Review Fall 2022 English

Spring 2022

DISTRIBUTORS
All countries (except USA and Canada)
HGV Hanseatische Gesellschaft für
Verlagsservice mbH, Holzwiesenstr. 2
72127 Kusterdingen, Germany
T +49 (0)70 719353 55
orders@degruyter.com
North Amerika (USA/Canada)
IPS (Ingram)
Customer Service, Box 631
14 Ingram Blvd
La Vergne, TN 37086, USA
Tel. +1 (866)400 5351
Fax +1 (800)838 1149
ips@ingramcontent.com
SALES
Head of Sales Arts and Architecture
Daniel Engels
T +49 (0)30 263672 22
F +49 (0)30 263672 72
daniel.engels@degruyter.com
Sales Manager Arts and Architecture
Andrea Ellies
M+49 (0)1520 315 67 40
andrea.ellies@degruyter.com
EMEA
Daniel Engels (Print-Produkte)
T +49 (0)30 263672 22
daniel.engels@degruyter.com
Andrea Ellies
M +49 (0)1520 315 67 40
andrea.ellies@degruyter.com
Anne O’Riordan (E-Produkte)
T +44 (0)289.337 8477
M +44 (0)778 837 6663
anne.riordan@degruyter.com
United Kingdom, Ireland
Distribution:
Marston Book Services, Ltd
160 Eastern Avenue
Milton Park, Oxfordshire
OX14 4SB, United Kingdom
T +44 (0) 12 35 46 55 27
F +44 (0) 12 35 46 55 55
trade.orders@marston.co.uk
Representation:
Mare Nostrum
39 East Parade, Harrogate
North Yorkshire, HG1 5LQ, United Kingdom
Tel.: +44 (0)1423 56 22 32
Mr Sam Thornton
Mobil +44 (0)7860 93 03 30
samthornton@mare-nostrum.co.uk
Belgium, Denmark, Finland, France,
Iceland, Luxembourg, Monaco, Netherlands,
Norway, Sweden
Durnell Marketing Ltd
T +44 (0)1892 544272
orders@durnell.co.uk
Greece, Cyprus, Gibraltar, Italy, Malta,
Spain, Portugal
Bookport Associates Ltd.
Joe Portelli
Tel. + 39 02 4510 3601
bookport@bookport.it
Central and Eastern Europe
Jacek Lewinson
Nowogrodzka 18 m. 20 PL-00-511 Warsaw,
Poland
M +48 502603290
jacek@jaceklewinson.com
Bahrain, Egypt, Iran, Iraq, Kuwait, Lebanon,
Libya, Oman, Qatar, Saudi Arabia, Syria,
UAE, Yemen
Avicenna Partnership Ltd.
Bill Kennedy
PO BOX 501, Witney, Oxfordshire
OX28 9JL, United Kingdom
T +44 7802 244457
avicennaBK@gmail.com
Algeria, Israel, Jordan, Morocco,
Palestine, Tunisia, Turkey
Avicenna Partnership Ltd.
Claire de Gruchy
PO BOX 501, Witney, Oxfordshire, OX28 9JL,
United Kingdom
T +44 7771 887843
avicenna-cdeg@outlook.com
Africa
Africa Connection
Guy Simpson
Old School House Wallingford Road,
Mongewell Oxfordshire OX10 8DY,
United Kingdom
T +44 (0)1491 837028
M +44 (0)7808 522886
guy.simpson@africaconnection.co.uk
Asia-Pacific
Daniel Engels (Print-Produkte)
T +49 (0)30 263672 22
daniel.engels@degruyter.com
Andrea Ellies
M +49 (0)1520 315 67 40
andrea.ellies@degruyter.com
Steven Chong (E-Produkte)
M +65 96827226
steven.chong@degruyter.com
Australia & New Zeeland
Books at Manic (print products)
PO Box 8
Carlton North VIC 3054, Australia
T +61 (0)3 9380 5337
F +61 (0)3 9380 5037
manicex@manic.com.au
Bezi Publishing Services (e-products)
PO Box 1233, Mitcham North, Victoria
3132, Australia
T +61 455 864 860
info@bezi.com.au
China
Daniel Engels (Print-Produkte)
T +49 (0)30 263672 22
daniel.engels@degruyter.com
Andrea Ellies
M +49 (0)1520 315 67 40
andrea.ellies@degruyter.com
Max Meng (E-Produkte)
T +86 (0)10 855 63694
max.meng@degruyter.com
India
Speaking Tiger Publishing Private Limited
Naman Choudhary – Operations Director
4381/4, Ansari Road, Daryaganj
New Delhi -110002, India
T +91 11 474 726 00
namanchoudhary@speakingtiger.com
Korea
Wise Book Solutions (print products)
#1607, 143 Dongil-Ro, Sungdong-Ku,
Seoul, 04799, Korea
T / F +82 2 499 4301
SunnyCheong88@naver.com
(Distributor – eBooks, journals & Databases)
JRM Co Ltd
Hye-Young Kim (Ms) – Sales Coordinator
#1112, Woolim e-Biz Center I 28, Digital-ro
33 gil, Guro-ku Seoul 152-769, Korea
T +82 2 2038 8519
F +82 2 2038 8528
hykim@camko.co
Taiwan
Daniel Engels (Print-Produkte)
T +49 (0)30 263672 22
daniel.engels@degruyter.com
FlySheet Info (e-products)
– Aggregate Services Co., Ltd.
5F, No.40, Lane 91, Sec. 1, Nei-Hu Rd., Taipei
City, 114 Taiwan, R.O.C.
T +886 22657 5996 ext.535
F +886 22657 7071
krishsu@ysheet.com.tw
The Americas
Key Accounts
Daniel Engels (Print-Produkte)
T +49 (0)30.263672 22
daniel.engels@degruyter.com
Andrea Ellies
M +49 (0)1520 315 67 40
andrea.ellies@degruyter.com
Steve Fallon (E-Produkte)
T +1 (857) 284 7073 108
M +1 (646) 492 1 346
steve.fallon@degruyter.com
For all other countries
Daniel Engels
T +49 (0)30 263672 22
daniel.engels@degruyter.com
Andrea Ellies
M +49 (0)1520 315 67 40
andrea.ellies@degruyter.com
PUBLISHER
Deutscher Kunstverlag
Lützowstraße 33
10785 Berlin
Germany
T +49 (0)30 279076 0
F +49 (0)30 279076 11
Dr. Katja Richter
Editorial Director
T +49 (0)89 76902 313
richter@deutscherkunstverlag.de
Kathleen Herfurth
Acquisitions Editor
T + 49 (0)30 279076 61
herfurth@deutscherkunstverlag.de
Dr. Pablo Schneider
Acquisitions Editor
T + 49 (0)30. 26005 450
schneider@deutscherkunstverlag.de
Dr. Anja Weisenseel
Acquisitions Editor
T +49 (0)89 76902 388
anja.weisenseel@degruyter.com
Nicole Schwarz
Marketing Arts & Communication
T + 49 (0)174 584 50 17
schwarz@deutscherkunstverlag.de
deutscherkunstverlag.de

Dear Friends of Deutscher Kunstverlag,
Dear Readers,
Our jubilee year has passed, but it is still very
much alive in two publications that we
present to you in this preview: the catalogue
for the exhibition of the winners of our art
competition, and our publishing history in the
form of a bibliophilic journey through time
with one hundred books over one hundred
years. You also find exciting catalogues, for
instance, on “Water in Art Nouveau” and on
Nolde’s painting style, artist monographs
on Leo von König and Joseph Mader, among
others, and a large number of publications
on prints, drawing, and photography. I would
particularly like to call your attention to the
history of hand drawings in the twentieth
century based on the holdings of the Museum
Pfalzgalerie in Kaiserslautern.
Wishing you many a stimulating insight while
browsing through our program!
Katja Richter
Editorial Director

OUR PARTNERS
Akademie der Künste, Berlin
Alte Pinakothek Munich
Arnulf Rainer Museum, Baden
Bayerische Staatsgemäldesammlungen, Munich
Bayerisches Landesamt für Denkmalpflege, Munich
Bayerisches Nationalmuseum, Munich
Bundesamt für Bauwesen und Raumordnung (BBR)
Dehio Vereinigung e.V., Wiesbaden
Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg
Doerner Institut, Bayerische Staatsgemäldesammlungen, Munich
GRASSI Museum für Angewandte Kunst, Leipzig
Grisebach GmbH, Berlin
Hans Purrmann Archiv, Munich
Hans Purrmann Stiftung, Munich
Forschungsstelle Informelle Kunst
Hochschule München
Institut für Architekturtheorie und Baugeschichte, Leopold-Franzens-Universität Innsbruck
Institut für Kunstgeschichte, Bauforschung und Denkmalpflege, Technische Universität, Vienna
Klassik Stiftung Weimar
Kunsthalle Mannheim
Kunsthistorisches Institut der Universität Bonn
Max-Planck-Institut – Kunsthistorisches Institut in Florenz, Florence
Kunstmuseum Basel
Kunstmuseum Bonn
Kunstmuseum Kloster Unser Lieben Frauen Magdeburg
Kunstmuseum Stuttgart
Kunstsammlungen Chemnitz
Kunstsammlungen und Museen Augsburg
Landesstelle für die nichtstaatlichen Museen in Bayern, Munich
Leibniz-Institut für Geschichte und Kultur des östlichen Europa (GWZO), Leipzig
Liebermann-Villa Wannsee, Berlin
Liebieghaus Skulpturensammlung, Frankfurt am Main
Institut für Kunstgeschichte – Ludwig-Maximilians-Universität, Munich
LVR-LandesMuseum Bonn
LWL-Museum für Kunst und Kultur, Münster
Martin von Wagner Museum der Universität Würzburg
Mozartfest Würzburg
Münchner Stadtmuseum
Museum für Gegenwartskunst Siegen
Museum Pfalzgalerie Kaiserslautern
Museum Villa Stuck, Munich
Museum Wiesbaden
Noldes Maltechnik – Forschungsverbund
Rosa-Luxemburg-Stiftung Berlin
Staatliche Graphische Sammlung, Munich
Staatliche Kunsthalle Karlsruhe
Staatliche Kunstsammlungen Dresden
Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz
Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin
Staatsgalerie Stuttgart
Stadtmuseum Berlin
Städel Museum, Frankfurt am Main
Stiftung Museum Kunstpalast, Düsseldorf
Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam
Stiftung Ada und Emil Nolde, Seebüll
Tiroler Landesmuseum, Innsbruck
Vereinigung der Landesdenkmalpfleger, Wiesbaden
Zentralinstitut für Kunstgeschichte, Munich

CONTENTS
ART
Wasser im Jugendstil 7
Emil Noldes Malweise 9
Der Maler Leo von König 1871 – 1944 10
Sachlichkeiten, Sichtbarkeiten 11
Informelle Kunst 13
The Multicultural Modernism of Winold Reiss 14
Sven Hoppler 14
Glanzvolle Glückwünsche 15
VENEDIG. La Serenissima 17
Passepartoutnotizen 18
Zart, brillant, lebendig 19
Vom Zauber der Handbewegung 21
Emil Orlik 23
Max Liebermann Schwarz-Weiß 24
Berliner Schlachtenkupfer 25
Schraffuren 26
Zoltán Kemény 26
200 Jahre Frauenbad 27
Kunst und Buch 28
100 Jahre – 100 Bücher 29
Auschwitz. Bild und Hinterbild 30
Lu Guang 31
India Tecton 32
Ich bin ein Plastiker 33
Kontinuität und Innovation 33
Wielandgut Oßmannstedt 34
Nietzsche-Archiv 34
Herzogin Anna Amalia Bibliothek 35
Star oder Loser? 36
Der Raub der kleinen Dinge 37
Nadeln 37
BACKLIST
Selected titles 39

