00 - playalisticstagemuzik - Full Score (Transposed)

Commissioned by a consortium led by the University of Alabama at Birmingham – Sean P. Murray, Director of Bands.
#Playalisticstagemuzik
for Wind Ensemble
Instrumentation
Piccolo
1st & 2nd Flutes Oboe
1st, 2nd, & 3rd Bb Clarinets Bass Clarinet
1st & 2nd Bassoons
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
1st, 2nd, & 3rd Bb Trumpets
1st, 2nd, 3rd, & 4th F French Horns
1st & 2nd Trombones
Bass Trombone
Euphonium
Tuba
Double Bass
Timpani
Drum Set
5 Percussion:
Percussion 1 - Glockenspiel
Percussion 2 - Marimba, Vibraphone & Xylophone
Percussion 3 – Chimes & Xylophone
Percussion 4 - Hi-hat, Marimba & Medium Gong
Percussion 5 - Bass Drum, Triangle & Wood Block
SCORE IN TRANSPOSED PITCH
Duration: ca. 20 minutes

Commissioned by a consortium led by the University of Alabama at Birmingham – Sean P. Murray, Director of Bands.
The members of the consortium are as follows:
Savannah State University - Gabriel Arnold
University of Georgia - Nicholas Enrico Williams
Coahoma Community College - Eddie L. Buggs, Jr.
Sun Prairie East & West High Schools - Joseph Mesner & Matt McVeigh
Tacoma Community College - John Falskow
Hewitt-Trussville High School - Mark Knauss
Pelham High School - Justin P. Ward
University of Central Oklahoma - Brian Lamb
York College of PA – Matthew Inkster
Southeastern Louisiana University - Robert Schwartz
Rachel Kesar
PROGRAM NOTES
#Playalisticstagemuzik occurs in five short movements where two spirituals are featured and manipulated stylistically, reflective of
some historical and direct influences via a playlist compiled by lead commissioner and friend, Sean Murray. The two spirituals are:
Joshua Fit the Battle of Jericho and Steal Away. The piece travels through some of the historical American musical phenomena that
encompass hip-hop and r & b. The idea is to celebrate many of the encompassing styles in as many ways as possible, while aiming for
continuity of some sort, with plenty of artistic value.
Movement one, entitled Gospel Roots Intro, focuses on many aspects of Joshua Fit the Battle of Jericho’s original compositional
makeup (via R. Nathaniel Dett’s written adaptations compiled during his time at the Hampton Institute) and creates variation therein.
This movement also establishes some of the stylistic approaches to be explored throughout the piece. Movement one occurs in five
major sections:
• Adagio teneramente
• Lento agitato
• Allegro
• Issa Vibe
• It’s Lit!
You’ll hear the first three notes of the main theme of the hymn passed around the ensemble as if whispers to one another, sort of like
neighborhood gossip. Everyone is asking: “Have you heard about Joshua?” Once the main theme is fully expressed there is a sonic
celebration of sorts. This aims to be a modern depiction of the timeless hymn.
Movement two, entitled On My Alternative R&B Tip, features the spiritual Joshua Fit the Battle of Jericho. The movement is marked
“Sad girl vibes (Lento pesante)” There is a fusion aesthetic in this movement. There’s grunge, mixed with r&b, plus the symphonic
idioms. There’s heartbreak and betrayal being depicted in this bluesy movement.
Movement three, entitled Trippy/Futuristic Gospel Vibe (Steal Away) focuses on the spiritual (you guessed it) Steal Away. This
movement explores the gospel/jazz roots of r&b/hip-hop. Largo con moto is the major marking here. In this eight-minute movement,
there is a reflective ambiance. Stillness and motion occur simultaneously. The movement progresses slowly and excitedly, progressing
via delicate textures towards stirring tenor saxophone solos. Finishing in a gentle but inspiring tutti.
Movement four, entitled Issa Jook Joint is a jazz/funk/90's hip-hop inspired movement in five. It’s straight, but the hemiolas and
moving bar lines give it an off balanced/dirty sort of feel. Marked Moderato con moto, the section is an eighth note-based variation of
Joshua Fit the Battle of Jericho. Dancing is encouraged/required.
Movement five, entitled Finale - It’s Lit! Recap, contains a recapitulation of the previous sections in movement one with a proud and
endearing finale section that adds more variation to the Joshua Fit the Battle of Jericho hymn setting before closing with a recap on the
same theme. There are three sections within the movement, marked as follows:
• Lento agitato
• Cantabile con moto
• It’s Lit!

