INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 131
Constance B. Schulz, "Do Archivists Need to Know How to Be Editors? A Proposal for the Role of
Documentary Editing in Graduate Archival Education," Documentary Editing 16 (1994): 5-9.
Hans Gerhard Senger (ed.), Philosophische Editionen (1994).
Peter L. Shillingsburg, "Textual Angst," Literature in North Queensland 21 (1994): 71-93. Reprinted in
revised form in his Resisting Texts: Authority and Submission in Constructions of Meaning (1997),
pp. 25-47.
Jack Stillinger, Coleridge and Textual Instability (1994).
G.T. Tanselle, "Editing without a Copy-Text," Studies in Bibliography 47 (1994): 1-22. Reprinted in his
Literature and Artifacts (1998), pp. 236-57.
Gary Taylor, "Farrago," Textual Practice 8.1 (Spring 1994): 33-42.
James Thorpe, "Presidential Address, The Society for Textual Scholarship, April 12, 1991: Reflections
on Our Craft," Text 6 (1994): 1-9.
John W. Velz, "From Authorization to Authorship, Orality to Literature: The Case of Medieval and
Renaissance Drama," Text 6 (1994): 197-211.
James L.W. West III, "Fair Copy, Authorial Intention, and 'Versioning,'" Text 6 (1994): 81-89.
John Winter, "'Somebody's Theory but Nobody's Practice': Bibliography for Students of Literature in the
1990s," Bibliographical Society of Australia and New Zealand Bulletin 18 (1994): 3-12.
James Woolley, "Annotation: Some Guiding Considerations," East-Central Intelligencer [East-
Central/American Society for Eighteenth-Century Studies] n.s. 8.1 (January 1994): 11-16.
1995
Jo Ann Boydston et al., "'A Force in his Field': Fredson Bowers's Wider Influence," Text 8 (1995): 25-100.
[Following Boydston's introduction, essays by David L. Vander Meulen, Conor Fahy, Wallace
Kirsop, David R. Whitesell, and Hiroshi Yamashita.]
Ellen J. Burns, "Opera as Heard: A Libretto Edition for Phenomenological Study," Text 8 (1995): 185-216.
Vincent Desroches and Geoffrey Turnovsky (eds.), Authorship, Authority / Auteur, Autorité (1995).
Paul Eggert and Kym McCauley, "Critical and Scholarly Editing in Australia and New Zealand in the Last
Twenty-Five Years: An Essay on the Nomenclature of Editions and a Representative Listing,"
Bibliographical Society of Australia and New Zealand Bulletin 19 (1995): 241-55.
Gerhard Ernst, "Zur Herausgabe autobiographischer Non-Standardtexte des 17. (und 18.) Jahrhunderts:
Für wen? Wozu? Wie?," Studien zu romanischen Fachtexten aus Mittelalter und früher Neuzeit, ed.
Guido Mensching and Karl-Heinz Röntgen (1995), pp. 45-62.
Hans Walter Gabler, George Bornstein, and Gillian Borland Pierce (eds.), Contemporary German
Editorial Theory (1995). [Contains Gabler, "Textual Criticism and Theory in Modern German
Editing," pp. 1-16; Hans Zeller, "Record and Interpretation: Analysis and Documentation as Goal and
Method of Editing," pp. 17-58; Miroslav �ervenka, "Textual Criticism and Semiotics," pp. 59-77;
Elisabeth Höpker-Herberg, "Reflections on the Synoptic Mode of Presenting Variants, with an
Example from Klopstock's Messias," pp. 79-93; Hans Zeller, "Structure and Genesis in Editing: On
German and Anglo-American Textual Criticism," pp. 95-123; Gunter Martens, "(De)Constructing
Texts by Editing: Reflections on the Receptional Significance of Textual Apparatuses," pp. 125-51;
Henning Boetius, "Preliminary Reflections on a Generative Theory of Editing," pp. 153-69; Siegfried
Scheibe, "Theoretical Problems of the Authorization and Constitution of Texts," pp. 171-91; Scheibe,
"On the Editorial Problem of the Text," pp. 193-208; Gunter Martens, "What Is a Text? Attempts at
Defining a Central Concept in Editorial Theory," pp. 209-31; and Gerhard Seidel, "Changing
Intention in the Process of Writing: A Poem by Bertolt Brecht on Karl Kraus in a Historical-Critical
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