The BRIT Awards 2025 with Mastercard - Show Programme
Hungry for the hottest BRITs gossip and exclusive backstage access? The BRIT Awards 2025 Official Show Programme has you covered! Available online and on the big night at The O2 Arena, this year’s souvenir edition is packed with must-read interviews, behind-the-scenes moments, and all the biggest winners and performers. Get the inside scoop from Jack Whitehall, who spills on hosting duties, plus exclusive chats with Producer of the Year A.G. Cook and visionary director Gabriel Moses. Also, don’t miss an exclusive interview with Rising Star winner Myles Smith, as he reflects on his journey to the BRITs stage and what’s next for his skyrocketing career. The BRITs 2025 programme is the ultimate keepsake—a front-row pass to the UK’s biggest night in music!
Hungry for the hottest BRITs gossip and exclusive backstage access?
The BRIT Awards 2025 Official Show Programme has you covered! Available online and on the big night at The O2 Arena, this year’s souvenir edition is packed with must-read interviews, behind-the-scenes moments, and all the biggest winners and performers.
Get the inside scoop from Jack Whitehall, who spills on hosting duties, plus exclusive chats with Producer of the Year A.G. Cook and visionary director Gabriel Moses. Also, don’t miss an exclusive interview with Rising Star winner Myles Smith, as he reflects on his journey to the BRITs stage and what’s next for his skyrocketing career.
The BRITs 2025 programme is the ultimate keepsake—a front-row pass to the UK’s biggest night in music!
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SATURDAY 1 MARCH THE O2 ARENA ON
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Played to empty rooms.
A demo. Reel. New release.
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CONTENTS 05 A WORD FROM THE TOP – OUR CHAIR’S WELCOME 07 THE POWER OF MUSIC WITH
MASTERCARD 09 EXCLUSIVE! OUR HOST (JACK’S BACK!) 12 EXCLUSIVE! VISIONARY ARTIST GABRIEL
MOSES 14 LAUNCH: THE BIG REVEAL! GETTING READY FOR SOMETHING HUGE! 18 AND THE NOMINEES
ARE… 23-67 MEET THE STARS! THE A-Z OF OUR NOMINEES INCLUDING: RISING STAR SENSATION MYLES
Congratulations to all
The BRITs nominees 2025.
SMITH 68 THE HOTTEST PRODUCER RIGHT NOW, A. G. COOK (ANOTHER) EXCLUSIVE! 71 WE REMEMBER
- HONOURING THOSE WE’VE LOST 72 BRITs WEEK – THE ULTIMATE WARM-UP 75 FLASHBACK! LAST
YEAR’S UNFORGETTABLE BRITs 80 NURTURING FUTURE ICONS AT THE BRIT SCHOOL 82 MUSIC
Award styled by Gabriel Moses
GIVES BACK TO THE BRIT TRUST 84 BTS – THE BRIT AWARDS VOTING ACADEMY 87 MUSIC WITH A
MISSION, OUR ENVIRONMENTAL COMMITMENT 89 THANK YOU & GOODNIGHT (UNTIL NEXT YEAR!)
RAYE - The BRIT Awards 2024
2 JM Enternational 3
WELCOME TO
THE BRIT AWARDS 2025
WITH MASTERCARD
ADVERT
Tonight is my third and final
time of Chairing The BRITs -
and what a ride it has been.
There have been ups and
downs, huge obstacles to
overcome, massive wins to be
proud of, important changes
implemented, and amazing
music to celebrate.
It has been an absolute privilege to be
in the hot seat these last few years and
one of the proudest achievements of my
career. The BRITs is still at the heart of
The British music industry and, over the
last three years, we have worked hard
to honour it, putting the artists and their
music ahead of everything else.
During my time as Chair, we’ve made
some important changes which we think
have helped evolve The BRITs and set
it up for a long and bright future. We’ve
adapted the format, upping the number
of nominees in some categories, which
has allowed us to showcase a broader,
more diverse range of artists. We’ve
introduced an R&B category which
has shone a light on this vibrant and
important genre. We’ve partnered with
WhatsApp for the public vote, allowing
fans to have their say like never before.
And we successfully moved the show to
a Saturday night, growing our viewership
and connecting British talent with a
growing audience at home.
And what talent we have on show
tonight - this year’s nominees list is
packed full of exciting up and comers
such as The Last Dinner Party, Nia
Archives and Jordan Adetunji; fully
fledged superstars such as Coldplay,
Dua Lipa, and Fred again..; and
returning greats in The Cure and
even The Beatles, who land their first
nomination since 1977! And, of course,
we’re bringing BRAT to The BRITs, as
the brilliant Charli xcx leads this year’s
nominations with five. I’ve worked with
Charli for years, and couldn’t be happier
that she’s finally getting the recognition
she deserves following a year where her
lime green aesthetic took over the world.
Another artist who had a special
2024 is this year’s Rising Star winner
Myles Smith. He exploded onto the
global scene with his massive single
‘Stargazing’, and I’m sure he’ll be building
on this success over the next few years
as he continues to develop. A big shout
out to Elmiene and Good Neighbours
who were also shortlisted, and have
blossoming careers ahead of them.
In yet more exciting news, Jack Whitehall
is back to host for a fifth time. Jack
makes an extremely difficult job look
easy and brings with him his charm and
sharp wit which is sure to keep everyone
on their toes tonight. He’ll be joined
by some special guests to hand out
this year’s trophies, which have been
designed by the amazing Gabriel Moses.
Gabriel really is the man of the moment -
working with the world’s biggest fashion
brands, sport stars and musicians. His
design is effortlessly sleek and I’d like to
thank him for coming on board this year.
Now on to some personal thank yous.
As I’ve said in previous years, I wasn’t
quite aware of the scale of the job when
accepting the role of Chair - and while
I’ve loved throwing myself completely
into it, I’ve been lucky to have had some
incredible backing from the team behind
The BRITs. Firstly, I’d like to thank Dr
Jo Twist, CEO of the BPI, and YolanDa
Brown, Chair of the BPI, along with
their colleagues Maggie Crowe and
Gennaro Castaldo. My gratitude also
goes to the 2025 BRITs Committee,
along with Giuseppe De Cristofano,
Sebastian Simone and the whole of
The BRITs Digital Committee, who
have worked tirelessly to continue to
improve the show every year and bring
our vision to life. A huge thanks to the
fantastic team of Sally Wood, BRITs TV
Executive Producer; Phil Heyes, tonight’s
Director; and Misty Buckley, our Set
Designer. And to BRITs PR contractor
Dawbell’s Kate Etteridge and Stuart Bell
for their continued support, as well as
Mel Rudder, Stacey Tang, Suzie Walby
and Jeff Bell who have been extremely
helpful as label and indie reps.
I’m grateful to Tony Harlow, CEO of
Warner Music UK, who encouraged me
to accept this role four years ago and
has backed me in all the big decisions.
Another big thanks to Ed Howard and
Briony Turner of Atlantic, who have been
so supportive over the last few years.
And of course, my Promotions team at
Atlantic, who really are the best in the
business - juggling both my day job and
Chair of The BRITs would have been
impossible without them continuing to
hold it down back at the office.
We’re lucky that The BRITs has a
brilliant main sponsor in Mastercard,
which allows us to push boundaries
and make brave decisions with
its full backing. Recognising ITV’s
unwavering support for the UK music
industry and especially The BRITs;
a special thanks go to Kevin Lygo,
Katie Rawcliffe and Lily Wilson. In ITV,
we have a partner which is always
open to hearing our ideas and I’d
like to thank the team there again for
originally taking the risk of moving the
show to a Saturday and then sticking
with it for three years. And a huge
shout out to our Official Digital Partner,
META, including Facebook and
WhatsApp, which have both enabled
fans to get closer to the show.
And the biggest thank you goes to all
of you who continue to support and
donate to The BRIT Trust. The BRITs is the
flagship charity event for the Trust and,
with your backing, it has raised more than
£30 million since its launch. The work
the Trust does is invaluable in improving
young people’s lives through the power
of music. Let’s carry on backing it.
I wish all the artists the best of luck and
I hope everyone enjoys the show.
Damian Christian
The BRIT Awards 2025 Chair
4 5
WE PROUDLY CONGRATULATE OUR CLIENTS
ON THEIR 2025 BRIT AWARDS NOMINATIONS
BRITs Rising Star
GOOD NEIGHBOURS*
International Group of the Year
LINKIN PARK
6
Mastercard Album of the Year
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Artist of the Year
DUA LIPA*
MICHAEL KIWANUKA*
SAM FENDER*
Group of the Year
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Song of the Year With Mastercard
“GUESS”
BILLIE EILISH
“BACKBONE”
STORMZY
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COLDPLAY*
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DUA LIPA*
“ANGEL OF MY DREAMS”
JADE
“KEHLANI”
JORDAN ADETUNJI
“THICK OF IT”
TRIPPIE REDD
International Artist of the Year
BENSON BOONE
BILLIE EILISH
*Denotes Shared Representation
International Song of the Year
“BEAUTIFUL THINGS”
BENSON BOONE
“BIRDS OF A FEATHER”
BILLIE EILISH
“HOUDINI”
EMINEM*
“TOO SWEET”
HOZIER*
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SAM FENDER*
Hip Hop / Grime / Rap Act
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R&B Act
CLEO SOL
MICHAEL KIWANUKA*
TURNING THEIR DREAMS INTO REALITY
Mastercard is proud to sponsor The BRIT Awards, supporting
The BRIT School and their next generation of talent
As we celebrate our 27th year
as headline sponsor of The BRIT
Awards, we are delighted to continue
spotlighting the creative talent
studying at The BRIT School – a
unique, free school that nurtures the
creativity of 14-19 year olds while
they study towards a formal state
education. For the duration of our
headline sponsorship of the awards,
the additional funding provided
through The BRIT Trust and The
BRIT Awards’ fundraising activities
has supported the development of
RAYE - The BRIT Awards 2024
thousands of students, from Visual
Art and Design to Film and Media
Production, to many of the biggest
names in music and entertainment.
In support of the immense talent at
The BRIT School, we are helping to
facilitate opportunities for their next
generation of talent to breakthrough
the industry, showcasing them to
millions. From Musical Theatre
and Dance to interactive Digital
Design, we are delighted to have the
opportunity to continue to highlight
the talent currently studying at the
school as they prepare for
careers in the creative industries.
We are continually amazed by
the exceptional achievements of
breakthrough and established music
artists in the UK and globally and
are once again proud to present
the famed Mastercard Album of
the Year and Song of the Year with
Mastercard awards. Please join us in
celebrating this year’s BRIT Award
nominees and winners, as well as
the future generation of creative
talent at The BRIT School.
JM Enternational 7
Proud to work with so many
BRIT Awards 2025 nominees
Guess
Who’s Back,
Back Again?
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Heeeeere’s Jack! After four years
away, comedian Jack Whitehall
returns as The BRITs host
Sophie Williams
This ain’t Jack Whitehall’s first rodeo.
Since the comedian first took to
The O2 stage in 2018, donning a
supersized puffer jacket in homage
to rapper Big Shaq, Whitehall has
become something of a legendary
BRITs host. His unique way of handling
a live show is second to none. He
returns in 2025 for this fifth stint as a
solo presenter – a new record in the
awards’ glittering history.
From downing tequila shots with Harry
Styles and Lizzo to the good-natured
mocking of Little Mix, Whitehall has
become firmly embedded in The
BRITs family, earning the adoration
of both artists and viewers at home.
During his time away, he has enjoyed
a busy schedule filled with a wealth
of TV specials, stand-up gigs, and
touring arenas with his father Michael.
Now, he has his eyes firmly set on one
extra-special task: making The BRITs
2025 a night to remember.
JM Enternational
8 9
Award styled by Gabriel Moses
congratulates our clients on their recognition at The BRIT Awards 2025
ALBUM OF THE YEAR
ARTIST OF THE YEAR
SONG OF THE YEAR
CHARLI XCX
BRAT
THE CURE*
Songs Of A Lost World
DUA LIPA*
Radical Optimism
EZRA COLLECTIVE
Dance, No One's Watching
THE LAST DINNER PARTY
Prelude to Ecstasy
GROUP OF THE YEAR
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THE CURE*
EZRA COLLECTIVE
THE LAST DINNER PARTY
INTERNATIONAL
ARTIST OF THE YEAR
ASAKE
BEYONCÉ
SABRINA CARPENTER
INTERNATIONAL
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FONTAINES D.C.*
METRO BOOMIN
(AND FUTURE)
*Shared representation
BEABADOOBEE*
CHARLI XCX
DUA LIPA*
RACHEL CHINOURIRI
SAM FENDER*
BEST NEW ARTIST
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SONG OF THE YEAR
BEYONCÉ
“TEXAS HOLD ‘EM”
DJO
“End of Beginning”
HOZIER*
“Too Sweet”
NOAH KAHAN*
“Stick Season”
POST MALONE
“I Had Some Help”
SABRINA CARPENTER
“Espresso”
SHABOOZEY
“A Bar Song (Tipsy)”
TOMMY RICHMAN
“MILLION DOLLAR BABY”
CHARLI XCX
“Guess featuring billie eilish”
DUA LIPA*
“Training Season”
KSI
“Thick Of It”
D.O.D
“Somedays”
ALTERNATIVE/ROCK ACT
BEABADOOBEE*
THE CURE*
EZRA COLLECTIVE
THE LAST DINNER PARTY
SAM FENDER*
DANCE ACT
BECKY HILL
CHARLI XCX
POP ACT
CHARLI XCX
DUA LIPA*
R&B ACT
JORJA SMITH
Hosting The BRIT Awards 2018, Sporting a supersized
puffer jacket in homage to rapper Big Shaq.
Why is now the right time for you to
make your BRITs comeback?
“I’m really excited to be returning to
The BRITs, it’s an absolute honour. The
last show I did was in 2021, which had
a fair few restrictions due to COVID. So
it always felt like, due to circumstances
beyond my control, I’d maybe gone out
with a little bit of a whimper. I think The
BRITs 2025 is going to make up for that
and be a really big night!
“[The organisers] told me what they had
in store for this year and the acts that
they had booked, and the fact that it
was returning to a Saturday night, which
felt really exciting. I have been off doing
various things – acting, writing, travel
shows – but hosting is something that
I get a different buzz from entirely. It’s
such a fun experience to be at the centre
of the biggest night in British music.”
How do the nerves compare to
your recent return to stand-up?
“I mean, nothing quite compares to
the excitement and nerves that you
get when you’re doing The BRITs.
Having to keep this behemoth of a
live show on track and make sure
that it all runs smoothly is a huge
undertaking. Of all the things that I’ve
done [in my career], hosting this show
is probably the job with the highest
stakes. I really enjoy the challenge.”
Have you told your father the big
news yet? Is he happy to be getting a
break from touring with you?
“Ha, yes! I mean, he’s always
disappointed when he doesn’t get
asked [to host] as well. But given that
his idea of popular music is Edward
Elgar, I don’t think he’s quite the right
fit for the job. It’s always nice to strike
out and do some things on my own
and get out of his shadow because
I’ve somewhat tethered myself to him,
for better or worse.
“I’ve always suggested that he could
come along to The BRITs, but I don’t
think he fancies the schlep over to the
O2. He says he’s not up for sitting in
traffic for two hours. I’ve always told him
that he could use the Tube, but he’s not
great with public transport either. He
might be swerving this one!”
You will be breaking James Corden’s
record by having hosted The BRITs
more times than any other presenter.
Is that a source of pride?
“Getting one up on James is a very
small perk of doing this for the fifth time.
But I’m sure that, by saying this now, it’ll
just tempt fate and he’ll end up doing
another couple to make it six…”
Metro once described you as having
“left a mark on the awards more
than any other presenter”. Was that
always the aim?
“Definitely not, no! When I first started
out, I was just like, ‘Jack, don’t mess
this up. This is such a big opportunity.’
You don’t want to say the wrong thing
and insult someone, and then get
taken off air. So yeah, I was just trying
to get away with it. Then I got to a point
where I was like, ‘It’s probably best now
to not outstay my welcome, and give
everyone a little bit of respite. They can
have a little palate cleanser.’ And now,
here I am – back again!”
The BRITs are known for pairing
unexpected guest duos to present
awards. Which two famous faces
would you like to see hand out a
gong next year?
“Erm, who can we bring back together?
What about Noel and Liam [Gallagher]
– imagine the Oasis reunion happening
on stage! You know, there aren’t many
shows that have so many A-list stars on
the same bill, certainly not in the UK.
The BRITs still manage to retain a rowdy
energy, which, again, is not something
that you see a lot of on TV these days.
Everything else is so manufactured and
manicured now. There’s something
loose and freewheeling about this show,
which is what the audience loves.”
Given that your beloved Little Mix
are currently on hiatus, is there
anyone else that you’re keen to
befriend on the big night?
“I mean, I’d love to meet Taylor Swift
so that I can get tickets to some NFL
games. I haven’t seen Charli XCX
perform before, so that would be
fun. I think there’s lots of really cool,
interesting acts that could be part of
this show and that I’d be keen to rub
shoulders with.”
What is the most important lesson that
hosting The BRITs has taught you?
“Hosting The BRITs has taught me to
expect the unexpected and make sure
that I’m constantly alive to everything
that’s happening in the room. I have
come to love just being spontaneous,
and always staying in the moment.”
10 11
JM Enternational
Meet Gabriel Moses,
the young gun blazing a
trail in the British art world
“It’s a great honour to work with The BRIT Awards,” says
the 26-year-old behind this year’s striking trophy design
Sophie Williams
When it comes to making bold
statements, few do it with
the unapologetic charisma of
Gabriel Moses. Over the past
year, the 26-year-old has come
into the fore as one of Britain’s
most incandescent modern
artists, a self-taught, multi-disciplinary
creative juicing up each
and every medium he explores.
Tenacity is a constant in Moses’
work, often in combination with
abstract expressionism and
his signature of deep, densely
pigmented tones.
The south Londoner is the designer
of the 2025 BRIT Awards trophy –
the latest in a line of eye-wateringly
impressive achievements. Since his
career breakthrough in 2020 when,
at 21, he became the youngest-ever
photographer to shoot a cover for
Dazed, Moses has gone on to work
with Little Simz, Pharrell and Skepta,
as well as a wealth of luxury fashion
houses including Louis Vuitton and
Dior. Two years ago, Moses unveiled
his first exhibition at 180 Studios, which
was soon immortalised in monograph
form. Six-time BRIT winner Dua Lipa is
also a fan, having recently shared his
work via her Service95 newsletter.
In bringing his distinct creative flair
to this year’s statuettes, Moses joins
a pantheon of artists who have given
the BRIT trophy their own design spin
since 2011. Announcing the news via
Instagram, Moses listed some of these
illustrious names: from Tracy Emin and
the late Vivienne Westwood to David
Adjaye, Anish Kapoor, and Slawn, a
close friend of Moses. “Remove the
ceiling man, God is the greatest,” he
added at the end of his post.
“I still can’t believe that I am going to
be involved in such a massive moment
for music,” says Moses, speaking over
video call. “It has been super important
for me to recognise those who have
come before me. I was almost speaking
to myself in that Instagram caption; I had
to almost knock myself over the head
and say, ‘You really can sit alongside
these legends.’”
Moses can trace his illustrious
career back to his family’s influence.
He spent his early teenage years
surrounded by his sister’s fashion
study materials, and attributes
his artistic awakening to the
proactive parenting of his mother,
a Sunday School teacher. “Being
from Nigerian heritage, we’re very
confident people in general,” he
says. “My mum has always been
someone that’s spoken self-belief
into me. ‘There’s nothing you can’t
achieve,’ she would say. Hearing that
throughout my childhood made me
the determined adult that I am.”
He soon began studying at the
business school at De Montfort
University in Leicester, a pursuit
that was quickly derailed by a lifechanging
call from Nike. Having
spotted Moses’ now-defunct YouTube
channel online, to which he would
post immersive mini-documentaries
about local athletes, the sportswear
company offered him a directing
role at the age of 18. From there, this
precocious star began to bloom.
Almost astonishingly, Moses has no
formal education in art, design or
photography. He instead explains
how growing up in the capital
instilled a “grafter mindset” within
him, also noting how the volume
of talent that has emerged from
Croydon’s BRIT School, located six
miles from his Catford locale, has
continued to inspire him.
“So many incredible people have
come out of south London and gone
on to do amazing things. Ambition
is solidified in our culture,” he says.
“As a child, I played football with my
friends. It kept us busy and motivated;
even if none of us ended up playing in
the Premier League, we still grew up
chasing something. We understood
the concept of hard work and took
that mindset forward into life.”
Moses’ involvement with this year’s
BRITs holds extra resonance, in that
his first-ever job was at the O2. “It’s a
full-circle moment,” he says, laughing
as he describes how at 16, he was
working weekend shifts at the venue’s
Las Iguanas restaurant. Fast forward
a decade and he is now residing in
nearby Woolwich, meaning he whizzes
past the O2 when commuting into town.