100
Jahre
Dive into
the story here
Anniversary
publication—
the history of a
publishing house
reduced to the
most essential:
the book
2021. 212 pages
105 color illustrations
19.0 × 12.0 cm
HC € 15.00 [D]
ISBN 978-3-422-98816-3
See also page 29
Now online!
The website on the history of Deutscher Kunstverlag
geschichte.deutscherkunstverlag.de

All lectures
now on our
YouTube Channel!
Lecture Series on the
Occasion of the Anniversary
Together for Art. On the role of art book
publishers in the past, present and future.
With Christoph Martin Vogtherr, Georg Skalecki,
Anne Thurmann-Jajes, Frank Fehrenbach, Karin Leonhard,
Christian Gries, Andrea von Hülsen-Esch, Wolfgang Augustyn
Competition for students of the
University of the Arts in Berlin
2021. 78 pages
50 color illustrations
29.7 × 21.0 cm
SC € 12.00 [D]
ISBN 978-3-422-98803-3
See also page 28
Artistic positions for the art prize of the Deutscher Kunstverlag
on the occasion of its 100 year anniversary
Artists: Meo Wulf, Max-Friedemann Altenburg, D’Andrade,
Elisa Jule Braun, Elke Burkert, Wen-Ling Chung,
Nika Grigorian, Domenik Alexander Krischke,
vendedores de humo, Anna Slobodnik

DEUTSCHER KUNSTVERLAG
6

Peter Forster (Ed.)
Wasser im Jugendstil
Heilsbringer und Todesschlund
Pages 448
Ills. 550 color mainly
Format 30.0 × 24.0 cm
HC 978-3-422-98845-3 Ger ca. € 54.00
$ 62.99
£ 49.00
GERMAN
MAY 2022
DEUTSCHER KUNSTVERLAG
2022: The official “Year of Water”
Water: THE topic of Art Nouveau
7
Water: metaphor for a healing element
or symbol of a destructive primal
force? In the works of Art Nouveau,
rushing waves, fish, jellyfish, and mussels
or creatures from mythological
stories give rise to a space for the
imagination that fulfills people’s desires
and dreams on the one hand and
makes one shudder as a mysterious
parallel world on the other. Water as
a place of longing is presented by
means of 250 works: Japonesque-like
works, the dazzling ceramics of a
Émile Gallé, and somber mythological
paintings like that of the German artist
Fidus visualize the idea of a total work
of art with incredible diversity. Light
is thus shed on the topic of "water in
Art Nouveau" from an international,
regional, and interdisciplinary perspective
for instance with a view to literature,
music, or historical contexts.
Texts by Ingeborg Becker,
Véronique Dumas, Hubertus Kohle,
Thomas Moser, Adrian Renner, Frank
Thielmann, Christina Uslular-Thiele
et al.
Exhibition
Museum Wiesbaden
May 13th to October 23rd, 2022

DEUTSCHER KUNSTVERLAG
8

Stiftung Seebüll Ada und Emil Nolde,
Doerner Institut Bayerische
Staatsge mäldesammlungen, Munich,
Hamburger Kunsthalle (Eds.)
Emil Noldes Malweise
„Eine Farbe verlangt die andere“
Pages 240
Ills. 250 color
Format 30.0 × 24.0 cm
HC 978-3-422-98719-7 Ger € 38.00
$ 43.99
£ 34.50
GERMAN
MARCH 2022
First comprehensive and interdisciplinary
research on the painting technique of the
Expressionist Emil Nolde
DEUTSCHER KUNSTVERLAG
Hitherto unique analysis of Nolde’s archival
and studio estate from the perspective of art
technology
Interdisciplinary team of authors from the
institutions involved in the project
9
The painting technique and artist’s
materials of the renowned Expressionist
Emil Nolde (1867–1956) have
been examined for the first time by
an interdisciplinary team of restorers,
art historians, and scientists. The
research included an evaluation of
Nolde’s studio estate and his text
sources from the perspective of
art technology, as well as detailed
microscopic, imaging, and material-analysis
examinations of his paintings.
Known as a master of coloring,
the choice of canvas, primer, and
paint, as well as diverse application
techniques are essential to the effect
of his pictures. The impressive spectrum
of Nolde’s working methods
and his struggle to arrive at artistic
solutions are explained clearly based
on 44 works from all the phases of
his long career.
Nolde Stiftung Seebüll; Doerner
Institut, BStGS, Munich; Hamburger
Kunsthalle; University of Hamburg,
HfBK Dresden
Exhibitions
Hamburger Kunsthalle
October 16th to March 18th, 2022;
Pinakothek der Moderne, München
March, 2022 to February, 2023;
Nolde Stiftung Seebüll
From summer 2022

Ingrid von der Dollen
Der Maler Leo von König
1871–1944
Ein Zeitbild im Spiegel seiner Porträts
Pages 192
Ills. 42 b/w, 102 color
Format 24.5 × 20.0 cm
SC 978-3-422-98770-8 Ger € 34.00
$ 39.99
£ 31.00
DEUTSCHER KUNSTVERLAG
GERMAN
FEBRUARY 2022
Leo von König as a portraitist, “Berliner
Secession,” art in the interplay between
society and politics
Portraits, painting, and proximity to power
Gaps in the research on Leo von König’s
oeuvre
10
The great portraitist Leo von König
(1871–1944) was surrounded by a
circle of personalities who were also
connected with one another as representatives
of their era. A perusal
of their correspondence, journals,
memoirs, and autobiographies thus
produces a dense network of information
and insights that form a mosaic
of those decisive years. The painter
always cultivated a close exchange
with his social surroundings; indeed
his attentiveness was a driving force
for the portrait painting that established
his fame. When persecution and
war negatively impacted his ability to
obtain commissions, he turned in particular
to his companions, for instance
Ernst Barlach or Reinhold Schneider.
The portraits painted at this time go
beyond any conventions and communicate
a panorama of this harrowing
epoch.
Ingrid von der Dollen,
art historian and renowned expert
in painting from circa 1900 to the
mid-20th century

Maximilian Mader (Ed.), Felix Billeter,
Angelika Grepmair-Müller
Sachlichkeiten,
Sichtbarkeiten
Joseph Mader (1905–1983) –
ein Maler der verlorenen Generation
Pages 200
Ills. 150 color
Format 24.0 × 17.0 cm
HC 978-3-422-98637-4 Ger € 24.90
$ 28.99
£ 22.50
GERMAN
MARCH 2022
DEUTSCHER KUNSTVERLAG
Rediscovery of a forgotten artist of the
20th century
Published on the occasion of an exhibition at
the Museum Penzberg in the spring of 2022
11
The painter and graphic artist Joseph
Mader (1905–1983), who was shaped
by his encounter with the works of
Max Beckmann around 1928, was just
beginning his career in 1933 and was
thus confronted with the question
of adapting or distancing himself.
His isolation made him into an artist
of the “lost generation,” who never
had the chance to position himself
in the art market prior to the “Third
Reich.” Mader continued his artistic
career amidst the political discussions
surrounding the art of the postwar
era as a figurative painter. He juxtaposed
a love of “what is visible,” the
mysterious harmony of creation, with
Beckmann’s hard-hitting view of the
“objectivity” of the world. Mader’s life
and work are an appeal to reassess
this generation’s evaluations of art
and society.
Felix Billeter,
art historian;
Angelika Grepmair-Müller,
art historian, both Munich

DEUTSCHER KUNSTVERLAG
12

Anne-Kathrin Hinz, Christoph Zuschlag
(Eds.)
Informelle Kunst
Begriffe, Kontexte, Rezeptionen
Informelle Kunst 1
Pages 144
Ills. 13 b/w, 15 color
Format 24.0 × 17.0 cm
SC 978-3-422-98861-3 Ger € 39.00
$ 44.99
£ 34.00
GERMAN
JUNE 2022
DEUTSCHER KUNSTVERLAG
Informel, art in Germany in the 1950s
New series of publications, current research,
source texts in translation
13
Informel was the central artistic innovation
in the art of the 1950s and still
remains influential today. The Research
Center for Art Informel, which is dedicated
to intensifying the rather sparse
research in this area in recent years,
has been part of the Department of
Art History of the University of Bonn
since 2019. A series of publications
by the research center starting in
2022 documents its projects and will
provide an innovative contribution to
research on Art Informel from a global
and transdisciplinary perspective.
Current research contributions—in the
form of both collections of essays and
monographs—will thus primarily be
published, along with important foreign-language
source texts on Art Informel
redacted in German translation.
Volume 1 Informelle Kunst: Begriffe,
Kontexte, Rezeptionen
Volume 2 Michel Tapié: Un art autre.
Eine andere Kunst. Faksimile und
deutsche Erstübersetzung
Volume 3 Zeugnis – Zweifel – Zeichen.
Zeitgeschichte in der abstrakten Malerei
in Deutschland nach 1945
Anne-Kathrin Hinz,
research assistant at the university of
Bonn;
Christoph Zuschlag,
head of the Forschungsstelle zur
Informellen Kunst, university of Bonn

Rediscovery of the artist and designer Winold Reiss
Essential study material for scholars and anyone
interested in Modern Art in a European-American
context
Over 250 illustrations of portraits, murals, graphic
design and interiors by the artist
DEUTSCHER KUNSTVERLAG
Frank Mehring (Ed.)
The Multicultural
Modernism of Winold
Reiss (1886–1953)
(Trans)National Approaches to His Work
Pages 320
Ills. 320 color
Format 28.0 × 21.0 cm
HC 978-3-422-98052-5 En € 48.00
$ 55.99
£ 41.50
ENGLISH
NOVEMBER 2021
In a first, this anthology presents
essays by art historians and cultural
scientists from both sides of the
Atlantic to rediscover, analyze and
contextualize the rich and largely
unknown art of Winold Reiss, opening
up a new, previously untapped archive
of multicultural Modernism. The German-American
artist, who was born in
Karlsruhe in 1886 and arrived in New
York in 1913, defies instant categorization.
With his dual background in
fine arts and applied arts he set out
to bridge the gulf between “high” and
“low” art, introducing a bold use of
color to the American art scene and
to interior design. In his portraits Reiss
captured the multi-ethnic diversity of
the US. His specific blend of cultural
otherness, primitivism, and depictions
of ethnicity challenged the conventions
of the time.
Frank Mehring,
Professor of American Studies,
Radboud University, Nijmegen, The
Netherlands
14
First comprehensive publication on the work
of the Swiss painter Sven Hoppler
Contemporary Realism
Traditional iconographies, reconsidered
Paul Gathof (Ed.)
Sven Hoppler
Pages 70
Ills. 32 color
Format 28.0 × 21.5 cm
SC 978-3-422-98824-8 Ger € 18.00
$ 20.99
£ 16.50
GERMAN
NOVEMBER 2021
The painter Sven Hoppler, who was
born in Basel in 1995, has chosen a
strikingly precise form of presentation.
In his glaze paintings, he takes up
picture types and gestures from the
history of art with the aid of contemporary
motifs. The paintings take up
traditional iconographies, but surprise
on second viewing with alienations or
ironic refractions. In his works, Hoppler
occupies himself with questions relating
to the social, religious, (pop)cultural,
and political. This first catalogue
on Hoppler’s oeuvre presents works
created in the last few years, also
including the triptych Unbemerkte
Berufung, which is presented in detail
as a foldout page. Text contributions
by the art historians Mark Gisbourne
and Beat Wyss provide insights into
Hoppler’s work thus far.
Sven Hoppler,
2016–2020 Studies of Fine Arts at the
Alanus University of Arts and Social
Sciences, Alfter near Bonn;
2017/18 DAAD scholarship for particularly
committed international students;
2018/19 Germany scholarship

