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The Warrior • Entertainment

February 20, 2025

Commanding the Award Show Spotlight

by George Awkard ‘25

Hosts are a quintessential part of

what makes an award show successful.

Without a good host, an award

show can quickly go south. Considering

the Grammys, Oscars, and

other events are broadcasted worldwide,

it would only make sense that a

network would want the best host for

one of their biggest events of the year.

On March 2, late-night host Conan

O’Brien will take a crack at hosting

the Academy Awards. This past year,

the ceremonies for the Grammys,

Oscars, Emmys, and Golden Globes

have been hosted by notable celebrities

and prompted various reactions

from charmed to appalled.

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Jo Koy

Jo Koy is known to have notoriously

bombed the Golden Globes

Ceremony as a host. At the 81st

Golden Globes’ last year, he

seemed extremely underprepared

and even told the audience to shut

up for wanting a perfect monologue.

He started the award show

by setting low standards for himself,

mentioning that he “got the

job ten days ago” and later started

to blame the writers because of

how bad the show was going.

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Trevor Noah

Trevor Noah has hosted many

award shows in his career and has

been well received, but most recently,

he hosted the 67th Grammy

Awards and didn’t do too

hot. He made several jokes about

immigration and insinuated that

“20 million illegals” voted in the

Grammys. Noah has been a wellloved

host in the past, but the audience’s

reactions on February 4

didn’t seem to match his previous

acclaim.

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Nikki Glaser

Nikki Glaser hosted the

82nd Golden Globes’ this

year and was extremely

well received by the public,

she was the first woman

to host the show solo.

Maybe after seeing Koy’s

disastrous performance the

previous year, she prepared

heavily, doing over 90 test

runs. Glaser had a smashhit

opening monologue,

insulting the low patron

count of Paramount. She

changed her dress over five

times, exuding versatility

and class.

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Jimmy Kimmel

Jimmy Kimmel: Jimmy

Kimmel is most known

for his late-night show,

Jimmy Kimmel Live! He

hosted the 96th Oscars,

his opening monologue included

many hilarious jabs

at celebrities. The show

garnered over 19 million

viewers but recently

turned down hosting next

year’s. He complained that

he wants more focus on his

show and that he isn’t the

best at balancing his show

and the Oscars, wanting to

putting his show first.

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The Levys

Dan and Eugene Levy,

the beloved father and

son duo, hosted the

76th Emmy Awards,

calling themselves

“actors” and not

“hosts,” adding a new

spin to the role of a

host. TV fans were extremely

excited to see

some new faces host,

helping ratings go up

for ABC. Between the

two, the unique and

bold banter carried the

show.

Best Pictures of 2025 May Not Be the Ones Winning Oscars

by Jordan Costolo ‘25

This year’s Oscar nominations

were announced January 23,

with top movies of 2024 such as

Dune 2, Wicked, and A Complete

Unknown being nominated for

Best Picture. These well known

movies were alongside many others,

most of them having flown

under the radar of general audiences

until the announcement of

their nomination. Compared to

last year, where box-office hits

such as Oppenheimer, Barbie,

The Holdovers, and many other

popular movies were in the

running, most people have not

had the chance to see many of

the movies nominated for this

year’s awards. As someone who

has spent their time watching all

of the movies nominated, here is

an overview of this year’s Best

Picture nominations, including

which ones are worth watching.

The Traditionals

Conclave, The Brutalist, I’m

Still Here

There is a reputation that

Best Picture nominees occasionally

have of being too complex,

slow, or overall pretentious. Although

this may be the case for a

few critic-acclaimed films, more

often than not it’s that these types

of films are ambitiously challenging

and thought provoking. They

want to do more than just entertain.

Conclave is an innovative

story about Catholic Cardinals

in the Vatican choosing the next

Pope after the death of the current

one, and it surprisingly is an intense

thriller. The only downside

to a potential viewer is that overall,

the whole movie is just people

talking. Yes, it’s still intense but

if you’re looking for action, this

isn’t the movie you put on.

The Brutalist has a runtime of

three and a half hours with an

intermission, making it not the

kind of movie many people are

willing to watch, at least all the

way through. Out of the three,

I’m Still Here is the most accessible

for viewers, with emotional

beats and themes that are easier

to follow than the other two. The

only thing that might make this

movie less accessible is that it is

in Portuguese, meaning subtitles

are needed for English speaking

viewers. All of these films put a

spotlight on the human condition

in beautiful ways, with breathtaking

cinematography and scores.

Yes, these movies will not be for

everyone, but if you’re willing to

stay through the intermission, or

turn on some subtitles, you’ll be

greatly rewarded.

Worth Checking Out

The Substance, Nickel Boys,

Anora

I wouldn’t count on any of

these three movies winning Best

Picture. They lack certain grandeur

or presence found with other

nominees. They are less complex,

and offer a more straightforward

movie experience as opposed

to something that critics rave

about, which is usually more

likely to win an Oscar. Still, all

three of these movies offer something

new or refreshing to their

genres.

For horror fans, The Substance

has a ton of practical effects in the

form of all kinds of body horror,

which at certain points become so

extreme and grotesque it almost

veers into comedy. With content

that is able to make you laugh, as

well as make your skin crawl, this

movie is great for people who are

not faint-of-heart.

Nickel Boys is refreshing

with its camera work, having the

entire movie shot from the main

character’s point of view. This

allows for some really interesting

and new ways for the filmmaker

to tell a story, as there are both advantages

and obstacles that come

from shooting from a single person’s

perspective.

Anora has incredible writing

and balance, possessing the ability

to make you feel terrible for

a character, while also being able

to laugh at their mistakes and

shortcomings. It’s simultaneously

hilarious and heartbreaking, with

the ability to channel humor and

sadness back and forth within a

single scene.

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The Chalamet Specials

Dune 2, A Complete Unknown

Every once in a while, there is

an actor that defines a generation.

An actor that is well known by

everyone of a certain age group,

and that is impossible to escape

from, not only in movies but in

widespread media as a whole.

Timothée Chalamet is shaping

up to be one of those actors.

Coming from last year’s success

in Wonka, and his lead role

in Dune from 2021, Chalamet not

only has two movies he is starring

in for Best Picture but has also

been nominated himself for Best

Actor in A Complete Unknown,

which is a biopic of Bob Dylan.

While Dune 2 and A Complete

Unknown couldn’t be any more

different (classic sci-fi and musical

biopic), Chalamet drives both

of these movies, making his mark

as one of the best actors of the

current era.

Bad Musical, Good Musical

Emilia Perez, Wicked

I don’t think there’s been a

movie up for an Oscar that has

sparked as much outrage as Emilia

Pérez has. Critics dislike it,

general audiences dislike it, and

personally speaking, I dislike it.

Mostly though, I’m confused.

There’s nothing about this movie

that would give anyone any

reason to let this in as a nominee

for Best Picture. Yes, it has representation

of Mexican culture

and problems within the country,

but it’s inaccurate, as the French

filmmaker said he did zero research

beforehand. Yes, it has

transgender representation, but its

representation is done so poorly

that the transgender community

online has shunned the movie.

It just doesn’t really make sense

how Emilia Pérez is up for an

Oscar.

On the other hand, Wicked is

a cultural phenomenon. Since the

movie’s release, it’s been almost

impossible to avoid. The cast has

gone through media outlets and

interviews twice over, and there is

a nearly endless number of brand

deals related to the film. People

can’t get enough of Wicked,

and for good reason. Everything

about it exudes creativity.

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