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Description :
&#8220Ths is an absolute triumph&#8212idas, lives, and the dramas of the
twentieth century are woven together in a feat of storytelling. A
masterpiece.&#8221#8212Edmund de Waal, ceramic artist and author of The
White RoadThe impact of Walter Gropius can be measured in his
buildings&#8212Faus Factory, Bauhaus Dessau, Pan Am&#8212bu no less in
his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko
Maki: countless masters were once disciples at the Bauhaus in Berlin and at
Harvard. Between 1910 and 1930, Gropius was at the center of European
modernism and avant-garde society glamor, only to be exiled to the
antimodernist United Kingdom during the Nazi years. Later, under the
democratizing influence of American universities, Gropius became an
advocate of public art and cemented a starring role in twentieth-century
architecture and design.Fiona MacCarthy challenges the image of Gropius as
a doctrinaire architectural rationalist, bringing out the visionary philosophy and
courage that carried him through a politically hostile age. Pilloried by Tom
Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as
inventor of a form of art education that influenced schools worldwide. He
viewed argument as intrinsic to creativity. Unusually for one in his position,
Gropius encouraged women&#8217sartistic endeavors and sought equal
romantic partners. Though a traveler in elite circles, he objected to the
cloistering of beauty as &#8220aspecial privilege for the aesthetically
initiated.&#8221Grpius offers a poignant and personal story&#8212an a
fascinating reexamination of the urges that drove European and American
modernism.

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&#8220Ths is an absolute triumph&#8212idas, lives, and the dramas of the twentieth century are woven
together in a feat of storytelling. A masterpiece.&#8221#8212Edmund de Waal, ceramic artist and author
of The White RoadThe impact of Walter Gropius can be measured in his buildings&#8212Faus Factory,
Bauhaus Dessau, Pan Am&#8212bu no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip
Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard.
Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society
glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the
democratizing influence of American universities, Gropius became an advocate of public art and
cemented a starring role in twentieth-century architecture and design.Fiona MacCarthy challenges the
image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and
courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the
monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced
schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position,
Gropius encouraged women&#8217sartistic endeavors and sought equal romantic partners. Though a
traveler in elite circles, he objected to the cloistering of beauty as &#8220aspecial privilege for the
aesthetically initiated.&#8221Grpius offers a poignant and personal story&#8212an a fascinating
reexamination of the urges that drove European and American modernism.

[PDF] DOWNLOAD Gropius: The Man Who Built the
Bauhaus android