Frank Matthias Kammel, Bayerisches
Nationalmuseum (Ed.)
Glanzvolle Glückwünsche
Geburtstagsgaben für Prinzregent Luitpold
Pages 272
Ills. 284 color
Format 29.0 × 23.0 cm
SC 978-3-422-98766-1 Ger € 33.00
$ 37.99
£ 28.50
GERMAN
NOVEMBER 2021
DEUTSCHER KUNSTVERLAG
First in-depth examination of the genre
of official birthday presents
Connection between findings connected with
art technology and the interpretation of the
history of art and culture
Exhibition
Bayerisches Nationalmuseum, Munich
September 23rd, 2021 to March 27th, 2022
15
Institutions, associations, and company
boards presented magnificent
birthday presents to Prince Regent
Luitpold of Bavaria (1821–1912), one of
the most well-known representatives
of the House of Wittelsbach, on the
occasion of his round birthdays in 1891,
1901, and 1911. As highquality handcrafted
works, they combine artistic
techniques from goldsmithing to cut
leather to watercolor painting. Their
stylistic spectrum ranges from variants
of historicism to Art Nouveau. These
treasures, which are part of the holdings
of the Bayerisches Nationalmuseum,
shed light on the vital cultural
development during the span of time
around 1900, also known as the “Prinzregentenzeit,”
or Regency period, and
the magnificent celebrations of the
birthday of a prince shortly before the
end of the monarchy in Germany.
Frank Matthias Kammel,
Bayerisches Nationalmuseum,
Munich, with contributions by
Sibylle Appuhn-Radtke, Annette
Schommers, Katharina Weigand et al.

DEUTSCHER KUNSTVERLAG
16

Kurt Zeitler, Staatliche Graphische
Sammlung München (Ed.)
VENEDIG. La Serenissima
Zeichnung und Druckgraphik
aus vier Jahrhunderten
Pages 352
Ills. 258 color
Format 30.0 × 24.0 cm
HC 978-3-422-98697-8 Ger € 58.00
$ 66.99
£ 52.50
GERMAN
FEBRUARY 2022
DEUTSCHER KUNSTVERLAG
Works of Venetian drawing and graphic
prints – exclusive, exquisite, and in a new
light
Exhibition
Staatliche Graphische Sammlung Munich
February 3rd to May 8th, 2022
17
Venice is largely regarded as the city
of painting. Closely intertwinen with
this, significant masterpieces in the
art of drawing and graphic prints were
created from the 15th century up to
the end of La Serenissima, in 1797. The
catalogue accompanying the exhibition
of the same name is dedicated
exclusively to such works. In the laboratory
of ideas of trailblazing Venetian
artists, drawings lead from Bellini to
Lorenzo Lotto, Tintoretto, and
Veronese, and to Guardi and
Fontebasso. Titian drew enthralling
compositions for woodcuts and copperplate
engravings, and Tiepolo’s
oeuvre culminates in enigmatic etchings
of gripping profundity. Etched
works by Marieschi and Canaletto
shape our poetic notions of the
atmosphere and living conditions
particular to this incomparable city in
mezzo al mare.
Kurt Zeitler,
Staatliche Graphische Sammlung
Munich, with contributions by Maria
Aresin and Ilka Mestemacher

Peter Assmann (Ed.),
Passepartoutnotizen
Unbekannte italienische Zeichnungen
aus eigenem Bestand
Pages 352
Ills. 160 color
Format 28.0 × 32.0 cm
SC
978-3-422-98802-6 Ger € 42.00
$ 48.99
£ 38.00
DEUTSCHER KUNSTVERLAG
GERMAN
PUBLISHED
First presentation of hitherto unknown
artworks by Italian artists of the sixteenth to
eighteenth century from the collection of the
state museums in Tyrol
Exclusive insights into the practice of the
forming of expert opinion
18
The treasure trove of art that is presented
in this volume for the first
time lay dormant and unknown in
the depot of the state museums of
Tyrol for nearly 200 years. More wellknown
collections of graphic prints
generally store such works mounted
in passe-partouts, on which there
are occasionally brief, at times cryptic-seeming
annotations, in which art
experts jotted down their proposed
attributions. For the still unexplored
holdings in Innsbruck, such a scholarly
discourse, which was often conducted
on passe-partouts over decades, was
initiated quasi in time lapse. This publication
brings together annotations
jotted down by experts on the passepartouts
of the drawings, which are
presented here for the first time. This
thus offers fresh insights into the practice
of the forming of expert opinion.
Compiled by Ralf Bormann,
Texts by Ralf Bormann, Heiko Damm
Exhibition
Tiroler Landesmuseen, Innsbruck
November 1st, 2021 to January 9th,
2022

Elisabeth Hipp, Alte Pinakothek (Ed.)
Zart, brillant, lebendig
Pastelle des 18. Jahrhunderts in den Bayerischen
Staatsgemäldesammlungen
Pages 136
Ills. 56 b/w, 125 color
Format 21.0 × 15.0 cm
SC 978-3-422-98900-9 Ger € 14.90
$ 17.99
£ 13.00
GERMAN
MAY 2022
DEUTSCHER KUNSTVERLAG
A new look at the complete holdings of
pastel works from the 18th century at the
Bayerische Staatsgemäldesammlungen
Published on the occasion of a special
exhibition presented at the Alte Pinakothek
in spring 2022
19
Pastels from the 18th century are fascinating—due to either their
closeness to nature and immediacy or the virtuosity of their execution,
but always because of their opulent and fragile quality. The
richly illustrated collection guidebook provides information in a
compact form about all the works of this genre created between
1700 and 1800 in the Bayerische Staatsgemäldesammlungen. They
include more than one dozen masterpieces by Joseph Vivien, Maurice
Quentin de La Tour, Rosalba Carriera, and Jean-Étienne Liotard,
as well as anonymous works. Introductory essays shed light on
aspects connected with art history, the history of the collection, and
art technology.
With contributions by Bernd Ebert, Ulrike Fischer,
Elisabeth Hipp, Herbert W. Rott, Xavier Salmon and
Andreas Schumacher

DEUTSCHER KUNSTVERLAG
20

Sören Fischer (Hrsg.)
Vom Zauber der
Hand bewegung –
Eine Geschichte der
Zeichnung im 20. und
21. Jahrhundert
Bestandskataloge der Graphischen Sammlung XVI.
Pages 304
Ills. 200 color
Format 29.5 × 24.0 cm
HC 978-3-422-98870-5 Ger ca. € 38.00
$ 43.99
£ 33.00
GERMAN
MARCH 2022
DEUTSCHER KUNSTVERLAG
First-class works of German art show
drawing’s spectrum of manifestations:
from the sketch, sculpture drawing and
overdrawing to the folded drawing up to the
artist book.
21
The catalogue impressively presents
how young and timeless the art of
drawing still is today. The book brings
together roughly 140 drawings from
the holdings of the Graphische Sammlung
(Collection of Prints and Drawings)
of the Museum Pfalzgalerie Kaiserslautern,
presented by renowned
authors. The arc extends from Gustav
Klimt, Max Slevogt, Hans Purrmann,
and Käthe Kollwitz to Rudolf Levy,
Emy Roeder, and Pablo Picasso to
Karl Bohrmann, Bettina Blohm, and
Malte Spohr, as well as to more recent
acquisitions by Max Uhlig, Hanns Schimansky,
Doris Kaiser, Barbara Hindahl,
and Thomas Müller. Based on these
works from the history of German art
in particular, all the significant trends
of the past 150 years are delineated on
the highest level and, beyond the exhibition,
a fundamental work on drawing
is presented.
Texts by Alexander Bastek, Stephan
Dahme, Karoline Feulner, Sören
Fischer, Christine Follmann, Daniela
Koch, Benjamin Rux
Exhibition
Museum Pfalzgalerie Kaiserslautern,
Graphische Sammlung
March 11th to May 8th, 2022

DEUTSCHER KUNSTVERLAG
22

Peter Voss-Andreae (Ed.)
Emil Orlik
Das druckgraphische Werk
Pages 1200
Ills. 1280 b/w, 665 color
Format 31.0 × 25.0 cm
HC 978-3-422-98841-5 Ger ca. € 198.00
$ 227.99
£ 180.00
GERMAN
MAY 2022
Four volumes in a slipcase
DEUTSCHER KUNSTVERLAG
The first catalogue raisonné of Emil Orlik’s
extensive graphic oeuvre (ca. 2,300 works)
Bibliophile edition—four volumes, embossed
linen cover, in a covered slipcase
23
Emil Orlik (1870–1932) was a painter,
graphic artist, photographer,
medallion maker, and craftsman: an
all-round talent. A decisive factor in
his artistic development was a trip
to Japan in 1900/01, during which he
learned the art of woodcarving from
Japanese masters. He was a member
of the Secession in Vienna, and was
appointed in 1904 as a professor in
Berlin, where he created designs for
stage sets and costumes for Max
Reinhardt. His portraits of personalities
from art, theater, music, literature,
film, cabaret, and politics are a kaleidoscope
of the intellectual, cultural,
and economic life of the Weimar
Republic. Orlik’s extensive graphic
oeuvre—woodcuts, etchings, and
lithographs—has now been documented
in detail for the first time and is
presented in this catalogue raisonné.
Texts by Birgit Ahrens,
Peter Voss-Andreae

Lucy Wasensteiner (Ed.)
Max Liebermann
Schwarz-Weiß
Die Druckgrafik
Pages 144
Ills. 100 color
Format 28.5 × 23.0 cm
SC 978-3-422-98682-4 Ger ca. € 28.00
$ 32.99
£ 25.50
DEUTSCHER KUNSTVERLAG
GERMAN
MARCH 2022
First introductory publication on
Liebermann’s graphic prints
24
Exhibition
Liebermann-Villa am Wannsee, Berlin
March 6th to June 6th, 2022
Max Liebermann (1847–1935)—a
co-founder of the Berlin Secession and
President of the Akademie der Künste
for many years—was one of the most
important artists of his generation.
In addition to his impressive painting
oeuvre, Liebermann’s graphic prints
also assume an important role: over
600 motifs as etchings, lithographs,
and woodcuts are found today in museum
and private collections around
the world. This catalogue provides an
introduction to Liebermann’s graphic
prints based on selected works from
the collection of the Max Liebermann
Society Berlin. It also presents common
printmaking techniques and
provides a detailed examination of the
development of the graphic prints by
the most significant representative of
Impressionism. The focus is thus on
the history of the collecting and exhibiting
of his print graphic works as well
as the research on these works.
Texts by Sigrid Achenbach, Alice
Cazzola, Denise Handte, Viktoria
Bernadette Krieger, Andreas
Schalhorn, Lucy Wasensteiner

Henriette Lavaulx-Vrécourt,
Niklas Leverenz (Eds.)
Berliner
Schlachtenkupfer /
Berlin Battle Engravings
34 Druckplatten der Kaiser von China /
34 Copperplates for the Emperors of China
Pages 248
Ills. 175 color
Format 27.0 × 21.0 cm
SC 978-3-422-98768-5 En/Ger € 42.00
$ 48.99
£ 38.00
ENGLISH/GERMAN
PUBLISHED
DEUTSCHER KUNSTVERLAG
First publication of the entire collection
of the thirty-seven copper plates still in
existence, including picture material from
the eighteenth and nineteenth century
Detailed description of the motifs on the
battle paintings of the plates exhibited in the
Humboldt Forum
25
The publication presents the entire
collection of printing plates depicting
battles of the Chinese emperor
that are still in existence. They show
scenes of Chinese military campaigns
between 1755 and 1828. Of the originally
eighty-eight printing plates, only
thirty-seven are still known today,
thirty-four of them in the Ethnological
Museum in Berlin. The book tells the
history of the plates’provenance and
describes the history of copperplate
engraving in China. The process in
which the printing plates were created
and the motifs found in the pictures of
battles are also explained. The magnificent
copper plates, which are part of
the exhibition in the Wang Shu Room
of the Humboldt Forum, bear witness
to the history of missionaries in China,
the military campaigns and politics of
the Chinese emperor, the transnational
interrelation of culture and craft, and
ultimately the craft of copperplate
engraving itself.
Texts by Nick Pearce, Henriette
Lavaulx-Vrécourt, Niklas Leverenz,
Alexey Pastukhov

