Sky Above Clouds Revised - Transposed Score

S K Y A B O V E C L O U D S
James M. David
Dedicated to the American Bandmasters Association
World Premiere, 91st Annual Convention,
American Bandmasters Association, Chicago, Illinois
In Memory of Ron Nelson
© 2025, Oakdale Road Music/James M. David, ASCAP, all rights reserved

SKY ABOVE CLOUDS
for wind ensemble
Instrumentation:
Piccolo
2 Flutes
Oboe(s)
2 Bassoons
Clarinet in B-flat 1 (at least two players for each clarinet part)
Clarinet in B-flat 2
Clarinet in B-flat 3
Bass Clarinet
Contrabassoon or Contrabass Clarinet in BB-flat (opt.)
Soprano Saxophone*
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
3 Trumpets in B-flat
4 Horns in F
2 Trombones
Bass Trombone
Euphonium
Tubas
Contrabass (opt.)
Piano
Timpani
Percussion 1: Vibraphone, Xylophone, Suspended Cymbal, Lg. Splash Cymbal, Crash Cymbals (shared)
Percussion 2: Crotales (2 8ve), Ride Cymbal, Tambourine, Crash Cymbals (shared)
Percussion 3: Chimes, Glockenspiel, Tambourine, Snare Drum
Percussion 4: China Cymbal, Splash Cymbal, Suspended Cymbal, Hi-Hat, Bongos, Lg. Woodblock, Crash Cymbals
Percussion 5: Medium Tam-Tam, Bass Drum, Med. Triangle, Sm. Woodblock, Finger Cymbals
Duration: ca. 7 minutes
Program Notes:
Sky Above Clouds is a symphonic poem for wind ensemble inspired by Georgia O’Keefe’s iconic painting Sky Above Clouds IV that has
been exhibited at the Art Institute of Chicago since the 1970’s. Her largest work ever created, it depicts repetitive cloud forms seen from
an airplane that stretch towards an infinite horizon. Striking not only for its overwhelming size but also its bold and harmonious
composition, my work seeks to capture these qualities as well as the dramatic and exciting Chicago skyline that the painting calls home.
Utilizing an altered triple chaconne form, a slowly evolving and repetitive harmonic progression is joined by the voice of the lonely traveler
represented by soprano saxophone. This melody and harmony build towards a massive cadence only to suddenly transition to the angular
rhythms of Chicago’s modernist architecture. An energetic finale blends both of these skyward views together as the brilliant orange hues
of the horizon blaze in the distance. This work is dedicated to the American Bandmasters Association with the world premiere at the 91st
ABA Convention, Chicago, Illinois. The composition was written in memory of composer Ron Nelson (1929-2023).
-notes by the composer, Summer 2025, Fort Collins, Colorado
Composer Biography:
Dr. James M. David (b. 1978) is an American composer and professor of music theory and composition at Colorado State University. His symphonic
works have been performed and recorded by many prominent ensembles including the U.S. Air Force Band, the U.S. Army Band “Pershing’s Own”,
the U.S. Army Field Band, the U.S. Navy Band, the Des Moines Symphony Orchestra, the Fort Collins Symphony Orchestra, the Showa Wind
Symphony (Japan), the Osaka Shion Wind Orchestra, and the North Texas Wind Symphony. His music has been performed at more than sixty
national and international conferences including the Midwest Clinic, the College Band Directors National Association Biennial Conference, the
American Bandmasters Association Convention, the World Association for Symphonic Bands and Ensembles Conference, the International Clarinet
Fest, the International Trombone Festival, the Percussive Arts Society International Convention, the International Horn Symposium, and the World
Saxophone Congress. Dr. David was the winner of the 2025 Frederick Fennell Prize, the 2022 William D. Revelli Composition Contest, three-time
finalist for the Sousa-ABA Ostwald Award, winner of an ASCAP Morton Gould Award, and won national contests sponsored by the Music Teachers
National Association and the National Association of Composers (USA). Commissions include projects for the National Band Association, the Atlantic
Coast Conference Band Directors Association, Joseph Alessi (New York Philharmonic), John Bruce Yeh (Chicago Symphony), James Markey (Boston
Symphony), and hundreds of university faculty and ensembles. His works are represented on over twenty commercially released recordings on the
Naxos, Summit, Mark, Albany, Parma, MSR Classics, Bravo Music, GIA Windworks, and Luminescence labels and are published by Murphy Music
Press, C. Alan Publications, Potenza Publishing, and Excelcia Music.
As a native of southern Georgia, Dr. David began his musical training under his father Joe A. David, III, a renowned high school band director and
professor of music education in the region. This lineage can be heard in his music through the strong influence of jazz and other Southern traditional
music mixed with contemporary idioms. Dr. David received degrees in music education and music composition from the University of Georgia and
the Florida State University College of Music. He studied composition with Guggenheim recipient Ladislav Kubik, Pulitzer recipient Ellen Taaffe
Zwilich, Lewis Nielson, and Clifton Callender as well as jazz composition and arranging with Sammy Nestico. More information at
www.jamesmdavid.com.

