INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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180 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002) Studies in Bibliography 9 (1957): 107-28. R.A. Foakes, "On the First Folio Text of Henry VIII," Studies in Bibliography 11 (1958): 55-60. Robert K. Turner, "Standing Type in Tomkis's Albumazar," Library 5th ser. 13 (1958): 175-85. Fredson Bowers, "The Copy for the Folio Richard III," Shakespeare Quarterly 10 (1959): 541-44. D.F. McKenzie, "Compositor B's Role in The Merchant of Venice Q2 (1619)," Studies in Bibliography 12 (1959): 75-89. Hereward T. Price, "Author, Compositor, and Metre: Copy-Spelling in Titus Andronicus and Other Elizabethan Printings," Papers of the Bibliographical Society of America 53 (1959): 160-87. T.H. Hill, "Spelling and the Bibliographer," Library 5th ser. 18 (1963): 1-28. Akihiro Yamada, "Bibliographical Studies of George Chapman's The Gentleman Usher (1606) Printed by Valentine Simmes," Shakespeare Studies [Shakespeare Society of Japan] 2 (1963): 82-113. Akihiro Yamada, "Bibliographical Studies of George Chapman's Monsieur D'Olive (1606) Printed by Thomas Creede," Studies in English Literature [Tokyo], 1963 (English no.), pp. 1-48. Akihiro Yamada, "Bibliographical Studies of George Chapman's All Fools (1605) Printed by George Eld," Shakespeare Studies [Shakespeare Society of Japan] 3 (1964): 73-99. Frank B. Evans, "The Printing of Spenser's Faerie Queene in 1596," Studies in Bibliography 18 (1965): 49-67. E.A.J. Honigmann, "Spelling Tests and the First Quarto of King Lear," Library 5th ser. 20 (1965): 310-15. Akihiro Yamada, "Bibliographical Studies of George Chapman's May Day (1611) Printed by William Stansby," Journal of the Faculty of Liberal Arts and Science, Shinshu University No. 15 (1965): 13-34. Akihiro Yamada, "Bibliographical Studies of George Chapman's The Widow's Tears (1612) Printed by Richard Bradock," Shakespeare Studies [Shakespeare Society of Japan] 4 (1965-66): 57-83. George R. Price, "The Early Editions of A Trick to Catch the Old One," Library 5th ser. 22 (1967): 205-27. Akihiro Yamada, "Bibliographical Studies of George Chapman's An Humorous Day's Mirth (1599) Printed by Valentine Simmes," Shakespeare Studies [Shakespeare Society of Japan] 5 (1967): 119-49. Akihiro Yamada, "Bibliographical Studies of George Chapman's The Blind Beggar of Alexandria (1598)," Shakespeare Studies [Shakespeare Society of Japan] 6 (1967-68): 147-65. William S. Kable, "Compositor B, the Pavier Quartos, and Copy Spellings," Studies in Bibliography 21 (1968): 131-61. Akihiro Yamada, "Bibliographical Studies of George Chapman's The Memorable Mask of the Middle Temple and Lincoln's In (1613) Printed by George Eld," Shakespeare Studies [Shakespeare Society of Japan] 7 (1968-69): 81-111. William S. Kable, The Pavier Quartos and the First Folio of Shakespeare (1970). Andrew Cairncross, "Compositors C and D of the Shakespeare First Folio," Papers of the Bibliographical Society of America 65 (1971): 41-52. Hiroshi Yamashita, "The Printing of Philip Massinger's Plays [The Duke of Milan and The Maid of Honour]," Shakespeare Studies [Shakespeare Society of Japan] 10 (1971-72): 16-38. Peter W.M. Blayney, "'Compositor B' and the Pavier Quartos: Problems of Identification and Their Implications," Library 5th ser. 27 (1972): 179-206. Fredson Bowers, "Was There a Lost 1593 Edition of Marlowe's Edward II?", Studies in Bibliography This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 181 25 (1972): 143-48. Andrew Cairncross, "Compositors E and F of the Shakespeare First Folio," Papers of the Bibliographical Society of America 66 (1972): 369-406. [Criticized in T.H. Howard-Hill's monographs of 1976 and 1977 listed below.] Alan E. Craven, "Simmes' Compositor A and Five Shakespeare Quartos," Studies in Bibliography 26 (1973): 37-60. Alan E. Craven, "Two Valentine Simmes Compositors," Papers of the Bibliographical Society of America 67 (1973): 161-71. T.H. Howard-Hill, "The Compositors of Shakespeare's Folio Comedies," Studies in Bibliography 26 (1973): 61-106. Harold F. Brooks, "The Chief Substantive Editions of Oldham's Poems, 1679-1684: Printers, Compositors, and Publication," Studies in Bibliography 27 (1974): 188-226. Andrew S. Cairncross, "The Relation of Q1 to Q2 Hamlet," Text [Uppsala] 1 (1974): 67-77. S.W. Reid, "Justification and Spelling in Jaggard's Compositor B," Studies in Bibliography 27 (1974): 91-111. [Cf. Library 5th ser. 31 (1976): 143-45.] Robert K. Turner, Jr., "The Printers and the Beaumont and Fletcher Folio of 1647: Section 1 (Thomas Warren's)," Studies in Bibliography 27 (1974): 137-56. R.M. Flores, The Compositors of the First and Second Madrid Editions of DON QUIXOTE (1975). James P. Hammersmith, "The Printers and the Beaumont and Fletcher Folio of 1647, Section 7," Papers of the Bibliographical Society of America 69 (1975): 206-25. John O'Connor, "Compositors D and F of the Shakespeare First Folio," Studies in Bibliography 28 (1975): 81-117. S.W. Reid, "Compositorial Spelling and Literal Rhyme: The Example of Jaggard's B," Library 5th ser. 30 (1975): 108-15. Peter W.M. Blayney, "The Compositors of the Pavier Quartos," Library 5th ser. 31 (1976): 143-45. T.H. Howard-Hill, Compositors B and E in the Shakespeare First Folio and Some Recent Studies (1976). A.C. Partridge, A Substantive Grammar of Shakespeare's Nondramatic Texts (1976). T.H. Howard-Hill, A Reassessment of Compositors B and E in the First Folio Tragedies (1977). Jonathan H. Spinner, "The Composition and Presswork of Henry V, Q1," Library 5th ser. 32 (1977): 37-44. George R. Price, "The Printing of Love's Labour's Lost (1598)," Papers of the Bibliographical Society of America 72 (1978): 405-34. Paul Werstine, "Editorial Uses of Compositor Study," Analytical & Enumerative Bibliography 2 (1978): 153-65. [For expanded version see 1984 below.] D. Allen Carroll, "Danter's Compositors and Wilson's The Cobler's Prophesie (1594)," Analytical & Enumerative Bibliography 3 (1979): 159-64. Randall McLeod, "Spellbound: Typography and the Concept of Old-Spelling Editions," Renaissance and Reformation n.s. 3 (1979): 50-65. T.H. Howard-Hill, "New Light on Compositor E of the Shakespeare First Folio," Library 6th ser. 2 (1980): 156-78. R.M. Flores, "The Compositors of the First Edition of Don Quixote, Part II," Journal of Hispanic Philology 6 (1981-82): 3-44. Toshiyuki Suzuki, "The Influence of Rhymes on the Compositors of The Faerie Queene (1590)," This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING S
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CONTENTS Preface • 9-10 Part 1. S
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Tanselle: Introduction to Scholarly
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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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