The Artful Mind february 2024

The Artful Mindfebruary 2024 .qxp_Layout 1 1/29/24 10:21 AM Page 1

THE BERKSHIRES MAGAZINE FOR PROMOTING THE ARTS In Print & Online Free Since 1994

THE ARTFUL MIND

FEBRUARY 2024

ANASTASIA TRAINA

Photography by Bobby Miller


KEITH DAVIDSON

Stillness

www.davidsondesigncompany.net

Studio appointments, please call 413-528-6945

Keith and Mary original artwork for sale

Studio/gallery, South Egremont, MA


THE ARTFUL MIND

FEBRUARY 2024

Free spirits and beings

ANASTASIA TRAINA

Artist / Writer

INTERVIEW BY H. CANDEE

COVER / INSIDE PHOTOGRAPHY : BOBBY MILLER...16

ELIZABETH CASSIDY

Artist / Ilustrator / Writer / Peace Lover

INTERVIEW BY H. CANDEE...26

ASTROLOGY FOR CREATIVES

D.M. Musgrave - February 2024 ...43

RICHARD BRITELL | FICTION

THE PRODIGAL DOG

PT. 5: THE ELEPHANT...47

Publisher Harryet Candee

Copy Editor Marguerite Bride

Third Eye Jeff Bynack

Distribution

Ruby Aver

Carolyn Kinsolving

Contributing Writers

Richard Britell

Deanna Musgrave

JANE GENNARO

Contributing Photographers

Edward Acker

Tasja Keetman

Bobby Miller

ADVERTISING RATES

413 - 645 - 4114 artfulmind@yahoo.com

issuu.com | Instagram

FB: ARTFUL MIND GALLERY for Artful Minds 23

The Artful Mind

PO Box 985

Great Barrington, MA 01230

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unforeseeable circumstances beyond our control, advertisers will be compensated on a one to one

basis. All commentaries by writers are not necessarily the opinion of the publisher and take no responsibility

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THE NEW JACK PAAR SHOW

IT’S A PRINT!

jgennaro@mac.com

THE ARTFUL MIND FEBRUARY 2024 • 1


DARK AND LIGHT

FEBRUARY 2 - MARCH 31, 2024

———-

AT HOTEL ON NORTH

297 NORTH ST., PITTSFIELD, MA

MARK MELLINGER

Paintings - Collage - Constructions

CLOCK TOWER ARTISTS

3rd Floor 75 South Church St Pittsfield MA

914. 260. 7413

instagram.com/mellinger3301

markmellinger680@gmail.com

Damocles. Acrylic, cardboard and iron on birch, 48 x 32”

DON LONGO

"This painting is a reflection of life. We are all on a

journey that can sometimes be very challenging and at

other times, it can be very smooth. This painting is

about those challenging times we all have. We can

get through those times with calmness and relaxation

in spite of the chaos." - Don Longo

www.donlongoart.com

Facebook: Don Longo

Instagram: don_longo

Email: dljoseph55@yahoo.com

THE JOURNEY, CALMNESS IN THE CHAOS

40” x 30” In Gallery, Wrapped Canvas, Acrylics

2 • FEBRUARY 2024 THE ARTFUL MIND


RICHARD CRIDDLE

DR. PREPPER

Steel, bronze, aluminum, plastic, acrylic paint

2023

78” x 28” x 28”

RICHARD CRIDDLE

richardcriddle55@gmail.com | mobile (413) 652-5952

richardcriddlesculpture.com | Instagram criddle_richard

THE ARTFUL MIND FEBRUARY 2024


THE ARTFUL MIND

- presents -

ON THE CANVAS

A BIG GROUP ART SHOW

“The transience of life and the importance

of cherishing every moment”

April 13 —May 11, 2024

Reception:

Saturday, April 13 • 5pm - 7:30pm

TIME & SPACE LIMITED / TSL

434 Columbia Street, Hudson, NY • Open daily



SCHOOL’S OUT, 21” X 29”

THE RED CATFISH, 41” X 32”

KEITH DAVIDSON

A native of the Berkshires, Keith has been painting

for the last 20 years, motivated by the natural

beauty of his surrounding environment. Keith

shares a studio with his wife Mary, at their home

in South Egremont.

Keith’s dazzling collection of colorful, creative,

“fish” paintings are inspired by his love of fishing

and boating. He also has a tree collection, flowers

and vibrant experimental paintings by combining

objects in nature with geometric forms.

Keith has had many paintings juried into the Housatonic

Valley Art League summer shows, receiving

six “Best in Show,’ eleven “Awards of

Excellence,” and seven “Honorable Mentions.”

Keith is an artist who has had regional influence,

and many of his paintings hang in private collections

throughout the tristate area.

Keith considers himself to be a self-taught artist,

although he has participated in classes at BCC and

IS 183. His medium of choice is acrylic paints,

used in a very watery base like watercolor. Paintings

are framed under acrylic glass and double

matted.

Keith Davidson -

413-717-2152

kjdavidsongio@aol.com

www.davidsondesigncompany.net

BACK TO THE DRAWING BOARD

STEEL, ALUMINUM, BRONZE

MADE IN 2019 AT SALEM ART WORKS, SALEM NY

SUPPORTED BY AN OXYGEN FELLOWSHIP

58” X 40” X 28”

RICHARD CRIDDLE

SCULPTOR-HUNTER-GATHERER

As a child, my favorite part of Daniel DeFoe’s

novel Robinson Crusoe was when Crusoe builds

a raft to ferry himself between shipwreck and island,

gathering supplies and scouring for resources.

I did this myself in 1996 when I came to

the US with my wife and two young children. I

arrived at the yet-to-become MASS MoCA in

North Adams Massachusetts with very few tools

and no materials. I immediately took inventory,

mining derelict factory buildings for useful stuff,

and set myself up in a make-do studio. Like Crusoe,

I was a hunter-gatherer and immigrant, far

from home, making the best of it. Physical distance

provided me with a safe place to look back

over time.

Robinson Crusoe gathered provisions to sustain

his physical body. I gather the provisions I need

to feed my creativity. Gathering allows me to observe

and investigate without getting stuck in

early decision-making. On any given day, I might

be mocking up several different sculptures,

clamping things together, or photographing and

sketching them, allowing myself time to assess,

to see whether a visual fusion will happen. These

early stages - hunting, gathering and stocktaking,

allow me time for deep and intuitive experimentation.

The solid graft of building sculpture.

—RICHARD CRIDDLE, OCTOBER 2023

Richard Criddle-

413-652-5952

richardcriddle55@gmail.com

richardcriddlesculpture.com

Instagram criddle_richard

CLASSIC FLORA, WILDFLOWER ENGAGEMENT RING

TW MCCLELLAND

& DAUGHTERS

CREATIVE FINE JEWELRY

Tim McClelland is a fine jeweler in Great Barrington,

MA known for his 20+ years as the creative

hands and mind behind McTeigue &

McClelland Jewelers. He has been practicing the

art of jewelry making for more than 50 years.

Engagement rings from his Wildflower Collection

are worn by editors of Vogue, Vanity Fair, W,

Town & Country, Martha Stewart Weddings, and

acclaimed by many more. TWM original pieces

have graced the red carpets of the Oscars and

Cannes.

Tim uses ancient and traditional jewelry making

techniques to bring to life timeless, inspired jewelry.

His work is known the world over by jewelry

connoisseurs and those who seek out originality,

beauty and quality. In his designs Tim is inspired

by nature, humor, light, balance, and the materials

themselves. He uses his his work to create a joyful

expression in a tiny space. Most importantly Tim

hopes to be of service to his community and customers.

Beginning this Autumn the TWM atelier doors

will open to the public, Thurs., Fri, Sat, 11 - 5pm!

Please join our mailing list via twmcclelland.com

for an invite to the opening.

Contact us directly about all things jewelry at

info@twmcclelland.com or 413-654-3399.

Follow along on Instagram and Pinterest at

@twmcclelland



E

X 96”

DOGWOOD OFFERING, OIL ON CANVAS,

28”X 30”, 2017

PAMELA BERKELEY

To be an artist, you have to know who you are.

If you are an artist, you know it without doubt.

The same is true for magicians.

I lived in Manhattan for 35 years, painting and

showing my work; bohemian and privileged; raising

my children. Then the world changed, and not

just for those who lived in the City. As my friend

Deanne Stillman brilliantly wrote “On the day the

Towers fell, furies flew out of the hole in the

ground…” in her article 9/11 And the Damage

Done for Rolling Stone and Truthdig. Spirits,

ghosts…

That night my great-grandmother, a Creek Indian,

visited me in a dream and said “What are

you doing on an island? There’s no good hunting

on an island. Follow the river North so your children

can follow you. Find yourself a good wood

lot, a fresh-flowing brook, a good roof and chimney,

and you’ll be OK”.

I sold my apartment and SoHo studio and

moved to a forest in Massachusetts. I had grown

up in a very rural part of Westchester County,

North of NYC, in the woods surrounded by farms

and lakes. I have always been entranced by my

natural surroundings, painting magical altars, and

of course the trees, fields, animals, flowers,

weather, and light. Whatever is around me and inspires.

Pamela Berkeley -

www.pberkeley.com

therealpamelaberkeley@gmail.com

LONNY JARRETT

BERKSHIRE SCENIC

PHOTOGRAPHY

My initial memory of awakening to the creative

impulse was hearing the first chord of the

Beatles, Hard Day’s Night, when I was six years

old. I knew something big was happening at that

moment, and I had to get on board! I began studying

at the Guitar Workshop, the first guitar

school in America. I’ve performed music most of

my life and play jazz fusion with my band Redshift.

My interest in photography blossomed as an

electron-microscopist publishing neuro- and molecular-biological

research out of UMASS/Amherst

and the Albert Einstein College of Medicine

in the Bronx in my early 20s.

As a lifelong meditator, martial artist, musician,

and photographer, everything I engage with

comes from the same unified intention toward engendering

the true, the good, and the beautiful. I

endeavor to capture the light that seeps through

everything in landscape and nature photography.

Lonny Jarrett -

Community: Nourishingdestiny.com

Books: Spiritpathpress.com

Art: Berkshirescenicphotography.com

Teaching: Lonnyjarrett.com

NANCY HARROD, BIRTHDAY FLOWER #2

GUILD OF

BERKSHIRE ARTISTS

MUSING OF NATURE

Twenty artists were selected for the juried Guild

of Berkshire Artists exhibit “Musings on Nature”

to be held at the Berkshire Botanical Gardens

Leonhardt Galleries from February 9 - 25 The response

was tremendous with 64 artists submitting

work. The quality and quantity of the submissions

far exceeded expectations which made it a

challenging but rewarding process for the Directors

of the Botanical Gardens. They strived to select

work that reflects the theme, represents a

variety of media, and highlights the skill of the

member artists.

The following artists were selected—

Carolyn M Abrams, Donna Bernstein,

Chelsea Bradway, Julie Edmonds,

Nancy Fagelman, Gail Gelburd, Jill Gustavis,

Nancy Harrod, Pat Hogan, Lynne Horvath,

Cindy Mathias, Russell Miller, Sarah Morrison,

Jaye Alison Moscariello, Amy Pressman,

Paula Shalan, Bruce Shickmanter

Margaret Skaggs and Natalie Tyler.

Join us in celebrating these artists at the reception

on Friday, February 9 from 5 - 7 at the

Botanical Gardens.

Guild of Berkshire Artists -

For more information visit their website

at www.berkshireartists.org

“Simplicity involves unburdening your life, and living more lightly

with fewer distractions that interfere with a high quality life,

as defined uniquely by each individual.”

— Linda Breen Pierce



Erika Larskaya

Untitled #14 Mixed media on paper 10”x10”

"As an abstract artist, I search for ways to represent the invisible, subtle, and unexpressed.