Transposed Score
Piccolo
Flute 1
Flute 2
Singing, Freely ( q = 58 )
3
4
S K Y A B O V E C L O U D S
James M. David (2025)
4
solo, cue S. Sax.
5
3
4
rubato
3
4
5 3
Oboe
Bassoon 1-2
Clarinet in B 1
Clarinet in B 2
3
4
solo
4
3
4
4
Clarinet in B 3
Bass Clarinet
Contrabassoon or
Contrabass Clarinet
Soprano Saxophone
Alto Saxophone
3
4
solo, cue ob.
4
solo
5
3
4
3
4
5 3
Tenor Saxophone
Baritone Saxophone
Trumpet in B 1
Trumpet in B 2
3
4
4
3
4
4
Trumpet in B 3
Horn in F 1/3
Horn in F 2/4
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Contrabass
Piano
3
4
4
3
4
4
Timpani
Percussion 1
3
4
4
3
4
4
Percussion 2
Percussion 3
Percussion 4
Percussion 5
1
2
3
4
5
© 2025, Oakdale Road Music/James M. David, ASCAP
6
7
8
9
10

Picc.
Fl. 1
11
a tempo
3
4
4
3
4
4
poco rall.
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
two players
3
4
4
3
4
4
tutti
3
4
S. Sx.
A. Sx.
3
4
4
3
4
4
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
3
4
4
3
4
4
3
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
3
4
3
4
4
Vibraphone
Chimes
3
4
Crotales
4
3
4
4
4
3
4
3
4
Perc. 5
11
12
13
14
15
16
17
18
S K Y A B O V E C L O U D S - p. 2

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
19 a tempo solo
3
3
solo
4
3
4
solo
solo
solo
4
4
poco rit.
solo, cue S. Sax.
5
24
3
4
3
4
Expansive ( q = 50 )
play
tutti
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
3
4
3
4
St. Mute
St. Mute
St. Mute
4
4
5
3
4
3
4
cresc. poco a poco
open
open
cresc. poco a poco
cresc. poco a poco
open
Hn. 1/3
cresc. poco a poco
Hn. 2/4
Tbn. 1-2
cresc. poco a poco
cresc. poco a poco
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
3
4
3
4
Xylo. solo
3
4
4
3
4
3
4
pizz.
Vibraphone
ped. ad lib.
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
Perc. 3
Perc. 4
Perc. 5
Med. Tri.
19
20
21
Sus. Cym.
w/ soft mall.
22
23
24
25
26
27
28
29
30
31
S K Y A B O V E C L O U D S - p. 3

Picc.
Fl. 1
poco rall. 34 a tempo
poco rall.
4
a tempo
5
4
poco rall.
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
solo, cue S. Sax.
3
soli
cue, A. Sax.
cue, T. Sax.
cue, B. Sax.
soli
soli
solo
3
5 3
5 3
3
3
play
4
4
4
5
4
5
4
5
4
3
3
3
3
3
3
3
4
3
4
3
4
Pf.
Timp.
Perc. 1
4
4
5
4
5
4
3
4
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
32
33
Med. Tri.
34
35
36
37
38
39
Sus. Cym.
w/ soft mall.
40
Chimes
41
42
S K Y A B O V E C L O U D S - p. 4

