INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 129<br />
Harold Love, "Editing Scribally-Published Texts," in Scribal Publication in Seventeenth-Century England<br />
(1993).<br />
Jerome J. McGann, Black Riders: The Visible Language of Modernism (1993).<br />
Gunter Martens, "Kommentar--Hilfestellung oder Bevormundung des Lesers?', Editio 7 (1993): 36-50.<br />
Gunter Martens (ed.), Kommentierungsverfahren und Kommentarformen: Hamburger Kolloquium der<br />
Arbeitsgemeinschaft für germanistische Edition (1993).<br />
Armando Petrucci and Michel Gauthier-Darley, "La Bibliographie et la sociologie des textes [by D.F.<br />
McKenzie]: Un pamphlet décisif: Deux points de vue," Bulletin du bibliophile, 1993, 1: 141-55.<br />
Donald H. Reiman, The Study of Modern Manuscripts: Public, Confidential, and Private (1993).<br />
[Reviewed by C. Deirdre Phelps in New England <strong>Book</strong> and Text Studies 1.3 (Fall 1994): 122-30; by<br />
D.C. Greetham in Review 17 (1995): 225-52.]<br />
Hans-Gert Roloff, "Zur Geschichte des editorischen Kommentars," Editio 7 (1993): 1-17.<br />
Hans Gerhard Senger, "Der Kommentar als hermeneutisches Problem," Editio 7 (1993): 62-75.<br />
G.T. Tanselle, "The Life and Work of Fredson Bowers," Studies in Bibliography 46 (1993): 1-154.<br />
[Followed by Martin C. Battestin, "Fredson Thayer Bowers: A Checklist and Chronology," pp.<br />
155-86.] Also printed as a separate volume; see esp. pp. 48-66, 87-110, 139-44.<br />
G.T. Tanselle, "Textual Criticism," in The New Princeton Encyclopedia of Poetry and Poetics, ed. Alex<br />
Preminger and T.V.F. Brogan (1993), pp. 1273-76.<br />
Joseph Viscomi, "Editing Illuminated <strong>Book</strong>s," in Blake and the Idea of the <strong>Book</strong> (1993), pp. 151-83.<br />
[Reviewed by G.E. Bentley, Jr., in Analytical & Enumerataive Bibliography n.s. 9 (1995): 68-79; by<br />
G.T. Tanselle in Nineteenth-Century Literature 49 (1994-95): 534-37.]<br />
Edmund Wilson, [Remarks on scholarly editions], in his The Sixties, ed. Lewis Dabney (1993), pp. 219,<br />
688, 708.<br />
1994<br />
John V. Antush, "Editing the Bilingual Text at Cross-Cultural Purposes," Text 6 (1994): 345-57.<br />
Betty T. Bennett, "The Editor of Letters as Critic: A Denial of 'Blameless Neutrality,'" Text 6 (1994):<br />
213-23.<br />
"Bibliografia sobre critica genética," Filologia 27 (1994): 233-42.<br />
Karen T. Bjelland, "The Cultural Value of Analytical Bibliography and Textual Criticism: The Case of<br />
Troilus and Cressida," Text 7 (1994): 273-95.<br />
Karen T. Bjelland, "Variants as Epistemological Shifts: A Proposed Methodology for Recovering the Two<br />
Texts of Shakespeare's Troilus and Cressida," Papers of the Bibliographical Society of America 88<br />
(1994): 53-78.<br />
Fredson Bowers, "Why Apparatus?", Text 6 (1994): 11-19.<br />
Jo Ann Boydston, "Standards for Scholarly Editing: The CEAA and the CSE," Text 6 (1994): 21-33.<br />
Ronald Broude, "Establishing Texts in Quasi-Improvisatory Traditions," Text 7 (1994): 127-44.<br />
Philip Cohen (ed.), "Special Issue: Textual Scholarship and American Literature," Resources for American<br />
Literary Study 20 (1994): 133-263. [Includes Cohen, "Textual Instability, Literary Studies, and<br />
Recent Developments in Textual Scholarship," pp. 133-48. A revised version of this essay, along<br />
with the other five essays in this collection, are included in Texts and Textuality, ed. Cohen (see<br />
under 1997 below).]<br />
Laura Millar Coles, "'Two Souls with but a Single Thought'?--The Evolving Relationship between<br />
Archivists and Editors," Documentary Editing 16 (1994): 43-46, 50.<br />
Janette Dillon, "Is There a Performance in the Text?" Shakespeare Quarterly 45 (1994): 74-86.<br />
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