I am driven to lay out fleeting and intangible experiences on physical surfaces". —Erika Larskaya

Erika Larskaya Studio at 79 Main St. Torrington, CT www.erikalarskaya.art



REACHING OUT TO THE AUDIENCE

NATURE SOAKS IN

BRUCE LAIRD

I am an abstract artist whose two- and threedimensional

works in mixed media reveal a fascination

with geometry, color and juxtapositions.

For me it is all about the work which provides surprising

results, both playful and thought provoking.

From BCC to UMASS and later to Vermont

College to earn my MFA Degree. I have taken

many workshops through Art New England, at

Bennington College, Hamilton College and an experimental

workshop on cyanotypes recently at

MCLA. Two international workshops in France

and Italy also.

I am pleased to have a studio space with an exciting

group of artists at the Clocktower Building

in Pittsfield.

Bruce Laird-

Clock Tower Business Center, Studio #307

75 South Church Street, Pittsfield, MA

REFLECTION @ERIC.KORENMAN.PHOTOGRAPHY

@DANIPIGNATELLICOS

DEBORAH H. CARTER

MULTI-MEDIA ARTIST

Deborah H. Carter is a multi-media artist from

Lenox, MA, who creates upcycled sustainable

wearable art. Her couture pieces are constructed

from post-consumer waste such as food packaging,

wine corks, cardboard, books, wire, plastic,

and other discarded items and thrifted wares. She

manipulates the color, shape, and texture of her

materials to compel us to question our assumptions

of beauty and worth and ultimately reconsider

our habits and attitudes about waste and

consumerism.

A sewing enthusiast since the age of 8, Deborah

first learned her craft by creating clothing

with her mother and grandmothers. Her passion

took hold as she began to design and sew apparel

and accessories. After graduating with a degree in

fashion design from Parsons School of Design in

New York City, she worked as a women’s sportswear

designer on Seventh Avenue.

Deborah’s art has been exhibited in galleries

and art spaces around the US. She was one of 30

designers selected to showcase her work at the

FS2020 Fashion Show annually at the University

of Saint Andrews, Scotland. She has featured in

the Spring 2023 What Women Create magazine.

Deborah Carter -

413-441-3220, Clock Tower Artists, 75 S. Church

St., Pittsfield, Massachusetts, Studio 315, 3rd

floor. Instagram: @deborah_h_carter

Debhcarter@yahoo.com

BE SEEN BE HEARD BE UNDERSTOOD

ARTFULMIND@YAHOO.COM

413.645.4114

MATT BERNSON

FIGURATIVE ARTIST

AND PROVOCATEUR

Born and raised just north of Boston, Matt

Bernson is a dynamic and provocative figurative

artist known for his bold and playful take on the

human form. A graduate of Massachusetts College

of Art and Design (MassArt), Bernson boasts

a BFA in Animation & Painting, a duality that is

evident in the fluidity and vibrancy of his work.

After a decade of honing his craft, Bernson

made a significant move to the Berkshires in

2020. This transition marked a new chapter in his

artistic journey, offering fresh inspirations and opportunities.

Matt’s passion for community and

collaborative creativity led him to join the Future

Labs Gallery Co-op in 2023, a platform that has

hosted his art since 2022.

Bernson’s artistry reached new heights in September

2023, when he shared the spotlight in a

two-person show at Future Labs Gallery. Known

for his wit and irreverence, his artist bio for the

show was a cheeky one-liner: “Wanna see some

butts?” This encapsulates Bernson’s ethos perfectly,

a fearless artist who invites his audience to

share in his delight and fascination with the

human form.

Bernson’s work is far from conventional, and

it’s this daring and distinctive approach that sets

him apart. With every piece he creates, Bernson

continues to push boundaries, challenge perceptions,

and infuse a sense of fun and freedom into

the world of figurative art. Additionally, in October

2023, he started a figure drawing group at

Future Labs Gallery, fostering a supportive community

for artists.

Matt has worked as both a caricature artist and

as a tattoo artist. And completed an artist residency

in May 2023 where he completed two

20”x24” paintings within a week and showed

them at Dacia Gallery in New York City.

Matthew Bernsonmatthew.bernson@gmail.com

Instagram @MattBernson.Art



CANDACE EATON

Jazz Duet 60” x 54” Oil | Jazz/Horse Series

The Jazz/Horse series spontaneously sprang onto my canvas after a model, posing for my very consciously controlled representational

Archetype/Icon painting series, switched my classical station to a jazz station. This inspired these freeflowing and expressive works,

and the acknowledged series name “Jazz”: These are Muse driven from the primal life force within each of us, and despite the perceived

erotic overtones, this merging shows us a glimpse of life outside the temporal perception of time and the isolation of Self…

The use of the equine form represents the physical, powerful and beautiful carnal life force and opens a door to a more spirited and

spiritual life; a celebration of passion and surrender of ones’ self to the Other - a total merging with the creative pulse of being...

They are not precomposed and I let the curves of the human body and horse shapes intermingle with one shape calling for the next

in the dance between them. —Candace Eaton

www.candaceeaton.com

candaceeatonstudio@gmail.com

candace@candaceeaton.com

Studio: Sheffield, MA

(631) 413-5057

Jazz/Horse pieces can be purchased as giclee prints on canvas. Contact Artist.

Jazz Duet Series and Others will be on view at Fly On The Canvas Art Exhibit

April 13 - May 11, 2024. Time & Space Ltd, 434 Columbia St, Hudson, NY



Matt Bernson

The Tree is Mi, Ink & watercolor on paper, 12"x18"

portrait painter • caricaturist

matthew.bernson@gmail.com • Instagram @MattBernson.Art



MARY ANN YARMOSKY

We long for a way to be heard from the moment

we are born. For some, words suffice; for

others, there needs to be a deeper form of expression.

That is how artists are born. Where one might

send their message through an instrument in the

form of music, another might write poetry or

prose. Still, others speak in something more tangible

through painting, photography, pottery, or

sculpting. Words only bring us so far…art is the

language of longing…a longing never fulfilled.

I have always found expression through art. At

age five, I began speaking through the piano that

sat waiting expectantly in our den, an instrument

that brought me peace throughout the years. Later

I took to creating through fashion design, dreaming

up and constructing costumes for the Boston

Opera Company and outfits for the fashionable

elite of Newport, Rhode Island. From there, my

path took many twists and turns as I lived as a

wife, mother, caretaker, and professional career.

When my youngest son passed away unexpectedly

several years ago, my longing to be

heard returned with a vengeance. Words did not

suffice. There are no words to express grief and

hope for what is lost. On that journey of anguish,

I met other women who had or were experiencing

their style of pain. I marveled at their resilience

and ability to go on despite different types of loss

or simply dealing with the uphill complexities of

life’s challenges. I began to recover my voice

through paint and a bit of canvas, but it was not

just my voice. The women I create in paint are a

composite of the many amazing women I have

met and continue to meet. I paint their humor, joy,

hidden heartbreak, and longing. These women do

not exist except on canvas, and their stories are

yours to imagine. Hear them.

Mary Ann Yarmoskymaryannyarmoskyart.com

maryannyarmosky.shop

CANDACE EATON

“Each gesture is its own psychological statement...”

The unfolding of the life force within me

as it comes in contact with the given world about

me motivates me creatively. The heart of the

human experience, when it enters the numinous

is beyond any style or “brand” of art and does

not belong to any movement.

American Archetype and Icon Series - I am

dedicated to presenting the complexities and dualities

inherent in our human nature. Because my

paintings function on multiple levels – social, psychological

and spiritual, I have reduced the image

to its most sparse. I consciously work in a fairly

traditional technique, which allows me to manipulate

the figure with any subtle augmentations

needed to enhance a gesture. I delete all but the

essential props, so the gesture dominates the often

poster- like format: This frees me to delve into our

human condition both psychological and spiritual,

even when I use a particular current or social issue

to highlight this. These Archetypes and Icons

stimulate an awareness that arises when the multiple

layers of reality are allowed to exist in one

frozen moment, in one human being.

Jazz Horse Series - my Jazz/Horse series spring

onto the canvas, where I basically control only the

composition. They are muse-driven from the primal

life force within each of us that can be sterilized

out of us. Eros has its opposite in Thanatos.

Despite the perceived erotic overtones of many of

these Jazz/Horse paintings, this very merging with

the other brings us out of the illusion of isolation

and time and gives us a glimpse of the eternal

pulse of life outside of our temporal perception of

time. They are a door to a more spirited and spiritual

life; a celebration of the joining of duality

and joy of being totally present when the “I” and

“Thou” merge with the creative pulse of being.

Candace Eaton-

631-413-5057

www.candaceeaton.com

candaceeatonstudio@gmail.com

candace@candaceeaton.com

MOLLIE KELLOGG

Creative Sorceress Mollie Kellogg conjures a

magickal world through canvas, film, music and

dance. Her award-winning Incognito Witch Project

celebrated hidden magick. Prior to the Witch

Project, which launched in 2009, Mollie’s work

focused on motherhood themes, and figurative

magical realism. Mollie is currently working from

Dalton, MA in her in-home studio on fine art

commissions, commercial ad design, and interdisciplinary

passion projects.

Non-essential musing: I sense that creativity is

somehow channeled from the universe and everyone

has the ability to tap into it — and I believe if

you ignore it, or crimp off your “creative flow”

for whatever reasons (personal, work, fear, family,

abuse, insecurity, time…), then you may suffer

over time in some unexpected way.

I hope the artistics and non-creatives alike

come to recognize that they can bring creativity

into their everyday activities in baby steps — such

as spending a little more time coordinating an outfit,

putting on makeup or styling one’s hair; humming

or singing a song, or tinkering on an

instrument; doodling, writing poetry, jotting down

dreams, or journaling; arranging the furniture,

flowers, or the knick knacks on the shelf; playing,

laughing, pretending, visualizing — taking pleasure

in these rituals as time permits. It doesn’t need

to be a big production to get a little more creative

juice flowing in your life.

Mollie Kellogg -

413-242-4108

artist@molliekellogg.com

www.creativesorceress.com

www.molliekellogg.com

www.vimeo.com/molliekellogg

.

You want to know how I think art should be taught to children? Take them to a

museum and say, "This is art, and you can't do it."

