Athleisure Mag APR ISSUE #88
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ISSUE #88
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PUBLISHER
Paul Farkas
EDITORIAL
Kimmie Smith
Co-Founder, Creative + Style Director
Paul Farkas
Co-Founder, Artistic Director + Tech Director
FASHION CONTRIBUTIONS
PHOTOGRAPHERS | The Creator and Blake Silva | Cooper Doe |
Paul Farkas | Andrew Ho | Rocky Holloway | Eliesa Johnson |
Yoshifumi Shimizu | Emilie Ann Szabo | Tomorrowland |
Michael Tulipan | TJ Turner |
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MIXING
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ATHLEISURE STUDIO
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table of contents
issue #88
apr 2023
123
STYLE FEATURES
THE PICK ME UP
138
102
IN OUR BAG
147 ROCK THIS FOR YOUR
QUIET LUXURY ERA
BEAUTY FEATURES
BEET BEAUTY
Feel the Music
John Newman
This month, we head into the Spring and Festival Season with EDM DJ/producer,
singer/songwriter, and composer, John Newman. We talk about how he got into the
industry, how he creates and what we can look out for this year!
16
151
ATHLEISURE BEAUTY
Being the Echo
Chef Yia Vang
We caught up with multi James Beard Award nominee, restaurateur, and TV Personality/host,
Chef Yia Vang. We found out how he came to the food industry, his focus
on showcasing Hmong culture and people as well as maintaining his parent’s legacy.
30
124
LIFESTYLE FEATURES
ATHLEISURE LIST
JEAN-MICHEL BASQUIAT
9LIST STORI3S
®
62
Celeb Fashion Stylist/Alette designer,
Jason Rembert shares his must-haves.
The Impact
66
We talk with guitarist, rapper, singer/
songrwiter and producer, Jesse McFaddin
about his music and projects.
126
ATHLEISURE LIST
MIMI CHENG’S
AthleisureMag.com - 10 - Issue #88 | Apr 2023
Sustainability is Key
Danielle Lombard
We sat down with Danielle Lombard who competed in Season 21 of The Bachelor
and was also in Bachelor in Paradise. She talks about why sustainability is important,
how we can do our part in a number of ways big and small, and how her partnership
with Astral Tequila is building homes in Jalisco, Mexico.
78
The Climb
Case Walker
92
We catch up with Case Walker who is
back for Season 3 of HBO Max’s The Other
Two in May. We talk about his career,
projects and passion for rock climbing.
Art of the Snack
Luthun
108
We head to Luthun in NYC to experience
an epic evening and their tasting menu.
63MIX ROUTIN3S
Leah Van Dale
TM
128
This month, Leah Van Dale who wrestles
under the name Carmella in WWE, shares
her must-haves routines for Morning,
Afternoon and Night.
BINGELY
STREAMING
168
Here’s what we’re streaming this
month as we already have our weekend
planned for what’re watching!
Issue #88 | Apr 2023
- 11 - AthleisureMag.com
This month, our cover is Tomorrowland
artist, EDM DJ/Producer, Singer/Songwriter
and Composer, John Newman. Coming
off of his recent Tomorrowland Winter
performance when he debuted his latest
song, Hold On To My Love which has been
added to our playlist, we wanted to know
more about how he came to the music industry,
his sound, how he approaches his
projects, his collaborations and of course
what we can keep on eye out for as we
continue into the Spring and the Summer.
ATHLEISURE MAG: When did you first fall
in love with music?
JOHN NEWMAN: I grew up with music
around me as a kid. I was introduced to
Motown and soul by my family and once I
hit my teens I was obsessed with hard-hitting
house and Clubland productions.
AM: When did you realize that you wanted
to work in the industry?
JN: I had a pretty tough upbringing to
be honest mainly from social issues and
fitting in and being totally different to
others in the town I grew up in. I didn’t
come from money in any way at all either
so, yeah, music was my escape, creativity
was a way of releasing everything.
AM: You have an amazing background as
you are a singer/songwriter, composer, DJ
and producer! Musically, where do your
inspirations come from and how did you
hone your skills for each one?
JN: Thanks! DJing and producing dance
music was something that I had spent a
lot of time practicing as a teenager, so it
was almost like revisiting that younger
version of myself and just brushing up on
my skills.
Inspiration varies, but I’ve always admired
the 90s rave sound, with a touch of soul,
which I think came through on Holy Love.
AM: How would you describe the John
Newman sound?
JN: My sound is always evolving but,
right now, I want creative emotively
charged dance bangers. I want people
to hear a track and feel a surge of
energy and euphoria where they can’t
help but move their body.
AM: How do you approach your projects
in terms of seeking inspiration for
your solo projects?
JN: These days I have a new set up, my
at-home studio is tailored to electronic
music production and it’s somewhere I
can lock myself away to for hours kinda
just see what happens. Inspiration can
hit anywhere really. I try not to stick to
the sitting at a piano vibe, funny fact I
wrote Love Me Again and If You Really
Love Me both whilst having a shower.
AM: You have collaborated with Calvin
Harris, Kygo, David Guetta, Nile Rodgers,
and more, how do you approach
collaborations?
JN: Each collaboration comes about
differently. The link-up with David
Guetta and MistaJam on If You Really
Love Me (How Will I Know) was particularly
crazy as Guetta himself reached
out to make the first move for us to
work together, I had been a fan of his
work since being a little kid! He’d wanted
to collaborate on something for a
while, so I sent him the early version
of the track, he loved it, and the rest is
history.
AM: You just performed and released
your latest single, Hold On To My Love
at Tomorrowland Winter where you DJ
and have live vocals. Tell me about this
song and what was it like to perform
there?
JN: Hold On To My Love came about
backstage at Ushuaïa Ibiza. I sang the
melody and some lyrics into a voice
note on my phone as a rough idea, so
to see the track go full circle and perform
the final version at Tomorrowland
Winter was incredible. It was an
Issue #88 | Apr 2023
- 19 - AthleisureMag.com
unforgettable weekend.
AM: This song was released on Tomorrowland
Music and you have already confirmed
that you will be at Tomorrowland
Brasil later this year on the mainstage.
What does this mean to you to be on such
a platform?
JN: I’m incredibly grateful to be starting
this journey with the Tomorrowland Music
team. They have so many talented DJs
and producers on the roster so I can’t wait
to see what the future holds.
To then also have the opportunity to perform
at their world-renowned events is
huge.
AM: With the summer around the corner,
what other festivals or clubs are you excited
to be performing?
JN: This summer is going to be so much
fun. In July, I make my Tomorrowland
mainstage debut in Belgium alongside
the biggest names in dance music which is
surreal but very exciting. It’s the holy-grail
of festivals so I plan on bringing my absolute
A-game to the stage.
AM: We’re based in NY, but will you be
performing in the US this year?
JN: You’ll have to stay tuned for that one!
I really do love the US and the amazing
crowds over there so hopefully I’ll be back
soon.
AM: When it comes to touring and being
on the road, are there any routines that
you do prior to a show when you’re a few
hours or moments ahead of hitting the
stage?
JN: There is a routine, I don’t eat one and
a half hours previous to a show so that
I don’t throw up whilst on stage, hah!
The next big one is I generally like to chill
and stretch and listen to classical music,
then get hyped to Limp Bizkit and Rage
Against the Machine about 15 minutes before
show time.
AM: When you have finished your set,
are there any routines that you do to
come down from all of the energy and
adrenaline from performing?
JN: Hmmm not really, I do struggle with
the silence after being full of that adrenaline,
usually a beer takes the edge off.
AM: Are there additional projects that
you have that we should keep an eye out
for?
JN: My focus right now is on really immersing
myself in the dance music
sphere, continuing to work on new
tunes and honing my live hybrid set of
DJing and vocals to make it bigger and
better with every show.
AM: Are there 3 artists on your bucket
list that you are interested in collaborating
with that you can share?
JN: Honestly my interest is totally varied,
Florence Welch would be amazing, Fred
Again, Swedish House Mafia, another
Calvin Harris collar, just throwing ideas
out there really.
AM: What do you want your legacy to be
in the industry?
JN: I guess, as an artist who made music
on my own terms. For the pure joy
of making people feel good, feel elevated,
and be able to escape reality for just
a moment. Whether that’s through my
tracks, or the energy people absorb at a
live show.
AM: When you’re not on stage or in the
studio, what do you do to take time for
yourself as self-care and mental health is
something that we prioritize here at Athleisure
Mag?
JN: It’s different for everyone, but I find
taking a break from social media to be
a big help for mental wellness. We consume
so much information, a lot of it
pointless, so it’s no wonder it can leave
you feeling overwhelmed.
I now work closely with a therapist on a
weekly basis which I cannot recommend
enough and my main thing is getting in
cold water.
Also spending time with my wife and
family helps to keep me grounded and
makes it all worthwhile.
AM: In terms of working out, what are
3 workouts that you do that we can consider
to include in our routines?
JN: Each to their own I guess and I’m not
really the picture of the pinnacle of fitness,
however, for me personally I like
to get out with music in my ears and do
whatever I can. Whether that be hiking,
running or cycling. I also used to love
that Shaun T exercise video, I used to do
it before every show!
@johnnewmanmusic
PHOTOGRAPHY COURTESY | COVERS
Front/Back, INTERVIEW + PG PG 26
9DRIP Tomorrowland
There is something about a great meal
that allows you to enjoy the flavors, the
ambiance and so much more. When the
food becomes a gateway to a deeper understanding
about the people and culture,
it's truly an immersive experience that
leaves you with a bigger takeaway.
This month, we're pleased to sit down and
chat with Chef Yia Vang, who infuses his
passion for food by sharing his love for
Hmong food, his parents as well as the
people that it comes from. This multi-nominated
James Beard Award chef whose
restaurant is up for Best Chef: Midwest for
a 2nd year in a row, has two restaurants
in Minnesota, Union Hmong Kitchen and
Vinai. He is also the host of Feral, competed
on Iron Chef: Quest for An Iron Legend,
hosts his podcast Hmonglish and more.
He tells us about the food, his philosphy
and the importance of representation.
ATHLEISURE MAG: When did you first fall
in love with food?
CHEF YIA VANG: You know, food and I
have a really weird relationship. If you say
food in terms of kitchen cooking, I would
say that kind of for me, it’s kind of like that
high school sweetheart that you started
dating and then said, “I don’t know man,
I’m going to college and we’re kind of like
different people right now.” So I did some
other things and then we went through
this really weird break up thing where we
were together, broke up, and got back together
and then like 15 years into it, I said,
“I think that I kind of love you!” I might
as well put a ring on it! Then, when I got
into that mode where it’s like, “hey man,
we’re each other’s kind of ride or die right
now, huh?”
I always say that about 10 years ago, what
happened for me was that I re-fell in love
with my first love. I always knew that there
was something about working in kitchens.
It made sense to me and there was
this thing inside of me that it made sense,
I just didn’t know why. It took me awhile
to figure out my why and once I figured
out my why, everything connected and
through the hard, the bad, the good, the
ugly, and whatever, I knew that this thing
made sense.
AM: At what point did you realize that
you wanted to be a chef?
CHEF YV: I never – I don’t think that, see
I was the dude that grew up saying, I
don’t want to do this. I’m not trying to
be you the guy who says, don’t give me
that title. I really believe that titles are
something that you earn and it’s something
that is given to you, so I never
went out claiming that I wanted to be
a chef you know? I knew that I loved to
cook, but again, it had to be more than
just food and cooking for me. So for me,
it was this idea of storytelling. My father
is a great storyteller. We always as kids
growing up – when he put us to bed or
you know, when we would sit down, he
would tell us Hmong legends and myths
and he was really good at telling stories.
So, I found myself as a kid, have you ever
seen the movie Big Fish?
AM: I have!
CHEF YV: Yeah, you know how the whole
movie, Billy Crudup’s (Jackie, Watchman,
Almost Famous) character has
weird issues with his father because of
the stories that he tells and he doesn’t
understand him. That was me growing
up because I didn’t understand my father.
As I got older, I realized that I am
my father and as much as he is a primal
storyteller, he can captivate an audience,
that was also a part of me. Instead
of using pen and paper, a typewriter or
a computer, we get to use food as a canvas
to tell stories.
AM: What was your journey in terms of
where you trained or kitchens that you
came up in to get to where you are today?
CHEF YV: I never knew that culinary
school was a thing. I didn’t do that and
I’m so glad that I didn’t do that. For
some people it works! We have chefs
that work with us who came from culinary
school and they’re incredible you
know? I’m one of those people that if
my hand touches it, then I can understand
it. If I understand how the concept
works, then I will be able to do it.
My dad, he doesn’t understand English
but if you give him a table, he can look at
it and reverse engineer it in his brain and
he can build it. So for me, that's how I
work also. It was just me working in kitchens
and I was so young when I started that
I was too dumb to realize that what I was
doing here, that was very hard. I was just
working on my feet for 12 hours and felt
that that was what everyone did. I know
that I had a sense of what was “kitchen
culture,” when I first started, 20 years ago
it was like, “hey kid, you just go and you
just earn your spot.” Because, that’s just
what you do. Don’t try to talk about how
you feel. I worked in a lot of kitchens and
again, while I was doing it, I never thought
that I would actually be doing this. I felt
that that was a job, I was doing it at that
point to get to the next bigger and better
thing.
