E Ala Ē Arise and Awaken - Transposed Score

E Ala Ē
Arise and Awaken
James M. David
Commissioned by the Hawaiʻi Wind Band Consortium led by Dr. Rickey Hauʻoli Badua
Special thanks to Dr. Chadwick Kamei and the Oʻahu Band Directors Association for their
collaboration in organizing the Hawaiʻi Wind Band Consortium
© 2024, Oakdale Road Music/James M. David, ASCAP, all rights reserved

E Ala Ē: Arise and Awaken
for wind ensemble
Instrumentation:
Piccolo
2 Flutes
Oboe(s)
Bassoon(s)
Clarinet in B-flat 1
Clarinet in B-flat 2
Clarinet in B-flat 3
Bass Clarinet
2 Alto Saxophones
Tenor Saxophone
Baritone Saxophone
3 Trumpets in B-flat
2 Horns in F
2 Trombones
Bass Trombone
Euphonium
Tubas
Contrabass (opt.)
Timpani
Percussion 1: Glockenspiel, Crotales (1 8va set), Tambourine, Slapstick, Ice Bell, ʻili ʻili or River Stones*
Percussion 2: Vibraphone, 4 Toms, Triangle, Bell Tree, Cabasa, Crash Cymbals, Puʻili (split bamboo rods)*
Percussion 3: Chimes, Marimba, Suspended Cymbal, ʻili ʻili or River Stones*, Ipu (Hawaiian Gourd Drum)*
Percussion 4: Suspended Cymbal, China Cymbal, Sizzle Cymbal, Hi-Hat, Small Woodblock, Tambourine, Small Triangle, Kick Bass Drum,
Bongos, Ipu (Hawaiian Gourd Drum)*
Percussion 5: Bass Drum, Tam-Tam, Suspended Cymbal, Medium Triangle, Ocean Drum, Tambourine, China Cymbal (shared w/ Perc. 4), ʻili ʻili
or River Stones*
* Note on Traditional Hawaiian Percussion: three traditional instruments are included in the percussion parts but
may be performed with more common instruments if needed
• Ipu Heke (gourd drum) – this may be substituted with a goblet drum (darbuka, doumbek, etc.) or conga. If using
the Ipu, amplification may be needed. Lower pitch indicates bass tone (strike bottom of drum against floor or other
flat surface), upper high/edge tone (strike side of upper gourd with open palm)
• ʻili ʻili (flat volcanic stones) – these may be substituted with large river stones. These are played in a manner similar
to claves.
• Puʻili (split bamboo rods) – these may be substituted with shekere or large shaker. The Puʻili are played by striking
the rods together or against the shoulders.
Duration: ca. 12 minutes
Program Notes:
“E Ala Ē, ka lā i ka hikina,” (Awake/Arise, the sun in the east) – traditional Hawaiian sunrise ʻoli (chant)
This three-movement composition explores my thoughts and research into the Hawaiian islands’ remarkably varied sounds and
culture. Each separate movement represents different facets of both my personal experiences in Hawaiʻi and the rich aural tapestry
of the islands. Hopefully, together we can “arise and awaken” to the voices and majesty of this sacred place.
I. Haleakalā Praeludium – The summit of Haleakalā, the principal peak of the island of Maui, is among the most striking and
spiritual places in Hawaiʻi. Bold and declamatory, this movement depicts the flight of the kōlea (Pacific Golden Plover) from
the shore of the island over the mountain. These birds are believed to be among the oldest visitors to the islands and its lilting
song joins with traditional drumming patterns. The sunrise chant grows in power from brass and bells as we see the ancient
crater revealed from shadow to bring an emphatic awakening of the senses.
II. Flowers from Paoakalani – Queen Liliʻuokalani, last sovereign of the Hawaiian Kingdom, was also a skilled musician and
composer of many of the best-known mele (songs). She was imprisoned in 1895 for political reasons and wrote Ke Aloha O Ka
Haku (The Queen’s Prayer) and Kuʻu Pua I Paoakalani that year. She was brought information through a supporter who
wrapped flowers from her garden in Paoakalani in current newspapers each day. This movement combines these two songs
within a chorale setting that incorporates both neotonal harmony with Hawaiian choral traditions. Hopefully, it will speak to
Liliʻuokalani’s legacy as an inspirational voice of her people.
III. Hana Highway – The final movement depicts a thrilling ride through the mountain rainforests near the small town of Hana.
Narrow and twisting roads pass steep cliffs, pristine waterfalls, and breathtaking ocean views far below. As we come down the
mountain, we can view surfers braving the famous big waves of Hawaiʻi's northern shores. The songs of two native bird
species are the sources of the primary melodic materials: first is the lilting and complex song of the ʻAlauahio which is
contrasted with the steadily rising trill of the ʻAmakihi. The rhythms of hula instruments including the ipu (gourd drum),
puʻili (split bamboo), and ʻili ʻili (stones) accompany the birdsongs. As the movement progresses, influences from more
contemporary Hawaiian music are heard including the famous harmonized glissando of the lap steel guitar and the rhythms
of Hawaiian swing and rock 'n roll of the 1940's and 50's.
This work was commissioned by the Hawaiʻi Wind Band Consortium led by Dr. Rickey Hauʻoli Badua.
Notes by the composer, December 2023, Fort Collins, Colorado

