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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 105<br />

1977<br />

Hugh Amory, "Tom Jones Plus and Minus: Towards a Practical Text," Harvard Library Bulletin 25<br />

(1977): 101-13.<br />

Richard Bauman, Verbal Art as Performance (1977).<br />

Ross W. Beales, Jr., and Randall K. Burkett, Historical Editing for Undergraduates (1977).<br />

Martin Boghardt, Analytische Druckforschung: Ein methodischer Beitrag zu Buchkunde und Textkritik<br />

(1977).<br />

Tom Davis, "The CEAA and Modern Textual Editing," Library 5th ser. 32 (1977): 61-74.<br />

Peter Davison, "The Selection and Presentation of Bibliographic Evidence," Analytical & Enumerative<br />

Bibliography 1 (1977): 101-36.<br />

Charlyne Dodge, "Photographic Copies vs. Original Documents," Papers of the Bibliographical Society<br />

of America 71 (1977): 223-26.<br />

Wolfgang Frühwald, Hans-Joachim Mähl, and Walter Müller-Seidel (eds.), Probleme der Brief-Edition<br />

(1977).<br />

D.C. Greetham, "Textual Criticism in Graduate Education: A Polemic," Ralph for Medieval-Renaissance<br />

Teaching 4.3 (October 1977). Reprinted, with commentary, in his Textual Transgressions (1998),<br />

pp. 36-53.<br />

R.F. Hunnisett, Editing Records for Publication (1977).<br />

George H. Jensen, "The Theater and the Publishing House: Joseph Heller's We Bombed in New Haven,"<br />

Proof 5 (1977): 183-216.<br />

John Bush Jones, "Victorian 'Readers' and Modern Editors: Attitudes and Accidentals Revisited," Papers<br />

of the Bibliographical Society of America 71 (1977): 49-59.<br />

Gerhard Seidel, Die Funktions- und Gegenstandsbedingtheit der Edition untersucht an poetischen Werken<br />

Bertolt Brechts (1970, 1977).<br />

Peter L. Shillingsburg, "Critical Editing and the Center for Scholarly Editions," Scholarly Publishing 9<br />

(1977-78): 31-40.<br />

[G.T. Tanselle], The Center for Scholarly Editions: An Introductory Statement (1977). Also printed in<br />

PMLA 92 (1977): 583-97; and, revised, in PMLA 100 (1985): 444-47 ("The Committee on Scholarly<br />

Editions: Aims and Policies"). ["Interim Supplements" (to the bibliographical essay on pp. 4-15) by<br />

G.T. Tanselle were distributed by the Committee on Scholarly Editions in 1990-96.]<br />

Michael J. Warren, "Repunctuation as Interpretation in Editions of Shakespeare," English Literary<br />

Renaissance 7 (1977): 155-69.<br />

James L.W. West III, "The SCADE Gatsby: A Review Article," Proof 5 (1977): 237-56.<br />

Edmund Wilson, [Remarks on scholarly editions], in his Letters on Literature and Politics, 1912-1972,<br />

ed. Elena Wilson (1977), pp. 683-89.<br />

1978<br />

Hugh Amory, "Tom Jones among the Compositors: An Examination," Harvard Library Bulletin 26<br />

(1978): 172-92.<br />

Ross W. Beales, Jr., "Historical Editing and Undergraduate Teaching: A Rationale and a Model," Teaching<br />

History 3 (1978): 3-8.<br />

Fredson Bowers, "Greg's 'Rationale of Copy-Text' Revisited," Studies in Bibliography 31 (1978): 90-161.<br />

Fredson Bowers, "McKerrow, Greg, and 'Substantive Edition,'" Library 5th ser. 33 (1978): 83-107.<br />

Randall K. Burkett, "Historical Editing and Researching Local History in an Undergraduate Black Studies<br />

This page is from a document available in full at http://www.rarebookschool.org/tanselle/

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