Score_SapphireOv

Sapphire
Overture
For Concert Band
Thomas M. Sleeper
©2003 Uroboros Music

INSTRUMENTATION
Piccolo
1 st Flute
2 nd Flute
1 st and 2 nd Oboe
1 st and 2 nd Bassoon
E b␣ Clarinet
1 st B b Clarinet
2 nd B b Clarinet
3 rd B b Clarinet
B b Bass Clarinet
1 st and 2 nd E b Alto Saxophone
B b Tenor Saxophone
E b Baritone Saxophone
1 st and 2 nd Horn in F
3 rd and 4 th Horn in F
1 st B b Trumpet
2 nd B b Trumpet
3 rd B b Trumpet
1 st and 2 nd Trombone
Bass Tombone
Euphonium (Bass Clef and Treble Clef)
Tuba
Timpani
Marimba
Percussion (3-4 players)
Xylphone
Orchestra Bells
Triangle
Suspended Cymbal
Crash Cymbal
Wood Blocks (2)
Snare Drum
Tam-Tam (Large)
5 Tom-Toms
Bass Drum
DURATION
9 minutes

CONSORTIUM PARTICIPANTS
Sapphire Overture was commissioned by a consortium of twenty one university and high school band programs chaired by
Gary Green and the University of Miami.
Appalachian State University Wind Ensemble
William A. Gora, Conductor
Central Washington University Wind Ensemble
Larry Gookin, Conductor
Fairfax Wind Symphony
Stanley Schoonover, conductor
Illinois State University Wind Symphony
Stephen K. Steele, Director of Bands
James Madison University Wind Symphony
Dr. John Patrick Rooney, Conductor
Lincoln Way East High School Wind Symphony
T. Clifton Smith, Conductor
Michigan State University
Dr. Wesley J. Broadnax
Robinson Secondary School
Denny Stokes, Director of Bands
Spruce Creek High School Wind Ensemble
Victor Hornilla and Andrew Kidd, Directors
Texas Christian University Wind Symphony
Bobby R. Francis, Conductor
The Florida State University
Richard Clary
The Hartt School
Glen Adsit
The Tennessee Tech University Symphony Band
Joseph Hermann, Conductor
The University of Tennessee at Martin
Gregg Gausline, Conductor
Towson University (MD) Symphonic Band
Dr. Dana Rothlisberger, Director
University of North Carolina at Greensboro
Dr. John R. Locke, Director of Bands
University of South Carolina
James K. Copenhaver, Director of Bands
University of South Florida
Michael C. Robinson
University of Texas at Arlington
Ray C. Lichtenwalter, Conductor
VanderCook College of Music
Charles T. Menghini, Director of Bands
Youngstown State University
Stephen L. Gage, Director of Bands

Program Notes
Sapphire Overture, scored for concert band, is a nine-minute frolic into the worlds of the Lydian mode and
related environs. The work is in three parts: fast-slow-fast with the central section a bittersweet lullaby
featuring solo horn, flute and oboe in a chamber-like setting. Modalities are explored and relationships
examined as if they were characters in an opera – each taking on a different persona.
The first section, marked Allegro con fuoco has special significance for me - “con fuoco”, (with fire), was
one of the first Italian terms I learned as a child from my teacher and mentor, Daral F. Rauscher. I did not
just learn the term - Daral taught the expressive implications and its potential through his own playing. He
demonstrated an incisive and insistent precision, always in time, while feeling on the edge, as the music
surged forward… like a flame racing along a line of petrol. Powerful …unstoppable. This is the mood and
emotional content of the first section and last section.
Most of the thematic material for the overture is presented in the first five seconds exposing the ambiguity
between F major and Bb Lydian and the conflict between the pitches E and Eb.
Woodwinds
Woodwinds
ff
French Horns/Alto Saxophones
ff
The first section moves towards resolution with a soaring theme in the brass:
This is quickly interrupted by a primitive dance in D Phrygian. Although an allusion to, but not quite the
relative minor of F major, it is firmly related to Bb major and acts as a transition to the lullaby’s G minor.
The center of the work is a tripartite lullaby, simply stated and varied. As this piece was being written, I was
expecting my third child, Hana. This section is directly related to that event.
The second and final parts of this lullaby are separated by a brief interlude (brass and timpani) which
reappears and slowly develops two simple melodic fragments from the first section only to be interrupted by
the primitive dance music which originally concluded the first section.
The final section begins at this point and the primitive dance turns out to be a transition itself to the opening
theme of the overture. All of the original material returns and works through a final development of the
“soaring” theme to F major for a grand conclusion – the brass intoning reminders of the darker modalities.
I wish to express my deepest appreciation to my friend and colleague Gary Green for his encouragement and
faith in my music and for the deep passion and rich musical palate he brings to his performances. I also
thank Dan Belongia for his thorough preparation and sensitive conducting of the initial readings of Sapphire
Overture.
Thomas Sleeper
October 10, 2003