Commissioned by the Hawaiʻi Wind Band Consortium led by Dr. Rickey Hauʻoli Badua
Special thanks to Dr. Chadwick Kamei and the Oʻahu Band Directors Association for their
collaboration in organizing the Hawaiʻi Wind Band Consortium:
Consortium Lead:
Dr. Rickey Hauʻoli Badua, California State Polytechnic University, Pomona
Consortium Members:
Bandmaster Clarke Bright, Friends of the Royal Hawaiian Band
Dr. Travis K. Higa, University of Southern Mississippi
Dr. Chadwick Kamei, University of Hawaiʻi – West Oʻahu
Consortium Supporters:
Arnold Alconcel, James B. Castle High School
Kuʻulei Arceo, Hilo High School
Dr. Jeffrey Boeckman, University of Hawai'i at Mānoa
Pablo Furukawa, Kahuku High and Intermediate School
William Harris, Kamehameha Schools Hawaiʻi High School
Makana Larger, Radford High School
Susan Ochi-Onishi, Kaimuki Middle School
Dr. Danh Pham, Washington State University
John Riggle, Hawaiʻi "Nā Koa Ali'i" All-State Band
Cristin Selle, The Kamehameha Schools Kapālama
Sarah Tochiki, Kauaʻi Community College
World Premiere:
March 28, 2024
Cal Poly Pomona University Wind Ensemble
Dr. Rickey Hauʻoli Badua, conductor
College Band Directors National Association
Western/Northwestern Conference
Las Vegas, Nevada

Transposed Score
Piccolo
Flute 1
Bold, Declamatory ( q = 63 )
4
5
4
Haleakalā Praeludium
E Ala Ē: Arise and Awaken, Movement I
Commissioned by the Hawaiʻi Wind Band Consortium led by Dr. Rickey Hauʻoli Badua
4
5
4
4
James M. David (2023)
5
4
Flute 2
Oboe
Bassoon
Clarinet in B 1
Clarinet in B 2
4
5
4
4
5
4
4
5
5
4
Clarinet in B 3
Bass Clarinet
Alto Saxophone 1
Alto Saxophone 2
Tenor Saxophone
4
5
4
4
5
4
4
5
5
4
Baritone Saxophone
Trumpet in B 1
Trumpet in B 2
Trumpet in B 3
Horn in F 1
Horn in F 2
Trombone 1-2
Bass Trombone
4
5
4
4
5
4
4
5
5
4
Euphonium
Tuba
Timpani
Percussion 1
Percussion 2
4
Ice Bell
4 Toms
5
4
4
5
4
4
5
5
4
Percussion 3
Percussion 4
Chimes
Sus. Cym.
w/ soft mall.
choke
5
choke
Percussion 5
1
2
3
4
5
© 2023, Oakdale Road Music/James M. David, ASCAP
6
7
8

