INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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172 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002) 52-150, 154-71, 178-226.] Fredson Bowers, "The Copy for the Folio Othello," in his Bibliography and Textual Criticism (1964), pp. 158-201. Charlton Hinman, "Shakespeare's Text--Then, Now and Tomorrow," Shakespeare Survey 18 (1965): 23-33. Robert Lawson, Compositor C of the Shakespeare First Folio (University of Kansas dissertation, 1966). J.K. Walton, The Quarto Copy for the First Folio of Shakespeare (1971). [Esp. pp. 34-38.] T.H. Howard-Hill, Ralph Crane and Some Shakespeare First Folio Comedies (1972). [Scribal spelling.] R.M. Flores, The Compositors of the First and Second Madrid Editions of DON QUIXOTE (1975). T.H. Howard-Hill, Compositors B and E in the Shakespeare First Folio and Some Recent Studies (1976), supplemented by A Reassessment of Compositors B and E in the First Folio Tragedies (1977). Paul Werstine, "Editorial Uses of Compositor Study," Analytical & Enumerative Bibliography 2 (1978): 153-65. [For expanded version see 1984 below.] James E. Blodgett, "Some Printer's Copy for William Thynne's 1532 Edition of Chaucer," Library 6th ser. 1 (1979): 104-12. Tim Scott, "The Problem of Attribution in Middleton and Rowley's The Changeling," Bibliographical Society of Australia and New Zealand Bulletin 4 (1979-80): 255-68. T.H. Howard-Hill, "New Light on Compositor E of the Shakespeare First Folio," Library 6th ser. 2 (1980): 156-78. P.W.K. Stone, "The Distribution of F 'Copy,'" in The Textual History of KING LEAR (1980), pp. 141-57. [Reviewed by S.W. Reid in "The Texts of King Lear: A Review Essay," Shakespeare Studies 15 (1982): 327-39.] Gary Taylor, "The Shrinking Compositor A of the Shakespeare First Folio," Studies in Bibliography 34 (1981): 96-117. Peter W.M. Blayney, The Texts of KING LEAR and Their Origins: Volume I. Nicholas Okes and the First Quarto (1982). [See esp. "The Compositors," pp. 151-87. See also Blayney's letter, Times Literary Supplement, 27 January 1984, p. 85, for some corrections. Reviewed in Analytical & Enumerative Bibliography 8 (1984): 138-41 (W. Craig Ferguson); Library 6th ser. 6 (1984): 89-93 (Antony Hammond); Papers of the Bibliographical Society of America 78 (1984): 489-93 (S.W. Reid).] Wallace Kirsop, "Les Habitudes de compositeurs: une technique d'analyse au service de l'édition critique et de l'histoire des idées," in Trasmissione dei testi a stampa nel periodo moderno, ed. Giovanni Crapulli, 1 (1983): 14-47. Paul Werstine, "The Editorial Usefulness of Printing House and Compositor Studies," in Play-Texts in Old Spelling, ed. G.B. Shand and Raymond C. Shady (1984), pp. 35-64. Paul Werstine, "Line Division in Shakespeare's Dramatic Verse: An Editorial Problem," Analytical & Enumerative Bibliography 8 (1984): 73-125. Stanley Wells and Gary Taylor, William Shakespeare: A Textual Companion (1987). Paul Werstine, "On the Compositors of The Two Noble Kinsmen," in Shakespeare, Fletcher, and THE TWO NOBLE KINSMEN, ed. Charles H. Frey (1989), pp. 6-30. Paul Werstine, "Narratives about Printed Shakespearean Texts: 'Foul Papers' and 'Bad Quartos,'" Shakespeare Quarterly 41 (1990): 65-86. Kathleen Irace, "Reconstruction and Adaptation in Q Henry V," Studies in Bibliography 44 (1991): This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 173 228-53. MacD. P. Jackson, "Rhyming in Pericles: More Evidence of Dual Authorship," Studies in Bibliography 46 (1993): 239-49. Hiroshi Yamashita et al., A Textual Companion to THE FAERIE QUEENE 1590 (1993). Peter W.M. Blayney, "Introduction to the Second Edition," in The Norton Facsimile of the First Folio of Shakespeare (1996), pp. xxvii-xxxvii ("Compositor Attributions," pp. xxxv-xxxvii). Lee Bliss, "Scribes, Compositors, and Annotators: The Nature of the Copy for the First Folio Text of Coriolanus," Studies in Bibliography 50 (1997): 224-61. G.T. Tanselle, "The Treatment of Typesetting and Presswork in Bibliographical Description," Studies in Bibliography 52 (1999). Adrian Weiss, "A 'Fill-In' Job: The Textual Crux and Interrupted Printing in Thomas Middleton's The Triumph of Honour and Virtue (1622)," Papers of the Bibliographical Society of America 93 (1999): 53-73. William Searle, "'By Foule Authority': Miscorrection in the Folio Text of Shakespeare's Troilus and Cressida," Papers of the Bibliographical Society of America 95 (2001): 503-19. E2. RECOGNIZABLE TYPES AND TYPE SHORTAGES Hinman (1963), 1: 52-138. Blayney (1982), pp. 57-58, 91-94, 176-77. Tanselle (1999), section I(a), pp. 8-14. A.W. Pollard, Shakespeare Folios and Quartos (1909), pp. 134-35. Gerald J. Eberle, "Nosce Teipsum (1599) by Sir John Davies: A Bibliographical Puzzle," Studies in Bibliography 1 (1948-49): 135-48. Strickland Gibson, "Thomas Bennet, a Forgotten Bibliographer," Library 5th ser. 6 (1951): 43-47. John Crow, "Thomas Goad and The Dolefvll Euen-Song: An Editorial Experiment," Transactions of the Cambridge Bibliograhical Society 1 (1949-53): 238-59. John Russell Brown, "The Printing of John Webster's Plays," Studies in Bibliography 6 (1954): 117-40; 8 (1956): 113-27; 15 (1962): 57-69. Charlton Hinman, "The Prentice Hand in the Tragedies of the Shakespeare First Folio: Compositor E," Studies in Bibliography 9 (1957): 3-20. George W. Williams, "Setting by Formes in Quarto Printing," Studies in Bibliography 11 (1958): 39-53. J.C. Wyllie, [Summary of Rosenbach Lectures], Graphic Arts Review 23.5 (1960): 7-8, 46-48. Robert K. Turner, "Notes on the Text of Thierry and Theodoret Q1," Studies in Bibliography 14 (1961): 218-31. Frank B. Evans, "The Printing of Spenser's Faerie Queene in 1596," Studies in Bibliography 18 (1965): 49-67. Robert K. Turner, Jr., "The Printing of A King and No King," Studies in Bibliography 18 (1965): 255-61. Robert K. Turner, Jr., "Reappearing Types as Bibliographical Evidence," Studies in Bibliography 19 (1966): 198-209. George R. Price, "The Early Editions of A Trick to Catch the Old One," Library 5th ser. 22 (1967): 205-27. This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING S
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CONTENTS Preface • 9-10 Part 1. S
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Tanselle: Introduction to Scholarly
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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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