INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 135
1997
Andreas Arndt, "'Philosophie der Philologie': Historisch-kritische Bemerkungen zur philosophischen
Bestimmung von Editionen," Editio 11 (1997): 1-19. [With abstract in English.]
Alanna Brown, "Editing Ulysses: The Struggle for a Definitive Text," Bibliographical Society of Australia
and New Zealand Bulletin 21 (1997): 207-25; 22 (1998): 3-26.
Claire Bustarret (ed.) and Jennifer A. Jones (trans.), "Genetic Criticism," Word & Image 13.2 (April-June
1997).
Philip Cohen (ed.), Texts and Textuality: Textual Instability, Theory, and Interpretation (1997). [Consists
of the contents of a 1994 special issue of Resources for American Literary Study (see under Cohen
above), along with seven additional essays. Includes Cohen, "Textual Instability, Literary Studies,
and Recent Developments in Textual Scholarship," pp. xi-xxxiv (revised from Resources for
American Literary Study); John Miles Foley, "Oral Tradition into Textuality," pp. 1-24; and Jay
David Bolter, "The Rhetoric of Interactive Fiction," pp. 269-90.]
Marcel De Smedt, "W. Bang Kaup, W. W. Greg, R. B. McKerrow and the Edition of English Dramatic
Works (1902-1914)," Studies in Bibliography 50 (1997): 213-23.
Graham Falconer, "Towards a New Manuscriptology: Génésis, Volumes 1-6," Text 10 (1997): 362-68.
Nicole Fugmann, "Comtemporary Editorial Theory and the Transvaluation of Postmodern Critique," Text
10 (1997): 15-29.
Martin-Dietrich Glessgen and Franz Lebsanft (eds.), Alte und neue Philologie (1997).
D.C. Greetham (ed.), The Margins of the Text (1997). [Includes D.C. Greetham, "The Resistance to
Philology," pp. 9-24; Gerald MacLean, "What's Class Got to Do with It?", pp. 25-43; William L.
Andrews, "Editing 'Minority' Texts," pp. 45-55; Ann Thompson, "Feminist Theory and the Editing
of Shakespeare: The Taming of the Shrew Revisited," pp. 83-103; Jonathan Goldberg, "Under the
Covers with Caliban," pp. 105-28; and Jonathan Bate and Sonia Massai, "Adaptation as Edition," pp.
129-51.]
C.W. Griffin, "Textual Studies and Teaching Shakespeare," in Teaching Shakespeare into the Twenty-First
Century, ed. Ronald E. Salomone (1997), pp. 104-11.
James P. Hammersmith, "The Whole Art of Plowing," Text 10 (1997): 31-40.
W. Speed Hill, "Editorial Theory and LIterary Criticism: Lamb and Wolf?", Review 19 (1997): 37-64.
[Review of seven volumes in the University of Michigan Press series "Editorial Theory and Literary
Criticism."]
David Holderman, Much Laboring: The Texts and Authors of Yeats's First Modernist Books (1997).
Nathan Houser, "The Semiotics of Critical Editing: Is There a Future for Critical Editions?", in Semiotics
around the World, ed. Irmengard Rauch and Gerald F. Carr (1997), pp. 1073-76.
"Intellectual Properties: Copyright and the Status of Texts," Text 10 (1997): 120-50. [Essays by Geoffrey
D. Smith ("Through the Breach: Public Access to Private Papers," pp. 120-26), Colin Day ("Why
Copyright Serves a Useful and Continuing Purpose," pp. 127-34), David Greetham, "Rights to Copy,"
pp. 135-44), Baila H. Celedonia ("Recent Developments in Copyright Law and Their Implications
for Literary Scholarship," pp. 145-50).]
Maria Rika Maniates (ed.), Music Discourse from Classical to Early Modern Times: Editing and
Translating Texts (1997). [Includes Claude V. Palilsca, "Fidelities and Infidelities in Translating
Early Music Theory," pp. 1-16; and Walter Kurt Kreyszig, "Preparing Editions and Translations of
Humanist Treatises on Music . . .," pp. 71-95.]
Jeffrey Masten, Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama
(1997).
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