Western News: April 02, 2026
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FOR LOCAL ADVERTISING<br />
Alana Powell<br />
Ph: <strong>02</strong>7 535 6583<br />
alana@alliedmedia.co.nz<br />
Trout-standing<br />
snap reels in<br />
top prize for<br />
photographer<br />
A Christchurch man who<br />
captured the moment his wife<br />
landed a stunning fish has<br />
netted the top prize in Fish &<br />
Game’s ReWild Snap & Share<br />
licence photo competition.<br />
Radek Baus took the winning<br />
image of his wife, Lucie Baus,<br />
with her brown trout at a<br />
West Coast river – though he<br />
is keeping the location under<br />
wraps.<br />
The result was decided by a<br />
public<br />
The Star,<br />
vote<br />
January<br />
from four<br />
23, 2<strong>02</strong>5<br />
monthly<br />
winners, each showcasing what<br />
getting out on the water is all<br />
about – family, fun and fish.<br />
Baus takes home a $1000<br />
Kilwell voucher, and his photo<br />
will appear on the 2<strong>02</strong>6/27 Fish<br />
& Game fishing licence.<br />
Lucie The Star, Baus January recalled 23, 2<strong>02</strong>5 the<br />
moment the shot was taken:<br />
“The day was calm, and the fish<br />
was cruising along the edge of<br />
a deep pool. I crawled close to<br />
the shore, set the trap, and the<br />
fly did the job perfectly. The fish<br />
weighed perhaps 4-4.5kg.”<br />
Fish & Game New Zealand<br />
chief operating officer Richie<br />
Cosgrove said the result<br />
was a great outcome for the<br />
organisation.<br />
“The winning image captures<br />
a magic moment and the joy<br />
of landing a good fish, and the<br />
public clearly agrees.<br />
“For us, it also provides a<br />
wonderful opportunity to<br />
showcase women out there on<br />
the water, reflecting the growing<br />
popularity of angling for<br />
women,” he said.<br />
Radek Baus’ winning image of his wife Lucie Baus with her brown trout at a river on the West Coast.<br />
“All four finalists were<br />
incredibly strong images, which<br />
made the public vote all the<br />
more meaningful. Thank you<br />
to everyone who entered and<br />
voted.”<br />
Kilwell director Amanda Wells<br />
said her team was excited to be<br />
part of the competition.<br />
“It’s a fantastic way to celebrate<br />
the outdoors and the incredible<br />
talent of photographers who<br />
FOR LOCAL ADVERTISING<br />
Alana Powell<br />
Ph: <strong>02</strong>7 535 6583<br />
alana@alliedmedia.co.nz<br />
FOR LOCAL ADVERTISING<br />
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Ph: <strong>02</strong>1 457 469<br />
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FOR LOCAL ADVERTISING<br />
Jenny Wright<br />
Ph: <strong>02</strong>1 220 3484<br />
jenny@alliedmedia.co.nz<br />
starnews.co.nz<br />
capture those special moments on<br />
the water,” Wells said.<br />
“Supporting initiatives like this<br />
is something we’re passionate<br />
about. We love seeing the winning<br />
image featured on the starnews.co.nz licence.”<br />
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The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />
starnews.co.nz<br />
Pacific treasures<br />
on display at<br />
art gallery<br />
Cora-Allan<br />
Wickliffe<br />
A new exhibition at the<br />
Christchurch Art Gallery<br />
celebrates the enduring<br />
significance of Pacific art and<br />
craft practices.<br />
Made in the Pacific: A Collection<br />
of Tāoga will see 50<br />
treasured objects from Canterbury<br />
Museum’s Pacific<br />
collections on display until<br />
October 11 with contemporary<br />
artworks.<br />
The gallery invited multidisciplinary<br />
artist and curator<br />
Cora-Allan Wickliffe to curate<br />
the exhibition.<br />
Wickliffe worked closely with<br />
Canterbury Museum curator<br />
Māori, Pacific,<br />
and Indigenous<br />
human histories,<br />
Hatesa<br />