“There’s real personal significance tied
to this achievement,” he adds.
The inspiration behind this year’s
trophy is also tied to Moses’
upbringing. Well-fired clay sculptures
adorned the living room of his
childhood home; the rich textures and
colours of these African artworks now
inform his creative outlook. Having
started out operating primarily as a
photographer and director, working
with the BRITs offered Moses the
opportunity to further expand his
repertoire of design skills.
Following big plans to make the BRIT
Awards “a night to remember for the
rest of [his] life,” Moses is looking
forward to expanding his artistic vision
throughout the rest of 2025. “I have
a massive respect for every craft. So
when I choose to represent myself
within a new space, I want to make
sure I’m doing things at the highest
level,” he concludes.
“I’m keen to move into making
feature-length movies, therefore I can
confidently say to expect more from me
in the near future. Big things lie ahead.”
12 JM Enternational 13
ROLL OUT THE RED CARPET
The BRIT Awards launch stands as
a transformative night for the artists who
make the UK’s music scene so iconic,
richly diverse and colourful
Sophie Williams
(L-R) Opposite page: Siân Welby and Myles Smith
Inset top left: Rachel Chinouriri
Inset bottom left: Siân Welby with Femi Koleoso, TJ Koleoso and Ife Ogunjobi of Ezra Collective
This image: Abigail Morris and Georgia Davies of The Last Dinner Party
JM Enternational
In January, Bring on The
BRITs with Mastercard: The
2025 Nominations set social
media abuzz when the show
was streamed via The BRITs’
Instagram and Facebook
channels. It was here where
nominees for this year’s
ceremony were revealed to
the world, while the host, TV
personality Siân Welby, was
joined by guests from all over
the musical spectrum.
Welby was beaming in a cropped
satin blazer and skirt as she took
viewers through the first category,
Song Of The Year with Mastercard.
“Wow, some serious stereo-shakers
there,” she remarked, after hearing
clips of tracks from the likes of Central
Cee, Dua Lipa, and Coldplay.
BRITs Rising Star 2025 winner Myles
Smith landed a spot in the same
line-up for his pop ballad ‘Stargazing’,
and was the first guest to celebrate
some big news with Welby. “It’s my
first time going to The BRITs,” Smith
explained, dialling in from his studio.
“Last year I was watching it on TV,
so I am excited to get there this time
around. It’s such a big occasion.”
Rachel Chinouriri, who is in the running
for Artist Of The Year and Best New
Artist, popped in into the Meta studio
after her nominations were revealed. “I
feel like younger me was dreaming of
these moments,” said the nascent star,
detailing her journey from studying at
The BRIT School through to becoming a
leading new light in the indie-pop world.
“To be standing here is insane, I
literally can’t believe it,” Chinouriri
continued. It was smiles all round for
the rest of the chat with Welby, during
which she described her family’s
reaction to her nominations and
her ambitions for the future. “I’m so
excited to meet The BRIT [School] kids
at the show, as I know exactly how fun
it feels to be there,” she concluded.
“Here’s a band who have the jazz scene
in the palm of their hands,” said Welby
by way of introducing Ezra Collective,
who are up for Group Of The Year. Three
members – drummer and bandleader
Femi Koleoso, bassist TJ Koleoso,
and trumpeter Ife Ogunjobi – were in
attendance, all donning head-to-toe
black clothing and pleading forgiveness
for showing up in the same outfit.
Giggling as he went along, a breathless
Femi gushed: “What I’m most grateful
for is that the spirit and energy we
entered into this band is still here. To
have accolades alongside that is a
real, beautiful gift.” The five-piece –
who originated out of South London
jazz youth programme Tomorrow’s
Warriors – have had a mega year,
with their vibrant third LP ‘Dance, No
One’s Watching’ landing them four
nominations at The BRITs 2025.
A fleeting appearance from broadcaster
and “voting guru” Remel London –
AKA the golden voice behind the
announcements throughout Bring on
The BRITs with Mastercard: The 2025
Nominations – shortly followed. She
was on hand to explain how the genre
categories work, urging superfans to
vote for their faves in the Alternative/
Rock Act, Dance Act, Hip Hop/
Grime/Rap Act, Pop Act, and R&B Act
categories via WhatsApp.
There were more surprises to be found
throughout. ‘It Girl’ JADE joined Welby
through a Zoom call to explain how
it has felt to step out into the world
as a solo act, following a glittering
career with Little Mix. “It hits different,
it feels extra special,” she said of her
nominations for Pop Act and Song Of
The Year ‘Angel of My Dreams’.
The last interview of the evening
was with Abigail Morris and Georgia
Davies of The Last Dinner Party, who
opened up about their “whirlwind” year
following the launch of their charttopping
album ‘Prelude To Ecstasy’.
Speaking to The BRITs shortly after the
LP’s release last February, the band
said it would be “amazing” to leave
the 2025 ceremony with an armful of
awards; with four nominations to their
name, that may very well happen!
Welby later took a moment to
highlight the importance of The
BRITs’ partnership with Music
Declares Emergency, a charity that
promotes sustainability awareness
in the UK. Their aim is to build a
community of thousands of fans
engaging in monthly climate
action, and in turn amplify the
NO MUSIC ON A DEAD PLANET
campaign – a movement that
wants the music industry to
recognise the impact it has on the
environment and improve it.
From there, it was left to a group of
giddy, wide-eyed nominees to join
the love-in via video message. There
was a bevy of clips from artists –
from FLO to KSI and Ghetts and
Ella Henderson, all celebrating just
before the launch came to a close.
“What a privilege, what an honour,”
Amyl and The Sniffers exclaimed of their
International Group Of The Year nod.
Noah Kahan said, “Thank you so much,
I could not be more honoured. Love ya!”
There were plenty of giggles from
hitmaker Sonny Fodera. “Let’s goooo! I
will see you guys at The BRITs,” he said.
DJ and producer BL3SS was also
revelling in the excitement: “I don’t
know what to do with myself right
now, so I’m going to have to go out
and celebrate!”
Art-rock quartet English Teacher looked
stunned at having their name written
into The BRITs history books, while
Jordan Adetunji laughed, “This is crazy.
My people, thank you so much.”
Jazzy, meanwhile, kept her reaction
suitably low-key. “Whoop whoop,”
she cheered, before breaking into a
Cheshire Cat grin.
14
15
CONGRATULATIONS TO ALL THE SONY MUSIC PUBLISHING
SONGWRITERS WHOSE WORK IS NOMINATED AT
THE BRIT AWARDS 2025
ARTEMAS • ASHLEY GORLEY
BECKY HILL • BEYONCÉ
CAROLINE AILIN
CHAPPELL ROAN
CHARLIE HANDSOME
DANIEL NIGRO
DIGITAL FARM ANIMALS
BEABADOOBEE
BILL MARTIN • KILLAH B
CENTRAL CEE
CHARLI XCX
ADVERT
16
CHASE & STATUS
DANNY L HARLE
D R A G O N E T T E
ELLA HENDERSON E V A N B L A I R
EZRA COLLECTIVE FLO • GESAFFELSTEIN
GOOD NEIGHBOURS
J-KWON • JACK HARLOW
JORDAN ADETUNJI
KSI • LINUS WIKLUND
LONDON ON DA TRACK
MIKKY EKKO • MOONCHILD
NATHAN FERRARO • NIK D
O L I V I A D E A N
HOSKINS • HOZIER • INK
JADE • JAZZY • JONAH ROY
JORJA SMITH • KAVI
LOLA YOUNG
MANNYVELLI • MIKE SABATH
SANELLY • MYLES SMITH
NOAH KAHAN • NOONIE BAO
PABLO BOWMAN NAVARRO
PHIL COULTER S P A R K H E E M
STEVIE WONDER
TOMMY RICHMAN
T A M E I M P A L A
TYLER, THE CREATOR
And The Winner Is…
Who’s in the running for a trophy at the 45th annual BRIT Awards?
Sophie Williams
As you can hardly have failed
to notice, these are high
times for British music. In the
past year alone, we have
borne witness to the global
phenomenon of Charli xcx’s
‘BRAT’ summer; there have
been stellar comeback
campaigns from The Cure,
Beabadoobee, and Sam
Fender; Ezra Collective took
jazz music to the Wembley
Arena stage for the first time.
The 2024 festival season shone a
light on the burgeoning popularity
of dance music in this country, as
scene-leading names (Chase & Status,
Nia Archives and Fred again..) played
their biggest headline shows to date.
Newer stars such as Myles Smith and
Lola Young have soared towards the
upper echelons of the singles chart.
Loud and lengthy expressions of sonic
joy have emerged in every corner
of the industry, adding to a renewed
sense of genuine enthusiasm among
fans and critics alike.
In January, The BRITs announced the
shortlists for the 45th annual awards
show. Across 17 categories, 67 artists
have been nominated for a gong – all
of whom represent the most exciting
new sounds, narratives, and trends
emerging from the musical world.
An artist who has spent the past 12
months pushing pop music into a
Rachel Chinouriri
JM Enternational
more experimental space, Charli xcx
leads the charge with a mighty five
nominations. The Essex-born musician
was awarded Songwriter Of The Year
prior to tonight’s ceremony (March 1);
elsewhere, she is up for Artist Of The
Year, Song of the Year with Mastercard
‘Guess featuring billie eilish’, Pop Act
and Mastercard Album Of The Year for
the zeitgeist-shifting ‘BRAT’.
This slew of nominations takes
Charli’s career total up to eight, having
appeared in the Pop Act shortlist both
in 2023 and 2024. Prior to the 2022
removal of separate gender categories
in favour of a more inclusive BRIT
Awards, she earned a nod in the British
Female Solo Artist category in 2020,
and one for British Video ‘Boom Clap’
five years prior. This year’s Songwriter
Of The Year triumph marked Charli’s
first-ever BRIT win.
Following the crossover success of
their sumptuous debut ‘Prelude To
Ecstasy’, The Last Dinner Party follow
with four nods. The baroque pop band
scooped the BRITs Rising Star trophy
in 2024, and return to The BRITs with
nominations for Group Of The Year, Best
New Artist, Alternative/Rock Act and
Mastercard Album Of The Year. Ezra
Collective, meanwhile, are in the midst
of an extraordinary purple patch, also
landing in the same four categories.
Striking out on her own, Jade Thirwall
(known mononymously as JADE) is up
for Pop Act and Song Of The Year with
Mastercard with the dazzling ‘Angel
Of My Dreams’. The Little Mix member
has previously earned 12 nominations
at The BRITs with her bandmates,
making them the most-nominated
female group of all time.
Having already won seven from sixteen
prior nominations received, bonafide
BRITs icon Dua Lipa is up for a further
four this year. Coldplay, meanwhile, add
two nominations to their all-time tally
of 30. Other double award nominees
in the UK categories include Michael
Kiwanuka and Chase & Status.
Rising talent will certainly have their
eyes fixed on the Gabriel Mosesdesigned
statuettes, too. Rachel
Chinouriri and Myles Smith crop
up in the nominations list with two
apiece, while Leeds band English
Teacher – who won the 2024
Mercury Prize for their debut album
‘This Could Be Texas’ – earn a place
in the Best New Artist category.
The international categories will
welcome a whole host of brilliant
artists to The O2 for the first time.
There are nominations for folk star
and Big Thief singer Adrianne Lenker
and Australia’s raucous Amyl and
the Sniffers, plus pop supernovas
Chappell Roan, Sabrina Carpenter and
Benson Boone. We can’t wait to see
them on The BRITs red carpet.
Genre categories went to public vote
via WhatsApp, the Official Public
Voting Partner of The BRIT Awards
2025. The Songwriter and Producer
Of The Year awards are decided by an
independent music industry panel.
Award styled by Gabriel Moses
16
17
THE BRIT AWARDS 2025
FULL NOMINATIONS LIST
BRITs RISING STAR
Supported by BBC Radio 1
Elmiene
Polydor / Universal Music
Good Neighbours
Polydor / Universal Music
Myles Smith (Winner)
RCA / Sony Music
MASTERCARD
ALBUM OF THE YEAR
Charli xcx
BRAT
Atlantic / Warner Music
The Cure
Songs Of A Lost World
Polydor / Universal Music
Dua Lipa
Radical Optimism
Warner Records / Warner Music
Ezra Collective
Dance, No One’s Watching
Partisan / Partisan
The Last Dinner Party
Prelude to Ecstasy
Island / Universal Music
ARTIST OF THE YEAR
Beabadoobee
Dirty Hit / Dirty Hit
Central Cee
Columbia / Sony Music
Charli xcx
Atlantic / Warner Music
Dua Lipa
Warner Records / Warner Music
Fred again..
Atlantic / Warner Music
Jamie xx
YOUNG / XL Beggars
Michael Kiwanuka
Polydor / Universal Music
Nia Archives
Island / Universal Music
Rachel Chinouriri
Parlophone / Warner Music
Sam Fender
Polydor / Universal Music
GROUP OF THE YEAR
BEST NEW ARTIST
English Teacher
Island / Universal Music
Ezra Collective
Partisan / Partisan Records
The Last Dinner Party
Island / Universal Music
Myles Smith
RCA / Sony Music
Rachel Chinouriri
Parlophone / Warner Music
INTERNATIONAL
ARTIST OF THE YEAR
Adrianne Lenker
4AD / XL Beggars
Asake
YBNL Nation / EMPIRE
Benson Boone
Warner Records / Warner Music
Beyoncé
Columbia / Parkwood Ent. / Sony Music
Billie Eilish
Interscope / Universal Music
Chappell Roan
Island / Universal Music
Kendrick Lamar
Interscope / Universal Music
Sabrina Carpenter
Island / Universal Music
Taylor Swift
EMI / Universal Music
Tyler, The Creator
Columbia / Sony Music
INTERNATIONAL
GROUP OF THE YEAR
Amyl and The Sniffers
Rough Trade Records / XL Beggars
Confidence Man
Chaos / Universal Music
Fontaines D.C.
XL Recordings / XL Beggars
Future & Metro Boomin
RCA / Sony Music
Linkin Park
Warner Records / Warner Music
SONG OF THE YEAR
WITH MASTERCARD
Promoted by Capital
Artemas
i like the way you kiss me
Parlophone / Warner Music
The Beatles
Now And Then
Apple / UMR
BL3SS x CamrinWatsin (feat.
bbyclose)
Kisses
Atlantic / Warner Music
Central Cee (feat. Lil Baby)
BAND4BAND
Columbia / Capitol / Motown / Sony Music
Charli xcx Ft Billie Eilish
Guess featuring billie eilish
Atlantic / Warner Music: Interscope / Universal Music
Chase & Status / Stormzy
Backbone
0207 Records / EMI / Merky / Universal Music
Coldplay
feelslikeimfallinginlove
Parlophone / Warner Music
Dua Lipa
Training Season
Warner Records / Warner Music
Ella Henderson (feat. Rudimental)
Alibi
Atlantic / Warner Music
JADE
Angel Of My Dreams
RCA / Sony Music
Jordan Adetunji
KEHLANI
Warner Records / Warner Music
KSI (feat. Trippie Redd)
Thick Of It
Atlantic / Warner Music
Myles Smith
Stargazing
RCA / Sony Music
Sam Ryder
You’re Christmas To Me
East West / Rhino / Warner Music
Sonny Fodera / Jazzy / D.O.D
Somedays
Solotoko / ADA / Warner Music
INTERNATIONAL
SONG OF THE YEAR
Benson Boone
Beautiful Things
Warner Records / Warner Music
Beyoncé
TEXAS HOLD ‘EM
Columbia / Parkwood Ent / Sony Music
Billie Eilish
BIRDS OF A FEATHER
Interscope / Universal Music
Chappell Roan
Good Luck, Babe!
Island / Universal Music
Djo
End of Beginning
AWAL / Djo / AWAL / The Orchard
Eminem
Houdini
Interscope / Universal Music
Hozier
Too Sweet
Island / Universal Music
Jack Harlow
Lovin On Me
Atlantic / Warner Music
Noah Kahan
Stick Season
Republic Records / Universal Music
Post Malone (Feat. Morgan Wallen)
I Had Some Help
Republic Records / Universal Music
Sabrina Carpenter
Espresso
Island / Universal Music
Shaboozey
A Bar Song (Tipsy)
American Dogwood / EMPIRE
Taylor Swift (feat. Post Malone)
Fortnight
EMI / Universal Music
Teddy Swims
Lose Control
Atlantic / Warner Music
Tommy Richman
MILLION DOLLAR BABY
ISO Supremacy / Pulse / Stem Disintermedia
PRODUCER OF THE YEAR
A. G. Cook
GENRE CATEGORIES
5 Nominations identified by Voting Academy.
Post Nominations Announcement on 23rd January
2025, Genre categories will go out to public
vote via WhatsApp, Official Public Voting Partner.
ALTERNATIVE / ROCK ACT
Promoted by Absolute Radio
Beabadoobee
Dirty Hit / Dirty Hit
The Cure
Polydor / Universal Music
Ezra Collective
Partisan / Partisan
The Last Dinner Party
Island / Universal Music
Sam Fender
Polydor / Universal Music
HIP HOP / GRIME / RAP ACT
Promoted by Capital XTRA
Central Cee
Columbia / Sony Music
Dave
Def Jam / Lyrical Lemonade / Universal Music
Ghetts
Warner Records / Warner Music
Little Simz
AWAL / Forever Living Originals / Sony Music
Stormzy
0207 Records / EMI / Merky / Universal Music
DANCE ACT
Promoted by KISS
Becky Hill
Polydor / Universal Music
Charli xcx
Atlantic / Warner Music
Chase & Status
0207 Records / Universal Music
Fred again..
Atlantic / Warner Music
Nia Archives
Island / Universal Music
POP ACT
Promoted by Capital
Charli xcx
Atlantic / Warner Music
Dua Lipa
Warner Records / Warner Music
JADE
RCA / Sony Music
Lola Young
Island / Universal Music
Myles Smith
RCA / Sony Music
R&B ACT
Promoted by KISS
Cleo Sol
Forever Living Originals / AWAL / Sony Music
FLO
Island / Universal Music
Jorja Smith
FAMM / The Orchard / Sony Music
Michael Kiwanuka
Polydor / Universal Music
RAYE
Human Resources / The Orchard / Sony Music
Bring Me The Horizon
RCA / Sony Music
Coldplay
Parlophone / Warner Music
The Cure
Polydor / Universal Music
SONGWRITER OF THE YEAR
Charli xcx
GLOBAL SUCCESS
Sabrina Carpenter
Ezra Collective
Partisan / Partisan Records
The Last Dinner Party
Island / Universal Music
18
19
TONIGHT’S PERFORMERS
CHARLI XCX
5x
CONGRATULATES OUR
2025 BRIT AWARDs NOMINEES
THE CURE
3x
DUA LIPA
4x
BEYONCÉ
2x
EZRA COLLECTIVE
4x
CHAPPELL ROAN
2x
THE LAST DINNER PARTY
4x
CHASE & STATUS
2x
MYLES SMITH
4x
COLDPLAY
2x
Get ready for an unforgettable
night as a series of trailblazing
artists hit the stage. The
line-up for The BRITs 2025
is bursting at the seams with
hugely exciting talent, all
eager and waiting to bring
their respective styles and
personalities to The O2.
JADE will be gearing up to deliver
one of her first-ever performances as
a solo artist, having caused a stir in
recent months with an exhilarating run
of singles, from disco bop ‘Fantasy’
to ‘Angel Of My Dreams’ (nominated
for Song Of The Year with Mastercard).
Teddy Swims is set to deliver all the
feels with his soulful, emotionallycharged
voice.
The Last Dinner Party continue to revel
in the mega-success of their 2024
debut ‘Prelude To Ecstasy’, an opus
of theatrical rock and pop. Soul-pop
balladeer Myles Smith, the recipient
of the 2025 BRITs Rising Star award,
will throw down the gauntlet: an artist
ready to stake his claim as one of the
country’s brightest new talents.
Having freshly released his stunning
third LP ‘People Watching’, there’ll be
an appearance from guitar hero Sam
Fender, who previously graced The
BRITs stage in 2019 and 2022. Lola
Young, meanwhile, has taken her viral
hit to festivals and TV shows all over
the world in recent months. Next up:
The O2 – tonight!
“I’ve honestly manifested every day
since the release of ‘Angel Of My
Dreams’ to perform at The BRIT
Awards. I cried when I found out. I
can’t wait to bring a huge, chaotic
pop moment to The BRITs stage!”
JADE
“Performing at The BRITs is such an
incredible honour, and it feels surreal
to even say it out loud. To think I was
sitting at home watching it last year,
and now I’m performing the very next
year... it’s just insane. Grateful for this
opportunity and can’t wait to step
onto that stage”
MYLES SMITH
“Me and the band are so excited to
perform at The BRIT Awards this
year - we can’t wait to get up on
that stage again!”
SAM FENDER
“I am super excited and grateful to be
performing at The BRIT Awards this
year. It’s a dream come true and an
absolute honour to share this moment
alongside so many incredible artists. To
be nominated is a huge achievement
for me and I’m so thankful for all the
support I’ve received.”
