INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

128 Part 7: Writings on Post-Medieval Texts � Tanselle: Introduction to Scholarly Editing (2002)
Produce," Chronicle of Higher Education, 27 May 1992, p. A40. [See also Orth's letter on 11 March
1992, pp. B5-6, and replies by Robert H. Hirst and Edmund S. Morgan on 15 July 1992, pp. B5-6.]
M.B. Parkes, Pause and Effect: An Introduction to the History of Punctuation in the West (1992).
Siegfried Seifert, "Bibliographische Berichterstattung im Jahrbuch 'editio,'" Editio 6 (1992): 172-88.
Nicholas Spadaccini and Jenaro Talens (eds.), The Politics of Editing (1992). [Includes Spadaccini and
Talens, "Textual Editing, the Writing of Literature, and Literary History," pp. ix-xxii; Evangelina
Rodriguez, "Editing Theater: A Strategy for Reading, an Essay about Dramaturgy," pp. 95-109; Pere
Ferré, "Editing Problems of the Romancero: The Romantic Tradition," pp. 110-24; and Tom Conley,
"The Editor's Eros, pp. 156-69.]
Akihiro Yamada, "Text, Performance, and Bibliography: Shakespeare's Individual Talent versus Cultural
Traditions," Analytical & Enumerative Bibliography n.s. 6 (1992): 20-29.
1993
Nicolas Barker, "Intentionality and Reception Theory," in A Potencie of Life: Books in Society, ed. Barker
(1993), pp. 195-201.
James Beck with Michael Daley, Art Restoration: The Culture, the Business and the Scandal (1993).
Lothar Bluhm and Andreas Meier (ed.), Der Brief in Klassik und Romantik: Aktuelle Probleme der
Briefedition (1993).
George Bornstein and Ralph G. Williams (eds.), Palimpsest: Editorial Theory in the Humanities (1993).
[Includes D.C. Greetham, "Editorial and Critical Theory: From Modernism to Postmodernism,"
pp. 9-28 (reprinted, with commentary, in his Textual Transgressions [1998], pp. 527-53); Peter L.
Shillingsburg, "Polymorphic, Polysemic, Protean, Reliable, Electronic Texts," pp. 29-43; Ralph G.
Williams, "I Shall Be Spoken: Textual Boundaries, Authors, and Intent," pp. 45-66; and Gary Taylor,
"The Renaissance and the End of Editing," pp. 121-49. Reviewed by Ian Small in English Literature
in Transition 38 (1995): 195-203 ("'Why Edit Anything at All?' Textual Editing and Postmodernism:
A Review Essay"); and by Stephanie Trigg in Text 9 (1996): 462-66.]
David R. Chesnutt, "Quid Pro Quo" Today's Challenges in the Editorial Community," Documentary
Editing 15.1 (March 1993): 1-3.
Margreta de Grazia and Peter Stallybrass, "The Materiality of the Shakespearean Text," Shakespeare
Quarterly 44 (1993): 255-83.
Rolf E. DuRietz, "'Work,' 'Text,' and 'Document' as Bibliographical Concepts: A Short Note," in Mercurius
in Trivio: Studi di Bibliografia e di Biblioteconomia per Alfredo Serrai, ed. Maria Cochetti (1993),
pp. 65-70.
Louis Hay (ed.), Les manuscrits des écrivans (1993).
Kevin J. Hayes, "Recent Editions [1992-93]," Documentary Editing 15 (1993): 99-102.
W. Speed Hill (ed.), New Ways of Looking at Old Texts: Papers of the Renaissance English Text Society,
1985-1991 (1993). [Reviewed by Tim William Machan in Text 9 (1996): 459-62.]
Michael Hiltscher, Shakespeares Text in Deutschland: Textkritik und Kanonfrage von den Anfangen bis
zur Mitte des neunzehnten Jahrhunderts (1993).
Elisabeth Höpker-Herberg and Hans Zeller, "Der Kommentar, ein integraler Bestandteil der historischkritischen
Ausgabe?", Editio 7 (1993): 51-61.
John Lennox and Janet M. Paterson (eds.), Challenges, Projects, Texts: Canadian Editing (1993).
[Includes Zailig Pollock, "The Editor as Storyteller," pp. 54-69; Jean-Louis Major, "Inventaire et
invention d'une littérature: le Corpus d'éditions critiques," pp. 70-88; and Paul Wyczynski,
"Réflexion sur l'édition critique," pp. 105-17.]
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