– Steve Martin



KATE KNAPP

Garden Steps Oil on canvas, 36” x 36”

My Garden

February 1 - 25, 2024

Opening Reception: Saturday Feb 10, 2 - 6pm

Oriental Poppy in October Oil on canvas, 30” x 40”

510 Warren Street Gallery

510 Warren Street, Hudson NY

Friday, Saturday, 12 - 6, Sunday, 12 - 5

FRONTSTSTUDIO@AOL.COM or call 413 274 6607

Ghetta Hirsch

Ghetta’s Art will be on view

April 13 - May 11, 2024

Opening Reception:

Saturday April 13 • 5pm - 7:30pm

—

“FLY ON THE CANVAS”

TSL Warehouse -

Time & Space Limited

434 Columbia St

Downtown Hudson NY

413. 597. 1716

ghetta-hirsch.squarespace.com

Ghettagh@gmail.com

Little River, Stowe Vermont, Oil on canvas, 18” x 24”, 2020



Pamela Berkeley

The Black Ribbon, Oil on Canvas, 20” x 30 1/2”. 2020

Current/Upcoming Shows

Rockland Arts Festival, 77 Bardonia Road, Bardonia, NY 10954 USA

2024 Virtual Festival – 1/26/24 to 2/9/24, www.RocklandArtsFestival.org

In-person event Sunday, 2/2/24 at Palisades Center, West Nyack, NY

Video Interview: https://www.youtube.com/watch?v=bwmPljvRtw4

Rhode Island Watercolor Society, 831 Armistice Blvd, Pawtucket, RI 02861

Zooming In (Virtual) – 1/20/24 to 2/16/24, Zoom Opening 1/25/24 at 6:00pm

Entry won Honorable Mention

Bristol Art Museum, 10 Wardwell Street, Bristol, RI 02809

Art for All Season – 1/22/24 to 2/23/24

MVA Gallery, 35 E. Elizabeth Avenue, Suite 313, Bethlehem, PA 18018

A Tribute to Small Art – 1/28/24 to 2/25/24

Washington Art Association, 4 Bryan Memorial Plaza, Washington Depot, CT 06794

2024 Members Show – 3/9/24 to 4/7/24, Opening Reception on 3/9/24, 4-6pm

The Artful Mind at Time & Space, Ltd, 434 Columbia St, Hudson, NY 12534

Fly On The Canvas – 4/14/24 to 5/11/24, Opening Reception on 4/13/24, 5-7:30pm

PAMELA BERKELEY

therealpamelaberkeley@gmail.com

(413) 717-8264

https://www.pberkeley.com/

(Artist videos of exhibitions are attached)

Gallery: https://www.bluemountaingallery.org/



WAKING UP TO A NEW DAY, FROM BREAKAWAY SERIES

36" X 48" MIXED MEDIA ON CANVAS

ERIKA LARSKAYA

Confinement and Breakaway examine the mental

state of struggle to make sense of our environment,

both physical and psychological. I

incorporate childlike drawing to represent nonconformity;

the unadulterated state before we get

confined by rules, commitment, insecurities, and

other “add-ons.”

“I distress and repair parts of the painting, as we

do within ourselves. The drawings of floor plans

and elevations, which I use as a starting point,

create a sense of enclosure, which I expand by

continuing the lines outward, breaking the structural

pattern. This alters the sense of confinement,

breaking away from the [rigid, static] norm”.

Erika Larskaya -

https://www.erikalarskaya.art

ON WEST ROAD ENTERING THE VILLAGE, ALFORD, MA

INK DRAWING

STEPHAN MARC

KLEIN

I have been sketching and making art on and

off since my undergraduate education as an architect

in the late 1950s. What interests me at present

about creating art, besides the shear visceral

pleasure of making things, of putting pencil or pen

or brush or all of them to paper, of manipulating

images on the computer, and of making models,

is the aesthetic tension generated in the borderlands

between the abstract and the representational,

between uniqueness and reproduction, and

between analog and digital processes. I am also

interested in art that engages the social, the political

and the visual. Since my wife, artist Anna

Oliver, and I made our home in the Berkshires six

years ago, I have been entranced by its beauty.

My work is, in part, a visual rhapsody to the area.

Stephan Marc Klein -

stephanmarcklein.com, smk8378@gmail.com

SUSTAINED FLIGHT, BAT, EMU EGG,

SCULPTED METAL, PAINTED WOOD, GLASS.

JANE GENNARO

That’s a bat.

Nosediving into an emu egg

sitting on top of an elegant

metal thing that used to be

—a lamp?

Until the Wallkill River

flooded our friend’s house!

Electronics, cushions, CDs

Floating…drowned… washed up.

“Do you want to keep this?”

“You can have it."

That’s an emu egg.

Emus are from Australia,

This emu egg was given to me

in Buenos Aires,

by a woman named Dudu,

who I almost called Dodo.

I promised to be careful.

I cushioned my emu egg

inside two pairs of underpants

snuggled into a sweater sleeve

tucked in my luggage

“I have a present for you!”

My husband has brought me

as many dead bugs, birds, and mice

as the cat’s dragged in.

Now a bat! Meticulously extricated

from the front fender of our red Jeep.

Abstract Milkweed

BRUCE PANOCK

WWW.PANOCKPHOTOGRAPHY.COM BRUCE@PANOCKPHOTOGRAPHY.COM

917-287-8589

Bat

Egg

Flood survivor.

Disparate journeys,

Same fate

Born to be art

Living under a glass bell.

Perfect landing.

Jane Gennaro -

janegennaro.com

jgennaro@mac.com



Nina Lipkowitz

"Inner World” Stoneware Collage with rattle 12.5 X 12.5 Glaze and Polychrome

OTHER WORLDS

Multi Medium, Stoneware, Collages and Paintings

Friday, March 1 — Sunday, March 31

Artist Opening: Saturday, March 2, 2-6

510 WARREN STREET GALLERY

510 Warren Street Hudson, NY • Gallery hours: Friday and Saturday 12-6, Sunday 12-5



ANASTASIA TRAINA

ARTIST | WRITER

“As I was mesmerized by the magic within, she whispered, "Never lose your ability to see the extraordinary in the

ordinary." This lesson has stayed with me, influencing my artistic and curious perspective and encouraging me

to find magic in the everyday world.” —A.T

Interview by Harryet Candee

Photography of the Artist by Bobby Miller and Courtesy of the Artist

Harryet Candee: Let's start by explaining how

you examine and explore the smallest elements

in nature and the ways you study them before

an art project.

Anastasia Traina: My approach to examining

and exploring the smallest elements in nature before

starting an art project… Well, usually, I wait

for something in nature to "speak" to me, whether

it's a scar on a petal, a blister on a mushroom,

bruise, or bump on a leaf; I allow the natural

world to guide my creative process. I am particularly

drawn to the specimens that have experienced

life, misfits, or those who have had some

trauma. If I am lucky, I can take the time to study

them in their natural environment and observe the

specimen throughout the rest of its life span, photographing

its journey and documenting its

changes. I love their life process, their changing


and fading colors, the wrinkles … details that may

go unnoticed by others… capturing moments that

might otherwise be fleeting.

Then, I love delving into each specimen's folklore,

history, and medicinal purpose. This enriches my

understanding of the subject and allows me to

create art beyond the visual realm. The idea of

creating floral portraits based on this research will

enable me to convey not only the visual aspects

of the specimen but also its unique story and the

significance of its time here on Earth.

In your art making, you have included Elves,

fairies, and folklore; imaginative creatures

alive in their habitat; straightforward studies

of botanical renderings in pencils that include

flowers, fungi, and fauna; Underwater photography;

children's books and glass sculpture.

I'm interested in learning about their common

thread and the overall vision behind your

work.

AT: I believe the common thread in my work revolves

around the unseen, the unheard, and the

forgotten aspects of life—the things we often take

for granted. Whether it's the magical realms of

Elves and fairies, imaginative creatures in their

natural habitats, botanical studies of flowers,

fungi, fauna, underwater photography, the world

depicted in children's books or glass sculpture, my

art seeks to capture and convey the essence of

what is invisible to the human eye. It's about appreciating

the subtle and profound elements of existence,

like a single breath or a mother's hug, that

can be felt within a heartbeat. This overarching

vision guides my exploration across diverse subjects

and mediums.


(Left) The Solo Ginko Leaf, Ginkgo

(Middle) Praying Mantis

(Right) The Blossomkeeper

The colored pencil drawings of the natural

world that you capture are parallel with what

is possibly part of the cycle and process the entire

Universe goes through. That's my observation,

what do you think?

AT: I am very flattered by your observation, and

I believe there is some truth to it. I share the perspective

that life, whether in the form of an insect,

a flower, or a sentient being, is a precious gift.

I am drawn to the Underwater series (Word-

Press, A Funny Bunny Picture). I am curious to

know more about "Sleeping Beauty" and "The

Blossomkeeper," and also "Merman Oannes."

Where were they taken?

AT: Sleeping Beauty and Merman Oannes were

both captured underwater. Sleeping Beauty was

photographed in the Green River, while Merman

Oannes was taken in the Butte-aux-Cailles Swimming

Pool in the 13th arrondissement in Paris. For

me, Sleeping Beauty is portrayed as if in a glass

coffin made out of water, and I'm intrigued by exploring

what happens in that singular breath or a

kiss that awakens her.

Merman Oannes, also known as Adapa and

Uanna, was a Babylonian god from the 4th century

BCE. According to legend, he emerged from

the ocean daily as a fish-human creature to share

his wisdom with the people along the Persian

Gulf. He imparted knowledge of written language,

the arts, and sciences during daylight hours

before returning to the sea at night. This mythological

figure is part of my artist underwater series

and an homage to my magical professor Higgins

and my ex-husband, Sammy George. An incredible

photographer and artist.

As for "The Blossomkeeper," although it was not

taken underwater, it carries a similar atmospheric

feel.

I enjoy your drawing of the praying mantis sitting

on a branch. Please tell us about this drawing.

AT: The drawing of the praying mantis on a

branch holds a special significance for me. At the

beginning of the summer, I purchased two Praying

Mantis Egg Cases with the excitement of a child

buying mythical Sea Monkeys filled with hopes

and dreams. I placed the egg cases on my climbing

Clematis in the garden, and I felt they were

well hidden and safe.

As the weeks passed and the summer business unfolded,

I kind of forgot about them. It wasn't until

Continued on next page...



Merman Oannes

Sleeping Beauty Under Water



ARTIST / WRITER ANASTASIA TRAINA

The Lullaby

The Sky is Full of Promise

one fall day, pondering if the egg cases had

hatched, that I experienced a magical moment. A

curious praying mantis appeared on my windshield

as I sat in my car enjoying a salad after

grocery shopping. The thrill of encountering this

creature, seemingly conjured by my morning

thoughts, was as enchanting as my first meeting

with a praying mantis at my Aunt Nancy's house

when I was seven. The drawing captures the essence

of that magical thinking, the joy of unexpected

encounters, and the enchantment of

connecting with nature. It's a tribute to the mesmerizing

charm of praying mantises and the memories

they evoke.

Seeing your drawings have given me a new appreciation

and has encouraged me to look

closer at the tiny world of insects and a refreshed

closer look at plant life. Were you this

curious and imaginative as a child?

AT: Yes, I was always curious and imaginative,

even as a small child. When I was a little girl, I

used to sit on the concrete by my grandmother's

feet in front of her bric-a-brac shop on 79th Street

and Columbus Ave. in New York City. In that tiny

square of dirt on the sidewalk that she called her

garden, I would draw everything I could see—the

blue-green grass around the linden tree's roots, the

marching black and red ants, and the James and

the Giant Peach-like tomato in an old espresso

can. This became my first illustrated playground

for what my grandma called my "little people."

I remember a particular day when I finished a

sketch of one of my garden beings adorned in a

cloak of lilacs. My grandmother laughed and

clapped enthusiastically. In a spontaneous and unusual

gesture, she closed her shop for the day and

took me straight up the block to one of my favorite

places, the Museum of Natural History. There,

she bought me a piece of glass with magical

powers. Holding it up to the sunlight revealed a

miraculous rainbow of colors. As I was mesmerized

by the magic within, she whispered, "Never

lose your ability to see the extraordinary in the ordinary."

This lesson has stayed with me, influencing

my artistic and curious perspective and

encouraging me to find magic in the everyday

world.

What is the message behind the glass sculpture,

The Lullaby?

AT: “The Lullaby” is deeply rooted in the concept

that wherever there is a mother's love, that is

home. I use the idea of a mother's love in a broad

sense, acknowledging that it takes many forms.

It's a universal theme that transcends species and

captures the essence of comfort, care, and belonging.

Can you describe the process of Kiln-casting

that you use for creating 3-dimensional art

using glass as the medium?

AT: Yes, of course. The process of Kiln-casting

that I use for creating 3-dimensional art with glass

as the medium involves several steps. It all begins

with inspiration, followed by creating several

drawings before I start sculpting in victory wax.

Once the wax sculpture is complete, I make a silicone

mold, allowing me to reproduce multiple

versions if necessary.