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
43
3
4
3
4
a tempo
solo
two players
two players
solo
one or two players
one or two players
solo, cue ob.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
3
4
cue, euph.
one player
B. Sx.
B Tpt. 1
B Tpt. 2
3
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
cue, euph.
B. Tbn.
Euph.
solo
Tuba
Cb.
Pf.
3
4
Timp.
Perc. 1
Perc. 2
3
4
Ped. sim.
Perc. 3
Perc. 4
Perc. 5
Finger Cym.'s
43
44
45
46
S K Y A B O V E C L O U D S - p. 5

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
play
Sus. Cym.
w/ soft mall.
47
arco
play
tutti
tutti
tutti
tutti
tutti
3 3
3 3
3 3
3
3
tutti
tutti
tutti
3
tutti
hold pedal down
3
3
Xylo.
choke
China Cym.
w/ stick, choke
3 3
3 3
3 3
3 3
3 3
3
3 3
3
3 3
3 3
3 3
3
3 3
3
Sus. Cym.
w/ stick, choke
3
3
3
3 3
3 3
3 3
3 3
3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
3
3
3
3 3 3
3 3 3
3 3 3
3 3 3
3 5 3
3 3 5
3 5 3
3 5 3
3 5
3 3 5
3 3 5
3
3
3
3
3
Perc. 5
48
49
50
51
S K Y A B O V E C L O U D S - p. 6

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
5 3
6
5 3 6
5 3 6
5 3
3
5 3
3
3
3
6
53
3 3
3
3 3
3
3
3 3
3 3
3 3
3 3
3
5 3
3
3
3
3
3
3
6
let ring
3 5
52
4
4
4
4
4
4
53
5
4
5
4
5
4
5
4
5
4
5
4
3
3
3
Sus. Cym.
w/ soft mall.
Glock.
w/ plastic mall.
54
3
3
3
3
3
4
4
4
4
4
4
S K Y A B O V E C L O U D S - p. 7
Bass Dr.
Crash Cym.'s
55
molto rall.
Tam-Tam
56
5
4
5
4
5
4
5
4
5
4
5
4

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
5
4
5
4
5
4
5
4
5
4
5
4
a tempo
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vibraphone
3
3
3
57
3
3
3
3
Ped. sim.
3
3
3
3
58
dampen
3
4
3
4
3
4
3
4
3
4
3
4
solo
solo, cue ob.
59
cue, Cb. Cl.
solo, cue S. Sax.
60
4
4
4
4
4
4
Tam-Tam
scrape w/ tri. beater
3 5
3 5
S K Y A B O V E C L O U D S - p. 8
61
62 Flowing ( q. = 88 )
9
8
9
8
9
8
9
8
9
8
9
8
hold pedal down
hold pedal down
Lg. Woodblock
62
63
play
one or two players
64

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
4
4
4
4
4
solo, cue S. Sax.
solo, cue S. Sax.
one or two players
one or two players
solo
65
4
Med. Tri.
66
67
4
4
4
68
69
70
S K Y A B O V E C L O U D S - p. 9
4
4
71
4
74
pedal
Cym.
sticks
play
play
pizz.
release
Ride
w/ light
72
73
74

Picc.
83
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
tutti
tutti
tutti
4
4
4
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
St.
Mute
St. Mute
St. Mute
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
75
76
77
78
79
80
81
82
83
Sm. Woodblock
84
S K Y A B O V E C L O U D S - p. 10

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
4
4
4
4
4
4
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Sus. Cym.
w/ soft mall.
Crotales
Perc. 3
Tambourine
Perc. 4
Perc. 5
4
85
86
87
88
4
89
90
91
92
S K Y A B O V E C L O U D S - p. 11

