Room 200 1 500.4 5m
Room/ Space (excluded) Number of Users Quantity Area (m2) Height
Lifts 12-13 person/ 1 unit 3 unit/ 2 17.5 -
Stair - 1 93 -
MEP 5 1 94 4m
CORE AREA
Lockers Room - 2 54.5 4m
Emergency Stair - 3 26 -
Women WC (Stuff) 30 person/ 1unit 12 units 37 3m
Men WC (Stuff) 60 person/ 1 unit 6units + 6 Urinals 34 3m
Handicap WC (Stuff) 10 person/ 1 unit 1 units 5.2 3m
Janitor room (Stuff) 3 person/ 1 unit 1 unit 5.2 3m
Women WC 30 person/ 1unit 12 units/ 2 74 3m
Men WC 60 person/ 1 unit 6units + 6 Urinals/2 68 3m
Handicap WC 10 person/ 1 unit 2 units /2 30 3m
Family WC 10 person/ 1 unit 1 unit /2 10 3m
Janitor room 3 person/ 1 unit 1 unit /2 10 3m
Garbage room - 1 50 4m
96

Public - It is located next to lift area
Semi-public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Private Cleaning Supplies, Labels and Signage, Trash bins It is located near Lift and emergency exit, facing to side stage
Private Differences types of trash bins It is located near Lift and emergency exit, facing to side stage
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public - A different shape from the lower floor with the glass handrails
Private
Lighting fixtures, Sound System, Curtains or Backdrops,
Catwalk
It's located on the west side
Private
Panel Built's steel catwalks
As walkway above the stage or auditorium used by technicians, lighting
operators, or performers for various purposes like managing lighting, sound,
rigging, or special effects during a performance.
Public Seatings It is reserved for VIP only with seats integrated with partition
Private Lighting fixtures, Seatings, Tables, Shelves It is located next to the Main stage void with a direct access to the catwalk
Private
Mixing Console, Audio Processors, Playback Devices,
Monitoring Equipment
It is located next to the Main stage void with a direct access to the catwalk
Private Shelf , Equipment It is located near Lighting technical room, mostly to store lighting equipments
Private Desk , Chair , Sofa , AC , Cabinet, It is located at the rear part of the building next to the MEP room
Space Type Furniture and Equipment Characteristics of rooms & special comments
Public
Lift System
It is located near the Auditorium which is located at a focal point easy to
notice
Public - It is located along the atrium with dynamic shape
Private
Fire detection systems, Lighting systems, CCTV systems,
Plumbing systems, Air conditioning systems, Ventilation It is located in between the backstage and WC
system
Public Lockers It is located next to lift area
Public - It is located next to lift area
Semi-Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Semi-Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located close to the dressing rooms and rehearsal rooms
Public Toilets, sinks, toilet cubicle, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Public Toilets, sinks, toilet cubicle, Urinals, toilet papers, mirrors It is located near Lift and emergency exit, facing to side stage
Private Cleaning Supplies, Labels and Signage, Trash bins It is located near Lift and emergency exit, facing to side stage
Private Differences types of trash bins It is located near Lift and emergency exit, facing to side stage
97

5.2.Bubble Diagram
5.2.1. Ground Floor
Truck Parking
Plaza
WC
Room
CCTV
Room
Stuff
IT
Loading Dock
WC
Trash
Room
MEP
Room
Room
Financia
Room
MEP
Room
WC
Plaza
WC
Pray
Room
Room
Trash
Room
Ramp Out
Legend
Primary
Socondary
Entrance
Core Area
Green space
Exit
Semi-Public
Public
Private
98

Stuff Drop Off
Bus Stop
Plaza
Exhibition Hall
l
Admin
Lobby
Ramp In
Room
Drop Off
Handicap Parking
Bus Parking
Plaza
VIP Parking
Plaza
0 25 50 100
m
N
99

5.2.Bubble Diagram
5.2.2. First Floor
Locker
Room
WC
Control
Room
Ramp
Void
Trash
Room
MEP
Room
Stage
Void
Auditorium Seats
WC
Rehearsal
Room
Stage
Void
Pocket
Garden
Dressing Room
Rear
Stage
Stage
Void
Amphitheater
Rehearsal
Room
MEP
Room
WC
WC
Trash
Room
Pocket Garden
Legend
Primary
Socondary
Entrance
Core Area
Green space
Exit
Semi-Public
Public
Private
100

Backstage
Atrium Void
Conference Hall
Locker
Room
FIRST FLOOR
0 25 50 100
m
N
101

5.2.Bubble Diagram
5.2.3. Second Floor
Ramp
Locker
Room
WC
Control
Room
Multipurpose Room
WC
Trash
Room
MEP
Room
Sound
Technical
Room
Catwalk
Auditorium Seats
Lighting
Technical
Room
WC
Temporary exhibition
Pocket City Room Park
Storage
Legend
Primary
Socondary
Entrance
Core Area
Green space
Exit
Semi-Public
Public
Private
102

Cafeteria
Atrium Void
VIP Lounge
Locker
Room
SECOND FLOOR
0 25 50 100
m
N
103

5.2.Bubble Diagram
5.2.4. Third Floor
Locker
Room
WC
Control
Room
Multipurpose Room
WC
Trash
Room
MEP
Room
Sound
Technical
Room
Catwalk
Auditorium Seats
Lighting
Technical
Room
Void
WC
Storage
Pocket Garden
Legend
Primary
Socondary
Entrance
Core Area
Green space
Exit
Semi-Public
Public
Private
104

Atrium Void
Locker
Room
THIRD FLOOR
0 25 50 100
m
N
105

5.3. Zoning Diagram
5.3.1. Ground Floor
Legend
Audience Circulation
Stuff Circulation
Artist Circulation
Core Area
Green space
Site Boundary
Semi-Public
Public
Private
106

0 25 50 100
m
N
107

5.3.Bubble Diagram
5.3.2. First Floor
Legend
Audience Circulation
Stuff Circulation
Artist Circulation
Core Area
Green space
Site Boundary
Semi-Public
Public
Private
108

FIRST FLOOR
0 25 50 100
m
N
109

5.3.Bubble Diagram
5.3.3. Second Floor
Legend
Audience Circulation
Stuff Circulation
Artist Circulation
Core Area
Green space
Site Boundary
Semi-Public
Public
Private
110

SECOND FLOOR
0 25 50 100
m
N
111

5.3.Bubble Diagram
5.3.4. Third Floor
Legend
Audience Circulation
Stuff Circulation
Artist Circulation
Core Area
Green space
Site Boundary
Semi-Public
Public
Private
112

THIRD FLOOR
0 25 50 100
m
N
113

5.4.Schematic Layout
5.4.1. Ground Floor
LEGEND
1. Lobby
2. Ticket Office
3. CCTV Office
4. Storage
5. Locker Room
6. Emergency Exit
7. Auditorium
8. Handicap WC
9. Female WC
10. Male WC
11. Garbage Room
12. MEP Room
13. Medical Room
14. Performing Organization
15. Multi-Purpose R
16. Rehearsal Room
17. Group Dressing
18. Single Dressing
19. Locking Dock

oom
Room
Room
GROUND FLOOR
112

5.4.Schematic Layout
5.4.1. First Floor
LEGEND
1. Conference Hall
2. Auditorium
3. Locker Room
4. Emergency Exit
5. Handicap WC
6. Female WC
7. Male WC
8. Garbage Room
9. MEP Room
10. Financial Office
11. Administration Office
12. Director Office
13. Rehearsal Room
14. Group Dressing Room
15. Single Dre

ssing Room
FIRST FLOOR
113

5.4.Schematic Layout
5.4.1. Second Floor
LEGEND
1. Auditorium
2. VIP Lounge
3. Cafeteria
4. Kitchen
5. Locker Room
6. Emergency Exit
7. Handicap WC
8. Female WC
9. Male WC
10. Media Room

SECOND FLOOR
114

5.4.Schematic Layout
5.4.1. Third Floor
LEGEND
1. Auditorium (VIP Space)
2. Emergency Exit
3. Handicap WC
4. Female WC
5. Male WC

THIRD FLOOR
115

118

06
ARCHITECTURAL
DRAWING
119

6.1. Master plan
9
10
LEGEND
1. Drop Off
2. Bus Parking
3. VIP Parking
4. Handicap Parking
5. Bus stop
6. Truck Entance
7. Artist Parking
8. Artist Drop Off
9. Loading Dock
10. Amphitheater
11. Pavilion
12. Recreation Zone
12
11