ABOUT THE COMPOSER
Atlanta bred composer Marie A. Douglas mixes and layers genres and textures as a means to inject unprecedented relate-ability and
excitement into pieces intended for concert stages. Her compositional choices portray her varied experiences creating a product that is
highly artistic, gorgeous yet gritty, robust with innovation and familiarity. Marie’s compositions and arrangements have been performed
throughout the United States and Canada, she as been noted for the memorable melodies, multi faceted rhythms, compelling textures,
and the complimentary orchestrations present within her works.
Marie got her start in the artistic and culturally rich streets in the inner city
of Atlanta. Her style reflects that relationship and proximity to “The
Culture” and the unique perspective that it affords her. After high school
she attended the Historically Black institution Florida A&M University and
participated in the famed Marching “100” band. This period further
inspired Marie to infuse attributes of her favorite musical genres and cultural
staples into her creations intended for concert ensembles.
Douglas’ compositions have included spirituals, body percussion, spoken
word, electronic samples and tons of other elements of sound often
comprising the sonic phenomena of the African Diaspora in conjunction
with winds and or strings and percussion. Lately she has explored the fusion
of Hip-Hop and its sub-genre “Trap Music”, a genre that has its roots in
Atlanta, with western art music idioms.
A variety of well-known ensembles have worked with Marie and performed her music; The Albany Symphony-Dogs of Desire,
University of Central Florida Symphonic Band, University of Alabama-Birmingham Wind Ensemble and Symphonic Band, California
All-State Wind Symphony, University of the Pacific Conservatory, and many others. In addition to symphonic and chamber works, her
catalogue also includes music for film as well as hip-hop and r&b instrumentals.
Recent projects include: serving as arranger, composer, conductor and musical director of the Live Nation/Big Femme Energy Live
Experience tour featuring Ambre, Baby Rose, SayGrace and Teyana Taylor; premieres for her new flute concerto in collaboration with
conductor, Erin Bodnar and flautist Sarah Jane Young which was selected to be included on a compilation CD released by the University
of North Florida Wind Symphony in 2022, her work for symphonic band centering teen mental health entitled I am Enough was
premiered by the California All - State Wind Ensemble in Fresno, California. Additionally, Marie completed the 2023 Jemison Visiting
Scholar in the Humanities and Composer in Residence at the University of Alabama-Birmingham and arranged on 2022 Grammy
Award-Nominated album “Full Circle”.
Among the upcoming performances of her works for the 23’-24' season are world premieres with the University of Georgia Wind
Ensemble and the United States Navy Band in Washington D.C. for “SOUL Suite No. 1”, a new piece for wind ensemble as well as a
collaboration with the United States Army Soldiers’ Chorus of Washington, DC on a work tilted “Umoja in America”.
Marie serves as an adjunct professor within the Master of Music Technology Program at Southern Utah University where she was
awarded the 2022 Influencer Award by the Division of Student Affairs and Professional Development Center. She earned her Doctor
of Musical Arts in composition and conducting from the University of Memphis, where she studied with Kamran Ince, Mahir Cetiz,
and Albert Nguyen.
For more information about this piece or any others written by Marie A. Douglas,
please visit: http://marieadouglas.com/ or contact the composer at: mussempre@gmail.com
Score and parts engraved by Evan Erickson Music, https://www.evanericksonmusic.com/engraving

Full Score (Transposed)
Piccolo
Flute 1.2
Oboe
B♭ Clarinet 1
B♭ Clarinet 2
B♭ Clarinet 3
Bass Clarinet
Bassoon 1.2
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
B♭ Trumpet 1
B♭ Trumpet 2
B♭ Trumpet 3
F French Horn 1.3
F French Horn 2.4
Trombone 1.2
Bass Trombone
Euphonium
Tuba
Double Bass
Timpani
Drum Set
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
= 54 Adagio teneramente
solo through m. 8
Commissioned by the University of Alabama at Birmingham - Sean Murray, Director of Bands
# p l a y a l i s t i c s t a g e m u z i k
f o r W i n d E n s e m b l e
1. Gospel Roots Intro
sub.
mute
2.
4.
1 2 3 4 5 6 7 8 9
© 2024 MAD Music - Music Sempre, LLC
marieadouglas.com
Marie A. Douglas, BMI
(2024)

