INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 179
J. Dover Wilson, The Manuscript of Shakespeare's HAMLET (1934).
Charlton Hinman, "Principles Governing the Use of Variant Spellings as Evidence of Alternate Setting
by Two Compositors," Library 4th ser. 21 (1940-41): 78-94.
Irene Mann, "A Political Cancel in The Cobblers Prophesie," Library 4th ser. 23 (1942-43): 94-100.
Albert H. Carter, "On the Use of Details of Spelling, Punctuation, and Typography to Determine the
Dependence of Editions," Studies in Philology 44 (1947): 497-503.
Harry R. Hoppe, The Bad Quarto of ROMEO AND JULIET: A Bibliographical and Textual Study
(1948). [Esp. pp. 46-56.]
Hereward T. Price, "The First Quarto of Titus Andronicus," English Institute Essays 1947 (1948),
pp. 137-68.
Philip Williams, "The Compositor of the Pied-Bull Lear," Studies in Bibliography 1 (1948-49): 59-68.
Harold Jenkins, "The 1631 Quarto of The Tragedy of Hoffman," Library 5th ser. 6 (1951): 88-99.
Raymond A. Biswanger, Jr., "Thomas D'Urfey's Richmond Heiress (1693): A Bibliographical Study,"
Studies in Bibliography 5 (1952-53): 169-78.
I.B. Cauthen, "Compositor Determination in the First Folio King Lear," Studies in Bibliography 5
(1952-53): 73-80.
George R. Price, "The First Edition of [Middleton's] Your Five Gallants and of Michaelmas Term,"
Library 5th ser. 8 (1953): 23-29.
Alice Walker, Textual Problems of the First Folio (1953). [See reviews by Philip Williams in
Shakespeare Quarterly 4 (1953): 481-83; J.G. McManaway in Papers of the Bibliographical
Society of America 48 (1954): 105-7.]
Philip Williams, "Two Problems in the Folio Text of King Lear," Shakespeare Quarterly 4 (1953):
451-60.
John Russell Brown, "The Printing of John Webster's Plays," Studies in Bibliography 6 (1954): 117-40;
8 (1956): 113-27; 15 (1962): 57-69.
John Russell Brown, "The Compositors of Hamlet Q2 and Merchant of Venice," Studies in Bibliography
7 (1955): 17-40.
Frank S. Hook, "The Two Compositors in the First Quarto of Peele's Edward I," Studies in Bibliography
7 (1955): 170-77.
Harold Jenkins, "The Relation Between the Second Quarto and the Folio Text of Hamlet," Studies in
Bibliography 7 (1955): 69-83.
M.A. Shaaber, "The Folio Text of 2 Henry IV," Shakespeare Quarterly 6 (1955): 135-44.
Alice Walker, "Compositor Determination and Other Problems in Shakespearian Texts," Studies in
Bibliography 7 (1955): 3-15.
J.K. Walton, The Copy for the Folio Text of Richard III (1955), esp. pp. 77-82. [See review by Fredson
Bowers, Shakespeare Quarterly 10 (1959): 91-96.]
A.S. Cairncross, "Quarto Copy for Folio Henry V," Studies in Bibliography 8 (1956): 67-93.
Paul L. Cantrell and George Williams, "Roberts' Compositors in Titus Andronicus Q2," Studies in
Bibliography 8 (1956): 27-38.
George R. Price, "The Manuscript and the Quarto of The Roaring Girl," Library 5th ser. 11 (1956):
180-86
Alice Walker, "Some Editorial Principles (with Special Reference to Henry V)," Studies in Bibliography
8 (1956): 95-111.
Paul L. Cantrell and George Williams, "The Printing of the Second Quarto of Romeo and Juliet (1599),"
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