Piccolo
Flute 1
Flute 2
Oboe 1 + 2
Bassoon 1 + 2
*Clarinet in Eb
*Clarinet in Bb 1
*Clarinet in Bb 2
*Clarinet in Bb␣3
*Bb␣Bass Clarinet
*Eb␣Alto Saxophone 1 + 2
*Bb␣Tenor Saxophone
*Eb␣Baritone Saxophone
*Horn in F 1 + 2
*Horn in F 3 + 4
Trombone 1 + 2
Bass Trombone
Euphonium
Tuba
Timpani
Percussion 2
Cymbals
Orchestral Bells
Allegro con fuoco
q.=180
"Sapphire" Overture
*NB: Score in C
ff
ff
ff
ff
ff
f
ff
ff
ff
ff
f
a2
f
f
f
a2
ff
a2
ff
f
f
f
f
sf
crash
cym.
f
sus. cym.
p ff
f
Sleeper
©2003 Uroboros Music

2
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
7
ff
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Orch. Bells
a2
f
f
ff
f
ff
f
p
p
p
f
f
f
f
f
ff
a2
ff
f
f
f
ff
f
f
sf
p
sfz
crash cymḟ
f
a2

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Orch. Bells
Mar.
14
f
f
mf
p
p
p
ff
ff
1.
mf
p
mf
p
p
f
f
f
f
f
sf
crash
cym.
f
f
p
p
f
3

4
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Cym.
Orch. Bells
Mar.
21
f
24
ff
ff
f
f
f
solo
f
p
p
f
mf
f
f
(brassy!)
f
sffzp
f
f
f
f
a2
a2
ff
a2
f
sf
crash cym.
sus.
cym soft mallet
f
mf
p ff
f
f
ff

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
28
ff
5
Bsn.
Eb Cl.
Cl. 1
a2
ff
ff
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
B. Tbn.
Euph.
Tba.
Timp.
Orch. Bells
ff
f
f
ff
p
p
p
f
p
f
f
f
f
f
ff
a2
ff
a2

6
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Orch. Bells
Mar.
35
38
ff
ff
crash cym.
f
mf
p
p
f
mf
mf
f
1.
p
ff
f
ff
sfz
f
f
f
f
f
sff
p

Picc.
48
42
p
7
Fl. 1
Fl. 2
f
f
Ob. 1 + 2
p
f espressivo
Bsn.
a2
f
Eb Cl.
p
Cl. 1
p
ff
Cl. 2
Tpt. 2
solo con sord
mf
Hn. 1 + 2
(brassy!)
sffzp
Hn. 3 + 4
Euph.
Timp.
Perc. 1
f
bassoon cues
tom toms
f
f
Perc. 2
snare drum
pp
f
pp
Cym.
Orch. Bells
sus. cym soft mallet
mf
mf
p
f
Mar.

8
Bsn.
Cl. 1
Cl. 2
49
p
B. Cl.
B. Sax.
mf
mf
Euph.
p
Timp.
Perc. 1
Perc. 2
tom toms
p
p
snare drum
p
p
Mar.
p

Picc.
Fl. 1
Bsn.
Cl. 1
Cl. 2
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Euph.
Timp.
Perc. 1
Cym.
Tri.
Orch. Bells
Mar.
56
60
1. solo
(bassoon cues)
f
ff
triangle
mf
f
p
mf
ff solo mf
mf
f
p
1.solo
mf
st. mute
mf
1.solo
tom toms
p
f
st. mute
f
p
p
sus. cym. soft mallet
9
Picc.
63
Fl. 1
Ob. 1 + 2
Eb Cl.
Timp.
Perc. 1
Orch. Bells
Mar.
1. solo
mf
solo
mf
p
tom toms
p
p
p
p