Informel and surrealism
Pen and ink drawings
Rediscovery of an artist
DEUTSCHER KUNSTVERLAG
Tobias Funk (Ed.)
Hans Funk Feder
Zeichnung
Pages 120
Ills. 100 color
Format 26.0 × 21.0 cm
SC 978-3-422-98759-3 Ger € 24.00
$ 27.99
£ 22.00
GERMAN
FEBRUARY 2022
Hans Funk (1928–2002) made a name
for himself as a draftsman starting
in the 1960s and 1970s. From his
beginnings in Art Informel, in his
large-format pen-and-ink drawings he
developed an extensive and independent
oeuvre that oscillates between
renouncing and preserving form, between
spontaneity and reflection. The
artist lived and worked in Lüneberg in
Lower Saxony, thus far away from big
cities and their art market protagonists.
The volume now being published
by his son Tobias Funk presents the
development of his brilliant drawing
art in eighty images. His drawing oeuvre
is also described in detail in three
art-historical essays.
Texts by Felix Billeter, Angelika
Grepmair-Müller, and Andreas Strobel
26
Art in public space
Current discussion and research
New positions
Philipp Oswalt (Ed.)
Zoltán Kemény
Das Raumkunstwerk für die Städtischen
Bühnen in Frankfurt am Main
Pages 150
Ills. 105
Format 17.0 × 24.0 cm
HC 978-3-422-98825-5 Ger € 24.00
$ 27.99
£ 22.00
GERMAN
MAY 2022
The artist Zoltán Kemeny’s space
sculpture of 1963 in the glass foyer
of the Städtische Bühnen (Municipal
Stages) in Frankfurt am Main shapes
the face of the building. The over
100-meter-long artwork, which is visible
from afar, sets a contrast to the
architecture of the building with its
organic dynamics and accentuated
handcrafted quality. Based on new
research, the book presents the artist,
artwork, and genesis and reception
of the work, which is beloved by the
residents of Frankfurt, in texts and
images. New student designs show
various options for how the presentation
of the recently landmarked work
can go hand in hand with a conceptual
revision of the Städtische Bühnen.
Philipp Oswalt,
Professor of Architecture Theory,
University of Kassel

Arnulf Rainer Museum (Ed.)
200 Jahre Frauenbad
Baukultur und Kunstbetrieb in der Kurstadt Baden
bei Wien / 200 Years of the Frauenbad: Building
Culture and the Art Industry in the Spa Town of
Baden near Vienna
Pages 250
numerous Ills.
Format 29.0 × 24.0 cm
SC 978-3-422-98806-4 En/Ger € 39.00
$ 44.99
£ 35.50
ENGLISH/GERMAN
PUBLISHED
DEUTSCHER KUNSTVERLAG
Current research positions on Architecture
of Classicism in Austria
Spa architecture and World Heritage Site
Important topic of the conversion and new
use of architectural monuments
27
The “Frauen- und Carolinenbad” bathing
facility was opened in Baden near
Vienna in 1821. Two hundred years
after this event, which was significant
from the perspective of both culture
and economic and architectural history,
this book documents the history
of the planning and construction of
the building, which has been dedicated
to the painter Arnulf Rainer since
2009. The Frauenbad is one of the
most important Classical buildings in
Austria. Its designer, the Frenchman
Charles de Moreau (1758–1840), was
one of the leading architects of this
epoch in Austria. The book communicates
the results of new research on
the architecture of this key European
period between the Enlightenment,
revolution, and reaction.
Texts by Matthias Boeckl, Christine
Humpl-Mazegger, Markus Kristan,
Petra Leban, Katharina Schoeller,
Ulrike Scholda

Deutscher Kunstverlag (Ed.),
Kunst und Buch
1921–2021–2121
Pages
Ills.
Format
78, with foldouts
50 color
29.7 × 21.0 cm
SC 978-3-422-98803-3 Ger € 12.00
$ 13.99
£ 11.00
GERMAN
PUBLISHED
DEUTSCHER KUNSTVERLAG
“The future of books does not look good.”
Really – or just very different?
Artistic positions for the art prize of the
Deutscher Kunstverlag on the occasion of its
100 year anniversary
28
Exhibition
Kommunale Galerie Berlin
July to August 2021
In conjunction with the 100 year anniversary
of the Deutscher Kunstverlag,
students at the Berlin University of
the Arts took part in a competition.
The aim was to examine the future of
books as a print medium. The fascinating
works selected—including video
works, installations, and book-objects
—were presented in an exhibition at
municipal galleries. The catalogue
documents the results, presents the
artists and their works, and shows pictures
of the exhibition. The presentation
is supplemented by a foreword by
the director of the publishing house,
Katja Richter, welcoming remarks by
the jury member Jörg Heiser, and an
essay by Ilka Backmeister-Collacott
that emphasizes the importance of the
print medium in the age of technology
in a declaration of love to the printed
book.
Artists:
Meo Wulf, Max-Friedemann, Altenburg,
D‘ Andrade, Elisa Jule Braun,
Elke Burkert, Wen-Ling Chung,
Nika Grigorian, Domenik Alexander
Krischke, vendedores de humo, Anna
Slobodnik
Texts by Ilka Backmeister-Collacott,
Jörg Heiser, Katja Richter

Deutscher Kunstverlag (Ed.),
100 Jahre – 100 Bücher
Eine bibliophile Zeitreise mit dem
Deutschen Kunstverlag
Pages 212
Ills. 105 color
Format 19.0 × 12.0 cm
HC 978-3-422-98816-3 Ger € 15.00
$ 17.99
£ 13.50
GERMAN
PUBLISHED
DEUTSCHER KUNSTVERLAG
A unique look at books through 100 years of
Deutscher Kunstverlag
The history of a publishing house broken
down into the most essential: the book
29
In 2021, Deutscher Kunstverlag celebrates
its 100th anniversary. The publishing
house was established in 1921
at the behest of the Prussian State.
With its photographs of artistically
significant buildings, the archive of its
Staatliche Bildstelle provided the basis
for marketing photos in the form of
books, pictures, and postcards. Over
the course of a century, innumerable
high-quality, significant, beautifully
illustrated, but also whimsical publications
and standard works have been
published. One hundred outstanding
books were selected for presentation
in this volume—instead of a classic
commemorative publication, the publishing
house has produced a stimulating
bibliophile journey of discovery
through the century.
Texts by Pablo Schneider,
Katja Richter, Anja Weisenseel,
Kathleen Herfurth, Luzie Diekmann

Frédéric Mougenot
Auschwitz. Bild und
Hinterbild – Fotografien
Pages 88
Ills. 90 color
Format 24.0 × 17.0 cm
SC 978-3-422-98721-0 Ger € 28.00
$ 32.99
£ 25.50
GERMAN
FEBRUARY 2022
DEUTSCHER KUNSTVERLAG
Culture of remembrance
Contemporary photography
Art and political science
30
The 75th anniversary of the liberation of Auschwitz
was commemorated in 2020. While the final survivors
are now rapidly disappearing, mass tourism
phenomena can be perceived in Auschwitz at the
same time. In light of these changes, it is important
to discuss the concept of remembrance and also
to ask: What do the crowds of visitors see? In 2017
and 2018, Frédéric Mougenot photographed the
two extermination camps and locations in the socalled
“Interessengebiet” (area of interest), which
was largely forgotten after 1945. What is thus shown
in the photographs is an invisible boundary that
separates the culture of remembrance from gradual
disappearance.
Frédéric Mougenot,
freelance photographer, Zurich, Switzerland
Texts by Sarah Hübscher, Barbara Welzel,
Habbo Knoch

Sandra Badelt, Robert Pledge (Eds.)
Lu Guang
Black Gold and China
Pages 160
Ills. 120 color
Format 21.3 × 32.0 cm
SC
978-3-422-98881-1 Ger € 40.00
$ 46.99
£ 35.50
GERMAN
DECEMBER 2021
DEUTSCHER KUNSTVERLAG
Lu Guang: the photographic conscience
of China
Exhibition
Deutsches Bergbau-Museum Bochum
December 10th, 2021 to April 17th,
2022
Socioeconomic and ecological issues in
industrial China, documented in powerful
photographic works
31
The Chinese photographer Lu Guang
occupies himself with the socioeconomic
and ecological issues connected
with China’s “industrial revolution,”
which call to mind the problems of
Western nations in the nineteenth and
twentieth century. His photographs
reflect the consequences of intensive
coalmining and the environmental
destruction that accompanies it. They
impressively document the collateral
damage that China’s emergence as an
economic superpower and producer
for the international demand has
caused. Lu Guang also captures the
social life worlds of people who live
on the poverty line in these industrial
landscapes in powerful pictures. The
catalogue accompanying his first
monographic exhibition in Germany
presents roughly 100 works with
which Lu Guang makes us aware that:
“There is only one earth, which we
share.”
Texts by Sandra Badelt with Stefan
Brüggerhoff, Hu Donglin, Lu Guang,
Robert Pledge

Kunststiftung K52 (Ed.),
Nicolaus Schmidt
India Tecton
Gebautes Indien / Architectural Expressions in
India
Pages 256
Ills. 176 color
Format 24.0 × 30.0 cm
HC
978-3-422-98762-3 En/Ger ca. € 42.00
$ 48.99
£ 38.00
DEUTSCHER KUNSTVERLAG
ENGLISH/GERMAN
APRIL 2022
Exhibitions
India International Centre, Neu-Delhi
October 28th to November 12th, 2022;
Galerie der Kunststiftung K52, Berlin
February 16th to March 11th, 2023
Ancient and modern Indian architecture and
culture concentrated in photographs
32
India is a country with an ancient and
extremely multilayered culture. The
diversity of cultures and religions is
manifested in a topography of architecture
and sculptures that is difficult
to survey. The photographer Nicolaus
Schmidt presents this diversity in highly
focused photographs. The book reveals
references and kinships between
artifacts from various religions and
epochs. The photographs also reflect
colonial domination and international
cultural relationships, as well as the extreme
social contrasts. What arise are
standalone artworks that simultaneously
highlight the architectural characteristics
of buildings and artifacts from antiquity
to the modern era. India Tecton
is a novel, visually powerful approach
to architecture and art in India.
Texts by Nicolaus Schmidt,
Rahaab Allana, Simone Bader