7
8
6
5
1
4
2
3
118

2
8
9
UP
1
2
3
4
5
6
7
8
9
10
1
12
13
DOWN
43
42
41
40
39
38
1 2
16
15
14
3
4
5
6
13
12
1
10
9
8
1
23
7
6
5
4
5
4
6
3
2
1
7
8
9
14
UP
15
16
38
39
40
41
42
43
DOWN
3
1 2
1
10
9
8 7 6
6 5 4 3
1
1 2
UP
DOWN
1
2
3 4 5 6
7
8
9
UP
1
12
6 7 8
9
25
1 10 9
10
1 12 13
2423
2
18
21 20 19
2
UP
1
17
1
16 15
2
3
4
5
5 4
6
2 1
3
6
9
7 8
10
6.2. Site plan
ARTISTS' BUS PARKING
±0.00
STAFF PARKING
±0.00
GARDEN
±0.20
BB
-2.50
-2.20
STAGE
-2.80
23
AMPHITHEATRE
+0.20
PLAYGROUND
±0.20
35
TRUCK IN AND OUT
±0.20
10 +0.65
+0.65
9
1500
+0.65
JANITOR
ROOM
8
EMERGENCY EXIT
KID
WC
8
+0.20
10 9 8
1500
+0.65
6
+0.20
2 3 4 5
0.20
R162@25,T3 0+30@25
6 5
LIFT
+0.65
5
11
RECYCLE
11
GARBAGE
+1.61
12
12
+1.61
STAFF AND ARTIST ONLY
+1.61
VOID ABOVE
+1.61
SIDE STAGE
5 4 3 2
R167@35,T3 0+30@35
19
18
+1.61
+1.61
STAFF AND ARTIST ONLY
12 13 14 15
16 17 18 19
4
STORAGE FOR ARTIST
+1.61
+1.61
POND
-1.2
29
PAVILION
+0.30
30
1
2
+0.20
6
ARTISTS' WAY TO DRESSING ROOM
10 9
1 3 4 5 6 7
6
+0.20
±0.20
1500
8
+1.61 +1.61
STAFF AND ARTIST ONLY
+1.61
7 8 9
17
+1.61
16
16
+1.61
VOID ABOVE
+1.61
BACK STAGE
VOID ABOVE
STAGE
+1.61
PLAZA
±0.60
3
22
PLAZA
±0.40
4
AA
9000 11000 11000 12000 12000 11000 11000 9000
5
86000
6
R169@43,T3 0+30@43
18
18
+1.61
18
7
+1.61
15
18
+1.61
18
17
+1.61
+1.61
R169@43,T3 0+30@43
6
17
±0.20
4 5 6 7 8 9
6
17
+1.61
17
+1.61
STAFF AND ARTIST ONLY
+0.96
+1.61 +1.61
1500
10 9
8
15
+1.61
+0.20
15
14
+1.61
16
14
+1.61
16
+1.61
4
STAFF AND ARTIST ONLY
MEETING ROOM
+1.61
STORAGE FOR ARTIST
+1.61
13
R167@35,T3 0+30@35
13 14 15 16
+1.61
17 18 19
+1.61
DOWN
13
8 7 6 5 4 3
12
12
+1.61
ND ARTIST ONLY
11
11
GARBAGE
+
RECYCL
LEGEND
1. Lobby
2. Ticket Office
3. CCTV Office
4. Storage
5. Locker room
6. Emergency Exit
7. Auditorium
WALK WAY PLAZA
+0.20
ROAD
±0.00
8. Handicap WC
9. Female WC
10. Male WC
11. Garbage Room
12. MEP Room
13. Medical Room
14. Performing Organization
OUT
±0.20
21
8
9
A
B C
10000 12000
15. Multi-Purpose Room
16. Rehearsal Room
17. Group Dressing Room
18. Single Dressing Room
19. Loading Dock
20. Bus Stop
21. Ramp
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

6 789
6
5
4
3
5
2
1
4 3 2 1
6
5
4 3
2 1
1
4
3
2
1
24
25
23 2
UP
21
1
2
17 16
3
4
1514
9 10 1
12 13
40
34
39 38 36 35 37
3
29
32 31 30
28 27
26
25
24
23
22
21
20
19
18
17
16
15
14
13
12
1
10
9
8
7
6
5
4
3
2
IN
28
AA
IN
±0.00
OUT
±0.00
IN
STAFF ENTRANCE
27
IN
ARTIST ENTRANCE
+0.20
+0.65
WALK WAY
+0.65
BUS STOP
±0.00
ORCHESTRA PIT
+1.61
STAFF A
E
1.61
+1.61
VOID ABOVE
7
7
10
+0.65
+0.96
SIDE STAGE
0.20
4
+0.65
+0.65
+0.65
STORAGE FOR AUDITORIUM
EMERGENCY DOOR
9
+0.65
+0.65
4
STORAGE FOR AUDITORIUM
+0.65
4
STORAGE FOR OFFICE
1500
+0.65
8
2 3 4 5 6 7 8 9 10
8
+0.65
JANITOR
ROOM
10 9 8
1500
KID
WC
4
+0.65
STORAGE FOR OFFICE
+0.65
+0.20
6
LIFT
+0.65
+0.20
EMERGENCY EXIT
20 19 18
+0.65
3
2
4
6
5 6 7 8
3
+0.20
+0.65
BB
+0.65
WALK WAY
+0.65
5
+0.65
ONLINE WALK IN TICKET
2
21
5
+0.65
+0.65
OFFLINE WALK IN TICKET
+0.65
VIP AND HANDICAP WALK IN TICKET
31
174550
FOUNTAIN
±0.20
12000 9000 11000 11000 11000 9000 10000 8000 8000 10000 10000 11000 10500 12200 9850
SUB ENTRANCE
IN
D E F G HI J K L M N O Q R
1
+0.65
1 20
25
26
34
VOID ABOVE
INFORMATION DESK
UP
+0.65
MAIN ENTRANCE
+0.65
IN
±0.00
HANDICAP PARKING
32
24
33
PLAZA
±0.40
+0.50
VIP PARKING
±0.00
±0.00
HANDICAP RAMP
UP
+0.20
P
IN
±0.00
BUS PARKING
±0.00
±0.20
VIP PARKING
±0.00
IN
±0.00
22. Plaza
23. Amphitheatre
24. Canopy
25. Main Entrance
26. Sub Entrance
27. Staffs & Artist’s entrance
28. Artist Parking
29. Water Scape
30. Pavilion
31. Bus Parking
32. Handicap Parking
33. VIP Parking
34. Drop Off
35. Playground
REVISION/ISSUE
DWG. TITLE
SITE PLAN
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-0.1
SCALE
1:1000
DRAW BY TEAM 7
CHECKED BY PISITH HUN
119
N

6.3. Architectural Plan
6.3.1. Layout Plan
A
B C D E F G H I
10000 12000 12000 9000 11000 11000 11000 9000
BB
1
11000
12000
11000
9000
2
1
11000
LIFT
-10.05
3
-9.60
4
AA
12000
5
6
7
-9.60
11000
LIFT
-10.05
8
1
9
10000
10000
9000
166000
10000
10000
10000
10000
10000
10000
10
11
12
13
14
15
16
17
LEGENDS
BB
1. Emergency Stair
2. Car Parking for Audience (740 lots)
3. Ramp
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

J K L M N O P
Q R
184550
10000 8000 8000 10000 10000 11000 10500 12200 9850
10000
S
3
DOWN
-9.60
2
-9.60
AA
2
-9.60
1
B1 UNDERGROUND
SCALE 1:900
3
UP
-9.60
REVISION/ISSUE
DWG. TITLE
B2 UNDERGROUND
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-1
SCALE
1:900
DRAW BY TEAM 7
CHECKED BY PISITH HUN
120
N