10
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
70
tutti
p
f
f
f
f
Bsn.
Eb Cl.
f
a2
Cl. 1
Cl. 2
Cl. 3
B. Cl.
1. solo
mf
tutti
p
p
f
f
f
f
A. Sax.
f
T. Sax.
B. Sax.
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Cym.
Orch. Bells
Mar.
f
p
p
p
f
f
f
f
f
f
f
snare drum
ff
f

Picc.
Fl. 1
Fl. 2
77
82 q.= q
11
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
senza sord.
f
f
a2
senza sord.
a2
Tba.
Timp.
Perc. 1
Perc. 2
(snare drum)
Toms
f
Cym.
Crash Cym.
ff

12
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
A. Sax.
T. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
83
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
gliss.
ff
f
f
gliss.
f
Timp.
Perc. 1
Perc. 2
T.-t.
Mar.
feroce!
ff
deep
tom
G.C.
ff
tam-tam
ff
f
clear definition - (hard mallets)

13
Fl. 1
Ob. 1 + 2
Cl. 1
Cl. 2
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Mar.
87
f
f
Fl. 1
Ob. 1 + 2
Cl. 1
Cl. 2
Tpt. 1
Tpt. 2
90
92
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
ff
ff
Tbn. 1 + 2
Mar.
ff
p

14
Fl. 1
Fl. 2
Cl. 1
Cl. 2
Cl. 3
Hn. 1 + 2
Hn. 3 + 4
Mar.
Picc.
Fl. 1
Fl. 2
Bsn.
Cl. 1
Cl. 2
Cl. 3
Hn. 1 + 2
Hn. 3 + 4
Mar.
Picc.
Fl. 1
Bsn.
Cl. 1
Cl. 2
Cl. 3
Mar.
94
p
p
p
p
p
a2
f
a2
f
98
solo
f
1. solo
f
1.
103
p bsn. 2
p
solo
bsn. 1

Picc.
Bsn.
108
p
bsn. 2
110
e=e
ff
15
Cl. 1
ff
Cl. 2
ff
Cl. 3
Tbn. 1 + 2
f
f
B. Tbn.
f
Euph.
f
f
Tba.
f
Timp.
f
Perc. 2
G.C.
f
Cym.
crash cym.
f
T.-t.
tam-tam
f
f
Mar.
f

16
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Eb Cl.
A. Sax.
T. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
113
tutti
ff
ff
ff
ff
ff
a2
f
f
f
p
f
f
ff
ff
ff
ff
ff
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
ff
a2
ff
a2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
G.C.
f
f
Cym.
crash cym.
f
T.-t.
f
Mar.

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
Perc. 2
Cym.
T.-t.
Mar.
118
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
f
mf ff
ff
ff
f
f
tom
toms
G.C.
G.C.
large chinese cym.
f
crash
f
f
f
17

18
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
124
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
f
B. Cl.
T. Sax.
f
f
B. Sax.
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
Perc. 2
Wood Blks
Cym.
T.-t.
Mar.
f
a2
f
f
a2
f
f
f
f
mf
tom-toms
mf
chinese cym.
wood blocks
f
crash
gentle crash sym.
tam-tam
mf
f

Bsn.
Cl. 1
B. Cl.
B. Sax.
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
Wood Blks
Cym.
T.-t.
Mar.
135
130
e=x
mf
mf
mf
mp
p
mf
mf
mf
mf
mp
p
tom-toms
mp
wood blocks
mf
mf
mp
gentle crash cym.
mp
p
p
crash
p
tam-tam
p
19
Fl. 2
136
140
p espressivo
Bsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Hn. 1 + 2
p
1. solo
p espressivo
p espressivo
p espressivo
mf
espressivo

20
Fl. 2
Ob. 1 + 2
146
148
1. solo
pp espressivo
Bsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Tpt. 1
solo horn cues
Hn. 1 + 2
Fl. 1
Fl. 2
Ob. 1 + 2
155
156
1. solo
mf espressivo
Bsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Hn. 1 + 2