Next, I pour hot wax into the silicone mold to

create a replica and cast it in a potter's plaster

grog. This results in a lost wax mold. After steaming

out the wax, I am left with a hollow mold of

my sculpture. This hollow impression is then

filled with carefully measured bits of colored

glass. Before placing the mold into the kiln, I




Ms. Poppy Farmer

The Waspkeeper

write the firing schedule, specifying the temperature

and duration. The kiln-casting process transforms

the glass into a 3-dimensional art piece,

capturing the essence of the original wax sculpture

with added depth and color.

You mentioned your latest creative explorations

revolve around art and the environment

and using Scanning Electron Microscopic

(SEM) imagery for glass sculptures. What is

this all about?

AT: For me, it is a deeper investigation into the

beauty of nature that is not visible to the eye…

Yes! I aspire to create glass sculptures or large storybook

pages incorporating SEM imagery of single

pollen grains. This intense magnification will

allow us to witness the invisible world of a single

grain… which is truly mind-blowing. I aim to

draw the pollen's incredible landscape as my

imaginative botanical creatures witness them

floating in the air. Through exploring different

flower pollen, I seek to bridge the gap between

the seen and unseen, inviting viewers to appreciate

the intricate, awe-inspiring beauty beyond our

usual perception of the natural world.

Have you traveled much in your life, taken off


to far-off exotic and exciting places that helped

give you creative and insightful ideas in artmaking?

AT: Yes, I have been fortunate enough to live in

Paris and travel extensively, gaining creative and

insightful ideas for my art. For eight years, I traveled

to many exotic places while working with

some of the most creative and talented people in

the fashion industry. This experience allowed me

to learn every aspect of the fashion business.

Among the places I visited, Japan stands out as

my favorite. I developed a deep appreciation for

their meticulous attention to the smallest details.

As witnessed in events like their tea ceremonies,

the cultural richness and aesthetic sensibility set

the imagination ablaze. The experiences from my

travels, especially in Japan, have played a crucial

role in shaping my artistic perspective and infusing

my work with diverse influences.

Now, you are living in East Chatham, New

York. You left the city and moved to the country

and I can only imagine what the change

must have been like for you and your family.

What was a significant change for you?

AT: The most significant change for me as an artist

when I moved from the city to East Chatham,

NY, was the profound sense of belonging and connection

to the environment. From the start, I knew

I had found the perfect place where I truly fit. However,

it took my family some time to fully grasp

and appreciate what I felt deep in my bones. Living

in East Chatham allowed me to embrace a lifestyle

that nurtured my artistic spirit. I could have

a garden and raise bees, chickens, and two rabbits.

My dogs had the freedom to roam freely on our

property.

I understand you are a beekeeper! I am curious

to know how this took place for you. I can

imagine how the bees' swift movements inspired

you to capture them in a watercolor.

AT: Keeping bees is an amazing experience: enlightening,

humbling, educational, and rewarding.

Beekeeping supports community pollination and

food supplies and fosters bee populations outside

the commercial beekeeping industry. Besides all

that, I guess I was inspired by Sue Monk Kidd's

wondrous novel, The Secret Life of Bees.

I particularly love this quote:

"Place a beehive on my grave

And let the honey soak through.

When I'm dead and gone,



Watercolor of Bumble Bee

That's what I want from you.

The streets of heaven are gold and sunny,

But I'll stick with my plot and a pot of honey.

Place a beehive on my grave

And let the honey soak through."

So when I saw that the Berkshire Botanical Garden

was giving a workshop on Beekeeping, I immediately

signed up and was hooked. I soon

purchased a hive and all that goes with it, and for

one year, I went to sit in front of my hive to watch

their comings and goings. I was mesmerized by

their incredible, mostly female society. The bees'

swift movements indeed inspired me, and capturing

their essence in a watercolor became a natural

extension of my fascination with these remarkable

creatures.

What is your glass project called, “The

Queen's Emergence" about?

AT: I dream of constructing a large glass installation

for the Berkshire Botanical Garden (BBG) in

Stockbridge, MA, in their newly installed wildflower

garden. In more detail, the installation will

be a 4' tall by 18" wide honey-colored glass sculpture,

a kiln formed in multiple stages, featuring a

half-human and half-wild queen bee chimera. She

will be captured, emerging from her hive as the

sole survivor after winter's end, rebuilding her

hive for the spring. The glass component will be

mounted on a pedestal constructed from the trunk

of a locally sourced eastern white pine tree to emphasize

the Bee's wild nature. The piece is designed

to illustrate the mutual dependence of

humankind and nature. It symbolizes the importance

of the Bee and the impact its pollination has

on the health of our local ecosystems. However,

unfortunately, not enough people are aware that

bees are slowly becoming endangered across the

globe, and their disappearance, if left unabated, is

expected to have cataclysmic environmental consequences.

To bolster the eco-engagement aspect

of this project, I would imagine the BBG, and I

will create educational events revolving around

the wildflower garden, my planned installation,

and the ecological importance of wild bees; these

will include outdoor talks near the installation,

guided walking tours through the wildflower garden

which hosts its natural population of wild

bees, and viewings of the installation which I

hope will inspire wonder and a desire for conservation.

This past May of 2023, you had an an art exhibition

at the Berkshire Botanical Garden

(BBG) in Stockbridge, MA. "Alchemy and Innocents:

Works by Anastasia Traina.” Were

you satisfied with the outcome of this show?

AT: Beyond, beyond, beyond, happy. It was a

dream to have a solo show at the beautiful Leonhardt

Gallery, from working with the incredibly

talented Matt Larkin as curator to all the wondrous

staff at BBG; well, let's say it was better

than the full joys of spring.

How did you go about deciding what went into

the exhibit? There is so much work in planning

a show of this nature, it must have taken

you months of planning, and fun.

AT: I was inspired by a passage I read in Les Miserables

where Victor Hugo tells us that Monseigneur

Bienvenu required only two things, "… a

little garden to walk in, and immensity to reflect

on. At his feet, something to cultivate and gather;

above his head, something to study and meditate

on; a few flowers on Earth and all the stars in

heaven." One day, while visiting BBG, these

words struck a great chord of truth as I found myself

face-to-face with a discerning cricket peering

out from its lofty perch inside a tubular flower. It





Cho Yosin

immediately occurred to me that here in the botanical

world, the flowers had a language of their

own, and the dazzling escapades of hidden and

not-so-hidden creatures communicated a perfect

reflection of much of what makes us human. This

profound realization became the seed that catapulted

a five-year journey toward my solo exhibit,

Alchemy and Innocents, at the BBG.

What did you enjoy most about this show and

being at BBG?

AT: I most enjoyed watching people go into the

gallery, not knowing what to expect, and come out

with a little lighter step in their gait and huge joyous

smiles. The opportunity to share my artwork

at BBG allowed me to witness its positive impact

on visitors, bringing joy and a sense of wonder to

their experience. It was incredibly rewarding to

see the transformative effect of art on individuals,

and it added an extra layer of fulfillment to the entire

exhibition.

Please explain the meaning of the bell jars in

the exhibit containing dried plants, seed pods,

bird nests, and small animals like bats. Also, do

they tell a story and have symbolic meaning?

AT: In the 17th century, some gardeners began

using a bell jar or cloche tool. Resembling a small


bell, glass cloches functioned as a miniature

greenhouse. To me, glass is a strange material. We

can see through it but can't touch what's on the

other side.

The bell jars in the exhibit carry symbolic significance.

They tell a story of preservation, encapsulating

the beauty of nature in a moment of time.

The glass jars protect and reveal, creating a space

where fragility and resilience coexist. Each jar becomes

a vessel of contemplation, inviting viewers

to reflect on the delicate balance between human

intervention and the natural world's inherent mysteries.

The children's book you are now writing, The

Curious Tales of Thymble Tarn", is about a little

girl living with her grandmother. How close

is the story to your life?

AT: Very close. My grandmother was my North,

my South, my Everything.

How important is world history to you? How

have you incorporated aspects of Victorian culture

and other cultures into your work?

AT: My artistic endeavors are paramount in history,

culture, science, and folklore. I am particularly

drawn to the Victorian era due to its

revolutionary breakthroughs in the arts and

sciences, shaping the world as we know it today.

In hopes of articulating a floral specimen's singular

and very brief yet epic tale that I happen upon,

I take inspiration from the moment, the color, and

the position of the flower. I study the ecosystem

that surrounds it and research its folklore and medicinal

properties, and it's there that I begin to

paint or sculpt a floral portrait. My work strives

to translate the biota's essence into a Nouveau-

Victorian floriography or a hanakotoba, a language

meant to convey emotion and communicate

directly to each viewer without using words. During

my time in Tokyo in the early '80s, the happiness

exuded by the children there left a lasting

impression. I often reminisce about their joyful

faces and the peace sign gestures during my walks

back to my apartment in Azabu Court. In honor

of those wondrous spirits, I created Cho Yōsei, the

Butterfly Spirit, and her Chīsai dragon, the little

dragon. The creation of Onna-Bug-eisha Poppi

Moto and her Leaf-Cutting factory was heavily

influenced by Tomoe Gozen, a renowned Onna-

Bugeisha from the Genpei War (1180-1185). She

served as the principal commander in several battles.

A fierce fighter, Gozen led 300 female samurai

into battle against 2,000 enemies and was one

of only five warriors to survive. Paying homage

to her strength, Poppi Moto embodies the spirit of


A.T.

The Argumentive G-Girls

survival and power in women. These characters

weave together Victorian aesthetics and diverse

cultural influences, creating a tapestry that reflects

the interconnectedness of history and human experience.

The roses adorning Oona Bug-eisha's

imagery were sketched at BBG last fall. I believe

they are Wollerton Old Hall Roses. Their fragrance

was delightful!

I came across “Hildie Von Glowenworm's

Recipe” on your blog page. I wonder what of

those ingredients are your favorite, and who is

Hilde Von Glowenworm?

AT: Hmm… I have to say that is a very hard

choice indeed…. But if I am honest, I would have

to say, "Mind Gliding" from a cozy, comfy chair.

I practice this very fine art every day, maybe thrice

a day. Yes, It really is a wondrous way of traveling

and very light on the pockets.

Hildie Von Glowenworm's Recipe:

Peppering Your Day with Delight…

1 – Greet pigeons with benevolence. They just

might do the wibbly-wobbly dance for you.

2 – Learn a silly word daily, like Hexakosioihexekontahexaphobia

– Fear of the number 666.

3 – Now, banish that word from your mind!

There really isn't any sense for such a silly word.

4 – Step in wet and soggy puddles as often as

you can. Ideally, without the aid of goulashes!

5 – Take long bike rides, preferably uphill. This

gives one a great sense of accomplishment.

6 – Learn a fine art, like MOOING or HOOT-

ING! This is very good to woo the woe-be-me's

away, especially on drizzly days.

7 – Join the very Secret and Hushhush Society

of Foliaphiles!

8 – Acknowledge your Shadow more…meaning

don't just talk to him on Sunny days.

9 – Practice your technique of Mind Gliding

from a cozy, comfy chair every day, or even

twice a day, if you are so inclined. It really is a

wonderous way of traveling.

10 – Finally, you must practice your leaping and

bounding atop your bed before wishing all the

stars in the sky a very bonne nuit!

Who is Hilda? Well, I would like to say she is

me… but I will say I strive to be like her in every

way I can.

Tell us about The Argumentative G-Girls.

What do you see in this photograph, and what

can we learn from it?

AT: In the photograph of The Argumentative G-

Girls from 2012, I see two little girls hiding behind

masks who love to argue for argument's sake.

One's truth seems unimportant; rather, the focus

is on winning. This is disheartening because truth

should always be paramount in any discussion or

debate. The image reflects the prevalence of eristic

tendencies and the importance of valuing truth

over winning. It also reminds us that what is considered

truth to one person may not be true for

another, highlighting the subjective nature of perspectives

and the need for open-minded and respectful

discourse.