AM: In preparation in speaking with you,
I like reading that you said, that for you,
cooking is about intention and interpretation
and that that came from your background
as a communications major at
University of Wisconsin – La Crosse. That
struck a chord with me as I was a Telecommunications
major at Indiana University
and I got that! Can you tell me what you
meant by that?
CHEF YV: Again, my first goal in college
when I got in, all I cared about and I was
kind of a gym rat. I wanted to play football
and I wanted to play college football.
That meant that you had to be an Exercise
& Sports major or you had to be a Science
Teacher. Right when I got into Biochem, I
was like, “dang this is too hard!” So, I literally
changed majors a couple of times
and I ended up with communications. In
my first class, the professor asked, “what
is more important? The interpretation of
the message or the intention of the message?”
We had this big discussion and she
gave us this study and we read that 70% of
the people based on this qualitative and
quantitative study said that the interpretation
of the message is more important
than the intention of the message. So as
cooks, when we’re cooking food, I can
say, “oh yeah, this is what my intention
is and this and this.” I want to do it this
way, because it should be eaten this way.
But if the interpretation of the message
isn’t interpreted like that, I think that as
cooks, we need to readjust ourselves.
That doesn’t mean that we’re changing
our values and beliefs in what we’re doing,
but we have to say, how do we get
the message across? In communication,
communication is not a monologue. It's
a dialogue between 2 people. So, if I am
trying to explain something to someone
and they’re not getting it. I have to ask
myself, “what do I need to adjust on my
end?” I think that we live now and the
pendulum swings right? It started with
the customer is always right. I think that
the pendulum swung to that side and
then there’s a whole group of chefs who
are like, “F- you! The customer is not always
right, and we need to explain our
intentionality.” Now, it has swung to the
other side and what we’re doing is we’re
having guests who are dining with us
and they don’t get the food. They pretend
that they do because you have to
look good in social media. So that’s why
for us, that’s why I say, “hey, there’s a
happy medium over here.” I want to
talk about Hmong food. What makes
Hmong food, Hmong food? Even Hmong
people, we can’t make a decision and be
consistent on what is Hmong food. If
our own people can’t figure out what it
is, how are cultures from the outside going
to be able to figure it out? So for the
last 7 years, we have had the pleasure –
I call it the pleasure, the pain, and the
everything to try to say how do we create
guard rails, not rules and guidelines
around Hmong food. So yeah, it’s been
a pleasure in being able to do that.
AM: It’s great that you said it like that
because when I interview chefs that are
known for Mediterranean cuisine, Italian,
French etc. I will ask questions that
focus on foods, ingredients and tastes
that are indicative of those culinary
styles. But again, in watching your videos
and hearing you talk about this food and
how you see it, you say that Hmong food
is a philosophy, and it involves the people
that are woven into the food. That is
such a great concept. How important are
the people to the food in your opinion?
CHEF YV: It is the most important thing.
Our food is our people and our people
is our food! When you get a group of
people that doesn’t have a home and
doesn’t have a country of their own, and
they don’t have any kind of “marks of
identity,” what they do is gather around
food.
Because if you think about food, food is
so core to survival right? It’s that thing
that keeps us alive. Well of course what
keeps us alive and is so core to our survival
is the closest things to our hearts. It is
for us, the way that we think about food,
it’s the same way that some people think
about their family. They think about the
people that are the closest to them.
You know, when my parents came to
America, they had to change the way
that they cooked because cooking in the
mountains of Laos over woodfire, pots
and pans in huts made out of tree barks
and bamboo, is different than cooking
in a duplex apartment in Wisconsin, you
know?
AM: Right!
CHEF YV: They had to change and they had
to adapt and to survive the way they did
things. The reason why is that they had to
raise and take care of their kids! As a kid
who’s 5 years old who comes to America
and then I eat the food that my mom and
dad cooks here in the United States and
of course it’s going to be different than
where they’re from and have a different
flavor and taste! But the heart of it is still
the same! What we love talking about is
the food that we grew up with is Hmong
food because it’s made by Hmong people.
It’s Hmong food because it’s touched by
Hmong hands. Our people if you can see
back from generation to generation, it’s
about survival and for the first time, my
generation, my group of people as I’m 38,
those of us that are here now, all the millennials
that are the Hmong kids, this is
the first time in a long long time in our history,
that we don’t have to worry about
uprooting and constantly having to move.
We don’t have to worry about war and we
don’t have to worry about death. When
you have a civilization that doesn’t have
to worry about that, they have the ability
to grow, to dream and to imagine. They
have the ability to wonder. I was just joking
with a friend this morning and I told
him that I felt like Moana from Disney! I
can wonder beyond the reef! I feel like I
can ask those questions like mom and
dad, what’s beyond the reef? Because everything
that I have known is in the reef,
but now we’re one of the first generations
like myself and my nieces and nephews
and those that are younger, they can
wonder and talk to themselves and think
about this idea of wanting to be an archi
wonder and talk to themselves and think
about this idea of wanting to be an architect
– what’s an architect? I want to go
into finance, what's finance? All of these
things are completely different and it's
a whole new world! The reason that we
can do that is off the backs of mom and
dad who cooked this food for us. I’ll be
damned if I look at that and say, “well,
I’m going to make a twist on it.” How
dare I make a twist on anything? I get to
add on to what they do. So that’s the way
that I think of Hmong food and that’s
the way that we can challenge the way
that people think of it. We get a lot of
push back here and there. But the truth
of the matter is, I think that that is food
generally. Isn’t that what it’s about?
We have a big family! So there is that
thing of wanting to have something better
and being able to sacrifice for it. It’s
the same thing that our parents did for
us. It’s great that we pay an homage to
the old school stuff. I think it’s amazing
and I do that all of the time. But to say
that this is how we have to be – no, that’s
how a civilization or a group of people
remain stagnant. We live in a world of
advancing forward. For our food company,
we always say that our core DNA,
our core functional values are 3 words
are “moving forward together.”
We got those words and are inspired
by them because of my mom and dad’s
journey escaping Laos after the war.
My dad always said that as a group of
people that lived in the jungle for months
and months to escape the murders, the
genocide as a group, we always had to
keep moving forward together. Move
forward together.
The question of why are there melting
pots all through the Midwest?
AM: Yup!
CHEF YV: Like go to Dearborn, Michigan.
There is a huge Muslim population
there. Like Dearborn? Dude, they didn’t
go to Dearborn, Michigan because of
the weather. St. Paul, Minneapolis, has
the largest Hmong population. We didn’t
come here because we love the winter.
We’re from the hills where it’s sunny
and muggy, here it’s -30˚ for 5 months!
We didn’t do that, it was survival! In that
connection of survival, especially with
food, it connects our humanity together.
As much as we are different, we’re not
that different. That’s what we choose to
tap into. In a society and a world that’s
all about the pendulum’s swing where
it’s let’s all the be the same or we can’t all
be the same – that pendulum continues
to swing back and forth to create that dichotomy
in this country. I say, “hey, we are
different, but we’re not that different.”
We can share that with Hmong food. We
don’t have to wait for a culture to dub us
worthy or to hear our stories. No, we have
our stories and if you allow us a little corner
of the stage, allow us a little corner of
a soapbox, we want to tell you that story.
AM: We have spent the last 2 years trying
to get an interview with you because of everything
we've seen about you on TV and
although we have yet to go to your corner
of the world to eat at your restaurants personally,
We love the messaging and awareness
that you do through your food. It’s an
honor to be talking with you right now.
CHEF YV: Thank you so much! That means
so much! At the end of the day, I have
these college buddies of mine and we’re
so tight and they always ask, how do
you keep it together and I’m like, “I don’t
know, I hang out with you idiots!” I tell
them that they keep reminding me that
I’m just a Wisconsin boy that still doesn’t
really know what he’s doing. I love that
you know? I love going home and my
mom – I remember the first year that we
got our first James Beard Award nomination
and I was so excited and told her. She
was like, “that’s nice honey. Just take the
trash out when you leave.”
AM: Haha well that’s the Midwest in us!
CHEF YV: Oh yeah, that is! I remember
last year when we were finalists and I was
explaining to my mom what it is and she
was like, “oh, does everyone in Minnesota
get one of these?” And I’m like, yeah,
yeah mom sure haha! It’s like bless her
heart you know? I feel very very honored
to be here and to be able to do all of these
things, the TV and it’s such an honor to be
part of all of these things.
AM: You’re the chef/owner of Union Hmong
Kitchen. Like you said, it was a James Beard
Award nominated semifinalist, tell me
about this restaurant and what are 3
dishes that we should try on our next visit?
CHEF YV: For sure, we have all of these
things going on and we’re very blessed
that Union Hmong Kitchen started as
this tiny little pop up tent thing at Farmer’s
Markets. We always say that Hmong
food consists of 4 elements. We don’t
say that Union Hmong Kitchen is authentic
Hmong food. We don’t say that.
It’s a gateway to understanding our people
and our food. So we always have the
following. Think of meats and three. We
always talk about that. It’s the best way
to communicate with people especially
Southerners when you’re talking about
meats and three.
So Hmong food consists of 4 elements.
There’s a protein, there’s some kind of
rice – it’s either jasmine rice, sticky rice
and then you have some kind of vegetable.
Sometimes our vegetable is in a
broth or sometimes it’s just a vegetable.
The 4th element is a hot sauce and
there has to be a hot sauce. So when
you come to Union Hmong Kitchen,
that’s what you’re going to get. You get
to pick your meat – your protein and you
have your sticky rice – we have purple
sticky rice which is historically connected
to Hmong people and then you pick
a vegetable side. Sometimes it’s a noodle
or straight up right now it’s Brussel
Sprouts or something and we’ll change
it up since Spring is coming. Then we
have a couple of different hot sauces
that we traditionally grew up eating. So
it’s meat and threes, it’s dealers choice.
What we’re very proud of is the Hmong
sausage that we created. It is a recipe
that my dad showed me growing up. It
wasn’t like he taught it to me. He made
it and I watched. As I grew older, I would
say, “hey dad, can we try that?” We won
a couple of awards with it and it’s funny.
Again, I told my dad, I mean we’re from
the Midwest so you have all of these
sausages since it’s sausage central and I
said we won it with the Hmong sausage
that he created. I brought the trophy to
my dad and he was like, “really they liked
that silly recipe?” I was like, well this is in
your honor I guess! To me, that’s a very
very special thing. It’s part of dad’s legacy.
We’re to the point with that where
a really great Eastern European sausage
company, they now make this for us with
our recipe. It’s the coolest thing ever to see
a Hmong recipe being made in a Ukrainian
family which is almost a 70 years old company
here.
AM: Oh wow!
CHEF YV: Yeah, you know what I’m saying?
How amazing is that?
Nick, the son who is the owner, he’s just
like, this is one of our best sellers here. A
Ukrainian family making a Hmong sausage
which they love themselves using and
now it’s in Twin Stadium and now we’re
trying to get it out to local shops and stuff
like that.
AM: That’s really cool.
CHEF YV: Exactly, so me and Nick are
talking together and with everything
going on in Ukraine – all the refugees in
Ukraine and all the war in Ukraine. I’m
talking to him and I understand that as a
kid who is a refugee and comes from war
too. It’s different parts of the world and
yet again, we’re very different, but we’re
not different.
That was a tangent but yes, we have
Hmong sausage and we worked very hard
on our pork belly. Obviously, we have
the chicken, and our tofu is good as well!
Again, I don’t want to say, these are our
3 dishes, just come in – but we do have
what we call the Graze Feast! For me, it
came from when we were very poor in
college. But when all of the dudes scraped
all of our money together, we would pitch
in and we would go to Famous Dave’s and
we would get the Trash Can Lid BBQ. Do
you know what I’m talking about?
AM: Yeah I have had friends who went
there!
CHEF YV: Yeah so basically, you get the
highlights of the menu on a trash can lid
and Famous Dave’s still has that. So this
is an homage to that and we call it the
Graze Feast. It’s served on a bamboo rice
basket. We lay it out on a banana leaf and
we put everything on it and it’s like the
best of both worlds. If you’re 4 people, I
tell them to get it because it is the bang
for the buck. You get the whole tour and
secondly, you also get a whole fried fish
on there too. We have a fried Bronzino
fish that we throw on there and that’s
another mom and dad classic. My mom
loves cooking a whole fish and deep frying
and grilling it for dad. Dad just sits
there and lives his best life now. His favorite
thing that he loves to do when he
has the whole fish and all of the sauces
on it, if his grandkids are around, he
likes to pick off all the meat and to put
it on their plates so that they don’t have
to fuss with it.
AM: That’s really cute!
CHEF YV: It is. Apparently for King Crab
as my nieces and nephews love it, he
takes them out of their shell and for
shrimp, he peels it for them. I look at
them and I stare at them in their eyes
and I say, “you don’t know what struggle
is kid!” We used to have to pick our
own meat and now they’re living it up,
those Gen Z kids!
AM: True, but that’s a food memory!
They’ll be 20/30 years old and every time
they eat that, they will remember what
their grandfather would do for them.
