INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

124 Part 7: Writings on Post-Medieval Texts � Tanselle: Introduction to Scholarly Editing (2002)
Ronald Broude, "When Accidentals Are Substantive: Applying Methodologies of Textual Criticism to
Scholarly Editions of Music," Text 5 (1991): 105-20.
Jackson R. Bryer, "'Snooping' or 'Illuminating'?: Thoughts on the Editing of Scholarly Texts,"
Documentary Editing 13 (1991): 56-60.
Frank G. Burke, "A Message from the President," Documentary Editing 13 (1991): 72.
Chadwyck Healey Inc., The English Poetry Full-Text Database Newsletter, 1- (December 1991-).
Philip Cohen (ed.), Devils and Angels: Textual Editing and Literary Theory (1991). [Contains Jerome J.
McGann, "Literary Pragmatics and the Editorial Horizon," pp. 1-21 (reprinted in expanded form as
"Theory, Literary Pragmatics, and the Editorial Horizon" in his The Textual Condition [1991],
pp. 19-47); Peter Shillingsburg (see Eggert 1990); T.H. Howard-Hill, "Variety in Editing and
Reading: A Response to McGann and Shillingsburg," pp. 44-56; Paul Eggert (see Eggert 1990); D.C.
Greetham, "The Manifestation and Accommodation of Theory in Textual Editing," pp. 78-102
(reprinted, with commentary, in his Textual Transgressions [1998], pp. 402-36); Philip Cohen and
David H. Jackson, "Notes on Emerging Paradigms in Editorial Theory," pp. 103-23; Steven
Mailloux, "The Rhetorical Politics of Editing: A Response to Eggert, Greetham, and Cohen and
Jackson," pp. 124-33; James McLaverty, "Issues of Identity and Utterance: An Intentionalist
Response to 'Textual Instability,'" pp. 134-51; Hans Walter Gabler, "Unsought Encounters," pp. 152-
66; Joseph Grigely, "The Textual Event," pp. 167-94; and William E. Cain, "Making Texts New: A
Response to Gabler, McLaverty, and Grigely," pp. 195-203. Reviewed by Charles L. Ross in "The
Theory of Editing," Documentary Editing 14 (1992): 49-52; by Michael Groden, Text 6 (1994): 366-
69.]
Gregory Currie, "Work and Text," Mind 100 (1991): 325-41.
Alan Cruttenden, "Intonation and the Comma," Visible Language 25.1 (Winter 1991): 54-73.
Joseph A. Dane, "Copy-Text and Its Variants in Some Recent Chaucer Editions," Studies in Bibliography
44 (1991): 164-83.
Margreta De Grazia, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus
(1991).
Paul Delany and George P. Landow (eds.), Hypermedia and Literary Studies (1991).
Clayton J. Delery, "The Subject Presumed to Know: Implied Authority and Editorial Apparatus," Text 5
(1991): 63-80.
Mary Jane Edwards, "Views from 'The Attic': The Publication of Canadian Works in Canada and Abroad,"
Text 5 (1991): 295-306.
Paul Eggert, "Dealings with the Firm of Greg and Bowers: A Tribute to the Work of Fredson Bowers,"
Bibliographical Society of Australia and New Zealand Bulletin 15 (1991): 73-87.
Daniel Ferrer and Jean-Louis Lebrave (eds.), L'écriture et ses doubles: genèse et variation textuelle (1991).
David Foxon, Pope and the Early Eighteenth-Century Book Trade, ed. James L. McLaverty (1991).
Colin Franklin, Shakespeare Domesticated: The Eighteenth-Century Editions (1991). [See also his
"Shakespeare's 18th Century Editors," Antiquarian Book Monthly Review 18 (1991): 410-11.]
Ronald D. Graybill, "The Meaning of Misspelled Words: Scholars, Churchmen, and the Writings of Ellen
G. White," Documentary Editing 13 (1991): 85-89.
Renée Riese Herbert (ed.), "The Artist's Book: The Text and Its Rivals," Visible Language 25.2/3 (Spring
1991): 117-333.
Peter Holloran, "Rediscovering Lost Values: Transcribing an African-American Sermon," Documentary
Editing 13 (1991): 49-53.
T.H. Howard-Hill, "Theory and Praxis in the Social Approach to Editing," Text 5 (1991): 31-46.
[Followed by Jerome J. McGann, "A Response to T.H. Howard-Hill," pp. 47-48.]
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