LOLA YOUNG
“We are so excited to be performing
at The BRIT Awards 2025! At our
first BRITs last year we were in total
awe at the scale and spectacle of the
performances, so we can’t wait to bring
our own show to such an iconic stage!”
THE LAST DINNER PARTY
“I’m so excited to be performing at
The BRITs! What an honour, I love
you so much!”
TEDDY SWIMS
“Honestly, the opportunity to play at
the BRITs is so precious. I grew up
watching the BRITs; I think about
performances from Gorillaz and
Skepta; and those moments, when
I was sat as a teenager in my room,
really were massive for me as
wanting to become a musician. So
I’m honoured to play, because it’s
an honour, but I’m honoured that
we get the opportunity to give this
moment to the teenage versions of
Ezra Collective that will be watching.
Absolutely can’t wait to make you all
dance on Saturday night. God bless
you all, peace.”
FEMI KOLEOSO, EZRA COLLECTIVE
20
MICHAEL KIWANUKA
2x
ADRIANNE LENKER
ALI ABOUZEID
AMMO
AMY ALLEN
APPLE MARTIN
ARTEMAS
ASHLEY GORLEY
AUBREY ROBINSON
THE BEATLES
BECKY HILL
BRING ME THE HORIZON
BÜLOW
CENTRAL CEE
CLEMENTINE DOUGLAS
CLEO SOL
CONFIDENCE MAN
COOLIO
D.O.D.
DANIEL NATHAN KRIEGER
DANIEL NIGRO
DANNY L HARLE
THE DARE
DAVE
DIGITAL FARM ANIMALS
ELLA HENDERSON
ELMIENE
NIA ARCHIVES
2x
ENGLISH TEACHER
EVAN BLAIR
FLO
GEENARO
GHANA BEATS
GHETTS
GIDI
GOOD NEIGHBOURS
JACK ANTONOFF
JAMIE XX
JAZZY
J-KWON
JOE "CAPO" KENT
JOHN MORGAN
JON HOPKINS
JONAH ROY
JUSTIN TRANTER
KILLAH B
L.V.
LIL BABY
LINKIN PARK
LOUIS BELL
LOWELL
MALCOLM MCLAREN
MANNYVELLI
MARK "TARBOY" WILLIAMS
MAX MARTIN
SAM FENDER
2x
STORMZY
2x
NATHAN FERRARO
NICKIE JON PABÓN
NIK D
NOAH KAHAN
OLIVIA SEBASTIANELLI
OSCAR HOLTER
OZ
PABLO BOWMAN NAVARRO
RAPHAEL SAADIQ
ROARK BAILEY
SAM RYDER
SARAH CLOSE
SEAN COOK
SERGIU GHERMAN
SHABOOZEY
SPARKHEEM
STEPH JONES
STEVIE APPLETON
STEVIE WONDER
SUMMER WALKER
TOBY DAINTREE
TOMMY RICHMAN
TYLER MEHLENBACHER
WILL MANNING
WILLIAM LANSLEY
ZERB
Continuing on their mission to bring
joy wherever they go, jazz supernovas
Ezra Collective will be joined by Jorja
Smith for an extra special performance.
We can’t wait to see two titans of
British music unite on stage.
Rounding out the announced lineup
is Sabrina Carpenter, who’s had an
unstoppable year with hit singles, a
global tour, and many viral moments that
have cemented her as a pop dynamo.
She will also receive the prestigious
Global Success award. Here we go!
JADE performs with Little Mix bandmates
The BRIT Awards 2017
JM Enternational
21
SHABOOZEY & ASAKE
ADRIANNE LENKER
INTERNATIONAL ARTIST OF THE YEAR
Adrianne Lenker once again cemented her status
at the top of the contemporary folk scene in March
2024, following the release of her acclaimed album
‘Bright Future’. The musician also supported its
release with a world tour, captivating audiences with
her emotive lyrics and raw vocals. An EP, ‘I Won’t
Let Go of Your Hand’, arrived in the same month of
her album release too, the proceeds of which were
donated to the Palestine Children’s Relief Fund.
AMYL AND THE SNIFFERS
INTERNATIONAL GROUP OF THE YEAR
Australian rockers Amyl and the Sniffers
released ‘Cartoon Darkness’ in October 2024,
a work that earned widespread praise for its
dynamic punk energy and compelling themes.
Exploring everything from the climate crisis
to existential angst, the album chimed heavily
with a politically-charged Gen Z. The album’s
standout singles that showcased the band’s ever
evolving style included ‘U Should Not Be Doing
That’ and ‘Chewing Gum’.
ARTEMAS
SONG OF THE YEAR WITH MASTERCARD:
‘I LIKE THE WAY YOU KISS ME’
Artemas’ stratospheric single ‘I Like the Way
You Kiss Me’ made waves in March 2024,
shortly after the release of his debut mixtape.
‘Pretty’, which arrived in February, was a fusion
of alternative R&B and electronic soundscapes,
setting the stage for an innovative new sound.
In July, the musician pushed boundaries even
further thanks to the release of his second
mixtape, ‘Yustyna’, a work full of high-energy,
genre-blending tracks.
ASAKE
INTERNATIONAL ARTIST OF THE YEAR
Asake had a dazzling 2024 following the release
of his single ‘Only Me’ in January. In June, he
collaborated with Central Cee on ‘Wave’ and
then just two months later, another collaboration
followed with Travis Scott on the vibrant ‘Active’.
The work appeared on Asake’s impressive third
studio LP, ‘Lungu Boy’, a record that showcased
his versatility and ability to blend Afrobeats with
diverse global influences. The release solidified
his prominence on the global music stage.
22 23
24
25
BEABADOOBEE
ARTIST OF THE YEAR, ALTERNATIVE/ROCK ACT
Beabadoobee continued to charm fans in
2024 with the release of her third album
‘This Is How Tomorrow Moves’, led by
standout tracks ‘The Way You See Me’
and ‘Velvet Morning’. The songs once
again encapsulated her signature style,
with the former built around ethereal
production and emotional depth, while
the latter leaned into acoustic-driven
warmth, showcasing her delicate yet
powerful vocal range and knack for
evocative storytelling.
BECKY HILL
DANCE ACT
Becky Hill has had another busy
year. The dance vocalist dropped
her second full-length effort ‘Believe
Me Now?’ last May, featuring
collaborations with Sonny Fodera,
Self Esteem, and BRIT winners Chase
& Status. Following its release, Hill
unveiled the dazzling single ‘Multiply’.
The musician also completed her
debut UK arena tour that included a
major performance at Wembley Arena.
26 27
BENSON BOONE
INTERNATIONAL ARTIST OF THE YEAR,
INTERNATIONAL SONG OF THE YEAR:
‘BEAUTIFUL THINGS’
Benson Boone won the hearts of music
fans across the globe following the
release of his single ‘Beautiful Things.’
The track showcased his heartfelt
lyricism and powerful vocal delivery,
blending tender piano melodies with
uplifting crescendos that resonated
deeply with listeners. His talent for
pairing raw vulnerability with soaring
melodies continues to define his
music, making him a standout voice in
contemporary pop.
BEYONCÉ
INTERNATIONAL ARTIST OF THE YEAR,
INTERNATIONAL SONG OF THE YEAR:
‘TEXAS HOLD ‘EM’
Beyoncé made headlines in 2024 with
her electrifying country track ‘TEXAS
HOLD ‘EM’, a bold blend of infectious
beats and fierce lyrics that celebrate
resilience and empowerment. The song
combined her signature vocal power
with a dynamic fusion of R&B, hip-hop,
and Texas-inspired motifs, creating a
new country anthem that felt instantly
iconic upon release.
28 29
BL3SS X
CAMRINWATSIN
SONG OF THE YEAR WITH MASTERCARD:
‘KISSES’ (FEAT. BBYCLOSE)
BL3SS and CamrinWatsin kicked
off 2024 with the viral hit ‘Kisses’
(featuring bbyclose) in March. They
teamed up again on ‘Craving 4 U’ in
November, on which that highlighted
their continued influence in the UK’s
ever-expanding electronic dance
music scene. Expect another big year
for the musicians in 2025.
BILLIE EILISH
INTERNATIONAL ARTIST OF THE YEAR,
INTERNATIONAL SONG OF THE YEAR:
‘BIRDS OF A FEATHER’
Billie Eilish has continued to redefine
her evocative sound, captivating fans
with her smash-hit single ‘Birds of a
Feather’. The song signalled a fresh
chapter in the 23-year-old’s everevolving
artistry and its expansive
soundscape saw the musician delving
into themes of connection and selfreflection.
Once again, the talented
musician left fans eager for more.
BRING ME
THE HORIZON
GROUP OF THE YEAR
Bring Me The Horizon’s renaissance
era continued last year. Neon-hued
pop-metal banger ‘Kool-Aid’ soared
up the charts at the start of 2024,
kicking off the campaign for their
critically acclaimed ‘Post Human: Nex
Gen’ album, which arrived in May. By
blending heavy rock elements with
future-facing sounds, BMTH remain a
leading force in the alt-rock scene.
THE BEATLES
SONG OF THE YEAR WITH MASTERCARD:
‘NOW AND THEN’
The Beatles made history with ‘Now
And Then’, a beautifully restored track
that bridged their legacy with the
present. The song’s rich harmonies
and timeless melodies were met with
emotional responses from fans and
critics alike, all of whom cherished this
poignant addition to the legendary
band’s catalogue.
CHAPPELL ROAN
INTERNATIONAL ARTIST OF THE YEAR,
INTERNATIONAL SONG OF THE YEAR: ‘
GOOD LUCK, BABE!’
Chappell Roan took the pop scene by
storm in 2024 thanks to her vibrant,
empowering synth-pop anthem, ‘Good
Luck, Babe!’. The track’s shimmering
melodies and emotionally resonant lyrics
showcased her unparalleled knack for
creating songs that are both infectious
and deeply personal. Roan later unveiled
an acoustic version of the song too,
adding a raw, intimate dimension to an
already powerful release.
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32
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On Top Of The World
MASTERCARD ALBUM OF THE YEAR: ‘BRAT’, ARTIST OF THE YEAR,
SONG OF THE YEAR WITH MASTERCARD: ‘GUESS FEATURING
BILLIE EILISH’, DANCE ACT, POP ACT
When Charli xcx released ‘BRAT’ last
summer, it marked the beginning of
a slow-burning second act in pop –
a triumphant run capped off by her
Songwriter Of The Year win
Sophie Williams
At the start of 2024, Charli xcx
initiated a sequence to reach
a new level of superstardom.
Having emerged from the
London warehouse rave scene
as a teenager, the 32-year-old
established some time ago
that the normal rules do not
apply to her; her illustrious
career has been one of steely
determination, a decade and
a half of rejecting traditional
industry expectations and
carving her own path.
This approach to fame and artistry
became crystal clear in the months
leading up to the release of ‘BRAT’
last May. During its creation, Charli
(born Charlotte Aitchison) set up a
private Instagram account which
was only made accessible to a
few thousand followers, in order
to encourage fans to offer their
opinions on demos, lyrics, and song
titles, and thus regard themselves
as her creative partners. What
first resonated with this exclusive
audience soon became a global
phenomenon, one that has been
streamed tens of millions of times.
Before unveiling ‘BRAT’ to the
world, Charli penned a manifesto
for the album, which she later
shared to social media. “You need to
understand my vision. This is global,”
it read. “I will provide momentum and
tell the story in a laser-focused way.
We must execute everything with
power and confidence.”
The resulting record landed with a
genuine, zeitgeist-shifting oomph.
While the title instantly became a
meme, ‘BRAT’ has since felt like a
timeless addition to the pop canon.
Powerhouse tracks such as ‘360’
and ‘Everything Is Romantic’ tapped
into a collective desire for reckless
escapism; a surfeit of ideas that
translated into a jagged take on
dance-pop, buoyed by the tension
between the coolness of Charli’s
vocals and corrosive club beats.
‘BRAT’ soon enough became a chart
mainstay, leading to Charli completing
her first-ever UK arena tour (including
two nights at The O2) and landing a
nod for the 2024 Mercury Prize, plus
five BRIT nominations. Now, she has
been named our Songwriter Of The
Year, following in the footsteps of her
friend and close collaborator RAYE.
The accolade is testament to Charli’s
evolution from fiery upstart to cuttingedge
musical force. She has become
one of the most celebrated acts on
the planet through sheer tenacity:
prior to ‘BRAT’, she enjoyed an
overwhelmingly productive few years,
releasing dozens of projects, mixtapes
and collaborations – though never
quite making the crossover to global
success. Undeterred, her relentless
pursuit of artistic freedom continued,
and she built a cult following off the
back of experimental works with A. G.
Cook and the late producer SOPHIE.
She has long occupied a fascinating
and singular perch in pop music,
ebbing and flowing between the
underground and the mainstream.
Crucially, her frenetic, brilliantly
avant-garde releases such as 2018’s
‘Pop 2’ surprise drop and lockdown
project ‘How I’m Feeling Now’ hold
little sonic relation to the radio hits of
her early career (2014’s ‘Boom Clap’,
the hook on Iggy Azalea’s ‘Fancy’).
Her vision has always remained
expansive and generous.
That’s why her breakthrough moment
has felt so gratifying. In a year when
she transformed from pop underdog
to critical darling, ‘BRAT’ served
as both a sonic and conceptual
redefinition for Charli: its title
encapsulated the unapologetic tone
of the album; its sound felt bold and
discordant, mirroring the complexities
of fame addressed in the lyrics.
Straddling these two states – selfbelief
and emotional chaos – made
for a record full of drama, depth, and
daring production choices.
‘BRAT’ and its balance of boasts
and affirmations – plus its themes of
vulnerability, obsession, competition
and life-altering relationships – lit
a fire under its author. Yet, at the
centre of it all, was Charli. This felt
like the work of a hugely influential
star feeling more confident than
ever in what they want to say.
In October, remix album ‘Brat And
It’s Completely Different But Also
Still Brat’ arrived, welcoming Ariana
Grande (‘Sympathy Is A Knife’)
and Billie Eilish (‘Guess’) into the
‘BRAT’ universe and skyrocketing
the album to No. 1 in the UK and
No. 3 in America. The garish shade
of green from its artwork became
omnipresent in TikTok videos,
while “brat” was named Collins
Dictionary’s word of the year.
And the beat goes on and on and on.
Charli continues to light up DJ booths
and festival stages all over the globe,
and will headline some huge outdoor
gigs in the UK this summer. For longterm
fans, part of the impact of ‘BRAT’
was knowing how hard Charli has
worked to reach this level of cultural
ubiquity – there is no shortage of selfreflection
on each of her exceptionally
open-hearted releases, but on album
six, she sounded more free than ever.
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CONGRATULATIONS
CONGRATULATIONS
CONGRATULATIONS
CONGRATULATIONS
CONGRATULATIONS
BEYONCÉ
INTERNATIONAL ARTIST OF THE YEAR
INTERNATIONAL SONG OF THE YEAR — TEXAS HOLD EM’
BRING ME THE HORIZON
BRITISH GROUP
FUTURE & METRO BOOMIN
INTERNATIONAL GROUP
TYLER, THE CREATOR
INTERNATIONAL ARTIST OF THE YEAR
CENTRAL CEE
ARTIST OF THE YEAR
BRITISH SONG OF THE YEAR — BAND4BAND
HIP HOP/GRIME/RAP
JADE
BRITISH SONG OF THE YEAR — ANGEL OF MY DREAMS
POP ACT
MYLES SMITH
RISING STAR
BEST NEW ARTIST
BRITISH SONG OF THE YEAR — STARGAZING
POP ACT
TO ALL THE INCREDIBLE ARTISTS
NOMINATED AT THE BRIT AWARDS 2025
AWARD STYLED BY GABRIEL MOSES
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COLDPLAY
GROUP OF THE YEAR, SONG OF THE YEAR WITH
MASTERCARD: ‘FEELSLIKEIMFALLINGINLOVE’
Coldplay had another busy year, releasing
their tenth studio album, ‘Moon Music’,
in October. Notable singles included
‘FeelsLikeImFallingInLove’, ‘We Pray’, and ‘All My
Love’, with the latter accompanied by an emotional
music video featuring Hollywood legend Dick Van
Dyke. Their ongoing world tour has showcased
these new tracks alongside fan favourites, lighting
up stadiums all over the world.
CHASE & STATUS
SONG OF THE YEAR WITH MASTERCARD:
‘BACKBONE’, DANCE ACT
2024 was a monumental year for Chase & Status,
as they continued to dominate the electronic
music scene with a blend of high-energy releases
and live performances. Songs like ‘Echoes of the
Underground’ reflected their ability to merge hardhitting
beats with emotive melodies that resonated
both with festival-goers and chart audiences alike.
Their live shows, enhanced with cutting-edge
visuals, remained a highlight of the year and thrilled
fans across the UK and beyond.
CENTRAL CEE
ARTIST OF THE YEAR, SONG OF THE YEAR
WITH MASTERCARD: ‘BAND4BAND
(FEAT. LIL BABY)’, HIP HOP/GRIME/RAP ACT
Central Cee solidified his position
at the forefront of UK rap in 2024,
dropping a series of collaborations
and solo tracks. His music continues to
explore themes of resilience, ambition,
and identity while his sharp storytelling
skills and futuristic production felt
stronger than ever. He’s also grown
into an electrifying performer too,
as his appearance on festival stages
around the world has shown.
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CONGRATULATIONS
Winners and nominees
CLEO SOL
R&B ACT
In September 2023, Cleo Sol released
two luminous albums, ‘Heaven’ and
‘Gold’, continuing her exploration
of soulful and introspective music
with influences from neo-soul and
contemporary jazz. Coupled with
her 2024 single ‘Fear When You Fly’,
these releases solidified her place as a
dynamic figure in modern British music.
The BRIT Awards 2025
CONFIDENCE MAN
INTERNATIONAL GROUP OF THE YEAR
2024 marked Confidence Man’s biggest year yet. As
well as dominating the British festival circuit – with
much talked-about appearances at Glastonbury and
Reading & Leeds – the Australian dance-pop duo
dropped their third album ‘3AM (La La La)’ in October
to much acclaim. The record showcased the group’s
high-energy dance-pop style, featuring killer singles
‘Break It Down (On the Bassline)’ and ‘So What’. They
also released a DJ mix, ‘Fabric Presents Confidence
Man’, blending original material with club classics.
DAVE
HIP HOP/GRIME/RAP ACT
South London rapper Dave continues to make
waves in the music industry with his soul-stirring
lyrics and compelling storytelling. His 2021 album,
‘We’re All Alone in This Together,’ was a critical
and commercial success, taking him to festival
headliner status. In 2023, he also released a
surprise collaborative EP project with Central Cee,
‘Split Decision’. Dave teased that work on his next
full-length project was underway last year and now
fans are eagerly awaiting its arrival.
From your friends at The Ooo2
DJO
INTERNATIONAL SONG OF THE YEAR:
‘END OF BEGINNING’
Over the past 12 months, Djo, the musical
project of ‘Stranger Things’ star Joe Keery,
has hit some major highs. His soaring track
‘End of Beginning’ – a paean to personal
transformation – enjoyed a glorious second
wind at the top of 2024, going viral two years
on from its initial release. Its success offered
proof that Keery’s psychedelic pop vibe has
real staying power.
40 41
Congratulations to all of the
nominees and winners
from everyone at
Your next event awaits.
It all starts here.
visit business.ticketmaster.co.uk
THE CURE
MASTERCARD ALBUM OF THE YEAR:
‘SONGS OF A LOST WORLD’, GROUP OF THE
YEAR, ALTERNATIVE/ROCK ACT
The Cure made a majestic return
with their fourteenth studio album,
‘Songs of a Lost World’, released
in November. It marked their first
collection of new material in 16
years, following 2008’s ‘4:13 Dream’.
The album has been praised for its
contemplative themes and Robert
Smith’s emotive vocals, reaffirming
The Cure’s enduring legacy and
influential presence.
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DUA LIPA
MASTERCARD ALBUM OF THE YEAR:
‘RADICAL OPTIMISM’, ARTIST OF THE YEAR,
SONG OF THE YEAR WITH MASTERCARD:
‘TRAINING SEASON’, POP ACT
Dua Lipa continued her rise as a global
pop icon with the release of her album
‘Radical Optimism’ in May, featuring
hit singles like ‘Houdini’ and ‘Illusion’.
Highlights of her year included
headlining Glastonbury Festival and
a special orchestral performance at
the Royal Albert Hall in October, which
was later released as a live album.
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We Get You Closer To Every Moment
ELLA HENDERSON
SONG OF THE YEAR WITH MASTERCARD:
‘ALIBI’ (FEAT. RUDIMENTAL)
At the start of 2024, Ella Henderson teamed
up with Rudimental for the single ‘Alibi’. The
track, which incorporated a sample from
Coolio’s ‘Gangsta’s Paradise’, quickly gained
attention online for its playful blend of
sounds. In April, Henderson released ‘Alibi
(The Other Girl Version)’ featuring Natasha
Bedingfield, presenting a fresh and dynamic
reimagining of the original.