CHEF YV: Yup and Kimmie, they’re going
to all be soft! They’ll complain that they
have to pick it off themselves.
AM: You also opened up Vinai. What does
that name mean and I love this residency
concept and we’d love to know more
about it.
CHEF YV: Over the last summer, we had
the chance to run this residency. Vinai
again has been that problem child. I love
it so much, but they don’t sleep and it
cries all of the time. We struggled a lot
with the financing to get that building
going. So the last 6 months has been
an exciting time for us as we can now
visually see that this is coming together
the way that we thought. My parents
always taught me this idea. You don’t
just sit there and sulk when there is a
problem. My dad always says that you
work the problem and you keep moving
forward. My mom said that when they
were in the refugee camp, it wasn't with
us. They had to live everyday and just
continue to move forward.
So we said that Vinai wasn’t really about
a building. It’s about the people, it’s about
the food. So what we have been able to
do with Vinai, is to do this residency. After
COVID, there were spaces that were
open and they were looking for partnerships
– a lot of bars, cocktail rooms, etc.
They were like, frick, we have to figure
something out to get people back and to
get butts in seats. So we connected with
some of our friends that had these places
and partnered up. So we started these
residencies so that we could give people a
glimmer of what Vinai would be.
Vinai Is the name of the refugee camp that
my parents met in ’77, they got married in
’78, I was born in ’84 and as a family, we
left there in ’88.
AM: Oh wow!
CHEF YV: Oh yeah, they were there for 10
years. So Vinai from 1975 to 1992, hosted
about 90,000 refugees. Out of those
90,000 refugees, 90% of them were
Hmong people. And all of those Hmong
people who came through Vinai, ended
up in the Midwest – all over from Ohio to
Wisconsin, Kansas City and Minnesota. So
mom said to us, Vinai is not where our story
ended, but is where our story started.
So Vinai, the current brick and mortar that
we are working on right now, is a love letter
to my mom and dad. It is their legacy
captivated in a menu, in a building that has
a specific design. Vinai is also one of those
things that as we were growing up, as
Hmong kids, we would talk to each other
and ask which camp you were in. It was a
way that we would identify with each other.
To the white kids that heard us, they
didn’t get it that we were born in a camp
somewhere that was a summer camp.
We’re like, “yeah it’s a summer camp, but
not really – you don’t know when you’re
going and you don’t get letters.” I just
wanted to be able to make these names
that we grew up with to become very normal
just like if someone says Washington,
D.C., Seattle, and NYC. In American culture,
we know those names. I wanted to
take the name Vinai outside of the Hmong
vernacular and conversation so that it becomes
part of majority culture. So when
people talk about Vinai, I get to talk about
mom and dad. I get to talk about the war
and how they suffered for 10 years and
not knowing as it was a stop gap for all of
these Hmong people – 90,000 refugees.
The Thai government didn’t want anything
to do with them. The US government
didn’t want them to come in because
of issues regarding refugees. To
claim these refugees would be claiming
that the US was at war and there was a
secret war in Laos that the US had won,
but people didn’t know and there was a
deal that was made with all of the people
that fought. Fought like my father that
regardless of what happened, that he
would be able to come to America and
get free citizenship because he fought
for the US government. Then that conversation
became one that people said
that that didn't happen.
So there was denial in that. So all of that
was going on during those years and just
a little name, we can talk about that.
So that’s what it means and the dishes
that we get to do in there, it comes
from mom and dad’s table. Now is it going
to be exactly like there’s? Absolutely
not. I don’t think that our mom and dad
would want us to do that. I know that
they don’t want us to do that. My mom
has said don’t make it like this, add your
touch to it, but this will always be a part
of you. We get to showcase our chefs
and we have some incredible chefs. The
majority of our chefs aren’t Hmong. We
always talk about that and I’m very clear.
Hilltribe, our mother company, is not
about Hmong people just for Hmong
people. If you look at the history of the
word Hilltribe, those were the tribes of
the people that lived in the mountains.
It was the people that nobody wanted,
the people that they said were the
low people and they were not wanted
by others. I couldn’t imagine living off
of the mountains. I told all of our staff
that we were the people that when people
said that we were cooks or working
in kitchens that we weren’t going to
amount to much. It’s where a lot of the
troubled kids go to right? It’s that culture
mentality, the never will – so I tell them,
we need to prove them wrong. What
happens when a group of people come
together and say we’re going to change
the way that we live. We're going to deal
with mental health issues, we’re going
to deal with substance abuse and deal
with all of this stuff. We’re not going to
run away anymore from this. That’s why
our company is called Hilltribe and we always
say, cook from who you are. I don't
expect you to be a Hmong cook. But I do
want you to love your background, your
culture and to love all of that as much as I
love being Hmong. To my Mexican brothers
and sisters who work with us, I want
them to dig into that. To my Ecuadorian
brothers and sisters, I want you to dig into
that. To Tony who is Chinese, I want you
to dig into that Tony. So Hilltribe isn’t just
Hmong for everyone, it’s a place where
the people can come – the outcasts and
the broken can come in and show people
what a group of broken people as they
come together can go and reach out for
more broken people and to create a place
of refuge.
That’s why at Hilltribe, our restaurants
have to be out more than just the food.
If we're only all about food, then all we're
going to do is just have pats on the back
and accolades so that magazines can
write about us. But it has to be more than
just that.
So that’s the culture of what we’re driving,
but everything comes from mom and
dad. Our kitchen table was always open
to anybody. If mom was making dinner,
she didn’t care what color you were, what
you were socioeconomically, or your background.
You always had a place at that table.
I learned that watching them. I want
to be able to continue to do that for all of
our restaurants.
AM: That sounds amazing and just doing
that is a lot. Yet, you are constantly on so
many different TV shows. You have Relish
the PBS show which is a great look at the
culinary cultural heritage of a number of
people who are in the Twin Cities. Such a
great concept and are you working on another
season of this?
CHEF YV: Yeah we actually are next week!
This time instead of doing these 10mins
vignettes where we stitch together all of
those 10 mins to create an entire show,
we’re going to do full episodes. So we’re
starting on Mon and it’s Relish but they
call it a Relish 2.0. I think that the show is
so much fun especially being in the Twin
Cities. It's great to engage with people
and the show is so much fun. We’ve been
super blessed to be on so many different
media outlets and many different shows.
I can always tell because I will get
stopped you know in public once in
awhile and they’ll say, “I love your
show!” I can always tell by the age of
the person who’s saying it, what show
they are talking about. It’s like, are you
talking about the Outdoor one, are you
talking about Netflix or our feature on
Bon Appetit or whatever? It’s always
that age group that’s at 62 or above
you know it – it’s PBS, public television.
Prime time on public television is Sun at
2pm. So when they’re saying it, I know
you’re talking about Relish. They’re so
funny. They always think that we filmed
it last week and we just put it on. So
they’ll say, that I was talking about a
certain restaurant and they’ll describe
it to me and I know it was 2 years ago.
They'll say that it sounds good and
they should go visit it and I have to tell
themthat with the pandemic, they had
to close.
AM: Right!
CHEF YV: Yeah and they’re like, “but
the episode was last week!” So I have
to explain to them how TV works and
how production works. It’s always fun
and that one I really love. My agent is
always really funny about it. She’s LA
and she’s always focused on getting
the best deal. I love her and I get what
her job is. She’s like, there’s no pay in
that and she doesn’t want me to do
things where she feels that I am not
getting my worth. I’m like, Lauren, I
love this and the producers Amy and
Brittany they’re always great to work
with and initially the concept was that
my mom and I would cook together,
but when the idea was pitched, they let
me know that they wanted me to host
this show for 6 episodes. People ask
me where I went for my media training
and I tell them that I learned at PBS. I
was very blessed and the producers
and directors are amazing. I love them
and now with this other season coming
up, we’re growing it and it’s going
to be really big.
AM: That’s awesome! Last summer I enjoyed
seeing you on Netflix’s Iron Chef:
Quest for an Iron Legend. I’m a huge
Iron Chef fan so seeing you on Quest, I
was like, what?
CHEF YV: That show was incredible!
You know, first of all, I was just dumbfounded
that Gabriela Cámara was standing
next to me. Dude, in my mind, I was
like, don’t fanboy man. Act like you have
been here before, be professional. In my
head, I was like, “I love you!” She’s the
sweetest lady ever. Very small and petit,
but huge personality! She gives me a big
hug and after we were done, she hugs
me and whispers in my ear, “yeah, I didn’t
want to cook against you, I wanted to
cook with you.”
AM: Nice!
CHEF YV: I thought oh wow, could we record
that for everyone so that everyone
can understand that she said that to me
and I didn’t make it up? It was amazing
and it was a great time! We filmed it in the
midst of the pandemic.
So as a group, and as a restaurant, we
were like, we need this win. Not like to actually
win it, but to be there and to do this
for fun and to celebrate together. It was
incredible and the response from it globally,
was incredible. Hmong people from
all over the country and there’s a group
of Hmong people that ended up in France
because of French colonization in Southeast
Asia. One of my favorite things is that
I got a DM from a young Hmong lady who
lives outside of Paris.
She said, “hi I want you to know that I’m
Hmong. We watched the show because
my boyfriend is a huge Dominique Crenn
fan and she was on there. When I was
scrolling through there, I saw you and
your name and I thought to myself, I think
he’s Hmong. When I watched that episode
and that first introduction, by no means
of me doing anything, I cried because it
was the first time that I saw our people
on this global level.” She continued by
saying, “my boyfriend’s French, I’m disconnected
from my culture and I felt so
proud being Hmong at that time. I looked
at my boyfriend and I said to him that’s
our people, that’s our story. She told me
that being in France, they don’t talk about
Hmong people.”
It was a global thing. There were Hmong
people in Australia that DM’d us letting
us know that they loved sharing the episode
with their friends to let them know
about our people. That to me, I’m not a
huge competition TV person. I knew
that when Netflix came and they had
that offer, we had to do it and we were
doing it, we would do it the Hmong
way. We were going to do Hmong food
on there. Even though some of the
producers wanted us to be more global,
we told them that we were sticking
with Hmong food. I knew going in that
we probably wouldn’t win. I didn’t care,
just being on there was a win for us! As
chefs, we were like, “dude, if we beat
Gabriela Cámara then we know that
this was rigged!” That was amazing
and it was fun to be part of that and to
be in that Iron Chef family.
AM: You also have Feral! Congratulations
on the 1st season and I know
you’re renewed for the 2nd season as
well which drops later this year.
CHEF YV: I don’t mean to interject, but
we’re actually just shooting season 3.
AM: What?
CHEF YV: Yeah, I leave in 10 days to start
shooting season 3!
Season 2 was all filmed this fall right
before the beginning of winter. But
I’m leaving in a couple of weeks here
to shoot season 3. The 3rd season was
renewed about a month and a half ago.
I think that they have all the creatures
down and the locations down. They
just need to clear up a couple of them.
I’m really excited about that.
I tell my team that filming wise, I need
about 8 weeks a year to do filming
projects. 10 months out of the year, I’m
there, I’m a restaurant guy. We train
and we have an incredible team that
takes care of business. They take care
of everything while I’m gone which is
the equivalent of 8 or 9 weeks.
There are some creatures coming up
where I’m like, ok holy crap. I have no
idea how I’m going to handle that, but
I will just have to get it done. There’s
some freaky stuff where I’m like –
frick!!! Season 2 was pretty crazy, we
had some freaky moments where I
was like, what the hell am I doing here?
It was amazing and season 1 was awesome.
I learned a lot from season 1 to
season 2 and heading into season 3. Sometimes
you learn that nature doesn’t go
along with filming production crews. You
just have to say, ok, I'm trapping a beaver
right now. The beaver literally looks like
an overgrown rat and I have to skin and
cook it up. It has some weird teeth looking
at me, it’s 40lbs and it’s heavy, and it
smells like wet dog. You gotta do it!
AM: What drew you to the show? It’s an
interesting concept, you have these animals
that are invasive in the environments
that they are in. You learn how to trap
them and then you cook them. What was
it about this that made you want to host
this show for all these seasons?
CHEF YV: So, here’s a couple of things. Before
I get into anything, I always ask myself,
what am I doing? First of all, I will be
very very honest. I have been very honest
about this. When you think of Outdoor,
you think of white dudes, hillbilly hicks,
hunters that lean towards the right. When
you think of the Outdoor Channel, you
know the persons that you’re thinking of,
right?
AM: Yes.
CHEF YV: I get that. To be completely honest,
some of the media stuff that we did
for Outdoor - this is a media outlet. We live
in a world and a country where it’s ok to
have different perspectives. Right away
I knew that this was different. Most of
them have never heard of Hmong people.
They have never heard of the Hmong story.
They never heard about the fact that
if you want to talk about patriotism, the
Hmong people like my dad at a young age,
was contracted out by the US government
and trained by the CIA and Special Forces
to fight in the mountains of Laos for
American interests. They were patriots
before ever being guaranteed any citizenship
to the US. So when you have people
who are saying, true citizenship and patriotism,
my father is one of those. He loved
America so much that he risked his life to
fight for America not even knowing if he
would ever come to America. I get to talk
about that, the whole intro of our show is
about that.