1500
1500
R165@16,T320+20@16
8
8
10 11 12 13 14 15 16
9
7 6
7 6
5 4
5 4
3
3
2
2
1
1
9 10 11 12 13 14 15 16
UP
UP
UP
JANITOR
ROOM
JANITOR
ROOM
KID
WC
KID
WC
A
B C D E F G H I
BB
10000 12000 12000 9000 11000 11000 11000 9000
1
2
9000
11000
-6.40
10
MULTI-PURPOSE ROOM
-6.40
STAFF AND ARTIST ONLY
-6.40
RECYCLE
GARBAGE
8
-6.40
9
-6.40
STAFF AND ARTIST ONLY
-6.40
7
-6.40
VOID ABOVE
6
-6.40
1500
5
-6.40
5
1500
4
LIFT
-6.85
3
11000
7 6
+1.61 +1.61
5
STAFF AND ARTIST ONLY
+1.61
-6.40
4 UP UP
12
11
+1.61
DW
+1.61
3
STORAGE FOR ARTIST
-6.40
1
STAGE SYSTEM
-6.40
4
AA
5
12000
13
13
13
12
VOID ABOVE
1 1
STAGE SYSTEM
STAGE SYSTEM
-6.40
-6.40
VOID ABOVE
2
ORCHESTRA PIT SYSTEM
-6.40
12000
13
-6.40
12
6
7
11000
4
UP
-6.40
12
-6.40
STAFF AND ARTIST ONLY
-6.40
7
5
6
+1.61 +1.61
11
-6.40
3
STORAGE FOR ARTIST
-6.40
-6.40
R165@16,T320+20@16
DW
1
STAGE SYSTEM
-6.40
11000
-6.40
STAFF AND ARTIST ONLY
-6.40
LIFT
-6.85
OUT
±0.00
19
8
9
9000
166000
UP
-6.40
10 10
MULTI-PURPOSE ROOM
MULTI-PURPOSE ROOM
-6.40
-6.40
9
-6.40
8
GARBAGE
-6.40
RECYCLE
STAFF AND ARTIST ONLY
-6.40
-6.40
VOID ABOVE
-6.40
7
-6.40
6
-6.40
1500
5
-6.40
5
1500
4
10000
Storage
-6.40
-6.40
10
14
-6.40
Security
Bedroom
-6.40
10000
10000
10000
10000
10000
10000
11
10000
18
-6.40
12
13
14
15
16
17
LEGENDS
BB
1. Stage System
2. Orchestra Pit System
3. Storage for Artists
4. Emergency Stair
5. Handicap WCFemale WC
6. Male WC
7. Garbage Room
8. MEP Room
9. Multi-Purpose Room
10. Rehearsal
11. Group Dre
12. Single Dre
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

DOWN
-6.40
±0.00
DOWN
-6.40
J K L M N O P
Q R
184550
10000 8000 8000 10000 10000 11000 10500 12200 9850
10000
S
19
14
-6.40
AA
15
-6.40
-6.40
Security
Bedroom
-6.40
Storage
-6.40
IN
19
17
-6.40
16
-6.40
19
UP
-6.40
1
B1 UNDERGROUND
SCALE 1:900
Room
ssing Room
ssing Room
13. Security Office
14. Car Parking for Audience (260 Lots)
15. Car Parking for Stuff (100 Lots)
16. Motorcycle Parking for Audience (280 Lots)
17. Motorcycle Parking for Stuff (315 Lots)
18. Ramp
REVISION/ISSUE
DWG. TITLE
B1 UNDERGROUND
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-2
SCALE
1:900
DRAW BY TEAM 7
CHECKED BY PISITH HUN
121
N

1 2 3 4 5 6 7 8 9
1
2
3
4
5
6
7
8
9
10
11
12
13
13
12
11
10
9
8
7
6
5
4
3
2
1
UP
R169@43,T300+30@43
UP
1 2 3 4 5 6 7 8 9
DOWN
R169@43,T300+30@43
DOWN
43
42
41
40
39
38
16
15
14
14
15
16
38
39
40
41
42
43
1 2 3 4 5 6 7 8 9
1 2 3 4 5 6 7 8 9
11 10 9
12 13 14 15 16 17 18 19
11 10 9
1
2
3
4
5
6
7
8
9
8 7 6 5 4 3 2 1
12 13 14 15 16 17 18 19
8 7 6 5 4 3 2 1
9
8
7
6
5
4
3
2
1
UP
UP
6
6
5
5
4
4
3
3
2
2
1
1
6
5
2
1
2
4
3
2
1
1 2 3 4 5 6 7 8 9 10
1 2 3 4 5 6 7 8 9 10
UP
UP
1 2 3
25 24
25 24 23 22 21 20 19
1 2 3 4 5 6 7
BB
A
B C D E F G H
10000 12000 12000 9000 11000 11000 11000
1
2
9000
18
+1.61
RECYCLE
GARBAGE
11
+1.61
12
+1.61
STAFF AND ARTIST ONLY
+1.61
10
+0.65
VOID ABOVE
9
+0.65
JANITOR
ROOM
8
1500
+0.65
8
KID
WC
1500
EMERGENCY EXIT
+0.20
+0.65
+0.20
0.20
6
11000
+0.20
STAFF AND ARTIST ONLY
+1.61
AA
3
4
5
86000
12000
11000
6
10
±0.20
18
+1.61
18
+1.61
18
+1.61
1500
9
+1.61 +1.61
8
STAFF AND ARTIST ONLY
+1.61
17
+1.61
17
+1.61
VOID ABOVE
16
+1.61
R167@35,T300+30@35
+1.61
4
STORAGE FOR ARTIST
+1.61
BACK STAGE
+1.61
DOWN
VOID ABOVE
SIDE STAGE
+1.61
STAGE
+1.61
6 5
4 3
ORCHESTRA PIT
+1.61
7
+0.65
6
7
12000
11000
6
18
+1.61
±0.20
17
+1.61
17
+1.61
STAFF AND ARTIST ONLY
+0.96
10
8
9
+1.61 +1.61
1500
16
+1.61
4
STORAGE FOR ARTIST
+1.61
+1.61
R167@35,T300+30@35
DOWN
SIDE STAGE
+0.96
4 3 1
EMERGENCY DOOR
+0.65
11000
+0.20
STAFF AND ARTIST ONLY
+1.61
8
9
9000
15
+1.61
14
+1.61
MEETING ROOM
+1.61
13
+1.61
12
+1.61
11
GARBAGE
+1.61
RECYCLE
STAFF AND ARTIST ONLY
+1.61
0.20
VOID ABOVE
10
+0.65
+0.65
9
+0.65
1500
8
JANITOR
ROOM
+0.65
8
1500
KID
WC
+0.20
+0.65
6
+0.20
+0.20
EMERGENCY EXIT
BB
LEGENDS
1. Lobby
2. Ticket Office
3. CCTV Office
4. Storage
5. Locker Room
6. Emergency Exit
7. Auditorium
8. Handicap WC
9. Female WC
10. Male WC
11. Garbage Room
12. MEP Room
13. Medical Room
14. Performing Organization
15. Multi-Purpose Room
16. R
17. G
18. S
19. Lo
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

4 5 6 7 8 9 10 11 12 13
23 22 21 20 19 18 17 16 15
18 17 16 15 14
8 9 10 11 12 13
40 39 38 37 36 35 34 33 32 31 30 29 28 27
26
25
24
23
22
21
20
19
2
3
4
5
6
18
17
16
15
14
13
12
11
10
7
9
8
I J K L M N O P
Q R
174550
9000 10000 8000 8000 10000 10000 11000 10500 12200 9850
R162@25,T300+30@25
5
+0.65
IN
LIFT
+0.65
WALK WAY
+0.65
STAFF ENTRANCE
4
STORAGE FOR AUDITORIUM
+0.65
4
STORAGE FOR AUDITORIUM
+0.65
+0.65
IN
ARTIST ENTRANCE
ONLINE WALK IN TICKET
+0.65
4
STORAGE FOR OFFICE
+0.65
3
+0.65
2
AA
OFFLINE WALK IN TICKET
+0.65
4
STORAGE FOR OFFICE
+0.65
+0.65
1
+0.65
VOID ABOVE
VIP AND HANDICAP WALK IN TICKET
+0.65
INFORMATION DESK
+0.65
WALK WAY
+0.65
LIFT
+0.65
5
+0.65
SUB ENTRANCE
MAIN ENTRANCE
IN
+0.65
IN
UP
+0.50
1
GROUND FLOOR
SCALE 1:650
ehearsal Room
roup Dressing Room
ingle Dressing Room
cking Dock
REVISION/ISSUE
DWG. TITLE
GROUND FLOOR
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-3
SCALE
1:650
DRAW BY TEAM 7
CHECKED BY PISITH HUN
122
N

33
32
31
30
29
28
9
10
11
12
13
13
12
11
10
9
28
29
30
31
32
33
UP
R169@43,T300+30@43
UP
DOWN
R169@43,T300+30@43
DOWN
23
22
21
20
19
18
17
16
15
14
14
15
16
17
18
19
20
21
22
23
11 10 9 24 23 22 21 20
12 13 14 15 16 17 18 19
12 13 14 15 16 17 18
11 10 9 24 23 22 21 20
19
UP
UP
2
2
25 24 23 22 21 20 1
1 2 3 4 5 6
1 2 3 4 5 6
25 24 23 22 21 20 1
BB
A
B C D E F G H
10000 12000 12000 9000 11000 11000 11000
1
9000
2
+4.25
1
DOWN
11000
VOID ABOVE
3
R167@35,T300+30@35
DOWN
SIDE STAGE
+0.96 +1.61
+0.65
4
11000
6 5
4 3 1
AA
12000
5
86000
VOID ABOVE
BACK STAGE
+1.61
VOID ABOVE
STAGE
+1.61
ORCHESTRA PIT
+1.61
3
+0.65
12000
6
6 5
4 3 1
11000
7
SIDE STAGE
+1.61
+0.65
11000
DOWN
8
VOID ABOVE
1
+4.25
DOWN
9000
9
BB
LEGENDS
1. Emergency Exit
2. Locker Room
3. Auditorium
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