Full Score (Transposed) - 2 -
Picc.
Fl. 1.2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
17
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
solo through m.19
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
Vibraphone
Ped.
P. 4
P. 5
10 11 12 13 14 15 16 17 18

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
rit.
= 54 Lento agitato
sub.
sub.
sub.
sub.
tutti
sub.
open
1.
2.
flz.
flz.
tutti
- 3 - 1. Gospel Roots Intro
P. 2
P. 3
P. 4
P. 5
Hi-hat, closed
(drum sticks)
Bass Drum
19 20 21 22 23 24 25 26

Full Score (Transposed) - 4 -
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
Tbn. 1.2
B. Tbn.
Euph.
rall. 29 = 120 Allegro Vivace
1.
2.
duet with french horn through m. 34
duet with trumpet through m. 34
3.
4.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
Glockenspiel
Chimes
(hard mallets or hammers)
(Hi-hat)
Medium Gong
(Bass Drum)
(large mallet)
27 28 29 30 31 32 33

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
- 5 - 1. Gospel Roots Intro
37
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
1.
3.
2.
4.
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
pizz.
solo through m. 41
Marimba
P. 4
P. 5
34 35 36 37 38 39 40

Full Score (Transposed) - 6 -
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1
Bsn 2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
Tbn. 1.2
46
mute
1.
3.
2.
4.
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
(Glockenspiel)
Xylophone
(Marimba)
(Chimes)
(Medium Gong)
tutti
arco
P. 5
(Bass Drum)
41 42 43 44 45 46 47 48

- 7 - 1. Gospel Roots Intro
Picc.
Fl. 1
Fl. 2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1
Bsn 2
Cbsn
S. Sax.
A. Sax.
T. Sax.
soli through m. 57
soli through beat one of m. 57
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
Tbn. 1.2
open
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
49 50 51 52 53 54

Full Score (Transposed) - 8 -
Picc.
Fl. 1
Fl. 2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
rit.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1.3
F F. Hn 2.4
Tbn. 1.2
1.
3.
2.
4.
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
(Glockenspiel)
(Xylophone)
(Chimes)
(Bass Drum)
55 56 57 58 59 60

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1
Bsn 2
61 = 105 Issa Vibe
- 9 - 1. Gospel Roots Intro
= 77
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1
F F. Hn 3
F F. Hn 2
F F. Hn 4
1
Tbn.
2
B. Tbn.
Euph.
1.
Tba
D. B.
Timp.
Dr. Set
P. 1
rim shot
P. 2
P. 3
P. 4
P. 5
closed
Hi-hat, open
61 62 63 64 65 66 67

Full Score (Transposed) - 10 -
= 115
72 = 147 It's Lit!
Picc.
Fl. 1.2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1
Bsn 2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
1.
2.
tutti
1. solo through m. 71
2.
solo through m. 71
mute
tutti
open
4.
(Glockenspiel)
(Xylophone)
(Hi-hat)
68 69 70 71 72 73 74 75

- 11 - 1. Gospel Roots Intro
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
76 77 78 79 80
attacca

Piccolo
1
Flute
2
Oboe
B♭ Clarinet 1
B♭ Clarinet 2
B♭ Clarinet 3
Bass Clarinet
Bassoon 1.2
Contrabassoon
Soprano Saxophone
Alto Saxophone
= 54 Sad girl vibes (Lento pesante)
11
2. On My Alternative R&B Tip
solo through m. 10
1.
tutti
Tenor Saxophone
Baritone Saxophone
B♭ Trumpet 1
B♭ Trumpet 2
B♭ Trumpet 3
1
F French Horn
3
2
F French Horn
4
3.
2.
mute
mute
1
Trombone
2
Bass Trombone
Euphonium
Tuba
Double Bass
Timpani
Drum Set
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
1 2 3 4 5 6 7 8 9 10 11 12 13

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
1.
- 13 - 2. On My Alternative R&B Tip
23
+
2.
+
+
+
+
sub.
sub.
+
+
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
3.
2.
1.
+
sub.
sub.
4.
mute
1. solo through m. 29
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
Xylophone
(soft mallets)
14 15 16 17 18 19 20 21 22 23 24 25 26 27
Marimba