21
Fl. 1
Ob. 1 + 2
Bsn.
Cl. 1
164
162
1.solo
pp
mf espressivo
Cl. 2
Cl. 3
B. Cl.
Fl. 1
169
172
Fl. 2
p espressivo
Ob. 1 + 2
Bsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
B. Sax.
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
1.solo
p
p
p
2.
p espressivo
espressivo
a2 mf
p
p
mf
p
p
1. solo
p
2. only
mf
p
p
p
p

22
Ob. 1 + 2
176
espressivo
Bsn.
Cl. 1
Cl. 2
Cl. 3
tutti
B. Cl.
Hn. 1 + 2
1. solo
espressivo
Ob. 1 + 2
183
184
Bsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Hn. 1 + 2

Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
23
191
190 poco accel.
p
3 3 3 3
p
soli
mf espressivo
p
3 3 3 3
a2
mf
a2
mf
p
p
p
p
p
mp
mf
mf

24
Fl. 1
196
3 3 3 3 3 3 3 3
Fl. 2
Ob. 1 + 2
3 3 3 3 3 3 3 3
Bsn.
Eb Cl.
p
3 3 3 3 3 3 3 3
Cl. 1
3 3 3 3 3 3 3 3
Cl. 2
Cl. 3
B. Cl.
A. Sax.
Hn. 1 + 2
p
mf
Hn. 3 + 4
Tbn. 1 + 2
p
B. Tbn.
Euph.
f espressivo
Tba.
Timp.
Perc. 2
mf
mf
G.C.
mf

Fl. 1
200
200
3 3 3 3 3 3 3 3
Fl. 2
Ob. 1 + 2
25
3 3 3 3 3 3 3 3
Bsn.
Eb Cl.
Cl. 1
Cl. 2
3 3 3 3 p
3 3 3 3
3 3 3 3 3 3 3 3
Cl. 3
B. Cl.
A. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
mp
st. mute
mf
harmon - stem out
mp
Tbn. 1 + 2
p
B. Tbn.
Euph.
f espressivo
Tba.
Timp.
Perc. 2
mp
mf
mf

26
Picc.
204
molto accel.
mf
Fl. 1
Fl. 2
Ob. 1 + 2
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
Bsn.
Eb Cl.
3 3 3 3 3 3 3 3
Cl. 1
Cl. 2
3 3 3 3 3 3 3 3
Cl. 3
B. Cl.
A. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
p
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
G.C.
mp
f espressivo
mf
mf

Picc.
208
211
e=x
q=144
27
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
3 3
3 3
3 3 3 3
3 3 3 3 3 3 3 3
3 3
3 3
3 3 3 3
a2
mf
3 3 3 3 3 3 3 3
mf
Cl. 3
B. Cl.
A. Sax.
mf
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
T.-t.
Mar.
mf
mf
tam-tam
mp
p

28
Bsn.
212
215
f
Cl. 1
B. Cl.
f
T. Sax.
B. Sax.
f
f
Hn. 1 + 2
f
Hn. 3 + 4
a2
f
Tbn. 1 + 2
f
f
B. Tbn.
f
Euph.
f
Tba.
f
Timp.
f
Perc. 1
toms
f
T.-t.
f
Mar.
p
f

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Eb Cl.
A. Sax.
T. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
218
ff
ff
ff
a2
ff
ff
a2
f
f
a2
ff
a2
ff
f
p
f
f
f
ff
ff
ff
senza sord
senza sord
29
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
G.C.
f
f
Cym.
crash cym.
f
T.-t.
tam-tam
f
Mar.

30
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
Perc. 2
Cym.
T.-t.
Mar.
223
ff
ff
ff
a2
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
f
f
f
ff
ff
f
tom
toms
G.C.
f
large chinese cym.
f
crash cym. f
tam-tam
f
f

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
229 231
ff
ff
ff
f
31
B. Cl.
f
T. Sax.
B. Sax.
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
Perc. 2
Wood Blks
Cym.
T.-t.
Mar.
f
f
f
f
a2
f
f
f
f
f
f
tom-toms
f
(chinese cym)
crash
f
wood blocks
f
gentle crash sym.
(tam-tam)
mf