Goethe and sculpture — a lifelong theme in art history,
poetry, and aesthetics
Christa Lichtenstern
„Ich bin ein Plastiker“
Goethes ungeschriebene Skulpturästhetik
Pages 224
Ills. 120 color mainly
Format 26.0 × 21.0 cm
HC 978-3-422-98786-9 Ger ca. € 38.00
$ 43.99
£ 34.50
GERMAN
MARCH 2022
Johann Wolfgang von Goethe should
be taken seriously when he calls himself
a “sculptor.” He created models
himself. As a designer of monuments,
advisor to Schadow and Tieck, and
friend of Christian Daniel Rauch, as
a poet with his own sculptural ideas,
and as a morphologist with a dynamic
concept of form, the formation of self
and responsibility for the world are his
themes. This study deals for the first
time with Goethe’s engagement with
sculpture and also reveals his unwritten
sculptural aesthetics. What do
“sensual laws of art,” the unity of “language
and sculpture,” rhythm, metamorphosis,
the power of education,
and “organic whole” mean for him? It
is shown that these keywords also interested
modern sculptors like Andreu
Alfaro, Joseph Beuys, Eduardo Chillida,
Ewald Mataré, or Henry Moore.
Christa Lichtenstern,
art historian, archaeologist, Germanist,
various professorships in Germany and
the U.S.
DEUTSCHER KUNSTVERLAG
33
Zeitgeist and continuity in art
The roots of modernism
Interplay between art and philosophy, the natural
sciences and an expanded way of seeing
Heinz Spielmann
Kontinuität und
Innovation
Bausteine für eine Ikonologie der Moderne
Pages 224
Ills. 200 color mainly
Format 26.0 × 21.0 cm
HC 978-3-422-98842-2 Ger ca. € 29.00
$ 33.99
£ 26.50
GERMAN
SPRING 2022
The art of the last 150 years has
hitherto been regarded primarily as
a result of revolutionary changes in
seeing. Modernity has therefore been
interrogated insufficiently with respect
to its contents. This publication
shows that older and extremely old
resources—topics like regulation of
form—take on new importance in art
by living from and in the interplay
between art and philosophy, the natural
sciences and an expanded way of
seeing. Western art is put in relation
to world cultures. The examinations
follow in the tradition of iconological
research, but depart from it through
taking into account how the normative
is relativized by the individual.
Heinz Spielmann,
headed the modern department at
the Hamburg Museum für Kunst und
Gewerbe. Director of the Landesmuseen
Schleswig-Holstein. Taught at
the University of Münster. Founding
director of the Bucerius Kunst Forum
in Hamburg

DEUTSCHER KUNSTVERLAG
Klassik Stiftung Weimar (Ed.)
Wielandgut
Oßmannstedt
Pages 112
Ills. 90 color
Format 23.0 × 15.0 cm
SC 978-3-422-98919-1 Ger € 14.90
$ 17.99
£ 13.00
ENGLISH
AUGUST 2022
The life of a poet in the country
Provides insights into one of the most important
phases in German literature
Published on the occasion of the redesign of the
Wieland-Museum Oßmannstedt
In the spring of 1797, the writer Christoph
Martin Wieland (1733—1813)
purchased the Oßmannstedt estate,
which he managed and lived on with
his large family until April 1803. It
was here that he wrote his last great
novel Aristipp und einige seiner Zeitgenossen.
Wieland received numerous
visitors here, including Goethe, John
Gottfried Herder and his wife, and
Duchess Anna Amalia, who came
from nearby Weimar, his early love,
Sophie von La Roche, with her granddaughter
Sophie Brentano, the writers
Jean Paul, Heinrich von Kleist, Johann
Gottfried Seume, and many others.
The volume tells the history of the
house and park of the Wieland Estate
Oßmannstedt and accompanies the
exhibition at the Wieland-Museum,
which provides an introduction to
the life and work of Christoph Martin
Wieland and shows his significance for
German literature.
Texts by Fanny Esterházy
34
In focus — the new series of the Klassik Stiftung Weimar
The Nietzsche cult has a home: the Nietzsche Archive
A MUST-HAVE for Nietzsche fans and
lovers of Art Nouveau
Weimar beyond the classics: discover new places
Klassik Stiftung Weimar (Ed.)
Nietzsche-Archiv
Pages 112
Ills. 70 color
Format 23.0 × 15.0 cm
SC 978-3-422-98716-6 En € 14.90
978-3-422-98715-9 Ger $ 17.99
£ 13.00
ENGLISH
FEBRUARY 2023
Villa Silberblick where a mentally deranged
Friedrich Nietzsche spent the
final years of his life, was originally a
middle-class home. Nietzsche’s sister
Elisabeth Förster-Nietzsche not only
looked after her ill brother but also
exploited the cult-like admiration the
philosopher enjoyed for her own ends
and installed the Nietzsche Archive
in the building. Initially very popular
amongst Europe’s avant-garde later
Elisabeth Förster-Nietzsche allowed
the archive to be instrumentalized by
the National Socialists before it became
a taboo topic in the GDR. Featuring
many colored illustrations, the
book relates the turbulent history of
a memorial that reflects the ambivalence
of modernism.
Texts by Helmut Heit, Juliane Hupka,
Corinna Schubert, Sabine Walter

Klassik Stiftung Weimar (Ed.)
Herzogin Anna Amalia
Bibliothek
Pages 160
Ills. 130 color
Format 23.0 × 15.0 cm
SC 978-3-422-98718-0 En € 14.90
978-3-422-98717-3 Ger $ 17.99
£ 13.50
GERMAN
APRIL 2022
DEUTSCHER KUNSTVERLAG
The historical building of the Herzogin Anna
Amalia Bibliothek can be experienced anew
starting in the spring of 2022
Redesigned exhibition spaces and a
redesigned foyer in conjunction with the
project “Cranach 2022”
35
The book tells the story of the archiving
and research library from its beginnings
in the sixteenth century to the present
and takes readers along on a tour of its
rooms of collections and knowledge: in
the historical library building, the path
leads from the Renaissance Hall with the
exhibition Cranach’s Torrent of Images,
to the Rococo Hall from 1766, and on
to the book tower. Via the underground
stacks, one arrives at the study center
with the central book cube, which was
opened in 2005. Thematic contributions
present the diverse collections: they
look at manuscripts from the time before
book printing as well as pamphlets
of the Reformation period, the world’s
biggest collection of Faust, or the socalled
Ash Books, which have been
restored since the fire in 2004.
Texts by Arno Barnert, Annett Carius-
Kiehne, Andreas Christoph, Alexandra
Hack, Rüdiger Haufe, Stefan Höppner,
Christian Märkl, Reinhard Laube,
Katja Lorenz, Christoph Schmälzle,
Veronika Spinner, Claudia Streim,
Ulrike Trenkmann, Erdmann v.
Wilamowitz-Moellendorff, Jürgen
Weber

Karin Guggeis
Star oder Loser?
Zum Making-of von Objektkarrieren in einem
ethnologischen Museum
Bayerische Studien zur Museumsgeschichte 5
Pages 248
Ills. 58 color
Format 26.0 × 19.5 cm
SC 978-3-422-98821-7 Ger € 49.90
$ 57.99
£ 45.50
DEUTSCHER KUNSTVERLAG
GERMAN
JULY 2022
Stars or losers – what determines the
“careers” of museum objects?
A research project on the cultural biography
of ethnological objects from Africa and
Oceania
On dynamics related to the perception,
interpretation, and appreciation of museum
objects
36
Stars are not born — they are made.
This applies not only to sports or the
entertainment industry, but also to
museum objects. For which the art
world offers multifaceted examples.
But this also pertains to items collected
in ethnological museums: some of
them have a career, achieve a certain
fame, or even become international
icons, while others spend their “life
in the museum” largely overlooked in
storage. How this comes about and
what factors are decisive in whether
an object becomes a star or a loser is
the focus of this research work. Based
on well-known and unknown objects
from Africa and Oceania in the collection
of the Museum Fünf Kontinente
in Munich, it addresses the question
of their “making-of,” as well as the
dynamics related to their perception,
interpretation, and appreciation.
Karin Guggeis,
Ethnologist, Munich

Results of a research project on everyday items
that were stolen from their Jewish owners during the
National Socialist period
An aid for museums in dealing with objects previously
in Jewish ownership
A new perspective on provenance resear
Landesstelle für die nichtstaatlichen
Museen in Bayern (Ed.), Carolin
Lange
Der Raub der
kleinen Dinge
Belastetes Erbe aus Privatbesitz
Museums-Bausteine 22
Pages 80
Ills. 10 color
Format 24.0 × 17.0 cm
SC 978-3-422-98765-4 Ger € 19.90
$ 22.99
£ 18.00
GERMAN
FEBRUARY 2022
Restitutions of high-priced artworks
have given the public the impression
that items stolen from Jewish citizens
during the National Socialist era were
almost exclusively works of art and
objects of great value. The opposite
is the case: Most of the possessions
seized were things used in everyday
life, including furniture, or simple
household goods. They ended up not
only in public authorities or museums,
but also in private households. How
should museums deal with objects
that were – allegedl – once in the possession
of Jewish individuals and that
are now often offered to them by
descendants of the individuals who
subsequently acquired them? Are the
stories that have been handed down in
the family true? Can they be verified?
Should museums accept such historically
charged objects at all?
Carolin Lange,
former director of the project on
provenance research, Landesstelle für
die nichtstaatlichen Museen in Bayern,
Munich; former board member of Arbeitskreis
Provenienzforschung; Lange
& Schmutz Provenienzrecherchen
DEUTSCHER KUNSTVERLAG
37
Now in its third, updated edition
Landesstelle für die nichtstaatlichen
Museen in Bayern (Ed.),
Ronald Heynowski
Nadeln
Erkennen – Bestimmen – Beschreiben
3rd edition
Bestimmungsbuch Archäologie 3
Pages 184
Ills. numerous
Format 24.0 × 17.0 cm
SC 978-3-422-98738-8 Ger € 19.90
$ 22.99
£ 18.00
GERMAN
PUBLISHED
As a central task of museums, creating
an inventory depends on reliable
reference works and a consistent
terminology. This volume is dedicated
to a group of objects that have
hitherto not been placed in a concise
typological schema: needles and pins,
from the Upper Paleolithic to the High
Middle Ages. Sewing needles and pins
are indispensable to the production of
clothing, and needles serve as jewelry,
body ornamentation, or as metalworking
tools. They can be made of bone
or metal, and their designs range from
simple to elaborated decorated examples.
The thesaurus presents the astonishing
diversity of types and forms.
It is addressed to laypeople as well
as scholars and offers various depths
of access for creating an inventory of
them.
Ronald Heynowski,
Landesamt für Archäologie Sachsen,
Dresden

Total Art Nouveau!
The art movement, which celebrates its flowering around
1890–1910, is a nature-based style that fascinates with its
beauty to this day. Water is the element of Art Nouveau, the
place of longing is depicted in over 250 works in Wasser im
Jugendstil. In Bröhan 100. Highlights of the Collection, the
Berlin State Museum‹s collection of Art Nouveau, Art Deco
and Functionalism is on display. Neues aus dem 19. Jahrhundert,
Ruf des Progressiven and Radikal schön – Jugendstil
und Symbolismus are volumes dealing with the holdings
of the Wiesbaden Museum. They offer a cross-section of all
genres between Art Nouveau and Symbolism.
Wasser im Jugendstil
2022. 448 pages
550 color illustrations
30.0 × 24.0 cm
HC approx. € 54.00 [D] /
US$ 62.99 / £ 49.00
ISBN 978-3-422-98845-3
Bröhan 100. Highlights of the
Collection
2021. 264 pages
130 color illustrations
24.0 × 17.0 cm
HC € 30.00 [D] / US$ 39.99 /
£ 31.00
ISBN 978-3-422-98710-4
Neues aus dem 19. Jahrhundert.
Von Kühen, edlen Damen und
verzauberten Landschaften
Oder von der Liebe zur Kunst
2021. 192 pages
185 color illustrations
29.0 × 25.0 cm
HC € 40.00 [D] / US$ 46.99 /
£ 36.50
ISBN 978-3-422-98668-8
Radikal schön – Jugendstil und
Symbolismus. Die Sammlung
Ferdinand Wolfgang Neess
2019. 608 pages
800 color illustrations
30.0 × 24.0 cm
HC € 49.95 [D] / US$ 57.99 /
£ 45.50
ISBN 978-3-422-98049-5
Ruf des Progressiven. Jugendstil
und Symbolismus im Museum
Wiesbaden
2019. 336 pages
225 color illustrations
30.0 × 24.0 cm
HC € 29.90 [D] / US$ 34.99 /
£ 27.00
ISBN 978-3-422-98137-9

