INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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178 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002) Honour]," Shakespeare Studies [Shakespeare Society of Japan] 10 (1971-72): 16-38. John Feather, "Some Notes on the Setting of Quarto Plays," Library 5th ser 27 (1972): 237-44. D.F. McKenzie, "'Indenting the Stick' in the First Quarto of King Lear (1608)," Papers of the Bibliographical Society of America 67 (1973): 125-30. Reprinted in his Making Meaning: "Printers of the Mind" and Other Essays, ed. Peter D. McDonald and Michael F. Suarez (2002), pp. 86-90. Anthony Hammond, "The White Devil in Nicholas Okes's Shop," Studies in Bibliography 39 (1986): 135-76 (see pp. 137-42). E7. COMPOSI<strong>TO</strong>R IDENTIFICATION: JUSTIFICATION Alan E. Craven, "Justification of Prose and Jaggard Compositor B," English Language Notes 3 (1965): 15-17. William S. Kable, "The Influence of Justification on Spelling in Jaggard's Compositor B," Studies in Bibliography 29 (1967): 235-39. Herman Doh, "Compositorial Responsibility in Fortune by Land and Sea, 1655," Library 5th ser. 29 (1974): 379-404. S.W. Reid, "Justification and Spelling in Jaggard's Compositor B," Studies in Bibliography 27 (1974): 91-111. [Cf. Library 5th ser. 31 (1976): 143-45.] R.M. Flores, "The Compositors of the First Edition of Don Quixote, Part II," Journal of Hispanic Philology 6 (1981): 3-44. E8. COMPOSI<strong>TO</strong>R IDENTIFICATION: SPELLING AND CAPITALIZATION Hinman (1963), 1: 180-226. Blayney (1982), pp. 151-77. Tanselle (1999), section I(b), pp. 14-17. A.W. Pollard, Shakespeare Folios and Quartos (1909), p. 98. Thomas Satchell, "The Spelling of the First Folio," Times Literary Supplement, 3 June 1920, p. 352. W.W. Greg, "The First Edition of Ben Jonson's Every Man Out of His Humour," Library 4th ser. 1 (1920-21): 153-60. [See also Library 4th ser. 2 (1921-22): 49-57; 3 (1922-23): 57.] Muriel St. Clare Byrne, "Anthony Munday's Spelling as a Literary Clue," Library 4th ser. 4 (1923-24): 9-23. W.W. Greg, "An Elizabethan Printer and His Copy," Library 4th ser. 4 (1923-24): 102-18; see also 5 (1924-25): 96. A.W. Pollard, "Elizabethan Spelling as a Literary and Bibliographical Clue," Library 4th ser. 4 (1923- 24): 1-8. F.P. Wilson, "Spellings and Misprints in the Second Quarto of Hamlet," Essays and Studies 10 (1924): 36-60. Muriel St. Clare Byrne, "Thomas Churchyard's Spelling," Library 4th ser. 5 (1924-25): 243-48. E.E. Willoughby, The Printing of the First Folio of Shakespeare (1932). [Esp. pp. 56-59.] This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 179 J. Dover Wilson, The Manuscript of Shakespeare's HAMLET (1934). Charlton Hinman, "Principles Governing the Use of Variant Spellings as Evidence of Alternate Setting by Two Compositors," Library 4th ser. 21 (1940-41): 78-94. Irene Mann, "A Political Cancel in The Cobblers Prophesie," Library 4th ser. 23 (1942-43): 94-100. Albert H. Carter, "On the Use of Details of Spelling, Punctuation, and Typography to Determine the Dependence of Editions," Studies in Philology 44 (1947): 497-503. Harry R. Hoppe, The Bad Quarto of ROMEO AND JULIET: A Bibliographical and Textual Study (1948). [Esp. pp. 46-56.] Hereward T. Price, "The First Quarto of Titus Andronicus," English Institute Essays 1947 (1948), pp. 137-68. Philip Williams, "The Compositor of the Pied-Bull Lear," Studies in Bibliography 1 (1948-49): 59-68. Harold Jenkins, "The 1631 Quarto of The Tragedy of Hoffman," Library 5th ser. 6 (1951): 88-99. Raymond A. Biswanger, Jr., "Thomas D'Urfey's Richmond Heiress (1693): A Bibliographical Study," Studies in Bibliography 5 (1952-53): 169-78. I.B. Cauthen, "Compositor Determination in the First Folio King Lear," Studies in Bibliography 5 (1952-53): 73-80. George R. Price, "The First Edition of [Middleton's] Your Five Gallants and of Michaelmas Term," Library 5th ser. 8 (1953): 23-29. Alice Walker, Textual Problems of the First Folio (1953). [See reviews by Philip Williams in Shakespeare Quarterly 4 (1953): 481-83; J.G. McManaway in Papers of the Bibliographical Society of America 48 (1954): 105-7.] Philip Williams, "Two Problems in the Folio Text of King Lear," Shakespeare Quarterly 4 (1953): 451-60. John Russell Brown, "The Printing of John Webster's Plays," Studies in Bibliography 6 (1954): 117-40; 8 (1956): 113-27; 15 (1962): 57-69. John Russell Brown, "The Compositors of Hamlet Q2 and Merchant of Venice," Studies in Bibliography 7 (1955): 17-40. Frank S. Hook, "The Two Compositors in the First Quarto of Peele's Edward I," Studies in Bibliography 7 (1955): 170-77. Harold Jenkins, "The Relation Between the Second Quarto and the Folio Text of Hamlet," Studies in Bibliography 7 (1955): 69-83. M.A. Shaaber, "The Folio Text of 2 Henry IV," Shakespeare Quarterly 6 (1955): 135-44. Alice Walker, "Compositor Determination and Other Problems in Shakespearian Texts," Studies in Bibliography 7 (1955): 3-15. J.K. Walton, The Copy for the Folio Text of Richard III (1955), esp. pp. 77-82. [See review by Fredson Bowers, Shakespeare Quarterly 10 (1959): 91-96.] A.S. Cairncross, "Quarto Copy for Folio Henry V," Studies in Bibliography 8 (1956): 67-93. Paul L. Cantrell and George Williams, "Roberts' Compositors in Titus Andronicus Q2," Studies in Bibliography 8 (1956): 27-38. George R. Price, "The Manuscript and the Quarto of The Roaring Girl," Library 5th ser. 11 (1956): 180-86 Alice Walker, "Some Editorial Principles (with Special Reference to Henry V)," Studies in Bibliography 8 (1956): 95-111. Paul L. Cantrell and George Williams, "The Printing of the Second Quarto of Romeo and Juliet (1599)," This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING S
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CONTENTS Preface • 9-10 Part 1. S
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Tanselle: Introduction to Scholarly
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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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