INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 101<br />
Bibliographical Methods in Library Research, ed. Rolland E. Stevens (1971), pp. 86-94.<br />
Edward G. Holley, "Textual Criticism in Library History," in Stevens [see preceding item], pp. 95-105.<br />
T.H. Howard-Hill, Shakespearian Bibliography and Textual Criticism: A Bibliography (1971, 2000).<br />
Jesse Lemisch, "The American Revolution Bicentennial and the Papers of Great White Men: A<br />
Preliminary Critique of Current Documentary Publication Programs and Some Alternative<br />
Proposals," American Historical Association Newsletter 9 (November 1971): 7-21. [See also his<br />
"The Papers of a Few Great Black Men and a Few Great White Women," Maryland Historian 6<br />
(1975): 60-65.<br />
Gordon Lindstrand, "Mechanized Textual Collation and Recent Designs," Studies in Bibliography 24<br />
(1971): 204-14.<br />
Gunter Martens and Hans Zeller (eds.), Texte und Varianten: Probleme ihrer Edition und Interpretation<br />
(1971). [Includes Siegfried Scheibe, "Zu einigen Grundprizipien einer historisch-kritischen<br />
Ausgabe;" and Martens, "Textdynamik und Edition: Überlegungen zur Bedeutung und Darstellung<br />
variierender Textstufen," pp. 165-201.]<br />
J.C. Maxwell, "Conservative Principles," Essays in Criticism 21 (1971): 382-90.<br />
Hershel Parker, "Melville and the Concept of 'Author's Final Intentions,'" Proof 1 (1971): 156-68.<br />
Morse Peckham, "Reflections on the Foundations of Modern Textual Editing," Proof 1 (1971): 122-55.<br />
Donald Pizer, "On the Editing of Modern American Texts," Bulletin of the New York Public Library 75<br />
(1971): 147-53, 504-5. [See comments by John Freehafer (pp. 419-23), Norman S. Grabo<br />
(pp. 171-73), and Hershel Parker (pp. 337-44).]<br />
G.T. Tanselle, "Textual Study and Literary Judgment," Papers of the Bibliographical Society of America<br />
65 (1971): 109-22. Reprinted in his Textual Criticism and Scholarly Editing (1990), pp. 325-37.<br />
Also reprinted in Essays on Bibliography, ed. Vito J. Brenni (1975), pp. 353-64.<br />
James Thorpe, Watching the Ps and Qs (1971). Reprinted in his Principles of Textual Criticism (1972),<br />
pp. 131-70.<br />
1972<br />
John D. Baird (ed.), Editing Texts of the Romantic Period (1972).<br />
F.W. Bateson, "Textual Criticism," in his The Scholar-Critic (1972), pp. 126-46.<br />
Fredson Bowers, "Multiple Authority: New Problems and Concepts of Copy-Text," Library 5th ser. 27<br />
(1972): 81-115. Reprinted in his Essays in Bibliography, Text, and Editing (1975), pp. 447-87.<br />
Steven R. Boyd, "Form of Publication: A Key to the Widespread Availability of Documents," American<br />
Historical Association Newsletter 10 (1972): 24-27.<br />
Peter Davison, "Science, Method, and the Textual Critic," Studies in Bibliography 25 (1972): 1-28.<br />
"Documentary Works Planned, in Progress, and Completed in Association with the National Historical<br />
Publications Commission," in Oliver W. Holmes, Shall Stagecoaches Carry the Mail? (1972),<br />
pp. 93-105.<br />
Philip Gaskell, "Textual Bibliography," in A New Introduction to Bibliography (1972), pp. 336-60.<br />
Francess G. Halpenny (ed.), Editing Twentieth Century Texts (1972).<br />
Michael Hancher, "Three Kinds of Intention," Modern Language Notes 87 (1972): 827-51.<br />
Cyrus Hoy, "On Editing Elizabethan Plays," Renaissance and Reformation 8 (1972): 90-99.<br />
Hans-Henrik Krummacher, "Aufgaben der Edition barocker Literatur," Jahrbuch für Internationale<br />
Germanistik 4.2 (1972): 81-103.<br />
Roger Laufer, Introduction à la textologie (1972).<br />
Bert James Loewenberg, "Jared Sparks and the Records of the Republic," in his American History in<br />
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