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
5
4
5
4
5
4
3 3
3 3
3 3
3 3
3 3
4
4
4
div.
5
4
5
4
5
4
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
13
4
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
5
4
4
5
4
3
3
4
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
5
4
Crotales
3
9
3
4
3 3
10
Tam-Tam + Bass Dr.
B.D.
11
hold pedal down
5
4
3
China Cym.
3
12
3
4
Vibraphone
hold pedal down
Tam-Tam
w/ sticks or tri. beater
3
13
3
Glock.
w/ soft mall.
14
15
Haleakalā Praeludium - p. 2

Picc.
19
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
unis.
B Cl. 2
B Cl. 3
unis.
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
3
3
3
St. Mute
1st
Tuba
Timp.
Perc. 1
5
ʻiliʻili or River Stones
5
Perc. 2
Perc. 3
Perc. 4
Perc. 5
16
17
18
B.D.
w/ reg. mall.
Ipu or alternative
(see performance notes)
19
20
Med. Tri.
21
ʻiliʻili or River Stones
22
23
24
Bell Tree
B.D.
w/ reg. mall.
25
Haleakalā Praeludium - p. 3

Picc.
Fl. 1
27
Fl. 2
Ob.
Bsn.
B Cl. 1
cresc. poco a poco
cresc. poco a poco
3
B Cl. 2
B Cl. 3
cresc. poco a poco
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
open
2nd
St. Mute
St. Mute
St. Mute
tutti
cresc. poco a poco
cresc. poco a poco
3
cresc. poco a poco
3
3
3
cresc. poco a poco
cresc. poco a poco
3
3
B. Tbn.
Euph.
Tuba
Timp.
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
Perc. 1
Finger Cym.'s
Perc. 2
Perc. 3
Sus. Cym.
w/ soft mall.
Bell Tree
Marimba
Perc. 4
Perc. 5
26
27
28
29
30
31
Haleakalā Praeludium - p. 4

Picc.
Fl. 1
Fl. 2
( e = q )
33
3
4
Spirited, Optimistic ( q = 126 )
41
Ob.
Bsn.
B Cl. 1
B Cl. 2
solo
3
4
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
3
4
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
3
4
Glock.
Vibraphone
hold pedal down
w/ fingertips
Perc. 3
Perc. 4
Perc. 5
32
Med. Tri.
33
34
Sus. Cym.
strike w/ tri. beater
35
36
37
38
39
40
3
41
Haleakalā Praeludium - p. 5

Picc.
Fl. 1
Fl. 2
Ob.
tutti
3
3
3
3
6
6
6
6
4
3
3
3
3
3
4
4
Bsn.
B Cl. 1
B Cl. 2
6
4
3
4
4
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
4
3
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
open
open
open
3
3
3
3
3
3
3
4
3
4
4
Tuba
Timp.
Perc. 1
3
4
w/ mallets
3
4
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
42
43
44
45
46
47
Sm. Tri.
48
49
50
Haleakalā Praeludium - p. 6

Picc.
Fl. 1
Fl. 2
4
52
6
6
6
3
4
4
6
6
6
3
4
6
6
6
4
Ob.
6
6
Bsn.
B Cl. 1
B Cl. 2
4
3
4
4
3
4
4
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
4
3
4
3
3
4
3
3
3
3
4
4
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
4
3
3
3
3
3
3
3
4
3
3
3
3
3
3
4
3
3
3
3
3
3
3
4
4
Euph.
3
3
3
Tuba
Timp.
Perc. 1
4
3
3
4
4
3
3
4
4
Perc. 2
Perc. 3
Perc. 4
Sus. Cym.
w/ soft mall.
Perc. 5
51
52
53
54
55
56
57
Haleakalā Praeludium - p. 7