At the end of the day, the idea that going
out into the woods, the jungle to some
waterway and finding whatever invasive
creature is out there to harvest and to
hunt them, and cooking them – that is
what they do in the mountains of Laos.
Lizards, bats, sparrows, weird looking
eels, and fish. That’s what my parents
did. That’s what my dad did as a boy. I
get to do what our people have been
doing for thousands and thousands of
years. I get to do that and there is a show
about it. While others might think that
it’s weird or gross, eating an iguana or
a lizard for Hmong people in the mountains
of Laos, it’s not eww or gross, it’s
actually a Tuesday. That’s the protein
that they can get. Having pork and beef,
that’s a luxury. Saying you have pork to
us, that’s amazing that’s a celebration!
AM: Like you said, it’s about survival and
what you have that is in abundance to
you. There are dishes that can support
this if this is what you have in order to
nourish your body. It’s important to juxtapose
that and let people know that
this is not just something that happens
in other parts of the world, but in various
parts of the US as well. Either by necessity
or people simply enjoying it.
CHEF YV: I also think that what I am trying
to say to the audience is this, look at
home, you may make Chicken Dumpling
Soup, but now, we’re making Squirrel
Dumpling Soup. You’re just changing
the protein out. Again, we’re different,
but we’re not that different. Because
the base to both of these things is still
the base. The reason why you use chicken
is because it’s easier to get chicken at
your store. Why is Darrel from Southern
Illinois using squirrels? Because that is
in his backyard and the closest grocery
store is an hour away. This isn’t him trying
to be cool and to use it as a shock
factor, he’s using that squirrel because
there are plenty of squirrels that have
been gnawing on those frickin’ acorns
and they have that extra thick hind quarters,
you know what I’m talking about?
Like 3c’s kind of thick.
AM: Squirrels are vicious!
CHEF YV: Yeah like if that squirrel had
yoga pants on its ass would be turning
heads kind of thing. That’s delicious!
We’re still talking about squirrels right?
AM: So in addition to your work in TV,
you also have your podcast Hmonglish. It
focuses on people, culture and Asian excellence.
How does it feel to use your platform
in this way, but also to talk about people
that you also want to highlight?
CHEF YV: Prior to Hmonglish, we had this
little podcast called White on Rice. We
were interviewing all these people from
Minneapolis and it was kind of our way
to counter not being able to hang out
and be with people during COVID. So,
we thought, we’d bring people in a room
that were 6' away from us so that people
could hear what they were doing. It was
cool because people enjoyed and felt that
they were getting to meet all all of these
people because of our longform podcast.
We weren’t really smart about anything.
But then when we really started thinking
about it, Hmonglish came from when we
were growing up, we would speak to our
parents in Hmong but then there would
be these English words. So if I was asking
for a computer, I would say it in Hmong
but then would say computer in English.
So the Hmong kids, we just started calling
in Hmonglish. I noticed that what Hmonglish
really meant was this beautiful collision
of 2 cultures. When you have 2 cultures
collide, you’ve created a 3rd culture
and in that culture, you’re trying to make
sense of what it means. When you create
a new culture, you’re trying to figure out
what the norms are. You’re trying to figure
out how to speak another language
like for example you do fashion and all of
that stuff, so when like Hip-Hop culture
struck mainstream culture, there was this
3rd culture that was created right? Because
mainstream had this culture where
everything was formal and you enunciate
very clearly and then you have Hip-Hop
culture that hit it and that was more of a
go with the flow and you had this different
flowage and then it’s like does mainstream
culture become Hip-Hop culture?
Is Hip-Hop culture mainstream culture?
Or how does mainstream culture affect
Hip-Hop culture or does Hip-Hop culture
become more diluted? There’s all these
questions and all of these conversations.
The same thing with Hmong people or
Hmong Millennials who either came to
this country really young like I did or was
born in this country. The Hmong Gen Z. I
was born, I’m an American, but man, I’m
still Hmong. How does this work? So we
just had all of these Hmong guests come
in who straddle these different cultures
and who talk about their experiences.
Like Xee Reiter is a good friend of mine
and is an incredible, incredible artist.
Water painting, water color – all of that
stuff. Her husband is white and they
have been married for 15 years and she’s
talking through that. We’re talking to
another friend of mine, Pahoua Yang
Hoffman who is the Senior Vice President
of Government & Community Relations
of one of the largest healthcare
provider here. She’s an executive and
she's Hmong. What does it mean to be
an executive and you're rolling with all
of the big boys that make the decisions
that are billions of dollars. How do you
do that not only as a woman but as
Hmong? There are all of these expectations
like Hmong women are docile and
submissive – how do you navigate that?
It’s such an incredible podcast and we
dig deep into that.
We have these incredible guests such
as Lee Pao Xiong who is the foremost
and knowledgeable Hmong historian of
our people. He traced our people back
to 7,000 years in China. So, talking to
him and listening to what he has to talk
about in the Hmong stories and in our
culture. It helped me understand that
this is where we come from. We get to
share that with a huge audience group.
And again, we have gotten some really
incredible responses. People DM our
producer and it’s one of those things
that I want to be able to put some really
good production value on it so we
spent a few good pennies on it to make
the production value really well. We believe
that in doing something beautiful,
we want to make it great. We also know
that for Hmong people sometimes, it’s
just about getting the product out there,
it’ll be good. We were like, no, we’re in
a world where looks matter, the way it
sounds and how it’s put together strategically
– it’s been really cool!
AM: That is amazing and just looking
at the accolades, the restaurants, the
awards, being a TV personality, being a
host, having your podcast and I’m sure
you have a ton of other things that you
have coming up as well, what do you
want your legacy to be seen as?
CHEF YV: Honestly and I mean this with
all of my heart, I actually don’t want to be
seen in terms of a legacy. There is no legacy
here. It’s mom and dad’s legacy. I am
merely a mirror that reflects them. I want
people to look at what we do and then I
want them to be driven by these 2 people.
My mom and my dad who are in their
70s, who are grandparents, who live in
the suburbs, they have a little plot of land
where they have a small farm where all of
their produce comes to our restaurant –
no money asked, no money put down.
AM: Wow!
CHEF YV: All they want to do is that they
want us to live a life where they knew that
they could never have. But they want us
want us to live it. So that’s all it is. I want
people to look at what we do and I want
to direct them back to my mom and dad.
So the reason why is this. Last year I won
when I was a nominee and then a finalist,
my sister is a therapist. She’s the family
therapist. But she always therapizes the
whole family and I don’t even know if
that’s a real word, but I always say that.
I’m pretty sure she called my mom and
explained to her what the James Beard
is and what that honor meant. Because
my mom wouldn’t know that by herself.
When mom called me randomly that night
after it was announced, to say that I was
so proud of you, I was like, oh my sister
called you.
I’m driving home from work and I’m pretty
drained and tired. She congratulated
me and said that she was so proud of me.
She told me that she wanted to tell me a
story that she felt a little ashamed to tell
me. She said her plan was not to tell us
kids about it until she was on her death
bed as she felt ashamed about it. She
said that when she was younger, she was
caught and put in this war prison. She said
that they were in there for a year. It was
the worst time ever. There was no food.
Communist propaganda would come in
and say, just leave your family and marry
a Communist man and forget your life.
There was not enough food for the children,
kids were dying and her first husband
was killed. Her babies were all taken
away and she said that it was the worst
thing possible. We grew up in a Christian
household, so when she was there, she
told me that every morning she woke up
in that camp and she would pray to God
that he would let her die as an act of mer-
cy. She felt that life was so tough, that
the only way that she thought that she
could escape is to die. She wanted to
die, every morning she wanted to die.
She said that one morning she woke up
and she had that same prayer asking for
God to let her die that day. She said that
what was different in that morning was
that there was a voice inside her heart
and that that little voice said to her that,
“I’m not going to let you die, because I
have great plans for your children. They
are going to change the world. They will
do big things so I’m going to need you
to survive a little longer and I’m going
to need you to push forward a little longer.”
She said that when she heard that
my name is among the names of all of
these great people in the country and
you were one of the best, and they were
looking to you for leadership, “I knew
in that moment that it made sense.
That moment 50 years ago made sense.
That’s why God didn’t let me die in that
camp and I can hear that today.”
I don’t know Kimmie, when you hear
things like that, for me, everything
changed. For me, it was no longer about
this legacy that I was going to leave, it’s
them. Somebody suffered, somebody
went through pain, somebody went
through a war camp – talk about trauma.
To live on a glimmer of a hope that
one day your children, to know that
there is a special plan for your children
and I need you to go through all of this
to take all of this and one day you’re going
to see it.
AM: Wow.
CHEF YV: That’s it, I don’t give a shit
about my legacy. I don’t want to be
known. I love these interviews. I get to
talk about them. Do you know why I do
this TV stuff? I don’t want to be a TV star,
it’s too much bullshit in it. I do that so
that people can look at it and say wow,
we have to go to this restaurant, wow
we want to know more about his mom
and dad, we want to know more about
their story. I’m just an echo. If there is a
word about legacy, I want to be an echo
of them. That’s it, hands down. The rest
of the stuff is just little details.
AM: I have never talked to someone
where in every facet of everything that
you do, is paying homage to your par-
ents, your people and how it is ingrained
in every single thing. I’ve never talked to
someone who has just been so authentically
that.
"That's it, I don't give a shit
about my legacy. I don't
want to be known. I love
these interviews. I do that
so that people can look at it
and say wow, we have to go
to this restaurant, wow we
want to know more about
his mom and dad, we want
to know more about their
story. I'm just an echo. If
there is a word about legacy,
I want to be an echo of
them."
CHEF YV: We were interviewing PR groups
and one of them said, “yeah the whole
family thing and culture – that’s your
schtick.” I was very angry and I wanted to
say F- you dude. If you think that this is a
schtick, I don’t think that you're the right
people for me to work with. This isn’t a
schtick man, this is life. There’s going to
be chefs that come out and out cook
us, great - awesome - good for you. But
they’re not going to tell our story better
then us. I live this and I will die this, you
know? I don’t give a crap. I will live in the
basement of wherever to keep everything
at low cost so that we can put all of
our funding into making this work. I want
you to know that I am the first to make all
of the sacrifices. I’m the first to inject my
own personal money when we can’t get
pay roll going for last month. We’re going
to do that and there’s no amount of cost
that I wouldn’t do and we’re going to do
this.
That’s the thing that I want to be able to
teach our chefs on our team. Find something
in your life that you’re that passion-
ate about. I don’t care what it is. Find it
and work for it, fight for it in the same
way just like mom and dad. To this day,
they still do that. They’re retired, we’re
all adults. They don’t have to do that.
We have our own lives and we do our
own thing. They still on my frickin’ birthday
gives me $100 and he’s like, this is for
gas. I’m like, what and he tells me that he
wants to make sure I have enough in my
car. They’re still warring for us! It never
stops and I think that they’re heart has
this go go nature. I look at my father and
I don’t give a crap, I had a great example
of what a man is, what a good father is,
what a good man is and I tell people.
How do you know what it means to be a
good man? Look at my father. If I can be
quarter of who he is, how he takes care
of us, how he loves us, how he fought a
war to get us here – if I can be a quarter
of that, if I can be a good husband one
day and hopefully to be a good dad one
day – that’s who I’m looking to!
My mom ferociously loves us. She never
gives up on us. When I visit her, she
always tells me that she’s praying for
me and the restaurant. She says it constantly
and even when I want to give up
on myself and say that I’m done, she’ll
pull me aside and say, “hey, this too
shall pass. It’s ok.” This is coming from
someone who sat in a war camp as prisoners
and tells me that it will pass. She
has seen it all, she has seen hell, she has
seen evil. She still says that it will will
pass. In COVID, they looked at us and
said it was ok and it would pass. She said
that they had been through things like
this before. They never panicked about
COVID. I love it, that’s my parents. Like
I said before, the food is just the tip of
the iceberg. There is something deeper
and richer here.
I really appreciate media outlets like
yours that want to dig into that. Like we
have the easy and low hanging fruit like
culture, being all about family and if you
want to do a 500 word piece on that,
that’s great and we can do that too.
But for those that sit there and say that
they’re going to sit down for 2 hours and
hear about this, I’ll go deep man! I’ll go
deep deep into this!
AM: We have a lot of stories and we love
sharing them!
CHEF YV: It’s awesome to see the different
kinds of groups of people that are there.
There’s also people there that I admire
myself and I’m like oh that’s awesome! So
I felt all fanboy like yeah!
@yiavang70
PHOTOGRAPHY CREDITS | PG 30, 52, 55,
56 + PG 132 63MIX ROUTIN3S Eliesa Johnson
| PG 33 - 34 + PG 132 3MIX ROUTIN3S
Courtesy of Chef Yia Vang | PG 38 - 44 Netflix
| PG 48 Outdoor Channel/Feral | PG 51
TJ Turner Photograpahy PG 58 Emilie Ann
Szabo |
This month, we caught up with Japanese-American
rock and Hip-Hop singer/
songwriter, rapper, guitarist, philanthropist
and entreprenuer, Jesse McFaddin.