32
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
235
p
p
mf
p
238 molto accel.
p
p
p
p
p
p
Cl. 2
Cl. 3
B. Cl.
T. Sax.
B. Sax.
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
Wood Blks
Cym.
mf
p
mf
mf
mf
p
p
mf
mf
mf
p
p
p
mf
tom-toms
mf
wood blocks
p
p
p
mf
gentle crash sym.
mp
p
p
Mar.
mf
p

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
Perc. 2
Cym.
Orch. Bells
246 q.=180
molto accel.
241
33
ff
molto cresc!
ff
molto cresc!
ff
molto cresc!
p
molto cresc!
f
molto cresc!
ff
molto cresc!
ff
molto cresc!
ff
molto cresc!
ff
molto cresc!
f
p
molto cresc!
ff
p
molto cresc!
f
p
molto cresc!
f
p
molto cresc!
p
molto
cresc!
f
p
molto cresc!
a2
p molto
cresc!
p molto
cresc!
p
molto cresc!
f
p
molto cresc!
f
p
molto cresc! mf
f
p
mp
molto cresc!
f
p
molto cresc!
sf
(tom-toms)
p
ff
crash
cym.
ff
sus. cym.
molto cresc.
f

34
Picc.
Fl. 1
Fl. 2
247
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
a2
a2
f
ff
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Cym.
Mar.
f
f
f
f
p
p
p
a2
ff
a2
ff
p
ff
f
f
f
f
sf
crash cym.
f
f
f
f

Picc.
Fl. 1
Fl. 2
254
ff
35
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
ff
a2
f
ff
f
ff
f
f
T. Sax.
B. Sax.
Tpt. 1
f
ff
f
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Orch. Bells
a2
ff
a2
ff
f
p
sfz
sf
crash cym. f
f
f
f
f

36
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
261
mf
1.
p
p
p
ff
ff
a2
p
f
mf
p
mf
p
p
mf
p
B. Cl.
A. Sax.
B. Sax.
Tpt. 2
Hn. 1 + 2
Hn. 3 + 4
1.
p
solo
f
(brassy!)
sffzp
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Cym.
Orch. Bells
Mar.
f
p
f
sus. cym soft mallet
mf
f

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Cym.
Orch. Bells
268
ff
268
f
f
ff
f
ff
ff
f
a2
f
f
f
f
f
f
f
a2
ff
a2
ff
f
f
f
sf
crash cym.
f
p
ff
f
p
p
p
37

38
Picc.
Fl. 1
275
ff
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
ff
B. Cl.
ff
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
B. Tbn.
Euph.
Tba.
Timp.
Orch. Bells
f
f
f
ff
f
f
f
ff
ff
a2
f
p
sfz
f
f

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
282
ff
ff
f
ff
mf
p
p
p
f
f
f
p
f espressivo
mf
p
mf
f
1.
p
solo con sord
ff
mf
ff
a2
(brassy!)
sffzp
p
39
Tbn. 1 + 2
f
B. Tbn.
Euph.
f
Tba.
Timp.
Perc. 2
Cym.
Orch. Bells
Mar.
f
sff
crash cym.
f
mf
f
p
mf
sus. cym soft mallet

40
Picc.
Fl. 1
Ob. 1 + 2
Bsn.
Cl. 1
Tpt. 2
Hn. 1 + 2
Euph.
Timp.
Perc. 1
Perc. 2
Cym.
Mar.
289
292
f
ff
bassoon cues
f
f
tom toms
tom toms
snare drum
pp
f
f
sus. cym.
p
f
snare drum
pp
p
Bsn.
Cl. 1
Cl. 2
B. Cl.
B. Sax.
Tpt. 1
Hn. 1 + 2
Euph.
Timp.
Perc. 1
Orch. Bells
Mar.
296
p
mf
mf
1.solo
1.solo
mf
mf
(bassoon cues)
p
p
p
tom toms
p
p
p
mf

Picc.
Fl. 1
304
303
solo
ff
ff
solo
mf
mf
41
Ob. 1 + 2
mf
1. solo
Bsn.
Eb Cl.
Cl. 1
solo
mf
Cl. 2
Cl. 3
Tpt. 1
Tpt. 2
f
st. mute
Tpt. 3
f
st. mute
Euph.
Timp.
p
p
Perc. 1
toms
p
sus. cym. soft mallet
Cym.
mf
Tri.
triangle
f
Orch. Bells
Mar.