ELMIENE
BRITs RISING STAR
Elmiene made his mark in the UK R&B
scene with a series of impactful releases.
His project ‘Anyway I Can’, released in
October 2024, put his soulful vocals and
introspective songwriting on full display
across tracks like ‘TLC’ and ‘Crystal Tears’.
Continuing this momentum, Elmiene
unveiled the ‘For The Deported’ EP in
December, featuring songs such as ‘Open
Light’ and ‘Avalon’, further highlighting his
versatility and depth as an artist.
EMINEM
INTERNATIONAL SONG OF THE YEAR: ‘HOUDINI’
Eminem made a major return with his May
2024 single ‘Houdini’, the lead track from his
twelfth studio album, ‘The Death of Slim Shady
(Coup de Grâce)’. The song, which samples
Steve Miller Band’s ‘Abracadabra,’ achieved
widespread commercial success, debuting
at Number One on the UK Singles Chart and
amassing over 13.8 million views on Vevo in
the UK. It made it the platform’s most-watched
music video in the country for 2024.
Global Digital Agency
For The BRIT Awards 2025
ENGLISH TEACHER
BEST NEW ARTIST
Leeds-based indie band English
Teacher released their remarkable
debut album ‘This Could Be Texas’ in
April 2024, earning critical acclaim
for its innovative blend of art-punk
and spoken word elements. The
album went on to win the prestigious
Mercury Prize, with judges praising its
originality and character.
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Award styled by Gabriel Moses
FRED AGAIN..
ARTIST OF THE YEAR, DANCE ACT
Fred again.. continued to captivate the electronic music
scene with his innovative productions. In September
2024, he released his fourth studio album, ‘Ten Days’,
featuring artists like Obongjayar, Sampha, Anderson
.Paak, and Emmylou Harris. The LP delved into
intimate moments from his life, showcasing his ability
to blend emotive storytelling with dynamic electronic
soundscapes. To conclude this chapter, Fred again..
released a double single titled ‘Two More Days’ on 13
December, featuring the tracks ‘light dark light’ with
Angie McMahon and ‘little mystery,’ a reinterpretation of
John Martyn’s contribution.
FLO
R&B ACT
Since winning the BRIT Rising Star award
in 2023, FLO have continued to scoop up
accolades. Their debut album, ‘Access All
Areas’, was released in November 2024 and
marked a significant milestone for a new
generation of British R&B stars. Looking ahead
to 2025, the trio will embark on a highly
anticipated world tour, including a sold-out
show at London’s O2 Brixton Academy.
EZRA COLLECTIVE
MASTERCARD ALBUM OF THE YEAR: ‘DANCE,
NO ONE’S WATCHING’, GROUP OF THE YEAR,
BEST NEW ARTIST, ALTERNATIVE/ROCK ACT
Ezra Collective had a stellar 2024 with
the release of their third album, ‘Dance,
No One’s Watching’, recorded at Abbey
Road Studios. The album celebrated the
joy of dance and featured collaborations
with artists like Yazmin Lacey and Olivia
Dean. Their European tour concluded
with a landmark performance at London’s
Wembley Arena in November, marking a
significant moment for modern UK jazz.
FONTAINES D.C.
INTERNATIONAL GROUP OF THE YEAR
Irish rock band Fontaines D.C. released their fourth
album, ‘Romance’, in August. A bold and thoughtful
re-imagining of their sound, the album marked an
exciting new era for the Dublin band as they hit
arenas across the UK and Ireland for the first time.
A standout performance headlining the Park Stage
at Glastonbury topped another incredible year for
the band, and this summer, they will play London’s
40,000-capacity Finsbury Park.
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WOULD LIKE TO
CONGRATULATE
ALL NOMINEES.
1800 TEQUILA AND
THE BRIT AWARDS.
SOUNDS LIKE
THE PERFECT MIX.
GHETTS
HIP HOP/GRIME/RAP ACT
Ghetts released his fourth album, ‘On
Purpose, With Purpose’, in February
2024, blending genres like soul, R&B,
and Afrobeat. Featuring standout
collaborations, the emotional core of
the record was built around his powerful
storytelling. He also made his acting
debut in Netflix’s Supacell, further
cementing his reputation as a versatile
and influential multi-disciplinary creative.
FUTURE & METRO BOOMIN
INTERNATIONAL GROUP OF THE YEAR
Future & Metro Boomin are a powerhouse
duo in modern hip-hop, releasing two dynamic
albums back-to-back in early 2024: ‘We
Don’t Trust You’ and ‘We Still Don’t Trust You’.
Recognised for their innovative production, the
projects blended Metro’s signature beats with
Future’s raw, introspective lyricism, featuring
guest slots from superstars like Kendrick Lamar.
GOOD NEIGHBOURS
BRITs RISING STAR
British duo Good Neighbours, comprising
songwriters Oli Fox and Scott Verrill, are
revitalising early 2000s indie with a fresh pop
twist. Their 2024 debut single, ‘Home’, and
the pair’s eponymous EP, showcased their
blend of nostalgic melodies and homespun
production. They were also nominated for
the BRIT Rising Star 2025 award.
PROUD TO BE THE
OFFICIAL TEQUILA OF
THE BRIT AWARDS 2025.
OFFICIAL TEQUILA PARTNER
HOZIER
INTERNATIONAL SONG OF THE YEAR: ‘TOO SWEET’
Hozier, celebrated for his poetic lyrics
and soulful voice, released the ‘Unheard’
EP in March 2024. He earned a charttopping
smash in ‘Too Sweet’ last April,
reaching the summit on both the UK
and US singles charts. In August, he will
perform at Reading & Leeds festival as
part of a co-headline billing alongside
pop sensation Chappell Roan.
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JADE
SONG OF THE YEAR WITH MASTERCARD:
‘ANGEL OF MY DREAMS’, POP ACT
Jade Thirlwall, now known as JADE,
embarked on her solo career with a
slew of huge releases in 2024. Her
debut single, ‘Angel of My Dreams’,
landed in July, blending pop and
electronica elements and sampling
Sandie Shaw’s ‘Puppet on a String’.
JADE surprised fans with ‘Midnight
Cowboy’ two months later, before
following up with the provocative
disco and funk ditty ‘Fantasy’, which
touched on themes of sexuality
and self-expression. JADE’s
solo endeavours have seen her
embrace a more experimental and
performance-led take on her music.
JORJA SMITH
R&B ACT
Jorja Smith’s long-awaited second
album, ‘Falling or Flying’, was praised
for its rich storytelling and captivating
production upon release in
September 2023. The Walsall-raised
vocalist’s live shows have brought the
album’s expansive sonic palette to
life, with her soulful voice connecting
powerfully in intimate and larger
venues alike.
JORDAN ADETUNJI
SONG OF THE YEAR
WITH MASTERCARD: ‘KEHLANI’
Belfast’s Jordan Adetunji burst onto
the scene in May 2024 with viral
single ‘Kehlani’, which seamlessly
fused Afrobeats, pop, and R&B.
The song’s infectious rhythm
and heartfelt lyrics cemented his
reputation as a rising star. His
dynamic live sets have since further
highlighted his versatility and energy.
JACK HARLOW
INTERNATIONAL SONG OF THE YEAR: ‘LOVIN ON ME’
Jack Harlow continued to captivate audiences
in 2024. His bossa nova-inspired single ‘Hello
Miss Johnson’ showcased his artistic evolution,
while the reflective ‘Tranquility’ closed the year
with a dose of introspection. On stage, his
‘No Place Like Home’ shows in Louisville, plus
his co-headlining of the local Gazebo Festival
alongside SZA, highlighted his deep connection
to his hometown roots.
KENDRICK LAMAR
INTERNATIONAL ARTIST OF THE YEAR
Kendrick Lamar continues to prove why
he is a generational great. Surprise LP
‘GNX’ took the music industry and fans by
storm upon arrival in November 2024, a
collection of intricate wordplay, bass-heavy
arrangements, and thought-provoking
thematic content. He will tour US stadiums
throughout summer 2025 alongside close
friend and collaborator SZA.
JAMIE XX
ARTIST OF THE YEAR
In September 2024, Jamie xx
unveiled ‘In Waves’ – his first fulllength
effort since 2015’s nowseminal
debut, ‘In Colour’. Album two
blended intricate electronic textures
with touching melodies, offering an
immersive listening experience. The
Londoner’s live performances have
been celebrated for their innovative
approach to visuals, captivating
audiences worldwide.
KSI
SONG OF THE YEAR WITH MASTERCARD:
‘THICK OF IT’ (FEAT. TRIPPIE REDD)
KSI, in collaboration with Trippie
Redd, released ‘Thick of It’ in October
2024 – a track charting his evolution
from internet personality to a popular,
lauded rap act. Earlier in the year, he
teamed up with Manchester rapper
Bugzy Malone on the fiery ‘Easy’.
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THE LAST DINNER PARTY
MASTERCARD ALBUM OF THE YEAR: ‘PRELUDE TO ECSTASY’, GROUP OF
THE YEAR, BEST NEW ARTIST, ALTERNATIVE/ROCK ACT
The Last Dinner Party experienced a remarkable rise in
2024. Their debut album ‘Prelude to Ecstasy’, released
in February, formally introduced their distinctive
blend of baroque pop and theatrical rock. The band
also gained recognition for their captivating live
performances, including a notable set at Glastonbury
in June. Their growing prominence in the indie music
scene has underscored their potential as a formidable
force in contemporary music.
SINGLE PAGE
210MM X 297.5
3MM BLEED
15MM GUTTER
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LINKIN PARK
INTERNATIONAL GROUP OF THE YEAR
After a seven-year hiatus following
the death of lead singer Chester
Bennington, Linkin Park returned
in September 2024 with ‘The
Emptiness Machine’. Now joined
by new members Emily Armstrong
(vocals) and Colin Brittain (drums), the
band’s recent live shows have been a
celebration of their enduring impact in
the nu-metal genre.
MICHAEL KIWANUKA
ARTIST OF THE YEAR, R&B ACT
In 2024, Michael Kiwanuka returned
with his fourth studio album, ‘Small
Changes’, a project co-produced
with Danger Mouse and Inflo. The
album featured a more stripped-back
and intimate approach, showcasing
Kiwanuka’s soulful voice and heartfelt
songwriting. Tracks like ‘Floating
Parade’ and ‘Lowdown (Part I)’ explored
themes of self-discovery and quiet
resilience, blending the warm tones
of 70s soul with modern indie rock
influences. The album’s minimalist
arrangements allowed Kiwanuka’s
emotive delivery to shine, creating a
deeply reflective listening experience.
LOLA YOUNG
POP ACT
Lola Young enjoyed a breakthrough
year following the release of her
debut album proper ‘This Wasn’t
Meant For You Anyway’ in June.
‘Messy’, the record’s emotional
centrepiece, showed off her
remarkable vocal range and became
Young’s first chart-topping hit. She will
tour the UK in spring 2025, playing
her biggest headline shows to date.
LITTLE SIMZ
HIP HOP / GRIME / RAP ACT
Little Simz continued to push
boundaries with her latest project ‘Drop
7’, blending poignant lyricism with bold,
experimental club beats. She also made
her debut appearance on Glastonbury’s
Pyramid Stage at the 2024 edition of the
festival; the performance was praised by
music critics for its raw emotional power.
NIA ARCHIVES
ARTIST OF THE YEAR, DANCE ACT
A kaleidoscopic blend of jungle
rhythms and Britpop-inspired
melodies, Nia Archives’ debut
album explored solitude, familial
relationships, and the trials of young
adulthood. The album’s title track and
songs like ‘Crowded Roomz’ stood
out for their emotional depth and
intricate production. Collaborating
with Ethan P. Flynn, Nia balanced
introspection with energetic beats –
the album stands as a testament to
her ability to merge nostalgic sounds
with contemporary storytelling.
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Written In
The Stars
BRITs RISING STAR (WINNER), BEST NEW ARTIST, POP ACT,
SONG OF THE YEAR WITH MASTERCARD: ‘STARGAZING’
Get to know Myles Smith,
the Luton-raised songwriter
primed for a major
breakthrough year
Sophie Williams
JM Enternational
Long after the sun sets on
festival season each year, its
anthems live on. That could
certainly be said of Myles
Smith’s ‘Stargazing’, a fizzing,
life-affirming pop ballad that
has won the hearts of music
fans across the world, having
lit up stages at Glastonbury
and Latitude alongside
becoming a viral sensation
upon release. In December,
it was named the Biggest
British Single of 2024 by the
Official Charts Company – a
remarkable achievement for
Smith, who is merely a year
into his career.
The Luton singer-songwriter capped
off an extraordinary 12 months by
being named the BRIT Rising Star for
2025. The award (in partnership with
BBC Radio 1) highlights up and coming
talent selected by a panel of industry
experts, as we look forward to another
year of thrilling musical trends and
revelations. Here, Smith explains how
it feels to be leading the pack…
Where were you when you found out
you’d won your first BRIT?
“It was a bit wild, actually. I was far
away from home when I found out,
and if I’m being truthful, I was also
hungover [laughs]. I was in LA at the
time, and I just instantly got brought
back to life by the news. I was like,
‘What on Earth? Is this for real?’. It was
such a crazy experience to have even
been nominated, let alone win the
award itself. I’m super grateful.”
Who did you share the
news with first?
“My mum – she is the first person to
know when anything huge happens
in my career! She was so over the
moon, as she has seen all the years
of hard work and sleepless nights
that have gone into this. It’s amazing;
she’s always been of the mindset
that regardless of success, she just
wants me to be happy and fulfilled in
what I’m doing.”
What role did The BRITs play in your
musical education growing up?
“I watched the BRITs every year
when I was younger – that’s what
you do as an aspiring musician in the
UK! Even last year, I sat on my sofa
with my best friend, and we were
just like, ‘You know what? One day,
we’ll get there.’ Little did I know that
it would happen within a calendar
year – the fact I’m attending my first
BRITs still blows my mind.
“I loved the iconic Dave
performance [2020], when
he did that powerful rendition
of “Black.” I loved it when Ed
Sheeran did “Bloodstream,’ [in
2015] and then when Stormzy
performed under the waterfall
[2018]. For me, the BRITs have
always been about iconic
moments. I can still remember
so many of them so vividly.”
Which artists have helped pave
the way for you to break into
the mainstream?
“There’s been a whole history
of artists who have set the tone
for what music can be made for
people who look or sound like me.
Labyrinth has always been a massive
inspiration to me. I also look up to
Tracy Chapman, Michael Kiwanuka,
Stormzy, Dave and Little Simz.
“They’ve all brought Black music to
the forefront of what we know and
love in British culture right now, and
have allowed an artist like me to
come up without having to break
through the barriers that they had.
There are challenges that I will need
to face, but hopefully in a few years
from now, there’ll be another Myles
Smith able to come through.”
What’s the first emotion that comes
to mind when you think about
everything you’ve achieved over
the last 12 months?
“Excitement, 100%. The last year
was filled with so many things that
were unexpected; heights that I
never thought were attainable. I’m
so excited to see what I’m going
to achieve in 2025 and how far I
can push the boat out this year. I
want to live with joy at the centre of
everything I do.”
When did you first realise that
‘Stargazing’ had taken on a
life of its own?
“Before it even officially released,
it was moving at the speed of
lightning. It was crazy to watch
the pre-saves on Spotify grow so
quickly. From the moment I wrote
it, I knew I had a song that I was
really proud of. As time went on and
‘Stargazing’ grew across the world,
it was nice to see something that I
always had a good gut feeling about
come to fruition.”
What prepared you for all the
newfound attention?
“Always staying grounded and
spending quality time with people
that I love has really helped.
When you go on a fast-paced
global tour, it can feel like in
Around the World in 80 Days;
when you come back home, you
just need to have some space
and find your sense of self again.”
Where is the wildest place you’ve
heard your music in public?
“I’ve heard it in bathroom stalls
and planes, but the funniest
incident will surprise you. I had to
call Virgin Media in the summer
because my WiFi was down, and
by the time I had been passed on
to the seventh operator, they put
me on hold. Then, boom! I’m at
the peak of my frustration and the
music playing down the phone
was ‘Stargazing’. I’ve never been
more pissed off at myself!”
Why’s it so important for you
to rep your hometown?
“I often read online that it’s the worst
city in the UK, which is something I
fundamentally disagree with. It has
a higher ethnic minority population
than most towns in the UK; it’s
that diversity and culture, plus all
the richness in peoples’ unique
experiences and backgrounds,
which has produced a character like
me. Growing up in Luton, I’ve had a
global experience. If I can replicate
those values in everything that I do,
I’ll always feel proud.”
58
59
RAYE
R&B ACT
Over the past year, six-time BRIT
winner RAYE has continued to
redefine pop with her fearless
songwriting and genre-blending
soundscapes. Her single ‘Genesis,’
released in June 2024, was a sevenminute
opus, encompassing elements
of jazz, swing, and R&B. The visionary
artist will headline London’s All Points
East festival this summer.
RACHEL CHINOURIRI
ARTIST OF THE YEAR, BEST NEW ARTIST
Rachel Chinouriri captivated the
music scene with her debut album,
‘What a Devastating Turn of Events’,
released in May 2024, featuring
standout singles like ‘The Hills’ and
‘Never Need Me’. She followed this
success with a UK tour, culminating in
a celebrated performance at London’s
Kentish Town Forum. Additionally, her
collaborative single ‘Even’, featuring
Cat Burns, continued to document her
rise as a star in the indie-pop world.
NOAH KAHAN
INTERNATIONAL SONG OF THE YEAR:
‘STICK SEASON’
‘Stick Season’ hitmaker Noah Kahan
expanded his folk-inspired storytelling
with a remixed edition of his studio
album of the same name, featuring
collaborations with Brandi Carlile and
Gregory Alan Isakov. He explored
longing and bottled-up feelings on
the country ballad ‘Cowboys Cry Too’
with Kelsea Ballerini and captured the
raw energy of his live shows with the
release of ‘Live From Fenway Park.’
POST MALONE
INTERNATIONAL SONG OF THE YEAR:
‘I HAD SOME HELP’ (FEAT. MORGAN WALLEN)
Post Malone linked with Morgan Wallen
to release the barnstorming ‘I Had
Some Help.’ The track married the
US singer’s recent foray into country
music with Wallen’s warm vocal tones,
becoming a hit on both sides of the
Atlantic. Malone also featured on two
of the year’s biggest albums: Beyoncé’s
‘Cowboy Carter’ and Taylor Swift’s ‘The
Tortured Poets Department’.
SABRINA CARPENTER
INTERNATIONAL ARTIST OF THE YEAR,
INTERNATIONAL SONG OF THE YEAR: ‘ESPRESSO’
In 2024, Sabrina Carpenter achieved
stratospheric success with her album ‘Short
n’ Sweet’, showcasing a more mature and
innovative sound than ever before. Lead
single ‘Espresso’ became a viral sensation,
amassing over 270 million views for its music
video and dominating summer playlists.
Carpenter’s ‘Short n’ Sweet Tour’ featured bold
performances and creative stage designs and
cemented her as a bonafide pop sensation.
60
61
MAKING CLIMATE ACTION ROCK ‘N ROLL SINCE 2019
SAM FENDER
ARTIST OF THE YEAR, ALTERNATIVE/ROCK ACT
Sam Fender started 2024 by jumping
on Noah Kahan’s track ‘Homesick’, a
poignant exploration of belonging. In
November, he announced his third
studio album, ‘People Watching’, and
released its title track as the lead single.
Additional tracks like ‘Wild Long Lie’
and ‘Me and the Dog’ arrived in the
build-up to its February 2025 release.
Fender remains a powerful voice in
indie music and will take his new record
to UK stadiums this summer.
Working with The BRIT Awards to put
climate action at the heart of music.
NOMUSICONADEADPLANET.ORG
SAM RYDER
SONG OF THE YEAR WITH MASTERCARD:
‘YOU’RE CHRISTMAS TO ME’
Sam Ryder delivered the heartwarming
holiday single ‘You’re Christmas To
Me’ in late 2023. The track mixed his
soaring vocals with lush instrumentation,
creating a festive anthem brimming with
real warmth. He brought an intimate
yet uplifting atmosphere to the Strictly
Come Dancing ballroom too, where he
performed the song live for the first time.
62 63
SHABOOZEY
INTERNATIONAL SONG OF THE YEAR:
‘A BAR SONG (TIPSY)’
Shaboozey dropped the laid-back yet
infectious ‘A Bar Song (Tipsy)’ in 2024,
a clever narrative piece that captured
the spirit of a night out with its witty
lyrics and country-tinged production.
The song went viral and broke records
for being the longest-running Number
One record on Billboard’s Hot 100
Chart. His live sets have brought the
song’s playful energy to life, making it
a firm crowd favourite.