Manet und Astruc
Künstlerfreunde
Dorothee Hansen (Ed.)
2021. 320 pages. 30.0 × 24.0 cm
360 color ills.
HC 978-3-422-98760-9 Ger
€ 54.00 / $ 62.99 / £ 49.00
Der Rimini-Altar
Meisterwerk in Alabaster. Material –
Restaurierung – Kunstgeschichte
Stefan Roller, Harald Theiss (Eds.)
2021. 312 pages. 30.0 × 24.0 cm
315 color ills.
HC 978-3-422-98672-5 Ger
978-3-422-98679-4 En/Ger
€ 49.90 / $ 57.99/ £ 45.50
Cultural Affairs
Kunst ohne Grenzen /
Art Without Borders
Silvia Gaetti (Ed.)
2021. 176 pages. 24.0 × 19.0 cm
150 color ills.
HC 978-3-422-98653-4 De/En
€ 29.00 / $ 33.99 / £ 25.00
Flora ad infinitum
Blühende Perlenkunst in Venedig und
der Welt / Fiori di perline a Venezia
e nel mondo
Georg Ragnar Levi, Edvard Koinberg
2021. 216 pages. 22.5 × 24.5 cm
186 color ills.
HC 978-3-422-98546-9 Ger/It
€ 42.00 / $ 48.99 / £ 38.00
Grand Tour XXL
Der Reisekünstler Emel‘jan Korneev
Münchner Stadtmuseum, Nico Kirchberger
(Eds.), Anna Ananieva, Viktoria
Cordts, Susanne Glasl, Peter Prange
2021. 224 pages. 28.0 × 24.0 cm
130 color ills.
HC 978-3-422-98667-1 Ger
€ 29,90 / $ 34.99 / £ 27.00
Im Fokus
Park an der Ilm
Klassik Stiftung Weimar (Ed.)
2021. 144 pages. 23.0 × 15.0 cm
160 color ills.
SC 978-3-422-98699-2 Ger
€ 14.90 / $ 17.99 / £13.50
Die Sammlung Solly 1821–2021
Vom Bilder-„Chaos“ zur
Gemäldegalerie
Robert Skwirblies, Roberto Contini,
Neville Rowley, Stephan Kemperdick,
Katja Kleinert, Sarah Salomon (Eds.)
2021. 136 pages. 28.0 × 22.0 cm
65 color ills.
SC 978-3-422-98663-3 Ger
978-3-422-98664-0 En
€ 36.00 / $ 41.99 / £ 32.50
Im Fokus
Park Belvedere
Klassik Stiftung Weimar (Ed.)
2021. 144 pages. 23.0 × 15.0 cm
160 color ills.
SC 978-3-422-98703-6 Ger
€ 14.90 / $ 17.99 / £ 13.50
Bröhan 100
Highlights der Sammlung
Tobias Hoffmann, Anna Grosskopf
(Eds.)
2021. 264 pages. 24.0 × 17.0 cm
130 color ills.
HC 978-3-422-98709-8 Ger
978-3-422-98710-4 En
€ 34.00 / $ 39.99 / £ 31.00
DEUTSCHER KUNSTVERLAG
39
Theater im Museum für Fotografie
Ein Rückblick auf die 1920er Jahre
Kunstbibliothek – Staatliche Museen zu
Berlin (Ed.), Justine Tutmann
2021. 112 pages. 24.0 × 17.0 cm
100 color ills.
SC. 978-3-422-98696-1 Ger
€ 19.00 / $ 21.99 / £ 17.50
Neues aus dem 19. Jahrhundert
Von Kühen, edlen Damen und
verzauberten Landschaften
Oder von der Liebe zur Kunst
Peter Forster (Ed)
2021. 192 pages. 29.0 × 25.0 cm
185 color ills.
HC. 978-3-422-98668-8 Ger
€ 40.00 / $ 46.99 / £ 36.50
Der Schmerz des Vaters?
Die trinitarische Pietà zwischen
Gotik und Barock
Dagmar Preising, Michael Rief,
Christine Vogt (Eds.)
2021. 224 pages. 28.0 × 22.0 cm
60 color ills.
HC. 978-3-422-98712-8 Ger
€ 44.00 / $ 50.99 / £ 40.00
Kurt W. Streubel
Spielarten des Abstrakten in der DDR
Andrea Karle, Verena Krieger (Eds.),
Anne-Kathrin Hinz, Michaela Mai
2021. 152 pages. 29.0 × 21.0 cm
90 color ills.
HC. 978-3-422-98723-4 Ger
€ 35.00 / $ 40.99 / £ 32.00
Red Glow
Yugoslav Partisan Photography,
1941–1945
Davor Konjikušić
2021. 423 pages. 26.0 × 19.5 cm
570 b/w ills., 8 color ills.
HC. 978-3-422-98640-4 En
€ 48.00 / $ 55.99 / £ 41.50
E-Book 978-3-422-98648-0 En
Open Access
Performance on Display
Zur Geschichte lebendiger Kunst im
Museum
Lisa Beißwanger
2021. 512 pages. 24.0 × 17.0 cm
30 b/w ills., 114 color ills., 6 tables,
1 b/w map
SC. 978-3-422-98448-6 Ger
€ 79,95 / $ 91.99 / £ 72.50
E-Book 978-3-422-98698-5 Ger
€ 79,95 / $ 91.99 / £ 72.50
Künstlerpaare der Moderne
Hans Purrmann und Mathilde Vollmoeller-Purrmann
im Diskurs
Felix Billeter, Maria Leitmeyer (Eds.)
2021. 176 pages. 21.0 × 13.5 cm
50 color ills.
SC. 978-3-422-98650-3 Ger
€ 18.00 / $ 20.99 / £ 16.50
Künstler und Kritiker
Hans Purrmann und Karl Scheffler in
Briefen 1920–1951
Felix Billeter, Julie Kennedy, Anke
Matelowski (Eds.)
2021. 224 pages. 21.0 × 13.5 cm
50 color ills.
SC. 978-3-422-98428-8 Ger
€ 18.00 / $ 20.99 / £ 16.50
Kunstforschung, Fotografie und
Kunsthandel um 1900
Gustav Ludwigs Korrespondenzen
mit Wilhelm Bode, Aby Warburg und
anderen
Martin Gaier
2021. 224 pages. 28.0 × 21.0 cm
1 b/w ill., 52 color ills.
HC. 978-3-422-98634-3 Ger
€ 58.00 / $ 66.99 / £ 52.50

Stille Größe
Kunstideal und Wehrgedanke bei
Schadow, David und Goya
Godehard Janzing
2022. 256 pages. 24.0 × 17.0 cm
90 b/w ills., 4 color ills.
Die Ästhetik der Stadt
Städtebau in Bordeaux und Edinburgh
1730–1830
Alexis Joachimides
2021. 248 pages. 28.0 × 21.0 cm
100 b/w ills.
Oskar Pixis
Wohnbauten der 1920er und 1930er
Jahre in München
Rainer Schützeichel (Ed.)
2021. 120 pages. 24.0 × 17.0 cm
110 b/w ills., 30 color ills.
SC 978-3-422-07148-3 Ger
€ 48.00 / $ 55.99 / £ 43.50
HC 978-3-422-98247-5 Ger
€ 54.00 / $ 62.99 / £ 49.00
SC 978-3-422-98615-2 Ger
€ 32.00 / $ 36.99 / £ 29.00
DEUTSCHER KUNSTVERLAG
Gio Ponti
Valmartello al Paradiso del Cevedale.
Geschichte eines Hotels in den Alpen
Silke Alber
2021. 176 pages. 23.5 × 16.6 cm
100 b/w ills., 30 color ills.
SC 978-3-422-07129-2 Ger
€ 34.90 / $ 40.99 / £ 31.50
Deutsche Gemälde im Städel Museum
1550–1725
Almut Pollmer-Schmidt, Christiane
Weber, Fabian Wolf
2021. 808 pages. 30.0 × 21.5 cm
600 color ills. (2 vol.)
HC 978-3-422-98516-2 Ger
€ 69.00 / $ 79.99 / £ 62.50
Die Zukunft der Nachkriegsmoderne
Positionen und Projekte
Klaus Tragbar (Ed.)
2021. 246 pages. 24.5 × 17.4 cm
150 color ills.
SC 978-3-422-98629-9 Ger
€ 39.90 / $ 45.99 / £ 36.50
Ada und Emil Nolde – Luise und
Gustav Schiefler. Briefwechsel
Volume 1: „Es ist immer ein Fest,
wenn ein Brief von Ihnen ankommt.“
1906–1914
Volume 2: „Möchten wir noch ein
recht weites und gutes Stück Leben
miteinander gehen.“ 1915–1956
Stiftung Seebüll Ada und Emil Nolde,
Indina Woesthoff (Ed.),
Indina Woesthoff
2022. 1280 pages. 24.0 × 16.0 cm
165 color ills.
Neue Nationalgalerie
Das Museum von Mies van der Rohe
Joachim Jäger, Constanze von Marlin,
Martin Reichert (Eds.)
2021. 272 pages. 30.5 × 24.0 cm
250 color ills.
HC 978-3-422-98651-0 Ger
978-3-422-98652-7 En
€ 48.00 / $ 55.99 / £ 43.50
Rotes Licht
Jugoslawische Partisanenfotografie.
Bilder einer sozialen Bewegung,
1941–1945
Davor Konjikušić
2021. 423 pages. 26.0 × 19.5 cm
570 b/w ills., 8 color ills.
HC 978-3-422-98510-0 Ger
€ 48.00 / $ 55.99 / £ 43.50
E-Book 978-3-422-98639-8 Ger
Open Access
HC 978-3-422-98257-4 Ger
€ 119.95 / $ 137.99 / £ 109.00
40
Lehrmedien der Kunstgeschichte
Geschichte und Perspektiven
kunsthistorischer Medienpraxis
Hubert Locher, Maria Männig (Eds.)
2021. 488 pages. 24.0 × 17.0 cm
95 b/w ills., 95 color ills.
SC 978-3-422-98508-7 En/Ger
€ 49.90 / $ 57.99 / £ 43.50
E-Book 978-3-422-98625-1 En/Ger
€ 49.90 / $ 57.99 / £ 43.50
Die Multiple Moderne / The Multiple
Modernity
Klaus Tragbar (Ed.)
2021. 416 pages. 24.5 × 17.4 cm
115 b/w ills., 90 color ills.
SC 978-3-422-98609-1 En/Ger
€ 49.90 / $ 57.99 / £ 43.50
IMAGINE MOZART | MOZART BILDER
Mozartfest Würzburg (Ed.), Damian
Dombrowski, Andrea Gottdang, Ulrich
Konrad, Carolin Goll, Dimitra Will
2021. 200 pages. 28.0 × 21.0 cm
150 color ills.
SC 978-3-422-98641-1 Ger
€ 29.00 / $ 33.99 / £ 26.50
»Der Arbeit die Schönheit geben«
Tiepolo und seine Werkstatt in
Würzburg
Damian Dombrowski, Martin von
Wagner Museum (Ed.), Aylin Uluçam
2020. 312 pages. 28.0 × 21.0 cm
290 color ills.
SC 978-3-422-98598-8 Ger
€ 39.90 / $ 45.99 / £ 36.50
Bayerische Staatsgemäldesammlungen.
Neue Pinakothek. Katalog der
Skulpturen – Vol. I
Die Sammlung Ludwigs I.
Bayerische Staatsgemäldesammlungen
(Ed.), Herbert Wilhelm Rott
2021. 352 pages. 26.5 × 19.0 cm
numerous color ills.
HC 978-3-422-98431-8 Ger
€ 52.00 / $ 59.99 / £ 47.50
Bayerische Staatsgemäldesammlungen.
Neue Pinakothek. Katalog der
Skulpturen – Vol. II
Adolf von Hildebrand
Bayerische Staatsgemäldesammlungen
(Ed.), Fabian Pius Huber, Bernhard
Maaz, Franziska Kolba
2021. 224 pages. 26.5 × 19.0 cm
numerous color ills.
HC 978-3-422-98432-5 Ger
€ 45.00 / $ 51.99 / £ 41.00
James Ensor
Inge Herold, Johan Holten (Eds.)
2021. 248 pages. 27.0 × 22.5 cm
260 color ills.
HC 978-3-422-98635-0 En/Ger
€ 38.00 / $ 43.99 / £ 33.00
Verschwiegene Kunst
Die internationale Moderne in
der DDR
Felice Fey
2020. 368 pages. 26.0 × 19.5 cm
147 color ills.
HC 978-3-422-98433-2 Ger
€ 48.00 / $ 55.99 / £ 43.50
Andere Horizonte
Ostdeutsche Nachkriegsmoderne
im Schatten des Sozialistischen
Realismus
Anna-Carola Krausse
2021. 368 pages. 28.0 × 24.0 cm
300 color ills.
HC 978-3-422-07483-5 Ger
€ 45.00 / $ 51.99 / £ 41.00

