07.05.2025 Views

Productions & Events Summer Season 2025

Central is pleased to announce its season of public productions and events for the 2024 Autumn term! This season involves students and staff from across Central’s undergraduate and postgraduate courses, often in collaboration with a range of visiting professionals and creatives. The full credits and information for the productions will be published on the individual event pages closer to the performance dates.

Central is pleased to announce its season of public productions and events for the 2024 Autumn term!

This season involves students and staff from across Central’s undergraduate and postgraduate courses, often in collaboration with a range of visiting professionals and creatives.

The full credits and information for the productions will be published on the individual event pages closer to the performance dates.

SHOW MORE
SHOW LESS

Transform your PDFs into Flipbooks and boost your revenue!

Leverage SEO-optimized Flipbooks, powerful backlinks, and multimedia content to professionally showcase your products and significantly increase your reach.

PRODUCTIONS

& EVENTS

SUMMER SEASON 2025


PAGE 1

CENTRAL’S SUMMER

SEASON 2025

Welcome to another exciting season at Central.

Unique, provocative, inspiring, and existential: from

performances to exhibitions, events and screenings –

Central is the place to be.

Here you will discover the work of new writers and

of game-changing directors and designers. You will

encounter evocative settings, landscapes and labyrinths

through design and film. All this is made possible together

with visiting professionals and creatives, our brilliant

academic staff and of course, right at the centre of Central,

our students.

The stories we tell are secret maps to a world that can so

often feel in flux. They guide us and help to remind us that

we are not alone: we are more connected than we realise.

We are reminded that difference is to be celebrated,

teamwork and community are everything.

This is Central.

Josette Bushell-Mingo OBE

Principal

ONLINE www.cssd.ac.uk/events

CALL US 020 7722 8183

How to Book

PUBLIC PRODUCTIONS

4 – 7 JUNE PINTER 5 COURTYARD THEATRE 3

4 – 7 JUNE VOLPONE WEBBER DOUGLAS STUDIO 5

11 – 14 JUNE BRIGHTON ROCK EMBASSY THEATRE 7

18 – 21 JUNE 1972: THE FUTURE OF SEX WEBBER DOUGLAS STUDIO 9

25 – 28 JUNE Fuente EMBASSY THEATRE 11

10 – 12 JULY CARRIE: The Musical EMBASSY THEATRE 13

23 – 26 JULY LYSISTRATA (UPRISING) WEBBER DOUGLAS STUDIO 15

23 – 26 JULY THE IDIOT EMBASSY THEATRE 17

EXHIBITIONS

7 – 9 MAY THEATRE PRACTICE THROUGHOUT CENTRAL 18

30 JUNE – 3 JULY Scenography Exhibition DENCH STUDIO, Studio A 19

FESTIVALS

16 – 19 JUNE Ta-Dah Hoxton Hall 20

16 – 19 JUNE A Future’s Project Hoxton Hall 20

24 JUNE Directed Project Central 20

25 – 26 JUNE FESTIVAL! by Chaos in Shoes HOXTON HALL 21

25 – 26 JUNE TEMPERANCE HOXTON HALL 21

SCREENINGS

2 JULY SHORT FILMS British Film Institute 21

THE TEO ANTHOLOGY, FLAT FOR RENT

4 JULY SHORT FILMS New Studio 21

THE TEO ANTHOLOGY, FLAT FOR RENT

Cover image from Big God, Little Me, photo by Cam Harle.

Information in this brochure is correct at publication.

Please scan the QR codes or check on www.cssd.ac.uk/events for updates.



PAGE 3

PINTER 5

REQUEST STOP

PARTY TIME

THE PRES AND AN OFFICER

MOUNTAIN LANGUAGE

PRECISELY

BY HAROLD PINTER

Director Martin Wylde

Performed by MA Acting Contemporary

Movement by MA Movement: Directing & Teaching

In this stripped back production of a selection of Pinter’s short plays and sketches,

MA Acting Contemporary explore power and the abuse of power. From the woman

shouting at a bus stop, to the man who can end twenty million lives at the touch of a

button, Pinter’s words cut to the quick, in equal turns satirising and eviscerating.

Meanwhile, the privileged and powerful continue to party whilst uprisings on the

streets are crushed and political prisoners are denied the right to speak.

