INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

114 Part 7: Writings on Post-Medieval Texts � Tanselle: Introduction to Scholarly Editing (2002)
Rules and the Capitalization of Nouns in the Seventeenth and Eighteenth Centuries," pp. 49-61;
Fredson Bowers, "Notes on Editorial Apparatus," pp. 147-62; and T.A. Birrell, "The Influence of
Seventeenth-Century Publishers on the Presentation of English Literature," pp. 163-73.]
Jo Ann Boydston, "Editing the Library of America," Scholarly Publishing 16 (1984-85): 121-32. [Based
on her earlier "The Library of America," Newsletter of the Association for Documentary Editing 4.4
(December 1982): 1-5.]
Jo Ann Boydston, "The Language of Scholarly Editing," Documentary Editing 7.4 (1985): 1-6.
Howard M. Brown, "'Lord have mercy upon us': Early Sixteenth-Century Scribal Practice and the
Polyphonic Kyrie," Text 2 (1985): 93-110.
John Caldwell, Editing Early Music (1985, 1995).
Edmund J. Campion, "Practical Solutions to the Problems Involved in Editing Seventeenth-Century French
Plays," Text 2 (1985): 187-95.
Frank P. Casa and Michael D. McGaha (eds.), Editing the Comedia (1985). [Includes Arnold G.
Reichenberger, "Editing Spanish Comedies of the XVIIth Century: History and Present-Day
Practice," pp. 1-23; William F. Hunter, "Editing Texts in Multiple Versions," pp. 24-51; Don W.
Cruickshank, "The Editing of Spanish Golden-Age Plays from Early Printed Versions," pp. 52-103;
and J.E. Varey, "Staging and Stage Directions," pp. 146-61.]
"The Committee on Scholarly Editions: Aims and Policies," PMLA 100 (1985): 444-47.
J. Cook, "Tekskritiek en Teologie," Tydskrif vir Geesteswetenskappe 25.3 (September 1985): 201-11.
Vinton A. Dearing, "Textual Analysis: A Kind of Textual Criticism," Text 2 (1985): 13-23.
Wayne Franklin, "The 'Library of America' and the Welter of American Books," Iowa Review 15.2
(Spring-Summer 1985): 176-94.
Thomas E. Jeffrey, "The Education of Editors: Current Status and Future Prospects," Documentary Editing
7.1 (March 1985): 12-16.
Christopher Kitching, "Record Publication in England and Wales, 1957-1982," Archives 17 (April 1985):
38-46.
William B. Long, "Stage-Directions: A Misinterpreted Factor in Determining Textual Provenance," Text
2 (1985): 121-37.
Harold Love, "Manuscript versus Print in the Transmission of English Literature, 1600-1700,"
Bibliographical Society of Australia and New Zealand Bulletin 9 (1985): 95-107.
Jerome J. McGann, The Beauty of Inflections: Literary Investigations in Historical Method and Theory
(1985). [Includes a section entitled "Textual Studies and Practical Criticism," pp. 67-132.]
Jerome J. McGann (ed.), Textual Criticism and Literary Interpretation (1985). [Contains, among other
essays, Ernest A.J. Honigmann, "Shakespeare as a Reviser," pp. 1-22; Michael J. Warren, "Textual
Problems, Editorial Assertions in Editions of Shakespeare," pp. 23-37; Ian Jack, "A Choice of
Orders: The Arrangement of 'The Poetical Works,'" pp. 127-43; Donald Pizer, "Self-Censorship and
Textual Editing," pp. 144-61; Jerome J. McGann, "The Monks and the Giants: Textual and
Bibliographical Studies and the Interpretation of Literary Works," pp. 180-99. See review by Peter
L. Shillingsburg, Review 9 (1987): 81-88.]
James E. May, "Determining Final Authorial Intention in Revised Satires: The Case of Edward Young,"
Studies in Bibliography 38 (1985): 276-89.
G. Horold Metz, "Disputed Shakespearean Texts and Stylometric Analysis," Text 2 (1985): 149-71.
R.G. Moyles, The Text of PARADISE LOST: A Study in Editorial Procedure (1985).
Vincent Nadeau, "Vers une théorie du texte de base dans l'édition critique d'oeuvres mediatiques-audiovisuelles,"
Revue d'histoire littéraire de Québec et du Canada français 10 (1985): 57-60.
Ira B. Nadell, "The New Ulysses," Dictionary of Literary Biography Yearbook 1984 (1985), pp. 47-52.
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