Picc.
Fl. 1
Fl. 2
4
60
5
5
5
5
4
Ob.
3
Bsn.
B Cl. 1
B Cl. 2
4
5
5
4
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
4
4
5
div.
3
3
3
3
3
5
4
5
4
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
Glock.
5
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
58
China Cym.
w/ soft mall.
59
Tambourine
60
61
62
Haleakalā Praeludium - p. 8

Picc.
Fl. 1
5
4
4
Fl. 2
Ob.
3
3
Bsn.
B Cl. 1
B Cl. 2
5
4
4
B Cl. 3
unis.
3
B. Cl.
A. Sx. 1
A. Sx. 2
5
4
4
3
3
3
3
T. Sx.
3
B. Sx.
B Tpt. 1
B Tpt. 2
5
4
4
3
3
3
3
3
B Tpt. 3
3
3
Hn. 1
3
Hn. 2
Tbn. 1-2
3
3
B. Tbn.
Euph.
3
Tuba
Timp.
Perc. 1
Perc. 2
5
4
3
4
Crash Cym.'s
3
3
Perc. 3
Perc. 4
Sm. Tri.
Perc. 5
63
64
65
66
67
68
Haleakalā Praeludium - p. 9

Picc.
Fl. 1
Fl. 2
Ob.
3
5
4
5
71
5
4
Bsn.
B Cl. 1
B Cl. 2
5
4
5
4
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
3
3
3
3
3
5
4
5
4
4
4
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
69
3
5
4
China Cym.
w/ soft mall.
70
4
4 Toms
Ice Bell
71
Tam-Tam
w/ sticks or tri. beater
Chimes
Ipu or Kick Drum + Bongos
72
73
74
3
75
76
Haleakalā Praeludium - p. 10

Picc.
Fl. 1
Fl. 2
Ob.
5
4
molto allarg.
3
83 a tempo
4
3
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
5
4
3
4
div.
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
5
4
5
4
3
3
3
3
3
4
4
3
3
3
3
3
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
5
4
3
Glock.
3
4
Crash Cym.'s
3
Perc. 4
Perc. 5
77
78
3
79
80
81
3
w/ reg. mall.
82
B.D.
83
84
Haleakalā Praeludium - p. 11

Picc.
Fl. 1
Fl. 2
3
3
Optional: non-playing winds and all percussion
shout "E Ala Ē!" two or three times during m. 91
(freely and not coordinated with others)
3
3
3
3
Ob.
3
3
3
3
Bsn.
B Cl. 1
B Cl. 2
3
3
3
3
B Cl. 3
unis.
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
3
3
3
3
3
3
3
3
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
3
3
3
3
3
3
3
3
3
3
3
3
Tuba
Timp.
Perc. 1
3
3
Perc. 2
Perc. 3
Perc. 4
Crash Cym.'s
x
Tri.
scrape across tubes
w/ hard xylo. mall.
Sus. Cym.
Perc. 5
B.D. + Tam-Tam
85
86
B.D.
87
88
B.D. + Tam-Tam
89
90
B.D.
91
China Cym.
92
Haleakalā Praeludium - p. 12

Transposed Score
Piccolo
Flute 1
Flute 2
Oboe
Bassoon
Clarinet in B 1
Clarinet in B 2
Clarinet in B 3
Bass Clarinet
Alto Saxophone 1
Alto Saxophone 2
Tenor Saxophone
Baritone Saxophone
Trumpet in B 1
Trumpet in B 2
Trumpet in B 3
Horn in F 1
Horn in F 2
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
Wistful, Nostalgic ( q = 60 )
3
4
3
4
3
4
3
4
3
4
Glock.
1
4
4
4
4
4
w/ med. soft plastic mall.
Vibraphone
cue, ob.
hold pedal down
Med. Tri.
Marimba
2
div.
Flowers from Paoakalani
E Ala Ē: Arise and Awaken, Movement II
3
4
3
4
3
4
3
4
3
4
3
3
3
3
4
5
6
© 2023, Oakdale Road Music/James M. David, ASCAP
3
3
3
3
3
Sm. Tri.
3
4
3
3
3
4
3
4
4
4
3
3
3
James M. David (2023)
After Mele by Queen Liliʻuokalani (1895)
3
3
7
solo
solo, cue A. Sax.
8
5
4
5
4
5
4
5
4
5
4

