INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 119<br />
Fredson Bowers, "Unfinished Business," Text 4 (1988): 1-11.<br />
Philip Brett, "Text, Context, and the Early Music Editor," in Authenticity and Early Music: A Symposium,<br />
ed. Nicholas Kenyon (1988), pp. 83-114. [Cf. Charles Rosen, "The Shock of the Old," New York<br />
Review of <strong>Book</strong>s, 19 July 1990, pp. 46-52.]<br />
Frederick Burkhardt, "Editing the Correspondence of Charles Darwin," Studies in Bibliography 41 (1988):<br />
149-59.<br />
Nina Catach (ed.), Les éditions critiques: problèmes techniques et éditoriaux (1988).<br />
Michel Contat, "Colloque 'La Naissance du texte,'" Editio 2 (1988): 225-27.<br />
Michel Contat (ed.), Problèmes de l'édition critique (Cahiers de textologie 2, 1988).<br />
Don L. Cook, "Preparing Scholarly Editions," Humanities 9.3 (1988): 14-17.<br />
Don L. Cook, "Some Considerations in the Concept of Pre-Copy-Text," Text 4 (1988): 79-91.<br />
Paul Eggert, "The Literary Work of a Readership: The Boy in the Bush in Australia, 1924-1926,"<br />
Bibliographical Society of Australia and New Zealand Bulletin 12 (1988): 149-66.<br />
Graham Falconer and David H. Sanderson, "Bibliographie des études génétiques littéraires," Texte 7<br />
(1988): 287-352.<br />
John Miles Foley, The Theory of Oral Composition: History and Methodology (1988).<br />
John Glavin, "Bulgakov's Lizard and the Problem of the Playwright's Authority," Text 4 (1988): 385-406.<br />
Almuth Gresillon, "Les Manuscrits littéraires: le texte dans tous ses états," Pratiques 57 (1988): 107-22.<br />
Louis Hay, "Does 'Text' Exist?", Studies in Bibliography 41 (1988): 64-76.<br />
W. Speed Hill, "The Case for Standards in Scholarly Editing," Literary Research 13 (1988): 203-12.<br />
T.H. Howard-Hill, "Playwrights' Intentions and the Editing of Plays," Text 4 (1988): 269-78.<br />
David F. Hult, "Reading It Right: The Ideology of Text Editing," Romanic Review 79 (1988): 74-88.<br />
Klaus Hurlebusch, "Conceptualisations for Procedures of Authorship," Studies in Bibliography 41 (1988):<br />
100-35.<br />
Nicholas Kenyon (ed.), Authenticity and Early Music (1988). [Reviewed by Charles Rosen, "The Shock<br />
of the Old," New York Review of <strong>Book</strong>s, 19 July 1990, pp. 46-52.]<br />
Richard Landon (ed.), Editing and Editors: A Retrospect (1988). [Includes Stanley Wells, "Revision in<br />
Shakespeare's Plays," pp. 67-97; Donald H. Reiman, "Gentlemen Authors and Professional Writers:<br />
Notes on the History of Editing Texts of the 18th and 19th Centuries," pp. 99-136; and David J.<br />
Nordloh, "Theory, Funding, and Coincidence in the Editing of American Literature," pp.137-55.]<br />
Joseph R. McElrath, Jr. "The ADE Guidelines for Reviewers of Editions," Documentary Editing 10.4<br />
(December 1988): 22-23.<br />
Joseph R. McElrath, Jr. "Tradition and Innovation: Recent Developments in Literary Editing,"<br />
Documentary Editing 10.4 (December 1988): 5-10. [See response by Jo Ann Boydston, 11 (1989):<br />
28.]<br />
Jerome J. McGann, "The Textual Condition," Text 4 (1988): 29-37. Reprinted in his The Textual<br />
Condition (1991), pp. 88-98.<br />
Randall McLeod, The McLeod Portable Collator (9-page flyer, October 1988).<br />
D.E. Moggridge (ed.), Editing Modern Economists (1988).<br />
S.M. Parrish, "The Whig Interpretation of Literature," Text 4 (1988): 343-50.<br />
Patrice Pavis, "From Text to Performance," in Performing Texts, ed. Michael Issacharoff and Robin F.<br />
Jones (1988), pp. 86-100.<br />
Tilottama Rajan, "Is There a Romantic Ideology? Some Thoughts on Schleiermacher's Hermeneutic and<br />
Textual Criticism," Text 4 (1988): 59-77.<br />
Donald H. Reiman, "Gender and Documentary Editing: A Diachronic Perspective," Text 4 (1988): 351-59.<br />
Siegfried Scheibe, "Some Notes on Letter Editions: With Special Reference to German Writers," Studies<br />
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