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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 101<br />

Bibliographical Methods in Library Research, ed. Rolland E. Stevens (1971), pp. 86-94.<br />

Edward G. Holley, "Textual Criticism in Library History," in Stevens [see preceding item], pp. 95-105.<br />

T.H. Howard-Hill, Shakespearian Bibliography and Textual Criticism: A Bibliography (1971, 2000).<br />

Jesse Lemisch, "The American Revolution Bicentennial and the Papers of Great White Men: A<br />

Preliminary Critique of Current Documentary Publication Programs and Some Alternative<br />

Proposals," American Historical Association Newsletter 9 (November 1971): 7-21. [See also his<br />

"The Papers of a Few Great Black Men and a Few Great White Women," Maryland Historian 6<br />

(1975): 60-65.<br />

Gordon Lindstrand, "Mechanized Textual Collation and Recent Designs," Studies in Bibliography 24<br />

(1971): 204-14.<br />

Gunter Martens and Hans Zeller (eds.), Texte und Varianten: Probleme ihrer Edition und Interpretation<br />

(1971). [Includes Siegfried Scheibe, "Zu einigen Grundprizipien einer historisch-kritischen<br />

Ausgabe;" and Martens, "Textdynamik und Edition: Überlegungen zur Bedeutung und Darstellung<br />

variierender Textstufen," pp. 165-201.]<br />

J.C. Maxwell, "Conservative Principles," Essays in Criticism 21 (1971): 382-90.<br />

Hershel Parker, "Melville and the Concept of 'Author's Final Intentions,'" Proof 1 (1971): 156-68.<br />

Morse Peckham, "Reflections on the Foundations of Modern Textual Editing," Proof 1 (1971): 122-55.<br />

Donald Pizer, "On the Editing of Modern American Texts," Bulletin of the New York Public Library 75<br />

(1971): 147-53, 504-5. [See comments by John Freehafer (pp. 419-23), Norman S. Grabo<br />

(pp. 171-73), and Hershel Parker (pp. 337-44).]<br />

G.T. Tanselle, "Textual Study and Literary Judgment," Papers of the Bibliographical Society of America<br />

65 (1971): 109-22. Reprinted in his Textual Criticism and Scholarly Editing (1990), pp. 325-37.<br />

Also reprinted in Essays on Bibliography, ed. Vito J. Brenni (1975), pp. 353-64.<br />

James Thorpe, Watching the Ps and Qs (1971). Reprinted in his Principles of Textual Criticism (1972),<br />

pp. 131-70.<br />

1972<br />

John D. Baird (ed.), Editing Texts of the Romantic Period (1972).<br />

F.W. Bateson, "Textual Criticism," in his The Scholar-Critic (1972), pp. 126-46.<br />

Fredson Bowers, "Multiple Authority: New Problems and Concepts of Copy-Text," Library 5th ser. 27<br />

(1972): 81-115. Reprinted in his Essays in Bibliography, Text, and Editing (1975), pp. 447-87.<br />

Steven R. Boyd, "Form of Publication: A Key to the Widespread Availability of Documents," American<br />

Historical Association Newsletter 10 (1972): 24-27.<br />

Peter Davison, "Science, Method, and the Textual Critic," Studies in Bibliography 25 (1972): 1-28.<br />

"Documentary Works Planned, in Progress, and Completed in Association with the National Historical<br />

Publications Commission," in Oliver W. Holmes, Shall Stagecoaches Carry the Mail? (1972),<br />

pp. 93-105.<br />

Philip Gaskell, "Textual Bibliography," in A New Introduction to Bibliography (1972), pp. 336-60.<br />

Francess G. Halpenny (ed.), Editing Twentieth Century Texts (1972).<br />

Michael Hancher, "Three Kinds of Intention," Modern Language Notes 87 (1972): 827-51.<br />

Cyrus Hoy, "On Editing Elizabethan Plays," Renaissance and Reformation 8 (1972): 90-99.<br />

Hans-Henrik Krummacher, "Aufgaben der Edition barocker Literatur," Jahrbuch für Internationale<br />

Germanistik 4.2 (1972): 81-103.<br />

Roger Laufer, Introduction à la textologie (1972).<br />

Bert James Loewenberg, "Jared Sparks and the Records of the Republic," in his American History in<br />

This page is from a document available in full at http://www.rarebookschool.org/tanselle/

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