In addition to his solo career, he is also
in RIZE as well as The BONEZ which have
been bands that he has been in for a number
of years and he recently started another
band, E.D.O. For Jesse, music is the way
that he communicates and shares his message
as well as his love for fashion which
includes a number of brands that he has
created. We take a moment to talk with
him about how he started in the industry
as his father Char is a known rock legend,
how Jesse made his music and journey his
own, how he creates new music whether
solo or collaboratively and his latest album
with The Bonez - Yours.
ATHLEISURE MAG: When did you fall in
love with music?
JESSE MCFADDIN: As long as I can remember,
since I was born quite naturally.
Some examples include my mother singing
her favorite tunes, such as Lovin’ You
by Minnie Riperton, every night as a sort
of lullaby. My father is a professional rock
guitarist, my mother creates lyrics for
his songs, so I had frequently sung those
songs under these circumstance, such as
Rock Band Way, I have been falling love
with music for m entire life.
AM: When did you realize that you wanted
to make music?
JM: Pretty late, I guess. It was probably
around 15, 16 years old, when I realized
it. Until then, Hip-Hop was my first influence,
records included both acappella &
instrumentals, so using those materials,
I had created my original lyrics of some
songs, singing on top of those. Gradually,
I noticed, that I could make a track with
my guitar phrases!
AM: How has your father influenced you in
your music career?
JM: I have been realizing more these days,
as I grow older and have matured. But
when I started in music, my direction
was quite the opposite of my father's
music genre, because I didn’t want to
be in his shadow. So, I became more
Hip-Hop centric rather than Rock Music.
However, I have 2 rock bands now. One
band is RIZE. Last year marked the 25th
anniversary after our debut. The other
band, The BONEZ, has our 10th anniversary
this year. By continuing to do what
we started and then increasing a little by
little, I see what we have created for the
past 26 years! I have to say that my father
has influenced me a lot. This is why
I am able to make a living with music.
AM: At what point did you realize that
this was something that you wanted to
do as a career?
JM: It was during my high school days
when Sony Music asked us for our contract,
I was 18, my partner Nobuaki
Kaneko, drummer of RIZE was 17. But
we replied to Sony saying, “Can you wait
until we graduate from high school?
And if you still want us, let’s sign our
contract.” Signing a contract wasn’t our
goal. Rather, our goal was just to have
fun - just like going to a skatepark. But
we finally reached the deal, even though
we were sort of a jerk (lol) at that time!
We wondered why they wanted us but
Sony emphasized that wanted to be
part of us.
AM: When you're creating new music
whether solo or your groups, how do you
get inspiration for your next project?
JM: It is very hard to find out the root
of art, or seeds in any types of projects.
I get my influences through my personal
stories, my friend's episodes, bumping
into some news info, although that
is fake or true, those are my triggers to
plan for new projects or creating new
songs. I guess, this is the hardest aspect
for us as artists. For me, creating from
0 to 1 is totally harder than from 1 to 10.
But the bottom line is, believeing in myself
is a crucial part for any creation, I
guess.
AM: You're a singer, rapper, guitarist, music
producer and composer how do you
juggle all of these roles and do you have a
preference of one over others?
JM: In thinking about this, my theory is the
same. I mean, having same stances, or attitude
to various things, not only in music,
but when communicating, either with my
wife, with my kids, with my friends, you,
and others - this is important. But surely
as a member in a band, or solo, the reactions
are slightly different. The only way
to express oneself is just to be naturally
aligned, I guess. I used to draw boundaries
around those, but I finally realized that
simplicity is best.
AM: Tell me about RIZE. How did this group
come together and what are you working
on now in terms of new music, tours etc?
JM: We are friends from our childhoods.
We have our own pace. We feel that when
the time is ripe, we're gonna restart again.
AM: You're also in The BONEZ. How is this
group different than RIZE and what are
working on with them musically and are
you touring?
JM: Forming this band is very different
from RIZE. Quite accidentally, The BONEZ
was born, I guess. That was 12 years ago.
I initiated the launch of this new project
with COZY, on 11th, Nov, 2011 = 2011/11/11,
as a new type of project where we had a
series of opportunities for my fans to participate
in, by creating with this project.
We were prioritizing Mash Up with my
fan. Through those processes, the album
called Stand Up was released on 11th, Nov,
2012 as the credit JESSE & The BONEZ.
Along that flow, we organized The 1st and
The Final Gig as sort of a memorable liveon
11th, Jan, Nov. In order to do this show,
I needed band members so I asked T$UY-
O$Hito to play bass and ZAX from Pay
Money to My Pain (PTP) to play drums.
They were meant to be supporting members.
Unfortunately, due to a tragedy of
one of my closest friends and amazing
singer, K who was the vocalist of PTP, he
passed away suddenly. So even looking
back, The BONEZ was fortuitously
formed.
AM: It's interesting how you enjoy various
genres of music and you have another
group that you created, E.D.O. - tell me
about this group and why you wanted to
create it?
JM: These members are also high school
friends, like RIZE. Just keep on doing,
that’s what I want to.
AM: You also have solo projects musically,
is there anything that you can share
with us?
JM: Quite randomly, upon some timing.
Sure, I am always writing songs. But,
one epic thing I can share here, is I am
planning for releasing a new solo single,
title called Never Mind. This song is so
dope! Once I can disclose, for sure, sharing
immediately. Looking forward to it!!
AM: You're known for your fashion sense
and even have your own line, S&Co's and
Cloudland 33. Why is it important to you
to have this in your portfolio and are
there any interesting collaborations and
projects that we should keep an eye out
for?
JM: I love clothes, including vintage, but
Price doesn’t matter. Individuality, Identity
matter. Fashion is the sure way to
express who you are. I love T-shirts. It is
the reason why I own my clothing fabric
printing company called JESSE’s Shop &
Factory.
AM: As a philanthropist, you created
Bring the Hope. Tell me about this organization
and what it does.
JM: I launched my philanthropic activity
due to the natural disaster that
happened in Haiti in 2010. My local
hometown, TOGOSHI, in Japanese pronunciation,
“TO” same pronunciation
with 10, “GO” = 5, “SHI” = 4. Based upon
some instinctive inspiration from here, I
decided to start our free concert at the
park in Togoshi, in 20”10”/”5”/”4”. 1 year
after Haiti's disaster, we had another big
earthquake in Tohoku, Japan on Mar, 2011.
Since then, I have organized these free
concerts with a number of my musical
friends at the same park in Togoshi, every
4th, May. During COVID-19, I organized
these events online. Through our free
lives where anyone can join without fees,
I want attendants to feel happy, gratefulness
for our ordinal life, peace, and hope.
AM: As someone who is involved in a number
of projects what are you working on
that you would like to share that we should
keep an eye out for?
JM: As I initially mentioned, This year in
2023 is The BONEZ’s 10th anniversary after
we officially formed. We are gonna
kick off our nationwide live tour this May,
where we will visit 47 prefectures with our
new album, Yours which has been our first
release in 5 years. I'm looking forward to
meeting with our fans “BONER” all over
Japan. I surely promise, we will pump you
up! Please check out our tour info.
AM: Because of the work that you do, what
is your process when you decide whether
you're partnering with someone or doing
a collaboration? Are there certain things
that you look for in deciding to go forward
on those?
JM: Every time I collaborate with other
artists, and/or create songs with others,
I often try to explore their ideas at first.
If they don’t have ideas, or imagination
out of stocks, then I give them my ideas.
I tend to prioritize opportunities for my
collaborative partners to expand their
creativities.
AM: How do you take time for yourself so
when you're not on stage or working on
your next project?
JM: Mostly spending time with wonderful,
beautiful family.
AM: You're in great shape, what are 3
workouts that you do that we should
consider adding to our routines?
JM: Ab Roller - Squat - SEX
AM: With the summer around the corner,
what are your looking forward to
personally and/or professionally?
JM: Personally: Going to beach resort
with my family. Professionally: Joining
in the following major Rock Fes.
@jesse_mcfaddin_original
@the____bonez
PHOTOGRAPHY CREDIT | INTERVIEW +
PG 106 9PLAYLIST Yoshifumi Shimizu
It's always great to enjoy something that
has added benefits to help others! With
Earth Day being this month and an ongoing
focus on sustainability, we connected with
Danielle Lombard who we were first introduced
to on the 21st season of The Bachelor
and again when she was on season 4 and 5
of Bachelor in Paradise. In addition to being
on the show, Danielle is focused on sustainability
and doing what is necessary to
benefit the Earth in a number of ways. We
talk about how we can be sustainable in
a number of ways as well as her partnership
with Astral Tequila through their This
Round's For The House which supports the
Adobe Brick Project. She shares how we
can participate and how it benefits Jalisco,
Mexico.
ATHLEISURE MAG: You’re very passionate
about sustainability. How have you incorporated
that into your life and why is that
so important to you?
DANIELLE LOMBARD: I’m really passionate
about sustainability just because, I
have a very deep appreciation for nature
and I think that over the last few years,
I have become really aware of the negative
impact that we have on it. Especially
during the lockdown and COVID, I bought
a National Park pass and I was driving
around to all of the National Parks. I just
realized that this is something that I love
so much and that I don’t want to lose it.
So what are the things that I could do
at home to help diminish my footprint. I
think that I do that because I compost all
my food waste now, I shop consignment
and vintage as much as possible, I upcycle
when I can and I just try to join a lot of
neighborhood recycling programs – recycling
my empty beauty products and supporting
sustainable brands such as Astral.
AM: We love that. For someone who has
not started their journey and may be overwhelmed
as there are so many things to do
and ways to go about it, they may be looking
for easy or simple ways that they can
get to the starting line. What would you
suggest to them?
DL: I mean I always tell my friends just
"re"as much as you can in recycle as possible
– as much as you can! I mean, I bring
my reusable bags to the grocery store as
opposed to getting a plastic bag. I can
just use my reusable shopping totes. I
always carry around my refillable water
bottle instead of buying a plastic water
bottle. And if you’re out and about, you
can always ask for your bartender to
make you a cocktail with Astral so that
you’re supporting a good cause.
AM: Tell us about the Adobe Brick Project.
I think that it’s really interesting and
that they are building homes in Jalisco,
Mexico. In addition to tell us about this,
why did you want to partner on this with
them?
DL: As you know, I love sustainability
and I try to implement those practices as
much as possible. Astral asked me to be
part of their Earth Day initiative which
is promoting the This Round's For The
House, which is all the bottles that are
being purchased are going towards the
Adobe Brick Project. With that, they are
using all of the upcycled adobe bricks to
create homes is Jalisco, Mexico which is
where their tequila is produced. So, I like
that they are giving back to their community.
This Earth Day, Astral is going to
announce that they have 10 homes being
built right now.
AM: That’s amazing and it’s really cool to
see that by enjoying your favorite tequila
shot or cocktail you can assist in this
initiative. I’m assuming that you have a
favorite recipe as well!
DL: I do! I did a trip with them in Joshua
Tree which was wonderful! We had a
mixologist help us create cocktails based
on our signs. So, I’m a Capricorn and I’ve
been addicted to this cocktail ever since.
It’s called the Saturn Moon. It’s with Astral
Tequila Blanco, fresh lime juice, agave,
ginger beer which is one of my favorite
mixers and then we also muddled a
handful of fresh blueberries!
AM: That sounds really refreshing!
DL: It’s amazing and one of the favorite
drinks that we had!
AM: I’m a Virgo and even I would want to
drink that one!
DL: Ok, I’m a Virgo Moon! The blueberries
were really a nice touch.
AM: We enjoyed seeing you on The Bachelor
and The Bachelor in Paradise. What was
your biggest takeaway from your time on
the show?
DL: Oh wow, I think that for me, going
into it, I had recently gotten out of a very
unhealthy relationship where I was very
codependent on this person and spent
several years building up their career and
life. When I left, it was just this process of
rediscovering myself. I validated the fact
that I was glad to leave the relationship
and that it was a good decision. I left with
a new sense of independence and who I
was as a person and what my values were.
I also left with some of the most amazing
friends that I now talk to every single day!
AM: That’s amazing. We always love when
we interview people whether they were
competing or they were The Bachelor/
Bachelorette, we just had Michelle Young a
few months ago and we always like talking
about the group chats and who’s in it. Who
are the people you talk to?
DL: Oh yeah! It’s pretty wild because after
you get off this show, it’s such a unique
experience. It’s really nice to have those
group chats to share what you’re going
through right now, because no one else
really knows. Even in past seasons, everything
from each house there is always
some tea that happens, but I talk to Raven,
Alexis and Jasmine. Those are my
core girls that I’m still friends with every
day. I just had a canceled flight in Dallas
and I went over to Alexis’ house and spent
the night.
We're always on a mission to find our next
favorite cocktail and Danielle's Saturn
Moon, sounded refreshing. We're going
to share with you the recipe for Saturn
Moon and whatever your horiscope is,
Astral has a series of Astralogical recipes
for you that's in line with your sign
or your tastebuds.
SATURN MOON
WHAT YOU'LL NEED
1.5oz Astral Tequila Blanco
.5oz Fresh Lime Juice
.5oz Agave Nectar
A Handful of Blueberries
Ginger Beer
HOW TO MAKE IT
Combine first three ingredients into a
cocktail shaker and muddle lightly. Add
ice, shake and strain into an ice filled
glass and top with Ginger Beer.