42
Picc.
310
Fl. 1
Ob. 1 + 2
Eb Cl.
Cl. 1
1. solo
mf
Timp.
p
Perc. 1
toms
p
Orch. Bells
p
p
Mar.

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Cym.
Orch. Bells
Mar.
317
p
a2
320
f
tutti
f
f
f
a2
f
tutti
p
p
f
f
f
f
f
f
f
f
f
p
sus. cym.
p
f
f
f
f
f
snare drum
f
ff
f
43

44
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
Perc. 2
Wood Blks
Cym.
T.-t.
Mar.
326
324
q.=q
ff
ff
ff
ff
ff
ff
senza sord
senza sord
ff
a2
ff
a2
ff
ff
ff
toms
f
G.C.
wood blocks
Crash Cym.
f
ff
f
ff
ff
ff
ff
ff

Bsn.
329
f
330
45
Cl. 1
p espressivo
Cl. 2
p espressivo
Cl. 3
p espressivo
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Hn. 1 + 2
p
Hn. 3 + 4
Tbn. 1 + 2
p Subito!
B. Tbn.
Euph.
Tba.
Timp.
Perc. 1
tom-toms
T.-t.
tam-tam
ff

46
Picc.
334
p espressivo
Fl. 2
Ob. 1 + 2
p espressivo
p espressivo
Bsn.
p espressivo
Cl. 1
Cl. 2
Cl. 3
B. Cl.
p espressivo
B. Sax.
p espressivo
Tpt. 1
pp
Tpt. 2
pp
pp
Tpt. 3
pp
pp
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
pp
1.
Euph.
p espressivo
Tba.
T.-t.
mf
ff
mf
tam-tam
ff

Picc.
339
342
47
Fl. 1
Fl. 2
p espressivo
Ob. 1 + 2
Bsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
mf
B. Sax.
Tpt. 1
pp
Tpt. 2
pp
Tpt. 3
pp
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Euph.
pp
Tba.
T.-t.
mf
ff

48
Picc.
343
Fl. 1
Fl. 2
Bsn.
Eb Cl.
mf
Cl. 1
Cl. 2
mf
mf
Cl. 3
B. Cl.
B. Sax.
Tpt. 1
pp
Tpt. 2
pp
Tpt. 3
pp
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
pp
Euph.
T.-t.

Picc.
Fl. 1
346
49
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
mf
mf
mf espressivo
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
a 2
mf espressivo
mf espressivo
Tba.
T.-t.
mf
tam-tam
ff

50
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
349
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
mf
mf
mf
f
a 2
mf
B. Tbn.
Euph.
Tba.
Timp.
Cym.
T.-t.
sus. cym.
p
mf
sfz
ff
tam-tam
ff

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
352
51
Bsn.
Eb Cl.
mf
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
mf
T. Sax.
B. Sax.
Tpt. 2
mf
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
T.-t.
mf
mf
mf

52
Picc.
Fl. 1
355
Fl. 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
mf
f
f
f
f
f
f
f
f
f
f
f
Timp.
Cym.
T.-t.
crash sym.
ff
mf
ff
tam-tam
mf

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Cym.
T.-t.
Xyl.
Mar.
358
359
f
mf
f
f
f
f
f
f
f
mf
f
f
f
f
ff
crash cym.
ff
mf
f
mf
f
53

54
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
361
f
ff
f
f
ff
ff
ff
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Cym.
T.-t.
Xyl.
Mar.
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
f
crash cym.
ff
tam-tam
ff
ff
ff

Picc.
Fl. 1
Fl. 2
364
55
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
a2
ff
ff
B. Sax.
Tpt. 1
ff
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
ff
Tba.
Timp.
Cym.
T.-t.
Xyl.
Mar.
crash cym.
ff
ff
f
ff
tam-tam

56
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
B. Tbn.
Euph.
Tba.
Timp.
Perc. 2
Cym.
Xyl.
Mar.
366
ff
ff
ff
ff
ff
ff
ff
ff
crash cym.
ff
sus. cym.
p
ff
p
ff
September 2003
Miami, FL