A.T.

ANASTASIATRAINA.COM







ELIZABETH CASSIDY

ARTIST | ILLUSTRATOR | WRITER | PEACE LOVER

“I am a lover of colors and movement, but I so appreciate the crispness of black & white and stillness.

Whether I paint in watercolors or acrylics or draw in ink and colored pencils, my personal success comes from

drawing people into my art and my world.” —E.C.

Interview by Harryet Candee

Photographs Courtesy of the Artist

Harryet Candee: As you settle into your new life

in Berkshire County, art studio n' all, have you

had a chance to reflect on the incredible journey

that brought you here? From your years in

bustling New York City to the peaceful beauty

of your current surroundings, you've experienced

a world of contrasts. Can you tell us

some differences and similarities you have observed

and experienced?

Elizabeth Cassidy: I think I will always be a

New York City girl at heart, but I also love taking

chances and trying something new. Honestly, I

knew next to nothing about the Berkshires until

one day, my husband, Walter, asked if I wanted to

go live there. I felt stale where we were, and I

think my art was also suffering. So, without giving

it a second thought, I said, "Yes." Is it a big

change? Absolutely. The scenery seems to be untouched

in a lot of places. Where we were living,

it was all about building up and cutting down

trees. I don't recognize the town I grew up in, and

26 •FEBRUARY 2024 THE ARTFUL MIND

it saddens me that they ended up displacing birds

and animals who needed the forests. Life seems

to be a little more laid back here, not that I feel it.

I am one of these people who always has to be

going and creating and discovering. I miss our

beaches, but I am growing to appreciate the lakes

around here. And everyone has a dog here! We're

working on rescuing one. I know we made the

right decision moving to the Berkshires.

What do you think about when you reflect

back on your time in the city?

EC: I think living in the city was a great schoolroom

for me. It might be a visual overload to

many, but I loved exploring the city for all it had

to offer. Each neighborhood has its own style and

seeing the colors and designs and even the outfits

that were adorned by the chic and hip people who

lived there were great in helping me develop my

artistic side because in Manhattan everything

went with everything.

I think living in Manhattan taught me to: Be more

fearless. The only one who has my artistic vision

is me so whether it was the written word or an illustration,

I learned to express myself and turn off

the noise.

Never let anybody make you feel small. I had to

relearn how to paint and draw and when I look

back at what I did back then, I saw me trying out

my new voice. And over the years that voice got

bigger, and more beautiful.

Keep Learning. I will never say that I do not need

to learn anything more about my art or artmaking.

One teacher can change everything for you and

your art. I have been so lucky to have such talented

teachers share their knowledge on zoom

calls and the majority of my teachers are from the

west coast. So, if you want to learn something

new, you can find it. Just ask Alexa nicely.

The “Odd Sisters” series is exciting to me.

Their distinct personalities and intricately de-


At Night He Could Hear Her Lost Voice Through the Walls

tailed backgrounds are genuinely inspiring.

Tell us about this series, please.

EC: Thanks. Glad you like the sisters. I was taking

online art courses with Carla Sonheim, a

gifted and talented teacher from Seattle, Washington.

She has a guest artist, Lynne Whipple, who

gives a class on faces. I am an abstract artist, so

doing portraits is not my thing, but the course offered

us the freedom to create, and what showed

up on my papers were these very detailed illustrations

of women. A blues singer, Me Too

women, a grieving sister, a girl and her bunny, a

woman dealing with humidity and her hair and a

woman who turned into a tree. When I looked at

them, I titled them The Odd Sisters with the tagline,"Even

if you are a little odd, you'll always be

a sister." I want them to represent all kinds of

women and girls who are empowered or learning

to discover their strengths. If I may brag for a second,

two of the Odd Sisters, "The Lady No

Longer Sings the Blues" and "What Humidity?"

were in a show at the BJ Spoke Gallery in Huntington,

New York. What made me nearly faint

was that the assistant curator from MOMA selected

them for the exhibit.

With your background in advertising, what of

those skills might always be with you? Some

things stay with us no matter what.

EC: I think the most important skill I learned in

my 30 years in the field was how to treat people.

I was exposed to some of the best people I have

ever met, and some became mentors. The one

thing they all had in common was their respect

for the people with whom they worked. And I am

talking about very powerful people in the industry.

I am also very organized (when I want to be)

because of our workload. I became a list freak,

and I still keep a list nearby.


Three of The Odd Sisters



| |

Four of the Museum Cards


Your writing and artwork, whether commercial

or personal, demonstrate your sensitivity

and care in many directions. You have been attentive

and consider yourself an activist, which

has led you to create an "artist's statement" as

a response. I am curious about some of your

art reflecting the issues you felt were wrong

and how you expressed your opinion.

EC: Thanks again. It is nice when someone "gets

me." I have always been a fighter for human

rights. I do believe Maya Angelou said it perfectly,

"The truth is, no one of us can be free until

everybody is free." My parents taught us to accept

and love the differences in the people we meet. I

firmly believe, "You have to be taught to hate." I

was not; that was the best gift my parents gave me

and my siblings. That has always stayed with me.

My logo for my Little Love letters: A Peaceful

Revolution is an illustration I created of a heart

with a peace sign inside it. In 2023, I had a fundraiser

to raise money to help the people in Ukraine.

I created small art collages that I sold

online. I was thrilled that we raised nearly

$1000.00 in a few days.

I look at all the art I have created, and I know that

there is a thread running through most of it and

that it was created by an activist who is now an

artist and an artist who is still an activist.

At one point in the '90s, you moved back to

Long Island, and things changed for you. For

some reason, you thought it was time to return

to art. What was this in reaction to? And what

steps did you take to get back into art for pure

art's sake?

EC: It turned out it wasn't a good move at first.

The plans fell through, and it was the Universe

looking out for me. My last two jobs in the advertising

field showed me that I needed to get out. I

was talking about good and decent bosses before.

Well, I couldn't find them here.

I did a lot of blogging for several women's sites

and started interviewing writers and artists. I liked

interviewing the artists, but I felt I should be the

one creating art. I started playing with pastels and

watercolors. I had no idea what I was doing. I

went to FIT for fashion and advertising design.

What did this have to do with fine art? So, I proclaimed

myself to be a self-taught artist and carried

on. I was trying anything and everything. A


Can You Please Turn It Up

Two more of The Odd Sisters

more seasoned artist told me to pick a medium

and stick with it. I just looked at him and said,

"Watch me now." I started submitting my art to

shows, joined an artist group, and had a few onewoman

shows. I played with different mediums

but was not in love with what I was creating. I was

still looking for my artistic calling.

How extensive and in what developmental

stages did fine art unfold for you regarding

Collage, Abstract painting, and illustrations?

EC: When I started to work in all three of these

mediums, I knew I was on the correct path. My

fashion illustration degree helped me rediscover

how much I loved the flow of the pen and really

detailed work. I took painting classes in college,

and at the start of the pandemic, I enrolled in online

abstract painting courses. These courses were

a lifesaver in more ways than one. They helped

me develop my artistic voice. I learned more

about painting and composition. I learned I did

not like rules but worked with and around them.

I played with collage years ago, but once I got

more into them and the more magazines and

books that came to my house, the more excited I

got with cutting, ripping, and gluing papers down

and creating a whole new piece of art.

During high school, I had a part-time marketing

research job across the street from Bloomingdales

on Madison, and I always found

myself wandering through the store in amazement.

I was only used to going to Alexander's

in the Bronx with my mom. Much different.

Eventually, my curiosity in this eye candy

Bloomingdale's department store, so elegant,

led me toward the inner workings, like what it

would be like to get a real job in the advertising

department. You were fortunate to work there

and wonder what it was like.

EC: Bloomingdale's was the place to shop, and

other stores loathed us. People would actually get

excited when I told them where I worked. It certainly

seemed to be the right place at the right

time. I was part of a great team, and strong friendships

were made. We were young, and everything

seemed to be almost perfect. And then we heard

about this gay men's cancer. Everything changed

when it became known as AIDS. The fear of our

friends getting sick and the fear of people who

hated gays became even uglier. We still had to go

to work, and we had to create catalogs that would

cause people to overspend, and we had to worry

about our colleagues. We marched. We wrote

letters. We raised our voices for those who were

losing theirs. We became caretakers, and we buried

our friends. I remember at a memorial for my

dear friend, Robert, who was also my hair stylist.

One of his friends got up to speak. He looked

around the room and said, "You can tell who Robert's

close friends are. They are the ones with

roots." We needed to find some humor in a time

when there was too much death and hate. So, I

would love to say that it was a fabulous time, but

it made me more aware of becoming involved in

the problems that evolved around hating people

because of who they are. Or, in this case - who

they were. The activist was born.

Being an artist means that we need to be brave

about getting our art out there and seen. Can

you share a moment when you just went for it

to get your art out there?

EC: In 2018, I had a couple of greeting card lines:




ELIZABETH CASSIDY ARTIST / ILLUSTRATOR / WRITER / PEACE LOVER

Three of the One Liners of Faces

Two of the Museum Cards



Little Love Letters

Front and back of card

The Queen is Not Amused

A Peaceful Revolution and The Odd Sisters. Nas

sau County Museum of Art is a local art museum

with a museum store. I decided to place a cold call

to the museum's general manager. I told him that

I was a greeting card designer. He invited me in,

and the museum was having an exhibit called

"True Colors." He thought my cards would work

for the show, and I ended up designing cards for

them from 2018 till we moved to Massachusetts

in 2023. It was the best because he trusted me to

create cards around the exhibits. I can never thank

him enough for that trust. I became even more

confident in my art.

Going to an art school in the city is much to be

appreciated. I went to SVA, and you went to

FIT. We both learned that we had excellent formal

art training and never took it for granted.

What did you learn in FIT that shaped your future

and, personally, will never forget? Favorite

teacher?

EC: Jerry McDaniel was my favorite advertising

design teacher at FIT. He was very cool and wore

turtlenecks a lot. But, he reached into our young

brains and left us with much knowledge to take

out into the world. I had another design teacher

whose name escapes me. We were to create an advertising

campaign for soft goods like wedding

gowns. So when everyone announced their ideas,

I said I wanted to do my campaign on Planned

Parenthood. That poor, sweet man nearly passed

out. Some faculty tried to talk me out of it, but I

stood firm. They came around, and I have to say

that it was a terrific campaign. It is good to stand

up for yourself.

I would love to hear about your adventures

when not in school. What did you do for fun?

EC: I actually went back to school, but not your

typical school. Learning new things is fun for me.

I took a comedy writing class through the Learning

Annex in Manhattan. My friend David took

the course with me, and I discovered that I loved

writing jokes. I thought I would be a comedy

writer. Our teacher had other plans. Our last class

was to perform in front of a live audience in a

comedy club. I did NOT buy it until our teacher

explained that only we knew how we wanted our

jokes to sound. So I somehow got up my nerve

and performed for the first time in front of a room

of strangers. And I liked it. Sort of. I performed

between 3 and 4 years and wrote for two WNBC

radio shows. One of my prized possessions is a

signed rejection letter from SNL, letting me down

gently. I blame Tian Fey for that snub. I also

reinvented myself a few more times. I am a Reiki

practitioner, a certified creativity coach, a national

blogger, and a workshop facilitator. No wonder I

am exhausted

Regarding early education, weren't we all diagnosed

with not paying attention, not doing

homework, and not listening to the teacher? I

was that kinda' kid. I only wanted to do art.

How did it go for you?