wohnen 60 70 80
Junge Denkmäler in Deutschland
Vereinigung der Landesdenkmalpfleger
(Ed.)
2020. 224 pages. 28.0 × 21.0 cm
315 color ills.
HC 978-3-422-98154-6 Ger
€ 39.90 / $ 45.99 / £ 36.50
Kunst am Bau in der DDR
Gesellschaftlicher Auftrag –
Politische Funktion –
Stadtgestalterische Aufgabe
Bundesministerium des Innern, für Bau
und Heimat (BMI), Bundesamt für
Bauwesen und Raumordnung (Ed.),
Ute Chibidziura, Constanze von Marlin
2020. 132 pages. 29.7 × 23.0 cm
118 color ills.
HC 978-3-422-98606-0 Ger
€ 32.00 / $ 36.99 / £ 29.00
70 Jahre Kunst am Bau in
Deutschland
Bundesministerium des Innern, für Bau
und Heimat (BMI), Bundesamt für
Bauwesen und Raumordnung (Ed.),
Ute Chibidziura, Constanze von Marlin
2020. 316 pages. 29.7 × 23.0 cm
200 color ills.
HC 978-3-422-98617-6 Ger
€ 45.00 / $ 51.99 / £ 41.00
Detlef Waschkau
..New.. ..Ber.... – The Cities in Me
Kommunale Galerie Berlin Kulturamt
Charlottenburg-Wilmersdorf,
Gesellschaft für Deutsch-Chinesischen
kulturellen Austausch e.V. (GeKA e.V.)
(Ed.), Hannelore Paflik-Huber,
Dorothée Bauerle-Willert
2020. 160 pages. 31.0 × 24.0 cm
numerous ills.
HC 978-3-422-98547-6 En/Ger
€ 36.00 / $ 41.99 / £ 31.50
Amish Quilts Meet Modern Art
Staatl. Textil-und Industriemuseum,
Karl Borromäus Murr, Tanja Kreutzer
(Eds.)
2020. 216 pages. 26.5 × 23.0 cm
80 color ills.
HC 978-3-422-98279-6 En/Ger
€ 24.00 / $ 27.99 / £ 21.00
Zeichenroman
Und in der Ferne Schnee
Johannes Beyerle
2021. 256 pages. 22.5 × 15.0 cm
95 color ills.
HC 978-3-422-98430-1 Ger
€ 39.95 / $ 45.99 / £ 36.50
Exquisit
Kunst des 19. Jahrhunderts:
Schenkung Jan und Friederike
Baechle
Peter Forster (Ed.)
2020. 144 pages. 29.0 × 25.0 cm
140 color ills.
HC 978-3-422-98626-8 Ger
€ 40.00 / $ 46.99 / £ 36.50
Passion Leidenschaft
Die Kunst der großen Gefühle
Landschaftsverband Westfalen-Lippe,
Herrmann Arnhold (Ed.), Petra Marx,
Ute Frevert, Ursula Frohne, Stephanie
Eichberg, Ulrich Heinen, Klaus Niehr,
Kerstin Thomas, Susanne Witzgall
2020. 304 pages. 30.0 × 24.0 cm
230 color ills.
HC 978-3-422-98423-3 Ger
€ 48.00 / $ 55.99 / £ 43.50
(Wieder-)Entdecken
Die Kunsthalle Mannheim 1933 bis
1945 und die Folgen
Johan Holten, Kunsthalle Mannheim
(Eds.), Mathias Listl
2020. 120 pages. 28.0 × 20.5 cm
numerous ills.
HC 978-3-422-98427-1 Ger
€ 19.50 / $ 22.99 / £ 17.50
DEUTSCHER KUNSTVERLAG
41
Steven D. Lavine. Failure is What It‘s
All About
A Life Devoted to Leadership in
the Arts
Jörn Jacob Rohwer
2020. 168 pages. 22.0 × 16.0 cm
34 color ills., 34 duplex
HC 978-3-422-98155-3 En
€ 33.95 / $ 39.99 / £ 29.50
Werner Schmalenbach und
die Stiftung Kunstsammlung
Nordrhein-Westfalen
Eine Staatsgalerie im Aufbau
Martje Esser
2021. 312 pages. 24.0 × 17.0 cm
80 b/w ills., 24 color ills.
HC 978-3-422-98567-4 Ger
€ 42.00 / $ 48.99 / £ 38.00
Wie die Bilder ins Museum kamen
Biografien von Kunstwerken aus dem
Wallraf-Richartz-Museum in Köln
Rainer Pabst
2021. 224 pages. 21.5 × 13.5 cm
34 b/w ills.n, 58 color ills.
SC 978-3-422-98438-7 Ger
€ 19.00 / $ 21.99 / £ 17.50
E-Book 978-3-422-98724-1 En
€ 33.95 / $ 39.99 / £ 29.50
Gegenbilder
Bildparodistische Verfahren in der
Frühen Neuzeit
Jürgen Müller, Lea Hagedorn, Giuseppe
Peterlini, Frank Schmidt (Eds.)
2021. 344 pages. 24.0 × 17.0 cm
143 b/w ills., 16 color ills.
SC 978-3-422-98239-0 Ger
€ 59.00 / $ 67.99 / £ 53.50
Schön behaglich warm
Weimarer Öfen der Goethezeit
Jan Mende
2021. 160 pages. 24.0 × 17.0 cm
74 b/w ills.n, 10 color ills.
SC 978-3-422-97986-4 Ger
€ 19.90 / $ 22.99 / £ 18.00
Vorhangfall und poetische Ekstase
Gian Lorenzo Berninis Cappella
Paluzzi-Albertoni
Gudrun Inboden
2020. 176 pages, 24.0 x 17.0 cm
1 b/w ills., 11 color ills.
HC. 978-3-422-98316-8 De
€ 29.00 / $ 33.99 / £ 26.50
Vom Fossil zum Bild
Künstlerische Darstellungen prähistorischen
Lebens
Dennis Janzen
2020. 288 pages, 24.0 x 17.0 cm
113 color ills.
SC. 978-3-422-98117-1 De
€ 49.95 / $ 57.99 / £ 45.50
Porzellan der KPM Berlin 1918−1988
Tim D. Gronert
2020. 1.216 pages, 30.0 x 24.0 cm
approx. 2,000 mostly color ill.
3 vols. in slipcase
HC. 978-3-422-97147-9 De
€ 168.00/ $ 193.99 / £ 152.50
Oltre il colore
Die farbreduzierte Wandmalerei
zwischen Humilitas und
Observanzreformen
Katherine Stahlbuhk
2021. 428 pages, 28.0 x 21.0 cm
190 b/w ills., 50 color ills.
HC. 978-3-422-98194-2 De
€ 78.00 / $ 89.99 / £ 71.00