9 18 17 16 15 14
7 8 9 10 11 12 13
7 8 9 10 11 12 13
9 18 17 16 15 14
40 39 38 37 36 35 34 33 32 31 30 29 28 27
26
25
24
23
22
21
20
19
2
3
4
5
6
18
17
16
15
14
13
12
11
10
7
9
8
I J K L M N O P
Q R
174550
9000 10000 8000 8000 10000 10000 11000 10500 12200 9850
2
+4.25
LIFT
+4.25
LOBBY
+4.25
DW (19)
+4.25
DW
DW
UP
DW
UP
3
+4.25
AA
DW
UP
DW
DW
UP
VOID ABOVE
DW (19)
+4.25
LOBBY
+4.25
LIFT
+4.25
2
+4.25
1
MEZZANINE FLOOR
SCALE 1:650
REVISION/ISSUE
DWG. TITLE
MEZZANINE FLOOR
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-4
SCALE
1:650
DRAW BY TEAM 7
CHECKED BY PISITH HUN
123
N

33
32
31
30
29
28
17
16
15
14
13
33
32
31
30
29
28
17
16
15
14
13
UP
R169@43,T300+30@43
UP
DOWN
R169@43,T300+30@43
DOWN
23
22
21
20
19
18
17
16
15
14
34
35
36
37
38
39
40
41
42
43
27 26 25
28 29 30 31 32 33 34 35
27 26 25
5
5
4
4
3
3
2
2
1
1
UP
28 29 30 31 32 33 34 35
UP
1 2 3 4 5
20 19 18 17 16 15 1
20 19 18 17 16 15 1
UP
1 2 3 4 5
BB
A
B C D E F G H
10000 12000 12000 9000 11000 11000 11000
1
2
9000
VOID BELOW
RECYCLE
+7.45
GARBAGE
8
+7.45
9
OUTDOOR VERANDA
+7.45
STAFF AND ARTIST ONLY
+7.45
+7.45 +7.45
7 6
VOID BELOW
JANITOR
ROOM
1500
5
+7.45
5
KID
WC
1500
+7.45
4
11000
OUTDOOR VERANDA
+7.45
STAFF AND ARTIST ONLY
+7.45
LOUNGE
+7.45
3
1500
+7.45 +7.45
7 5 6
R167@35,T300+30@35
DOWN
SIDE STAGE
+1.61
11000
4
+7.45
14
+7.45
VOID BELOW
STORAGE FOR ARTIST
+7.45
4
AA
5
86000
12000
15
+7.45
15
+7.45
15
+7.45
14
+7.45
VOID BELOW
BACK STAGE
+1.61
VOID BELOW
STAGE
+1.61
ORCHESTRA PIT
+1.61
2
+0.65
6
12000
15
+7.45
14
+7.45
11000
+7.45
14
+7.45
13
+7.45
STORAGE FOR ARTIST
+7.45
7
7
+7.45
STAFF AND ARTIST ONLY
+7.45
5
1500
6
+7.45
R167@35,T300+30@35
UP DOWN
+7.45
SIDE STAGE
+1.61
LOUNGE
+7.45
11000
OUTDOOR VERANDA
+7.45
STAFF AND ARTIST ONLY
+7.45
8
9
9000
12
+7.45
11
+7.45
10
+7.45
MEETING ROOM
+7.45
9
+7.45
8
GARBAGE
RECYCLE
+7.45
STAFF AND ARTIST ONLY
+7.45
OUTDOOR VERANDA
+7.38
VOID BELOW
7
+7.45
6
+7.45
1500
5
JANITOR
ROOM
+7.45
5
1500
KID
WC
4
+7.45
BB
LEGENDS
1. Conference Hall
2. Auditorium
3. Locker Room
4. Emergency Exit
5. Handicap WC
6. Female WC
7. Male WC
8. Garbage Room
9. MEP Room
10. Financial Office
11. Administration Office
12. Director Office
13. Rehearsal Room
14. Group Dressing Room
15. Single Dressing Room
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

6 7 8 9 10
4 13 12 11
4 13 12 11
6 7 8 9 10
1 2 3 4 5 6 7 8 9 10 11
1 2 3 4 5 6 7 8 9 10 11 12 13 14
12
13
18
30
29
28
27
26
25
24
23
15
16
17
18
19
20
21
22
40
39
38
37
36
35
23
24
25
26
27
28
29
30
31
32
33
34
1
2
3
4
1 2 3 4
I J K L M N O P
Q R
174550
9000 10000 8000 8000 10000 10000 11000 10500 12200 9850
3 +7.45
+7.45
LIFT
+7.45
FOYER
+7.45
STORAGE
+7.45
FOYER
+7.45
2
+4.25
2
+7.45
LOUNGE
+7.45
AA
STORAGE
+7.45
FOYER
22
21
FOYER
+7.45
17
16
15
14
20
19
VOID ABOVE
UP
UP
LIFT
+7.45
VOID BELOW
UP
1
+7.75
3
+7.45
FOYER
+7.45
+7.45
DRESSING ROOM
STAGE
+8.05
+7.45
BACKSTAGE
+7.45
+8.05
SIDE STAGE
1
FIRST FLOOR
SCALE 1:650
REVISION/ISSUE
DWG. TITLE
FIRST FLOOR
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-5
SCALE
1:650
DRAW BY TEAM 7
CHECKED BY PISITH HUN
124
N

24 23 22
5 4
25 26 27 28 29 30 31 32
3
2
1
25 26 27 28 29 30 31 32
24 23 22
5 4
3
2
1
UP
UP
UP
UP
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
33 32 31 30 29 28 27 26 25 24 23 22 21 20 19 18
33 32 31 30 29 28 27 26 25 24 23 22 21 20 19 18
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
16
17
17
16
BB
C D E F G H I J
12000 9000 11000 11000 11000 9000 10000
1
2
9000
OUTDOOR VERANDA
+12.73
+12.73 +12.73
9 8
JANITOR KID
ROOM
WC
1500
7
7
+12.73
1500
+12.73
6
5
+12.73
11000
OUTDOOR VERANDA
+12.73
MULTI-PURPOSE ROOM
+12.73
LIFT
+12.73
3
R165@32,T300+30@32
DOWN
VOID ABOVE
11000
REHEARSAL ROOM FOR
ARTIST
+12.73
STORAGE FOR ARTIST
+12.73
STORAGE
+12.73
SOUND CONTROL ROOM
+12.73
LIGHTING CONTROL ROOM
+12.73
4
CAT WALK
+12.73
AA
12000
5
86000
VOID BELOW
12000
VOID BELOW
6
CAT WALK
+12.73
11000
REHEARSAL ROOM FOR
ARTIST
+12.73
STORAGE FOR ARTIST
+12.73
STORAGE
+12.73
SOUND CONTROL ROOM
+12.73
LIGHTING CONTROL ROOM
+12.73
7
R165@32,T300+30@32
DOWN
+12.73
VOID ABOVE
11000
10
+12.73
LIFT
+12.73
8
6
+12.73
+12.73
5
9
9000
OUTDOOR VERANDA
+12.73
9
+12.73
8
+12.73
1500
7
JANITOR
ROOM
+12.73
7
KID
WC
BB
LEGENDS
1. Auditorium
2. VIP Lounge
3. Cafeteria
4. Kitchen
5. Locker Room
6. Emergency Exit
7. Handicap WC
8. Female WC
9. Male WC
10. Media Room
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

1+12.73
30 29 28 27 26 25 24 23 22 21
32 31 30 29 28 27 26 25 24 23 22
20
15
14
11
15
10
9
8
7
6
5
1
2
3
4
5
6
4
7
8
9
10
3
2
1
K L M N O P
Q R
8000 8000 10000 10000 11000 10500 12200 9850
DW
FOYER
+12.73
DW
STORAGE
DW
+12.73
UP
DW
UP
+12.73
CONTROL ROOM
+13.43
VOID ABOVE
19
18
17
16
13
12
+12.73
+12.73
AA
DW
STORAGE
FOYER
+12.73
+12.73
DW
20
21
18
19
16
17
11
12
13
14
VOID BELOW
2
+12.73
STORAGE
+12.73
+12.73
KITCHEN
+12.73
3
+12.73
OUTDOOR SEATING
+12.73
1
SECOND FLOOR
SCALE 1:650
REVISION/ISSUE
DWG. TITLE
SECOND FLOOR
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-6
SCALE
1:650
DRAW BY TEAM 7
CHECKED BY PISITH HUN
125
N