EC: I think we had similar childhoods. I can honestly

say that I got into a lot of trouble. Somebody

had to, and I raised my hand. When we were




ELIZABETH CASSIDY ARTIST / ILLUSTRATOR / WRITER / PEACE LOVER

Five samples of Little Love Letter cards

One Liners of Faces

learning to write, I decided I wouldn't say I liked

letters. I had no interest in learning to write. Whenever

it was time to write a composition, I handed

in a drawing. The teacher and the nervous principal

were not amused. They made a deal with me.

I could hand in a drawing if I wrote a story about

it. It was not an immense success. I kept drawing.

Fifteen years ago, I was diagnosed with ADHD.

There was no surprise there, and finding out what

I knew was liberating. I look at ADHD as another

ability and not a disability. I could concentrate on

my art for hours, and that's not a bad thing. I did

finally begin to like letters except for the lowercase

Growing up, I was surrounded by families focused

on getting their kids to get good grades, get

a regular job, get married, and have lots of' kids,

never mind culture and the arts. My parents, like

yours, did have an interest in the arts. Did this bolster

give you the confidence to step closer to your

hidden talents as a future artist? EC: I had a

lovely mother who said she always wanted a

daughter to become a nun and would look in my

direction. Years later, she said that she was kidding.

It was too late. I lost about six years of sleep

over that. I would have loved to see my father become

a writer, but life got in the way. Seven kids

will do that, but we saw Broadway plays and traveled

to the Metropolitan Museum of Art.

The city was the most beautiful place to me, and

it still holds a lot of memories of my life there,

from St. Mark's Place to the Upper East Side.

When we were old enough, a friend and I would

take the train to the museums, and we both became

art majors. The exposure really helped inspire

us, and I thank my parents for making me

fall in love with the city.


Were you then, somehow getting art materials

on things you weren't supposed to, like on the

walls, but even that was okay with your parents?

EC: I think my parents were okay with me using

the walls as my canvases. I know it all got washed

over or painted over. I wonder if Picasso's mother

did that to him.

Ya' gotta have a sense of humor to get through

life. And you naturally can make people feel

good with your sense of humor. What instance

have you needed to work your humor that

made things better?

EC: I think your first sentence sums it up perfectly.

I had a father who had a brilliant sense of

humor. So, my exposure was early on in life. As I

got older, I used humor to keep a barrier between

me and people I perceived as school bullies. I

think people think if you are funny, then life is

easy. One of the reasons I stopped doing stand-up

was because of the drug and alcohol abuse and the

pettiness and anger of some of my fellow comics.

I think I do better on my own with one person or

a small group. I am naturally shy, and I love the

term: extroverted introverts.

Back to the Berkshires, how do you spend your

leisurely evenings?

EC: Leisurely? I am looking forward to that. We

moved into our house at the end of June and got

right to work on the house, and we haven't

stopped. We love the house and even had a holiday

party with our new neighbors. I am lucky

enough to have an art studio, a writing room, and

two cats who have finally stopped fighting each

other. We do go for walks and visit the ponds and

museums.

Please leave us with some wise and intuitive

one-liners and assertive statements you have

come up with that goes with the cards you

hand out. EC: Thanks for asking me about the

one thing I am most proud of in my artistic life. It

started as a way to honor the 49 people killed at

the Pulse nightclub in 2016. I knew I had to do

something and do something to help heal myself

and the people around me. Little Love Letters: A

Peaceful Revolution was my answer. I took my

art and wrote affirmations/positive thoughts

printed on small cards. I asked people to leave

them in public places where a complete stranger

could find them and know that they matter. I was

amazed and so grateful at the number of people

who wanted to spread love in a time of rising hate

in this world. We were doing great until the world

shut down due to the pandemic. My Little Love

Letters: A Peaceful Revolution cards are getting a

chance at a second life here, and I look forward

to my cards being part of the landscape in the

Berkshires.

Here are a few of my favorite lines:

"Being perfect is overrated. Just be yourself. You

can thank me later."

"Never give up on yourself, and I will never give

up on you. Promise."

“Put on your dancing shoes and show the world a

thing or two. Be Magnificent in all you do."

Thank you, Elizabeth.

ELIZABETHCASSIDYSTUDIOWORKS.COM

ELIZABETHCASSIDY@GMAIL.COM



| |

In The Cool

BRUCE LAIRD

Clock Tower Artists Business Center • Studio #307

75 South Church Street, Pittsfield, MA



FIRST SNOW IN VERMONT, OIL PASTELS, 9” X 12”

DONALD LONGO

The beauty of fresh fallen snow brings with it

a postcard setting but also the winter season. I

have always loved the natural beauty of it all.

As a young man, after a fresh snowfall, I would

put on my boots and winter clothes and take a

walk in the woods at the end of my street. I was

always alone with nature. I often took my camera

to remember those days. Fresh snow didn't last

long in the woods due to animal and human footprints,

fallen branches and the heat of the sun

melting the snow so I tried to go there as soon as

I could so I could remember these special times.

Donald Longo -

Facebook – Don Longo,

Instagram – don longo

Email - dljoseph55@yahoo.com

www.donlongoart.com

CASTRATION ANXIETY

CONSTRUCTION OF FOUND OBJECTS, 24” 2020

MARK MELLINGER

My two careers, art and psychoanalysis, concern

what can be said and what remains mute. In

painting, collage and constructions of wood and

iron I’m interested in the eloquence of the materials.

Avoiding a recognizable style in favor of experimentation,

I explore the possibilities of the

media. Our world and culture are dissolving. Art

can create precious islands of meaning and joy.

Mark will be showing his work at Hotel on

North, February 2 - March 31, 2024, 297 North

St., Pittsfield, MA 01201

Mark V. Mellinger, Ph.D.-

914-260-7413, 75 S Church St, Pittsfield MA,

instagram.com/mellinger3301

KATE KNAPP, MY GARDEN SERIES

FRONT ST. GALLERY

Pastels, oils, acrylics, and watercolors…abstract

and representational…..landscapes, still

lifes and portraits….a unique variety of painting

techniques and styles….you will be transported

to another world and see things in a way you

never have before…. join us and experience

something different.

Painting classes continue on Monday and

Wednesday mornings 10-1:30 pm at the studio

and Thursday mornings out in the field. These

classes are open to all...come to one or come again

if it works for you. All levels and materials are

welcome. Personal critiques are available.

Kate will be showing “My Garden” series of

paintings at 510 Hudson Gallery, 510 Warren St,

Hudson, NY. Feb 1- through the 25th. Reception

is Saturday, February 10, 2 - 6pm.

Front Street Gallery, Housatonic, MA. Gallery

open by appointment or chance, anytime. 413-

528-9546 at home or 413-429-7141 (cell)

www.kateknappartist.com

Ruby Aver

Orchestra Seat for Degas, Acrylic on canvas, 25” x 30”

rdaver2@gmail.com

Instagram: rdaver2.

Housatonic Studio open by appointment: 413-854-7007



Gallery

THE GUILD OF BERKSHIRE ARTISTS

- presents -

“Musings on Nature”

In the Anna and Frank Henry Leonhardt Galleries

at the Berkshire Botanical Garden

February 9 - February 25, 2024

Opening Reception: February 9, 5-7pm

Gallery hours: Tuesday-Sunday, 11-4pm

5 West Stockbridge Road

Stockbridge, Massachusetts 01262

Member artists were challenged to interpret their concept of what nature

means to them. Is it colors, textures, the amazing beauty of life in nature?

Is it the complexity as well as the simple beauty of spring tulips, fall

leaves and sunsets? The artists will tell us what moves them in nature!

Art on Main Gallery

38 Main Street, West Stockbridge, MA 01266

For more information about the exhibit and current

Art on Main Gallery Shows and hours go to our website

www.berkshireartists.org


SARAHJANE’S ROSE, ACRYLIC, 16” X 20”

SALLY TISKA RICE

BERKSHIRE ROLLING HILLS

Born and raised in the captivating Berkshires,

Sally Tiska Rice possesses artistic prowess that

breathes life into her canvases. As a versatile

multi-media artist, Sally seamlessly employs a

tapestry of techniques, working in acrylics, watercolors,

oil paints, pastels, collages containing

botanicals and mixed media elements. Her creative

spirit draws inspiration from the idyllic surroundings

of her rural hometown, where she

resides with her husband Mark and cherished

pets.

Sally's artistic process is a dance of spontaneity

and intention. With each stroke of her brush, she

composes artwork that reflects her unique perspective.

Beyond her personal creations, Sally

also welcomes commissioned projects, turning

heartfelt visions into tangible realities. Whether

it's capturing the essence of individuals, beloved

pets, cherished homes, or sacred churches, she

pours her soul into each personalized masterpiece.

Sally's talent has garnered recognition both nationally

and internationally. Her career includes a

remarkable 25-year tenure at Crane Co., where

she lent her hand-painted finesse to crafting exquisite

stationery. Sally is a member of the Clock

Tower Artists of Pittsfield, Massachusetts, the

Guild of Berkshire Artists, the Berkshire Art Association,

and the Becket Arts Center. Follow on

YouTube, Facebook, and Instagram.

Sally’s work is on the gallery walls of the Clock

Tower, Open Monday-Friday 9:00-5:00 pm for

self-guided tours.

Sally Tiska Rice - Berkshire Rolling Hills Art, 75

South Church St, , 3rd Floor, Studio 302, Pittsfield,

MA. 1-413-446-8469.

SallyTiskaRice@gmail.com; www.sallytiskarice.com

https://www.facebook.com/artistsallytiskarice,

Fine Art Prints (Pixels) - Sally Tiska

Rice, Twitter - Sally Tiska Rice, LinkedIn- Sally

Tiska Rice, Instagram - Sally Tiska Rice, You-

Tube - Sally Tiska Rice TikTok - Sally Tiska Rice.


What are you waiting for!

Time to show your art!

...413. 645. 4114




UNVEILING NO. 2

ACRYLIC ON CANVAS 18” X 24”

RUBY AVER

STREET ZEN

Growing up on the Southside of Chicago in the

60s was a history rich and troubled time. As a

youth, playing in the streets demanded grit.

Teaching Tai chi for the last 30 years requires

a Zen state of mind. My paintings come from this

quiet place that exhibit the rich grit of my youth .

Movement, shape and color dominate, spontaneously

combining raw as well as delicate impulses.

Ruby Aver -

Housatonic Studio open by appointment:

413-854-7007, rdaver2@gmail.com,

Instagram: rdaver2

COLORIZED PHOTO OF VINCENT VAN GOGH AT HIS HOME IN

ARLES IN 1889 ~ PHOTO "COLORIZED "BY ROBERT CAPA 1950

“It is with the reading of books the

same as with looking at pictures;

one must, without doubt,

without hesitations, with assurance,

admire what is beautiful.”

—Vincent Van Gogh


EYEBROW HOUSE AT SHAKESPEARE

MARGUERITE BRIDE

COMMISSIONS

For the past few years my professional painting

career has led me to more commission work.

While I still paint and love doing house portraits,

other scenes have also become part of my portfolio….

retirement paintings including special

buildings and people, scenes where a proposal

happened (and he said YES), gorgeous sunsets on

Bailey Island, landscape views from windows,

lots of wedding venues, college paintings for new

graduates, business paintings…the list goes on.

Each painting is special, personal, and meaningful.

The process is easy. If you are local to the

Berkshires, I will visit the home/site, take many

photos and do a few sketches on site. If not, I will

work from your photos. Drawing is the next phase

and where your input is valuable…what to include,

what to leave out or move, season, time of

day, pets in or out? So many fun things to consider

when creating and personalizing your treasure and

future heirloom.

Once the drawing is approved, I paint. The

painting process will take about a week…. most

of the time is spent in the preparation phase before

the painting begins.

Is this a surprise gift for someone? I love surprises

and do it all the time! I can be very stealth

at taking photos. Or are you nervous that the scene

might not be exactly what the recipient wants? A

gift certificate is perfect, then I will work directly

with the recipient.

