INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 111<br />
Reprinted in Romantic Texts and Contexts (1987), pp.109-29.<br />
Graca Almeida Rodrigues, "Edicoes Criticas, Textologia, Normas para a Transcricao de Textos do Seculo<br />
XVI," Arquivos do Centro Cultural Portugues 17 (1982): 637-60.<br />
Peter Shillingsburg, "Key Issues in Editorial Theory," Analytical & Enumerative Bibliography 6 (1982):<br />
3-16.<br />
Hartmut Steinecke, "Brief-Regesten: Theorie und Praxis einer neuen Editionsform," Zeitschrift für<br />
deutschen Philologie 101 (1982): 199-210.<br />
Dieter Sulzer, "Textkritik," in Erkenntnis der Literatur, ed. Dietrich Harth and Peter Gebhardt (1982), pp.<br />
111-22.<br />
1983<br />
Simon Cauchi, "The 'Setting Foorth' of Harington's Ariosto," Studies in Bibliography 36 (1983): 137-68.<br />
Daniel Eisenberg, "On Editing Don Quixote," Cervantes 3 (1983): 3-34.<br />
John L. Flood, "Schwarze Kunst--graue Theorie? Some Reflections on Textual Bibliography and German<br />
Literature," London German Studies 2 (1983): 18-30.<br />
Stephen Gill, "The Question of Text," Review of English Studies 34 (1983): 172-90.<br />
David Leon Higdon, "Texts Transformed: American Intrusions in Popular English Fiction," Analytical &<br />
Enumerative Bibliography 7 (1983): 216-24.<br />
Suellen Hoy, "Historical Editing," in The Craft of Public History: An Annotated Select Bibliography, ed.<br />
David F. Trask and Robert W. Pomeroy III (1983), pp. 171-227.<br />
H.J. Jackson (ed.), Editing Polymaths: Erasmus to Russell (1983).<br />
Wilson H. Kimnach, "Realities of the Sermon: Some Considerations for Editors," Newsletter of the<br />
Association for Documentary Editing 5.1 (February 1983): 5-10.<br />
Jerome J. McGann, A Critique of Modern Textual Criticism (1983; reprinted with new preface and with<br />
introduction by D.C. Greetham, 1992).<br />
Kenneth Muir, "The Texts of King Lear: An Interim Assessment of the Controversy," Aligarh Journal of<br />
English Studies 8 (1983): 99-113.<br />
Hershel Parker, "The Determinacy of the Creative Process and the 'Authority' of the Author's Textual<br />
Decisions," College Literature 10 (1983): 99-125.<br />
S.W. Reid, "McKerrow, Greg, and Quarto Copy for Folio Romeo and Juliet," Library 6th ser. 5 (1983):<br />
118-25.<br />
Nathan Reingold, "Reflections of an Unrepentant Editor," American Archivist 46 (1983): 14-21.<br />
Eric Sams, "Shakespeare's Text and Common Sense," Times Literary Supplement, 2 September 1983, pp.<br />
933-34.<br />
Patrick Scott, "Textual Criticism and Composition Research," Newsletter of the Association for<br />
Documentary Editing 5.1 (February 1983): 1-5.<br />
Marvin Spivak, "Shakespeare: Editions and Textual Scholarship," Jahrbuch der Deutschen-Shakekspeare-<br />
Gesellschaft West, 1983, pp. 221-41; 1984, pp. 225-35.<br />
G.T. Tanselle, "Classical, Biblical, and Medieval Textual Criticism and Modern Editing," Studies in<br />
Bibliography 36 (1983): 21-68. Reprinted in Textual Criticism and Scholarly Editing (1990), pp.<br />
274-321.<br />
Gary Taylor and Michael Warren (eds.), The Division of the Kingdoms: Shakespeare's Two Versions of<br />
King Lear (1983). [Reviewed by T.H. Howard-Hill in Library, 6th ser. 7 (1985): 161-79. Cf.<br />
Nicolas Barker, "The Lear Revolution," <strong>Book</strong> Collector 33 (1984): 7-24 passim.]<br />
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