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
95
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
B Cl. 3
sost.
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
open
sost.
B Tpt. 2
open
B Tpt. 3
Hn. 1/3
open
Hn. 2/4
Tbn. 1-2
sost.
B. Tbn.
Euph.
Tuba
Cb.
arco
7
7
Pf.
Timp.
Perc. 1
Perc. 2
Lg. Splash Cym.
w/ soft mall.
Perc. 3
Perc. 4
Perc. 5
93
94
Bongos
w/ sticks
Bass Dr.
w/ hard mall.
95
96
97
98
99
S K Y A B O V E C L O U D S - p. 12

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
7
7
7
7
7
7
( q. = q )
7
7
7
7
7
7
3
4
3
4
accel. poco a poco
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
upper div. opt.
3
4
3
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
7
3
4
3
4
Perc. 3
Perc. 4
4
Perc. 5
100
101
102
Sm. Woodblock
103
104
105
106
S K Y A B O V E C L O U D S - p. 13

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Xylo.
( q = 108 )
w/ sticks
Hi-Hat, closed
accel. poco a poco
3
3
3 3
3 3
3 3
3
3
3 3
111
Frenetic ( q = ca.136 )
3
3
3
3
3
3
3
3
3
3
3
3
o = open, + = closed
107
108
109
110
111
112
113
114
115
S K Y A B O V E C L O U D S - p. 14

Picc.
Fl. 1
Fl. 2
123
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
pizz.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Snare Dr.
w/ brushes
3
3
Xylo.
Tambourine
Perc. 5
116
117
118
119
120
121
122
123
S K Y A B O V E C L O U D S - p. 15

Picc.
Fl. 1
3
3
3
3
3
3
3
3
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
pizz.
arco
Perc. 1
3
3
3
3
Perc. 2
Perc. 3
3
6
3
6
Perc. 4
Perc. 5
124
125
126
127
128
129
130
131
S K Y A B O V E C L O U D S - p. 16

Picc.
Fl. 1
Fl. 2
3
3
3
3
138
4
3
3
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
4
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
4
Bells Up!
Bells Up!
Timp.
Perc. 1
3
3
4
3
Perc. 2
Crash Cym.'s
Perc. 3
Perc. 4
Perc. 5
132
3
133
Sus. Cym.
w/ stick, choke
134
6
Bongos
w/ sticks
135
136
137
Tambourine
Bass Dr.
138
S K Y A B O V E C L O U D S - p. 17

Picc.
Fl. 1
Fl. 2
3
3
3
3
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
ord.
Hn. 2/4
Tbn. 1-2
ord.
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
3
3
3
3
3
Perc. 2
Perc. 3
Perc. 4
3
3
Crotales
+ China
3
Perc. 5
139
140
141
142
143
144
S K Y A B O V E C L O U D S - p. 18

Picc.
Fl. 1
150
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Splash + Sus. Cym.
w/ xylo mall.
take four mallets
3
4
3
4
3
4
3
4
3
4
choke
Perc. 3
Perc. 4
Perc. 5
145
3
3
B.D. + Tam-Tam
146
147
148
149
dampen
150
S K Y A B O V E C L O U D S - p. 19

Picc.
Fl. 1
Fl. 2
Ob.
solo
3
3
tutti
3
3
3
3
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
solo
3
3
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Xylo.
3
3
Perc. 3
Perc. 4
3
Perc. 5
151
152
153
154
155
156
157
158
159
160
S K Y A B O V E C L O U D S - p. 20

Picc.
Fl. 1
Fl. 2
3
3
162
3
3
3
3
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
3
3
Hn. 2/4
Tbn. 1-2
3
3
3
3
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
3
3
Perc. 2
Perc. 3
3
3
Perc. 4
6
3
6
Perc. 5
161
162
163
164
165
S K Y A B O V E C L O U D S - p. 21

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
3
3
poco
rall.
lunga
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
3
3
3
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
166
167
168
169
Crash Cym.'s
shake
170
Sus. Cym.
w/ soft mall.
B.D. + Tam-Tam
let ring
let ring
dampen
171
S K Y A B O V E C L O U D S - p. 22