Full Score (Transposed) - 14 -
Picc.
31
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
solo through m. 45
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
1.
2
F F. Hn
4
1
Tbn.
2
1.
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
(Marimba)
28 29 30 31 32 33 34 35 36

- 15 - 2. On My Alternative R&B Tip
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
gliss.
tutti
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
1.
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
37 38 39 40 41 42 43 44 45 46

Full Score (Transposed) - 16 -
Picc.
Fl. 1
Fl. 2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
47
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
poco a poco
1.
poco a poco
3.
open
2.
open
poco a poco
4.
open
1. tutti
poco a poco
2.
poco a poco
poco a poco
poco a poco
poco a poco
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
47 48 49 50 51 52 53 54 55 56 57

Picc.
Fl. 1
Fl. 2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
- 17 - 2. On My Alternative R&B Tip
60
68
P. 2
P. 3
P. 4
P. 5
58 59 60 61 62 63 64 65 66 67 68

Full Score (Transposed) - 18 -
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1.3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
2.
4.
69 70 71 72 73 74 75 76

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
77
4.
sub.
sub.
sub.
sub.
sub.
sub.
2.
sub.
sub.
sub.
sub.
sub.
sub.
Glockenspiel
Xylophone
Chimes
Ped.
Medium Gong
- 19 - 2. On My Alternative R&B Tip
Bass Drum
77 78 79 80 81 82 83 84

Piccolo
Flute 1.2
Oboe
B♭ Clarinet 1
B♭ Clarinet 2
B♭ Clarinet 3
Bass Clarinet
Bassoon 1.2
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
3. Trippy/Futuristic Gospel Vibe (Steal Away)
= 40 Largo con moto
sub.
B♭ Trumpet 1
B♭ Trumpet 2
B♭ Trumpet 3
1
F French Horn
3
2
F French Horn
4
1
Trombone
2
Bass Trombone
Euphonium
Tuba
mute
mute
sub.
sub.
solo through m. 4
tutti
sub.
sub.
Double Bass
Timpani
Drum Set
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
Vibraphone
sub.
Chimes
1 2 3 4 5 6 7 8 9 10

Picc.
Fl. 1.2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
- 21 - 3. Trippy/Futuristic Gospel Vibe (Steal Away)
12
1.
tutti
solo through m. 15
sub.
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1.3
F F. Hn 2.4
Tbn. 1.2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
one player
mute
mute
open
2.
open
mute
open
P. 2
P. 3
P. 4
P. 5
11 12 13 14 15 16 17 18 19 20

Full Score (Transposed) - 22 -
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
22
1.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
tutti
mute
F F. Hn 1.3
2
F F. Hn
4
Tbn. 1.2
B. Tbn.
Euph.
Tba
D. B.
Timp.
4.
sub.
sub.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
(Vibraphone)
(Chimes)
21 22 23 24 25 26 27 28 29 30 31 32 33 34

Picc.
1
Fl.
2
- 23 - 3. Trippy/Futuristic Gospel Vibe (Steal Away)
37
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1.3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
1.
3.
2.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
Ped.
35 36 37 38 39 40 41 42 43 44

Full Score (Transposed) - 24 -
Picc.
46
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
Tbn. 1.2
2.
1. mute
mute
B. Tbn.
Euph.
Tba
D. B.
Timp.
solo through m. 57
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
(Ped.)
solo
Glockenspiel
(Vibraphone)
45 46 47 48 49 50 51 52 53 54 55
(Chimes)

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
Tbn. 1.2
B. Tbn.
Euph.
Tba
D. B.
Timp.
- 25 - 3. Trippy/Futuristic Gospel Vibe (Steal Away)
63 = 66
solo through m. 79
(opt. improvisation & rubato)
open
sub.
open
open
open
open
tutti
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
56 57 58 59 60 61 62 63 64 65 66 67 68

Full Score (Transposed) - 26 -
Picc.
Fl. 1.2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
Tbn. 1.2
B. Tbn.
Euph.
Tba
D. B.
Timp.
73
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
(Vibraphone)
69 70 71 72 73 74 75 76 77 78

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1
F F. Hn 3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
84
= 80 Andante
solo through m. 83
tutti
tutti
- 27 - 3. Trippy/Futuristic Gospel Vibe (Steal Away)
79 80 81 82 83 84 85 86 87 88 89 90 91