TAYLOR SWIFT
INTERNATIONAL ARTIST OF THE YEAR,
INTERNATIONAL SONG OF THE YEAR
‘FORTNIGHT (FEAT. POST MALONE)’
Taylor Swift solidified her status
as a global music icon in 2024,
wrapping up her record-shattering
21-month-long ‘Eras Tour’ in early
December. The tour not only broke
attendance and revenue records but
also cemented her influence across
generations of fans. Earlier in the
year, Swift released ‘The Tortured
Poets Department’, a 31-track double
LP, which quickly became the bestselling
album in the UK for 2024.
SONNY FODERA/
JAZZY/D.O.D
SONG OF THE YEAR WITH MASTERCARD:
‘SOMEDAYS’
Sonny Fodera, Jazzy, and D.O.D
collaborated on ‘Feel the Beat’, an
electrifying track that combined driving
house rhythms with catchy hooks and
melodic layers. This collaboration has
dominated dancefloors since it was
released, with each artist’s signature
style shining through in their highenergy
live performances.
STORMZY
HIP HOP / GRIME / RAP ACT,
SONG OF THE YEAR WITH MASTERCARD
Stormzy’s 2024 was a powerful display
of his versatility and global reach.
The year began with ‘Cry No More’,
an introspective collaboration with
Headie One and Tay Keith, followed
by the ‘Problems Over Peace’ with
AP Dhillon. In August, he delivered
the electrifying single ‘Backbone’
with Chase & Status.
TEDDY SWIMS
INTERNATIONAL SONG OF THE YEAR:
‘LOSE CONTROL’
Teddy Swims captivated listeners
with ‘Lose Control’, a soul-stirring
track showcasing his powerful vocals
and heartfelt lyricism. 2024 saw him
became one of the biggest stars on
the planet, securing three global
smash hits that earned billions of
streams. Live renditions of ‘Lose
Control’ have continued to amplify its
emotional depth, drawing audiences
into his heartfelt, storytelling.
64
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INTERNATIONAL SONG OF THE YEAR:
‘MILLION DOLLAR BABY’
Tommy Richman captivated a whole
new legion of listeners in 2024 with
his debut album ‘COYOTE’, featuring
standout tracks like ‘Whitney’ and
‘Green Therapy’. His single ‘Million
Dollar Baby’ further highlighted his
unique style. Richman’s recent live
performances have brought these tracks
to life, solidifying his status as one of the
world’s most exciting new names.
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TYLER, THE CREATOR
INTERNATIONAL ARTIST OF THE YEAR
Tyler, The Creator released
‘CHROMAKOPIA’, his eighth studio
album, featuring tracks like ‘Noid’
and ‘Sticky’, alongside cameos from
Lola Young and GloRilla. The record
cemented his legacy as one of music’s
most inventive figures, expanding a
glittering back catalogue that includes
other modern rap classics such as
‘Igor’ and ‘Flower Boy’.
66 67
Work Hard,
Play Hard
PRODUCER OF THE YEAR
Tenacity has driven prolific
producer A. G. Cook to
mainstream recognition
and his first BRIT Award
Sophie Williams
At this point, the list of sceneleading
artists that A. G. Cook
has worked with is almost
absurd. Over the past decade,
the likes of Charli xcx, Beyoncé,
Caroline Polachek and Sigur
Rós’ Jónsi Birgisson have
enlisted the London-raised
producer and PC Music founder
to add an extra layer of depth
and adventurousness to their
respective sounds in the studio.
It was the arrival of Charli’s ‘BRAT’
in May 2024, however, that
heralded Cook’s biggest year yet.
Continuing a creative relationship
that started in 2017, Cook was
heavily involved in delivering some
of the record’s boldest moments
– grinding bass, turbo-revving
melodies, sudden beat switchups
– and in turn helped create
a future-classic album that has
already earned its place in pop’s
history books.
The release of his sensational threepart
LP ‘Britpop’ last summer also
contributed to Cook’s current stature
as one of the world’s most in-demand
names operating at the experimental
edges of pop. From here, he’ll only
continue to accelerate.
How does it feel to have won
Producer Of The Year?
“I’m surprised! Not that I feel as though
I haven’t done a lot of production
work – we’re all really proud of
‘BRAT’ especially and the way it has
transcended – but yeah, it’s still a shock.
I have this funny relationship between
being British, having this album called
‘Britpop’, and now winning a BRIT – it’s
all irresistible. I’ve had this long journey
in the UK music industry, so that’s why
I’m really flattered. It makes me feel like,
‘Oh wow, am I on this level now?!’”
What’s your plan for show night?
“If you look at the many iconic BRIT
ceremonies, there’s a sense of drama.
Whether it’s classic Oasis beef or the
Spice Girls [performing], there’ve been
so many amazing moments. A lot of
artists come to the event with a sense
of, ‘Oh, there’s fun to be had here.’
That’s what a lot of British events tend
to be: both serious and quite
silly at the same time.”
Having explored so many styles
of music, what do you feel are the
unifying qualities of your work?
“I love being able to embrace a
sense of freedom in the studio. Charli
and I spoke about working quickly.
We’ve done that a lot: an obvious
example is on ‘BRAT’: ‘360’ and ‘365’
remix themselves. I love songs that
reference each other with a carefree
attitude; even when parts of the
production are very meticulous, the
sounds are kind of wild. What I try to
do on a lot of my tracks is have an
unexpected outro or a bridge. It’s a
recurring obsession of mine.”
When you’re deciding whether you
want to work on a project, what are
you listening out for?
“I’ve noticed over time that a lot of
the people I’ve worked closely with
tend to have pretty unique voices,
where you can feel their personality
coming through – whether that’s
Jónsi, Tommy Cash, Utada Hikaru
or Caroline. And there’s Charili, of
course: I love hearing her sing over
really wild production, as she’s
always completely in control of it.”
Which collaborator
surprised you the most?
“Jónsi! I grew up with Sigur Rós
and they have a really serious
fan base. He liked my work on
[Charli’s] ‘Pop 2’ and from there,
we started navigating between
this more typical, lush Sigur Rós
sound and something a bit more
harsh. He really pushed me in
a cool way. He’s also a bit of a
troll, and people are interested
in how cheeky he is!
“Working on Charli’s [2019]
self-titled album was also quite
bonkers. We weren’t fully in
control of what the label wanted
versus what we wanted, so we
just had to put it all on the table. I
think working on that Jónsi album
at the same time gave me a
different perspective that I could
take to making quite intense
pop music without burning out,
or without using the same synth
sound or the things that I was
already known for.”
Is there anyone left on your bucket list
as to who you want to work with?
“It’s hard for me to say, but I’ve
enjoyed stretching the boundaries
in my work. So maybe there’ll
be a couple of weeks where I’m
working with a band, and then I’ll
produce a K-Pop thing. I think it’s
really nice for me to mix things
up. I’m interested in country music
and Americana – any genre where
there’s already a scene or myth
around it is nice to dip into.”
What would your version of a
country record sound like, then?
“I’m a big fan of Shania Twain –
all that crossover country pop
stuff; there’s this fine balance
between what’s artificial and
what’s very genuine. I also think
Dolly Parton is great at this,
she’s a fantastic songwriter, but
she also plays around in her
music and takes the piss. I’d be
very interested in diving into
that world.”
How do you figure out what
artists want in the studio if they
can’t articulate it?
“It’s about prodding and seeing if
you can then get a reaction from
the artist, and then using that as
a test for other things. Anything
could happen in the studio! There
could be a song that someone’s
written and they know really well,
but then suddenly I give them a
whole new idea for something
else. I like remixing stuff and not
being precious over the first take;
there’ll always be multiple versions
of tracks, so that we can pick the
most interesting one.”
Did working on BRAT change
how you approach your career?
“I have tried to be mindful of my
own workload. I run a record label,
I’m an artist in my own right, I’m
a producer – that in itself is a bit
of a tricky balance. I don’t want to
be doing a bad job on someone
else’s album because I’m playing
Coachella or something.
“One thing that’s really helped
is how I have worked with the
same collaborators for a while.
You know, Charli and I have
been doing stuff for a really
long time. I’ve known [producer]
Finn Keane, FKA Easyfun, for
ages, from [Charli’s] ‘No. 1 Angel’
mixtape through to the chaos of
‘BRAT’. My career hasn’t been a
complete solo journey. I’ve been
fortunate to have a whole cast of
people around me.”
68 69
Forever In Our Hearts
We remember the many talented artists and
industry colleagues who have been lost to the
music community these past 12 months
Sophie Williams
The BRIT Awards are dedicated to
recognising the influential figures who
have shaped music’s past, present,
and future. In doing so, we reflect on
the achievements of those who are no
longer with us and extend our profound
condolences to their friends and families.
We salute each individual for their
remarkable contributions to our industry.
Let us continue to celebrate the music
they created, and the communities they
uplifted and inspired.
In October 2024, a special member of
The BRITs family passed away, leaving
behind a legacy that will forever resonate
in the hearts of millions. While Liam
Payne’s time in One Direction brought
him global fame, it was his undeniable
talent, dedication, and charisma that
made him an icon in the world of music.
His contributions helped define the
sound of a generation, with songs that
remain as timeless as the bond he
shared with his bandmates.
Beyond his meteoric success as part
of One Direction, Liam carved out a
rewarding solo career, exploring new
musical avenues with chart hits like ‘Strip
That Down’ and Rita Ora collab ‘For You’.
His warmth and generosity extended
beyond the stage, having grown a
fiercely dedicated fanbase since he first
auditioned for The X Factor in 2008.
Having received seven BRITs with One
Direction, and performed twice with
the band and twice as a solo artist at
the awards over the years, Liam’s talent
endures through the countless lives
he touched. He was not just a singer;
he was a beacon of light for those who
grew up with his work. May his music
continue to live on in our hearts.
ADVERT
AMONG THE MANY THAT WERE LOST TO THE ART AND BUSINESS
OF MUSIC IN THE PAST 12 MONTHS, WE ALSO REMEMBER:
VINCE POWER CBE • KARL WALLINGER • BO$$ • ERIC CARMEN • STEVE HARLEY • JO BROOKS •
KEVIN TONEY • CHRIS CROSS • GERALD CONWAY • PEGI CECCONI • NEIL SLAVEN • MICHAEL WARD •
ALBERT HEATH • KEITH LEBLANC • GRAEME NAYSMITH • CLARENCE HENRY • LUCY RIMMER •
RICHARD HOROWITZ • POOCH TAVARES • EUGENE WOLFGRAMM • GAVIN WEBB • RICHARD BETTS •
JACK GREEN • LARRY PAGE • SIR ANDREW DAVIS CBE • CHAN ROMERO • MC DUKE •
DUNCAN MACDONALD MBE • MIKE PINDER • RENNA KELLAWAY MBE • ROBIN GEORGE •
DUANE EDDY • MC CONRAD • RICHARD TANDY • STEVE ALBINI • JIMMY JAMES • JOHN HAWKEN •
FRANK IFIELD OAM • RICHARD SHERMAN • ED MANN • GEOFF FOLLIN • TONY BRAMWELL • COLIN GIBB •
BROTHER MARQUIS • KARAR ALI SALEM RAMADAN • ROSE‐MARIE KANE • FRANÇOISE HARDY •
ARTHUR HENDRICKSON • GRAHAM LAMBDON • ANGELA BOFILL • JAMES CASON •
PAUL SPENCER • JOE EGAN • J. SAUL KANE • EDDIE ROSENBLATT • JERRY FULLER •
TOUMANI DIABETE • ELLEN THOMAS • JOHN MAYALL OBE • ABDUL FAKIR • DICK ASHER • PASCAL DANEL •
DANNY CLARKE • DJ POLO • EL TAIGER • MICK UNDERWOOD • PAT COLLIER • CHINO XL • JOEY GILMORE •
ONYEKA ONWENU MFR • ARTHUR MILES • RANDALL MCNEIL • CHRIS YORK • PETER COLLINS •
JERRY MILLER • MARK JAMES • MAURICE WILLIAMS • SUSAN WOJCICKI • RICHARD MACPHAIL •
DANIELLE MOORE • FATMAN SCOOP • PHIL SWERN • CARL BEVAN • JAMES PALMER‐BULLOCK •
SIMON ALBURY • DANNY STUBBS • BRIAN FLOWERS • SÉRGIO MENDES • WILL JENNINGS •
GEORGE MONEY • MICHELLE KERR • TORIANO JACKSON • KENNY HYSLOP • JD SOUTHERN •
CLEO SYLVESTRE • KEN HOWARD • KRIS KRISTOFFERSON • MARTIN LEE • CISSY HOUSTON • JACKMASTER •
PAUL DI’ANNO • JACK JONES • DJ CLARK KENT • PHIL LESH • RICHARD HANDOVER CBE • JOHN PEARSON •
JO HEADLAND • JOHN TITTA • QUINCY JONES • PAPA NOËL NEDULE • ROY HAYNES •
SHEL TALMY • VIC FLICK • PETE SINFIELD • DENNIS BRYON • CHARLES DUMONT •
COLIN PETERSEN • BOB BRYAR • BILL HOLLAND • HOWARD HUGHES •
JAMES MCMAHON • SAMANTHA LAWRENCE • JULIAN
SPEAR •
ALFA ANDERSON • RICHARD PERRY • RICHARD PARSONS •
MALCOLM BROWN • LENNIE DE ICE • PAUL ROPER • WAYNE OSMOND •
SAM MOORE • DAVID LYNCH • LINDA NOLAN • WALTER SAMUEL •
MARIANNE FAITHFULL • HORST WEIDENMÜLLER
• IRV GOTTI •
DAVE JERDEN • MIKE RATLEDGE • EDWEENA BANGER • BARRY GOLDBERG •
GARTH HUDSON • JOHNNIE WALKER MBE • STEVE ALAIMO • ANDREW PALEY •
JOHNNY DUHAN • ANDY LEEK • JACK PONTI • CAT GLOVER •
WILL JENNINGS • CHRIS YORK • DJ RANDALL • JERRY FULLER
BETTY VELDPAUS • KINKY FRIEDMAN • GRAHAM LAMBDON
JON HAWKEN • DENNIS THOMPSON • ELEANOR COLLINS
•
•
70
JM Enternational 71
A CONCERT
SERIES LIKE
NO OTHER
Huzzah! In partnership with War
Child and DHL, The BRITs Week
returned this year for its 16th
anniversary, with a slew of
sold-out shows dotted
across the country.
Sophie Williams
Aitch - BRITs Week 2024
Patrick Gunning
FOR
The 2025 line-up was
stacked with a wealth of
phenomenal, diverse talent,
featuring Cat Burns, Joy
Crookes, Rachel Chinouriri,
Frank Turner, Nova Twins,
Clean Bandit, Soft Play,
Tom Walker and James Bay.
Kasabian and Blossoms,
meanwhile, joined forces
for a special one-off show,
making for a night of
bonafide indie greatness.
Since its inception, the annual concert
series has raised over £7 million
for War Child, bringing renowned
British artists to small venues – such
as Ed Sheeran, Stormzy, The 1975,
and Florence + The Machine – while
simultaneously helping children whose
lives have been torn apart by war.
A limited number of 2025 tickets,
meanwhile, were sold online, while the
rest were distributed via a prize draw.
“The music world and War Child have
walked hand in hand for over 30
years,” says Clare Sanders-Wright,
Live Music Lead at War Child. “The
support of artists and their fans
has meant so much to the charity,
enabling us to protect and stand up
for the rights of children living in the
most unimaginable situations.”
The money raised from The BRITs
Week helps fund War Child’s vital
work of protecting and educating
children in some of the world’s
worst conflict areas, adds Sanders-
Wright. “Every day, our local teams
are in communities and refugee
camps creating safe spaces for
children to play, learn, and access
mental health support.
“We specialise in responding rapidly
to emergency crisis situations, to
deliver immediate and critical care
impartially – to help those who need
us most, when they need us most.”
Cat Burns kicked off proceedings on
February 17th at indie mecca Moth
Club. The south London singersongwriter
brought tracks from her
debut LP ‘Early Twenties’ to life with the
support of an exuberant backing band.
The following evening, Joy Crookes
made her long-awaited return to the
stage at Islington Assembly Hall,
where she teased new material
alongside airing highlights from her
soulful 2021 album ‘Skin’. Rachel
Chinouriri proved her pop prowess at
Omeara, leading singalongs aplenty
including the bubbly ‘It Is What It Is’
and viral hit ‘All I Ever Asked’.
Frank Carter, meanwhile, turned 93
Feet East into a raucous moshpit. His
band, the Rattlesnakes, are currently
on hiatus – but here, he proved he
can hold his own as a consummate
showman. Omeara also played host
to Nova Twins on February 24, whose
thunderous rock sound shocked and
delighted in equal measure.
The similarly electrifying Kasabian
hit up Shepherds Bush Empire the
next night, where they teamed
up with Blossoms to treat fans
to performances from two iconic
names in British guitar music. Clean
Bandit’s spellbinding orchestral pop
found a fitting backdrop in London’s
historic Palladium theatre, as the
band were joined by a whole bevy
of special guests.
The party will rumble on after the
BRIT Awards, with shows from
Tom Walker (March 3, King Tuts
Wah Wah Hut), Soft Play (March
4, Village Underground), Rag ‘N’
Bone Man (March 5, De La Warr
Pavilion), and James Bay (March 5,
100 Club) still to come.
Following the success of The Last
Dinner Party’s fundraiser show in
Hebden Bridge last year, going
forward, Sanders-Wright hopes to
continue to expand The BRITs Week
outside of the capital – starting with
dates in Glasgow (Tom Walker) and
Bexhill (Rag ‘N’ Bone Man) for 2025.
“I’d love for us to be able to do more
regional shows,” she concludes. “I’d
also love to work on a series of shows
in the lead up to The BRITs Week to
showcase developing artists that are
on the rise. And of course – for us to
continue to raise millions of pounds!”
Although both the Prize Draw and
Limited Sales are now closed, you
can still donate to the work of War
Child. Thank you to the artists and
teams who have helped to bring The
BRITs Week 2025 to life.
FEBRUARY
CAT BURNS
17TH - MOTH CLUB
JOY CROOKES
18TH - ISLINGTON
ASSEMBLY HALL
RACHEL CHINOURIRI
20TH - OMEARA
FRANK TURNER
21ST - 93 FEET EAST
NOVA TWINS
24TH - OMEARA
KASABIAN
WITH SPECIAL GUESTS
BLOSSOMS
25TH - O2 SHEPHERD’S
BUSH EMPIRE
CLEAN BANDIT
AND FRIENDS
8TH - THE LONDON PALLADIUM
MARCH
TOM WALKER
SPECIAL ACOUSTIC SHOW
3RD - KING TUT’S
WAH WAH HUT
SOFT PLAY
4TH - VILLAGE UNDERGROUND
RAG’N’BONE MAN
5TH - DE LA WARR PAVILION
JAMES BAY
5TH - 100 CLUB
72
73
HALF PAGE
210 X 148.5MM
3MM BLEED
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Lights,
Camera,
Action!
The BRITs aren’t known as the
biggest night in UK music for
nothing. The 2024 ceremony
delivered dozens of historymaking
moments, glittering
performances and welldeserved
wins for a wealth of
artists – with many of these
victories proudly reflecting the
progress being made in the
wider industry.
Sophie Williams
Dua Lipa performs ‘Training Season’ - The BRIT Awards 2024
JM Enternational
75
Kylie Minogue and RAYE celebrating
backstage - The BRIT Awards 2024
JM Enternational
Three leading names from the TV
world convened to present the
show. Making their respective BRITs
hosting debuts, Clara Amfo, Maya
Jama and Roman Kemp took to the
O2 Arena stage with aplomb, armed
with megawatt smiles and a bevy of
Rachel Jones-designed statuettes
to hand out. “The great thing
about The BRITs is that you never
know what could happen – it’s an
opportunity for beautiful chaos,”
said Clara, merely hinting at the
pandemonium that lay ahead.
On the red carpet, slick black leather
proved to be the uniform for many.
There were head-turning appearances
from Dua Lipa, Bring Me The Horizon
and CASISDEAD, before comedian
Rob Beckett rocked up in an inflatable
giraffe costume, courting laughter
within minutes of the live
broadcast commencing.
The Last Dinner Party were similarly
ones to stick their necks out, with
Abigail Morris donning a billowing
dress that read “I’m Only Here
For Your Entertainment” across its
front. Sarcasm aside, the five-piece
shared an emotional exchange with
St Vincent earlier in the day, who
presented them with their BRITs
Rising Star award. Throughout their
early career, the band have spoken
effusively of what the Oklahoma
musician’s work means to them; on
stage, guitarist Emily Roberts plays a
signature St Vincent model.
Once the glitterati had settled in
their seats and champagne corks
started to pop, it was left to Dua to
kick off proceedings. Starting her
performance suspended above the
stage, her soaring, full-bodied vocal
and high-octane choreography made
for a bombastic opening, replete with
eye-wateringly impressive acrobatics
and a populous dance troupe.
