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Fact sheet AWA - Mick Jagger (F&S II.139)

Fact sheet AWA - Mick Jagger (F&S II.139)

Fact sheet AWA - Mick Jagger (F&S II.139)

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Andy Warhol<br />

<strong>Mick</strong> <strong>Jagger</strong> (1975) (FS <strong>II.139</strong>)<br />

Silkscreen on Arches Aquarelle<br />

74 x 110 cm<br />

Edition of 250<br />

Signed by Andy Warhol and <strong>Mick</strong> <strong>Jagger</strong>


Andy Warhol and <strong>Mick</strong> <strong>Jagger</strong> met at a party in 1964 when the Rolling Stones<br />

were on their first US tour. At this time both were rising to fame and establishing<br />

their image. The Rolling Stones were viewed as the dirty alternative to the clean<br />

cut Beatles and art collectors may have viewed Andy Warhol in a similar way<br />

compared to other artists at the time such as Jasper Johns and Tom Wesselmann.<br />

Their relationships grew over the years and they attended many lavish rock star<br />

parties together.<br />

In the summer of 1975 whilst <strong>Mick</strong> and his wife Bianca were staying at Andy’s<br />

house in Mautauk, Andy took photographs of <strong>Mick</strong> all of which were head and<br />

bare-chested shots, Andy wanted to capture different emotions with <strong>Jagger</strong><br />

playing up to the camera, he particularly liked <strong>Jagger</strong>’s photogenic ‘Bad-boy’<br />

image.<br />

Back in the studio Andy created a series of 10 portraits of <strong>Mick</strong> <strong>Jagger</strong> as screen<br />

prints using the photographs he had taken. He added hand drawn stylized lines<br />

and incorporated blocks of irregularly shaped colour, which although printed,<br />

appear like collaged fragments of coloured paper. These works were more<br />

expressive than his earlier screen-prints and the abstract quality of the blocks of<br />

colour show the development of Warhol's interest in more non-representational<br />

art that was emerging in the 1970’s.<br />

These pieces are rare as they feature not only the signature of the artist, but also<br />

that of the sitter. Also, very few of the subjects of Warhol’s works are still living.

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