INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

130 Part 7: Writings on Post-Medieval Texts � Tanselle: Introduction to Scholarly Editing (2002)
Alan C. Dooley, "Varieties of Textual Change in the Victorian Era," Text 6 (1994): 225-47.
Paul Eggert, "Document and Text: The 'Life' of the Literary Work and the Capacities of Editing," Text 7
(1994): 1-24.
Paul Eggert, "Editing Paintings / Conserving Literature: The Nature of the 'Work,'" Studies in Bibliography
47 (1994): 65-78.
Philip B. Eppard, "The Archivist's Perspective: Implications for Documentary Editing," Documentary
Editing 16 (1994): 47-50.
Margaret J.M. Ezell and Katherine O'Brien O'Keeffe (eds.), Cultural Artifacts and the Production of
Meaning: The Page, the Image, and the Body (1994). [See esp. Morris Eaves, "'Why Don't They
Leave It Alone?': Speculations on the Authority of the Audience in Editorial Theory," pp. 85-99; and
Jerome J. McGann, "Composition as Explanation (of Modern and Postmodern Poetries),"
pp. 101-38.]
Neil Fraistat, "Illegitimate Shelley: Radical Piracy and the Textual Edition as Cultural Performance,"
PMLA 109 (1994): 409-23.
Almuth Grésillon, Éléments de critique génétique: Lire les manuscrits modernes (1994). [Translated into
German as Literansche Handschriften Einführung in die "critique génétique" (1999).]
Joseph Grigely, "Textual Criticism and the Arts: The Problem of Textual Space," Text 7 (1994): 25-60.
Brock Haussamen, "The Future of the English Sentence," Visible Language 28.1 (Winter 1994): 4-25.
Robert H. Hirst, "Editing Mark Twain, Hand to Hand, 'Like All D--d Fool Printers,'" Papers of the
Bibliographical Society of America 88 (1994): 157-88.
Richard Knowles, "Variorum Commentary," Text 6 (1994): 35-47.
Joseph F. Lowenstein, "Legal Proofs and Corrected Readings: Press-Agency and the New Bibliography,"
in The Production of English Renaissance Culture, ed. David Lee Miller, Sharon O'Dair, and Harold
Weber (1994), pp. 93-122.
Randall McLeod (ed.), Crisis in Editing: Texts of the English Renaissance (1994). [Includes Nicolas
Barker, "Manuscript into Print," pp. 1-18; Gary Taylor, "The Rhetorics of Reaction," pp. 19-59;
Antony Hammond, "The Noisy Comma: Searching for the Signal in Renaissance Dramatic Texts,"
pp. 203 49; and Stephen Orgel, "Acting Scripts, Performing Texts," pp. 251-94.]
Dennis D. Madden, "Historical Editing and the Practical Application of Archival Skills: Surveying
Common Ground," Documentary Editing 16 (1994): 10-12.
Ann R. Meyer, "Shakespeare's Art and the Texts of King Lear," Studies in Bibliography 47 (1994):
128-46.
Elizabeth Morrison, "The Bibliographic Underpinning of the Academy Editions Project," Bibliographical
Society of Australia and New Zealand Bulletin 18 (1994): 13-27.
Ted-Larry Pebworth, "Manuscript Transmission and the Selection of Copy-Text in Renaissance Coterie
Poetry," Text 7 (1994): 243-61.
C. Deirdre Phelps, "The Edition as Art Form: Social and Authorial Readings of William Cullen Bryant's
Poems," Text 6 (1994): 249-85; "The Edition as Art Form in Textual and Interpretive Criticism," Text
7 (1994): 61-75.
"The Politics of Editing," Text 6 (1994): 91-132. [Essays by W. Speed Hill, Mary-Jo Kline, Joel Myerson,
David J. Nordloh, and Donald H. Reiman.]
Donald H. Reiman, "Public and Private in the Study of Manuscripts," Text 6 (1994): 49-62.
Brian Richardson, Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470-1600
(1994).
Ronald Schuchard, "Yeats's Letters, Eliot's Lectures: Toward a New Focus on Annotation," Text 6 (1994):
287-306.
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