24 23 22 21 20 19 18 17 16
25 26 27 28 29 30
25 26 27 28 29 30
24 23 22 21 20 19 18 17 16
30 29 28 27 26 25 24 23 22 21 20 19 18 17
1 2 3 4 5 6 7 8 9 10 11 12 13 14
1 2 3 4 5 6 7 8 9 10 11 12 13 14
30 29 28 27 26 25 24 23 22 21 20 19 18 17
16
15
15
16
BB
C D E F G H I J
12000 9000 11000 11000 11000 9000 10000
1
9000
OUTDOOR VERANDA
+17.53
+17.53 +17.53
5 4
JANITOR KID
ROOM
WC
1500
3
3
+17.53
1500
2
+17.53
2
DOWN
3
11000
11000
OUTDOOR VERANDA
+17.53
REHEARSAL ROOM FOR
ARTIST
+17.53
R160@30,T300+30@30
DOWN
+17.53
STORAGE FOR ARTIST
+17.53
STORAGE
+17.53
VOID BELOW
SOUND CONTROL ROOM
+17.53
LOUNGE
+17.53
LIGHTING CONTROL ROOM
+17.53
LIFT
+17.53
LOUNGE
+17.53
4
CAT WALK
+17.53
AA
12000
5
12000
86000
VOID BELOW
VOID BELOW
6
CAT WALK
+17.53
7
11000
REHEARSAL ROOM FOR
ARTIST
+17.53
STORAGE FOR ARTIST
+17.53
+17.53
R160@30,T300+30@30
DOWN
STORAGE
+17.53
SOUND CONTROL ROOM
+17.53
LIGHTING CONTROL ROOM
+17.53
LOUNGE
+17.53
LOUNGE
+17.53
11000
VOID BELOW
LIFT
+17.53
8
2
+17.53
DOWN
9
9000
OUTDOOR VERANDA
+17.53
5
+17.53
4
+17.53
1500
3
JANITOR
ROOM
+17.53
3
KID
WC
BB
LEGENDS
1. Auditorium (VIP Space)
2. Emergency Exit
3. Handicap WC
4. Female WC
5. Male WC
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

1 2 3 4 5 6 7 8 9 10
11
12
13
16
17
18
19
20
K L M N O
8000 8000 10000 10000 11000
FOYER
+17.53
FOYER
+17.53
DW
1
+17.53
DW
DW
FOYER
+17.53
1
+17.53
DW
DW
1
+17.53
DW
DW
1
+17.53
FOYER
+17.53
VOID BELOW
DW
DW
1
+17.53
14
15
AA
DW
FOYER
+17.53
+17.53
1
THIRD FLOOR
SCALE 1:650
REVISION/ISSUE
DWG. TITLE
THIRD FLOOR
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-7
SCALE
1:650
DRAW BY TEAM 7
CHECKED BY PISITH HUN
126
N

Slope
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

Slope
1
ROOF PLAN
SCALE 1:650
REVISION/ISSUE
DWG. TITLE
ROOF PLAN
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-8
SCALE
1:650
DRAW BY TEAM 7
CHECKED BY PISITH HUN
127
N

5.3.2. Elevation
Glass Fiber reinforced
Concrete (EW-01)
Perforated Profile aluiminum Cladding
(EW-02)
Jotun Jotashield Colourlast
matt (EW-04)
1
EAST ELE
SCALE 1:1000
Glass Fiber reinforced
Concrete (EW-01)
GFRP Skin Panel (EW-03)
Jotun Jotashield Colourlast
matt (EW-04)
Perforated Profile
aluiminumCladding
(EW-02)
LEGEND
Glass Fiber reinforced
Concrete (EW-01)
Perforated Profile aluiminum Cladding
(EW-02)
GFRP Skin Panel (EW-03)
Jotun Jotashield Colourlast
matt (EW-04)
1
SOUTH EL
SCALE 1:1000
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

GFRP Skin Panel (EW-03)
VATION
Jotun Jotashield Colourlast
matt (EW-04)
Perforated Profile aluiminumCladding
(EW-02)
EVATION
REVISION/ISSUE
DWG. TITLE
EAST ELEVATION &
SOUTH ELEVATION
PROJ. NO.
ISSUE DATE
SCALE
24 June 2024
1:1000
DWG. NO.
A-9
N
DRAW BY TEAM 7
CHECKED BY PISITH HUN
128

Glass Fiber reinforced
Concrete (EW-01)
GFRP Skin Panel (EW-03)
Perforated Profile aluiminum Cladding
(EW-02)
Jotun Jotashield Colourlast
matt (EW-04)
1
WEST ELE
SCALE 1:1000
Glass Fiber reinforced
Concrete (EW-01)
GFRP Skin Panel (EW-03)
Jotun Jotashield Colourlast
matt (EW-04)
Perforated Profile
aluiminumCladding
(EW-02)
LEGEND
Glass Fiber reinforced
Concrete (EW-01)
Perforated Profile aluiminum Cladding
(EW-02)
GFRP Skin Panel (EW-03)
Jotun Jotashield Colourlast
matt (EW-04)
1
NORTH EL
SCALE 1:1000
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

Glass Fiber reinforced
Concrete (EW-01)
VATION
Glass Fiber reinforced
Concrete (EW-01)
EVATION
REVISION/ISSUE
DWG. TITLE
WEST ELEVATION &
NORTH ELEVATION
PROJ. NO.
ISSUE DATE
SCALE
24 June 2024
1:1000
DWG. NO.
A-10
N
DRAW BY TEAM 7
CHECKED BY PISITH HUN
129

5.3.3. Section
5.3.3. Section
11
9
8
6
5
4
9
8
9
8
7 7
10
10 10
174550
10000 12000 12000 9000 11000 11000 11000 9000 10000
A B C D E F G H I
LEGENDS
1. Lobby Lobby
2. Thicket Ticket Office Office
3. Storage Storage
4. Auditorium
5. Stage
6. 5. Back Stage Stage
4. Auditorium
6.
7. Stage System
8. Group Dressing Room
9. Single Dressing Room
10. Parking
11. Catwalk
12. Foyer
7. Stage System
8. Group Dressing Room
9. Single Dressing Room
10. Parking
13. Lounge
14. Control Room
15. VIP Seats
16. Conference Hall
17. VIP Lounge
1
SECTION AA
SCALE 1:500
11. Cat Walk
12. Foyer
13. Lounge
14. Control Room
15. VIP Seat
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

UPPER ROOF
FFL.+40.00
8490
LOWER ROOF
FFL.+31.51
15
14
13
2
12
12
12
1
650 3600 3200 5280 4800 5000 8980
40000
3200 5750
8950
TERRACE FLOOR
FFL.+22.53
THIRD FLOOR
FFL.+17.53
SECOND FLOOR
FFL.+12.73
FIRST FLOOR
FFL.+7.45
MEZZANINE FLOOR
FFL.+4.25
GROUND FLOOR
FFL.+0.65
EARTH LEVEL
FFL.+0.00
UNDERGROUND B1
FFL.-5.75
UNDERGROUND B2
FFL.-8.95
8000 8000 10000 10000 11000 10500 12200 9850
J K L M N O P
Q R
16. Conference Hall
17. VIP Lounge
REVISION/ISSUE
DWG. TITLE
SECTION AA
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-11
SCALE
1:500
DRAW BY TEAM 7
CHECKED BY PISITH HUN
130
N

6
4
3
6
4
5
6
2
1
6
7
6
8
86000
9000 11000 11000 12000 12000
1 2 3 4 5
LEGENDS
LEGEND
1. Stage
1. Stage
2. 2. Side Side Stage Stage
3. Multi-Purpose 3. Multi-purpose Room Room
4. Sound Control Room
5. Catwalk
6. Female WC
4. Sound Control Room
5. Cat Walk
6. Female WC
7. Stage System
8. Parking
7. Stage System
8. Parking
1
SECTION BB
SCALE 1:500
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

