INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 177
24-33. Reprinted (as "Analytical Bibliography and Printing History") in his Literature and
Artifacts (1998), pp. 291-306.
Paul Werstine, "Cases and Compositors in the Shakespeare First Folio Comedies," Studies in
Bibliography 35 (1982): 206-34.
Frans A. Janssen, "Some Notes on Setting by Formes," Quaerendo 16 (1986): 191-97.
Eric Rasmussen, "The Relevance of Cast-Off Copy in Determining the Nature of Omissions: Q2
Hamlet," Studies in Bibliography 39 (1986): 133-35.
David J. Shaw, "Setting by Formes in Some Early Parisian Greek Books," in Book Production and
Letters in the Western European Renaissance: Essays in Honour of Conor Fahy, ed. Anna Laura
Lepschy, John Took, and Dennis E. Rhodes (1986), pp. 284-90.
Peter W.M. Blayney, The First Folio of Shakespeare (1991), pp. 9-14.
Antony Telford-Moore, "The Printing of John Ford's Love's Sacrifice," Library 6th ser. 14 (1992):
299-336.
Joost Daalder and Antony Telford Moore, "Breaking the Rules: Editorial Problems in Dekker and
Middleton's The Honest Whore, PartI," Bibliographical Society of Australia and New Zealand
Bulletin 20 (1996): 243-87.
MacD. P. Jackson, "Finding the Pattern: Peter Short's Shakespeare Quartos Revisited," Bibliographical
Society of Australia and New Zealand Bulletin 25 (2001): 67-86.
E6. COMPOSITOR IDENTIFICATION: PRINTER'S MEASURE
W.W. Greg, "King Lear--Mislineation and Stenography," Library 4th ser. 17 (1936): 172-83 (see
pp. 181-82).
Irene Mann, "A Political Cancel in The Cobblers Prophesie," Library 4th ser. 23 (1942-43): 94-100.
Fredson Bowers, "Bibliographical Evidence from the Printer's Measure," Studies in Bibliography 2
(1949-50): 153-67. Reprinted in his Essays in Bibliography, Text, and Editing (1975), pp. 258-68.
George R. Price, "The First Edition of A Faire Quarrell," Library 5th ser. 4 (1949-50): 137-41.
George Walton Williams, "A Note on King Lear III.ii.1-3," Studies in Bibliography 2 (1949-50): 175-82.
[See p. 180.]
Philip Williams, Jr., "The 'Second Issue' of Shakespeare's Troilus and Cressida, 1609," Studies in
Bibliography 2 (1949-50): 25-33.
Fredson Bowers, "A Crux in the Text of [Nathaniel] Lee's Princess of Cleve (1689), II.i," Harvard
Library Bulletin 4 (1950): 409-11.
Fredson Bowers, "The Variant Sheets in John Banks's Cyrus the Great, 1696," Studies in Bibliography
4 (1951-52): 174-82.
George R. Price, "The First Edition of [Middleton's] Your Five Gallants and of Michaelmas Term,"
Library 5th ser. 8 (1953): 23-29.
Fredson Bowers, "Underprinting in Mary Pix, The Spanish Wives (1696)," Library 5th ser. 9 (1954):
248-54.
W. Craig Ferguson, "A Note on Printer's Measures," Studies in Bibliography 15 (1962): 242-43.
J.J. Hogan, "Cutting His Text According to His Measure: A Note on the Folio Lear," Philological
Quarterly 41 (1962): 72-81.
Hiroshi Yamashita, "The Printing of Philip Massinger's Plays [The Duke of Milan and The Maid of
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