INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

126 Part 7: Writings on Post-Medieval Texts � Tanselle: Introduction to Scholarly Editing (2002)
7 (1993): 221-34; and reprinted in revised form in his Resisting Texts: Authority and Submission in
Constructions of Meaning (1997), pp. 165-80.
Ian Small and Marcus Walsh (eds.), The Theory and Practice of Text-Editing: Essays in Honour of James
T. Boulton (1991). [Includes Russell Jackson, "Victorian Editors of As You Like It and the Purposes
of Editing," pp. 142-56; Walsh, "Bentley Our Contemporary; or, Editors, Ancient and Modern,"
pp. 157-85; and Small, "The Editor as Annotator as Ideal Reader," pp. 186-209. Reviewed by D.C.
Greetham in Text 7 (1994): 461-77.]
Martin Stern (ed.), Textkonstitution bei mündlicher und schriftlicher Überlieferung: Basler Editoren-
Kolloquium (1991).
Jack Stillinger, Multiple Authorship and the Myth of Solitary Genius (1991). [Reviewed by Paul Eggert
in Text 8 (1995): 305-23; and see G.T. Tanselle, Studies in Bibliography 49 (1996): 4-10. See also
Russell Greer, "The Architectonics of Multiplicity: A Bakhtinian Critique of Three Books by Jack
Stillinger," Text 14 (2002): 293-304.]
Jack Stillinger, "Multiple Authorship and the Question of Authority," Text 5 (1991): 283-93.
G.T. Tanselle, "Textual Criticism and Literary Sociology," Studies in Bibliography 44 (1991): 83-143.
"The Uses of Facsimiles: A Symposium," in Dictionary of Literary Biography Yearbook 1990, ed. James
W. Hipp (1991), pp. 125-41.
Asha Varadharajan, "The Problem of Textual (Ir)Relevance in Byron's Don Juan: A Critique of Editorial
Procedure," Papers of the Bibliographical Society of Canada 29 (1991): 23-36.
Mark A. Weinstein, "Textual Criticism and Why You Need It," Halcyon 13 (1991): 87-95.
Patricia S. White, "Black and White and Read All Over: A Meditation on Footnotes," Text 5 (1991):
81-90.
Winfried Woesler, "Entstehung und Emendation von Textfehlern," Editio 5 (1991): 55-75. [With abstract
in English.]
1992
Academy Editions Newsletter (Academy Editions of Australian Literature), ed. Paul Eggert, 1- (1992- ).
Association for Textual Scholarship in Art History Newsletter (1992- ). [Includes a current checklist.]
[Nicolas Barker], "The Author as Editor," Book Collector 41 (1992): 9-27 passim.
David Bradley, From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage
(1992).
Frank G. Burke, "St. Colomba, Cassiodorus, and Julian Boyd: Some Lessons to Learn about Metaphor,"
Documentary Editing 14 (1992): 1-5.
Champlain Society (Toronto), Occasional Papers, 1992. [Includes Jennifer S.H. Brown, "Documentary
Editing: Whose Voices?", pp. 1-13; Laura Millar Coles, "Looking Backward, Reaching Forward: The
Champlain Society and Documentary Publishing," pp. 15-35.]
Committee on Scholarly Editions (MLA) [Jo Ann Boydston et al.], Aims and Services of the Committee
on Scholarly Editions [1992].
Tom Conley, The Graphic Unconscious in Early Modern French Writing (1992).
Peter Davison (ed.), The Book Encompassed: Studies in Twentieth-Century Bibliography (1992). [See esp.
Davison's introduction, pp. 1-11; G.T. Tanselle, "Issues in Bibliographical Studies since 1942,"
pp. 24-36; Fredson Bowers, "Notes on Theory and Practice in Editing Texts," pp. 244-57; John L.
Flood and Conor Fahy, "Analytical and Textual Bibliography in Germany and Italy," pp. 258-69.]
Allan C. Dooley, "Textual Change and Textual Criticism," in Author and Printer in Victorian England
(1992), pp. 159-76.
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