INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 8: Writings on Computers 151
and Peter M.W. Robinson, "Encoding Textual Criticism," 29 (1995): 123-36.]
John Lavagnino, "Reading, Scholarship, and Hypertext Editions," Text 8 (1995): 109-24.
Jerome McGann, "The Rationale of HyperText," European English Messenger 4.2 (Autumn 1995): 34-40.
Reprinted in Text 9 (1996): 11-32; and in Electronic Text, ed. Kathryn Sutherland (1997), pp. 19-46.
Also available at .
Jakob Nielsen, Multimedia and Hypertext: The Internet and Beyond (1995).
Arnold Sanders, "Hypertext, Learning, and Memory: Some Implications from Manuscript Tradition," Text
8 (1995): 125-44.
G.T. Tanselle, "Critical Editions, Hypertexts, and Genetic Criticism," Romanic Review 86 (1995): 581-93.
Reprinted in his Literature and Artifacts (1998), pp. 258-71.
1996
Richard J. Finneran (ed.), The Literary Text in the Digital Age (1996). [Contains Susan Hockey, "Creating
and Using Electronic Editions," pp. 1-21; and Peter Shillingsburg, "Prinicples for Electronic
Archives, Scholarly Editions, and Tutorials," pp. 23-35; C.M. Sperberg-McQueen, "Textual Criticism
and the Text Encoding Initiative," pp. 37-61; John Lavagnino, "Completeness and Adequacy in Text
Encoding," pp. 63-76; Hoyt N. Duggan, "Some Unrevolutionary Aspects of Computer Editing," pp.
77-98; Peter W.M. Robinson, "Is There a Text in These Variants?", pp. 99-115; Ian Lancashire,
"Editing English Renaissance Electronic Texts," pp. 117-43; Jerome McGann, "The Rossetti Archive
and Image-Based Electronic Editing," pp. 145-83; Simon Gatrell, "Electronic Hardy," pp. 185-92;
William H. O'Donnell and Emily A. Thrush, "Designing a Hypertext Edition of a Modern Poem,"
pp. 193-212 (which includes a checklist of "Additional Resources on Document and Hypermedia
Design, pp. 208-11); Phillip E. Doss, "Traditional Theory and Innovative Practice: The Electronic
Editor as Poststructuralist Reader," pp. 213-24; Charles L. Ross, "The Electronic Text and the Death
of the Critical Edition," pp. 225-31; John Unsworth, "Electronic Scholarship; or, Scholarly
Publishing and the Public," pp. 233-43; and A. Walton Litz, "Afterword," pp. 245-48.]
1997
Philip Cohen (ed.), Texts and Textuality: Textual Instability, Theory, and Interpretation (1997). [Includes
Jay David Bolter, "The Rhetoric of Interactive Fiction," pp. 269-90; and Susan Lang, "Converging
(or Colliding) Traditions: Integrating Hypertext into Literary Studies," pp. 291-312.]
Committee on Scholarly Editions, Modern Language Association, Guidelines for Electronic Scholarly
Editions, Draft 2, 26 September 1997.
Jesse D. Hurlbut, "Shifting Paradigms and the Development of Hypermedia Editions," Studies in
Medievalism 9 (1997): 228-38.
Fotis Jannidis, "Wider das Altern elektronischer Texte: philologische Textauszeichnung mit TEI," Editio
11 (1997): 152-77. [With abstract in English]
George P. Landow, Hypertext 2.0: The Convergence of Contemporary Critical Theory (1997). [Reviewed
by Charles Ross in Text 12 (1999): 250-54.]
Kathryn Sutherland (ed.), Electronic Text: Investigations in Method and Theory (1997). [Contains
McGann (see 1995 above); Claire Lamont, "Annotating a Text: Literary Theory and Electronic
Hypertext," pp. 47-66; Patrick W. Conner, "Lighting out for the Territory: Hypertext, Ideology, and
Huckleberry Finn," pp. 67-106; Allen Renear, "Out of Praxis: Three (Meta)Theories of Textuality,"
pp. 107-26; Julia Flanders, "The Body Encoded: Questions of Gender and the Electronic Text,"
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