Be in touch and I will answer all your questions.

And check out the “House Portrait” pages

of my website…. lots of information and details.

Marguerite Bride –

Home Studio in Pittsfield, Massachusetts. Call

413-841-1659; margebride-paintings.com; margebride@aol.com;

Facebook: Marguerite Bride

Watercolors.

ZACK LOBELL

THE FIRE REMEMBERS

Zack Lobdell's exhibition “The Fire Remembers”,

will open on Friday, March 1. This

will be the first show on view at Rooted in Salem,

a new arts destination situated in Southern Washington

County, New York.

Upon entering the gallery, visitors will be embraced

by the warm glow of fire imagery, casting

enchanting shadows that dance across the canvas.

The canvases on display radiate with the essence

of a bonfire scene, where spirits and souls come

together in perfect harmony. Silhouettes of figures,

both seen and unseen, gather around the

flickering flames, creating an ethereal ambiance

that captivates the senses.

This exhibition is a moment frozen in time,

where the mystical and the mundane intertwine,

inviting visitors to the gallery to immerse themselves

in the enchanting world of Lobdell’s art.

Each piece tells a unique story, inviting you to explore

the depths of your imagination and connect

with the hidden magic that lies within.

Zack Lobdell’s prolific work reaches back over

20 years. Never settling into a single style or medium,

he believes the keys to creativity and inspiration

are exploration, experimentation, and

consistent evolution. Zack’s work has been collected,

exhibited, and represented internationally,

including Singapore, London, Miami, New York

City and throughout the United States. He can be

found in his home and studio in Washington

County, New York.

The exhibit will open at Rooted in Salem gallery,

located at 196 North Main Street in Salem,

NY on Friday, March 1, from 5:30 to 7:30 pm.

Rooted in Salem is a contemporary art gallery

that offers a dynamic platform that aims to amplify

the voices of talented and inspired artists.

Located among the enchanting landscapes of upstate

New York, the gallery is nestled in the town

of Salem, a destination for art and culture.

Rooted in Salem -

196 North Main Street, Salem, NY. -

http://www.rootedinsalem.com

Instagram: @rooted_in_salem.

Follow Zack Lobdell:

https://www.zacklobdell.com/

Instagram: @zacklobdell


MARY ANN YARMOSKY

For the Love of Art Acrylic on canvas

Lady Sings the Blues Acrylic on canvas, 12” x 16”

Rhapsody in Blue Acrylic on canvas, 16” x 20”

My Funny Valentine Acrylic on canvas, 18” x 24”

“Each person I meet intrigues me with their different

stories and life experiences. My paintings are a dance

of spontaneity and intention based on observation.

With each stroke of my brush, I try to create a feeling,

a story, a challenge to the imagination of the viewer.”

— Mary Ann Yarmosky

maryannyarmoskyart.com | maryannyarmoskyart.shop



ELEANOR LORD

Carolyn M. Abrams

Landscape, Pastel

Please visit—

www.eleanorlord.com

To see more of the Artist’s Landscapes,

Still-life, Portraiture and more.

"Seeing Red" oils/cold wax medium

Atmospheric and Inspirational Art

www.carolynabrams.com

MEMBER GUILD OF BERKSHIRE ARTISTS

Look for me at various venues in the Berkshires this winter!

Come take a class with me at Berkshire South and

Lenox Community Centers

DIGITAL ART

RICHARD NELSON

nojrevned@hotmail.com



Sally Tiska Rice

Red Hearts, Acrylic, 16” x 20 ”

BERKSHIRE ROLLING HILLS ART

CLOCK TOWER ARTISTS

Studio 302, 3rd floor

75 South Church St, Pittsfield, MA

(413)-446-8469

www.sallytiskarice.com

sallytiskarice@gmail.com

EDWARD ACKER

PHOTOGRAPHER

Time Flies • Get Pictures

EdwardAckerPhotographer.com

413-446-8348





Astrology for Creators

February 2024

Fireworks

(Western Tropical Astrology. Time Zone EST/EDT)

D.M. MUSGRAVE

Overview:

While January 20th, 2024, introduced Pluto back

into Aquarius as a celestial motion that will impact

society for 20 years, February will be the month that

we start familiarizing ourselves with it. What is important

for us as creators is to pay attention to how

different planets that interact with Pluto this month

give us hints as to the trends that will take place. We

should also look out for how the Aquarius area of our

natal charts will transform our relationship to power

and transformation through these transits. So far, we

are seeing technological advancements that will impact

the art world such as A.I. Art and more power

shifting to humanitarians. I anticipate that the institutional

structure of the arts may also shift.

The first week of February may bring you clarity

of thought or a message about what Pluto in Aquarius

will mean as Mercury will become conjunct with

Pluto on February 5th in the morning. We will have

a New Moon in Aquarius at 5:58pm ET which might

highlight more awareness. This moon is a great time

to set positive intentions for how Pluto in Aquarius

will manifest in your life.

Valentine's Day will be significant as Mars and

Pluto will become conjunct in Aquarius early in the

morning on the 14th (although it may be felt as soon

as Mars enters Aquarius on the 13th). This combination

has the potential to be explosive but, also

passionate. For the romantics, this combination can

ignite sexual desire however it is a volatile energy to

be cautious of. This is an energy that could transform

love with passion or destroy it with harsh actions. I

am also deeply concerned about the ignition of conflict

or war-like tactics around this time. For creators,

pay attention to what passions are brought up within

the collective around this conjunction, it could give

a hint as to where to focus your creative practice.

A few days later in the very early morning of the

17th Venus will then become conjunct with that same

Pluto. This feels like a story playing out where something

either passionate or harsh happens around Valentine’s

Day to be followed up by love and

compassion a few days later. This combination of

Pluto with Venus also has the potential to express a

gothic or forbidden type of love which might be exciting

but, be cautious it doesn’t become toxic for

you. As an artist, I will be paying attention to how

Venus will be giving me hints about aesthetics and

my art practice around this time. It is also a unique

energy to express onto a canvas.

After that, Venus will be in an almost conjunction

with Mars (within 1-2 degrees) until February 22nd

when it exacts at 1:37am ET. This is where the sexual

passion of Mars meets with the love of Venus. If you

are courting someone at this time, the tension might

build until the 22nd. For creators, watch for what this

combination in Aquarius is making popular during

this time.

The last part of the month might help soothe things

like a cold shower as Pisces season will begin on the

18th followed by a Full Moon in Virgo on the 24th at

7:31 am ET. This feels like the collective focus will

shift after all that passionate or conflictual energy to,

focusing on practical matters, health, and healing.

Rising Sign Analysis for November:

Aries

Be aware that this month a lot of intense energy will

be happening around friends and networks. There is

a potential here for sexual passion to be ignited with

a friend. If this energy doesn’t manifest this way, it

could be focused on transforming your dreams. Use

the positive manifestation of the conjunctions of this

month (especially the 22nd) to ignite a fire toward

achieving your goals.

Taurus

The focus this month will be on transforming your

public image, legacy and or career. You will likely

have a passion reignited in this area of life. The best

use of this energy is to create a transformation towards

what you love and are passionate about. Be

cognizant that this energy can be volatile and there

may be some conflict in this area of life as well. Nothing

worth pursuing is without some obstacles.

Gemini

Something might rock your worldview this month

changing your perspectives or life philosophy.

Another way this energy could manifest is through

transformational experiences involving higher education

and/or something foreign, like long-distance

travel. If you have been feeling stuck in these areas

of life something may get highlighted for you around

the 22nd that will bring the passionate fire back or

help to direct you.

Cancer

The transits of this month may bring some intense experiences

around it. There is a possibility of intense

intimacy or sexual encounters. There could be something

transformational involving shared resources

like money. Death and or an intense spiritual experience

could make itself known in some way.

Leo

Pay attention to your long-term relationships and

partnerships this month. There is energy here to bring

passion but, it could easily shift into something painful.

It’s like playing with fire! A transformation in a

relationship is likely. If you are in a long-term commitment,

use the conjunctions (especially the 22nd)

to bring the fire back to re-ignite the relationship.

Virgo

Some possibilities for this month’s transits are transformation

in health, care for others, work, daily routine,

or pets. You may get insight into a new job

potential for you that involves caring for others or is

health-related. Use the dates outlined in the Overview

to get clues as to how to transform these areas of your

life.

ASTROLOGY FOR CREATORS

Libra

You have the potential this month for a passionate romance

or something intense with children like playful

fun and/or explosive creativity. This is an energy you

will want to be careful with as it can tip over and be

“too much fun” very quickly. On the other hand, this

could have the energy of a whirlwind romance or a

blast doing what you enjoy. If your children (or creations)

are trying your patience, know that things will

become calmer at the end of the month.

Scorpio

Pay attention to your home this month. You may feel

passionate about transforming it in a new aesthetic

way. Another manifestation of February’s energy may

be around your mother or family. This could look like

intense arguments and compassionate forgiveness

with a nurturing parent or other family members.

These transits are also happening in your deep emotions.

A good cry might be just what you need!

Sagittarius

If you have siblings, this month might ignite both expressions

of anger and love. If you don’t have siblings,

this energy may play out within your

neighbours. Be aware that you have transformative

power with your communications to express the full

range of emotions this month. Your words have

power right now so, use them wisely to assist others.

Capricorn

Pay attention to any way you are transforming your

relationship with money this month. These transits

highlight ways to shift your relationship with it. Your

self-worth is likely going to be a focus as well. If

things get tough, seek a blessing through siblings,

neighbours, your children, or kind words from others.

You also may find it easier to think/speak kind words

to yourself.

Aquarius

You may have a lot going on with your body this

month, so plan some extra time for care and rest. This

energy might also enlighten who you are at a core

level. Aquarius is a sign that has a bit more potential

for a whirlwind romance this month, just be careful

to protect your heart.

Pisces

The transits of this month are highlighting your mental

health and spirituality. This may be a great time to

get away to a retreat or spend time in solitude. Pay

attention to any messages you receive that assist you

in transforming your inner being. If things get tough

this month, know that potential blessings could come

from siblings, neighbours, or kind words.

I would love to hear how these predictions manifested

for you or what you noticed in the world that aligned

with the planet’s transits. Please share them on the

Facebook group “Astrology for Creators” (URL:

www.facebook.com/groups/astrologyforcreators/). It

helps me to know what you would like to receive in

my column. Do you prefer it when I focus on world

predictions, horoscopes for the rising sign, or both?

If you would like to offer feedback, please email me

at: astro_dee@yahoo.com

Please join the discussion at:

www.facebook.com/groups/astrologyforcreators/

D.M. Musgrave is an artist, energy worker and hypnotherapist.

You can contact her through her email

and websites at:

astrodee@yahoo.com

www.artisthehealer.com



JANE WITH SUNDAY MORNING TV

JANE GENNARO

Jane Gennaro lives in Claverack and New

York. Solo exhibitions include the Fashion Institute

of Technology, Klapper Center for Fine Arts

at Adelphi University, and the World Monuments

Fund Gallery. Locally, she’s exhibited at Time &

Space Ltd. in Hudson. Gennaro’s solo plays have

been produced by the American Place Theatre,

the Culture Project’s Impact Festival, and the

Toyota Comedy Festival. Her work has been reviewed

in the New York Times and featured in

New York Magazine. She has voiced audiobooks,

video games, documentaries and hundreds of

commercials. Gennaro’s satirical commentaries

aired on NPR’s All Things Considered. Locally,

she’s exhibited at TSL and The Claverack Library.

Jane Gennaro -

janegennaro.com

jgennaro@mac.com


Join us ... Promote your art

THREE. COSMIC GEMS

GLAZED AND POLYCHROME STONEWARE 2-3”

NINA LIPKOWITZ

Nina Lipkowitz, an artist who is known for experimenting

with different mediums is unveiling

a few new surprises in her latest exhibition. She

will be showing her new kinetic, abstract, clay

collages; some rattle when moved. This new body

of work will be shown along with multi-medium

work on paper and canvas.

