INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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160 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002)<br />
W. Hipp (1991), pp. 125-41. [Includes a checklist of facsimiles.]<br />
G.T. Tanselle, "A Description of Descriptive Bibliography," Studies in Bibliography 45 (1992): 1-30<br />
(esp. pp. 10-13). Reprinted in his Literature and Artifacts (1998), pp. 127-56 (esp. pp. 136-39).<br />
G.T. Tanselle, "Issues in Bibliographical Studies since 1942," in The <strong>Book</strong> Encompassed, ed. Peter<br />
Davison (1992), pp. 24-36 (esp. pp. 29-31).<br />
G.T. Tanselle, "The Life and Work of Fredson Bowers," Studies in Bibliography 46 (1993): 1-154,<br />
passim (see index to separate 1993 reprinting of this biography).<br />
G.T. Tanselle, "Printing History and Other History," Studies in Bibliography 48 (1995): 269-89.<br />
Reprinted in his Literature and Artifacts (1998), pp. 307-27.<br />
Laurie E. Maguire, "The Rise of the New Bibliography," in Shakespearean Suspect Texts: The "Bad"<br />
Quartos and Their Contexts (1996), pp. 21-71, 343-58.<br />
Joseph F. Loewenstein, "Authentic Reproductions: The Material Origins of the New Bibliography," in<br />
Textual Formations and Reformations, ed. Laurie E. Maguire and Thomas L. Berger (1998),<br />
pp. 23-44.<br />
W. Speed Hill, "Where Are the Bibliographers of Yesteryear?", in Pilgrimage for Love: Essays in Early<br />
Modern Literature in Honor of Josephine A. Roberts, ed. Sigrid King (1999), pp. 115-32. Also<br />
printed in Editio 14 (1999): 96-112.<br />
Beatrice W. Kliman, "Considering the Terminology of the New Bibliography and After," Analytical &<br />
Enumerative Bibliography n.s. 10 (1999): 148-65.<br />
G.T. Tanselle, "The Treatment of Typesetting and Presswork in Bibliographical Description," Studies<br />
in Bibliography 52 (1999): 1-57.<br />
Roger E. Stoddard, "Looking at Marks in <strong>Book</strong>s," Gazette of the Grolier Club 51 (2000); 27-47. [See<br />
esp. "Marks of Manufacture," pp. 35-37.]<br />
G.T. Tanselle, "The Concept of Format," Studies in Bibliography 53 (2000): 67-115.<br />
Harold Love, "The Intellectual Heritage of Donald Francis McKenzie," Library 7th ser. 2 (2001):<br />
266-80.<br />
D.F. McKenzie, Making Meaning: "Printers of the Mind" and Other Essays, ed. Peter D. McDonald and<br />
Michael F. Suarez (2002).<br />
D1. GENERAL<br />
__________<br />
D. Fifteenth Century<br />
William Blades, The Life and Typography of William Caxton (1861-63).<br />
William Blades, How to Tell a Caxton (1870).<br />
Henry Bradshaw, Collected Papers (1889). [See also "Letters of Henry Bradshaw to Officials of the<br />
British Museum," ed. A.W. Pollard, Library 2nd ser. 5 (1904): 266-92, 431-42; and Henry<br />
Bradshaw's Correspondence on Incunabula with J.W. Holtrop and M.F.A.G. Campbell, ed. Wytze<br />
and Lotte Hellinga (1966-78).]<br />
Karl Dziatzko, Beiträge zur Gutenbergfrage (1889).<br />
Karl Dziatzko, Gutenbergs früheste Druckerpraxis (1890).<br />
This page is from a document available in full at http://www.rarebookschool.org/tanselle/