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Western News: April 02, 2026

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FOR LOCAL ADVERTISING<br />

Alana Powell<br />

Ph: <strong>02</strong>7 535 6583<br />

alana@alliedmedia.co.nz<br />

Trout-standing<br />

snap reels in<br />

top prize for<br />

photographer<br />

A Christchurch man who<br />

captured the moment his wife<br />

landed a stunning fish has<br />

netted the top prize in Fish &<br />

Game’s ReWild Snap & Share<br />

licence photo competition.<br />

Radek Baus took the winning<br />

image of his wife, Lucie Baus,<br />

with her brown trout at a<br />

West Coast river – though he<br />

is keeping the location under<br />

wraps.<br />

The result was decided by a<br />

public<br />

The Star,<br />

vote<br />

January<br />

from four<br />

23, 2<strong>02</strong>5<br />

monthly<br />

winners, each showcasing what<br />

getting out on the water is all<br />

about – family, fun and fish.<br />

Baus takes home a $1000<br />

Kilwell voucher, and his photo<br />

will appear on the 2<strong>02</strong>6/27 Fish<br />

& Game fishing licence.<br />

Lucie The Star, Baus January recalled 23, 2<strong>02</strong>5 the<br />

moment the shot was taken:<br />

“The day was calm, and the fish<br />

was cruising along the edge of<br />

a deep pool. I crawled close to<br />

the shore, set the trap, and the<br />

fly did the job perfectly. The fish<br />

weighed perhaps 4-4.5kg.”<br />

​Fish & Game New Zealand<br />

chief operating officer Richie<br />

Cosgrove said the result<br />

was a great outcome for the<br />

organisation.<br />

​“The winning image captures<br />

a magic moment and the joy<br />

of landing a good fish, and the<br />

public clearly agrees.<br />

“For us, it also provides a<br />

wonderful opportunity to<br />

showcase women out there on<br />

the water, reflecting the growing<br />

popularity of angling for<br />

women,” he said.<br />

Radek Baus’ winning image of his wife Lucie Baus with her brown trout at a river on the West Coast.<br />

​“All four finalists were<br />

incredibly strong images, which<br />

made the public vote all the<br />

more meaningful. Thank you<br />

to everyone who entered and<br />

voted.”<br />

​Kilwell director Amanda Wells<br />

said her team was excited to be<br />

part of the competition.<br />

​“It’s a fantastic way to celebrate<br />

the outdoors and the incredible<br />

talent of photographers who<br />

FOR LOCAL ADVERTISING<br />

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Ph: <strong>02</strong>7 535 6583<br />

alana@alliedmedia.co.nz<br />

FOR LOCAL ADVERTISING<br />

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Ph: <strong>02</strong>1 457 469<br />

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FOR LOCAL ADVERTISING<br />

Jenny Wright<br />

Ph: <strong>02</strong>1 220 3484<br />

jenny@alliedmedia.co.nz<br />

starnews.co.nz<br />

capture those special moments on<br />

the water,” Wells said.<br />

​“Supporting initiatives like this<br />

is something we’re passionate<br />

about. We love seeing the winning<br />

image featured on the starnews.co.nz licence.”<br />

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The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />

starnews.co.nz<br />

Pacific treasures<br />

on display at<br />

art gallery<br />

Cora-Allan<br />

Wickliffe<br />

A new exhibition at the<br />

Christchurch Art Gallery<br />

celebrates the enduring<br />

significance of Pacific art and<br />

craft practices.<br />

Made in the Pacific: A Collection<br />

of Tāoga will see 50<br />

treasured objects from Canterbury<br />

Museum’s Pacific<br />

collections on display until<br />

October 11 with contemporary<br />

artworks.<br />

The gallery invited multidisciplinary<br />

artist and curator<br />

Cora-Allan Wickliffe to curate<br />

the exhibition.<br />

Wickliffe worked closely with<br />

Canterbury Museum curator<br />

Māori, Pacific,<br />

and Indigenous<br />

human histories,<br />

Hatesa<br />

Seumanutafa, to<br />

select the taoga.<br />

The museum’s<br />

Pacific collections<br />

include<br />

about 300,000<br />

objects, ranging<br />

from textiles<br />

and personal adornments to<br />

tools and lithics (stone artefacts).<br />

Some of oldest tāoga in<br />

the exhibition are upeti fala,<br />

traditional rubbing boards<br />

made using the midrib of<br />

coconut leaves, which arrived<br />

at the museum in 1897.<br />

“The connection Made in the<br />

Pacific makes between the historic<br />

tāoga and the makers of<br />

today is very important,” said<br />

Wickliffe.<br />

“The six contemporary artists<br />

I have included are all interested<br />

in matauranga from the<br />

Pacific – traditional ideas, materials<br />

and forms. This exhibition<br />

celebrates that bridging of past<br />

and present, and looks at how<br />

we might move forward to the<br />

future.”<br />

The customary tāoga on<br />

display represent skilled artmaking<br />

traditions from Samoa,<br />

Niue, Hawai’i, Fiji, Rapa Nui,<br />

Papua New Guinea, Tahiti and<br />

elsewhere across the Pacific.<br />

Visitors will see large-scale<br />

pieces, small samples and<br />

several items that demonstrate<br />

the use of natural dyes, such<br />

as indigo, turmeric and smoke.<br />

There will also be a range of<br />

tools on display, many of which<br />

bear the marks and wear of<br />

frequent use.<br />

Six contemporary artists –<br />

Serene Hodgman, Sue Pearson,<br />

Doron Riki-Semu, Pauline Reynolds,<br />

Louisa Afoa and Jimmy<br />

Ma’ia’i – also have work in the<br />

A barkcloth art work from Niue known as a hiapo. Below – Serene Hodgman’s Va’ai Lau Fuala’au/See My Pretty Flower<br />

includes silk ribbons on segments of woven plastic mat.<br />

PHOTOS: CANTERBURY MUSEUM / MASTERWORKS GALLERY<br />

exhibition. Said gallery lead<br />

curator Felicity Milburn: “It’s a<br />

privilege to display these tāoga,<br />

many of which have never<br />

before been exhibited in this<br />

way.<br />

“We’re very grateful to Canterbury<br />

Museum for their<br />

significant and generous support<br />

in making them available.<br />

We are fortunate to have been<br />

able to work with Cora-Allan,<br />

who is renowned for her advocacy<br />

for Pacific artmaking, past<br />

and present.<br />

“The conversation she has<br />

generated between these tāoga<br />

and the contemporary artworks<br />

is exciting and powerful, and<br />

we thank her for the vision,<br />

knowledge and hard work that<br />

have brought this exhibition to<br />

life.”<br />

Your<br />

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starnews.co.nz The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />

The Way<br />

We Were<br />

After building work started in 1918, The Sign of the Takahe, pictured in 1949, was finally completed in 1948 with an official<br />

opening held the following year.<br />

Around half a million bricks were used in the construction of New Regent St. A trial of its 400-lamp lighting prior to the<br />

official opening drew a crowd of hundreds.<br />

PHOTOS: CHRISTCHURCH STAR/CANTERBURYSTORIES.NZ<br />

THIS WEEK IN HISTORY<br />

March 30-<strong>April</strong> 5<br />

Sign of the Takahe officially opens<br />

On <strong>April</strong> 1, 1949, The Sign of the Takahe was officially opened, marking the<br />

completion of a vision first championed by city councillor<br />

Harry Ell more than 40 years earlier. Ell had pushed for a<br />

network of scenic reserves across the Port Hills, linked by<br />

the Summit Rd and supported by rest houses where travellers<br />

could stop and refresh. Several of these, including the Sign<br />

of the Bellbird, Sign of the Kiwi and Sign of the Packhorse,<br />

were completed during Ell’s lifetime, all designed by architect<br />

Samuel Hurst Seager. The Sign of the Takahe, however, was<br />

intended as the grandest of them all and would not be finished<br />

until long after Ell’s death in 1934.<br />

Construction began in 1918, with the partially completed<br />

building– then known as the Tram Terminus Rest House<br />

– opening in 1920, serving as both a tram stop and tearoom to help offset<br />

costs. Progress was repeatedly delayed by financial difficulties, disputes, the<br />

