INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

176 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002)
R.B. McKerrow, "Elizabethan Printers and the Composition of Reprints," Library 4th ser. 5 (1924-25):
357-64. [Uses ornaments to detect setting by formes.]
William H. Bond, "Casting Off Copy by Elizabethan Printers: A Theory," Papers of the Bibliographical
Society of America 42 (1948): 281-91.
Charlton Hinman, "Cast-Off Copy for the First Folio of Shakespeare," Shakespeare Quarterly 6 (1955):
259-73.
Philip Williams, "New Approaches to Textual Problems in Shakespeare," Studies in Bibliography 8
(1956): 3-14.
Robert K. Turner, "Standing Type in Tomkis's Albumazar," Library 5th ser. 13 (1958): 175-85.
George W. Williams, "Setting by Formes in Quarto Printing," Studies in Bibliography 11 (1958): 39-53.
Robert K. Turner, Jr., "The Composition of [Marston's] The Insatiate Countess Q2," Studies in
Bibliography 12 (1959): 198-203.
Robert K. Turner, Jr., "The Printing of Beaumont and Fletcher's The Maid's Tragedy Q1 (1619)," Studies
in Bibliography 13 (1960): 199-220.
Robert K. Turner, Jr., "The Printing of [Beaumont and Fletcher's] Philaster Q1 and Q2," Library 5th ser.
15 (1960): 21-32.
John Russell Brown, "The Printing of John Webster's Plays (III): The Duchess of Malfi," Studies in
Bibliography 15 (1962): 57-69.
George R. Price, "Setting by Formes in the First Edition of [Middleton's] The Phoenix," Papers of the
Bibliographical Society of America 56 (1962): 414-27.
Robert K. Turner, "Printing Methods and Textual Problems in A Midsummer Night's Dream Q1,"
Studies in Bibliography 15 (1962): 33-55.
John Hazel Smith, "The Composition of the Quarto of Much Ado About Nothing," Studies in
Bibliography 16 (1963): 9-26.
Charlton Hinman, "Shakespeare's Text--Then, Now and Tomorrow," Shakespeare Survey 18 (1965):
23-33.
George R. Price, "Dividing the Copy for Michaelmas Term," Papers of the Bibliographical Society of
America 60 (1966): 327-36.
D.F. McKenzie, "Eight Quarto Proof Sheets of 1594 Set by Formes: A fruitfull commentarie," Library
5th ser. 28 (1973): 1-13.
Donald Edge, "Evidence of Cast-Off Copy in Lyly's Endimion and Loves Metamorphosis," Papers of
the Bibliographical Society of America 70 (1976): 517-18.
Jonathan H. Spinner, "The Composition and Presswork of Henry V, Q1," Library 5th ser. 32 (1977):
37-44.
George R. Price, "The Printing of Love's Labour's Lost (1598)," Papers of the Bibliographical Society
of America 72 (1978): 405-34.
Thomas L. Berger, "The Printing of Henry V, Q1," Library 6th ser. 1 (1979): 114-25.
MacD. P. Jackson, "Compositorial Practices in Tourneur's The Atheist's Tragedy," Studies in
Bibliography 32 (1979): 210-15.
W. Speed Hill, "Casting Off Copy and the Composition of Hooker's Book V," Studies in Bibliography
33 (1980): 144-61.
Eleanor Prosser, "Textual Changes by the Folio Compositors," in her Shakespeare's Anonymous Editors:
Scribe and Compositor in the Folio Text of 2 HENRY IV (1981), pp. 51-121.
G.T. Tanselle, "Analytical Bibliography and Renaissance Printing History," Printing History 3.1 (1981):
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