@daniellelombard
PHOTOGRAPHY CREDITS | Andrew Ho
When it comes to comfort food, you want
to feel cozy and to have all the flavors
possible - we want those. In addition to
having your favorite neighborhood spot,
we also love knowing that our freezer is
always stocked with our favorites. We're
talking about MìLà which is known for savory
soup dumplings and amazing sauces.
In addition, they also have a number of
friendly freezer options that you can enjoy
with your dumplings and of course, make
it an epic mouth journey by pairing it with
your favorite wine and spirits.
We became fans of this brand during the
pandemic. There was something about eating
these dumplings that reminded us of
our favorite restaurants with each spoonful!
So we took some time to chat with Jen
Liao and Caleb Wang on how they started
as a restaurant in Belleue, WA, to savory
items in your freezer and their partnership
with action star, Simu Liu!
ATHLEISURE MAG: We have been fans
of your brand for a few years. During the
pandemic, we started purchasing your
soup dumplings. Tell me about your backgrounds
and how you came together to
launch this food brand?
MìLà: MìLà first began in 2018 as a restaurant
by the brand’s previous name, Xiao
Chi Jie. We opened the restaurant because,
selfishly, we wanted to enjoy the
Chinese street food we loved here in the
States. During the pandemic in 2020, we
sought to find a way to keep our employees
working with us so introduced frozen
dumpling delivery. People loved them and
we quickly grew from just doing door-todoor
deliveries with our small team in
Washington to delivering along the West
Coast and shortly after, delivering DTC
products nationwide. The response has
been incredible; people are very excited
about the quality and taste of the products,
which is extremely important to us.
AM: You started with a brick-and-mortar
in Bellevue, Xiao Chi Jie, can you tell me
about this restaurant as well as what people
can enjoy there?
M: Our restaurant in Bellevue, Washington
is a modern interpretation of Chinese
street food bings, bowls, baos, &
drinks - you can find our signature soup
dumplings there as well! When we first
opened the restaurant we sold out everyday
for three months so, growing
the offerings and bringing them into
more homes across the country has
been amazing.
AM: For those that are in the neighborhood,
what are 3 items that you suggest
that we should try from this menu?
M: Our Sheng Jian Bao is our beloved
pork soup dumpling. These paired with
any of the side dishes like our garlic cucumber
or sichuan cabbage cannot be
missed.
AM: How is it to have a brand that has a
physical neighborhood presence as well
as one that has a national footprint via
shipping your products?
M: It all happened very naturally and
quickly. What originally started as a pivot
in response to the pandemic quickly
grew into something larger than we
would have ever imagined at the beginning.
The local community in the Seattle
region has been incredibly supportive
since the beginning. Seeing new
customers try the products and their
responses to the taste is incredibly rewarding.
It’s very important for us to be
spreading our mission of demystifying
and growing awareness of Chinese cuisine
and what it means to us as “third
culture kids” so, bringing this message
anywhere, whether it be our home community
in Bellevue or across the country
in New York, is extremely fulfilling.
AM: What is your process in terms of deciding
what you offer in terms of your
frozen treats?
M: A lot of the flavors are inspired by
how we ate them as kids. They’re our
personal favorite dishes and ice cream
flavors. It was really important to us to
maintain the same restaurant quality for
our frozen offerings, and the quality taste
and ingredients in the ice cream. We’ve really
geeked out on aspects like the doughto-filling
ratio, the number of dumplings
with cracks, and the variance in grams of
soup dumplings, which we think all make
a huge difference.
AM: In addition to the classic soup dumplings
that are always available, we also
tried the spicy beef which was tasty. Will
you add additional flavors?
M: We have offered limited edition drops
in the past and will continue to release
them! These one-off launches come from
an intention of being super excited about
a dish that’s not one of our evergreen offerings,
but we still want to give people
the chance to try it. We’re also working to
develop other options of our hero products
to provide more options for consumers.
AM: For our readers that have yet to order
their soup dumplings from you, how can
they correctly steam your dumplings?
M: Our dumplings are designed and packaged
specifically to be cooked straight
from the freezer. In a large wok or pan,
and make sure to bring 2-3 inches of water
to a rolling boil and place the dumplings
in a lined steamer basket. Don’t forget to
leave a 1 inch gap between dumplings. Our
go-to tip for people is to not over-crowd
your dumplings for the best results! Then,
you will steam your dumplings for 11 minutes
(until internal temp. reaches 165°F)
and they’ll be ready to go!
AM: I love having the Umami sauce with
my dumplings and I even add in some pickled
veggies - how do you enjoy your dumplings?
M: We both love our classic vinegar sauce
with the soup dumplings!
AM: Although we can certainly eat the
dumplings alone, what is the perfect beverage
and sides to have when you want to
eat your dumplings while catching up on
your favorite streamed shows?
M: The dumplings are delicious with any
of the sauces (and followed by a pint of
our ice cream, of course). We love a can
of Sanzo poured over ice next to our
plate. For those who are 21+, they also
pair very well with a new age chardonnay.
We love Jumbo Time Wines’ ‘Problem
Child’ which is a 50/50 co-ferment of
Pinot Noir & California Chardonnay.
AM: We loved the lamb skewers as well
as the chicken skewers, do you think that
you will continue to rotate seasonal or
limited-time offerings as you continue to
grow?
M: Yes, we will continue to do seasonal
and limited-time offerings of products!
Our community loves when these come
around and it’s really fun for us, to dive
into the process of creating the new recipes.
AM: Where do you get inspiration from
when you are building product offerings
for MiLa?
M: Being third culture Chinese-American,
a lot of the inspiration for MìLà
stems from our childhood meals and
wanting to honor the cuisine while
helping other people experience them
as well. The same reason we initially
opened the restaurant, really drives our
product creation for MìLà…we want to
create dishes we love and want to eat
ourselves! Alongside that comes the
telling of our story and mission. When
we create a product we love, that mission
becomes fulfilled when people try
them and love them too.
AM: You recently rebranded to MiLa,
why did you want to change the name
and can you tell us about the meaning?
M: MìLà means honey (mi) and spice (la)
in Chinese mi-, la-. Being both Chinese
and American, the story behind MìLà
comes to honor our traditions and add
our personal touch. The name MìLà is representative
of our evolution from a singular
focus on street food to a national food
brand that is on a mission to serve the
highest quality authentic Chinese cuisine
in freezers nationwide. MìLà is a way of
connecting with our family’s history and
using this opportunity as a reminder that
the Chinese identity is constantly evolving.
It is on us and our communities to
create new, multidimensional representations
of what it means to be our own
brand of Asian American and create a cuisine
that deserves a place in the American
food ecosystem.
AM: We had the Jasmine Green Tea ice
cream which is another favorite. Are there
any new products that are coming out that
we should keep an eye out for?
M: Yes, we’re planning to launch some
more limited edition flavors this year.
More to come soon!
AM: Simu Liu (Marvel's Shang-Chi and the
Legend of the Rings franchise, Kim's Convenience,
Barbie) is your Chief Content Officer!
How did this partnership come about
and what will he be doing with the brand?
M: We’re very excited to have Simu joining
us as Chief Content Officer. A year ago,
through a friend of a friend, we were connected
to Simu and sent him some products.
His parents intercepted the delivery
while he was traveling and, by the time he
got back, they’d eaten all the soup dumplings
and given them their stamp of approval.
We sent more over for him to try
and, when he loved the products, we continued
talking more with him about our
mission. We all had similar experiences
and a shared passion for bringing Chinese
food to wider audiences so we began
speaking with him about getting more involved.
Now, here we are working together!
Simu will be advising the company on
marketing strategy and communications
and will play a larger role in representing
the brand across marketing channels.
He'll be working with us on crafting our
storytelling, shaping upcoming initiatives
and driving creative activations.
AM: You have been doing a number of
events to give exposure to the brand, as
we continue to navigate the Spring and
the Summer, are there events/festivals/
tradeshows that we should keep an eye
out for and will you be coming to NY?
M: Since we are currently in California
and in the Pacific Northwest and working
on hitting shelves in Town & Country,
Metropolitan Market and QFC stores
in the Washington and Oregon areas
in April, we are heavily focused there.
We’ll be bringing some new, fun ways
for people to try the products to various
markets as well as looking to expand
into new markets throughout 2023.
@eat.mila
PHOGRAPHY CREDITS | PG 84 + 88 MìLà
| PG 87 The Creator and Blake Silva |
We always like to find out more about
those on our favorite shows! For fans of
HBO Max's The Other Two, you know that
this show is about siblings Cary Dubek
(Drew Tarver) who is trying to obtain better
auditions and Brooke (Heléne York)
who is trying to get her life together in
general! Their brother, Chase, known as
Chase Dreams (Case Walker), becomes an
internet senation overnight. The show illustrates
how they navigate their realities!
In this month's issue, we sit down with
Case to talk about his character who will
be back for it's 3rd season on May 4th on
the streaming platform. He shares similarities
and differences between himself
and this chracter, how he became attached
to the show and how he has enjoyed
the process. He also talks about
Monster High which will be out this fall.
In addition to his love for acting, he is also
an avid rock climber and talks about how
he is just as passionate about doing this
sport, taking on the challenges that come
along with it as well as a bucket list of locales
that he would like to go to in his travels
to do this activity that he is so proud of.
ATHLEISURE MAG: When did you realize
that you wanted to be an actor?
CASE WALKER: I realized that I wanted to
be an actor, probably when I was 8 years
old and I realized that I could play characters
and that that would entertain people.
It got me hooked!
AM: How did The Other Two Come about?
I’ve enjoyed watching this show, but for
our readers that aren’t familiar, tell us
about this.
CW: The Other Two was a project that I
went out for I think 7 years ago now, maybe
longer or earlier. I just went out for
an audition, my dad took me out across
LA and we went in like the usual kid actor
would and it just really worked out! I
connected with the casting director and
I connected with Chris Kelly (Saturday
Night Live, Crashing, Broad City) and Sarah
Schneider (Saturday Night Live, Master
of None, Goodnight, Sweet Prince) in the
last audition. It worked out and it’s been
amazing ever since.
AM: That’s amazing! You play Chase
Dreams. Who is he and are there similari
ties and differences between yourself
and the character that you play?
CW: Chase Dreams, well, he has grown a
lot over the show. Early on, we were very
similar in the 1st and the 2nd season. It
paralleled a little bit to my life as a child
actor in LA and going through the motions
of the industry. This season, Chase
gets to mature quite a bit. We jump a little
bit into the future and Chase is older
going through what I would say are
adult challenges than he has ever gone
through. Which is very similar to what I
have gone through as well even in this
season which is really fun!
AM: That’s great! The show obviously
has an incredible cast with yourself, Molly
Shannon (Saturday Night Live, White
Lotus, Divorce), Ken Marino (Party Down,
Black Monday, Veronica Mars), Wanda
Sykes (Black-ish, Bad Moms, Curb Your
Enthusiasm) along with former SNL writers
Chris and Sarah. What is it like being
on this show and what have you learned?
CW: Yeah, I’ve learned so much working
on this show. All my co-stars have
not only been friends and companions
to me, but also talking to me so much
about acting and especially how to operate
on set and how to be on a television
show to work together to produce
art. I’ve also learned so much from them
on the comedy side as well. They’ve just
been amazing mentors, friends, and
co-workers - all of the above.
AM: It’s always great when you have that
dynamic in the chemistry. Are you able
to tell us about the upcoming 3rd season
and what we can expect?
CW: I can share a little bit. This season is
a big jump from where we last were. It’s
totally different and it’s bigger. I would say
that it’s a lot bigger if you can believe it.
Everyone, I would say this season – every
character is kind of going through their
own challenge. We’re a little bit more separate
and individual this season and of
course, as we always do, we end up back
together as a family through all of our conflicts
and challenges in the industry. It’s
really fun to see how we all get through
this season! There are some crazy things
that happen and Chase goes through a lot
of stuff! I personally felt that I was going
through a lot of different sketches this
season a little bit because you’ll see that
Chase has a few things that are going on
this season to solve his situations. It will
be really fun to watch for sure.
AM: Looking forward to catch that! Are
there other projects that we should keep
an eye out for that you’re involved in?
CW: I worked on another project that’s a
live action musical, the 2nd version of it
called Monster High. It’s totally different
than The Other Two which is going to be a
blast and it will be out this fall!
AM: It’s always exciting to have something
that’s ahead of you!
When you’re not on set, we know that
you’re an avid rock climber. How did you
get into this sport?
CW: Rock climbing, I got into it because
my big brother was really into it. He had
been doing it for a few years and as a little
bro does, I kind of followed him into it.
Then I stopped for a few years and then
around COVID, I completely fell in love
with it – especially outdoor bouldering.
I’ve kind of run with it since then.
AM: You mentioned that your brother was
a huge influence, but there are so many
outdoor sports that you could have done,
what is it about this specifically that you
really love about it?
CW: I would describe bouldering and rock
climbing as probably one of the most full
value sports. While I’m in NY, I can train
at the climbing gym nearby and find a
community there and then when I’m
home in Colorado, I can do a lot of outdoor
bouldering. I can go to the Alpine
or the Front Range. When I was in Canada
filming, there was climbing everywhere.