Picc.
Fl. 1
Fl. 2
9
5
4
3
4
4
poco rit.
14
3
4
a tempo
3
3
3
4
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
5
4
5
4
espress., con vib.
unis.
3
div.
3
3
4
3
4
unis.
4
4
3
4
3
4
3
3
3
3
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
5
4
3
3
3
4
4
3
4
4
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
3
3
Tuba
Timp.
Perc. 1
Perc. 2
5
4
3
4
4
3
4
3
3
4
Perc. 3
Sus. Cym.
Perc. 4
Perc. 5
9
10
11
12
13
14
15
16
w/ soft mall.
17
3
18
Flowers from Paoakalani - p. 2

Picc.
Fl. 1
19
4
molto rall.
3
4
4
a tempo
poco accel.
Forward ( q = 68 )
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
4
4
4
3
solo
solo, cue A. Sax.
espress., con vib.
3
espress., con vib.
div.
St. Mute
3
3
St. Mute
St. Mute
3
4
3
4
3
4
molto vib.
molto vib.
4
4
4
div.
unis.
open
open
open
unis.
play
div.
div.
div.
3
3
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
St. Mute
open
3
3
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
4
19
20
3
4
Chimes
21
4
hold pedal down
22
Sm. Tri.
23
24
Crotales
25
26
Sus. Cym.
27
Flowers from Paoakalani - p. 3

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
rall.
div.
unis.
5
4
5
4
5
4
div.
div.
30
4
4
4
Expansive ( q = 54 )
div.
unis.
unis.
unis.
unis.
dim.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
5
4
4
dim.
dim.
dim.
B. Tbn.
dim.
Euph.
dim.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
28
5
4
China Cym.
Bass Dr.
29
4
Crash Cym.'s
30
31
Sus. Cym.
32
33
Sm. Tri.
Med. Tri.
34
dim.
35
Glock.
Vibraphone
36
37
Flowers from Paoakalani - p. 4

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
38
As Before ( q = 60 )
div.
unis.
5
4
5
4
5
4
div.
4
4
4
5
4
5
4
5
4
unis.
4
4
cue, bsn.
4
one player
div.
rall.
unis.
3
4
3
4
3
4
Slower ( q = 50 )
div.
5
4
5
4
5
4
3
3
3
3
3
unis.
div.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
5
4
4
5
4
4
3
4
5
4
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
one player
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
5
4
4
5
4
4
3
4
Sizzle Cym.
w/ soft mall.
5
4
3
3
Perc. 5
38
39
40
41
42
43
44
45
46
47
Flowers from Paoakalani - p. 5

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
48
rubato
tutti
div.
4
4
3
4
3
4
a tempo
unis.
4
4
poco accel.
solo, cue A. Sax.
55
espress., con vib.
Faster ( q = 62 )
3
5
4
5
4
solo
4
4
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
tutti
tutti
Sus. Cym.
48
Crotales
Crash Cym.'s
49
4
4
4
dim.
50
3
4
3
4
3
4
51
52
4
4
4
Vibraphone
hold pedal down
Marimba
Med. Tri.
53
solo
Sm. Tri.
54
espress., con vib.
Sus. Cym.
3
strike w/ tri. beater
55
5
4
5
4
5
4
56
4
4
4
Flowers from Paoakalani - p. 6

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
4
4
4
3 3
5
4
5
4
5
4
5
4
3
cantablie 3
solo
solo, cue ob.
poco rit.
3 3
cantablie
4
4
4
4
Expressive ( q = 54 )
3
3
3 3
3
4
3
4
3
4
3
4
4
4
4
4
62
3
3
3
solo
3 3
3
3 3 3
5
4
5
4
5
4
5
4
solo
3
3 3 3
solo
3
3 3 3
poco rall.
3
4
3
4
3
4
3
4
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
5
4
4
one player
3
4
4
tutti
5
4
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
57
58
59
60
China Cym.
w/ soft mall.
61
62
Sus. Cym.
63
Flowers from Paoakalani - p. 7