UPPER ROOF
FFL.+38.80
7290
LOWER ROOF
FFL.+31.51
4
4
2
3
6
6
6
6
6
3740 6400 3600 3200 5000 4700 5000 9360
37600
TERRACE FLOOR
FFL.+22.15
THIRD FLOOR
FFL.+17.15
SECOND FLOOR
FFL.+12.45
FIRST FLOOR
FFL.+7.45
MEZZANINE FLOOR
FFL.+4.25
GROUND FLOOR
FFL.+0.65
EARTH LEVEL
FFL.+0.00
UNDERGROUND B1
FFL.-6.40
UNDERGROUND B2
FFL.-10.01
11000 11000 9000
6 7 8 9
REVISION/ISSUE
DWG. TITLE
SECTION BB
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
A-12
SCALE
1:500
DRAW BY TEAM 7
CHECKED BY PISITH HUN
131
N

1 AUDIT
SCALE 1:
5.3.4. Detail Plan
MOVEABLE
30 mm THK NATURAL BEECH METAL OMEGA LED PROFILE
WOOD PLANK WITH LIGHT
G H
BROWN PAINT
I
25860
960 2690 3150 3670 1660 4750 2326 2674 3980
FL-01
POLISHED CONCTRETE
FL-02
MARMOLEUM VINYL SHEET
FCA-01
10mm THK POLYPROPYLENE
CARPET
30 mm THK NATURAL BEECH
WOOD PLANK WITH LIGHT
BROWN PAINT
CONCRETE BEAM
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

TRACK LIGHT
L CHAPE
J
NAIL FOR FIXING
I BEAM
I BEAM
K
MOVEABLE
STEEL WIRE
SPACE TRUSS FOR
INSTALLATION
TF +25860
7040
CF +18820
1890
3F +16930
4800
25860
2F +12130
5330
1F +6800
3150
MF +3650
3650
FFL
20mm THK NATURAL
BEECH WOOD SLICE
12mm THK GYPSUM BOARD
12mm THK GYPSUM BOARD
12mm THK GYPSUM BOARD
ORIUM DETAIL
175
REVISION/ISSUE
DWG. TITLE
AUDITORIUM DETAIL
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
D-1
SCALE
1:175
DRAW BY TEAM 7
CHECKED BY PISITH HUN
132
N

CF-01
30mm THK. PLYWOOD
ACOUSTIC
TIMBER PANEL
METAL OMEGA
LED PROFILE
L CHAPE
TRACK LIGHT
1424 1424 2604 2606 1528 340
963 2000 2096 2096 2
7058
6623
2287
1854
3146
2816
2394
4910
4647
4776
4880
5277
5464
3958
3431
1
DETAIL-
SCALE 1:100
NAIL FOR FIXING
I BEAM
410
SPACE TRUSS FOR
INSTALLATION
1528
340
963 2000 2096
STEEL WIRE
CF-01
30mm THK.
PLYWOOD ACOUSTIC
TIMBER PANEL
4880
5277
LED PROFILE
2283
1851
700
L CHAPE
3143
METAL OMEGA
50 mm THK
NATURAL BEECH
WOOD PLANK
WITH LIGHT
BROWN PAINT
1748
2
TYPICAL CEILING DETAIL-01
SCALE 1:60
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

NAIL FOR FIXING
I BEAM
I BEAM
MOVEABLE
STEEL WIRE
SPACE TRUSS FOR
INSTALLATION
TF +25860
2027
3325
2995
380
096 2096 2096 2096 2096 2096 2096 2096 2096
2235
2575
2205
1328
1522
500
2737
1706
2494
2722
2944
1191 1183 797
2700
7058
3431
2433
760
885
2641
1010
1223
CF +18820
01.1-AUDITORIUM CEILING
METAL OMEGA LED STEEL WIRE
30
78°
623
30
30 mm THK
NATURAL BEECH
WOOD PLANK
WITH LIGHT
BROWN PAINT
210
LED PROFILE
L CHAPE
INSTALLATION ANGLE
3
TYPICAL CEILING DETAIL-02
SCALE 1:20
REVISION/ISSUE
DWG. TITLE
AUDITORIUM DETAIL
CALL OUT-01
PROJ. NO.
ISSUE DATE
SCALE
24 June 2024
-
DWG. NO.
D-1.1
N
DRAW BY TEAM 7
CHECKED BY PISITH HUN
133

30 mm THK NATURAL BEECH WOOD
PLANK WITH LIGHT BROWN PAINT
10mm THK
CARPET ROLL
20mm THK WOOD SLICE
TO INSTALL THE CHAIR
12mm THK
GYPSUM BOARD
1319
390
950
1000
1000
4198
3F +16930
200
2772
4142
920
250
2010 951 985 1020 743 489 600 2059
METAL STRIP I BEAM METAL OMEGA INSTALLATION ANGLE L CHAPE STEEL WIRE
1
DETAIL-01.2-AUDITORIUM BALCONY
SCALE 1:55
Z-SHAPED FIXED LEGS
LIGHT GREY CUSHION
450 50
440 480
3
1020
SOLID WOOD ARMREST
WOOD FIXING SCREW
10mm THK CARPET ROLL
CHAIR FIXING SCREW
20mm THK NATURAL
BEECH WOOD SLICE
20mm THK WOOD SLICE
TO INSTALL THE CHAIR
CONCRETE BEAM
TYPICAL BALCONY SEATING DETAIL-02
SCALE 1:25
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

1020
450 50
440 480
600
615
480
100
170
490
300 700 300 962
952 985
STEEL WIRE
30mm WOOD PLANK
L CHAPE
METAL OMEGA
INSTALLATION ANGLE
I BEAM
METAL STRIP
2
TYPICAL BALOCNY SEATING DETAIL-01
SCALE 1:25
REVISION/ISSUE
DWG. TITLE
AUDITORIUM DETAIL
CALL OUT-02
PROJ. NO.
ISSUE DATE
SCALE
24 June 2024
-
DWG. NO.
D-1.2
N
DRAW BY TEAM 7
CHECKED BY PISITH HUN
134

INSTALLATION
ANGLE
30 mm THK NATURAL
BEECH WOOD PLANK
CONTINUOUS WOOD
BLOCKING BY OTHERS
TRACK FIXING SCREW
DRAPERY TRACK
KIRSCH 94004 SERIES
BY DFB
SHINY RED VELVET
FABRIC
490 520 600 4200 600 2765
3417
2658
1978
1458
1080 600290 1427 1245 1031 1792 1291 1799
778
CF +18820
I BEAM
3F +16930
ROLLER MOTOR
TRACK ROLLER
STEEL WIRE
METAL STRIP
2F +12130
1
DETAIL-01.3-MOVEABLE CEILING DETAIL
SCALE 1:100
270
120
1037 600 200 190
CONTINUOUS WOOD
BLOCKING BY OTHERS
TRACK FIXING SCREW
578
100
DRAPERY TRACK
KIRSCH 94004 SERIES
BY DFB
323
306
SHINY RED VELVET
FABRIC
STEEL STRUCTURE
FOR INSTALLATION
518
30 mm THK NATURAL
BEECH WOOD PLANK
3
TYPICAL CURTAIN TRACK DETAIL
SCALE 1:25
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

130
I BEAM
490 520 600 4200 600 2765
1083 600
200 190
3000
ROLLER MOTOR
TRACK ROLLER
STEEL WIRE
METAL STRIP
MOVEABLE
INSTALLATION ANGLE
30 mm THK NATURAL
BEECH WOOD PLANK
CONTINUOUS WOOD
BLOCKING BY OTHERS
TRACK FIXING SCREW
DRAPERY TRACK
KIRSCH 94004 SERIES
BY DFB
SHINY RED VELVET
FABRIC
2
TYPICAL WALL MOUNTED DETAIL
SCALE 1:45
REVISION/ISSUE
DWG. TITLE
AUDITORIUM DETAIL
CALL OUT-03
PROJ. NO.
ISSUE DATE
SCALE
24 June 2024
-
DWG. NO.
D-1.3
N
DRAW BY TEAM 7
CHECKED BY PISITH HUN
135

1 DETAIL-0
SCALE 1:40
FL-01
POLISHED CONCTRETE
FL-02
MARMOLEUM VINYL SHEET
CW-01
CONCRET
1265
1902
600
2102
1177
1800
5870
1240 1538 1231 1231
200
910
STAGE MACHINERY
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

E WALL
30 mm THK NATURAL BEECH WOOD
PLANK WITH LIGHT BROWN PAINT
FCA-01
10mm THK POLYPROPYLENE CARPET
9017
3417 1000 1000 1000
406 697 123
650 320 406 795 3393
5565
2F +12130
FW-01
30 mm THK NATURAL
BEECH WOOD PLANK
FL-01
POLISHED CONCTRETE
CONCRETE BEAM
CH-01
AUDITORIUM CHAIR
1.4-VIEW SIGHT DETAIL
REVISION/ISSUE
DWG. TITLE
AUDITORIUM DETAIL
CALL OUT-04
PROJ. NO.
ISSUE DATE
SCALE
24 June 2024
1:40
DWG. NO.
D-1.4
N
DRAW BY TEAM 7
CHECKED BY PISITH HUN
136

