GEt PDF What Remains: The Collected Poems of Hannah Arendt
COPY LINK HERE : https://yumpuzhbajigour.blogspot.com/?yumpu=1324090529 A landmark literary event, What Remains collects Arendt’s complete poetic oeuvre―never before published in English. Internationally renowned as one of the twentieth century’s foremost public intellectuals, Hannah Arendt was also intensely private. Though she often acknowledged that the language of poetry―especially that of Dickinson, Goethe, and Lowell―informed her work, only a few people knew that
COPY LINK HERE : https://yumpuzhbajigour.blogspot.com/?yumpu=1324090529
A landmark literary event, What Remains collects Arendt’s complete poetic oeuvre―never before published in English. Internationally renowned as one of the twentieth century’s foremost public intellectuals, Hannah Arendt was also intensely private. Though she often acknowledged that the language of poetry―especially that of Dickinson, Goethe, and Lowell―informed her work, only a few people knew that
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A landmark literary event, What Remains collects Arendt’scomplete
poetic oeuvre―neer before published in English. Internationally
renowned as one of the twentieth century’sforemost public intellectuals,
Hannah Arendt was also intensely private. Though she often acknowledged
that the language of poetry―esecially that of Dickinson, Goethe, and
Lowell―inormed her work, only a few people knew that Arendt herself
wrote poems. In fact, between 1923 and 1961, Arendt wrote seventy-four
poems, many of them signposts in an otherwise unwritten autobiography. For
nearly forty years after her death, these poems remained hidden among the
archives of the Library of Congress, until 2011, when they were rediscovered
by scholar and translator Samantha Rose Hill. Now, for the first time in
English, Hill and Genese Grill present Arendt’spoems in chronological
order, taking us from the zenith of the Weimar Republic to the Cold War, and
from Marburg, Germany, to New York’sUpper West Side. Throughout,
Arendt uses poetry to mark moments of joy, love, loss, and reflection. In
“WB.,”written in 1942, she remembers Walter Benjamin, who
died near the French-Spanish border while attempting to flee the Nazis:
“Getle whispering melodies / Sound from the darkness. / We listen so
we can let go.”So, too, she reflects on mutability and transience in
1946: “Iknow that the houses have fallen. / We entered the world in
them, wonderfully sure, that they / were more durable than
ourselves.”She tries to understand her place in the world:
“Irnically foolish, / I’veforgotten nothing, / I know the emptiness, /
I know the burden, / I dance, I dance / In ironic splendor.”A gift to all
readers of Arendt, this stunning, dual-language edition provides an
unparalleled view into the inner sanctum of one of our most original thinkers. 1
illustration
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A landmark literary event, What Remains collects Arendt’scomplete poetic oeuvre―neer
before published in English. Internationally renowned as one of the twentieth century’sforemost
public intellectuals, Hannah Arendt was also intensely private. Though she often acknowledged that the
language of poetry―esecially that of Dickinson, Goethe, and Lowell―inormed her work, only
a few people knew that Arendt herself wrote poems. In fact, between 1923 and 1961, Arendt wrote
seventy-four poems, many of them signposts in an otherwise unwritten autobiography. For nearly forty
years after her death, these poems remained hidden among the archives of the Library of Congress, until
2011, when they were rediscovered by scholar and translator Samantha Rose Hill. Now, for the first time
in English, Hill and Genese Grill present Arendt’spoems in chronological order, taking us from the
zenith of the Weimar Republic to the Cold War, and from Marburg, Germany, to New York’sUpper
West Side. Throughout, Arendt uses poetry to mark moments of joy, love, loss, and reflection. In
“WB.,”written in 1942, she remembers Walter Benjamin, who died near the French-
Spanish border while attempting to flee the Nazis: “Getle whispering melodies / Sound from the
darkness. / We listen so we can let go.”So, too, she reflects on mutability and transience in 1946:
“Iknow that the houses have fallen. / We entered the world in them, wonderfully sure, that they /
were more durable than ourselves.”She tries to understand her place in the world: “Irnically
foolish, / I’veforgotten nothing, / I know the emptiness, / I know the burden, / I dance, I dance / In
ironic splendor.”A gift to all readers of Arendt, this stunning, dual-language edition provides an
unparalleled view into the inner sanctum of one of our most original thinkers. 1 illustration
What Remains: The Collected Poems of Hannah Arendt