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
3
4
3
4
3
4
As Before ( q = 60 )
4
4
4
play
3
4
3
4
3
4
tutti
3
3
5
4
5
4
5
4
rit.
Very Slow ( q = 48 )
3
4
3
4
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
4
3
4
64
hold pedal down
Med. Tri.
4
4
one player
Marimba
65
3
4
3
4
St. Mute
St. Mute
St. Mute
St. Mute
66
3
3
3
3
3
3
3
Sm. Tri.
67
3
5
4
5
4
68
open
open
open
3
4
3
4
Crotales
w/ knitting needles
69
70
71
open
pedal C, opt.
Do not play if unstable
lift pedal with fermata release
Chimes
Sus. Cym.
w/ soft mall.
72
Sm. Tri.
73
Flowers from Paoakalani - p. 8

Transposed Score
Piccolo
Flute 1
Flute 2
Oboe
Bassoon
Clarinet in B 1
Clarinet in B 2
Clarinet in B 3
Bass Clarinet
Alto Saxophone 1
Alto Saxophone 2
3
4
3
4
3
4
With Momentum ( q = 132 )
Hana Highway
E Ala Ē: Arise and Awaken, Movement III
James M. David (2024)
4
4
4
Tenor Saxophone
Baritone Saxophone
Trumpet in B 1
Trumpet in B 2
3
4
4
Trumpet in B 3
Horn in F 1
Horn in F 2
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
3
4
Crotales
Xylo.
w/ hard plastic mall.
St. Mute
Sm. Woodblock
Ipu or alternative
(see performance note)
4
Percussion 5
1
2
3
4
5
6
© 2024, Oakdale Road Music/James M. David, ASCAP
7
8
9

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
4
4
4
4
4
St. Mute
St. Mute
14
3
4
3
4
3
4
3
4
3
4
St. Mute
Tambourine
Perc. 4
Perc. 5
Ocean Drum
cresc./dim ad lib.
10
11
12
Sus. Cym.
w/ sticks
13
Hi-Hat
tightly closed
14
15
Hana Highway - p. 2

Picc.
Fl. 1
23
4
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
4
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
4
B Tpt. 1
B Tpt. 2
B Tpt. 3
4
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
4
Perc. 3
Perc. 4
Perc. 5
16
17
18
19
20
21
22
Ocean Drum
cresc./dim ad lib.
23
Hana Highway - p. 3

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Cabasa
short strokes
Glock.
w/ med. plastic mall.
Perc. 4
Perc. 5
24
25
26
27
28
29
Hana Highway - p. 4

Picc.
Fl. 1
Fl. 2
Ob.
3
3
3
3
35
3
4
4
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
3
3
3
3
4
4
B. Cl.
A. Sx. 1
A. Sx. 2
3
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
3
4
open
open
open
4
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
open
Euph.
Tuba
Timp.
Perc. 1
3
4
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
30
31
32
33
34
Woodblock + China Cym.
Ocean Drum
cresc./dim ad lib.
35
36
Hana Highway - p. 5

Picc.
Fl. 1
4
3
4
5
5
4
5
4
4
3
4
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
4
3
4
4
5
4
4
3
4
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
4
3
4
3
4
4
4
5
4
5
4
4
4
3
4
3
4
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
open
Tuba
Timp.
Perc. 1
4
3
4
4
5
4
4
3
4
Perc. 2
Puʻili or Cabasa
Perc. 3
Perc. 4
Hi-Hat
tightly closed
Perc. 5
37
38
39
40
41
42
Hana Highway - p. 6

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
4
4
4
5
4
5
4
5
4
5
4
4
4
4
4
3
4
3
4
3
4
3
4
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
5
4
4
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
43
44
45
46
47
Hana Highway - p. 7