These short pieces expose the fragility of a world where humanity is its own greatest

existential threat.

By arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd.

www.concordtheatricals.co.uk

“I’ll say it just one more time. Nuke London.

This is a presidential decree.”

Courtyard Theatre, Central

WEDNESDAY 4 – SATURDAY 7 JUNE, 7.15PM

FRIDAY 6 – SATURDAY 7 JUNE, 2.15PM

Booking: www.cssd.ac.uk/events/pinter-5



PAGE 5

Volpone

BY BEN JONSON

Directors Anna Healey, Morwenna Rowe

Performed by MA Acting Classical

Movement by MA Movement: Directing & Teaching

Volpone, a filthy rich Venetian, greedy for more wealth, pretends to be on his death

bed in order to trick some corrupt legacy hunters into giving him lavish gifts in the

hope of inheriting his estate.

This vicious comic satire is full of charlatans, swindlers and fools, each trying to out

trick each other whilst looking out for number one…

First performed in 1606 at The Globe Theatre by The King’s Men, the company that

Shakespeare belonged to, however, he doesn’t appear on any of the Volpone cast

lists, but there is good evidence that fellow company member Richard Burbage

played the title role.

“Mischiefs feed / Like beasts, till they be fat, and then they bleed...”

“All the wise world is little else,

in nature, but parasites...”

Webber Douglas Studio, Central

WEDNESDAY 4 JUNE, 7.00PM

THURSDAY 5 JUNE, 2.00PM & 7.00PM

FRIDAY 6 JUNE, 7.00PM

SATURDAY 7 JUNE, 2.00PM & 7.00PM

Booking: www.cssd.ac.uk/events/volpone



PAGE 7

Brighton Rock

BY BRYONY LAVERY

Director Ian Good

Performed by BA (Hons) Acting

Designed & produced by BA (Hons) Theatre Practice

Thriller set in the late 30s, early 1940s in a new adaption by Bryony Lavery based on

the classic novel by Graham Greene.

Brighton is embroiled in gang warfare in the between War era. Murder after murder.

Gangs in competition.

One woman, Ida, is in search of the truth

The troubles snowball as betrayal, guilt, false emotion, Catholic values, redemption

and the ongoing fight between good and evil climax and ultimately destroy

everything.

Through Brighton’s dark underworld,

a gang warfare is raging.

Embassy Theatre, Central

WEDNESDAY 11 – SATURDAY 14 JUNE, 7.00PM

FRIDAY 13 – SATURDAY 14 JUNE, 2.00PM

Booking: www.cssd.ac.uk/events/brighton-rock



PAGE 9

1972: The Future

of Sex

BY THE WARDROBE ENSEMBLE

Director Barry Fitzgerald

Performed by BA (Hons) Acting Musical Theatre

Designed & produced by BA (Hons) Theatre Practice

It’s 1972 – a time of endless possibilities, polyester and pubic hair.

Ziggy Stardust is on Top of the Pops, Pride protesters take to the streets and free love

is here!

1972: The Future Of Sex follows various characters as they navigate the up and downs

of sexual liberation. A hard and fast look at an era of revolution and shifting societal

norms. It was so much easier back then, right?

Originally devised and performed by The Wardrobe Ensemble, this new production

will set pulses racing and bodies grooving with newly composed music, a live band,

wild theatricality and beanbags.

By arrangement with Nick Hern Books.

This is it! 1972! Free floating across

the cosmos like groovy astronauts.

Webber Douglas Studio, Central

WEDNESDAY 18 – SATURDAY 21 JUNE, 7.30PM

FRIDAY 20 – SATURDAY 21 JUNE, 2.30PM

Booking: www.cssd.ac.uk/events/1972-future-of-sex



PAGE 11

Fuente

AFTER FUENTEOVEJUNA BY LOPE DE VEGA

Director Mark Maughan

Performed by BA (Hons) Acting CDT

Designed & produced by BA (Hons) Theatre Practice

Fuente is a bold reworking of Lope de Vega’s Fuenteovejuna, relocating its timeless

story of unity and resistance to a rural Spanish village just after the death of dictator

Francisco Franco in 1976.

When an outside force arrives and lays claim to the town’s water in the dying

moments of the dictatorship, intentions prove far from innocent. What begins as

extraction becomes something much deeper than water - a threat to shatter the

community at its core. As pressure mounts, they must decide whether to stay silent

or rise together.

