INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 181<br />
25 (1972): 143-48.<br />
Andrew Cairncross, "Compositors E and F of the Shakespeare First Folio," Papers of the<br />
Bibliographical Society of America 66 (1972): 369-406. [Criticized in T.H. Howard-Hill's<br />
monographs of 1976 and 1977 listed below.]<br />
Alan E. Craven, "Simmes' Compositor A and Five Shakespeare Quartos," Studies in Bibliography 26<br />
(1973): 37-60.<br />
Alan E. Craven, "Two Valentine Simmes Compositors," Papers of the Bibliographical Society of<br />
America 67 (1973): 161-71.<br />
T.H. Howard-Hill, "The Compositors of Shakespeare's Folio Comedies," Studies in Bibliography 26<br />
(1973): 61-106.<br />
Harold F. Brooks, "The Chief Substantive Editions of Oldham's Poems, 1679-1684: Printers,<br />
Compositors, and Publication," Studies in Bibliography 27 (1974): 188-226.<br />
Andrew S. Cairncross, "The Relation of Q1 to Q2 Hamlet," Text [Uppsala] 1 (1974): 67-77.<br />
S.W. Reid, "Justification and Spelling in Jaggard's Compositor B," Studies in Bibliography 27 (1974):<br />
91-111. [Cf. Library 5th ser. 31 (1976): 143-45.]<br />
Robert K. Turner, Jr., "The Printers and the Beaumont and Fletcher Folio of 1647: Section 1 (Thomas<br />
Warren's)," Studies in Bibliography 27 (1974): 137-56.<br />
R.M. Flores, The Compositors of the First and Second Madrid Editions of DON QUIXOTE (1975).<br />
James P. Hammersmith, "The Printers and the Beaumont and Fletcher Folio of 1647, Section 7," Papers<br />
of the Bibliographical Society of America 69 (1975): 206-25.<br />
John O'Connor, "Compositors D and F of the Shakespeare First Folio," Studies in Bibliography 28<br />
(1975): 81-117.<br />
S.W. Reid, "Compositorial Spelling and Literal Rhyme: The Example of Jaggard's B," Library 5th ser.<br />
30 (1975): 108-15.<br />
Peter W.M. Blayney, "The Compositors of the Pavier Quartos," Library 5th ser. 31 (1976): 143-45.<br />
T.H. Howard-Hill, Compositors B and E in the Shakespeare First Folio and Some Recent Studies<br />
(1976).<br />
A.C. Partridge, A Substantive Grammar of Shakespeare's Nondramatic Texts (1976).<br />
T.H. Howard-Hill, A Reassessment of Compositors B and E in the First Folio Tragedies (1977).<br />
Jonathan H. Spinner, "The Composition and Presswork of Henry V, Q1," Library 5th ser. 32 (1977):<br />
37-44.<br />
George R. Price, "The Printing of Love's Labour's Lost (1598)," Papers of the Bibliographical Society<br />
of America 72 (1978): 405-34.<br />
Paul Werstine, "Editorial Uses of Compositor Study," Analytical & Enumerative Bibliography 2 (1978):<br />
153-65. [For expanded version see 1984 below.]<br />
D. Allen Carroll, "Danter's Compositors and Wilson's The Cobler's Prophesie (1594)," Analytical &<br />
Enumerative Bibliography 3 (1979): 159-64.<br />
Randall McLeod, "Spellbound: Typography and the Concept of Old-Spelling Editions," Renaissance and<br />
Reformation n.s. 3 (1979): 50-65.<br />
T.H. Howard-Hill, "New Light on Compositor E of the Shakespeare First Folio," Library 6th ser. 2<br />
(1980): 156-78.<br />
R.M. Flores, "The Compositors of the First Edition of Don Quixote, Part II," Journal of Hispanic<br />
Philology 6 (1981-82): 3-44.<br />
Toshiyuki Suzuki, "The Influence of Rhymes on the Compositors of The Faerie Queene (1590),"<br />
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