It’s a beautiful sport where you
can do it a little bit, you could do it a lot,
you can go outside and you can be inside
and there's just this awesome community
behind it. I find it to be one of the
best sports in the world, it’s my favorite.
AM: Do you have a bucket list of locations
that you would go to specifically around
the world to continue to boulder or rock
climb out there?
CW: Totally, yeah! There’s a bunch.
There’s a place called Rocklands in
South Africa that’s incredible, there’s
a place called Fontainebleau in France
which is amazing and it has a fun name
– these are all just obviously legendary
international bouldering spots. Where
I’m at in Colorado, it’s a bucket list for
a lot of people! So I just got to get a lot
more boulders on my checklist here and
I’ll definitely make my way to Spain and
France and all of the above!
AM: When you’re climbing, how do you
prepare? What are the things that you’re
looking for to ensure that you’re having
a good climb?
CW: To prepare for climbing, especially
when you’re taking it to a whole other
level, you really have to invest a lot
more than you expected to it. So, it’s
really mental, it’s emotional sometimes
and obviously, it’s physical. A lot of people
don’t grasp the mental aspect of it
often times when you’ve spent a lot of
time on a project which is what we call
it. Like spending multiple days. It really
does take a lot of mental focus and figuring
out data. When I’m climbing, I just
really try to be present because sometimes
you can think about getting the
route done or just overthinking it. At the
end of the day, it’s really just about get-
ting outside, climbing and having a great
experience. When you do what we call a
complete boulder or a complete climb, it’s
a reward and it’s really fun. Really, climbing
is just about climbing and being able
to get out there and to challenge yourself.
AM: Have you ever done it competitively?
Will we see you trying to go to the Olympics?
CW: You know, I have a friend who’s in the
Olympics and he was one of our Olympians
and I have a ton of friends in Colorado
who obviously go to the National Team
Trials. There’s actually a pretty big separation
between outdoor bouldering and
what we call comp style or competition
style climbing. They kind of have a middle
ground, but you end up training one or
the other. I’ve been pretty focused on the
outdoor stuff, but I also do a few competitions
here and there! Just not maybe on
the Olympic level!
@casewalker
PHOTOGRAPHY CREDITS | PG 92 -94 HBO
Max/The Other Two | PG 97 Rocky Holloway
| PG 98 Cooper Doe |
THE ART OF
THE SNACK:
LUTHUN
In this month's The Art of the Snack, we're
heading down to NYC's LES for an epic
meal! We had the opportunity to sit down
with Chef/Founder Nahid Ahmed and
Chef/Partner Arjuna Bull of Luthun. Both
of these founders have been friends and
clearly have a passion to bring a culinary
experience to each plate that is served
to you! We also talk about the beverage
program with Sommelier Jahdea Gildin.
We talk with this team to find out about
their backgrounds, how they came together
and what we can expect when dining
there. With an open kitchen as well as tasting
menus, we know that this is going to
be a restaurant that we will find ourselves
coming back to again and again!
ATHLEISURE MAG: When did Luthun
open?
CHEF NAHID AHMED: Luthun opened on
July 25th, 2019 in the East Village.
AM: Chef Nahid Ahmed and Chef Arjuna
Bull, please share your backgrounds and
culinary journeys that brought you to Luthun?
CHEF NA: My culinary journey began when
I studied at a culinary school in Lausanne,
Switzerland in the early 90s. During the
program, I had an internship with Chef
Gray Kunz, who became one of my mentors,
at Lespinasse in New York City. After
returning to Europe to finish my school, I
worked for another mentor of mine, Swiss
Chef Philippe Rochat at his Restaurant de
L'Hôtel de Ville in Crissier, Switzerland. I
came back to Lespinasse, where I worked
for a few years under Gray Kunz and left
around the same time he did. He connected
me with Thomas Keller at The French
Laundry where I worked for a while but
not being a big fan of Napa Valley at the
time, I went back to Europe and Philippe
Rochat’s restaurant again, which has held
3 Michelin stars for over 50 years. After
that, I had a chance to work at El Bulli in
Spain for some time, then at The Fat Duck
in London where I moved to be closer to
my family. While there, Gray Kunz calledme
and said he was opening Café Gray in
New York so I went to help him and met
chef Arjuna ‘AJ’ Bull who also worked
there. I worked there with Gray until it
closed, then at the Plaza Hotel for the
reopening of the Oak Room but it was
not a fit for me and I started thinking
about opening my own place. Then in
2011, I got a chance to open Respite in
Midtown. I brought in Chef AJ and the
two of us helped open this little place.
It was not ours, but we ran everything.
It was a hole in the wall and we had so
much fun there. That’s where the whole
idea of Luthun came to my mind. I wanted
to open my own restaurant, to do my
own things, to cook and create my own
cuisine. So, after that, I worked at bunch
of other places, I did pop-up dinners all
over, while working on funding. And
then I finally opened Luthun in 2019, my
long awaited dream: Luthun restaurant
in New York City.
CHEF ARJUNA ‘AJ’ BULL: I went to culinary
school in Miami and graduated
from Johnson & Wales in 2000. I did my
externship at The Fontainebleau Hilton
Resort; it was good experience working
in all different departments. But then I
took a quick vacation to New York and
I fell in love with the industry, so right
away I moved here and started working
at a lot of different places. One of
the biggest highlights was when I got
to work with Chef Nahid at Café Gray,
where I worked for a couple years with
him. It took me to the next level; experiencing
Michelin food changed my whole
vision and goals. I did a bunch of popup
restaurants with Chef Nahid. In the
meantime, I had a couple other executive
chef jobs, just to get some British
experience since I was born in England.
It's been a crazy journey here in New
York, but so much experience. And finally,
we had the opportunity and found an
investor. We found a cool space in the
East Village and here we are at Luthun.
AM: Why did both of you want to come
together to create Luthun?
CHEF NA: When I decided to open my
restaurant Luthun, it was because I'm very
picky about my food. I didn’t want to cook
food like that of my mentors or restaurants
I’d worked at. So when I set out to
create my cuisine, I asked myself what
kind of cuisine? It had to come from me
and who I am, what I came from, where
my parents came from, where I was born
and grew up, from my philosophy behind
the food and also from my memory of the
many places where I worked, the people I
met, and the many different things I have
eaten. I brought it all together and made
my own cuisine. And then my idea came to
me as to what kind of restaurant I wanted,
and I wanted this kind of restaurant that
Luthun is. I also wanted someone working
next to me. Someone who I can say
is my friend, my chef, my business partner.
Although there are many people and
friends I have in this industry, but in that
moment, I could only think of one person,
Chef Arjuna Bull. I knew him a long time
before this restaurant, and we have this
connection. He understands me very well,
more than anyone else in any kitchen I
have worked in. He understands the food
I want to cook. He understands what kind
of flavor I'm looking for. So, I didn’t think
about anybody else, and I offered him to
be a business partner to open Luthun together.
CHEF AB: There's only one answer for that,
I was super excited. We've been friends
for 20 years and I never actually knew the
potential that Chef Nahid had until we did
some pop-up restaurants. And from then
on, I was just blown away at how many
different recipes and the creativity that
was in his head. I was honored to have
this opportunity to work with him.
AM: What is the meaning behind the
name?
CHEF NA: The meaning behind the name is
my mom's nickname. I lost my parents at a
very young age, and I had heard my mom
was an amazing cook; she loved food and
she was a very adventurous eater. When I
wanted to open something very personal,
and the cuisine is very personal from my
background and where I came from,
there was nothing I could think of other
than my mom’s nickname. So I put her
name on my restaurant.
CHEF AB: The meaning of the chef's
mom's nickname, Luthun also means
something new and unexpected. So, in
the East Village walking by there's brick
walls and wood floors. But we beat everybody's
expectations and, following
the name, offer something new and unexpected.
AM: Tell us about the design and aesthetic
of the restaurant for those that
will come by for dinner.
CHEF NA: We are in the East Village in
New York City, where every neighborhood
is so different to me. Midtown,
Downtown, East or West Village, everywhere
is different. When I first came to
New York, I lived down the block from
Luthun’s location on East 7th Street
between First and Second Avenues for
almost a year. I didn’t know a lot about
other parts of the city, so this area was
to me the real New York. I'm talking
about early 90s, punk rock, and all these
little bars and shops, I had never seen
anything like that and to me this is New
York. When we decided to open a restaurant,
we both agreed it has to be somewhere
we know very well and we knew
this area very well. We also wanted to
surprise people with the food, wine and
service they wouldn’t expect in the East
Village, and create something very comfortable
that doesn’t feel like a restaurant
when they come downtown.
So we don't call Luthun a restaurant, we
call this our home and if people come
to your home, what do you do? You provide
your best hospitality, and that’s
what we try to do here. The whole team
is not just front of the house or back of
the house. We work together very well
and we want people to come here and
feel like they are in someone's home,
not a restaurant.
CHEF AB: It's an open kitchen experience.
As soon as you walk in, it's like you're walking
into somebody's house so we give a
welcoming greeting, basically, hugs and
kisses. Again, it's more of our living room
than a restaurant.
AM: What seatings are offered for those
that are coming in for dinner?
CHEF NA: We have three seatings in the
dining room at 5:30pm, 7:30pm and
9:30pm. And at the chef's counter we seat
at 6:00pm and 8:30pm.
AM: Luthun's cuisine is defined as Progressive
American with a focus on hyper-seasonal
tasting menu with a Global Perspective?
What does that mean?
CHEF NA: We don't have any boundaries
at Luthun, we cook what we love to eat.
We challenge ourselves by using a lot of
ingredients that other restaurants don’t
serve on their tasting menus, many techniques,
and developing recipes to present
food in a way you’ve never seen. And
our goal is to introduce people to many
different flavors from all over the world:
Chinese, French, Mexican. As a chef, it is
a challenge to cook with so many different
flavors and ingredients, but we like to
do that because this is a way to give our
guests a new experience. That's why we
call our food global and progressive, and
also hyper-seasonal because we go to the
local farmer’s market 3-4 times a week
and talk with the farmers and fishermen
about what is and isn’t coming.
AM: Each dinner service, you have a 9
course tasting meal which takes place at
the counter and then a 6 course tasting
meal that takes place in the dining room.
Can you tell us more about that?
CHEF NA: At the kitchen counter, we serve
9 courses. In the dining room, there are 6
courses. The full tasting starts with something
very flavorful, the next step adds a
bit of tartness, then oceanic flavors, followed
by something more French like a
custard or foie gras. Right now, we have
this white asparagus with uni and bottarga
that is very French and Japanese.
Before the last course and dessert, we
go to Southeast Asian flavors we love.
We serve a meat course at the end, we
always try to do some kind of barbecue
because this is to me America, it has to
be barbecue. We keep the dessert very
simple, very seasonal and very light. We
don't believe in heavy desserts after so
many courses and we want people to
finish everything so we serve something
fruity, light and chilled, not heavy.
AM: How do you approach what will be
on the tasting menu?
CHEF NA: We have our one signature
dish, which is inspired by fushka, a famous
Indian street food that we start
the tasting with. It is vegan and very refreshing
with citrus and lots of flavor to
introduce people to the next courses.
We start with vegetables then move on
to shellfish like oysters or scallops, followed
by mushrooms, then some kind
of custard. After that, more substantial
seafood and then light meat. Generally,
there are between five and six seafood
courses, one or two vegetable courses
and one meat course.
AM: What spices, herbs and ingredients
do you gravitate towards in general.
CHEF NA: We like spices from all over
the world. I’ll go to any store and get
anything I see. Our sommelier is going
to Armenia and I'm going to ask him if
he can bring back a spice book. I want to
know about every spice. I'm Indian and I
like Indian spices, there are so many different
spices. I have no boundaries we
use spices from all over the world, whatever
we feel we can make something
amazing with it.
AM: Can you share 3 dishes that tend to
be offered that are your favorites?
CHEF AB: The fushka is so exciting because
it has so many different textures.
There are raw, and blanched vegetables,
acid from citrus, a little bit of heat and
spice, and fresh garnishes on top. That
one is mouth-watering just talking about
it. Because of all the textures and the
freshness, the fushka is a total go-to. I like
all the seafood dishes, we have amazing
vendors so the scallop dish right now is
phenomenal and also one other kind of
signature on the menu is a shrimp dish.
The ingredients kind of stay the same but
the dish has evolved since we've opened.
Nuoc cham, the Vietnamese fermented
fish sauce, is something Chef Nahid has
created many dishes around. Right now,
the dish has nuoc cham emulsion foam
and foie gras sauce on the bottom, potatoes,
Thai basil and grilled and smoked
fresh shrimp. This is definitely one of my
favorites too.
AM: Are there types of dishes or flavors
that tend to be a part of the 9-course tasting
menu, regardless of the season that
you may be in?
CHEF NA: Everything changes. There is
only one dish that we always keep, the
nuoc cham shrimp dish. The flavor is very
Vietnamese and Thai. Everything else
comes and goes but we do love Southeast
Asian flavors with a twist, say a little Japanese,
and also influences from every part
of India.
AM: Jahdea Gildin, you are the Sommelier
at Luthun, tell me about your journey prior
to coming here?
