INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

122 Part 7: Writings on Post-Medieval Texts � Tanselle: Introduction to Scholarly Editing (2002)
(Renaissance English Text Society 1989 MLA Panel, 1990). [Papers by Margreta de Grazia, Arthur
F. Marotti, and A.R. Braunmuller.]
D.G. Bevan and P.M. Wetherill (eds.), Sur la génétique textuelle (1990).
Frank Paul Bowman, "Genetic Criticism," Poetics Today 11 (1990): 627-46.
Fredson Bowers, "The Problem of Semi-Substantive Variants: An Example from the Shakespeare-Fletcher
Henry VIII," Studies in Bibliography 43 (1990): 80-95.
Jo Ann Boydston, "The Committee on Scholarly Editions," Editors' Notes: Bulletin of the Council of
Editors of Learned Journals 9 (September 1990).
Marshall Brown, "What's in a Text?", Review 12 (1990): 89-106. [On Jerome J. McGann.]
S.P. Cerasano, "Editing the Theatre: Translating the Stage," Analytical & Enumerative Bibliography n.s.
4 (1990): 21-34.
Paul Eggert (ed.), Editing in Australia (1990). [Includes Hans Walter Gabler,"Textual Studies and
Criticism," pp. 1-17; Paul Eggert, "Textual Product or Textual Process: Procedures and Assumptions
of Critical Editing," pp. 19-40 (reprinted in Devils and Angels, ed. Philip Cohen [1991], pp. 57-77);
Peter Shillingsburg, "The Autonomous Author, the Sociology of Texts and Polemics of Textual
Criticism," pp. 41-64 (reprinted in Cohen, pp. 22-43); Harold Love, "The Editing of Restoration
Scriptorial Satire," pp. 65-84; Mary Jane Edwards, "Angles from the Margin: Editing Early English-
Canadian Literature," pp. 85-102; Harry Heseltine, "The Phantom of the Opus: A Parable,"
pp. 103-12; Elizabeth Morrison, "Editing a Newspaper Novel for the Colonial Texts Series: A
Woman's Friendship," pp. 113-23; Chris Tiffin, "Final Intention, Revision and the Genetic Text:
Editing Rosa Praed's My Australian Girlhood," pp. 125-36; Stephanie Trigg, "Speaking with the
Dead," pp. 137-49; Jeff Doyle, "McLeoding the Issue: The Printship and Heywood's Iron Ages,"
pp. 150-68; G.E. Bentley, Jr., "Final Intention or Protean Performance: Classical Editing Theory and
the Case of William Blake," pp. 169-78; and Laurie Hergenhan, "Some Comments on the Editing of
Australian Literary Texts," pp. 179-84; Wallace Kirsop, "The Australian Bookselling and Publishing
History Project and Editing in Australia," pp. 185-89. Reviewed by Hugh Amory in Bibliographical
Society of Australia and New Zealand Bulletin 13 (1989): 154-60; by Tim William Machan, Text 6
(1994): 383-86.]
James M. Gibson, The Philadelphia Shakekspeare Story: Horace Howard Furness and the New Variorum
(1990).
David C. Greetham, "Politics and Ideology in Current Anglo-American Textual Scholarship," Editio 4
(1990): 1-20. Reprinted, with commentary, in his Textual Transgressions (1998), pp. 308-42.
Jürgen Heideking, "A Troubled Past and a Few Great Men: Historical Editing in Germany," Documentary
Editing 12 (1990): 66-69.
W. Speed Hill, "The Editor on the Iceberg: or, Just How Far South Is the Gulf Stream?", Documentary
Editing 12 (1990): 18-21.
T.H. Howard-Hill, "Shakespeare's Earliest Editor, Ralph Crane," Shakespeare Survey 44 (1990): 113-29.
Herbert Kraft, Editionsphilologie (1990).
Christel Laufer, "Internationales Editionskolloquium Berlin 1989," Editio 4 (1990): 232-36.
Beth Luey with Kathleen Gorman, Editing Documents and Texts: An Annotated Bibliography (1990).
[Reviewed by Dorothy Twohig in Documentary Editing 13 (1991): 90-92.]
Jerome J. McGann, "The Socialization of Texts," Documentary Editing 12 (1990): 56-61. Reprinted in
expanded form in his The Textual Condition (1991), pp. 69-87.
Gunter Martens and Winfried Woesler (eds.), Edition als Wissenschaft: Festschrift für Hans Zeller (1991).
Marita Mathijsen, "Commentary in Editions of Historical Texts," Editio 4 (1990): 183-94.
Joel Myerson, "Bibliographical and Textual Scholarship since World War II," in Dictionary of Literary
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