IMAGE CREDITS
Cover and 20: Thomas Müller, Untitled,
2021, ballpen, paper, 29,7 × 21 cm,
Museum Pfalzgalerie, Kaiserslautern,
graphic collection, Inv.-Nr. 21/3021.
© Thomas Müller;
6: Edmond Aman-Jean, Le Miroir
Champêtre, around 1900, pastel on
paper, 60,3 × 40,6 cm, Galerie Elstir, Paris,
Photo: Th. Hennocque;
7: Sophie Burger-Hartmann, Leaf Nymph
(business card holder with a naked
woman), 1898 cast bronze, patinated,
11 × 34 × 16,5 cm, Private collection
Munich, Photo: Marianne Franke, Munich;
8 above: Detail of the paint application
from Birches in the Snow, 1907, Rauert
Collection, Hamburger Kunsthalle, Photo:
Heike Schreiber;
8 below: Painting materials and
correspondence from the artist’s estate.
Photo: Dirk Dunkelberg;
9: Stereomicroscopic examination
of Dance around the Golden
Calf, 1910, Photo: Bayerische
Staatsgemäldesammlungen, Elisabeth
Greil;
10 left: Leo von König, Anna von König,
1940, private collection;
10 right: Leo von König, Julius Meier-
Graefe, 1935, Museum Pfalzgalerie,
Kaiserslautern;
11: Draft for the Hofarkaden at the
Galeriestraße in Munich, 1934, pencil,
watercolor on paper, 52,5 × 377,5 cm;
12 above: Judit Reigl, Centre de
Dominance, 1957, oil on canvas,
144,5 × 152,3 cm, Collection Reinhard
Ernst, Wiesbaden, © VG Bild-Kunst, Nonn
2021, Foto: Courtesy of Sotheby‘s.
12 below: K. O. Götz, Jonction II, 1991,
mixed technique on canvas, two parts,
200 × 520 cm, Collection Sylvia and
Ulrich Ströher, Museum Küppersmühle
für Moderne Kunst, Duisburg, © VG Bild-
Kunst, Bonn 2021, Foto: Olaf Bergmann,
Witten
13 left: Helen Frankenthaler, Sea Level,
1976, acryl on canvas, 226 × 158 cm,
Collection Reinhard Ernst, Wiesbaden,
© VG Bild-Kunst, Bonn 2021/Helen
Frankenthaler Foundation Inc., Foto:
Borgers/Hermann;
13 right: Emilio Vedova, Contrasto ‘59-
1, 1959, oil on canvas, 146 × 196 cm,
Collection Sylvia und Ulrich Ströher,
© VG Bild-Kunst, Bonn 2021/Fondazione
Emilio e Annabianca Vedova, Venice,
Foto: Olaf Bergmann, Witten;
15 left: Birthday present of the Council of
Agriculture on the occasion of Luitpold’s
80th birthday, Munich 1901.
© Bayerisches Nationalmuseum, Munich,
Photo: Bastian Krack;
15 right: Birthday present of the Bavarian
Chambers of Notaries on the occasion of
Luitpold’s 80th birthday, box with seals
embedded in metal capsules, Munich
1901. © Bayerisches Nationalmuseum,
Munich, Photo: Bastian Krack;
16 above: Canaletto, Departure from the
Lock at Dolo, Inv.-Nr. 1957:1269 D;
16 below: Jacopo de‘ Barbari, Pegasos,
Inv.-Nr. 14800 D;
17: From the circle of Lodewijk Toeput,
Gondola with Lovers, Inv.-Nr. 40663 Z;
18 left: Italienisch (traditional), Suicide
of Saul or Ajax, pen on paper,
154 × 151 mm, Inv.-Nr. UItal 111;
18 middle: Paolo Caliari, gen. Veronese
(traditional), Verona 1527–1588 Venedig,
Saint Sebastian, pen, 182 × 120 mm, Inv.-
Nr. Ital 406
18 right: Paolo Farinati (traditional),
Verona 1524–1606 Verona, Marsyas, pen
on paper, 224 × 247 mm, Inv.-Nr. Ital 154;
19 above: Joseph Vivien, Self Portrait
with Fur Hat, 1730, © Bayerische
Staatsgemäldesammlungen, Alte
Pinakothek, Munich. Photo: Sibylle
Forster;
19 below: Maurice Quentin de La Tour,
Mademoiselle Ferrand Meditating on
Newton, around 1752, © Bayerische
Staatsgemäldesammlungen, Alte
Pinakothek, Munich, permanent loan of
the HypoVereinsbank Collection, Member
of UniCredit, Photo: Sibylle Forster;
20: s.a.;
21 above: Max Uhlig, Untitled, 2004,
Museum Pfalzgalerie, Kaiserslautern,
graphic collection, Inv.-Nr. 21/3018;
21 below left: Georg Scholz, Newspaper
carrier (Work violates), 1921, water
colour and ink (brush), penicl, laid paper,
307 × 470 mm, Museum Pfalzgalerie
Kaiserslautern, graphic collection,
Inv.-Nr. 85/200.;
21 below right: Barbara Hindahl: Untitled,
2011/18, colour pencil, laid paper,
296 × 195 mm, Museum Pfalzgalerie
Kaiserslautern, graphic collection,
Inv.-Nr. 18/2963/3. © VG Bild-Kunst,
Bonn 2021;
22: Emil Orlik, Portrait Albert Einstein,
1923, drypoint etching, 25 × 19,8 cm;
24 above: Max Liebermann, Birch
path with house, 1922, etching. Max-
Liebermann-Gesellschaft, Photo: Oliver
Ziebe;
24 below left: Max Liebermann, Large
self portrait, 1912, lithography. Max-
Liebermann-Gesellschaft;
24 below right: Max Liebermann, Net
patchworkers, 1894, etching. Max-
Liebermann-Gesellschaft, Photo: Julia
Jungfer;
25 left: Jacques-Philippe Le Bas, The
battle of Oroi-jalatu, 1770, plate 3 from a
series of 16 copper plates, 58 × 94,5 cm,
Staatliche Museen Berlin, Ethnologisches
Museum, I D 31770;
25 right: Unknown, The battle of Oroijalatu,
etching, ca. 57 × 93 cm, Musée
du Louvre, Paris, Collection Edmond de
Rothschild;
26: Photo: Ursula Seitz, Kunstsammlung
St. Gallen.
27 left: Exhibition: Arnulf Rainer. Rainer
Kosmos, 2012 (look into Carolinenbad)
© Arnulf Rainer; Photo: Arnulf Rainer
Museum / Wolfgang Thaler;
27 middle above: Bath of Joseph and
Caroline, color printing based on an
illustrated journal, 24 April 1852, p. 268,
© & Foto: Rollettmuseum;
27 middle below: Lottersberger-Messner-
Dumpelnik, Rebuilding of the Frauenbad
as Arnulf Rainer-Museum, 2006–09,
Südfassade, Foto: Arnulf Rainer Museum/
Rainer Mirau;
27 right: Bathing scene in the Frauenbad,
illustration in occasion of the reopening
of the Frauenbad in the list of arrivals
1940, © & Foto: Stadtarchiv Baden;
28 left: Domenik Alexander Krischke, The
book and its core, 2021, plaster, wood,
paper, electronics, 30 × 40 × 20 cm,
© Domenik Alexander Krischke;
28 right: Meo Wulf, The Book 2121, 2021
Video, 2:57 min., ©Meo Wulf;
29: Photos: Nicole Schwarz;
30: © and photos: Frédéric Mougenot;
31 left: Lu Guang, Miner, Wuhai, Inner
Mongolia, July 1995;
31 right: Pollution: The Ordos to Wuhai
road in Inner Mongolia, July 2012, July
1995, ©Lu Guang (Contact Press Images);
32 left: Museum of Art and Architecture
(Le Corbusier) # 434, Chandigarh, 2020,
pigment print, 70 × 100 cm, © Nicolaus
Schmidt;
32 right: Stupa, Karla Caves, 2011 ,
pigment print, 100 × 70 cm, © Nicolaus
Schmidt;
34 – 35: all images © Klassik Stiftung
Weimar;
36 right: Index sheet of a horn acquired
in 1974, which shortly after was classified
as a forgery, © Museum Fünf Kontinente,
Munich, SM&S, index card folder Ivory
Coast, Dan record;
36 left: Figure acquired in 1875, Museum
Fünf Kontinente, Munich, Inv.Nr. 3684,
© Marietta Weidner;
37 above: Umbrellas from Jewish
ownership, around 1900 to 1920, today
Museums of the City of Regensburg,
inv. no. K 1942/46, © Museen der Stadt
Regensburg, Foto: Michael Preischl

INDEX OF AUTHORS AND EDITORS
A
Achenbach, Sigrid 24
Ahrens, Birgit 23
Alber, Silke 40
Allana, Rahaab 32
Ananieva, Anna 39
Appuhn-Radtke, Sibylle 15
Aresin, Maria 17
Arnhold, Herrmann 41
Assmann, Peter 18
B
Backmeister-Collacott, Ilka 28
Badelt, Sandra 31
Bader, Simone 32
Barnert, Arno 35
Bastek, Alexander 21
Bauerle-Willert, Dorothée 41
Becker, Ingeborg 7
Beißwanger, Lisa 39
Beyerle, Johannes 41
Billeter, Felix 11, 26, 39
Boeckl, Matthias 27
Bormann, Ralf 18
Brüggerhoff, Stefan 31
C
Carius-Kiehne, Annett 35
Cazzola, Alice 24
Chibidziura, Ute 41
Christoph, Andreas 35
Contini, Roberto 39
Cordts, Viktoria 39
D
Dahme, Stephan 21
Damm, Heiko 18
Diekmann, Luzie 29
Dombrowski, Damian 40
Donglin, Hu 31
Dumas, Véronique 7
E
Ebert, Bernd 19
Eichberg, Stephanie 41
Esser, Martje 41
Esterházy, Fanny 34
F
Feulner, Karoline 21
Fey, Felice 40
Fischer, Sören 21
Fischer, Ulrike 19
Follmann, Christine 21
Forster, Peter 7, 39, 41
Frevert, Ute 41
Frohne, Ursula 41
Funk, Tobias 26
G
Gaetti, Silvia 39
Gaier, Martin 39
Gathof, Paul 14
Glasl, Susanne 39
Goll, Carolin 40
Gottdang, Andrea 40
Grepmair-Müller, Angelika 11, 26
Gronert, Tim D. 41
Grosskopf, Anna 39
Guang, Lu 31
Guggeis, Karin 36
H
Hack, Alexandra 35
Hagedorn, Lea 41
Handte, Denise 24
Hansen, Dorothee 39
Haufe, Rüdiger 35
Heinen, Ulrich 41
Heiser, Jörg 28
Heit, Helmut 34
Herold, Inge 40
Heynowski, Ronald 37
Hinz, Anne-Kathrin 13, 39
Hipp, Elisabeth 19
Höppner, Stefan 35
Hoffmann, Tobias 39
Holten, Johan 40, 41
Huber, Fabian Pius 40
Hübscher, Sarah 30
Humpl-Mazegger, Christine 27
Hupka, Juliane 34
I
Inboden, Gudrun 41
J
Jäger, Joachim 40
Janzen, Dennis 41
Janzing, Godehard 40
Joachimides, Alexis 40
K
Kammel, Frank Matthias 15
Karle, Andrea 39
Kemperdick, Stephan 39
Kennedy, Julie 39
Kirchberger, Nico 39
Kleinert, Katja 39
Knoch, Habbo 30
Koch, Daniela 21
Kohle, Hubertus 7
Koinberg, Edvard 39
Kolba, Franziska 40
Konjikušić, Davor 39, 40
Konrad, Ulrich 40
Krausse, Anna-Carola 40
Kreutzer, Tanja 41
Krieger, Verena 39
Krieger, Viktoria Bernadette 24
Kristan, Markus 27
L
Lange, Carolin 37
Laube, Reinhard 35
Lavaulx-Vrécourt, Henriette 25
Leban, Petra 27
Leitmeyer, Maria 39
Leverenz, Niklas 25
Levi, Georg Ragnar 39
Lichtenstern, Christa 33
Listl, Mathias 41
Locher, Hubert 40
Lorenz, Katja 35
M
Maaz, Bernhard 40
Mader, Maximilian 11
Männig, Maria 40
Märkl, Christian 35
Mai, Michaela 39
Marlin, Constanze von 40, 41
Marx, Petra 41
Matelowski, Anke 39
Mehring, Frank 14
Mende, Jan 41
Mestemacher, Ilka 17
Moser, Thomas 7
Mougenot, Frédéric 3 0
Müller, Jürgen 41
Murr, Karl Borromäus 41
N
Niehr, Klaus 41
O
Oswalt, Philipp 26
P
Pabst, Rainer 41
Paflik-Huber, Hannelore 41
Pastukhov, Alexey 25
Pearce, Nick 25
Peterlini, Giuseppe 41
Pledge, Robert 31
Pollmer-Schmidt, Almut 40
Prange, Peter 39
Preising, Dagmar 39
R
Reichert, Martin 40
Renner, Adrian 7
Richter, Katja 28, 29
Rief, Michael 39
Rohwer, Jörn Jacob 41
Roller, Stefan 39
Rott, Herbert Wilhelm 19, 40
Rowley, Neville 39
Rux, Benjamin 21
S
Salmon, Xavier 19
Salomon, Sarah 39
Schalhorn, Andreas 24
Schmälzle, Christoph 35
Schmidt, Frank 41
Schmidt, Nicolaus 32
Schneider, Pablo 29
Schoeller, Katharina 27
Scholda, Ulrike 27
Schommers, Annette 15
Schubert, Corinna 34
Schützeichel, Rainer 40
Schumacher, Andreas 19
Skwirblies, Robert 39
Spielmann, Heinz 33
Spinner, Veronika 35
Stahlbuhk, Katherine 41
Streim, Claudia 35
Strobel, Andreas 26
T
Theiss, Harald 39
Thielmann, Frank 7
Thomas, Kerstin 41
Tragbar, Klaus 40
Trenkmann, Ulrike 35
Tutmann, Justine 39
U
Uluçam, Aylin 40
Uslular-Thiele, Christina 7
V
Vogt, Christine 39
von der Dollen, Ingrid 10
Voss-Andreae, Peter 23
W
Walter, Sabine 34
Wasensteiner, Lucy 24
Weber, Christiane 40
Weber, Jürgen 35
Weigand, Katharina 15
Weisenseel, Anja 29
Welzel, Barbara 30
Wilamowitz-Moellendorff, Erdmann von 35
Will, Dimitra 40
Witzgall, Susanne 41
Woesthoff, Indina 40
Wolf, Fabian 40
Z
Zeitler, Kurt 17
Zuschlag, Christoph 13