Seumanutafa, to<br />
select the taoga.<br />
The museum’s<br />
Pacific collections<br />
include<br />
about 300,000<br />
objects, ranging<br />
from textiles<br />
and personal adornments to<br />
tools and lithics (stone artefacts).<br />
Some of oldest tāoga in<br />
the exhibition are upeti fala,<br />
traditional rubbing boards<br />
made using the midrib of<br />
coconut leaves, which arrived<br />
at the museum in 1897.<br />
“The connection Made in the<br />
Pacific makes between the historic<br />
tāoga and the makers of<br />
today is very important,” said<br />
Wickliffe.<br />
“The six contemporary artists<br />
I have included are all interested<br />
in matauranga from the<br />
Pacific – traditional ideas, materials<br />
and forms. This exhibition<br />
celebrates that bridging of past<br />
and present, and looks at how<br />
we might move forward to the<br />
future.”<br />
The customary tāoga on<br />
display represent skilled artmaking<br />
traditions from Samoa,<br />
Niue, Hawai’i, Fiji, Rapa Nui,<br />
Papua New Guinea, Tahiti and<br />
elsewhere across the Pacific.<br />
Visitors will see large-scale<br />
pieces, small samples and<br />
several items that demonstrate<br />
the use of natural dyes, such<br />
as indigo, turmeric and smoke.<br />
There will also be a range of<br />
tools on display, many of which<br />
bear the marks and wear of<br />
frequent use.<br />
Six contemporary artists –<br />
Serene Hodgman, Sue Pearson,<br />
Doron Riki-Semu, Pauline Reynolds,<br />
Louisa Afoa and Jimmy<br />
Ma’ia’i – also have work in the<br />
A barkcloth art work from Niue known as a hiapo. Below – Serene Hodgman’s Va’ai Lau Fuala’au/See My Pretty Flower<br />
includes silk ribbons on segments of woven plastic mat.<br />
PHOTOS: CANTERBURY MUSEUM / MASTERWORKS GALLERY<br />
exhibition. Said gallery lead<br />
curator Felicity Milburn: “It’s a<br />
privilege to display these tāoga,<br />
many of which have never<br />
before been exhibited in this<br />
way.<br />
“We’re very grateful to Canterbury<br />
Museum for their<br />
significant and generous support<br />
in making them available.<br />
We are fortunate to have been<br />
able to work with Cora-Allan,<br />
who is renowned for her advocacy<br />
for Pacific artmaking, past<br />
and present.<br />
“The conversation she has<br />
generated between these tāoga<br />
and the contemporary artworks<br />
is exciting and powerful, and<br />
we thank her for the vision,<br />
knowledge and hard work that<br />
have brought this exhibition to<br />
life.”<br />
Your<br />
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starnews.co.nz The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />
The Way<br />
We Were<br />
After building work started in 1918, The Sign of the Takahe, pictured in 1949, was finally completed in 1948 with an official<br />
opening held the following year.<br />
Around half a million bricks were used in the construction of New Regent St. A trial of its 400-lamp lighting prior to the<br />
official opening drew a crowd of hundreds.<br />
PHOTOS: CHRISTCHURCH STAR/CANTERBURYSTORIES.NZ<br />
THIS WEEK IN HISTORY<br />
March 30-<strong>April</strong> 5<br />
Sign of the Takahe officially opens<br />
On <strong>April</strong> 1, 1949, The Sign of the Takahe was officially opened, marking the<br />
completion of a vision first championed by city councillor<br />
Harry Ell more than 40 years earlier. Ell had pushed for a<br />
network of scenic reserves across the Port Hills, linked by<br />
the Summit Rd and supported by rest houses where travellers<br />
could stop and refresh. Several of these, including the Sign<br />
of the Bellbird, Sign of the Kiwi and Sign of the Packhorse,<br />
were completed during Ell’s lifetime, all designed by architect<br />
Samuel Hurst Seager. The Sign of the Takahe, however, was<br />
intended as the grandest of them all and would not be finished<br />
