INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 137
"The Dangers of Editing, or, The Death of the Editor," pp. 51-66; David Greetham, "'What Does It
Matter Who Is Speaking,'. . .," pp. 67-95; Paul Eggert, "Social Discourse or Authorial Agency:
Bridging the Divide between Editing and Theory," pp. 97-116; Richard Fotheringham, "Editing
Popular Nineteenth-Century Melodrama," pp. 119-27; Margaret Clunies Ross, "Editing the Oral
Text: Medieval and Modern Transformations," pp. 173-92; Jeff Brownrigg, "The Art of Audio-
Editing: Re-presenting Early Australian Vocal Recordings," pp. 193-208; and Robyn Holmes,
"Australian Music Editing and Authenticity . . .," pp. 209-26. Reviewed by W. Speed Hill in Text
12 (1999): 230-38.]
Reinmar Emans, "Wechselspiele: Auftraggeber--Komponist--Spieler--Sänger--Publikum und das
musikalische Werke," Editio 12 (1998): 1-11.
Joanna Gondris (ed.), Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century
(1998).
D.C. Greetham, Textual Transgressions: Essays toward the Construction of a Biobibliography (1998).
W.W. Greg, Sir Walter Wilson Greg: A Collection of His Writings, ed. Joseph Rosenblum (1998).
Almuth Grésillon, "L critique génétique: origines et méthodes," Annali della Scuola Normale Superiore
di Pisa: Classe di Lettere e Filosofia 1998, 5.1: 15-22.
W. Speed Hill (ed.), New Ways of Looking at Old Texts, II: Papers of the Renaissance English Text
Society, 1992-1996 (1998). [Includes W. Speed Hill, "Recent Theoretical Approaches to Editing
Renaissance Texts, with Particular Reference to the Folger Library Edition of Hooker's Works,"
pp. 11-21; Paul Werstine, "'Is it upon record?': The Reduction of the History Play to History,"
pp. 71-82; Steven Urkowitz, "Preposterous Poststructuralism: Editorial Morality and the Ethics of
Evidence," pp. 83-90; and Gary Taylor, "Judgment," pp. 91-99. Reviewed by T.H. Howard-Hill in
Text 12 (1999): 239-44.]
Ann Hutchison (ed.), Editing Women (1998). [Includes a "Response" by Margaret Anne Doody,
pp. 125-40.]
Wilhelm G. Jacobs, "Philosophische Produktion und Kontext in der Edition," Editio 12 (1998): 12-17.
John Jowett, "Richard III and the Perplexities of Editing," Text 11 (1998): 224-45.
Kym McCauley, "Rhizomes Just Don't Grow on Trees! Studying Bibliography in the 1990s,"
Bibliographical Society of Australia and New Zealand Bulletin 22 (1998): 27-38.
Jerome McGann, "Hideous Progeny, Rough Beasts: Editing as a Theoretical Pursuit," Text 11 (1998):
1-16.
Laurie E. Maguire and Thomas L. Berger (eds.), Textual Formations and Reformations (1998). [Includes
Joseph F. Loewenstein, "Authentic Reproductions: The Material Origins of the New Bibliography,"
pp. 23-44; Paul Werstine, "Touring and the Construction of Shakespeare Textual Criticism,"
pp. 45-66; Michael Warren, "Greene's Orlando: W.W. Greg Furioso," pp. 67-91; Tom Davis, "The
Monsters and the Textual Critics," pp. 95-111; A.R. Braunmuller, "How farre is't clled to Soris? or,
Where was Mr. Hobbs when Charles II died?", pp. 112-30; Barbara A. Mowat, "The Problem of
Shakespeare's Text(s)," pp. 131-48; and Valerie Wayne, "The Sexual Politics of Textual
Transmission," pp. 179-210.]
Glenn W. Most (ed.), Editing Texts, Texte Edieren (1998).
"Reader's Ulysses Symposium," Dictionary of Literary Biography Yearbook 1997 (1998), pp. 190-210.
[Contributions by A. Nicholas Fargnoli, Matthew J. Bruccoli, Terence Killeen, Michael Patrick
Gillespie, Fritz Senn, Michael Groden, and Stephen James Joyce.]
Joel Myerson, "Nothing Left to Lose: or, Changes in Literary Editing and the Decline of Civilization as
We Know It," Documentary Editing 20 (1998):85-87, 102.
W.R. Owens, "Editing Literary Texts," in A Handbook to Literary Research, ed. Simon Eliot and W.R.
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