INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

140 Part 7: Writings on Post-Medieval Texts � Tanselle: Introduction to Scholarly Editing (2002)
n.s. 11 (2000): 1-43.
Joe Bray, Miriam Handley, and Anne C. Henry (eds.), Ma(r)king the Text: The Presentation of Meaning
on the Literary Page (2000). [Comprises two sections, "Redefining Marks" and "Editing Marks";
includes Randall McLeod, "Where the Angels Fear to Read'; Kelvin Everest, "Historical Readings
and Editorial Practice"; and Jerome McGann, "Endnote: What Is Text?" Reviewed by W. Speed Hill
in Text 14 (2002): 387-97.]
Joseph A. Dane and Rosemary A. Roberts, "The Calculus of Calculus: W.W. Greg and the Mathematics
of Everyman Editions," Studies in Bibliography 53 (2000): 117-28.
Paul Eggert, "The Editorial Position: Some Reflections on Editorial Orientations in Charlottesville,
Cambridge and Canberra," Editio 14 (2000): 104-16.
Jamaes L. Harner, The World Shakespeare Bibliography on CD-ROM, 1980-1996 (2000).
Almuth Grésillon, "La critique génétique," Oeuvres & Critiques 25.1 (2000): preface.
Lotte Hellinga, "Compositors and Editors: Preparing Texts for Printing in the Fifteenth Century,"
Gutenberg Jahrbuch, 2000, pp. 152-59.
Christiane Henkes and Harald Saller with Thomas Richter (eds.), Text und Autor (Beihefte zu Editio 15,
2000).
W. Speed Hill, "Where Would Anglo-American Textual Criticism Be if Shakespeare Had Died of the
Plague in 1593?", Text 13 (2000): 1-7.
T.H. Howard-Hill, Shakespearian Bibliography and Textual Criticism: A Bibliography (2nd ed., 2000).
Klaus Hurlebusch, "Understanding the Author's Compositional Method: Prolegomenon to a Hermeneutics
of Genetic Writing," Text 13 (2000): 55-101.
Annemarie Kets-Vree, "Dutch Scholarly Editing: The Historical-Critical in Practice," Text 13 (2000):
131-49.
Jeremy Lopez, "An Annotated Bibliography of Textual Scholarship in [non-Shakespearean] Elizabethan
Drama, 1973-1998," Research Opportunities in Renaissance Drama 39 (2000): 17-76.
Tim William Machan, "'I endowed thy purposes': Shakespeare, Editing, and Middle English Literature,"
Text 13 (2000): 9-25.
R.B. McKerrow (ed. Carlo M. Bajetta), "The Relationship of English Printed Books to Authors'
Manuscripts during the Sixteenth and Seventeenth Centuries (The 1928 Sandars Lectures)," Studies
in Bibliography 53 (2000): 1-65.
Rüdiger Nutt-Kofoth, Bodo Plachta, H.T.M. van Vliet, and Hermann Zwerschina (eds.), Text und Edition:
Positionen und Perspektiven (2000).
Alexander Pettit (ed.), Textual Studies and the Common Reader: Essays on Editing Novels and Novelists
(2000). [Includes Pettit, "Textual Studies and the Common Reader," pp. 1-29; Susan J. Rosowski,
Charles W. Mignon, Frederick M. Link, and Kari A. Ronning, "The Issue of Authority in a Scholarly
Edition: Editing Cather," pp. 30-51; Noel Polk, "The Stuff That Don't Matter," pp. 52-63; Philip
Cohen, "William Faulkner, the Crisis of Masculinity, and Textual Instability," pp. 64-80; James L.W.
West III, "The Scholarly Editor as Biographer," pp. 81-90; Michael F. Suarez, "In Dreams Begins
Responsibility: Novels, Promises, and the Electronic Editor," pp. 160-79; and Albert J. Rivero,
"Whose Work Is It Anyway? Or, How We Learned to Stop Worrying about the Author and Love the
Text," pp. 180-97. Reviewed by Geert Lernout in Text 14 (2002): 381-87.]
Joseph Rudman, "Non-Traditional Authorship Attribution Studies: Ignis Fatuus or Rosetta Stone?",
Bibliograhical Society of Australia and New Zealand Bulletin 24 (2000): 163-76.
Steven Escar Smith, "'The Eternal Verities Verified': Charlton Hinman and the Roots of Mechanical
Collation," Studies in Bibliography 53 (2000): 129-61.
John L. Tofanelli, "Critical Editions," in Literature in English: A Guide for Librarians in the Digital Age,
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