JAHDEA GILDIN: I've worked in hospitality
since I was about 15 years old, my first job
was at a bagel shop. And from there, I've
always loved the industry, even though
I took a detour. Five years ago, I jumped
back into hospitality at Casa Mono, the
Michelin-starred restaurant in Grammercy,
as a manager while I was getting my
sommelier certification from the Court
of Master Sommeliers. After being part
of a team that won awards and Michelin
stars, I was looking for the opportunity
to do something a little different. At Casa
Mono, everything was from Spain so it's
refreshing to be able to do something dif-
ferent at Luthun.
AM: Tell us about the wine list that is offered?
JG: We're trying to make Luthun’s wine
list similar to the food, which is very
unique in itself. It's rooted in tradition
but has its own identity. Chef Nahid is
classically French trained so while we
honor tradition, we want to expand on
it and offer wines that are less expected,
from lesser known regions. We want
to showcase the New World and producers
or regions that are worthy of exploration
rather than predictable choices.
We have a very small space and with
the constantly changing menu, we want
to make sure that our beverage options
are in line with that. Our beverage pairing,
which is very popular, enables us to
showcase what we think people should
be drinking with these dishes. Since Luthun
serves a tasting menu, guests come
here for an experience and we want to
provide something special.
AM: What are three wines that you often
suggest?
JG: I really enjoy wine from Zuccardi in
Mendoza, Argentina. In 2019, 2020 and
2021, they were the number one vineyard
in the world. They make these stellar
chardonnays and malbecs, that see time
in concrete because to the winemakers
it shows the real terroir, as opposed to
using oak, which can mask some characteristics.
Their Fosil Chardonnay is absolutely
stunning. It has this nice little bit
of roundness and is kind of white Burgundy-esque.
What I like to share with
people the most is that while we're all
familiar with French chardonnay, it's
great to explore other options. The Fosil
Chardonnay is similar to some of the top
white Burgundies but costs a fraction
of the price. It's not necessarily a cheap
wine but in comparison with the quality
level, it stands with some of the best.
Another wine I'm a huge fan of is saperavi
from Anapea Village in Georgia. Geor-
gia and Armenia are both the cradle of
wine civilization with sixty eight thousand
years’ history. The saperavi that
they make is fascinating because they
ferment it on the skins of mtsvane, a
white grape, in the traditional Georgian
qvevri terracotta vessels. It makes a really
beautiful medium bodied, fresh red
with light spice, fresh flowers and some
nice umami. We were pouring that on
our Reserve Pairing with a Mongolian
beef.
We just got a couple of labels of Gut
Oggau from Austria, husband and wife
winemakers that make beautiful field
blends. Oftentimes they don't even list
the grapes on the bottle because they
had taken over this abandoned vineyard
that they were able to work with biodynamic
practices from day one. Each
of their wines has on the label a handdrawn
picture of a family member or
friend. We have the Matilda gruner veltliner,
named after a grandmother, on
the list right now.
AM: You also have kombucha, can you
tell us more about this?
JG: Most of our non-alcoholic beverages
we make in-house with a tea base similar
to how kombucha is made, but we
don't do the whole fermentation process.
We source kombucha from Unified
Ferments in Brooklyn. The difference
between what they create and what’s
at the grocery store is the quality. The
teas they use are from different areas of
Taiwan or China. They also created two
different labels that come from opposite
sides of one mountain in India, so
they're really digging into the terroir of
teas. One of my favorites is the Qi Dan
oolong tea that has a touch of effervescence
that gives it a really nice freshness
and notes of bay leaf and citrus.
@luthunnyc
PHOTOS COURTESY | Michael Tulipan
ATHLEISURE LIST: LA
JEAN-MICHEL BASQUIAT:
KING PLEASURE
The Jean-Michel Basquiat: King Pleasure
exhibit moved from here in NY
to LA. We talked with Ileen Galllagher
to find out more about this exhibit.
There are close to 200 works including
never before seen paintings, drawings,
ephemera and objects owned
by Jean-Michel. This exhibit also includes
immersive environments of his
childhood home, studio and Palladium
nightclub.
This exhibit is possible due to his sisters
who run the Estate of Jean-Michel
Basquiat. In their possession are many
works that have never been seen before,
and they wanted to share them
with the public. Additionally, they
wanted to create an exhibition that
told the story of their brother from
their unique point of view.
He was known for his Neo-Expressionism
and was very expressive in his use
of color, imagery, and language. His
work combines all three and often
contains elements from history, art
history, culture, and social and political
commentary.
King Pleasure, the name of the exhibit,
comes from a painting by the artists in
1987 referencing the name of a bebop
loving bartender turned jazz vocalist,
whose first hit in 1952, Moody’s Mood
For Love, catapulted him to fame.
Frankie Crocker, a WBLS disc jockey
played it at the close of his show every
night in the early 1970s. Gerard,
Jean-Michel’s father, liked the song
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and often listened to Crocker’s show.
Jean-Michel created a painting by this
name but it is not included in this exhibition.
It's important to note that his legacy
has grown exponentially since the
time of his passing and many in the art
world who didn’t recognize his talent
and genius during his lifetime have
come around to truly appreciate his
unique talent. His art resonates with
all sorts of audiences because so many
people can identify with what he is
saying in his work, and his messages
continue to resonate to this day. Since
his death he has been included in hundreds
of exhibitions and his fame is
truly world wide.
JEAN-MICHEL BASQUIAT:
KING PLEASURE
The Grand LA
100 S Grand Ave
LA, CA 90012
kingpleasure.basquiat.com
@basquiatkingpleasure
PHOTO CREDITS | Estate of
Jean-Michel Basquiat
Issue #88 | Apr 2023
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ATHLEISURE LIST: Cobble Hill, BK + NYC: UWS, East Village
MIMI CHENG'S
Mimi Cheng's is founded by Hannah
and Marian Cheng. The two sisters
were inspired by the hundreds of
homemade dumplings and jars of secret
sauce their mother, Mimi, made
for them throughout their lives, and
in 2014, they took the leap into the
hospitality industry to introduce their
family recipes and culinary heritage to
New York City and opened their first
location. Since then, it has expanded
to 3 locations on the Upper West Side,
East Village and Brooklyn.
We suggest that when you swing by
for dumplings, you should try their
Signature Dumpling (organic chicken,
farm zucchini, scallions, grated
ginger), Pork & Chive Dumplings (pasture-raised
heritage pork + garlicky
chives) and any of their upcoming Limited
Edition Brooklyn Series Dumplings.
Mimi Cheng’s will be collaborating
with other beloved iconic BK restaurants
to create a special dumpling every
month. Keep an eye on their social
feed to see the next collaboration
that they will do for other restaurants
in the area! For April, they partnered
with Hometown BBQ, which will be an
interesting twist on these savory classics.
If you visit their IG, you'll see that
they mentioned a Pepper-Caramelized
Beef Brisket Dumplings with Swiss
cheese, housemade Russian dressing,
and slaw which seems like something
that we would want to try for sure!
3 main dishes that we should try are
Spicy Dan Dan Noodles, 12-Hour Organ-
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ic Chicken Bone Broth Noodle Soup and
Chicken + Rice. When it comes to sides,
you should have their Crushed Garlic
Cucumber Salad, Scallion Pancakes and
Scallion Ginger Rice.
Regardless of which location you go
to, you'll find that all the menus are
the same for each one.
MIMI CHENG'S
COBBLE HILL, BK
224 Atlantic Ave
BK, NY 11201
UWS
309 Amsterdam Ave
NY, NY 10023
East Village
179 2nd Ave
NY, NY 10003
mimichengs.com
@mimichengs
Issue #88 | Apr 2023
PHOTO CREDITS | Mimi Cheng's
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STEP UP TO STOP
THE SPREAD, NYC!
GET
VACCINATED
AND BOOSTED
GET
TESTED
if you have symptoms,
were exposed, or traveled
MASK
UP
to protect yourself and those around you
STAY
HOME
if you are feeling sick
For more information,
visit nyc.gov/covidvaccine
or call 877-VAX-4NYC.
Health
Bi
M
D
C
AthleisureMag.com - 142 - Issue #88 | Apr 2023
Stay connected and follow us across our
social channels on @AthleisureMag!
Issue #88 | Apr 2023
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Bingely Books
101 THINGS TO DO WITH
RAMEN NOODLES
Gibbs Smith
Toni Patrick
There is nothing like a bowl of ramen
and since it is so versatile, we always
want to try a new version! If you've ever
purchased ramen noodle packets or
have them in your pantry, have you ever
thought about how you can breathe
new life into it, we have some ideas. This
month, 101 Things to Do WIth Ramen Noodles
is the perfect cookbook to have on
hand when cravings hit.
You'll find out how they can be
made into Creamy Chicken Noodle
Soup, Summer Garden Soup,
Zucchini Salad, Ham and Cheese
Ramen Omelets, Ramen Nachos,
and Ramen Burgers.
PINEAPPLE STREET
Pamela Dorman Books
Jenny Jackson
As we get closer to the summer,
we need one of those escapist
reads that takes us away on a bit
of a saga. We get introduced to
the Stockton family a well-connected
old money family. We
meet Darley the eldest daughter
who traded her comforts, followed
her heart and exchanged
her inheritance for motherhood.
We also meet Sasha who is a
middle-class New England girl
who marries into the Brooklyn
Heights family. Obviosuly, she is
an outsider. Then, there's Georgiana
who is the baby of the family
and has falled madly in love with
someone that she can't have.
Now, she decides what kind of a
person does she want to be ultimately.
Pineapple Street is an indulgent
read that connects us to the
one-percenters and sharing the
lives of these characters as they
navigate their lives and learn
what it is in life that they really
want to be involved in.
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as those that he grew up eating. With
over 100 recipes, and his thoughts on
philosophically eating, and his connection
to food, it's an immersive experience.
We're looking forward to making Spicy
Pork Rib Stew, classic noodle and rice
cake dishes as well as Korea-fied roast
chicken and a sweet-and-spicy grilled
cauliflower. In addition, to beautiful
images, you will learn various techniques,
you'll learn about condiments
to elevate your desired dish, desserts,
drinks and tricks and tips to create
your healthy meals each week.
LEARNING KOREAN: RECIPES
FOR HOME COOKING
Amistad
Peter Serpico
Another cuisine that's a long time favorite
is Korean! We love the spices, sauces
and more. In Learning Korean: Recipes
for Home Cooking, we focus on the
key elements of this cuisine: kimchi and
white rice and how it unlocks flavors as
well as vegetable-centric cooking which
allows for healthy eating. This cookbook
presents new flavors, techniques
and ways to enjoy this food by Chef Peter
Serpico.
This cookbook shares his favorite dishes
that he has made over the years as well
Issue #88 | Apr 2023
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Bingely Streaming
BEEF
Netflix Series
Netflix
BEEF is a must binge that's perfect to enjoy
over the weekend. All 10 episodes of this
dark comedy starring Steven Yeun (Nope,
Everything All at Once, Okja) and Ali Wong
(Birds of Prey, American Housewife,
Love, Victor) shows us what
happens when a beef takes over
your life and how it can completely
change everything that you
thought you knew about yourself
and those around you! It even
looks at how a beef can cross gender,
class and other demographics.
FIRED ON MARS
HBO Max Original
HBO
When you've gotten through a
number of series on a designated
streaming platform, you're
always looking for the next item
that you'll want to watch. We just
found out about Fired on Mars, an
animated workplace comedy on a
Martian tech company which focuses
on a guy who leaves Earth
to work on Mars with a number
of his colleagues from his office
as well as others who are there
to populate the planet. We watch
him go about his job as a Graphic
Designer and how he spends his
days there while communicating
with his girlfriend who works at
the same company who is back
on Earth. We can see that she is
slated to be there at some point
down the road.
As he navigates his days and
nights, we also see that a new
planet doesn't change the state of
office politics, interesting coworkers
and the need to fit in. One day,
the world that he continues to adjust
to is drastically altered and he
is forced to try to find a new way
to be involved in this
AthleisureMag.com - 168 - Issue #88 | Apr 2023
this new environment as well as to
stay connected to the love of his life
on Earth.
GREAT EXPECTATIONS
FX/Hulu Originials
Hulu
This new look at this beloved classic brings
us an orphan named Pip (Fionn Whitehead)
who grew up as a blacksmith's apprentice.
Suddenly, he receives a windfall from an unknown
benefactor that allows him to travel
to London and enter high society. His journey
includes love, Miss Havisham (Olivia
Colman) and more!
There's nothing like a classic retold
and when it comes to FX and the way
that they retell Charles Dickens pieces,
we couldn't wait to see how this
would be done with Great Expectations
a 6 episode limited series.
The adaptation is written by Steven
Knight (Spencer, See, Peaky Blinders)
who is also an Executive Producer
alongside Tom Hardy (Venom franchise,
Legend, Inception), Ridley Scott
(Kaleidoscope, House of Gucci, The
Last Deul), Dean Baker (A Christmas
Carol, Taboo, Driven to Extremes), David
W. Zucker (Still Missing Morgan,
Kaleidoscope, The Good Fight) and
Kate Crowe (The Third Day, A Christmas
Carol, Taboo).
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