INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

136 Part 7: Writings on Post-Medieval Texts � Tanselle: Introduction to Scholarly Editing (2002)
Marita Mathijsen, Naar de letter: Handboek editiewetenschap (1997).
J.C.C. Mays, "Gabler's Ulysses as a Field of Force," Text 10 (1997): 1-13.
Andrew Murphy, "'To Ferret Out Any Hidden Corruption': Shakespearean Editorial Metaphors," Text 10
(1997): 202-19.
Carol Percy, "Earlier Editorial Practice vs. Later Linguistic Precept: Some Eighteenth-Century
Illustrations," English Language Notes 34.3 (1997): 23-39.
Bodo Plachta, Editionswissenschaft: Eine Einfuhrung in Methode und Praxis der Edition neuerer Texte
(1997).
Lawrence S. Rainey (ed.), A Poem Containing History: Textual Studies in THE CANTOS (1997).
Douglas Robinson, What Is Translation? Centrifugal Theories, Critical Interventions (1997).
Peter L. Shillingsburg, Resisting Texts: Authority and Submission in Constructions of Meaning (1997).
[Reviewed by John Charles Caruso in Text 12 (1999): 220-29.]
Robert Spoo, "Ulysses and the Ten Years War: A Survey of Missed Oportunities," Text 10 (1997): 107-18.
Michael E. Stevens and Steven B. Burg, Editing Historical Documents: A Handbook of Practice (1997).
Kathryn Sutherland (ed.), Electronic Text: Investigations in Method and Theory (1997). [Contains
McGann, (see 1995 above); Claire Lamont, "Annotating a Text: Literary Theory and Electronic
Hypertext," pp. 47-66; Patrick W. Conner, "Lighting out for the Territory: Hypertext, Ideology, and
Huckleberry Finn," pp. 67-105; Allen Renear, "Out of Praxis: Three (Meta)Theories of Textuality,"
pp. 107-26; Julia Flanders, "The Body Encoded: Questions of Gender and the Electronic Text," pp.
127-43; Peter M.W. Robinson, "New Directions in Critical Editing," pp. 145-71; Peter S. Donaldson,
"Digital Archive as Expanded Text: Shakespeare ane Electronic Textuality," pp. 173-97; David
Greetham, "Coda: Is It Morphin Time?", pp. 199-226.]
Helmut Tervooren and Horst Wenzel (eds.), "Philologie als Textwissenschft: alte und neue Horizonte,"
Zeitschrift für deutsche Philologie 116 (1997): supp. 1-252.
Ann Thompson and Neil Taylor, "'O That This Too Too XXXXX Text Would Melt': Hamlet and the
Indecisions of Modern Editors and Publishers," Text 10 (1997): 221-36.
Marcus Walsh, Shakespeare, Milton, and Eighteenth-Century Literary Editing: The Beginnings of
Interpretative Scholarship (1997).
W.B. Worthen, Shakespeare and the Authority of Performance (1997).
Hans Zeller, "Ein neuer Weg zur Textkonstitution: Die Textverwitterung in der historisch-kritishcen
Keller-Ausgabe," Euphorion 91 (1997): 213-32.
Hans Zeller,"Übernahme und Abweichung--ein Darstellungsproblem: Quellenforschung und Edition,"
Editio 11 (1997): 20-32. [With abstract in French.]
1998
Karen Bjelland, "Peering into Pandora's Box: A Look at the Typical Editorial Response to Linguistic
Variation," Text 11 (1998): 246-69.
Robert J. Cain, "Are Religious Records Different?", Documentary Editing 20 (1998): 51-53.
Marysa Demoor, Geert Lernout, and Sylvia van Peteghem (eds.), Editing the Text (1998). [Includes Ian
Small, "Postmodernism and the End(s) of Editing," pp. 35-43; and Marita Mathijsen, "The Future
of Textual Editing," pp. 45-54.]
Rolf E. DuRietz, "The Definition of 'Text,'" Text [Uppsala] 5.2 (February 1998): 50-69.
Paul Eggert, "The Work Unravelled," Text 11 (1998): 41-60.
Paul Eggert and Margaret Sankey (eds.), The Editorial Gaze: Mediating Texts in Literature and the Arts
(1998). [Includes Randall McLeod ("Random Cloud"), "Enter Reader," pp. 3-50; T.H. Howard-Hill,
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