Rooted in the Spanish Golden Age classic, Fuente speaks powerfully to the now – a

time when solidarity, courage, and collective voice have never felt more urgent.

At its heart, the production is a reflection on resilience, shared strength, and the

enduring need to stand up – together – in the face of adversity.

Uprising and rebellion in the

rural village of Córdoba.

Embassy Theatre, Central

WEDNESDAY 25 – SATURDAY 28 JUNE, 7.00PM

FRIDAY 27 – SATURDAY 28 JUNE, 2.00PM

Booking: www.cssd.ac.uk/events/fuente



PAGE 13

CARRIE: THE MUSICAL

LYRICS BY DEAN PITCHFORD

MUSIC BY MICHAEL GORE

BOOK BY LAWRENCE D. COHEN

BASED ON THE NOVEL BY STEPHEN KING

Director Jess Edwards

Performed by MA Musical Theatre: Acting & Performance

Being at high school can really suck. We all know how hard it is to feel like an outsider.

But Carrietta White is having a nightmare. Bullied by her classmates and oppressively

protected by her mother, Carrie feels like no one really understands her.

But when she discovers her emotions have a kinetic power all of their own, an

attempt to break out of the prison of her teenage angst can only lead to tragedy.

Based on the Stephen King novel and the Brian De Palma movie, the original 1988

production of Carrie has a cult following, infamous among modern musical theatre.

By arrangement with Concord Theatricals Ltd. www.concordtheatricals.co.uk.

An awkward teenage girl

with telekinetic powers.

Embassy Theatre, Central

THURSDAY 10 – SATURDAY 12 JULY, 2.00PM & 7.00PM

Booking: www.cssd.ac.uk/events/carrie



The world is now in a woman’s hands.

Lysistrata (UPRISING)

BY PAULA RODRIGUEZ & REBECCA ROGERS

BASED ON ARISTOPHANES’ LYSISTRATA

PAGE 15

Directors Paula Rodriguez, Rebecca Rogers

Performed by MA Acting Contemporary

“We must do something to stop the war. If we don’t, we’ll be silent witnesses while

men destroy each other.”

Hellas teeters on the brink of catastrophe. Ravaged by endless war, society has

fractured - men sent to fight, women confined to their homes, and an oppressive elite

tightens its grip.

But a rebellion is coming.

A group of women launch a bold, unexpected strike to bring the war machine to a

halt. They demand a new world. Will they succeed, or is history doomed to repeat

itself?

Lysistrata (Uprising) reimagines Aristophanes’ comedy (411 BC) in a not-so-distant

dystopian future.

Webber Douglas Studio, Central

WEDNESDAY 23 – SATURDAY 26 JULY, 7.15PM

THURSDAY 24 & SATURDAY 26 JULY, 2.15PM

Booking: www.cssd.ac.uk/events/lysistrata-uprising



PAGE 17

A portrait of innocence confronted

by the brutal reality of human greed.

The Idiot

BY FYODOR DOSTOEVSKY

ADAPTED BY SIMON GRAY

Director Simon Scardifield

Performed by MA Acting Classical

“There’s an idea that’s been bothering me – to portray a perfectly beautiful man.”

Prince Myshkin has been in a Swiss clinic seeking treatment for epilepsy. He has other

ailments too: chronic compassion, honesty and hope.

The arrival of this awkward and unworldly character in a spiritually bankrupt St

Petersburg triggers an explosion of consternation, moral confusion, fear – and love.

Carnal, life-affirming and corrosive.

Dostoevsky’s The Idiot is one of the most colourful, passionate and bitterly comic

novels ever to have been written. This staging of Simon Gray’s adaptation is a timely

and unforgettable exploration of the Russian soul.

By arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd.

www.concordtheatricals.co.uk.