Depression and war, stretching the project over three decades. The building was<br />

finally completed in 1948 and officially opened the following year. It continued<br />

to operate as a restaurant and tearoom until sustaining damage in the 2010-11<br />

earthquakes, after which it was restored and strengthened, and now serves as a<br />

functions and wedding venue.<br />

Official opening of New Regent St<br />

New Regent St officially opened on <strong>April</strong> 1, 1932, transforming a site with a<br />

colourful past into one of the city’s most distinctive streets. Once known as<br />

the Circus Paddock, the area had hosted travelling circuses before evolving<br />

through a series of uses, including skating rinks, a boot factory, a taxi stand,<br />

the city’s first picture theatre – the Colosseum – and even a used car yard. In<br />

1929, councillor George Gould proposed redeveloping the site<br />

to help ease congestion on Colombo Street. Construction was<br />

carried out by P. Graham and Son Ltd, and while the name<br />

“Regent Street” was initially suggested, the council opted for<br />

“New Regent Street” to avoid confusion with an existing street<br />

in Sydenham.<br />

Built in the Spanish Mission style using around half a million<br />

bricks, the street was completed in late March 1932. Its 400-<br />

lamp lighting system drew hundreds of curious residents when<br />

it was first switched on for a trial, ahead of the official evening<br />

opening led by mayor Dan Sullivan. From the outset, the street<br />

reflected a diverse and enterprising community, with a number<br />

Harry Ell<br />

George Gould<br />

of women among its early business owners, including fishmonger Amelia Shaw<br />

and restaurateurs Aileen Agnes O’Donel and Gwendoline Alice Aldred, who<br />

ran the Kandy Kitchen. In 1986, a one-way restriction was imposed until 1994<br />

and turned into a pedestrian mall in preparation for the reintroduction of the<br />

Christchurch tram. Due to its coherent architectural character, the buildings in<br />

the streets are listed as Category I heritage items by Heritage New Zealand.<br />

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The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />

starnews.co.nz<br />

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starnews.co.nz The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />

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The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />

starnews.co.nz<br />

CROSSWORD<br />

1 2 3 4 5 6 7<br />

8<br />

9 10<br />

11 12<br />

13 14 15<br />

16 17 18 19<br />

20<br />

444<br />

SUDOKU<br />

Every row, column and box should<br />

contain the digits 1 to 9.<br />

WordBuilder<br />

WORDBUILDER<br />

E G A<br />

R I W<br />

6<br />

344 344<br />

R I W<br />

words of three or more letters,<br />

How<br />

including<br />

many<br />

plurals,<br />

words<br />

can you<br />

of<br />

make<br />

three<br />

from<br />

or<br />

the<br />

more<br />

six<br />

letters, using each letter only once? No foreign<br />

How words or beginning with a capital are<br />

from many the words six letters, of three using or more each letters, only<br />

allowed. There's at least one six-letter word.<br />

including once? plurals, can you make from the six<br />

TODAY<br />

letters, Good using 17 each Very letter Good only 21 once? Excellent No 24 foreign<br />

No words beginning with a capital are<br />

words or words beginning with a capital are<br />

allowed. Solution 343: There’s beg, bel, berg, at least bier, big, one bile, bilge,<br />

allowed. six-letter<br />

brig, erg, There's gel, GERBIL, at least gibe, giber, one girl, six-letter glib, ire, word. leg,<br />