Bold and sublimely poised, Dua
offered dazzling evidence as to
why she went on to take home the
fan-voted Pop Act award, marking
her seventh BRITs win to date. “You
guys give me this radical sense of
confidence that I can do anything,”
she said in her acceptance speech,
welling up beneath a pairt of tinted
biker shades. N’aww.
The breadth of women’s dominance
continued to prove heartening.
70% of 2024’s winning acts were
either women or non-binary
people, with formidable talent to
be found among nominations all
across the board. Miley Cyrus,
quite literally, got her ‘Flowers’
by scooping International Song
Of The Year before SZA and
Boygenius also landed awards, all
appearing in video form.
Lights! Smoke cannons! Monstrous
club drops! Ellie Goulding and
Calvin Harris soon turned the night
into a mega-party, dispelling any
doubts that The BRITs can’t large it
up. Buoyed by Ellie’s ethereal upper
range, the dynamite duo performed
their chart-topping trance smash
‘Miracle’ (which spent eight weeks
at UK No.1), its anthemic choruses
making the stage burst with colour.
Gun fingers aplenty were held
aloft among the crowd before an
obscene amount of confetti brought
the song to an explosive end.
The pair set the mood for the
performances that followed. Producer
of the Year recipients Chase &
Status teamed up with dance
music don Becky Hill to deliver an
electrifying rendition of drum ‘n’ bass
barnstormer ‘Disconnect’, backed by
a Greek chorus of 30-odd ravers in
black tracksuits.
Jungle kept the energy flowing,
grooving beneath a supersized
mirrorball as sleeper hit ‘Back On 74’,
a smart, hook-packed fusion of souldisco
and pop, brought real warmth
to the O2 Arena. All of that gave us
ample opportunity to consider how
British dance music, and its many
groundbreaking subgenres, are
currently in rude health.
Away from the live theatrics, there
was an abundance of moving
winners’ speeches to embrace.
CASISDEAD made a rare public
appearance to collect his trophy
for Hip Hop/Grime/Rap Act – a
career-elevating moment for an
underground star. Fellow underdog
nominees Bring Me The Horizon
triumphed in the Rock/Alternative Act
category, indulging in an expletivefilled
speech – much to the delight
of the production team, we’re sure
– before the penny dropped. “I
don’t think you can swear. Well then,
we’re off to a good start,” exclaimed
frontman Oli Sykes, to the delight of
our giggling presenters.
There were statements to be
made by the VIP guests, too. While
Charli XCX called for a love-in
by bigging up “all the hot girls
in the place”, drag icon Bimini
Bon-Boulash spoke up for trans
76 77
Jungle perform ‘Back On 74’
Below Left: Rob Beckett brings big giraffe energy to the BRITs red carpet!
Below Right: Kylie Minogue and Roman Kemp take on the Aussie ‘shoey’ - The BRIT Awards 2024
JM Enternational
rights to a raucous response. Even
former postmistress Jo Hamilton,
alongside actor Monica Dolan
(who played Hamilton in ITV’s ‘Mr
Bates vs The Post Office’), joined
our Clara on stage to thank the
public for their support in light of
the Horizon scandal.
The moment that has truly kept
the musical conversation flowing
over the past year, however, was
RAYE’s record-breaking wins.
Having entered the show as the
artist with the most nominations,
at seven in total, the Croydon
vocalist and songwriter swept
six gongs – instantly equalling
Harry Styles, David Bowie, Phil
Collins and Oasis.
Released just 18 months after she
publicly broke ties with her former
record label, her 2023 debut ‘21st
Century Blues’ revealed an artist
with a singular vision. She accepted
the album award from Stuart
Worden, the principal of the BRIT
School where she studied and
which these prestigious awards
are named after. Performing an
achingly good megamix of singles
(from the stirring ‘Ice Cream Man’
to the Song Of The Year-winning
‘Escapism’) alongside a big band
arrangement and choir, she swiftly
brought the room to tears.
It would only be fitting, then, for this
new-gen pop icon’s celebrations to
continue with a set from one of her
heroes: the Global Icon herself, Kylie.
Having already survived a dare from
Roman – who got her to drink wine
from a shoe in the Australian “shoey”
tradition – the eternal showgirl belted
out the hits with gusto, looking
resplendent in a white dress. It made
for a joyously OTT and upbeat ending,
paired with The O2 audience getting
up and boogieing long into the
closing TV credits.
78
79
Knowledge Is Power
Hollie Geraghty
Emma Garrad
BRIT Alumnae Olivia Dean and Katie Melua
pose with Chair of Trustees Josh Berger CBE,
Principal Stuart Worden and BRIT Alumni.
By continuing to
expand the landscape
of British music, The
BRIT School – rated
‘Outstanding’ in its
latest Ofsted report
– is helping the next
generation of talent to
realise their ambitions.
“The BRIT School has special values:
be yourself, original, responsible,
inclusive, ambitious and kind,” shared
Director of Communications Alexa
Cruickshank recently. “The students I
meet daily are amazing humans.”
Those are the core principles that
helped BRIT School alumni like Amy
Winehouse, Adele, Cat Burns and so
many more to unlock their creative
potential, with new generations
of singers, actors, performers and
industry professionals coming up
through the prestigious creative arts
school’s vocational training every year.
In November 2024 HM Inspectors for
Education visited The BRIT School and
in January 2025, Ofsted announced
their report that the School had rated
‘Outstanding’ – achieving the highest
grades in all areas of inspection.
Opened in September 1991, it’s not
uncommon for former students of
the world-famous, Croydon-based
educational establishment to be
recognised in the annual BRIT Award
nominations, boasting a total of 22
wins from alumni throughout the
years. But last year was particularly
special as RAYE made BRITs history
– for both the ceremony and the
school – by scooping six trophies in
one night. It was a full circle moment
as Principal Stuart Worden presented
the South London singer with the
Mastercard Album of the Year Award.
“It was unprecedented. I don’t think
we quite believed it was happening,”
recalled Cruickshank.
Model student that she is, RAYE’s
history-making night was an inspiring
display for the crop of 1400+ hopefuls
aged 14-19 currently enrolled at her
alma mater. Amongst the hallowed
classrooms and storied music
studios, dreams can become a reality
through applied practical training,
nurturing tutors and supportive peers.
Students can specialise in one of nine
vocational strands: Applied Theatre,
Film & Media Production, Interactive
Digital Design, Dance, Music & Music
Tech, Musical Theatre, Theatre, Visual
Arts & Design/Fashion, Styling &
Textiles and Production Arts.
Last year BRIT School students
achieved their best set of results to
date, notably performing well above
national benchmarks in the number
of UAL Level 3 Extended Diploma
Distinctions achieved – a practical
qualification that allows students
to mirror what they will do in their
chosen industry. The school’s all round
academic excellence was evident in
the exceptional A Level results which
saw 88.7% achieve A* to C grades, up
10.7% from the previous year.
But there’s so much more to The BRIT
School than results, namely a dynamic
mindset that puts hard work, creativity
and a passion for the arts at the
forefront of everything they do. With a
mission to develop well-rounded, kind
and driven young people who are
equipped to chase their dreams,
their action-focused approach and
robust careers department helps set
students up for the next chapter
with individualised plans.
Goals are made all the more achievable
with exceptional facilities where
students can hone their respective
crafts; there’s two theatres, three
dance studios, a radio suite, design
and construction rooms, a makeup and
props workshop, a photography dark
room and much more. A commitment
to fostering a sustainable ethos also
remains at the forefront of everything
the school does, whether that’s
reusing the sets from previous BRITs
ceremonies or repurposing donated
clothes for costumes.
During school hours, rarely a week
goes by when esteemed guests
are not visiting to give talks to the
students, with recent highlights
including fashion designer Zandra
Rhodes, singer-songwriter and activist
Billy Bragg and actor Daniel Craig. The
school is able to offer these unrivalled
opportunities for free because of a
crucial ecosystem of funding from The
BRIT Trust and The Department for
Education. The school is supported
further by the Andrew Lloyd Webber
Foundation, Burberry, Leverhulme
Trust, Mastercard, Utley Foundation
and Warner Music UK.
The school has welcomed partnerships
from PPL, PRS For Music and Olympia
while Chair of Trustees Josh Berger
spearheaded an inaugural fundraiser
at legendary Soho jazz club Ronnie
Scott’s, where current student Sam
Wilkinson performed alongside alumni
Katie Melua and Olivia Dean.
The impact of the school is resonating
far beyond its south London postcode.
Plans are underway for a Creative and
Performing arts school in Bradford
(which is projected to open sometime
in 2026/27) after securing approval
by the government in 2023, which
will offer 500 students aged 16-19 the
opportunity to study in the creative arts.
Backed by the British Phonographic
Industry (BPI), the new venture will be
supported by Sony Music Entertainment
UK and Universal Music UK.
For those too young to realise their
BRIT dreams just yet, there’s also the
BRIT Kids weekend school which has
now expanded to locations in Kings
Cross and Canterbury. Additionally,
this year, The BRIT School brought free
creative outreach programmes to over
1,000 people in the local community
through connecting with primary and
secondary schools, vulnerable adult
groups and at-risk young people, and
hosting a BRIT Reach festival.
As The BRIT School celebrates another
year of achievements, it is still not
immune to continued cuts to arts and
the wider cost of living crisis. “We need
to keep the fundraising efforts up to
top up the shortfall between what the
government gives us to run a state
secondary school and the contribution
we receive annually from our founding
funding partners, the BRIT Trust. Our
focus is always nurturing and supporting
the young people currently studying at
the school – they are our future” shared
Cruickshank. “The UK does the arts
brilliantly. It’s such a source of pride, and
it needs to be invested in.”
Though even with its challenges,
the sky truly remains the limit for
The BRIT School. As Principal
Stuart Worden said, “We have
made uncompromising decisions
to keep students achieving the
best they can through professional
experiences, quality teaching and
a safe environment for them to
flourish. However the need for our
work is growing, and for funding to
deliver that is too.”
80
81
36 years and
£30 million later:
How The BRIT Trust
|is still changing lives
Elizabeth Aubrey
Nordoff and Robbins music therapy client Ruby
(L-R) YolanDa Brown (BPI Chair); Stuart Worden (Principal, BRIT School); Charlie Carrington (Mastercard SVP
Marketing & Comms, UKI); BRIT School music student Rafa Wringer; Tony Wadsworth (BRIT Trust Chair); BRIT School
Production Arts student Ashanti Wynter; Damian Christian (BRITs Chair/Warner Music); Jo Twist (BPI CEO)
JM Enternational
The BRITs may be the
premier Music Awards in the
UK, but few people realise
that the ceremony itself is
also a fundraising, event. A
substantial contribution raised
from The BRIT Awards goes
to The BRIT Trust, a charity
that was set up in 1989 by the
BPI representing the major UK
record companies at the time
and continues to this day.
A major financial boost for the Trust
came in 1990 when a number of
key names across the industry put
together a star-studded Knebworth
benefit concert to celebrate the 25th
anniversary of what is known as the
Silver Clef Awards, and fundraise for
a new Nordoff and Robbins Music
Therapy centre based in Kentish
Town, London. The likes of Paul
McCartney, Elton John, Dire Straits,
Jimmy Page, Robert Plant, Cliff
Richard and Pink Floyd all performed
for free. It was an extraordinary
moment. The Trust had big ambitions
and the significant sums raised from
the event allowed its aspirations
to become a reality. It was vital in
helping to build The BRIT School as
it stands today – a performing arts
establishment for students aged 14 to
19 that is free to attend that is known
and recognised around the world.
The BRIT School, named after The
BRIT Awards, is now in its 33rd year
and has benefited from more than
£14.8 million of BRIT Trust funding
over the last three decades. The
school has an impressive roster of
over 13,000 alumni, including Adele,
Leona Lewis, Loyle Carner, Olivia
Dean and RAYE.
On leaving The BRIT School, nearly
100% of students, go into higher
education and/or employment within
the creative sector and over 60% of
alumni report they are still working
in the creative industries – including
50% of those who graduated more
than 20 years ago. For those alumni
of a Global Majority heritage, that
figure increases to 67%. This makes
the school one of the UK’s greatest
educational success stories, fulfilling
its mission that the school to prepare
young people for sustainable careers
in the arts.
The work of The BRIT Trust doesn’t
stop there. Its second biggest
beneficiary is Nordoff and Robbins,
the UK’s largest music therapy charity.
While it works alongside the NHS,
it receives no NHS funding but has
benefitted from over £8.4 million in
charitable donations from the Trust.
It is a “pioneering charity” that uses
music to deliver therapy to vulnerable
people of all ages, as well as funding
research to measure and improve the
impact of its work.
Since its inception, the Trust has
awarded more than 280 grants
totalling nearly £30 million to enable
individuals from all backgrounds,
genders, ethnicities and sexualities
to fulfil their potential in the creative
industries. Key beneficiaries from
the Trust include, amongst many
establishments large and small, East
London Arts and Music (ELAM) and
Key 4 Life and Music Support – plus
dozens more. Mulika Sannie, who
is Deputy Chair of The BRIT Trust
and founder of the Black British
Entertainment Lawyers Network
(formerly the UK Black Music Lawyers
Network) commented, “I am proud
that the Trust now supports such a
wider ranging and diverse array of
charities. I wish we had even more
money to support even more. But
we welcome applications for grant
funding consistent with our mission
of ‘improving lives through the power
of music and the creative arts’ and try
and support as many as we can.”
The Trust raises many of its funds
each year from several other highprofile
events beyond The BRIT
Awards themselves. These include
the Music Industry Trusts (MITS)
dinner and the prestigious White
Label Auction, which sees record
companies donate rare white label
test pressings. In 2024, the auction
raised approximately £27,000
from pressings of albums by artists
including The Cure, Iggy Pop and
The 1975. Over five years a total of
£160,000 has been raised and the
event has plans to develop next year.
There is also financial support
for the BPI’s BRITs Apprentice
Scheme, which gives those from
underrepresented backgrounds
an opportunity to complete a
high-quality, paid placement to
help fast-track their careers. Since
its launch in 2008, it has helped
many young people achieve
permanent contracts in marketing,
administration, digital media,
business affairs, licensing and A&R.
“The work of the Trust has never been
more important,” said Chairman Tony
Wadsworth. “We all believe in the
power that music has to change lives
for the better and, in The BRIT Trust,
the music industry is able to show
how that can be put into practice
across so many areas of life and
across the whole country.”
PREVIOUS BRIT TRUST GRANT
RECIPIENTS INCLUDE THE
FOLLOWING ORGANISATIONS:
Access to Music, Arts & Kids/London,
Sinfonietta, Avenues Youth Project,
Bigga Fish, Black Arts Alliance,
Blackheath Halls, Blantyre Music Project
(Lanarkshire), British Performing Arts,
Medicine Trust, Canford Summer School,
Charterhouse in Southwark, Chicken
Shed, Community Music, Commission
for Racial Equality, Community Music
East, Dame Vera Lynn Trust, Drugscope,
ELAM, Global Rock Challenge,
Heart’n’Soul, Heathfield Community
College, Irene Taylor Trust (Music in
Prisons), Key4Life, Lenton Community
Association, LIPA, Making Music,
Mencap, Midi Music Company, Music
& Sound Experience (Wales), Music
and the Deaf, Musicians’ Benevolent
Trust, Musicians In Focus, Musicians
Union, National Foundation For Youth
Music, National Music Day, Pimlico
School, Portishead Youth, Princes’ Trust,
Raphael Walters, Release, Rock School,
Roundhouse Trust, Royal Commonwealth
Society, Save The Children, St David’s
Hall Cardiff, St Luke’s School, Terrence
Higgins Trust, Tim Macbeth Two Moors
Festival, West Lothian College, Young
Persons Concert Foundation,
Youth Music Theatre UK
82
83
IT AWARDS ACADEMY 2
ARDS ACADEMY 2025 THE B
ACADEMY 2025 THE BRIT AWAR
2025 THE BRIT AWARDS ACADEM
BRIT AWARDS ACADEMY 2025 THE
ACADEMY 2025 THE BRIT AWARDS
025 THE BRIT AWARDS ACADEMY 2
IT AWARDS ACADEMY 2025 THE BR
DEMY 2025 THE BRIT AWARDS AC
THE BRIT AWARDS ACADEMY 202
AWARDS ACADEMY 2025 THE BRIT
MY 2025 THE BRIT AWARDS ACAD
84
SET THE PACE
With a dazzling array of talent
to choose from each and
every year, compiling the
annual list of BRITs winners is
certainly no easy feat.
A vast range of tastes, insights, and
opinions must be collected in order to
reflect the wider public – a task that
is constantly increasing in its depth
and gravity as trends within the music
industry continue to evolve.
The BRIT Awards Voting Academy plays
a pivotal role in bringing this mission
statement to life. Consisting of nearly
1,400 industry figures, the Academy
is responsible for determining the
shortlists and the overall winners of the
majority of the BRIT Awards categories.
Notably, since 2017, the Academy
has undergone an annual refresh
to ensure its voting body retains
diversity across gender, ethnicity,
age, sexual orientation, disability
and neurodiversity. Data is
collected upon voter registration,
enabling The BRITs to review
Academy membership and
nomination mechanics annually.
Representation is essential
so that the Academy can
be reflective of the music
communities it services. This has
been achieved in recent years
with the assistance of BPI’s Equity
and Justice Advisory Group (EJAG).
1,338 industry figures successfully
registered to be part of the
Academy for 2025. The BRITs
work with trade associations
representing 14 sectors across the
industry, inviting press, producers,
artists, concert promoters and more
to participate in voting. These include
the Music Managers Forum (MMF), the
Music Publishers Association (MPA),
the Music Producers Guild (MPG), the
Entertainment Retailers Association
(ERA) as well as BPI members and
colleagues from the Official Charts
Company (OCC), among others.