DRAIN PIPE
45°
200
5700
NON-WOVEN
GEOTECHNICAL FABRIC
700
85 1752
80
120mm CLEAR GRANULAR
DRAINAGE LAYER
900
200
1
DETAIL-02-BALC
SCALE 1:40
RODDING EYE AND
FILTER CAPPING
106
355
SEALANT ALL
AROUND THE PIPE
NON-WOVEN GEO-
TECHNICAL FABRIC
60
185
200 200 205
120mm CLEAR
GRANULAR
DRAINAGE LAYER
180mm CONCRETE
TOPPING
50
2
TYPICAL PLANTER BOX DETAIL
SCALE 1:20
WATERPROOFING
WATER SUPPLY
PIPE
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

SHRUBS, GRASSES
200
100mm MULCH
TOP SOIL MIXTURE
3698 85
85 120 355 106
EDGES
WATERPROOFING,60mm RIGID
INSULATION & NON-WOVEN
GEOTECHNICAL FABRIC
185
15
600
180mm CONCRETE TOPPING
WATERPROOFING
ONY PLANTER BOX
600
45°
SHRUBS, GRASSES
100mm MULCH
600 15 185 85 120 355 106
EDGES
TOP SOIL MIXTURE
NON-WOVEN GEO-
TECHNICAL FABRIC
60mm RIGID
INSULATION
WATERPROOFING
180mm CONCRETE
TOPPING
WATERPROOFING
BEAM STRUCTURE
600
DRAINAGE PIPE
3
DRAINAGE DETAIL
SCALE 1:25
REVISION/ISSUE
DWG. TITLE
BALCONY PLANTER BOX
DETAIL
PROJ. NO.
ISSUE DATE
SCALE
24 June 2024
-
DWG. NO.
D-2
N
DRAW BY TEAM 7
CHECKED BY PISITH HUN
137

WALL RAIL
PRECAST TERRAZZO STEP
330 330 330 330 330 330 330 330 330 330 330 330
3480
BB
A2-01
1482 694 668 647 632 621 614 611 612 2014
40 39 38 37 36 35 34 33 32 31 30 29 28 27
26
25
24
223
A2-01
AA
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
11000 10500
N
O
BB
A2-01
1
DETAIL-01.4-VIEW SIGHT DETAIL
SCALE 1:120
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

A2-01
AA
6
1383 690 692 640 626 618 608 621 614 2682 713 717 689 675 656 635 610 587
11000
7
P
REVISION/ISSUE
DWG. TITLE
STAIR LAYOUT DETAIL
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
D-3
SCALE
1:120
DRAW BY TEAM 7
CHECKED BY PISITH HUN
138
N

6800
170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170
Purposal Beam
11000 10500
P
1
O
SECTION AA
SCALE 1:100
6800
170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170 170
7
11000
2 SECTION-BB
SCALE 1:100
6
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

330
FL +6800
330
330
PRECAST
TERRAZZO STEP
UNDERBED
2210
CONCRETE SLAB
GF
N
FL +6800
1530
6800
1530
2210
3060
6800
1530
120 170 170 170
500
50
Purposal Beam
3
TYPICAL STAIR DETAIL
SCALE 1:20
1530
GF
REVISION/ISSUE
DWG. TITLE
STAIR DETAIL
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
D-3.1
SCALE
-
DRAW BY TEAM 7
CHECKED BY PISITH HUN
139
N

22000
2 SECTIO
SCALE 1:7
CC
A2-01
A2-02
DD
E
F
22000
725 850 850 850 850 850 725 1000 2400 1000 715 8
AA
A2-01
350
850
K K K K K K
A
A
5100
2025
A
A
A
A
A2-01
BB
1525
350
A
A
1346 1000 1004 1000 1450 1000 2200 1000 1450
CC
A2-01
E
A2-02
DD
1 DETAIL-04-TO
SCALE 1:75
300 5200 200 1000 400 700 200 700 400 1000 3
GYPSUM BOARD 12mm
THK WITH INSULATION
100 x 400 GLOSSY/MATT
GLAZED CERAMIC
SUBWAY WALL TILE
MASONRY CAVITY
WALL INSULATION
GRAY PAINT WALL
NON -SLIPPERY TILE
3250
1450 1800
K K K K K K
O
M
A
A
M
O
725 850 850 850 850 850 725 1000 2400 1000
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

EE
A2-01
G
80 850 850 850 850 1110 1895 1600 1895
405
A
1500
300
AA
A2-01
1500
A
450
5100
1000
1000
JANITOR
ROOM
KID
WC
1000
A
1000
350
9
A2-01
BB
1000 1004 1000 1846 1000 3200 1000 500
ILET LAYOUT
EE
A2-01
F
G
22000
00 5100 200 2200 200 1600 200 2100
CH 3200
MATL CL-01
FFL +650
CFL +3200
M
A
2200 1000
3200
FFL
715 880 850 850 850 850 1110 995 470
1600 2300
22000
N AA
5
REVISION/ISSUE
DWG. TITLE
TOILET DETAIL-01
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
D-4
SCALE
-
DRAW BY TEAM 7
CHECKED BY PISITH HUN
140
N

G
500
1000 600 200 1600 200 1000 600 200 1046 1000 1004 1000
GYPSUM BOARD 12mm
THK WITH INSULATION
100 x 400 GLOSSY/MATT
GLAZED CERAMIC
SUBWAY WALL TILE
MASONRY CAVITY
WALL INSULATION
GRAY PAINT WALL
NON -SLIPPERY TILE
3200
1010
2190
M
A
405
995 700 200 1600 200 2200 200 416 850 850 850 850
1 SECTI
SCALE 1:
GYPSUM BOARD
12mmTHK WITH
INSULATION
100 x 400 GLOSSY/
MATT \GLAZED
CERAMIC WALL TILE
MASONRY CAVITY
WALL INSULATION
PVC WALL
NON -SLIPPERY
TILE
600
600
3200
1150
850
9
5105
200 1680 2425 600 200 200 900
K
1750
1450
CH
MATL
3200
3200
CL-01
FFL +650
CFL +3200
FFL
GYPSUM BOARD
12mmTHK WITH
INSULATION
100 x 400 GLOSSY/
MATT GLAZED
CERAMIC WALL TILE
GRANITE 20mm THK
PVC DOOR
NON -SLIPPERY
TILE
3200
2200 1000
M
A
350 1530 2425 450 350 200 900 404 9
2
5105
SECTION CC
SCALE 1:75
3
GENERAL NOTES
GROUP NAME
1. VATHANA MENG
2. SREYNE THEA
3. RITHDAREYA CHIN
NO.
DATE
PARAGON INTERNATIONAL UNIVERSITY
No. 08, St. 315, Sangkat Boeung Kak 1,
Khan Toul Kork, Phnom Penh, Cambodia
PROJECT NAME AND ADDRESS
MEKONG THEATRE
Prohm Bayon Cir., Sangkat Chroy Changvar ,
Khan Chroy Changvar, Phnom Penh, Cambodia

ON-BB
75
F
E
22000
400 1050 1000 1000 1200 1000 1450 1000 1004 1000 1046 200
CH 3200
MATL CL-01
FFL +650
CFL +3200
O
M
A
A
M
O
1200 1200
3200
800
FFL
434 200 2350 700 200 700 1500 200 403 850 850 850 850 820 777
22000
9
9
5105 5105
3805 200 200 2250 200 2255 200
600
600
CH
MATL
1300
3200
700
3200
CL-01
FFL +650
CFL +3200
FFL
GYPSUM BOARD
12mm THK WITH
INSULATION
100 x 400 GLOSSY/
MATT GLAZED
CERAMIC WALL TILE
3200
850 1150 600 600
A A A A A
PVC DOOR
GRANITE 20mm THK
NON -SLIPPERY
TILE
M
M
1000
2200
CH
MATL
3200
3200
CL-01
FFL +650
CFL +3200
FFL
28 928 928 618 200
5105
SECTION DD
141
SCALE 1:75 4
350 395 605 1000 451 395 605 1000 305
5105
SECTION EE
SCALE 1:75
REVISION/ISSUE
DWG. TITLE
TOILET DETAIL -02
PROJ. NO.
ISSUE DATE
24 June 2024
DWG. NO.
D-4.1
SCALE
-
DRAW BY TEAM 7
N
CHECKED BY
PISITH HUN