word. lei, lib, lie, liger, lire, reg, TODAY rib, riel, rig, rile.<br />

Good 17 Very Good 21 Excellent 24<br />

letters, including plurals, can you make<br />

Solution 343: beg, bel, berg, bier, big, bile, bilge,<br />

brig, erg, gel, GERBIL, gibe, giber, girl, glib, ire, leg,<br />

lei, lib, lie, liger, lire, reg, rib, riel, rig, rile.<br />

21 22 23<br />

24 25<br />

26 27<br />

Across<br />

1. Encrypt (6)<br />

4. Boil gently (6)<br />

9. Fete (4)<br />

10. Contracting (10)<br />

11. Seem (6)<br />

12. Outside chance (4,4)<br />

13. Puzzled (9)<br />

15. Rotate (4)<br />

16. Dreadful (4)<br />

17. In music, a gradual increase in<br />

loudness (9)<br />

21. Satanic (8)<br />

22. Gambling (6)<br />

24. Help (10)<br />

25. Tack (4)<br />

26. Peril (6)<br />

27. Floor (6)<br />

Decoder<br />

Down<br />

1. Instance (7)<br />

2. Wooden box (5)<br />

3. Be worthy of (7)<br />

5. Mean (6)<br />

6. Tiny (9)<br />

7. Dilapidated (3-4)<br />

8. Self-examination (4-9)<br />

14. Division (9)<br />

16. Clad (7)<br />

18. Propose (7)<br />

19. Solidity (7)<br />

20. Small (6)<br />

23. Collier (5)<br />

Crossword<br />

Across: 1. Encode, 4. Simmer, 9. Gala, 10. Shortening, 11. Appear, 12.<br />

Long shot, 13. Perplexed, 15. Turn, 16. Dire, 17. Crescendo, 21. Devilish,<br />

22. Gaming, 24. Assistance, 25. Nail, 26. Danger, 27. Storey.<br />

Down: 1. Example, 2. Crate, 3. Deserve, 5. Intend, 6. Minuscule,<br />

7. Run-down, 8. Soul-searching, 14. Partition, 16. Dressed, 18. Suggest,<br />

19. Density, 20. Little, 23. Miner.<br />

WordBuilder<br />

Age, air, are, awe, ear, EARWIG, era, erg, gar, gear, grew, ira, ire, rag,<br />

rage, raw, reg, rig, wag, wage, wager, ware, wear, weir, wig, wire.<br />

DECODER<br />

Each number represents a different letter of the alphabet. Write the<br />

given letters into all squares with matching numbers. Now work out<br />

which letters are represented by the other numbers.<br />

VOLUME 1<br />

Enjoy WordFit? Magazines available.<br />

See www.thepuzzlecompany.co.nz<br />

Sudoku


starnews.co.nz The Star, <strong>April</strong> 2, 2<strong>02</strong>6<br />

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a particular look you would like to<br />

keep, or a new one you seek, we<br />

will guide you through the process<br />

to achieve the look you’re after.<br />

Relines<br />

If you have had issues with your<br />

current denture being loose,<br />

breaking or having had an<br />

immediate denture fitted recently,<br />

relining is often a great option to<br />

provide strength and a superior fit.<br />

Additions<br />

If you’re having a tooth out and<br />

already have an existing denture,<br />

we’re usually able to add that<br />

tooth to your denture. This can<br />

be done either before or after the<br />

tooth has been taken out.<br />

62 Grahams Road,<br />

Avonhead<br />

Phone: 03 358 4169<br />

Avonhead hours:<br />

Mon-Fri 8am - 5pm<br />

Late Night Thu 7.30pm<br />

Partial Dentures<br />

Partial dentures are made to work<br />

around your remaining teeth,<br />

allowing us to restore your smile<br />

and function naturally. We use<br />

higher grade materials during the<br />

fabrication process.<br />

Repairs<br />

We offer a no-appointment<br />

emergency denture repair service,<br />

just bring your denture into us<br />

and we will be able to check and<br />

repair your denture, usually within<br />

a few hours.<br />

We stock a select range of high<br />

quality after care products that<br />

can be bought online or at our<br />

clinic. If you have a specific<br />

request, please feel free to contact<br />

us directly.<br />

6 Brynley Street,<br />

Hornby<br />

Phone: 03 349 5050<br />

www.betterdenture.co.nz

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