INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
Transform your PDFs into Flipbooks and boost your revenue!
Leverage SEO-optimized Flipbooks, powerful backlinks, and multimedia content to professionally showcase your products and significantly increase your reach.
Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 105<br />
1977<br />
Hugh Amory, "Tom Jones Plus and Minus: Towards a Practical Text," Harvard Library Bulletin 25<br />
(1977): 101-13.<br />
Richard Bauman, Verbal Art as Performance (1977).<br />
Ross W. Beales, Jr., and Randall K. Burkett, Historical Editing for Undergraduates (1977).<br />
Martin Boghardt, Analytische Druckforschung: Ein methodischer Beitrag zu Buchkunde und Textkritik<br />
(1977).<br />
Tom Davis, "The CEAA and Modern Textual Editing," Library 5th ser. 32 (1977): 61-74.<br />
Peter Davison, "The Selection and Presentation of Bibliographic Evidence," Analytical & Enumerative<br />
Bibliography 1 (1977): 101-36.<br />
Charlyne Dodge, "Photographic Copies vs. Original Documents," Papers of the Bibliographical Society<br />
of America 71 (1977): 223-26.<br />
Wolfgang Frühwald, Hans-Joachim Mähl, and Walter Müller-Seidel (eds.), Probleme der Brief-Edition<br />
(1977).<br />
D.C. Greetham, "Textual Criticism in Graduate Education: A Polemic," Ralph for Medieval-Renaissance<br />
Teaching 4.3 (October 1977). Reprinted, with commentary, in his Textual Transgressions (1998),<br />
pp. 36-53.<br />
R.F. Hunnisett, Editing Records for Publication (1977).<br />
George H. Jensen, "The Theater and the Publishing House: Joseph Heller's We Bombed in New Haven,"<br />
Proof 5 (1977): 183-216.<br />
John Bush Jones, "Victorian 'Readers' and Modern Editors: Attitudes and Accidentals Revisited," Papers<br />
of the Bibliographical Society of America 71 (1977): 49-59.<br />
Gerhard Seidel, Die Funktions- und Gegenstandsbedingtheit der Edition untersucht an poetischen Werken<br />
Bertolt Brechts (1970, 1977).<br />
Peter L. Shillingsburg, "Critical Editing and the Center for Scholarly Editions," Scholarly Publishing 9<br />
(1977-78): 31-40.<br />
[G.T. Tanselle], The Center for Scholarly Editions: An Introductory Statement (1977). Also printed in<br />
PMLA 92 (1977): 583-97; and, revised, in PMLA 100 (1985): 444-47 ("The Committee on Scholarly<br />
Editions: Aims and Policies"). ["Interim Supplements" (to the bibliographical essay on pp. 4-15) by<br />
G.T. Tanselle were distributed by the Committee on Scholarly Editions in 1990-96.]<br />
Michael J. Warren, "Repunctuation as Interpretation in Editions of Shakespeare," English Literary<br />
Renaissance 7 (1977): 155-69.<br />
James L.W. West III, "The SCADE Gatsby: A Review Article," Proof 5 (1977): 237-56.<br />
Edmund Wilson, [Remarks on scholarly editions], in his Letters on Literature and Politics, 1912-1972,<br />
ed. Elena Wilson (1977), pp. 683-89.<br />
1978<br />
Hugh Amory, "Tom Jones among the Compositors: An Examination," Harvard Library Bulletin 26<br />
(1978): 172-92.<br />
Ross W. Beales, Jr., "Historical Editing and Undergraduate Teaching: A Rationale and a Model," Teaching<br />
History 3 (1978): 3-8.<br />
Fredson Bowers, "Greg's 'Rationale of Copy-Text' Revisited," Studies in Bibliography 31 (1978): 90-161.<br />
Fredson Bowers, "McKerrow, Greg, and 'Substantive Edition,'" Library 5th ser. 33 (1978): 83-107.<br />
Randall K. Burkett, "Historical Editing and Researching Local History in an Undergraduate Black Studies<br />
This page is from a document available in full at http://www.rarebookschool.org/tanselle/