Piccolo
4. Issa Juke Joint
= 120 Moderato con moto
1
Flute
2
Oboe
B♭ Clarinet 1
B♭ Clarinet 2
B♭ Clarinet 3
Bass Clarinet
1
Bassoon
2
1.
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
B♭ Trumpet 1
B♭ Trumpet 2
B♭ Trumpet 3
F French Horn 1.3
F French Horn 2.4
Trombone 1.2
Bass Trombone
Euphonium
Tuba
Double Bass
Timpani
Drum Set
Percussion 1
cross-stick
Percussion 2
Percussion 3
Percussion 4
Percussion 5
Marimba
Xylophone
(soft mallets)
1 2 3 4 5 6 7
Wood Block

Picc.
Fl. 1
Fl. 2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
8
- 29 - 4. Issa Juke Joint
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1.3
F F. Hn 2.4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
mute
mute
Dr. Set
P. 1
P. 2
P. 3
Glockenspiel
Vibraphone
Ped.
Ped.
P. 4
P. 5
8 9 10 11 12 13

Full Score (Transposed) - 30 -
Picc.
Fl. 1
Fl. 2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
17
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1.3
F F. Hn 2.4
1
Tbn.
2
B. Tbn.
mute
mute
mute
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
(Glockenspiel)
(Vibraphone)
(Xylophone)
Ped.
Ped.
P. 4
(Marimba)
P. 5
14 15 16 17 18 19

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1
F F. Hn 3
F F. Hn 2.4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
- 31 - 4. Issa Juke Joint
shake
shake
shake
shake
shake
shake
open
open
open
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
Ped.
Ped.
(Wood Block)
20 21 22 23 24 25 26

Piccolo
1
Flute
2
Oboe
B♭ Clarinet 1
B♭ Clarinet 2
B♭ Clarinet 3
Bass Clarinet
Bassoon 1.2
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
B♭ Trumpet 1
B♭ Trumpet 2
B♭ Trumpet 3
1
F French Horn
3
2
F French Horn
4
Trombone 1.2
Bass Trombone
Euphonium
Tuba
Double Bass
Timpani
Drum Set
Percussion 1
5. Finale - It’s Lit! Recap
= 54 Lento agitato
6
(open)
(open)
(open)
1.
3.
2.
4.
Percussion 2
Percussion 3
Percussion 4
Percussion 5
Hi-hat, closed
Bass Drum
1 2 3 4 5 6

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
1.
2.
rall. = 150 Cantabile con moto
mute
mute
4.
3.
mute
- 33 - 5. Finale - It’s Lit! Recap
P. 2
P. 3
P. 4
P. 5
7 8 9 10 11 12 13 14 15 16

Full Score (Transposed) - 34 -
Picc.
Fl. 1
Fl. 2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
26
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
1.
3.
stopped
stopped
stopped
stopped
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
Triangle
17 18 19 20 21 22 23 24 25 26 27 28
Glockenspiel
Chimes

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
34
- 35 - 5. Finale - It’s Lit! Recap
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
F F. Hn 1
F F. Hn 3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
open
open
open
open
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
29 30 31 32 33 34 35 36 37 38 39 40 41

Full Score (Transposed) - 36 -
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
48
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
(Glockenspiel)
Vibraphone
(Chimes)
(Triangle)
42 43 44 45 46 47 48 49 50 51 52

- 37 - 5. Finale - It’s Lit! Recap
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
53 54 55 56 57 58 59 60 61 62

Full Score (Transposed) - 38 -
64 = 157 It's Lit!
Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
1
Bsn
2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
(Glockenspiel)
(Vibraphone)
Xylophone
(Hi-hat)
Bass Drum
63 64 65 66 67

Picc.
1
Fl.
2
Ob.
B♭ Cl. 1
B♭ Cl. 2
B♭ Cl. 3
B. Cl.
Bsn 1.2
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
B♭ Tpt 1
B♭ Tpt 2
B♭ Tpt 3
1
F F. Hn
3
2
F F. Hn
4
1
Tbn.
2
B. Tbn.
Euph.
Tba
D. B.
Timp.
Dr. Set
P. 1
P. 2
P. 3
P. 4
P. 5
- 39 - 5. Finale - It’s Lit! Recap
68 69 70 71 72 73