INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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174 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002) Robert K. Turner, Jr., "The Text of Heywood's The Fair Maid of the West," Library 5th ser. 22 (1967): 299-325. Arthur Freeman, "The Printing of The Spanish Tragedy," Library 5th ser. 24 (1969): 187-99. Hiroshi Yamashita, "The Printing of Philip Massinger's Plays [The Duke of Milan and The Maid of Honour]," Shakespeare Studies [Shakespeare Society of Japan] 10 (1971-72): 16-38. Fredson Bowers, "Was There a Lost 1593 Edition of Marlowe's Edward II?", Studies in Bibliography 25 (1972): 143-48. Harold F. Brooks, "The Chief Substantive Editions of Oldham's Poems, 1679-1684: Printers, Compositors, and Publication," Studies in Bibliography 27 (1974): 188-226. Robert K. Turner, Jr., "The Printers and the Beaumont and Fletcher Folio of 1647: Section 1 (Thomas Warren's)," Studies in Bibliography 27 (1974): 137-56. William M. Baillie, "Early Printed Books in Small Formats," Papers of the Bibliographical Society of America 69 (1975): 197-205. James P. Hammersmith, "The Printers and the Beaumont and Fletcher Folio of 1647, Section 7," Papers of the Bibliographical Society of America 69 (1975): 206-25. Frank E. Haggard, "Type-Recurrence Evidence and the Printing of Romeo and Juliet Q2 (1597)," Papers of the Bibliographical Society of America 71 (1977): 66-73. Jonathan H. Spinner, "The Composition and Presswork of Henry V, Q1," Library 5th ser. 32 (1977): 37-44. George Walton Williams, "The Composition and Presswork of Henry V, Q1," Library 5th ser. 37 (1978): 170-71. Thomas L. Berger, "The Printing of Henry V, Q1," Library 6th ser. 1 (1979): 114-25. Richard Knowles, "The Printing of the Second Quarto (1619) of King Lear," Studies in Bibliography 35 (1982): 191-206. J.C. Ross, "The Printing of Vanbrugh's The Provok'd Wife (1697)," Library 6th ser. 4 (1982): 397-409. R.M. Flores, "The Setting and Printing of the First Edition of Cervantes's Novelas Ejemplares," Studies in Bibliography 37 (1984): 281-306. John Jowett, "Ligature Shortage and Speech-Prefix Variation in Julius Caesar," Library 6th ser. 6 (1984): 244-53. Paul Mulholland, "The Roaring Girl: New Readings and Further Notes," Studies in Bibliography 37 (1984): 159-70. Antony Hammond, "The White Devil in Nicholas Okes's Shop," Studies in Bibliography 39 (1986): 135-76. Kim Walker, "The Printing and Publishing of James Shirley's The Dukes Mistris (1638)," Library 6th ser. 10 (1988): 317-38. Hugh Amory, "'Gods Altar Needs Not our Pollishings': Revisiting the Bay Psalm Book," Printing History 12.2 (1990): 2-14. Eric Rasmussen, "Rehabilitating the A-Text of Marlowe's Doctor Faustus," Studies in Bibliography 46 (1993): 221-38. Chiaki Hanabusa, "Edward Allde's Types in Sheets E-K of Romeo and Juliet Q1 (1597)," Papers of the Bibliographical Society of America 91 (1997): 423-28. Chiaki Hanabusa, "The Printer of Sheet G in Robert Greene's Orlando Furioso Q1 (1594)," Library 6th ser. 19 (1997): 145-50. This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 175 Eric Rasmussen, "The Date of Q4 Hamlet," Papers of the Bibliographical Society of America 95 (2001): 21-29. [Deterioration of publisher's device.] E3. RECOGNIZABLE TYPES: FONT ANALYSIS Tanselle (1999), section I(a), pp. 8-14. Colin Clair, "On the Printing of Certain Reformation Books," Library 5th ser. 18 (1963): 275-87. Adrian Weiss, [Review of W. Craig Ferguson's Pica Roman Type in Elizabethan England], Papers of the Bibliographical Society of America 83 (1989): 539-46. Adrian Weiss, "Font Analysis as a Bibliographical Method: The Elizabethan Play-Quarto Printers and Compositors," Studies in Bibliography 43 (1990): 95-164. Adrian Weiss, "Bibliographical Methods for Identifying Unknown Printers in Elizabethan / Jacobean Books," Studies in Bibliography 44 (1991): 183-228. Adrian Weiss, "Shared Printing, Printer's Copy, and the Text(s) of Gascoigne's A Hundreth Sundrie Flowres," Studies in Bibliography 45 (1992): 71-104. Laurie E. Maguire, "The Printer and Date of Q4 A Looking Glass for London and England," Studies in Bibliography 52 (1999): 155-60. Adrian Weiss, "Watermark Evidence and Inference: New Style Dates of Edmund Spenser's Complaints and Daphnaida," Studies in Bibliography 52 (1999): 129-54. E4. RECOGNIZABLE TYPES: RULES Hinman (1963), 1: 138-50, 154-71. Blayney (1982), pp. 124-25. Guy A. Battle, "A Bibliographical Note from the Beaumont and Fletcher First Folio," Studies in Bibliography 1 (1948-49): 187-88. James S. Steck, "Center Rules in Folio Printing: A New Kind of Bibliographical Evidence," Studies in Bibliography 1 (1948-49): 188-91. Giles E. Dawson, "Some Bibliographical Irregularities in the Shakespeare Fourth Folio," Studies in Bibliography 4 (1951-52): 93-103. John Shroeder, The Great Folio of 1623: Shakespeare's Plays in the Printing House (1956). [Reviewed by Charlton Hinman in Shakespeare Quarterly 8 (1957): 219-22.] Ernest W. Sullivan II, "Marginal Rules as Evidence," Studies in Bibliography 30 (1977): 171-80. E5. RECOGNIZABLE TYPES, LINEATION, AND SPACING: CAST-OFF COPY Hinman (1963), 1: 69-76. Blayney (1982), pp. 90-93. Tanselle (1999), section I(a), pp. 8-14. This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING S
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CONTENTS Preface • 9-10 Part 1. S
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Tanselle: Introduction to Scholarly
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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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