INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 163<br />
Robert Proctor, An Index to the Early Printed <strong>Book</strong>s in the British Museum (1898).<br />
Paul Schwenke, "Gutenberg und die Type des Türkenkalenders," Zentralblatt für Bibliothekswesen 18<br />
(1901): 289-96.<br />
Gottfried Zedler, Die älteste Gutenbergtype (1902).<br />
Paul Schwenke, Die Donat- und Kalender-Type (1903).<br />
Konrad Haebler, Typenrepertorium der Wiegendrucke (1905).<br />
Gottfried Zedler, Gutenbergs älteste Type und die mit ihr hergestellten Drucke (1934).<br />
Carl Wehmer, Mainzer Probedrucke in der Type des sogenannten Astronomischen Kalenders für 1448<br />
(1948).<br />
Theo Gerardy, "Zur Datierung des mit Gutenbergs kleiner Psaltertype gedruckten Missale speciale,"<br />
Archiv für Geschichte des Buchwesens 5 (1964): 399-415.<br />
Wytze and Lotte Hellinga, The Fifteenth-Century Printing Types of the Low Countries (1966).<br />
Stan Nelson, "Startling Observations on Early Printing: Re-examination of Gutenberg's Types [by Paul<br />
Needham and Blaise Agüera y Arcas]," Journal of the Printing Historical Society n.s. 3 (Summer<br />
2001): 49-51.<br />
D3. COMPOSITION<br />
Tanselle (1999), section I(a,b), pp. 8-17.<br />
Gottfried Zedler, Das Mainzer Catholicon (1905), esp. pp. 2-6.<br />
Paul Schwenke, Johannes Gutenbergs zweiundvierzigzeilige Bibel: Ergänzungsband zur Faksimile-<br />
Ausgabe (1923).<br />
Konrad Haebler, Handbuch der Inkunabelkunde (1925), pp. 72-79.<br />
Irvine Masson, "The Bibliography of a Small Incunable [GW 5098, by Andreas Brentius]," Library 4th<br />
ser. 17 (1936-37): 36-61.<br />
Victor Scholderer, "Variant Settings-Up in Zel Quartos," Library 5th ser. 9 (1954): 128-29. Reprinted<br />
in his Fifty Essays in Fifteenth- and Sixteenth-Century Bibliography, ed. Dennis E. Rhodes<br />
(1966), pp. 248-49.<br />
Lotte Hellinga, "Notes on the Order of Setting a Fifteenth-Century <strong>Book</strong>," Quaerendo 4 (1974): 64-69.<br />
[Cf. Tanselle (1999), footnote 9.]<br />
Lotte Hellinga, "The <strong>Book</strong> of St Albans 1486," in Fine <strong>Book</strong>s and <strong>Book</strong> Collecting, ed. Christopher de<br />
Hamel and Richard A. Linenthal (1981), pp. 31-34.<br />
Carol M. Meale, "Wynkyn de Worde's Setting-Copy for Ipomydon," Studies in Bibliography 35 (1982):<br />
156-71.<br />
Paul Needham, "Johan Gutenberg and the Catholicon Press," Papers of the Bibliographical Society of<br />
America 76 (1982): 395-456. [See also W.J. Partridge, "The Type-Setting and Printing of the<br />
Mainz Catholicon," <strong>Book</strong> Collector 35 (1986): 21-52; Paul Needham, "The Type-Setting of the<br />
Mainz Catholicon: A Reply to W.J. Partridge," 293-304; Lotte Hellinga, "Slipped Lines and Fallen<br />
Type in the Mainz Catholicon," Gutenberg-Jahrbuch, 1992, pp. 35-40, and "Eltville and Mainz:<br />
A Tale of Two Compositors," <strong>Book</strong> Collector 41 (1992): 28-54; Paul Needham, "Mainz and<br />
Eltville: The True Tale of Three Compositors," Bulletin du bibliophile 1992: 257-304; Paul<br />
Needham, "Slipped Lines in the Mainz Catholicon: A Second Opinion," Gutenberg-Jahrbuch,<br />
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