until long after Ell’s death in 1934.<br />
Construction began in 1918, with the partially completed<br />
building– then known as the Tram Terminus Rest House<br />
– opening in 1920, serving as both a tram stop and tearoom to help offset<br />
costs. Progress was repeatedly delayed by financial difficulties, disputes, the<br />
Depression and war, stretching the project over three decades. The building was<br />
finally completed in 1948 and officially opened the following year. It continued<br />
to operate as a restaurant and tearoom until sustaining damage in the 2010-11<br />
earthquakes, after which it was restored and strengthened, and now serves as a<br />
functions and wedding venue.<br />
Official opening of New Regent St<br />
New Regent St officially opened on <strong>April</strong> 1, 1932, transforming a site with a<br />
colourful past into one of the city’s most distinctive streets. Once known as<br />
the Circus Paddock, the area had hosted travelling circuses before evolving<br />
through a series of uses, including skating rinks, a boot factory, a taxi stand,<br />
the city’s first picture theatre – the Colosseum – and even a used car yard. In<br />
1929, councillor George Gould proposed redeveloping the site<br />
to help ease congestion on Colombo Street. Construction was<br />
carried out by P. Graham and Son Ltd, and while the name<br />
“Regent Street” was initially suggested, the council opted for<br />
“New Regent Street” to avoid confusion with an existing street<br />
in Sydenham.<br />
Built in the Spanish Mission style using around half a million<br />
bricks, the street was completed in late March 1932. Its 400-<br />
lamp lighting system drew hundreds of curious residents when<br />
it was first switched on for a trial, ahead of the official evening<br />
opening led by mayor Dan Sullivan. From the outset, the street<br />
reflected a diverse and enterprising community, with a number<br />
Harry Ell<br />
George Gould<br />
of women among its early business owners, including fishmonger Amelia Shaw<br />
and restaurateurs Aileen Agnes O’Donel and Gwendoline Alice Aldred, who<br />
ran the Kandy Kitchen. In 1986, a one-way restriction was imposed until 1994<br />
and turned into a pedestrian mall in preparation for the reintroduction of the<br />
Christchurch tram. Due to its coherent architectural character, the buildings in<br />
the streets are listed as Category I heritage items by Heritage New Zealand.<br />
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The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />
starnews.co.nz<br />
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starnews.co.nz The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />
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The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />
starnews.co.nz<br />
CROSSWORD<br />
1 2 3 4 5 6 7<br />
8<br />
9 10<br />
11 12<br />
13 14 15<br />
16 17 18 19<br />
20<br />
444<br />
SUDOKU<br />
Every row, column and box should<br />
contain the digits 1 to 9.<br />
WordBuilder<br />
WORDBUILDER<br />
E G A<br />
R I W<br />
6<br />
344 344<br />
R I W<br />
words of three or more letters,<br />
How<br />
including<br />
many<br />
plurals,<br />
words<br />
can you<br />
of<br />
make<br />
three<br />
from<br />
or<br />
the<br />
more<br />
six<br />
letters, using each letter only once? No foreign<br />
How words or beginning with a capital are<br />
from many the words six letters, of three using or more each letters, only<br />
allowed. There's at least one six-letter word.<br />
including once? plurals, can you make from the six<br />
TODAY<br />
letters, Good using 17 each Very letter Good only 21 once? Excellent No 24 foreign<br />
No words beginning with a capital are<br />
words or words beginning with a capital are<br />
allowed. Solution 343: There’s beg, bel, berg, at least bier, big, one bile, bilge,<br />