Picc.
Fl. 1
49
4
5
4
4
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
4
4
4
3 3
3 3
3 3
3 3 3
3 3
3
3 3 3
3
3
3
3
3
3
3 3
3
3
3
3
5
4
5
4
5
4
4
4
4
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
3
Crotales (or Glock.)
3
3
5
4
4
Perc. 2
Perc. 3
Perc. 4
open and closed
Perc. 5
48
ʻiliʻili or River Stones
49
50
51
52
Hana Highway - p. 8

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
4
4
4
4
3
3
3 3
3
3
3 3 3
3
3
3
3 3
3 3 3
3
3 3
3 3 3
3
3
3
3
3
3 3
3 3
3
3
3
3
5
4
5
4
5
4
5
4
3
3 3
3
3 3
3 3
3
3 3 3
3
3
3
3 3
3 3 3
3
3 3
3
3
3
3
4
4
4
4
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
3
3
3
3
5
4
3
3
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
53
54
55
56
57
Hana Highway - p. 9

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
61
3
4
3
4
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
3
4
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Ocean Drum
cresc./dim ad lib.
58
59
60
3
4
Crotales
Xylo.
61
Sm. Woodblock
62
63
64
Hana Highway - p. 10

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
4
4
4
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
65
66
67
68
69
China Cym.
70
Sus. Cym.
w/ soft mall.
71
Hana Highway - p. 11

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
accel.
74
Faster, Joyous ( q = 144 )
3
4
3
4
3
4
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
3
4
3
4
St. Mute
St. Mute
St. Mute
Tambourine
Perc. 3
Perc. 4
Perc. 5
72
73
Hi-Hat
tightly closed
choke
74
75
76
77
78
Hana Highway - p. 12

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
5
4
5
4
5
4
5
3 3 3
3 3 3
5
5
4
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
open
open
5
4
3
3 3
3 3
3
4
B Tpt. 3
open
3
3
3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
5
4
Glock.
4
Perc. 3
Perc. 4
China Cym.
Perc. 5
79
80
81
82
Sus. Cym.
w/ soft mall.
83
84
Hana Highway - p. 13

Picc.
Fl. 1
Fl. 2
Ob.
85
4
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
4
3
3
3 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
4
4
3 3
3 3
3 3
3
3
3
3
3
3
Perc. 2
Perc. 3
Crash Cym.'s
Perc. 4
Tambourine
Perc. 5
85
86
87
88
89
Hana Highway - p. 14

Picc.
Fl. 1
Fl. 2
Ob.
3
3 3 3
3 3 3 3
3
3 3 3
95
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
3
3 3
3
3
3
3 3
3
3
3 3 3
3 3 3
3 3 3 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
3 3
3 3
3 3
3
3
3
3
3
3
3 3
3 3
3 3
3 3
3
3
3 3
3 3 3 3
3
3 3 3
3 3 3 3
3
3
3 3 3
3
3 3
3
3
upper div. optional
3 3
3
3
3
3
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
3 3 3
3
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
90
91
92
93
3 3 3
3
Bass Dr.
94
95
Hana Highway - p. 15

Picc.
Fl. 1
Fl. 2
Ob.
3 3
Bsn.
B Cl. 1
3 3
B Cl. 2
3 3
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
3 3
3 3
T. Sx.
3 3
B. Sx.
B Tpt. 1
3 3
B Tpt. 2
3
3
B Tpt. 3
3
3
Hn. 1
Hn. 2
Tbn. 1-2
Bells Up!
Bells Up!
Bells Up!
B. Tbn.
Euph.
Tuba
Timp.
3
3
Perc. 1
Perc. 2
Perc. 3
Chimes
Perc. 4
Perc. 5
96
B.D. + Tam-Tam
97
98
B.D.
99
100
B.D. + Tam-Tam
101
Hana Highway - p. 16

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1
Hn. 2
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
105
3
3 3 3
3 3 3
3 3
3 3
3 3
3 3
3
3
3
3
3
ord.
ord.
Xylo.
ord.
5
4
5
4
5
4
5
4
5
4
3
3
3
Slapstick
3
Perc. 4
Perc. 5
102
B.D.
103
104
105
106
B.D.
107
Hana Highway - p. 17