6.7. Material List
MEKONG THEATRE : MATERIAL & FINISHES LIST
Code Description Color Finishes Size(mm)
Space Description
Location
Space Perspective
Render Sample Actual Sample Supplier Code Note
FLOOR FINISHING
AUDITORIUM - INTERIOR
FL : FLOOR FINISHING
FL-01 POLISHED CONCTRETE CONCTRETE MATTE Varied on Design AUDITORIUM SEATING AREA CONTRACTOR
FL-02 MARMOLEUM VINYL SHEET BLACK MATTE 36.00 x 12.00 x 0.38 Inches STAGE CONTRACTOR
FW: WOODEN FLOOR
FW-01 TIMBER PARQUET NATURAL WALNUT CONWOOD PAINT COATING 100 X 3050 AUDITORIUM SEATING AREA, STAGE CONTRACTOR
FCA: CARPET FLOOR
FCA-01 POLYPROPYLENE GREY WIRE - Varied on Design AUDITORIUM CONTRACTOR ST160523 http://rongphuongbac.com/
CW : CONCRETE WALL
WALL FINISHING
CW-01 CONCRETE WALL CONCTRETE Rough Surface Varied on Design AUDITORIUM CONTRACTOR
CW-02
2 LAYERS OF 15mm GYPSUM
BOARD ON STEEL STUDS
WITH 150mm AIR GAP FILLED
WITH 50mm ROCKWOOL
GYPSUM EMULSION PAINT,WHITE Varied on Design AUDITORIUM CONTRACTOR
WO : WOODEN WALL
WO-01
12mm THK. PLYWOOD
ACOUSTIC TIMBER PANEL
TIMBER NIL Varied on Design AUDITORIUM CONTRACTOR
FW : FABRIC WALL
FW-01
FIREGLASS(72Kg/m3) WITH A
FACING OF STRETCHED
FABRIC
ACOUSTIC FIREGLASS
PANELS
Stretched Fabric Varied on Design AUDITORIUM, CONTROL ROOM CONTRACTOR
FW-02
ACOUSTIC PANELS
SOUNDPROOF
BLACK Polyurethane foam Varied on Design CONTROL ROOM CONTRACTOR
CT : CURTAIN AND BLIND
CT-01 VELOUR ACOUSTIC CURTAIN RED TEXTURED
Concealed Top
Controlled Cuff with Cupped Drapery
Varied on Design STAGE CONTRACTOR
CF : CEILING FINISHING
CEILING FINISHING
CF-01
12mm THK. PLYWOOD
ACOUSTIC TIMBER PANEL
TIMBER NIL Varied on Design AUDITORIUM CONTRACTOR
CH : CHAIRS
FURNITURES
CH-01
Auditorium Chair, Hall Chair,
Meeting Room Chair
FABRIC
Molded sponge+fabric+pp+metal
580*820*1070mm
AUDITORIUM CONTRACTOR
144

MEKONG THEATRE : MATERIAL & FINISHES LIST
Code Description Color Finishes Size(mm)
Space Description
Location
Space Perspective
Render Sample Actual Sample Supplier Code Note
FLOOR FINISHING
AUDITORIUM - EXTERIOR
EW : EXTERIOR WALL FINISH
EW-01
GFRC ( Glass fibre reinforced
concrete)
CONCTRETE MATTE Varied on Design SKIN FACADE
Anhui Anche New Material Co.,
Ltd
- m/high-glossy-and-smooth-felt-base-frp
EW-02
PERFORATED PROFILE
ALUMINUM CLADDING
GRAY MATTE 36.00 x 12.00 x 0.38 Inches SKIN FACADE CONTRACTOR
EW-03
GFRP SKIN PANEL
CUSTOMIZE
SMOOTH
100m/roll & Customized x
SKIN FACADE
Anhui Anche New Material Co.,
Ltd
-
https://www.eastfrp.com/high-glossyand-smooth-felt-base-frp-panel-frpsheets.html
EW-04
JOTUNE JOTASHIELD
COLOURLAST MATT
TWILIGHT MATTE Varied on Design EXTERIOR WALL PAINTING JOTUNE 9904 http://rongphuongbac.com/
EW-05 SPIDER CURTAIN WALL TEMBER GLASS GLASS Varied on Design LOBBY CONTRACTOR
145

6.8. 3D Visualization
6.8.1. Exterior Visualization
Figure 6.1: Day Time View From river
Day Time View from river
Standing by the tranquil river’s edge, the view unfolds gracefully towards the grand theater
nestled amidst the cityscape. The water reflects a serene blue sky, dotted with fluffy clouds that
drift lazily overhead. Across the rippling surface, the theater’s imposing facade rises majestically,
its intricate architecture illuminated by the soft glow of the setting sun.
146

147

Figure 6.2: Night Time View From river
Night Time View from river
As night descends, the view from the river to the theater transforms into a mesmerizing
spectacle of light and shadow. The city’s skyline twinkles with a myriad of lights, creating a
backdrop of urban brilliance against the darkened sky. The theater itself becomes a beacon
of culture and entertainment, its facade bathed in the warm glow of spotlights that highlight
its architectural details.
148

149

Figure 6.3: View From Entrance
View from Entrance
Standing at the center of the bustling roundabout, the view encompasses a dynamic panorama
that converges on the majestic theater. Traffic flows around the circle, headlights
streaking through the evening dusk, creating a lively contrast to the calm elegance of the
theater’s facade. Illuminated by soft spotlights and adorned with classical architectural
motifs, the theater stands as a beacon of culture amidst the urban landscape.
150

151

Figure 6.4: View of Bus Stop
View of Bus Stop
Figure 6.5: View of Pavilion
View of Pavilion
152

Figure 6.6: View of Amphitheater
View of Amphitheatre
Figure 6.7: View of Playground
View of Playground
153

6.8. 3D Visualization
6.8.2. Interior Visualization
Figure 6.8: View of Lobby
View of Lobby
A lobby with a void that not only impresses visitors with its grandeur but also
provides a welcoming and functional space.
154

Key Plan
155

Figure 6.9: View tothe upper Void
View to the Upper Void
The open space, or void, within a grand hall creates a sense of grandeur and expansiveness,
making one feel small and humble while evoking awe. The mood
of the void shifts with lighting; bright, natural light can make the space feel airy
and welcoming, while dim or dramatic lighting adds a touch of mystery and
intimacy.
156

Key Plan
157

Figure 6.10: Auditorium View From Stage
Auditorium View From Stage
By combining these elements, you can create a stunning and functional auditorium
with a wood ceiling that enhances both the visual and auditory experience
for attendees.
158

Key Plan
159

Figure 6.11: View of Auditorium from Side Balcony
View of Auditorium from Side Balcony
Figure 6.12: View of Auditorium from Balcony
View of Auditorium from Balcony
160

Figure 6.13: View of Atrium
View of Atrium
Figure 6.14: View of Digital Gallery
View of Digital Gallery
161

162

07
CONCLUSION
163

7.1. Statement of Conclusion
Figure 6.15: Photo of Model
The Study of Mekong Theatre proposal aims to provide rations and influence
Cambodian citizens and the country as a whole to focus more on establishing
possibilities for local artists and people’s awareness of performing arts and art in
general. In terms of proposal, the project planned to design a performing arts
theater and garden that allows for numerous adjustable spaces within the facility
to stage acts of varying scales at the same time. Furthermore, it aimed to demonstrate
the advancement of Cambodian performing arts development through architecture.
Lastly, it aims to honor and conserve Cambodia’s old culture through
its architectural idea design.
The idea may have a large numerical cost due to its complex construction, fascinating
decorating, significant maintenance, and other factors. However, the
opportunity cost of doing so is worthwhile because it will inspire more people,
particularly the younger generation, to appreciate art performance, advancing
the profession further.
Hence the newly designed Mekong Theatre is truely a new architecture
landmark which transforms the reputation of the site into a lively vibrant area
where people can enjoy a sense of movement that resonates on both sensory
and visual involved in the day and celebrate its glory in the dark.
164

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Jože Plečnik. (7 March 2013). Preah Suramarit National Theatre. architectuul.com. Retrieved from
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https://architectuul.com/architecture/chaktomuk-conference-hall
City of Water. (2012, February 29). Chenla Theater. Retrieved June from
https://cityofwater.wordpress.com/2012/02/29/chenla-theater/
NK-A.(2009). Preah Suramarit National Theatre. The Vann Molyvann Project.com.Retrieved from
https://www.vannmolyvannproject.org/preah-suramarit-national-theatre
Pisith Ty. (2018). Tropical Strategy of Modern Architecture in Cambodia through the works of Vann Molyvann. 004-1vPisith
Ty.docx. Retrieved from
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