allowed. six-letter<br />
brig, erg, There's gel, GERBIL, at least gibe, giber, one girl, six-letter glib, ire, word. leg,<br />
word. lei, lib, lie, liger, lire, reg, TODAY rib, riel, rig, rile.<br />
Good 17 Very Good 21 Excellent 24<br />
letters, including plurals, can you make<br />
Solution 343: beg, bel, berg, bier, big, bile, bilge,<br />
brig, erg, gel, GERBIL, gibe, giber, girl, glib, ire, leg,<br />
lei, lib, lie, liger, lire, reg, rib, riel, rig, rile.<br />
21 22 23<br />
24 25<br />
26 27<br />
Across<br />
1. Encrypt (6)<br />
4. Boil gently (6)<br />
9. Fete (4)<br />
10. Contracting (10)<br />
11. Seem (6)<br />
12. Outside chance (4,4)<br />
13. Puzzled (9)<br />
15. Rotate (4)<br />
16. Dreadful (4)<br />
17. In music, a gradual increase in<br />
loudness (9)<br />
21. Satanic (8)<br />
22. Gambling (6)<br />
24. Help (10)<br />
25. Tack (4)<br />
26. Peril (6)<br />
27. Floor (6)<br />
Decoder<br />
Down<br />
1. Instance (7)<br />
2. Wooden box (5)<br />
3. Be worthy of (7)<br />
5. Mean (6)<br />
6. Tiny (9)<br />
7. Dilapidated (3-4)<br />
8. Self-examination (4-9)<br />
14. Division (9)<br />
16. Clad (7)<br />
18. Propose (7)<br />
19. Solidity (7)<br />
20. Small (6)<br />
23. Collier (5)<br />
Crossword<br />
Across: 1. Encode, 4. Simmer, 9. Gala, 10. Shortening, 11. Appear, 12.<br />
Long shot, 13. Perplexed, 15. Turn, 16. Dire, 17. Crescendo, 21. Devilish,<br />
22. Gaming, 24. Assistance, 25. Nail, 26. Danger, 27. Storey.<br />
Down: 1. Example, 2. Crate, 3. Deserve, 5. Intend, 6. Minuscule,<br />
7. Run-down, 8. Soul-searching, 14. Partition, 16. Dressed, 18. Suggest,<br />
19. Density, 20. Little, 23. Miner.<br />
WordBuilder<br />
Age, air, are, awe, ear, EARWIG, era, erg, gar, gear, grew, ira, ire, rag,<br />
rage, raw, reg, rig, wag, wage, wager, ware, wear, weir, wig, wire.<br />
DECODER<br />
Each number represents a different letter of the alphabet. Write the<br />
given letters into all squares with matching numbers. Now work out<br />
which letters are represented by the other numbers.<br />
VOLUME 1<br />
Enjoy WordFit? Magazines available.<br />
See www.thepuzzlecompany.co.nz<br />
Sudoku
starnews.co.nz The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />
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The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />
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keep, or a new one you seek, we<br />
will guide you through the process<br />
to achieve the look you’re after.<br />
Relines<br />
If you have had issues with your<br />
current denture being loose,<br />
breaking or having had an<br />
immediate denture fitted recently,<br />
relining is often a great option to<br />
provide strength and a superior fit.<br />
Additions<br />
If you’re having a tooth out and<br />
already have an existing denture,<br />
we’re usually able to add that<br />
tooth to your denture. This can<br />
be done either before or after the<br />
tooth has been taken out.<br />
62 Grahams Road,<br />
Avonhead<br />
Phone: 03 358 4169<br />
Avonhead hours:<br />
Mon-Fri 8am - 5pm<br />
Late Night Thu 7.30pm<br />
Partial Dentures<br />
Partial dentures are made to work<br />
around your remaining teeth,<br />
allowing us to restore your smile<br />
and function naturally. We use<br />
higher grade materials during the<br />
fabrication process.<br />
Repairs<br />
We offer a no-appointment<br />
emergency denture repair service,<br />
just bring your denture into us<br />
and we will be able to check and<br />
repair your denture, usually within<br />
a few hours.<br />
We stock a select range of high<br />
quality after care products that<br />
can be bought online or at our<br />
clinic. If you have a specific<br />
request, please feel free to contact<br />
us directly.<br />
6 Brynley Street,<br />
Hornby<br />
Phone: 03 349 5050<br />
www.betterdenture.co.nz