Embassy Theatre, Central

WEDNESDAY 23 – SATURDAY 26 JULY, 7.00PM

FRIDAY 25 & SATURDAY 26 JULY, 2.00PM

Booking: www.cssd.ac.uk/events/the-idiot



THEATRE PRACTICE

Exhibition

Thursday 8 – Friday 9 May, 10.00am to 5.00pm

Throughout Central

Created by BA (Hons) Theatre Practice

Inviting you to celebrate the work & accomplishments

of final year Design, Production & Crafts students

SCENOGRAPHY

EXHIBITION

Monday 30 June – Thursday 3 July

Dench Studio & Studio A, Central

Created by MA/MFA Scenography

Information: Dr Simon Donger

simon.donger@cssd.ac.uk

Information: www.cssd.ac.uk/events/theatre-practice-exhibition

18 19



FESTIVALS

SCREENINGS

TA-DAH

Ladies, Gentlemen and everyone

between and beyond the binary

welcome…to Ta-Dah.

A contemporary cabaret inspired by

The Scissor Sisters self-titled, debut

album with a focus on short form

performance styles from the world of

cabaret, variety, vaudeville, burlesque

and music hall.

Cabaret, as an historically working class

form of entertainment, responds to

contemporary politics, to our histories

and traditions, and creates joyful and

silly moments of escape.

A FUTURE’S PROJECT

(for young audiences)

Set in the future, this will present

provocative scenarios of unpredictable

tomorrows (and days after tomorrow),

for an audience of teenagers to interact

with and re-shape. It will use gameand

simulation-based participatory

performance inviting our audience to

explore how life might be when they are

old enough to take important decisions

for themselves and for their families,

communities and the world.

Created, designed & performed by

BA (Hons) Drama, Applied Theatre &

Education, BA (Hons) Performance

Design

Directed Project

A new collaboratively written work

dramatising a single day – the summer

solstice – as it plays out in different

areas of Hampstead Heath.

Over hundreds of years, from medieval

grasslands to industrial-era conflicts to

modern day leisure, the Heath and the

people in it change and they stay the

same.

Objects are lost and found, myths are

made, and stories that should and

shouldn’t have taken place unfold,

wending their way through time and

place in unexpected ways.

Created & performed by BA (Hons)

Writing for Performance

Tuesday 24 June, Central

Information/booking:

louise.owen@cssd.ac.uk

FESTIVAL!

by Chaos in Shoes

Created & performed by BA (Hons)

Experimental Arts and Performance

A student-led festival of crossdisciplinary

performance.

TEMPERANCE

Created & performed by BA (Hons)

Experimental Arts and Performance

& BA (Hons) Design for Performance

An immersive adaptation of an

amateur production based on a musical

reworking of a nineteenth century play

on temperance serves as propaganda

for a nefarious club running rituals in

the basement of Hoxton Hall.

Short films specifically developed by

a team of professional writers and

directors for MA Acting for Screen.

THE TELO ANTHOLOGY

By Megan Patten-Fellows

Directors Marta Baidek & Lydia Rui

Book a room for an hour – four

stories set over one day in a hotel

where clients seek love, spiritual

connection and the truth.

FLAT FOR RENT

By John Booker, Charles Pipe &

Emma Jo Pallett

Directors Amanda Brennan &

Jessica Pentney

In a fully furnished apartment

lives come and go as we eavesdrop

on some of the residents over an

undisclosed period.

A mixture of comedy, ghost, horror

and drama.

Wednesday 2 July, 5.00pm & 6.30pm

British Film Institute

21 Stephen Street W1T 1LN

Friday 4 July, 7.00pm

New Studio, Central

Information/booking:

industry.liaison@cssd.ac.uk

Monday 16 – Thursday 19 June,

Hoxton Hall, 130 Hoxton St,

London N1 6SH

Information/booking:

marilena.zaroulia@cssd.ac.uk

Wednesday 25 & Thursday 26 June

Hoxton Hall, 130 Hoxton St,

London N1 6SH

Information/booking:

www.cssd.ac.uk/events

20 21



Centre for Performance,

Technology, and Equity (PTEQ)

Image copyright Allan Joyce Architects.

Central continues its commitment to ensuring the student community can access

groundbreaking approaches to immersive and digital technologies through the

arts, further preparing them for careers across the creative industries.

Funded by a £5.6 million grant from Research England, the Centre for

Performance, Technology, and Equity (PTEQ) new building will be dedicated to

innovating ground-breaking approaches to immersive and digital technologies

from a performance-led perspective, in tandem with promoting social equity.

The final phase of the development is due for completion in 2026. For up to date

information see www.cssd.ac.uk/research/pteq

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!