Lipkowitz has circled back to her earthy and

earthly beginnings. She began her career carving

stone, exploring form and surface before moving

onto clay; both hand built and wheel thrown.

Later she discovered her passion for line, color,

paint creating wild iPad prints. Her most recent

body of work combines it all; form, surface, line

and color. Her hand built Clay Worlds are heavily

textured, glazed and polychromed, some in vivid,

some in subtle color reminiscent of her multi-medium

work on paper and canvas. Her forms seem

to take on a metaphysical significance. Each piece

is both a meditation and a work of improvisation.

This new work is once again inspired by and

mined from Lipkowitz’ rich, unconscious, creative

world.

OTHER WORLDS —

Friday, March 1-Sunday, March 31

510 Warren St., Gallery

Hudson New York

Artist opening, reception, Saturday, March 2, 2-6

Closing reception Saturday, March 30, 2-6

Gallery hours: Fridays and Saturdays 12 to 6,

Sundays 12 to 5

ninalipkowitz.com / ninalipkowitz@gmail.com

CLOSE ENCOUNTERS

WITH MUSIC

CELTIC BAROQUE

BAND MAKARIS

On Sunday, March 17, at 4 PM at Mahaiwe

Performing Arts Center in, Great Barrington,

CEWM will present “Celtic Baroque Band Makaris

– A Bach Family Concert with an Irish

Twist”.

In his dance suites, J.S. Bach ventures into Spanish

sarabandes, French bourrées, and British

gigues. He and family members delighted in arranging

Celtic and Scottish folk music. They will

be joined by Beethoven and Haydn who also forayed

into Irish folk music with their own arrangements.

Makaris formed in 2018 to explore the broad

musical heritage of Scotland and the following

year released its disc Wisps in the Dell, to critical

international acclaim (“Absolutely wonderful…

one of the very best releases of 2019 – MusicWeb

International.) A makar (pl. makaris) was a royal

court troubadour of medieval Scotland and the

program provides a lush sampling from the ensemble’s

collection. “You can’t help but feel like

you’ve suddenly traveled back in time and are enjoying

a tankard of old Scottish ale inside a seedy

establishment.” – Classical Music Sentinel

As of this season, CEWM has resumed its hors

d’oeuvres and wine receptions. Audience

members are invited to meet the artists and enjoy

beverages and bites by Authentic Eats by Oleg on

stage at the Afterglow receptions. Join us!

In addition to offering live in-person concerts, curated

online performances will be available to accommodate

geographically remote listeners and

newly expanded virtual followers.

“CEWM patrons have learned that sooner or later

they’ll be blindsided by a performance so sublime

it will defy explanation.” - The Berkshire Edge

Tickets, $52 for Orchestra and Mezzanine and

$25 for Balcony seats, can be purchased at

www.cewm.org or by calling 800-843-0778. Prorated

Season subscriptions for the remainder of

2024 ($185 Regular, $160 Senior), are available

until February 11 at cewm.org. We also offer a

virtual option—tickets are $28 for individual programs,

delivered to your email address.



Berkshire

Scenes

LONNY JARRETT

FINE ART PHOTOGRAPHY

Berkshirescenicphotography.com

413-298-4221 | Lonny@berkshirescenicphotography.com



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46 FEBRUARY 2024 THE ARTFUL MIND


The Prodigal Dog

PART 5

The Elephant

There is nothing inherently dangerous about caring

for an elephant, if you know what you are doing.

And even if you don’t know what you are doing, everything

having to do with the care and maintenance

of elephants can be carried out with nearly casual

indifference. But even the elephants' obvious deep

wisdom, and their basic decency and consideration

of others, especially their humans, is no protection

against the physics of their weight and bulk.

I have heard that a battleship, moving at the rate

of one hundredth of a mile an hour, can utterly demolish

any casual structure it might inadvertently

come in contact with, whereas a ping pong ball traveling

a hundred miles an hour will not do much

damage, even to a squirrel it might happen to hit. So

it is an important axiom that one should never place

oneself, even for a moment, in any small space between

an elephant, and an object, like a brick wall,

or even a wooden wall for that matter.

Elephants like to move slowly, as if they had to

make mathematical calculations and measurements

before taking a step to the left or right, and if there

happens to be three feet or more between yourself,

and the elephant, you have nothing to fear, but if you

are wedged between the wall of the elephant side,

and a wall of any kind, then your are one deep elephant

inhale away from death.

This dangerous situation of being wedged between

an elephant and a wall hardly ever happens,

except in the environment of an itinerant circus, and

it nearly happened to Valeria one summer day. Even

though it never actually happened, but only nearly

happened, it became one of those passing and fleeting

possibilities in life, of the sort that give rise to

symbolic and significant dreams.

About lunch time Valeria was riding her bicycle.

It was a new bicycle, new for her that is, but actually

quite old. It was one of a collection of bicycles and

even a few motorbikes and motorcycles that were

collected by the carnival employees in the early

morning just before they all departed for a new location.

These various assorted means of personal

conveyance were often left behind by their owners

when, after the visit to the carnival ended, they forgot

how they had come, and talking and laughing

with friends, walked home. Late in the evening it

might happen that, as they snuggled down in bed

late at night, the image of their bike resting contentedly

against the red and white stripes of a tent,

would rise up in their mind. With a shock they

would rise up in bed for a moment, and think “I left

my bicycle at the circus, and I didn’t bother to lock

it up. I better go and get it. But it is past midnight,

and surely it will still be there in the morning.” In

the morning, walking back down the road that was

so crowded the day before, they encounter a vast

empty field, with not a single structure of the day

before. Here and there papers and trash blow about

in the breeze. The ground is completely trampled,

and one sees those deep holes in the ground, like

wounds in the earth, where the tent spikes had been.

And as for any bicycle, nothing of the sort could be

seen.

It was one of these accidentally abandoned, and

repurposed bicycles Valeria was riding that morning,

on the day when she was almost killed by the one

old elephant belonging to the carnival.

It was a three speed, but the shifter did not work

and neither did the brakes. Without any brakes, she

had to anticipate all her stops, and she used her foot

on the ground to slow down and stop. Her shoes,

which were hand-me-down sneakers, hardly lasted

even a few weeks, because of being used for brakes.

Except for her mother’s complaints about the destruction

of her foot wear, absolutely nobody paid

any attention to what Valeria might be doing from

morning till night, or what dangerous situations she

might get herself into, except, for some unknown

reason, old Mr. Master’s who owned the circus, and

was the boss of everyone, and everything. The dirt

path she was riding on was a very big circle running

outside the circumference of the tents and wagons,

and as she passed the elephant she heard the raspy

croaking sound of Edmund, the carnival barker; he

was waving and calling to her. Edmund’s voice had

been destroyed from years of shouting encouragement

to the crowd. He was having a severe attack

of rheumatism, and he began beseeching Valeria to

stop her biking and help him with his numerous

tasks, because, on top of his duties as a barker, he

had thousands of odd jobs to do every day from

morning till night. Edmund was secretly jealous of

Valeria, because, being only 12, she was free to ride

her bike all day long, and nobody ever asked her for

anything.

Valeria stopped her bike with her left foot, and

laid it down in the grass, because it had no kickstand.

“Please fill up this bucket with water, and

wash down Bruno’s back side won’t you dear, my

own backside simply will not bend this morning.”

As he said this, he made an effort to move slightly,

and contorted his dried up wrinkled prune-like face

in theatrical agony. Valeria, who was happy and anxious

to do anything she was asked, even noxious

projects like the washing down of Bruno’s backside,

began to fill up a bucket with water from a nearby

pump, but she was interrupted by the owner of the

carnival, who we have mentioned earlier. He was

way off in the distance, but could be easily recognized

because he was round, dressed only in a white

hat, suit and shoes, set off with a red scarf and red

socks. Although he was far away in the distance he

was shouting and waving to the barker, and saying,

“Leave her alone Edmund, don’t be bothering her.”

Valeria shouted to the man in white, “It’s ok Mr.

Masters, I want to be…of use.” By way of an answer

the man in white said nothing, put his hands

on his hips, turned and walked away, thus indicating

that, in this one instance, Valeria could do the bidding

of the Barker.

Valeria washed down the elephant, front, back,

and sides, and talked to him affectionately the entire

time. She was saying, “Do you prefer being washed

down like this with soap and hot water, or would

you prefer to be fed apples?” Bruno did not answer

the question. He was thinking it was a meaningless

question, and was simply banter, so he remained silent

in his mind. Later, thinking over what Valeria

had said, he thought ‘Asking me if I prefer apples

to carrots would be a meaningful question but to

choose between….’ and at this point Valeria suddenly

said, “Which do you prefer, apples or carrots,

Bruno?” She said this because she could hear clearly

in her mind, the words Bruno was thinking in his

head. Neither Bruno, or for that matter Valeria

thought there was anything odd about such a conversation,

because, to them, it was just the usual

order of things. Valeria simply assumed that everyone

could hear what Bruno was thinking and she

only found it odd that sometimes people seemed to

be hard of hearing, or not paying attention to things

going on around them.

There is nothing really odd about Valeria’s assumptions

about hearing Bruno’s voice in her head.

After all, doesn’t everyone automatically assume

that what they see is what everyone else sees, what

one hears is the same as what everyone also hears,

and more to the point, doesn’t everyone assume that

what they feel in their innermost being, is what everyone

else feels in their innermost being as well?

No matter how many times one is forced, yet again

to realize that nothing could be further from the

truth, yet we persist with the assumption, because

how else is one to understand the world.

And so Valeria knew, without Edmund instructing

her, that the next thing she was supposed to do was

to lead Bruno by his tether, to his abode, which was

a huge shipping container with numerous holes

poked in it, and a wood ramp leading up to its entrance.

Valeria had never done this before and so

simply walked into the entrance with Bruno following

along behind, but he stopped short suddenly

when she heard the frantic shouts of the man in the

white suit and red socks, who for some reason had

remained in the vicinity. “Stop Valeria, not head

first, never head first with the… with Bruno.”

That was the rule of elephant housing, the elephant

must always be backed in, with the trainer always

on the outside, never on the inside, for to go

in head first created a situation too dreadful to imagine,

especially with one such as Bruno, whose walllike

sides practically touched the walls of his home.

Mr. Masters came running up and, trying not to

alarm or frighten Valeria, whom you must remember

was only 12, he explained the physics and geometry

of the elephant house. Then he went over to have a

little chat with Edmund, the carnival barker, and

though his voice was subdued, and he said very little,

the suppressed rage in his voice led one to really

wonder if there was not some other issue agitating

his heart.

This encounter with Edmund and the elephant

was the thing that sparked Valeria’s dream, a dream

to be forever remembered, the kind of dream that

becomes a marker and a guide post in life. What the

dream was we shall see next month.

—-RICHARD BRITELL, JANUARY 2024



BRUCE MURPHY

Brucemurphy17@gmail.com | Represented by Carrie Haddad Gallery

Prices and sizes upon request | BruceMurphy/Art on instagram | Bruce Murphy on Facebook



PORTRAIT PHOTOGRAPHY

Bobby Miller

28 Greenwood Circle, Egremont, MA 01230

508 - 237 - 9585

troubleblonde@comcast.net

By Appointment Only


Deborah H Carter

Not Enough Time for Love

Upcycled Wearable Art

@deborah_h_carter

@eric.korenman.photography

Model/Hair/Make Up: Tristeny Morgan

Clock Tower Artists Pittsfield MA

Represented by the WIT Gallery

The Artful Mind february 2024

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