For 2025, adjustments were made
regarding how ethnicity was captured,
and for the first time, data was
collected on East and South East
Asian representation. 26% of the
Academy members were from a
Black, Asian or ethnic minority
background, a 2% increase
ADEYEMI A ABIADE • JIM ABBISS • NEGLA ABDELA • RAMERA ABRAHAM • STEPHEN ACKROYD • SAM ADEBAYO •
ROSIE KYRKE‐SMITH • TOBY L • SUZANNE LACHAPELLE • FRANCESCA LAMAINA • MICHAEL LAMBERT •
THERESA ADEBIYI • IRENE AGBONTAEN • NAVI AHLUWALIA • ANEESA AHMED • JAMIE AHYE • GLYN AIKINS •
SAFIYA LAMBIE‐KNIGHT • MARK LAMPO • LAUREN LANDON • JEREMY LASCELLES • JAY LAWRENCE •
HELEN AINSLEY • JOHN AIZLEWOOD • BENNY AJILORE • FERNANDA AKAMINE • ANJ AKEJU • GINA AKERS •
MARSHALL LAWRENCE • REBECCA LAWRENCE • ELFIE LAWSON • WIZDOM LAYNE • KERRY LEATHAM •
GEORGE AKINS • JENNIFER AKOTO • EDDIE AL‐SHAKARCHI • DENISE ALLAN • ANNIKA ALLEN • BEN ALLEN •
JORDAN LEE • JOS LEE • TANIA LEE • BECKY LEES • MIRIAM LESSAR • CN LESTER • TOBY LEVESON • NICK LEVINE •
DUNCAN ALLEN • KATE ALLEN • REBECCA ALLEN • NICK ALLUM • CLEO AMEDUME • WILL AMERY • KEITH AMES •
MEL LEWIS • ROB LEWIS • THOMAS LEWIS • TIA LEWIS • LAURA LEWIS‐PAUL • RONNIE LEY • CHANTAL LIBARIKIAN •
CLARA AMFO • MAHALIA ANGLIN • BOB ANGUS • HOLLY APPLETON • DIVA APPRENTICESHIPS • IAIN ARCHER •
HELEN LIGHTWALLA‐REES • ANTONIA LINES • DUA LIPA • DANIEL LISTER • STUART LITTLEWOOD •
MORENIKE ARIYIBI • CHARLIE ARME • DENNIS ARNOLD • NIHAL ARTHANAYAKE • JANE ARTHY • CORBYN ASBURY •
LOTTIE LLEWELLYN • SARAH LOCKHART • NICK LONG • PAULETTE LONG • STEVE LONG • THOMAS LONGWORTH •
HARI ASHURST‐VENN • KIRA ASHWIN • BRAD ASPESS • ELLA ATCHESON • RUBY ATKIN • NICK ATKINSON •
JESS LORD • LAURA LUKANZ • SAM LUNN • JACOB LUSK • MERVYN LYN • DORIAN LYNSKEY • L M STONHILL •
ELIZABETH AUBREY • CHRIS AUSTIN • PHILIPPA AYLOTT • REBECCA AYRES • JAMAAL BABB • RACHEL BABBAGE •
LAURA MAC CARTHY • MAKESHA MACFARLANE • SAM MACGREGOR • AVRIL MACKINTOSH • TOM MACKLIN •
ELLIE BACON • OLIVIA BADER • JONATHAN BADYAL • HAMISH BAILEY • VICK BAIN • ALEX BAKER •
GRACEY MAE • SHANNON MAHANTY • JOSHUA MAINNIE • TIM MAJOR • IMRAN MALIK • PAUL MALONE •
VANESSA BAKEWELL • GARY BALES • PASCAL BALLETTI • DAVID BALLS • DHRUVA BALRAM • CICELY BALSTON •
COLLEEN MALONEY • JO MALTHOUSE • DAVID MANDERS • MABEL MANN • MANDEEP MANN • HAYLEY MARCHANT •
MICHAEL BANBROOK • KATIE BAPTIE • JOSEPH BARBE • CHARLOTTE BARBER • JAY BARBOUR • ADAM BARKER •
OLIVIA MARKS • JOHN MARSHALL • JULIAN MARSHALL • KORDA MARSHALL • RICKY MARSHALL • ALEX MARTIN •
RUTH BARLOW • STEVE BARNES • ANNETTE BARRETT • JAMES BARTLETT • ELLIE BATE • DUSTY BAXTER‐WRIGHT •
STEPH MARZIANO • DAISY MASKELL • GUY MASSEY • SARAH MATTHEWS • OLIVIA MATTHIAS •
KIM BAYLEY • ALICE BEAL • WILL BEARDMORE • BEN BEAUMONT‐THOMAS • ANGELA BECKER • JANE BEESE •
TAPONESWA MAVUNGA • BEN MAWSON • AMANDA MAXWELL • BENEDICT MAXWELL • LIZZIE MAYLAND •
NATHAN BELIEVE • JEFF BELL • SHIARRA BELL • STUART BELL • SYBIL BELL • CHRIS BELLAM • Y BELLO •
SIOFRA MC COMB • IAN MCANDREW • ABBIE MCCARTHY • JAMES MCCAUL • MIKE MCCORMACK •
NAOMI BELSHAW • CANNELLE BENCHERQI • JIM BENNER • XAVIER BENOIT • NATASHA BENT •
KATH MCDERMOTT • JACK MCDONALD • HELENA MCGEOUGH • WILL MCGILLIVRAY • CATE MCGIVERN •
STEPHEN BENTINCK BUDD • JESSE BERNARD • ROZEENA BERNARD • MARIT BERNING • HAZEL BERRY •
KENNETH MCGOFF • MARY MCGOVERN • JAMES MCGUINNESS • TOM MCGUINNESS • RACHEL MCHALROY •
TOM BERRY • ELLIE BEST • DANNY BETESH • KELLY BETTS • BISHI BHATTACHARYA • NATASHA BILLING •
CLARE MCKINNEY (WHITLOCK) • ALICE MCLEAN • CRAIG MCLEAN • PADDY MCLEAN • HANNAH MCMICHAEL •
ADRIAN BINNS • ELIZABETH BIRCH • DANIEL BIRD • RAY BLACK • LUCY BLAIR • OLIVIA BLAIR • JOE BLAMEY •
KIM MCNALLY‐LUKE • GUY MCNAMARA • IAIN MCNAY • MOLLY MCNULTY • NOREEN MCSHANE •
RIC BLAXILL • LOUIS BLOOM • WILLIAM BLOOMFIELD • ED BLOW • EDD BLOWER • MAUREEN BLUM •
MELISSA MEADOWS • MICK MEADOWS • JOCELYN MEEK • LIANA MELLOTTE • SASKHIA MENENDEZ •
ALEC BOATENG • KEVIN BOATENG • LISA‐MARIE BOATENG • WHITNEY BOATENG • ERICA BONE •
JENNY MENSAH • THEA MERCADO • ADAM MERRETT • ARIANNE MERRY • ANNA‐SOPHIE MERTENS •
MICHAEL BONNER • KYARAH BOON • EMILY BOOTLE • JAMES BORRER • VANESSA BOSAEN • RAMIN BOSTAN •
MICHAEL MICHEL • TIM MILES • RACHEL MILLAR • SAUL MILTON • ALEX MITCHAM • CHINWE MLEMCHUKWU •
SUMIT BOTHRA • REBECCA BOULTON • ZAK BOUMLAKI • LAURIE LEE BOUTET • LAURA BOWER • ANDREW BOWLES •
BECCA MONAHAN • PHIL MONGREDIEN • LAURA MONKS • JAMES MOODIE • DEIRDRE MORAN • MOLLY MORAN •
EDITH BOWMAN • HELEN BOWNASS • LEYTON BRACEGIRDLE • JADE BRADSHAW • STEVEN BRAINES • ROB BRAY •
SIMON JAMES MORAN • AMY MORGAN • JACK MORLEN • CARLENE MORLESE • ABIGAIL MORRIS •
JONNY BREAKWELL • FRED BRETT • WOZZY BREWSTER, OBE FRSA • AMALIE BRIDEN • PAUL BRIDGEWATER •
BRADLEY MORRISON • BEN MORTIMER • LUKE MORTON • CATHERINE MOUTRAN • MAGGIE MOUZAKITIS •
KATE BRIGGS‐PRICE • ELLA BROADHURST‐WILSON • SHANAE BROOKS • SHARON BROOKS • LAURA BROSNAN •
ZOE MULLORD • RUBY MULRAINE • PARIS MUNRO • ALI MURPHY • COLLEEN MURPHY • CONRAD MURRAY •
THEO BROUGHTON • ALAN BROWN • SARAH BROWN • YOLANDA BROWN • MICHAELA BROWNE •
LISA MURRAY • SAM MURRAY • TOYIN MUSTAPHA • NICK MYERS • HANNAH MYLREA • LIZO MZIMBA • MISTAJAM •
DANNI BROWNSILL • DAVID BRYAN • L BUCHAN • ELISA BUFFET • RUTH BUJACK • JENNIFER BULCRAIG •
JAMILA NABUKEERA • SHIKAYLA NADINE • KIRAN NANDRA • NINA NANNAR • JASON NASH • MELISSA NATHOO •
JESSIE BULL • MANON BURFIELD • ALEX BURFORD • PAUL BURGER • REMI BURGZ • MAHALIA BURKMAR •
ALISTAIR NEALE • ADAM NEALON • VICTORIA NEEDS • MICHAEL NEIDUS • ROBBIE NELSON • LEANNA NEOFITOU •
ROB BURN • SOPHIA BURN • RIVCA BURNS • BEN BURRELL • STEVEN BURRELL • TOM BURROW • FLEUR BUTLER •
LEON NEVILLE • PIP NEWBY • RYAN NEWMAN • JASON NGIMBI • JULIAN NICCOANNAN • SAMUEL NICHOLLS •
CHRIS BYE • ROSIE BYERS • CLARE BYRNE • NIAMH BYRNE • YASMINE BYRNE • JAMES CABOOTER •
TOM NICOLI • JOSH NICOLL • KARL NIELSON • AURORA NISHEVCI • DAN NOBLE • ALISTAIR NORBURY •
MELANIE CAGER • JORDAN CALVER‐MOISE • OLIVER CAMERON • JESSICA CAMILLERI • JODIE CAMMIDGE •
NICHOLA NTIM • MILLI NUCKCHADY • DAN O’CONNELL • ROISIN O’CONNOR • MADELEINE O’GORMAN •
STUART CAMP • CHALA CAMPBELL • JOEL CAMPBELL • BEN CANTOPHER • GRACE CAPALDI • DAISY CARBERRY •
DERMOT O’LEARY • GRACE O’NEILL • ROSS O’WATSON • HANNAH OBADIAH • RICHARD OBIALOR • JAMIE OBORNE •
HENRY CARDEN • ADAM CARDEW • IAN CAREW • COLETTE CAREY • AJANI CARO • ELOISE CARR • PAT CARR •
MEENAL ODEDRA • SARA OGBAB • ANU OGUNSEYE‐BABAJIDE • TOBI OLADIGBOLU • MJ OLAORE •
SHANNON CARRAGHER • ANDRE CARROLL • JESSICA CARSEN • ADRIAN CARTER • DAISY CARTER •
FEMI OLASEHINDE • SINEAD OLDNALL • ISH OLOKUNBOLA • STORMZY OMARI • ASHANTI OMKAR •
AOIFE CARTON • GENNARO CASTALDO • ALLAN CATLIN • JOHN CATTINI • KNACAI CERESMCLEOD •
TOBI OMOLOJA • PRECIOUS OMOREGIE • ESTA ORAM • GABBY ORLEANS‐LINDSAY • BISOLA OTUN • NICKIE OWEN •
PARIS CESVETTE • HANNAH CHADWICK • DAN CHAMBERS • SARAH CHAMPION • JAMES CHANCELLOR •
STEVE OWEN • YAW OWUSU • MICHAEL OYEDIRAN • MEGAN PAGE • RACHAEL PALEY • SAM PALM • JULIAN PALMER •
ANDY CHANDLER • MATTHEW CHARBONNEAU • JO CHARRINGTON • SHENIECE CHARWAY • FUZZ CHAUDHREY •
ANNA PAPASAVVA • RICHARD PARK • GEORGE PARKER • JO PARKERSON • DIPESH PARMAR • RUTH PARRISH •
LISA CHEUNG • RACHAEL CHINERY • NEIL CHIVERS • DAMIAN CHRISTIAN • KEVIN CHRISTIAN‐BLAIR •
STEFANIA PASSAMONTE • COLIN PATERSON • JAMES PATERSON • JOSEPH PATTERSON • MALAKI PATTERSON •
ROSIE CHURCH • ROB CHUTE • ANDREW CLARK • FIONA CLARK • NATHAN CLARK • NICK CLARK • RICH CLARKE •
ANDREA PATTICO • TOM PAUL • LAUREN PAVAN • CAIUS PAWSON • CHLOE PEAN • ED PEARSON • HATTIE PEARSON •
JANE CLEMETSON • BEN COATES • ELISE COBAIN • TED COCKLE • ARIEL COHEN • JOSHUA COHEN •
JADE PEARSON • SARAH PEARSON • MONIQUE PENNIE • JACK PEPPER • WARRICK PERCY • ANDREW PERRY •
ANNABELLA COLDRICK • NADIA COLE • RUTH COLLETT • HARRIET COLLINS • HANNAH COLSON • NEIL COMBER •
JASON PERRY • JONATHAN PERRY • CAMILLA PIA • DAVID PICHILINGI • RACHEL PICKNEY • ANU PILLAI •
NICOLA CONNAL • DARINA CONNOLLY • PHILIP CONNOLLY • LIAM CONROY • CHRIS COOKE • JAX COOMBES •
SHAHNA PINNOCK • STEVE PITRON • POPPIE PLATT • DANIEL POKU • JAMES POLE • DAVE POLLOCK • ALAN POLO •
DAVE COOPER • HOWARD CORNER • JOHN CORNWELL • RAYE COSBERT • SIMON COSYNS • MATT CRABB •
DAPHNE POON • JEROME PORRITT • ED POTTON • SAM POTTS • LISA POWER • BEN PRICE • FAY PRITCHARD •
MICHAEL CRAGG • CAMERON CRAIG • PAUL CRAIG • LESLEY CRAWFORD • CHRIS CRELLIN • MAX CRESWELL •
COOKIE PRYCE • MOHAMMAD QAZALBASH • PETER QUICKE • ARUSA QURESHI • MADELINE RADCLIFF •
CAROLINE CRICK • ALEX CRITCHLEY • TOM CRITTEN • LILY CROCKFORD • PREYE CROOKS • GEMMA CROPPER •
MARK RADCLIFFE • ASHLEIGH M RAINBIRD • MARK RALPH • CAROLINE RASTIN • ANISHA RATAN •
ADELE CROSS • MAGGIE CROWE • ROB CRUTCHLEY • BENJ CULLEN • CAROLINE CULLEN • LISA CULLINGTON •
ABBEY RAYMONDE • ALICE RAZACK • JAMES REA • ADAM READ • REBECCA REES • PAUL REEVE •
ROSIE CUMBERLIDGE • BENEDICT CURRAN • CARRIE CURTIS • ROBERT D’OVIDIO • SHAURAV D’SILVA •
LEWIS REEVES • BRIAN REGAN • NICK REILLY • DAVID RENSHAW • ANNIE REW SHAW • DAMARIS REXTAYLOR •
SHAAD D’SOUZA • AJ DA COSTA • AUSTIN DABOH • LUCY DACUS • PETER DALTON • RHIAN DALY •
HALINA RICE • ROBIN RICHARDS • STEPHEN RICHARDS • WILL RICHARDS • EMILY RICHARDSON •
CHARLOTTE DAMAN WILLEMS • SHAMUS DAMANI • SAM DAMSHENAS • LOUIS DANCKWERTS • RISHI DAVDA •
JADE RICHARDSON • TONY RIGG • NIKKI RIGGON • MATT RILEY • SHARON RILEY • BEN RIMMER •
JACKIE DAVIDSON • ANDREW DAVIES • CATHERINE ANNE DAVIES • CIAN DAVIES • HOWELL DAVIES •
SHARLOTTE RITCHIE • JUDITH RIVERS • CHLOE ROBERTS • DAN ROBERTS • JONAS ROBERTS •
OWAIN DAVIES • SALLY DAVIES • AMBER DAVIS • REBECCA DAVISON • RICHARD DAWES • ALAN DAY •
MARTIN ROBERTS • NATHAN ROBERTS • PAUL ROBERTS • MARC ROBINSON • MICHAEL ROBINSON •
CHARLOTTE DE BURGH‐HOLDER • GIUSEPPE DE CRISTOFANO • MICHAEL DE LEMOS • HELEN DEAKIN •
PETER ROBINSON • JAZZ ROCKET • CALEB RODE • CATHERINE ROE • GEORGIE ROGERS •
CHARLIE DEAKIN‐DAVIES • JONATHAN DEAN • CICELIA DEANE • MARTIN DELL • TIM DELLOW • CHRIS DEMPSEY •
SIMON ROLLINSON • ROBERT RONALDSON • KERRI‐ANN ROPER • HARRIET ROSE • SAM ROSENTHAL •
CONOR DEMPSEY • SAM DENNISTON • SARAH DESMOND • MANASVI DETHEKAR • MARTA DI NOZZI •
LAUREN ROTH DE WOLF • MEL ROUND • WILL ROWE PARR • HENRIETTA ROWLATT • DAVE ROWNTREE •
NGOZI DIAMOND • LIZZIE DICKSON • DANNI DISTON • CASSO DJ • CAROLINE DOLLLIMORE • ANNETTE DONNELLY •
LIAM RUDDEN • ELLIE RUMBOLD • MATTHEW RUMBOLD • TEMI SALAU • MANDI SALERNO •
JASMINE DOTIWALA • JOE DOUGAN • NICHOLAS DOUGLAS • CATHERINE DOWIE • RYAN DRAPER •
BROOKE SALISBURY • DAVE SALMON • MARTA SALOGNI • TARA SAMAHA • DON SAMKANGE •
CHRISTIE DRIVER‐SNELL • CHARLOTTE DRYDEN • ANYA DU SAUZAY • JACK DUCKWORTH • DIAMOND DUGGAL •
DARI SAMUELS • PAUL SAMUELS • GEMMA SAMWAYS • CLARE SANDERS‐WRIGHT •
BRADLEY DUGGAN • BEN DUKE • ANTHONY DUNNING • LIBERTY DUNWORTH • BEN DURLING •
JULIE SANDRIN • NICOLA SAUL • JOHN SAUNDERSON • MARK SAVAGE • NEIL SAXBY •
IAN DUTT • SANDY DWORNIAK • DANIEL EALAM • FLOSSIE EASTHOPE • CHARLOTTE EDGEWORTH •
CHARLOTTE SAXE • ALEX SAYERS • PAUL SCAIFE • GIANCARLO SCARAMPI •
KAREN EDWARDS • SHANICE EDWARDS • ZOE EDWARDS • HANNAH EGE • ANIEFIOK EKPOUDOM •
SARAH SCARDILLI • COLIN SCHAVERIEN • BLANCA SCHOFIELD • AMELIA SCIVIER •
YASIN EL ASHRAFI • JESS ELDRIDGE • JULIE ELDRIDGE • SAM ELDRIDGE • SIAN ELERI • ELLIE ELLIE •
BECCI SCOTCHER • CHRIS SCOTT • DUNCAN SCOTT • JAMILA SCOTT • JUSSY SCOTT •
ELAINE ELLIS • GEOFF ELLIS • SOPHIE ELLIS • SAM ELLWOOD • ROBYN ELTON • EMMA ELWOOD •
KOMALI SCOTT‐JONES • LYLE SCOUGALL • DUNCAN SEAMAN • HELEN SEARLE •
KITTY EMPIRE • GEORGE ERGATOUDIS • KATE ETTERIDGE • ANDREA EUELL • NINA EVANS •
NINA SEBASTIANE • MHAIRI SEDGWICK • REE SEEWELL • ELENA SEGAL • MIKA SELLENS •
POPPY EVANS • RUSS EVANS • MYVANWY EVANS‐DAVIS • PIPPA EVERS • JULIE EYRE • NICOLA FAHEY •
DJ SEMTEX • MARCO SENSI • AMY SERGEANT • SARA SESARDIC • NICHAL SETHI •
STEFANIE FALEO • JESLEY FANTOLGO • CELIA FARAY‐GIESKES • COLIN FARQUHAR •
SAMANTHA SEWELL • TALIA SHABATAI • RISHI SHAH • SHAHESTA SHAITLY •
JOSIE FAULKNER • MATT FINCHAM • MARK FINDLAY • CAITLIN FINE • KIERA FINN‐OLUONYE •
CRAIG SHARDLOW • SANDEEP SHARMA (DJ LIMELIGHT) • DAVID SHARPE • LUCY SHAW •
DEREK FISCHER • ZOE FITZGERALD • LEE FLETCHER • LUCY FLETCHER • PAUL FLETCHER •
PAUL SHEEHAN • SALEEM SHEIKH • LISA SHENTON • ADAM SHERWIN • SHUTA SHINODA •
CLIFF FLUET • LUKE FLYNN • SAM FLYNN • MATTHEW FOGG • SIMON FORBES • STUART FORBES •
HIROKI SHIRASUKA • JOSH SHREEVE • KAREN SIBINDI • SHEEMA SIDDIQI • BETH SIDWELL •
LUCY FORD • EAMONN FORDE • JAMES FOSTER • MEL FOX • LIZ FOX‐RICE • EMIL FRANCHI •
SARA SILVER • CRAIG SILVEY • MORGAN SIMES • NICHOLAS SIMMONDS • PETER SIMMONS •
FRANCINE FRANCOIS • CHRIS FRASER • TOMAS FRASER • JOEL FREEMAN • JULIAN FRENCH •
SEBASTIAN SIMONE • DAVE SIMPSON • LAURA SINCLAIR • VIKI SINDEN • CLAIRE SINGERS •
KATE FRENCH‐MORRIS • AMY FRENCHUM • ALICE FROST • JORDAN FROST‐HODSON • JACK FRYER •
LISA SKEPPNER • ANDY SKINNER • ROTIMI SKYERS • MARIA SLEIGHT • CLAIRE SLEVIN •
LUCY FULFORD • KEIR FULLERTON • IONA FYFE • GEORGIA GAGAN • STUART GALBRAITH •
ADAM SLOUGH • DAN SMEE • PAUL SMERNICKI • ALASTAIR SMITH • CAROLE SMITH •
SCOTT GAMBLE • JOE GAMMON • TOM GANE • JORGE MARIO GARCIA CAMARGO •
CHARLIE SMITH • CHRISTIAN SMITH • JAY SMITH • JEFF SMITH • JENVNIFER SMITH •
GEORGE GARNER • ISABEL GARVEY • ROSS GAUTREAU • CHRISTINE GEISSMAR • DAN GENNOE •
MADELINE SMITH • MICHAEL SMITH • PATRICK SMITH • PHILIP SMITH • SEB SMITH • THOMAS SMITH •
IAN GEORGE • HOLLIE GERAGHTY • MARTIN GHRABIE • BERTIE GIBBON • OSCAR GIBSON •
TRINA SMITH • CHARLOTTE SMITH‐OATES • CHARLEY SNOOK • EMMA SNOOK • STE SOFTLEY •
PAT GILBERT • ELLIE GILES • NAOMI GILLIES • FIONA GILLOTT • INDIA GILMORE • LESLIE GILOTTI •
KATE SOLOMON • EUNU SONG • DAVID SONUBI • HEATHER SPENCER • SAM SPENCER •
CHARLIE GIRLING • MARCO GIULIANI • FIONA GLADSTONE • EDWARD GLEAVE • SOPHIE GLYNNE •
CARA SPIRO • NICOLA SPOKES • HANA STADDON • DICKON STAINER • CAMERON STANTON •
PHOEBE GOLD • SHANI GONZALES • ROYSTON GOODEN • NATHAN GOODMAN • LIZ GOODWIN •
FIONNUALA STARKS • RICHARD STEEL • WILLIAM STEVENS • LASHAWNA STEWART •
RICH GOODWIN • FRANCINE GORMAN • JAKE GOSLING • CARINA GRACE • CASSANDRA GRACEY •
TOM STICHBURY • HARRISON STOCK • KATIE STRACHAN • CHRIS STRAW • GEORGIA STRAWSON •
LEONA GRAHAM • CHAR GRANT • HILARY GRANT • KIRSTEN GRANT • JON GRAY • ANDREW GRAYS •
CLAIRE STURGESS • JADE STYLE • CAROLINE SULLIVAN • KEMI SULOLA • FORENAME SURNAME •
ANGELA GRECH • ASHLIE GREEN • JAMES GREEN • JONATHAN GREEN • JENNIFER GREENE •
MARK SUTHERLAND • EMMA SWANN • VICKI SWEENEY • TAYLOR SWIFT • PAUL SYLVESTER •
EMMA GREENGRASS • JACK GREENGRASS • DAISY GREENHEAD • DOUGLAS GREENWOOD •
SARA TABAR • PHILIP TAGGART • JASMINE TAKHAR • MARTIN TALBOT • AMMO TALWAR •
CLAIRE GREGORY • CRAIG GRIEVE • ALEX GRIFFIN • YVETTE GRIFFITH • GEORGE GRIFFITHS •
CHRIS TAMS • STACEY TANG • ANDREW TANSEY • ALI TANT • MAZIN TAPPUNI • MATT TASKER •
VICTORIA GROSVENOR • SANTANA GUEROT • PAUL GUIMARAES • CHARLOTTE GUNN • JOSH GUNSTON •
KATIE TAVINI • ELLIOT TAYLOR • GEOFF TAYLOR • KAREN TAYLOR TAYLOR • MATT TAYLOR •
ZARA GURRA • KAREN GWEE • JO GWYNNE • CLAIRE HAFFENDEN • MARK HAGEN • TIGER HAGINO REID •
PETER TAYLOR • PIPPA TAYLOR • SAMANTHA TAYLOR • TINEA TAYLOR • CARMELIA TCHOUA •
ROB HALLETT • STEPHEN HALLOWES • ELEANOR HALLS • CLAIRE HAMILTON • DION HAMILTON •
HONOR TEIDEMAN • LUKE TEMPLE • SUNTA TEMPLETON • HANNAH TERRY • KATIE TETLEY •
