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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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174 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002)<br />

Robert K. Turner, Jr., "The Text of Heywood's The Fair Maid of the West," Library 5th ser. 22 (1967):<br />

299-325.<br />

Arthur Freeman, "The Printing of The Spanish Tragedy," Library 5th ser. 24 (1969): 187-99.<br />

Hiroshi Yamashita, "The Printing of Philip Massinger's Plays [The Duke of Milan and The Maid of<br />

Honour]," Shakespeare Studies [Shakespeare Society of Japan] 10 (1971-72): 16-38.<br />

Fredson Bowers, "Was There a Lost 1593 Edition of Marlowe's Edward II?", Studies in Bibliography<br />

25 (1972): 143-48.<br />

Harold F. Brooks, "The Chief Substantive Editions of Oldham's Poems, 1679-1684: Printers,<br />

Compositors, and Publication," Studies in Bibliography 27 (1974): 188-226.<br />

Robert K. Turner, Jr., "The Printers and the Beaumont and Fletcher Folio of 1647: Section 1 (Thomas<br />

Warren's)," Studies in Bibliography 27 (1974): 137-56.<br />

William M. Baillie, "Early Printed <strong>Book</strong>s in Small Formats," Papers of the Bibliographical Society of<br />

America 69 (1975): 197-205.<br />

James P. Hammersmith, "The Printers and the Beaumont and Fletcher Folio of 1647, Section 7," Papers<br />

of the Bibliographical Society of America 69 (1975): 206-25.<br />

Frank E. Haggard, "Type-Recurrence Evidence and the Printing of Romeo and Juliet Q2 (1597)," Papers<br />

of the Bibliographical Society of America 71 (1977): 66-73.<br />

Jonathan H. Spinner, "The Composition and Presswork of Henry V, Q1," Library 5th ser. 32 (1977):<br />

37-44.<br />

George Walton Williams, "The Composition and Presswork of Henry V, Q1," Library 5th ser. 37<br />

(1978): 170-71.<br />

Thomas L. Berger, "The Printing of Henry V, Q1," Library 6th ser. 1 (1979): 114-25.<br />

Richard Knowles, "The Printing of the Second Quarto (1619) of King Lear," Studies in Bibliography<br />

35 (1982): 191-206.<br />

J.C. Ross, "The Printing of Vanbrugh's The Provok'd Wife (1697)," Library 6th ser. 4 (1982): 397-409.<br />

R.M. Flores, "The Setting and Printing of the First Edition of Cervantes's Novelas Ejemplares," Studies<br />

in Bibliography 37 (1984): 281-306.<br />

John Jowett, "Ligature Shortage and Speech-Prefix Variation in Julius Caesar," Library 6th ser. 6<br />

(1984): 244-53.<br />

Paul Mulholland, "The Roaring Girl: New Readings and Further Notes," Studies in Bibliography 37<br />

(1984): 159-70.<br />

Antony Hammond, "The White Devil in Nicholas Okes's Shop," Studies in Bibliography 39 (1986):<br />

135-76.<br />

Kim Walker, "The Printing and Publishing of James Shirley's The Dukes Mistris (1638)," Library 6th<br />

ser. 10 (1988): 317-38.<br />

Hugh Amory, "'Gods Altar Needs Not our Pollishings': Revisiting the Bay Psalm <strong>Book</strong>," Printing<br />

History 12.2 (1990): 2-14.<br />

Eric Rasmussen, "Rehabilitating the A-Text of Marlowe's Doctor Faustus," Studies in Bibliography 46<br />

(1993): 221-38.<br />

Chiaki Hanabusa, "Edward Allde's Types in Sheets E-K of Romeo and Juliet Q1 (1597)," Papers of the<br />

Bibliographical Society of America 91 (1997): 423-28.<br />

Chiaki Hanabusa, "The Printer of Sheet G in Robert Greene's Orlando Furioso Q1 (1594)," Library 6th<br />

ser. 19 (1997): 145-50.<br />

This page is from a document available in full at http://www.rarebookschool.org/tanselle/

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