152 Part 8: Writings on Computers � Tanselle: Introduction to Scholarly Editing (2002) pp. 127-44; Peter M.W. Robinson, ""New Directions in Critical Editing," pp. 145-71; Peter S. Donaldson, "Digital Archive as Expanded Text: Shakespeare and Electronic Textuality," pp. 173-98; David Greetham, "Coda: Is It Morphin Time?", pp. 199-226.] G.T. Tanselle, "The Text of Melville in the Twenty-First Century," in Melville's Evermoving Dawn: Centennial Essays, ed. John Bryant and Robert Milder (1997), pp. 332-45. 1998 Susan Brown, Sue Fisher, Patricia Clements, Katherine Binhammer, Terry Butler, Kathryn Carter, Isobel Grundy, and Susan Hockey, "SGML and the Orlando Project: Descriptive Markup for an Electronic History of Women's Writing," Computers and the Humanities 31 (1998): 271-84. David R. Chesnutt, "Here Comes Tomorrow--And It's Full of Challenges," Documentary Editing 20 (1998): 88-91. Julia Flanders, "Trusting the Electronic Edition," Computers and the Humanities 31 (1997-98): 301-10. Sylvio Gaggi, From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media (1998). Cathy Moran Hajo, "So You Think You Need a Web Page? Designing World Wide Web Access to Documentary Editing Projects," Documentary Editing 20 (1998): 57-60, 67-69, 76, 78. John Lavagnino, "Electronic Editions and the Needs of Readers," in New Ways of Looking at Old Texts, II, ed. W. Speed Hill (1998), pp. 149-56. José Manuel Lucía Megías, "Editar en Internet (che quanto piace il mondo è breve sogno)," Incipit 18 (1998): 1-40. Marita Mathijsen, "The Future of Textual Editing," in Editing the Text, ed. Marysa Demoor, Geert Lernout, and Sylvia van Peteghem (1998), pp. 45-54. Kathryn Sutherland, "Revised Relations? Material Text, Immaterial Text, and the Electronic Environment," Text 11 (1998): 17-39. 1999 Nicole Bouché, Digitization for Scholarly Use: The Boswell Papers Project at the Beinecke <strong>Rare</strong> <strong>Book</strong> and Manuscript Library (Council on Library and Information Resources, 1999). [Essays on the William Blake Archive], The Wordsworth Circle 30 (1999): 123-44. [Karl Kroeber, "The Blake Archive and the Future of Literary Studies," pp. 123-25; Andrew Cooper and Michael Simpson, "The High-Tech Luddite of Lambeth: Blake's Eternal Hacking," pp. 125-31; and Morris Eaves, Robert N. Essick, Joseph Viscomi, and Matthew G. Kirschenbaum, "Standards, Methods, and Objectives in the William Blake Archive: A Response," pp. 135-44.] 2000 Alexander Pettit (ed.), Textual Studies and the Common Reader: Essays on Editing Novels and Novelists (2000). [Includes Charles L. Ross, "A Future for Editing: Lawrence in Hypertext," pp. 141-59; and Michael F. Suarez, "In Dreams Begins Responsibility: Novels, Promises, and the Electronic Editor," pp. 160-79.] Peter M.W. Robinson and Hans W. Gabler (eds.), "Making Texts for the Next Century," Literary and Linguistic Computing 15.1 (2000). [Includes Robinson, "The One and the Many Texts," pp. 5-14.] Peter Robinson, "Ma(r)king the Electronic Text: How, Why and for Whom?", in Ma(r)king the Text: The This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 8: Writings on Computers 153 Presentation of Meaning on the Literary Page, ed. Joe Bray, Miriam Handley, and Anne C. Henry (2000). 2001 Martin Kennedy Foys, "Hypertextile Scholarship: Digitally Editing the Bayeux Tapestry," Documentary Editing 23 (2001): 34-43. Kenneth M. Price, "Dollars and Sense in Collaborative Digital Scholarship: The Example of the Walt Whitman Hypertext Archive," Documentary Editing 23 (2001): 29-33, 43. 2002 Morris Eaves, Robert N. Essick, and Joseph Viscomi, "The William Blake Archive: The Medium When the Millennium Is the Message," in Romanticism and Millenarianism, ed. Tim Fulford (2002), pp. 219-33. Jerome McGann, "The Gutenberg Variations," Text 14 (2002): 1-13. Matthew G. Kirschenbaum, "Editing the Interface: Textual Studies and First Generation Electronic Objects," Text 14 (2002): 15-51. Joseph Viscomi, "Digital Facsimiles: Reading the William Blake Archive," Computers and the Humanities 36 (2002): 27-48. This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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