ROSS HAMPL • LAURA HAND • RICHARD HANNAN • KAMRAN HAQ • NIGEL HARDING • RACHAEL HARDMAN •
BECKY THOMAS • BEE THOMAS • DOM THOMAS • EVIE THOMAS • GEORGE THOMAS •
JACK HARDWICK • TONY HARLOW • ADAM HARRIS • ALEX HARRIS • PRU HARRIS • REMI HARRIS •
JEN THOMAS • LAVIEA THOMAS • CIARA THOMPSON • CLARE THOMPSON • TOM THOROGOOD •
TRENTON HARRISON‐LEWIS • ALEX HART • MOLLY HART • ANNA HARVEY • KERRY HARVEY‐PIPER •
ADRIAN THRILLS • SARAH THWAITES • STEVEN TILLEY • BRENT TOBIN • ROB TOBIN • MARIA TORRES •
RICHARD HASWELL • PAUL HAWKINS • ROBERT HAWKINS • KATIE HAWTHORNE • MARK HAYTON •
MIKE TOWNSEND • TOM TRAVIS • ANDREW TRENDELL • ILARIA TRIFOGLIO • ANDREA TRIPODI •
CHARLIE HEDGES • CHRIS HELSEN • SALLY HERBERT • RONNIE HEREL • PHIL HEYES • LUCY HEYMAN •
ADAM TUDHOPE • ELIZABETH TURNBULL • BRIONY TURNER • KATHLEEN TURNER • HUGO TURQUET •
LOUISE HIGGINS • MARK HIGGINS • PERDI HIGGS • JAKE HILLS • OLIVIA HOBBS • ALYX HOLCOMBE •
JO TWIST • KATHARINA (TERRY) TYLDESLEY • NICOLAS TYRELL SCOTT • BENSON UDIA •
RACHEL HOLMBERG • STEVE HOMER • OMARI HOPE • EVE HORNE • PATRICK HOUGH • NIGEL HOUSE •
CLAIRE UMNEY • GEORGINA UPTON • DINA VAN DER ELST • ANDY VARLEY • NINA VASU •
SAORLA HOUSTON • DANNY HOWARD • ED HOWARD • ALISON HOWE • PATRICK HOWE •
ADAM VELASCO • DAVID VENTURA • ALAIN VERHAVE • EDIE VERNOL • PHIL VERNOL • LISA VERRICO •
SILAS HOWISON‐WAUGHRAY • GREG HUGHES • KEVIN HUGHES • PATRICK HUGHES • SOPHIA HUMPHREYS •
GOODNESS VICTOR • INDY VIDYALANKARA • MATT VINES • RUPINDER VIRDEE • JESSICA VOLTAIRE •
WILL HUNT • ERIC HUNTER • OLIVER HUNTER • RYAN HUNTER • GEORGIA HURRELL • LAUREN HUTCHINSON •
NATALIE WADE • DAN WAITE • SUZY WALBY • TRAVIS WALBY • BEN WALKER • CHRIS WALKER •
REBECCA HUTCHINSON • TOM HUTTON • JACKIE HYDE • ISAAC SAMUEL HYMAN • JOE IDDISON •
ALEX WALL • SARAH WALL • ANDREW WALSH • MIKE WALSH • NIALL WALSH •
JASON ILEY • CHRISTINA INCOCCIATI • DANNY INGHAM • JANINE IRONS • OLI ISAACS • CAS ISDEAD •
SARAH WARBURTON‐JONES • SIMON WARD • JESSIE WARE • JOY WARMANN • JASON WARNER •
JESS ISZATT • JENNIFER IVORY • CHI CHI IZUNDU • DEAN JACKSON • LOUISE JACKSON • HEIDI JACOB •
RACHEL WATERS • JOS WATKIN • MICHAEL WATSON • HELEN WEATHERHEAD • WWWSELINA WEBB •
JAMES JACOB • OLIVER JACOBS • BETHAN JAMES • DELLESSA JAMES • LEWIS JAMIESON • NATALIE JAMIESON •
ALASTAIR WEBBER • AMY WEBBER • EMILY WEBBER • LEANNE WEBSTER • SELINA WEDDERBURN •
SARAH JAMIESON • NIM JANI • DAISY JARRETT • PRIYA JASPAL • JORDAN JAY • EMILY JEFFERY • LIZ JEFFERY •
JULIE WEIR • GREGORY WELLS • LIBBY WHITE • RICHARD WHITE • KIARON WHITEHEAD •
JOSH JENNINGS • SEJ JHEETA • SHABS JOBANPUTRA • TIA JOHNSON • PHIL JONES • SAMMY JONES •
MATTHEW WHITEHOUSE • AUBREY WHITFIELD • LU WHITING • JORDAN WHITMORE • HIDE WHONE •
SIMON JONES • SOPHIE JONES • MARK JORDAN • NIALL JORDAN • ANGELLE JOSEPH • CHANTE JOSEPH •
DENYS WILCOX • WILL WILKIN • DAVID WILKINSON • MATT WILKINSON • STEPH WILKINSON •
TARA JOSHI • NATALIE JUDGE • HILARY JUMA • CHARLOTTE KAIN • MAYA KALEV • AMMAR KALIA •
EMMA WILLIAMS • GEORGE WILLIAMS • HOLLY WILLIAMS • KYANN‐SIAN WILLIAMS •
JOANNA KALLI • EMMA KAMEN • JESS KANGALEE • AABID KANJI • ANNA KARATZIVA • TRACEY KASONGO •
NAOMI WILLIAMS • NICOLE WILLIAMS • SOPHIE WILLIAMS • HAILEY WILLINGTON •
JASON KAVUMA • ALEX KEAGUE‐DAVIES • JAMES KEITH • RAFI KELION • JENNIFER ANN KELLER •
GEORGIE WILLMORE • LIBERTY WILSON • PETE WILSON • STEPHEN WILSON • PHIL WITTS •
EMMA KELLY • ERIN KELLY • SOPHIE KENNARD • WILL KENNARD • ADAM KENNEDY • ALEX KENNEDY •
CHRIS WOO • LUCY WOOD • SALLY WOOD • HANNA WOODSIDE • MATTHEW WOOLLISCROFT •
SHINA KENOGBON • EMILY KENT • JOE KENTISH • JENNIFER KEOGH • BEN KERR • ALIM KHERAJ •
LOUISE WOOLSEY • BOB WORKMAN • THOM WRAFTER • DOUG WRIGHT • KATE WRIGHT •
TOM KIEHL • JULIA KILLER • SUMMER KIM • RUPERT KING • TOM KING • CRAIG KINNEAR •
LISA WRIGHT • LAUREN WYATT • KATE WYN JONES • SAM WYNN •
JONATHAN KLEIN • SERIOJA KOHLI • OLIVIA KOLO • NAMINA KOROMA • LOUISE KOVACS •
ANTHEA (XTRA MILE RECORDINGS) • KIERAN YEATES • EUGENE YEMELIN •
LAUREN KREISLER • DAYALAN KULENDRAN • EMMA KWAKYE • KWAME KWATEN • RODNEY KYEI •
TOM YOUNG • LISA YOUNG IN • PHIL YOUNGMAN • IAN YOUNGS.
compared to 2024. 11% identified as
Black, 4% identified as South Asian, 1%
identified as East and South East Asian,
9% identified as having mixed heritage
or multiple ethnicities and 1% selected
‘Any Other Ethnic Background’. 69% of
the voting Academy identified as White.
5% preferred not to say.
Elsewhere, 49% of the survey
respondents identified as female/
woman, with 46% as male/man, 1%
identifying as non-binary and 1%
preferring to self describe. 3%
preferred not to say.
73% identified as Heterosexual/Straight.
5% identified as a Gay Man, 5% identified
as Bisexual, 3% identified as Queer, 2%
identified as a Gay Woman/Lesbian and
2% identified Pansexual, Questioning or
Preferring to Self-describe.
11% preferred not to say.
Moving onto age demographics, 29%
of those registered were aged 25-34
(up from 27% in 2024), with 34% aged
35-44 (up from 29%). 20% were aged
45-44, 9% were aged 55-64, 2%
were 65+ and 1% were 18-24.
2% preferred not to say.
The survey also saw an increase
in response to questions related
to disability and neurodiversity. 5% of
the 2025 Academy considered
themselves disabled (up 2%),
while 4% preferred not to say.
In addition, 14% identified as
neurodivergent (up 4%)
while 8% preferred not to say.
The Academy, and the voting
process, is overseen by Civica
Election Services. “We continue to
deepen our understanding of how to
ensure a representative BRITs Voting
Academy, which is now consistently
more diverse and inclusive,” said Dr
Jo Twist (CEO of the BPI) and YolanDa
Brown (Chair of the BPI) in a statement.
“It’s encouraging to see the number
of Academy members selecting
‘prefer not to say’ has significantly
decreased across all questions,
suggesting they appreciate the
importance of BRITs diversity
monitoring. There is always more
to do, but we continue to listen,
learn and evolve as an Awards
after every BRITs and we thank the
academy voters for their support
and expertise.”
Thank you to all those who accepted
the invitation to have their voice
heard as part of the BRIT Awards
Voting Academy 2025.
HE BRIT AWARDS ACADEMY 2025 T
ARDS ACADEMY 2025 THE BRIT AW
2025 THE BRIT AWARDS ACADEM
BRIT AWARDS ACADEMY 2025 THE
DS ACADEMY 2025 THE BRIT AW
025 THE BRIT AWARDS ACAD
IT AWARDS ACADEMY 20
ACADEMY 2025 TH
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EMBRACING THE GREEN PATH
The BRIT Awards 2025 with Mastercard establishes
its blueprint for the future of sustainable live music
Each year, The BRITs have
continued to make pledges
in service of the planet. As
the biggest night in the UK
music calendar, it has a unique
platform to inspire change on
an international scale.
The escalating climate crisis has been
a defining concern of this past decade,
and The BRITs’ long-term vision is to
give the issue the sustained attention
and prominence it demands - aiming to
make each ceremony more sustainable
than the last, while also amplifying
expert voices from across the worlds
of climate action and sustainability,
and implementing sustainable best
practices across the show
To do this, The BRITs team up with a
plethora of forward-thinking action
groups. For more than a decade, the
awards have worked with not-for-profit
organisation Julie’s Bicycle to calculate
the ceremony’s carbon output and
provide training sessions to stage
and trophy design teams on creative
decision-making. Another long-standing
partner has been Life Water, who have
helped The BRITs to minimise the use of
single-use plastics since 2013.
The commitment goes beyond the
night itself, too. In 2024, The BRITs and
Music Declares Emergency partnered
to launch a call to action for the global
NO MUSIC ON A DEAD PLANET
campaign. Fans remain at the heart of
this movement, and are encouraged
to volunteer at iconic music events to
spread the word, with the chance to
win great prizes.
Elsewhere, last year also saw The BRITs
introduce a significant new initiative in
order to further green their operations.
Guests arriving at the O2 were asked
to fill in a short survey to help track
the emissions generated by audience
travel, the single biggest contributor to
emissions. This information was then
shared with members and partners to
inform sustainable travel policies across
the wider industry.
Data will be gathered tonight (March
1st) for the second year running. Going
forward, The BRITs will strive to optimise
deliveries, reduce total vehicle numbers,
and further encourage audience
members to carpool or use public and
low-emission modes of transport.
By committing to lead by example,
The BRITs continually review, innovate
and adapt to deliver the awards’
sustainability goals. Targets for 2025’s
ceremony include minimising the
use of virgin fossil fuels for trophies,
accreditation and merchandise;
reducing plastic use for branding; and
continuing to use only digital tickets
Other initiatives ongoing for 2025 to
make The BRITs create a sustainable
event for years to come include:
• Climate literacy is key. Training
has been made available
to a core team of BRITs
partners, decision-makers,
designers and department
leads. The production team
has undertaken sustainable
production training.
• The O2 is electrifying its vehicle
fleets, including forklifts.
• All meat and cheese at the
event is British; the cow’s milk
is organic; vegetables are UKsourced
and seasonal. Food
waste, meanwhile, is to be
minimised and separated so it all
goes to anaerobic digestion.
• The BRITs have requested that
no single-use plastic bottles,
tobacco products, single-use
smoking implements and items
in non-recyclable or non-reusable
packaging are sold at the O2
during the event.
• Over 10,000 crew meals are
cooked during the show prep
and de-rig. For the first time,
gas will not be used to cook
these meals, and caterers will
be able to plug straight into the
O2’s renewable electricity.
86
RAYE - The BRIT Awards 2024
JM Enternational 87
HEADLINE SPONSOR
Proud to be the official caterer
TO THE BRIT AWARDS 2025
Payne & Gunter are consummate professionals when it
comes to quality catering. Since 1786, we’ve been crafting our
recipe for making events and spaces come to life through
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We’re here to bring delectable, sustainably-sourced food and
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P&G - Brits Invite 2025.indd 1 03/02/2025 14:18
OUR PARTNERS
Congratulations to all of tonight’s nominees and winners!
Julie’s Bicycle is a charity that supports the music industry to take
climate action and realise a better future.
Special thanks to all those working with us, including The BRIT Awards.
88
Join the creative climate movement:
juliesbicycle.com/music
Proud grant partners of EarthPercent, the music industry’s climate foundation.
@Julies_Bicycle
@JuliesBicycle
#CreativeClimateAction
THE BRIT AWARDS
COMMITTEE 2025
Damian Christian Committee Chair
(Atlantic Records)
Gemma Cropper (BRITs/BPI),
Gennaro Castaldo (BRITs/BPI),
Giuseppe de Cristofano
(BRITs Digi co-chair),
Jeff Bell (Indie Rep/Partisan),
Jo Twist (BPI CEO),
Kate Etteridge (BRITs PR/Dawbell),
Maggie Crowe (BRITs/BPI),
Mel Rudder (Warner),
Sally Wood (BRITs TV),
Sebastian Simone (BRITs Digi co-chair),
Stacey Tang (Sony),
Suzy Walby (Universal),
YolanDa Brown (BPI Chair),
For The BPI, OCC & Voting Academy:
Kiaron Whitehead, Chris Austin,
Elisa Buffet, Chris Walker & Incyan Ltd
Dua Lipa opens The BRIT Awards 2024
JM Enternational
EVENT AND SHOW
BAL Event Director Maggie Crowe OBE
Director of Operations Adrian Carter
Senior Events & Ticketing Manager
Gemma Cropper
Director of Digital
Giuseppe De Cristofano
Brand Partnerships,
Senior Account Manager Ruth Bujack
Accreditation and Transport Co-ordinator
Dina Van der Elst
Senior Digital Content Manager
Toby Leveson
Ticketing Co-ordinator Amy Nicoll
Event Manager Henri Calderon
Event Co-ordinator Robert Hawkins
Finance Dominic Thomas
(Finance Manager) and Zoe Fitzgerald
Legal Nadia Cole, Fernanda Akamine,
Jonathon Burke, Francine Francois
and Rafi Kelion
Technical Support Alan Brindley
BRITs Digital S:E Creative Studio
Media Relations DawBell PR
National TV & Radio Promotion
LD Communications
Award styled by Gabriel Moses
Design & Photography JM Enternational
Venue Sam Oldham, Rachael Hardman,
Cathie Ward
Mastercard Charlie Carrington,
Alison Boucher, Joy Campbell
and Adam Kennedy
Television Show Produced by BRITs TV
ITV Katie Rawcliffe, Lily Wilson
ITV2 Gemma John-Lewis
BRITs TV
Executive Producer Sally Wood
Director Phil Heyes
Line Producer Rebecca Hutchinson
Junior Production Manager
Kate Galbraith
Band Production Maggie Mouzakitis
VT Producer Claire Pothecary
Researcher Aaron Prema
Award Presenter Producer Jill Morgan
Camera Supervisor Rob Sargent
Programme Sound Toby Alington
OB Facilities EMG
ITV2
Producer Jake Bhardwarj
Director Tom Levigne
Production Manager Kirsten Jackson
Junior Production Manager
Aimee Vickers
Assistant Producer Hannah Scott
Production Secretary Amelia Feelgood
TV Graphics Hello Charlie
89
C
M
Y
CM
MY
CY
CMY
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OUR CHARITIES AND INITIATIVES
STAGE PRODUCTION
BRIT Awards Productions
Kate Wright, Tony Wheeler, Lisa
Shenton, Chris Caddy, John Hunt,
Ciara White, Zeb Minto, Malcolm Birkett,
Zakk Callaghan, Piers Gloyne,
Anthony Mossman, Freya Newland,
Mark Terry, Amelia Enness,
Yvonne Ryan;
Accreditation Ginger Owl
Stage Management Mike Grove
Production Design
Misty Buckley Creative
Lighting Designer Tom Sutherland
Lighting Crew Boss Richard Gorrod
Lighting Company PRG Europe
Sound Designer Colin Pink
PA Supplier Britannia Row Productions
Crew Catering Eat Your Hearts Out
Staging StageCo
Set Four-Square Productions
Screens Ogle Hog
Pyro & Lasers ER Productions
Local Crew Showstars
Site Crew Bizmonkeys
Stage Crew Stage Miracles
SpotOps Pro Spot
Barriers / FOS Barrier MOJO Rental
Backstage Monitors
Soundbite Productions
Furniture & Backstage Lovely Things
Rigging and Draping Blackout
Health & Safety J-EMSS
Backstage Security
Show & Event Security
Power ATD & Templine
Cabins Qdos Event Hire
Structures Neptunus
Kitchen Supplier Jongor
Carpet Sweeney Todd Flooring
Radios / Comms NRB Roadphone
BRITs AFTER SHOW PARTY
Production BRIT Awards Productions
Production Manager Chuck Crampton
Event Production
Keeley Wills, Kaz Hill, Paul Bissoni,
Harry Wilding, Harry Guthrie,
Dewi Wynne
Designer Bruce French
Lighting Designer Stuart Pring
SHOW PROGRAMME
Editorial Sophie Williams (Editor),
Hollie Geraghty, Elizabeth Aubrey
(Feature Writers)
John Marshall (Art Editor),
Will Amery (Design & Production),
Jan Green (Proofreading),
Advertising Judith Rivers
Rivers & Associates
Publisher JM Enternational
Printer Fingerprint
Special Thanks To Gabriel Moses
Katja Horvat and William Walsh
Please be reminded that you are not
permitted to record or film any part of
The BRIT Awards 2025 event without a
specific licence from BRIT Awards Limited.
CONGRATULATIONS
to this year’s incredible songwriters and performers,
along with their music publishers and record
companies, on their BRIT Award nominations.
It’s an honour to support the BRIT Trust in its mission
to inspire potential, create opportunities and enrich
lives through the transformative power of music.
90
Kylie Minogue closes The BRIT Awards 2024
JM Enternational
91
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